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Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

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Pick of the Week: Summit of the Gods & more

July 9, 2012 by Katherine Dacey, Michelle Smith, Sean Gaffney, Brigid Alverson and MJ 3 Comments

KATE: I only have eyes for one book this week: the long-awaited third volume of Summit of the Gods. This manliest of manga focuses on two Japanese climbers’ efforts to find out what happened to doomed explorer George Mallory, who disappeared during a 1924 attempt to reach the top of Mt. Everest. As one might expect of a series illustrated by Jiro Taniguchi, the artwork is superb; if you’ve ever wondered what it might be like to navigate a glacier or dangle from a rope above a yawning chasm, Taniguchi’s drawings will transport you to the Himalayas with the same vertigo-inducing accuracy as an IMAX film.

MICHELLE: I, too, am happy to see volume three of Summit of the Gods appear at long last, but I’ll throw a bit of love toward Alice in the Country of Clover: Chehsire Cat Waltz. Okay, true, the Bloody Twins Clover installment was nowhere near as good as the original Country of Hearts series, including as it did a variety of “what-if” scenarios pairing Alice up with various guys from the video game, but it seems as if Cheshire Cat focuses on her relationship with one guy. Maybe I’m wrong and it’ll disappoint again, but you can be sure I’ll be checking it out.

SEAN: Yeah, I’ll go with Cheshire Cat Waltz as well. It’s still more ‘romance’ oriented than the first series, but does at least make the effort to show that Alice is in a strange land filled with dangerous psychopaths who change moods at the drop of a hat. I hope they go a bit further into her reasons for being there – briefly hinted in the first manga’s ending – but in the meantime, I am content to see her wandering around with the hot guys as long as it keeps up the frisson of discomfort that makes it intriguing.

BRIGID: Summit of the Gods sounds pretty tasty, but it’s 95 degrees and I’m in the last stages of San Diego prep frenzy, so I need something light and amusing. I thought the first volume of Animal Land was kind of strange but interesting in an oh-Japan kind of a way, so I’ll swing for volume 5 this week. Since it springs from the fevered brain of the creator of Zatch Bell, I know I won’t have to take it too seriously, and that’s good enough for me.

MJ: Aside from Summit of the Gods, this week is pretty light for me, so as I’m weighing in last, I’ll to head over to NETCOMICS and recommend their Totally BL bundle, available through the end of the month. While NETCOMICS’ limited-time rental model is looking less and less attractive these days, next to other publishers’ iPad apps and other ownership-based digital venues like JManga (even eManga offers a “Keep” option for their titles), there are a number of Korean titles from NETCOMICS that I must continue to recommend, especially for BL fans. One of these is Hajin Yoo’s Totally Captivated, included in the NETCOMICS bundle along with the super-addictive Let Dai. If you’ve never given Korean BL a chance, this is the time to do so.


Readers, what looks good to you this week?

Filed Under: PICK OF THE WEEK

Bookshelf Briefs 7/9/12

July 9, 2012 by Katherine Dacey, Michelle Smith and Sean Gaffney 3 Comments

This week, Kate, Michelle, and Sean look at recent releases from VIZ Media and Vertical, Inc.


Case Closed, Vol. 43 | By Gosho Aoyama | VIZ Media – In the latest volume of Case Closed, Conan and the gang solve three mysteries: one involving a lost cell phone, another involving a toy company president, and yet another featuring a bomb-wielding maniac. The stories are a little hit-or-miss, relying heavily on surprise twists that few readers will be able to anticipate from the available clues. Of the three, “One Demon Among 53,000” is the best, a crisply executed beat-the-clock thriller in which Conan must find a terrorist who’s threatening to blow up Koshien Stadium during the national baseball championships. Smart pacing and effective jump cuts convey the urgency of the situation, making it all the more frustrating that volume 43 ends without resolving this promising storyline. Guess I’m on the hook for 44! – Katherine Dacey

Dawn of the Arcana, Vol. 4 | By Rei Toma | Published by VIZ Media – While this volume doesn’t play up my favorite aspect of Dawn of the Arcana—Nakaba’s inner struggle between her loyalty to her protector, Loki, and her burgeoning feelings for her new husband, Caesar—as much as I would like, it’s still quite an important volume. Nakaba’s influence on Caesar continues to be profound, and when he learns that his father is planning an attack on a village of Loki’s people, he sets out to foil the plan. Meanwhile, Nakaba begins to explore her powers of foresight and starts to think she may be able to use it to help people, only she can’t tell Caesar because the king would execute her if he were to catch wind of her ability. She’s shaping up to be a strong and capable heroine, and I look forward to seeing where the story goes from here! – Michelle Smith

The Drops of God, Vol. 4 | By Tadashi Agi and Shu Okimoto | Vertical, Inc. – The moment that Shizuku won the battle for the first Apostle, I was ready for the second battle to be Issei’s. He has to be a formidable foe, after all. To that end, he gets the bulk of the character development here, going to the Tibetan desert in order to find the perfect inspiration and also to acquire another love interest (in a sequence which is both heartwarming and laughable in its cliche). Shizuku, meanwhile, seems the odd one out this time – in a volume that is filled with lovers reconnecting and familial bonds, he can’t even understand why Miyabi seems so grumpy when he notes they’re just colleagues. No surprise, then, that he ends the volume with need of some serious soul-searching. Hopefully he’s found it by the next omnibus, which jumps ahead about a dozen or so volumes. –Sean Gaffney

Kamisama Kiss, Vol. 8 | By Julietta Suzuki | VIZ Media – The kami conference wraps up quickly here, and I liked that they did show Kayako again just to have a bit of closure. The bulk of the volume, however, deals with Kurama and his tengu family, as Nanami and Tomoe get involved in a tortuous succession battle. There are sprinklings of the main romance here and there, but for the most part this volume works like many of the previous ones – a new character meets Nanami and takes an instant dislike to her, only to eventually fall for her on account of her gumption, stick-to-it-ive-ness, and general main character syndrome. I don’t expect Jiro to be any different, especially as he’s already noting the differences between men and women. Provided you haven’t grown weary of everything revolving around how swell Nanami is (she needs more obvious flaws), this series still entertains. –Sean Gaffney

La Corda D’Oro, Vol. 16 | By Yuki Kure | VIZ Media – This dating-sim-cum-manga would be a true guilty pleasure if Kahoko, the heroine, wasn’t such a dithering idiot. Alas, her doormat behavior and lack of focus make her an unlikely candidate for classical music greatness, as she spends more time mooning over cute guys than she does practicing her etudes. In volume sixteen, for example, she nearly flops in competition because she’s become utterly preoccupied with aloof but handsome violinist Len. Len’s big revelation — and the fallout from it — could have been handled in five or ten pages, but Yuki Kure milks it for nearly three chapters, treating us to repeated scenes of Kahoko blushing, stammering, and playing sour notes as she frets about Len. Worse still, these scenes feel like they’ve been pilfered from earlier chapters; even the characters seem bored with their lines, sleep-walking through an all-too-familiar tournament scenario. Wake me up when the backstage backstabbing resumes! – Katherine Dacey

Natsume’s Book of Friends, Vol. 12 | By Yuki Midorikawa | VIZ Media – For the most part, this manga is content to be a series of short one-shots and two-parters dealing with the yokai world, and the new yokai Natsume has to deal with. We have seen him slowly starting to open up, however, and the three-parter here shows how it’s affecting both him and Tanuma. This is the classic ‘if I’m not close to them, they won’t be in danger’ hero dilemma for Natsume, but we not only see Tanuma’s side – wanting to help but feeling completely inadequate about it – but also Nitori’s, who it is implied made his choice earlier in life and is trying to ensure Natsume does not duplicate it. There’s a lot more action here as well, as if the increase in emotions lends itself to a faster, more frantic pace. Loneliness has plagued Natsume’s life as it did his grandmothers. Can he stop the cycle? Addicting. –Sean Gaffney

Oresama Teacher, Vol. 9 | By Izumi Tsubaki | VIZ Media – It’s great to see Tsubaki’s abilities improve with each volume. In particular, the focus issue she’s always had is almost entirely absent here, mostly due to the fact that there’s only one real plot here – the attempt to crush Okegawa. It’s his story more than Mafuyu’s here, which is why he takes her out right before the final battle – and also why he is seemingly finally allowed to see through her disguise. Okegawa is fantastic here, as we see that being a bancho is not just about thugging it up, but almost a military calling – planning the battle, caring for your subordinates. And loving a good fight as well, of course. Lest you think that this is a serious volume, however, fear not – the author can’t go three pages without sticking in something hilarious, with this particular volume ending in what amounts to a giant pie fight. I still like this series better than most. Listen to me, though, as I’m the correct one. –Sean Gaffney

Ouran High School Host Club, Vol. 18 | By Bisco Hatori | Published by VIZ Media – I read the first volume of Ouran back in June 2006, so getting to this final volume has been a six-year journey. Staying true to itself to the end, the conclusion is simultaneously so silly it’s positively ridiculous and so sunny that it’s pretty endearing. I’d say this is a satisfying ending for the most part, though the special side story, about Kyoya’s ambition and his thoroughly Slytherin family, was really kind of dull. I wanted more Tamaki and Haruhi cuteness! Throughout the volume, Hatori includes illustrations and sidebars about the futures of various characters, and some of those are adorable, and we also get one final cameo by Mori’s chicken! I can’t adequately express how much I love that durn chicken. Not without flaws, but still recommended. – Michelle Smith

Toriko, Vols. 10-11 | By Mitsutoshi Shimabukuro | VIZ Media – The latest installments of Toriko illustrate what’s bad — and good — about this goofy series. Whenever the story’s focus shifts from food to fighting — as it does in volume ten — Toriko becomes a dreary slog, filled with ugly characters engaged in sadistically violent combat. Making these battle scenes even more tedious is the dialogue, as bad guys pause to outline their plans, or explain the source of their power, thus providing Toriko an opportunity to gain the upper hand. When the story focuses on food and friendship, however, it’s a cheerful, if occasionally stomach-churning, parody of Iron Chef, as Toriko and his sidekick Komatsu scour the globe in search of rare ingredients. For my taste, there’s too much combat and not enough cuisine in Toriko; even the reappearance of master chef Setsuno, one of the series’ most memorable characters, wasn’t enough to erase the memory of volume ten’s endless wrangling. – Katherine Dacey

Filed Under: Bookshelf Briefs

Hetalia Axis Powers, Vol. 3

July 9, 2012 by Sean Gaffney

By Hidekaz Himaruya. Released in Japan by Gentosha, originally serialized as an online webcomic. Released in North America by Tokyopop in association with Right Stuf, Inc.

For the first time in over a year, I get to review a new Tokyopop book. And naturally, it’s the third volume of Hetalia Axis Powers. It was a runaway bestseller, so it makes sense that it should come back. The translation for it had already been done, given it was scheduled to ship a mere month after TP initially went under. And, being one of the company’s few Gentosha books, I imagine the renegotiations were easier than with a company like Kadokawa or Akita, who might inquire about the 7-8 other abandoned titles that there is little interest in reviving.

The quality of the book itself is a huge improvement over the first two, at least production-wise. The paper is thicker and more durable, there are color pages, and it simply feels more ‘quality’ than the almost xeroxed feel of the first two volumes. As for Himaruya’s art, it’s always going to look a bit dashed off, as that’s just what he does, but it does look a bit clearer here than in prior books.

The series is less about World War II than ever before, but that’s absolutely fine. History buffs may like Hetalia, but in the end it’s not particularly written for them. It’s a goofy comedy starring a bunch of (mostly) guys who do dumb things around each other, and happen to be nations of the world. There’s a bit less reliance on stereotype here (though still a lot – don’t think it vanishes) as we have grown to know the characters and therefore the author can rely on simple character-based gags, such as tomboy Hungary not realizing that she’s a girl, or Japan’s crushing disappointment that Switzerland does not look like Heidi at all.

This is not to say that there aren’t plenty of historical strips, they’re just used as setup for the most part. Probably the best in the book is the analysis of the alliance between Poland and Lithuania in the 15th and 16th century, which also gives us a chance to see some actual action in the series, however brief, as the two nations battle against Prussia and Sweden (what an odd pairing. Are their fanfics? … yes, of course there are.) At times the history/gag comic balance can be upset a bit, but it’s mostly unintentional. When Prussia comes across an older Hungary lying beaten against a tree with clothes torn open, the unpleasant implication is that she was just raped by Turkey. While this is not entirely out of place given the actual history that happened between the two, it jars in a comic that mostly has a light touch with catastrophic world events.

There are a few new nations introduced here (including another rare female, Belgium), and some get a bit more development, such as the Nordics. But for the most part the main cast of 3 Axis and 5 Allies remain the focus, and they have lots of goofy times. Several of the gags fall flat, but the book reads quickly, and in the end you read it with a smile on your face more often than not. That said, this is only recommended to those very familiar with the series, and would be a wretched starting point for newbies. Let’s hope it sells well enough to get a Vol. 4… and perhaps inspire some other license rescues?

Filed Under: REVIEWS

Manga Bestsellers: 2012, Week Ending 27 May

July 8, 2012 by Matt Blind 1 Comment

Comparative Rankings Based on Consolidated Online Sales

last week’s charts
about the charts

##

Manga Bestsellers

1. ↔0 (1) : Sailor Moon 5 – Kodansha Comics, Apr 2012 [423.3] ::
2. ↑3 (5) : Sailor Moon 1 – Kodansha Comics, Sep 2011 [407.5] ::
3. ↔0 (3) : Sailor Moon 4 – Kodansha Comics, Mar 2012 [384.3] ::
4. ↓-2 (2) : Naruto 56 – Viz Shonen Jump, May 2012 [379.5] ::
5. ↓-1 (4) : Sailor Moon 3 – Kodansha Comics, Jan 2012 [371.5] ::
6. ↔0 (6) : Sailor Moon 2 – Kodansha Comics, Nov 2011 [343.0] ::
7. ↑7 (14) : Maximum Ride 1 – Yen Press, Jan 2009 [312.3] ::
8. ↔0 (8) : Negima! 34 – Kodansha Comics, Apr 2012 [301.7] ::
9. ↓-2 (7) : Black Butler 9 – Yen Press, Jul 2012 [300.9] ::
10. ↑3 (13) : Sailor Moon 7 – Kodansha Comics, Sep 2012 [286.3] ::

[more]

Top Imprints
Number of volumes ranking in the Top 500:

Yen Press 83
Viz Shonen Jump 80
Tokyopop 67
Viz Shojo Beat 48
Kodansha Comics 42
Viz Shonen Jump Advanced 35
HC/Tokyopop 19
Dark Horse 16
Vizkids 15
DMP Juné 14

[more]

Series/Property

1. ↔0 (1) : Sailor Moon – Kodansha Comics [1,090.5] ::
2. ↔0 (2) : Naruto – Viz Shonen Jump [827.1] ::
3. ↔0 (3) : Black Butler – Yen Press [633.1] ::
4. ↔0 (4) : Maximum Ride – Yen Press [622.3] ::
5. ↑2 (7) : Warriors – HC/Tokyopop [561.1] ::
6. ↑4 (10) : Death Note – Viz Shonen Jump Advanced [511.9] ::
7. ↓-2 (5) : Negima! – Del Rey/Kodansha Comics [490.9] ::
8. ↓-2 (6) : Highschool of the Dead – Yen Press [417.4] ::
9. ↑4 (13) : Bleach – Viz Shonen Jump [411.7] ::
10. ↑1 (11) : Avatar: The Last Airbender – [multiple publishers] [394.0] ::

[more]

New Releases
(Titles releasing/released This Month & Last)

1. ↔0 (1) : Sailor Moon 5 – Kodansha Comics, Apr 2012 [423.3] ::
4. ↓-2 (2) : Naruto 56 – Viz Shonen Jump, May 2012 [379.5] ::
8. ↔0 (8) : Negima! 34 – Kodansha Comics, Apr 2012 [301.7] ::
15. ↑13 (28) : Warriors SkyClan & The Stranger 3 – HarperCollins, Apr 2012 [251.9] ::
24. ↓-4 (20) : One Piece 62 – Viz Shonen Jump, May 2012 [209.8] ::
32. ↑3 (35) : Pandora Hearts 10 – Yen Press, May 2012 [183.4] ::
36. ↓-13 (23) : Highschool of the Dead 6 – Yen Press, Apr 2012 [170.4] ::
37. ↑61 (98) : Soul Eater 9 – Yen Press, May 2012 [166.6] ::
41. ↓-8 (33) : The Betrayal Knows My Name 3 – Yen Press, Apr 2012 [151.6] ::
43. ↑17 (60) : Pokemon Black & White 7 – Vizkids, May 2012 [151.3] ::

[more]

Preorders

9. ↓-2 (7) : Black Butler 9 – Yen Press, Jul 2012 [300.9] ::
10. ↑3 (13) : Sailor Moon 7 – Kodansha Comics, Sep 2012 [286.3] ::
11. ↑1 (12) : Sailor Moon 6 – Kodansha Comics, Jun 2012 [280.5] ::
12. ↑5 (17) : Sailor Moon 8 – Kodansha Comics, Nov 2012 [278.3] ::
33. ↑22 (55) : Sailor Moon 9 – Kodansha Comics, Jan 2013 [181.8] ::
38. ↑18 (56) : Ouran High School Host Club 18 – Viz Shojo Beat, Jun 2012 [166.5] ::
40. ↑8 (48) : Finder Series 6 Passion within the View Finder – DMP Juné, Jul 2012 [157.5] ::
48. ↑87 (135) : Bleach 40 – Viz Shonen Jump, Jun 2012 [144.5] ::
52. ↑25 (77) : Dance in the Vampire Bund 12 – Seven Seas, Jun 2012 [142.8] ::
53. ↔0 (53) : Naruto 57 – Viz Shonen Jump, Jul 2012 [142.4] ::

[more]

Manhwa

321. ↑289 (610) : Ragnarok 1 – Tokyopop, May 2002 [38.9] ::
369. ↑383 (752) : Bride of the Water God 11 – Dark Horse, May 2012 [33.7] ::
472. ↓-135 (337) : Bride of the Water God 9 – Dark Horse, Oct 2011 [26.2] ::
544. ↑204 (748) : Priest Purgatory 1 – Tokyopop, Aug 2010 [21.2] ::
572. ↓-240 (332) : INVU 5 – Tokyopop, Nov 2009 [19.4] ::
680. ↓-1 (679) : Bride of the Water God 10 – Dark Horse, Jan 2012 [14.5] ::
764. ↑687 (1451) : JTF-3 Counter Ops – RealinterfaceStudios.com, Mar 2011 [11.2] ::
868. ↑ (last ranked 15 Apr 12) : Jack Frost 1 – Yen Press, May 2009 [8.5] ::
874. ↓-152 (722) : Toxic (anthology) 1 – Udon, Jul 2012 [8.3] ::
1063. ↓-360 (703) : Black God 16 – Yen Press, Apr 2012 [5.0] ::

[more]

BL/Yaoi

40. ↑8 (48) : Finder Series 6 Passion within the View Finder – DMP Juné, Jul 2012 [157.5] ::
62. ↑10 (72) : Only the Ring Finger Knows (novel) 5 – DMP Juné, Sep 2012 [126.1] ::
76. ↑10 (86) : Ai no Kusabi (novel) 7 – DMP Juné, Sep 2012 [110.7] ::
157. ↓-12 (145) : Finder Series 5 Truth in the View Finder – DMP Juné, Dec 2011 [71.5] ::
174. ↓-68 (106) : Private Teacher 3 – DMP Juné, May 2012 [67.9] ::
240. ↓-84 (156) : Private Teacher 2 – DMP Juné, Jan 2012 [51.2] ::
248. ↑3 (251) : Dog x Cat 3 – 801 Media, Jun 2012 [49.7] ::
257. ↑22 (279) : World’s Greatest First Love: Ritsu Onodera’s Affair 1 – Tokyopop Blu, Cancelled [47.4] ::
262. ↓-16 (246) : Good Morning – DMP Juné, May 2012 [46.1] ::
297. ↑489 (786) : Silver Diamond 8 – Tokyopop, Dec 2010 [41.4] ::

[more]

Ebooks

4. ↓-2 (2) : Naruto 56 – Viz Shonen Jump, May 2012 [379.5] ::
7. ↑7 (14) : Maximum Ride 1 – Yen Press, Jan 2009 [312.3] ::
13. ↓-4 (9) : Naruto 55 – Viz Shonen Jump, Mar 2012 [265.0] ::
16. ↓-6 (10) : Maximum Ride 5 – Yen Press, Dec 2011 [246.7] ::
25. ↑20 (45) : Maximum Ride 2 – Yen Press, Oct 2009 [204.7] ::
28. ↑23 (51) : Maximum Ride 3 – Yen Press, Aug 2010 [192.1] ::
31. ↑16 (47) : Maximum Ride 4 – Yen Press, Apr 2011 [185.0] ::
42. ↓-13 (29) : Naruto 54 – Viz Shonen Jump, Mar 2012 [151.4] ::
53. ↔0 (53) : Naruto 57 – Viz Shonen Jump, Jul 2012 [142.4] ::
58. ↑117 (175) : Naruto 1 – Viz Shonen Jump, Jul 2003 [139.3] ::

[more]

Filed Under: Manga Bestsellers Tagged With: Manga Bestsellers

The Future Is Japanese: Science Fiction Futures and Brand New Fantasies from and about Japan

July 8, 2012 by Ash Brown

Editor: Nick Mamatas and Masumi Washington
Publisher: Viz Media
ISBN: 9781421542232
Released: May 2012

I have been impatiently waiting for The Future Is Japanese: Science Fiction Futures and Brand New Fantasies from and about Japan, edited by Nick Mamatas and Masumi Washington, ever since the anthology was first announced. I already adore Viz Media’s Japanese speculative fiction imprint Haikasoru and will buy and read anything it publishes. However, I was particularly excited about The Future Is Japanese because it is Haikasoru’s first original publication. (I also hope that it isn’t the last.) I was thrilled when the book was finally released in 2012. The anthology collects thirteen stories from creators both East and West (primarily Japanese and American). All but two of the stories were being published for the first time. Just looking at the table of contents I was very pleased with what I saw. Most of the contributors to The Future Is Japanese are already award-winners in their own rights; those whose works with which I wasn’t already familiar I at least recognized by name. As an added bonus, the book’s cover illustration is by Yuko Shimizu, one of my favorite artists. The Future Is Japanese had a lot going for it from the very start.

After a foreword by Masumi Washington and an introduction by Nick Mamatas, The Future Is Japanese begins strongly with Ken Liu’s short story “Mono no Aware,” a meditation on impermanence wrapped in a science fiction tale of humanity’s survival at the edge of space. The next two stories were probably my least favorite in the collection although there were moments in each that I enjoyed tremendously. “The Sound of Breaking Up” by Felicity Savage starts as one story and ends up being an entirely different one. This frustrated me because I was more interested in the first. David Mole’s mecha tale “Chitai Heiki Koronbīn” ends too abruptly for my taste and seemed like it should be the introduction to a longer work. (Granted, one that I would like to read.) These are followed by “The Indifference Engine” by Project Itoh which explores war, hatred, and prejudice. Originally published in 2007, the story confirmed the fact that I want to read everything written by Itoh. The next story was one of my personal favorites in the anthology, “The Sea of Trees” by Rachel Swirsky, a haunting tale about death, ghosts, and letting go. Toh EnJoe’s story “Endoastronomy,” which follows next, has a philosophical and intellectual bent to it, something I enjoy about and have come to expect from his work.

The next selection, “In Plain Sight” by Pat Cadigan deals with the complications caused by artificial and augmented realities. The Future Is Japanese continues with “Golden Bread” by Issui Ogawa. I happen to be fond of Ogawa’s longer works and was not disappointed with his short story. Next is Catherynne M. Valente’s contribution, “One Breath, One Stroke” which is about yokai that live close to the human world. Written in a delightful but fragmented style, the work creates more of a mood rather than a cohesive story. Ekaterina Sedia’s near future and slightly melancholic tale “Whale Meat” follows. Next in the anthology is a selection from the extremely prolific Hideyuki Kikuchi. I actually preferred “Mountain People, Ocean People” over many of the other works of his that I have read. Following next is “Goddess of Mercy” by Bruce Sterling, one of the longer stories in the collection it is about the pirates and darkness that settle on Tsushima island after Japan is destroyed. The Future Is Japanese concludes with “Autogenic Dreaming: Interview with the Columns of Clouds” by TOBI Hirotaka. Originally published in 2009, the story won a Seiun Award in 2010. A complex story featuring a digitization project that has unexpected consequences, “Autogenic Dreaming” particularly appealed to my information science background.

As with most short story collections, how much a reader will enjoy each individual work in The Future Is Japanese will depend on personal preferences. Although I wasn’t blown away by the anthology, personally I found The Future Is Japanese to be a very satisfying read. The short story can be a difficult form to master, but even the works that I found problematic had their strong points. The stories do all tend to be serious in tone, but the collection covers a nice range of speculative fiction from fantasy to science fiction to horror. The Future Is Japanese also has a good balance between Western and Japanese authors. Appropriately enough for the anthology’s theme, even the Western works show Japanese influence, whether stemming from the writers’ personal interests or from the creators having lived in or visited Japan. Overall, The Future Is Japanese is a solid anthology that was well worth the wait.

Filed Under: REVIEWS Tagged With: Haikasoru, Ken Liu, Masumi Washington, Nick Mamatas, Project Itoh, viz media

It Came From the Sinosphere: Passionate Wastrel, Infatuated Hero (Part 2)

July 6, 2012 by Sara K. 6 Comments

The Taiwanese cover for Passionate Wastrel, Infatuated Hero

On Tuesday, I introduced Passionate Wastrel, Infatuated Hero. Because there is very little information about the novel available in English, I split this post into two parts. This is part two.

The Style

First of all, this is a novel that MOVES. Before the reader is five pages into the novel, an innocent girl witnesses a murder. From that point on, the story does not slow down very much, and generally only when it needs to slow down. There are a few sections where the plot loses a little momentum—particularly when focusing on Ling Haotian’s moping over Zheng Baoan—but just when I think the plot might actually drag, a new plot twist bursts in with a BAM!

One reason the novel moves so well is its accessible writing style. I would not go so far as to call it a plain writing style, but the literary flourishes are generally playful in nature. For example, there is a scene where Zhao Guan and Ling Haotian seem to be in a competition to spit out the most chengyu. However, when Zheng Feng is not having fun with words, the language is very direct and to the point.

Fighting

The most enjoyable set of fights for me was the poisoners’ tournament. It has novelty—the contestants duel by trying to out-poison each other instead of using direct combat. It has all of the classic psychological appeals—our protagonist is the underdog (Zhao Guan is the least experienced of all of the contestants) and the stakes for him are really high. And because he is the least experienced of the poisoners, he needs to rely on his wits to win, which is a lot of fun for the reader.

Fighting is a central part of Ling Haotian’s development as a character. Training is how he (tries to) take his mind off of his problems, and as a wanderer he needs to fight to defend himself. It is when he wins a tournament—not of poisoners, but of the finest fighters in the martial arts world—that everybody, including himself, finally realises that he is himself and not merely the son or brother of so-and-so.

Feminism?

One of the reasons I was so interested in reading this novel was, being written by a female, I hoped it would be less patriarchal than other wuxia novels I’ve read. Is it feminist? On the surface, no. But there are some very interesting things beneath the surface…

The two main characters are male, and they both get lots of attention from beautiful women, which makes it seem like a typical harem fantasy wuxia aimed at straight males. However, the standard wuxia-harem-fantasy-for-straight-males tends to feature a man who, while strong, is not particularly handsome, and the women who fling themselves at him tend to be young chaste maidens (please note that I use the word “tend”—of course there are exceptions). Zhao Guan, on the other hand, is so gorgeous that the novel specifically states that 80% of the young women he encounters gets a crush on him. I have come to the conclusion that he probably looks like Hu Ge.

Two pictues showing off Hu Ge's prettiness.

Hu Ge, Chinese bishonen

Even with his looks, he still has to work at getting so many women, unlike the typical wuxia hero who basically has women fall into his lap. And, much as he does not like it, he often has to refrain from pursuing certain women for pragmatic reasons. Most wuxia heroes do not put so much thought into which women to pursue or not pursue—when they do refrain, it’s usually because of sexist cultural programming, not because they actually considered what might be in his or her best interests. Of course, if they actually thought about it before entering into certain problematic relationships, there would be less dramatic conflict, whereas making decisions based on sexist programming tends to increase, not decrease, dramatic conflict.

Zhao Guan of course prefers women who a pretty and not evil, but he does not care about their prior sexual history, or even if they have other sexual or romantic relationships (well, he does care about their other relationships … but in a “I won’t let him hurt her” sense and not a “how dare she have another man” sense). This lack of double standard is rather refreshing. He even takes a woman who had kidnapped and tortured him as one of his lovers. And while he does care about looks, the most beautiful women in the story are immune to his charms for some reason (*cough* the Ling brothers *cough*). This does not look so much like a fantasy for straight males to me. This looks like a fantasy for straight fangirls who want a hot guy who won’t turn them down.

What about straight fangirls who are not physically pretty? They have Ling Haotian. The most beautiful women in the story all fall for him or one of his brothers, not Zhao Guan. Meanwhile, Zheng Baoan, while not ugly, is said to be the plainest-looking young woman in the story. Yet she is the only woman that both Ling Biyi and Ling Haotian want. Even though they can get women who are far, far more beautiful. And they are both hot dudes. This is unambiguously a fantasy aimed at straight female readers.

Speaking of Zheng Baoan, she’s a cool character herself; she’s sweet, reserved, feminine, and tough as nails. Ling Haotian says she is far braver than he (I agree). Whereas Ling Haotian generally runs away from problems, Zheng Baoan confronts them. And while he’s busy angsting over his feelings for her, Zheng Baoan is too busy saving his life to indulge in angst. I like characters like this because they illustrate that courage is just as compatible with femininity as with masculinity.

And then there’s the gender-reversal in Zhao Guan’s story. First of all, instead of being a girl who has heard her parents say they wished she were a boy, Zhao Guan hears his mother wishing she had a daughter, and the other people who take care of him as a child keep on saying it is such a pity he is not a girl. Wuxia novels have no shortage of women who, for various reasons, dress and try to pass as male. No woman does that in this novel. Instead, it is Zhao Guan who sometimes tries to pass as female. His reason is very practical—he needs to hide from his enemies, and it is sometimes safer for him to present himself as female than male. However, he feels no shame in dressing as a woman. This reflects that he really, really does think females are equal to males—he has no reason to be ashamed of being perceived as female. Now count the number of straight men in your life who would not experience any shame or embarrassment if they had to dress up and pass as women.

And speaking of gender reversal, there’s Zhao Guan’s mother herself. She basically lives the live of a male wuxia hero without being male. She overcame childhood tragedy, mastered various martial arts skills, rescues the weak and innocent, punishes wrongdoers, became the leader of a martial arts faction, drinks alcohol, and has her own (reverse) harem. It’s a pity that she has to die so early in the novel … I’d be willing to read a novel which features her as the main character.

How the Novel Made Me Feel

Back in the later years of elementary school and in middle school, I voraciously gobbled up whatever decent-or-better fantasy novels came my way. I did it because it went beyond fun. I lived the exciting adventures of those characters.

Reading this novel brought that feeling back for me. I read this novel at a steady clip of about 145 pages per day—which may not seem like that much until you realize a) I didn’t start studying Chinese until I was in my 20s and b) I often had to put the book down to savor some bit which had captured my imagination. This novel dominated my life while I was reading it, and the story is still ringing through my mindspace.

And … CURSE YOU ZHANG FENG FOR WRITING THAT ENDING! YOU MADE ME CRY!

Availability

The only part of this novel that is available in English (or any other non-Asian language) is the excerpt I translated for this review. There is not even an unfinished fan translation.

I know the handful of wuxia novels which have been published into English or French have not been best-sellers (if any wuxia novels have been published into any non-Asian languages other than English or French, please comment—I want to keep track of all wuxia novels published in non-Asian languages). However, just as contemporary manga tends to be more commercially successful in English translation than classic manga, I suspect contemporary wuxia might be more commercially successful than classic wuxia in the English-speaking world. I think a publisher could make money bringing out this novel in English if they marketed it properly. Now, once enough people in the English speaking world are hooked on wuxia, the classic novels could come out, heh heh heh…

At the very least, it is available in both simplified and traditional characters. For those learning Chinese as a foreign language, I think this novel is a good pick because it has such an accessible style. Is it the easiest novel to read on linguistic grounds? No. But it is entertaining and fast-paced, which in my opinion is more important than whether the grammar or vocabulary are easy. And compared to many other wuxia novels, the vocabulary and grammar are not hard.

Conclusion

I think it’s pretty obvious at this point that I love this novel. It is a monumental artistic work that a literature professor would approve of? No. But much as I love high-brow culture, sometimes I want a story which will just suck me in. This story did that. If you can, you should give it a chance to suck you in too.


Sara K. used to be really into fantasy novels. Looking back, she wonders how she found time to read all those novels considering that she also had to go school, do homework, sleep, and so forth. It gives her hope that she might be able to actually find time to read many of the wuxia novels on her reading list. And she definitely plans to read Zheng Feng’s other novels.

Filed Under: It Came From the Sinosphere Tagged With: Novel, wuxia, zheng feng

Attack on Titan, Vol. 1

July 6, 2012 by Sean Gaffney

By Hajime Isayama. Released in Japan by Kodansha, serialization ongoing in the magazine Bessatsu Shonen Magazine. Released in North America by Kodansha Comics.

When the buzz for this series first started coming out, right about when it got the Kodansha manga award last year, I recall many people mocking Shueisha for turning it down. The author had shown the series to the editors of Weekly Shonen Jump, and was promptly told that the series was not Jump enough. So he turned around and sold it to Kodansha, and now it’s a bestseller. But they were absolutely right. This isn’t a Jump series at all. Leaving aside the basic horror of the premise, modern Jump simply isn’t this grim. Even Kodansha thought it was more suited to their monthly magazine than the flagship.

The series immediately knows that its strength are the titans themselves. They are huge, grotesque, and unknowable, even as the humans in the city desperately try to discover their weak points and flaws. Seeing likeable characters literally getting eaten by these things not only gives a feeling of desperation to the series, but helps you to side even more with our band of heroes who have vowed to destroy them – particularly the brother-sister team who keep the viewpoint.

Speaking of that, and this is a bit of a spoiler, apologies. I’m not at all sure, at the end of Vol. 1, how I feel about Eren. So-called decoy protagonists are nothing new in manga, and we’ve certainly seen folks we thought would be the hero getting mercilessly killed off right away before. But he doesn’t quite have the right *feel* of one of these, and I’m not sure the manga is ready to follow Mikasa and Armin for the rest of the series. I came out of the closing moments of the cliffhanger thinking along the lines of “…really? How are they going to walk back from that one?” Of course, if I prove to be wrong, it’s quite an impressive step to take. Especially given that the seemingly emotionless Mikasa seems more likely the sort to launch a roaring rampage of revenge after this.

If the series does have a downside, it’s the art when titans are *not* on the screen. There’s a fairly large cast filled with military types here, many of whom I presume will form our core cast. It’s a shame I had so much trouble telling them apart, then, and kept flicking to the montage introduction in the middle of the book to try to get them straight. There’s also some basic siege cliches in here – Eren’s fight with Jean is right out of the big book of war movies.

More to the point, I’d like a few more signs that there’s light at the end of the tunnel. This series is still ongoing, at 7+ volumes in Japan, and I really hope that we get a few more bright spots ahead. As if it ends up being the story of how a ragtag bunch of misfits go up against the enemy and slowly die one by one, the story will be fascinating, but far too downbeat for my taste. I hope the 2nd book can show a bit more optimism.

Filed Under: REVIEWS

Manga Bestsellers: 2012, Week Ending 20 May

July 5, 2012 by Matt Blind Leave a Comment

Comparative Rankings Based on Consolidated Online Sales

last week’s charts
about the charts

##

Manga Bestsellers

1. ↔0 (1) : Sailor Moon 5 – Kodansha Comics, Apr 2012 [470.0] ::
2. ↑1 (3) : Naruto 56 – Viz Shonen Jump, May 2012 [452.3] ::
3. ↓-1 (2) : Sailor Moon 4 – Kodansha Comics, Mar 2012 [442.8] ::
4. ↔0 (4) : Sailor Moon 3 – Kodansha Comics, Jan 2012 [414.8] ::
5. ↔0 (5) : Sailor Moon 1 – Kodansha Comics, Sep 2011 [403.3] ::
6. ↑1 (7) : Sailor Moon 2 – Kodansha Comics, Nov 2011 [395.3] ::
7. ↓-1 (6) : Black Butler 9 – Yen Press, Jul 2012 [373.0] ::
8. ↔0 (8) : Negima! 34 – Kodansha Comics, Apr 2012 [367.6] ::
9. ↔0 (9) : Naruto 55 – Viz Shonen Jump, Mar 2012 [315.7] ::
10. ↔0 (10) : Maximum Ride 5 – Yen Press, Dec 2011 [296.4] ::

[more]

Top Imprints
Number of volumes ranking in the Top 500:

Viz Shonen Jump 84
Yen Press 80
Tokyopop 73
Viz Shojo Beat 50
Kodansha Comics 46
Viz Shonen Jump Advanced 37
Vizkids 20
DMP Juné 16
Dark Horse 14
HC/Tokyopop 12

[more]

Series/Property

1. ↔0 (1) : Sailor Moon – Kodansha Comics [1,189.0] ::
2. ↔0 (2) : Naruto – Viz Shonen Jump [954.7] ::
3. ↔0 (3) : Black Butler – Yen Press [790.1] ::
4. ↔0 (4) : Maximum Ride – Yen Press [624.0] ::
5. ↔0 (5) : Negima! – Del Rey/Kodansha Comics [567.5] ::
6. ↔0 (6) : Highschool of the Dead – Yen Press [490.1] ::
7. ↔0 (7) : Warriors – HC/Tokyopop [477.0] ::
8. ↑1 (9) : Pokemon – Vizkids [458.3] ::
9. ↓-1 (8) : One Piece – Viz Shonen Jump [454.7] ::
10. ↑1 (11) : Death Note – Viz Shonen Jump Advanced [428.0] ::

[more]

New Releases
(Titles releasing/released This Month & Last)

1. ↔0 (1) : Sailor Moon 5 – Kodansha Comics, Apr 2012 [470.0] ::
2. ↑1 (3) : Naruto 56 – Viz Shonen Jump, May 2012 [452.3] ::
8. ↔0 (8) : Negima! 34 – Kodansha Comics, Apr 2012 [367.6] ::
20. ↓-3 (17) : One Piece 62 – Viz Shonen Jump, May 2012 [235.1] ::
23. ↔0 (23) : Highschool of the Dead 6 – Yen Press, Apr 2012 [227.1] ::
28. ↑9 (37) : Warriors SkyClan & The Stranger 3 – HarperCollins, Apr 2012 [200.0] ::
31. ↓-1 (30) : Rosario+Vampire Season II 8 – Viz Shonen Jump Advanced, Apr 2012 [192.6] ::
33. ↓-12 (21) : The Betrayal Knows My Name 3 – Yen Press, Apr 2012 [189.8] ::
35. ↑7 (42) : Pandora Hearts 10 – Yen Press, May 2012 [178.8] ::
37. ↓-2 (35) : Bleach 39 – Viz Shonen Jump, Apr 2012 [176.0] ::

[more]

Preorders

7. ↓-1 (6) : Black Butler 9 – Yen Press, Jul 2012 [373.0] ::
12. ↑1 (13) : Sailor Moon 6 – Kodansha Comics, Jun 2012 [281.3] ::
13. ↑1 (14) : Sailor Moon 7 – Kodansha Comics, Sep 2012 [279.5] ::
17. ↓-1 (16) : Sailor Moon 8 – Kodansha Comics, Nov 2012 [270.3] ::
48. ↑5 (53) : Finder Series 6 Passion within the View Finder – DMP Juné, Jul 2012 [160.3] ::
53. ↑10 (63) : Naruto 57 – Viz Shonen Jump, Jul 2012 [153.4] ::
55. ↑52 (107) : Sailor Moon 9 – Kodansha Comics, Jan 2013 [151.8] ::
56. ↓-23 (33) : Ouran High School Host Club 18 – Viz Shojo Beat, Jun 2012 [151.3] ::
65. ↓-1 (64) : Negima! 35 – Kodansha Comics, Jul 2012 [141.8] ::
72. ↑4 (76) : Only the Ring Finger Knows (novel) 5 – DMP Juné, Sep 2012 [124.7] ::

[more]

Manhwa

332. ↑137 (469) : INVU 5 – Tokyopop, Nov 2009 [36.0] ::
337. ↓-2 (335) : Bride of the Water God 9 – Dark Horse, Oct 2011 [35.3] ::
610. ↑59 (669) : Ragnarok 1 – Tokyopop, May 2002 [15.5] ::
679. ↑93 (772) : Bride of the Water God 10 – Dark Horse, Jan 2012 [12.4] ::
703. ↓-147 (556) : Black God 16 – Yen Press, Apr 2012 [11.2] ::
722. ↑28 (750) : Toxic (anthology) 1 – Udon, Jul 2012 [10.3] ::
748. ↓-102 (646) : Priest Purgatory 1 – Tokyopop, Aug 2010 [9.6] ::
752. ↑177 (929) : Bride of the Water God 11 – Dark Horse, May 2012 [9.4] ::
868. ↓-235 (633) : Color Trilogy 1 The Color of Earth – Macmillan First Second, Apr 2009 [6.9] ::
1200. ↑139 (1339) : March Story 2 – Viz Signature, Apr 2011 [2.2] ::

[more]

BL/Yaoi

48. ↑5 (53) : Finder Series 6 Passion within the View Finder – DMP Juné, Jul 2012 [160.3] ::
72. ↑4 (76) : Only the Ring Finger Knows (novel) 5 – DMP Juné, Sep 2012 [124.7] ::
81. ↑7 (88) : Love Mode 1 – Tokyopop Blu, Nov 2005 [114.0] ::
86. ↓-1 (85) : Ai no Kusabi (novel) 7 – DMP Juné, Sep 2012 [111.1] ::
106. ↓-23 (83) : Private Teacher 3 – DMP Juné, May 2012 [98.5] ::
145. ↑14 (159) : Finder Series 5 Truth in the View Finder – DMP Juné, Dec 2011 [81.7] ::
156. ↓-54 (102) : Private Teacher 2 – DMP Juné, Jan 2012 [75.8] ::
176. ↑6 (182) : Vassalord 4 – Tokyopop, Nov 2010 [69.8] ::
211. ↑1 (212) : Vassalord 3 – Tokyopop, Sep 2009 [59.3] ::
246. ↓-36 (210) : Good Morning – DMP Juné, May 2012 [49.4] ::

[more]

Ebooks

2. ↑1 (3) : Naruto 56 – Viz Shonen Jump, May 2012 [452.3] ::
9. ↔0 (9) : Naruto 55 – Viz Shonen Jump, Mar 2012 [315.7] ::
10. ↔0 (10) : Maximum Ride 5 – Yen Press, Dec 2011 [296.4] ::
14. ↑1 (15) : Maximum Ride 1 – Yen Press, Jan 2009 [274.4] ::
29. ↑2 (31) : Naruto 54 – Viz Shonen Jump, Mar 2012 [199.9] ::
38. ↓-2 (36) : Blue Exorcist 1 – Viz Shonen Jump Advanced, Apr 2011 [175.3] ::
42. ↑7 (49) : Naruto 53 – Viz Shonen Jump, Dec 2011 [172.6] ::
45. ↑2 (47) : Maximum Ride 2 – Yen Press, Oct 2009 [167.5] ::
47. ↑5 (52) : Maximum Ride 4 – Yen Press, Apr 2011 [161.3] ::
51. ↔0 (51) : Maximum Ride 3 – Yen Press, Aug 2010 [157.0] ::

[more]

Filed Under: Manga Bestsellers Tagged With: Manga Bestsellers

Off the Shelf: Gods, Wine, & Time

July 5, 2012 by MJ and Michelle Smith Leave a Comment

MJ: I’m late. I’m late. For a very important date.

MICHELLE: I wonder if I could take this as a hint that you’ve finally read something I’ve been wanting you to read?

MJ: Hmmmm, I suspect the answer to that is “no.” I’m pretty sure I first encountered this as a small child, in Alice in Wonderland. And then a little later on a Barbra Streisand album.

MICHELLE: Oh, darn. I was hoping you’d read some of Alice in the Country of Hearts! Oh well. What did you read?

MJ: Well, my first read this week was Aki’s Olympos, a new josei single-volume omnibus release from Yen Press.

Olympos tells the story of Ganymede of Troy, said to have been abducted by Zeus and brought to serve him at Mount Olympus. In Aki’s adaptation, it is actually Zeus’s son Apollo who abducts Ganymede and holds him in the “miniature garden,” a prison filled with white flower petals as immortal as the gods themselves. Rather than occupying a position of honor as cupbearer to the gods as in the original myths, Aki’s Ganymede is relentlessly tortured by Apollo, who presses upon him the bleakness of his new immortality and takes pleasure in his futile attempts to escape. This torture is later escalated by Hades, who informs Ganymede that his only chance for relief would be for him to go mad, which would release him from Zeus’ celestial realm and into the dark of the underworld. Meanwhile, an eerily monstrous specter of Zeus hovers menacingly around the garden, infatuated with its human prisoner.

I’ve painted a pretty grim picture, I know, so you may be surprised to hear that Olympos is actually a fairly quiet, philosophical manga, meandering through its 300+ pages with musings on the nature of truth and immortality, and the impossibility of understanding between humans and gods. Unfortunately, “meandering” is a key word here. Despite a strong beginning, featuring a newly captured human (Heinz), charged by Apollo with the daunting task of convincing Ganymede—after years of Apollo’s goading—that escape from the garden is possible after all, the series soon loses focus, devolving into a kind of distractedly philosophical pudding that never quite gels.

That said, there’s a lot worth fishing out of this mythological goo if one has the will to do so, and I admit to enjoying quite a bit of it. Apollo’s journey is interesting in particular, as he comes to the realization that speaking the truth and knowing the truth are not necessarily the same things. Ganymede’s character, too, has a lot to offer, as he slowly comes to terms with his fate. Ganymede is described by Homer as the most beautiful of mortals, and this aspect of his story is one that Aki truly takes to heart. All of the artwork in Olympos is beautiful, in fact, almost beautiful enough to make up for its structural flaws.

MICHELLE: I have to say, “distractedly philosophical pudding” is a wonderful phrase, and one that could be applied to quite a lot of storytelling, in my experience.

And yes, despite its flaws, Olympos still sounds like something I’m going to want to check out. Especially because it’s josei and we see too little of that here.

MJ: I do think you’ll want to check it out. And though I think you’re likely to become frustrated with its lack of coherency at some points, I think you’ll end up enjoying it. I certainly did.

So, what have you been reading this week?

MICHELLE: First up for me is volume four of The Drops of God, a seinen series about wine that’s published by Vertical in two-in-one omnibus editions.

This series… how to describe it. My first compulsion is to say “It’s like Oishinbo with wine.” The protagonist, Shizuku Kanzaki, was never a wine fan while his father, a famous wine critic, was alive, but after his death, Shizuku becomes obsessed with learning about the stuff, which is fortunate because the terms of his father’s will require him to compete with a prententious critic (Issei Tomine) to identify a dozen or so wines based on verbal descriptions alone. In between the match-ups with Issei (the second of which closes out this volume), Shizuku and his trusty sidekick Miyabi get up to various things, which usually involve tasting a whole bunch of wine and rhapsodizing about them, sometimes with unintentionally amusing visuals and dialogue.

For instance, in this volume, the wine division of Taiyo Beer has a new client who turns out to be Miyabi’s first love from middle school. He wants to open a grocery store that stocks only name-brand wines, and it’s up to Shizuku and Miyabi to convince him that there are many worthy wines without a prestige name, and so they must search out and find certain ones capable of besting famous wines in a testing. Of course, they succeed, culminating in an absolutely hilarious scene where the first love guy takes a sip and is suddenly riding a pegasus amongst the clouds, taking a little tour of his childhood memories. I admit I laughed out loud.

I don’t mean to suggest that I don’t like The Drops of God, because I do, but it frequently strikes me as ridiculous, even more than your average sports manga (but not more so than the latter volumes of The Prince of Tennis). Perhaps it would help if I had a genuine interest in wine.

I do want to note that this volume has a special message in the back, which I’ll quote here: “The unveiling of the Second Apostle concludes “season one” of the English release. By author request, our next installment jumps ahead in the storyline to a segment on “New World” wines including those in Napa Valley. Tell all your friends about the series so there will be second and third seasons to fill in the gap! We appreciate your support.”

So now I am doing my part by telling all the folks reading Off the Shelf!

MJ: Important news indeed, Michelle! I, too, like The Drops of God, probably more than most sports manga, though that may simply be due to the fact that I have much more interest (generally) in wine than sports. I’m behind on this series, but I’m anxious to catch up. It’s just, well, fun. Also, it makes me thirsty.

MICHELLE: Yeah, it does kind of have that effect.

So, the last book that we’re going to discuss is one that we’ve both read, but we’re coming at it from slightly different perspectives. That is, you’ve seen the movie that it’s based on and I haven’t.

MJ: Indeed! It’s one of my favorite movies, even.

MICHELLE: What we’re talking about is 5 Centimeters per Second, another two-in-one omnibus from Vertical, though this time collecting the entire series. Do you want to describe the story, or shall I?

MJ: I can at least start! Based on the animated feature from writer/director Makoto Shinkai, 5 Centimeters per Second tells the story of a young boy, Takaki Tohno, and Akari Shinohara, the first love he can’t put behind him. He first meets Akari as she transfers into his elementary school in Tokyo. The two bond quickly, partly due to their mutual experience as children whose families move a lot. Mostly, though, they just like each other, so much so that their classmates eventually tease them about being in love. With middle school quickly approaching, they work hard to get into the same junior high, but just like that, Akari’s family is moving again, to Iwafune, quite a distance away.

The two keep in touch by mail, but when Takaki finds out that his family is going to be moving even further away, he decides to visit Akari by train while he still can. Rushing from school to the train, he is delayed several hours by a snowstorm, finally arriving in Iwafune late into the night to find Akari waiting hopefully at the station. This is the last time he will ever meet with her. Time passes, and with only letters and text messages to connect them, Takaki and Akari eventually grow apart. But Takaki’s lingering attachment keeps him from really being able to connect with anyone else.

MICHELLE: (This is spoiler territory here, so be warned.)

I really love how this story plays out because, unfamiliar with the movie, I kept expecting Takaki and Akari to reunite, especially since the opening pages portray them passing each other in the street. But it’s actually much more complicated than that, as the realities of day-to-day adult life have whittled down Takaki’s idealism to the point where he feels he has lost his real self. He never really put forth the effort to contact Akari—another character, Kanae, later shows that one can find someone if one really tries—but yet to move on, to really love someone else would feel like a betrayal. And so he is stuck.

And then at the end, we revisit the moment they glimpse each other, which is portrayed fairly ambiguously from Akari’s point of view. Did she notice him? Did she recognize him? I tend to think she did not, and I love how Takaki smiles at that realization—always kind, he is relieved to see that she’s moved on (did he notice her engagement ring?) and is not encumbered by memories of him as he has been with her. It’s sad, but it’s nice, and I love that it doesn’t go for the expected happy ending.

MJ: This kind of inevitable separation—both the pain of it and the cruel ordinariness of it—is a recurring theme in Shinkai’s work (you may remember that the manga adaptation of one of his earliest films, The Voices of a Distant Star, was the first review I wrote for PopCultureShock), and though he’s always explored this theme beautifully, 5 Centimeters per Second is his most poignant attempt, I think, because the barrier between Takaki and Akari is relatively small. They aren’t separated by light years like the characters in Voices. They’re on the same planet—even in the same country. But the reality is, of course, that there is so much more to it than just the distance, and it’s this kind of simple, simple truth that makes Takaki’s plight so sad and so relatable.

MICHELLE: While the title technically refers to the speed at which a cherry blossom petal falls from a tree, it rather elegantly captures the main obstacles facing Takaki and Akari: distance and time. But it’s a fall, and a separation, that feels almost leisurely because it takes place over a long span of time.

MJ: Beautifully said, Michelle! One of the interesting things about this adaptation is just how much more leisurely the time does pass. The film is fairly neatly divided into three parts, with the first section (Takaki’s childhood with Akari, up through the point when he visits her in Iwafune) feeling the longest and the most fleshed-out. In this manga series, the second two sections are greatly expanded upon, giving us a much closer look at the stories of both Kanae and Takaki’s later girlfriend, Risa, (who is barely seen in the film), which ultimately teaches us even more about Takaki and the women he’s unintentionally hurt with his kindness over the years. While I do miss the strength of some of the film’s imagery and direction (Takaki’s lonely train ride, for instance, feels absolutely epic in the film, thanks to Shinkai’s brilliant pacing), these additional insights really do add something significant.

MICHELLE: I thought his train ride seemed pretty epic in print, too, especially given the fact that a lot of what happens prior to that is, like, two-page vignettes charting the progress of his growing closeness with Akari, but the train ride was the first time we got a long, tense, interrupted sequence of events.

I did want to ask you… was anything different in the movie? Like, the plot? I’m kind of sad to learn Kanae’s not in it much, since I liked her a great deal, and especially appreciated the little optimistic twist (but yet still ambiguous) thrown our way at the end concerning her future.

MJ: Ah, I think I perhaps wasn’t clear. Kanae is in the film quite a bit (the entire second section revolves around her). It’s Risa we barely see. But even so, there isn’t actually any difference in the plot, it’s just that we’re shown much, much more of it in the manga.

MICHELLE: Well, that makes me happy, then!

MJ: It makes me happy, too. Good adaptations can be difficult to come by, but this one is quite good indeed.

Filed Under: OFF THE SHELF Tagged With: 5 centimeters per second, olympos, The Drops of God

Sailor Moon teaser, Ouran Tweetchat tomorrow

July 5, 2012 by Brigid Alverson

At their Anime Expo panel, Viz highlighted some upcoming titles and announced that Yu-Gi-Oh Zexal will join the lineup of Shonen Jump Alpha.

If you’re mourning the end of Ouran High School Host Club, check out Viz’s new Shojo Beat Facebook page for info about a live Tweetchat with the editor tomorrow.

Also tomorrow, Nico Nico is hosting a live event to celebrate the 20th anniversary of Sailor Moon, and the press release promises “an exciting new announcement” that will “surprise the fans.” The editor of the manga and several members of the voice cast of the anime will be there for some behind-the-scenes chat.

Reviews

Lesley Aeschliman on vol. 1 of Cowboy Bebop (Blogcritics)
Sean Gaffney on vol. 1 of Genshiken: Second Season (A Case Suitable for Treatment)
Kate Dacey on vol. 1 of Jiu Jiu (The Manga Critic)
Leroy Douresseaux on vol. 9 of Rin-ne (The Comic Book Bin)

Filed Under: MANGABLOG

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