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Please Save My Earth, Vols. 1-5

April 2, 2013 by Anna N

One of the things I was most excited about when Viz launched their digital store was the possibility that some of their backlist shoujo titles would get released in digital format. The one series I was most wanting to experience again was Please Save My Earth. I read the first few volumes of the series many years ago, but dropped it. At the time I was a bit frustrated about the lack of forward movement in the story, even though I thought the manga was interesting and well-constructed. I know that plenty of people have read the whole series and consider it a favorite so I was anxious to give it a second try.

The first volume opens by introducing the slightly strange heroine of Please Save My Earth. Alice has just moved to Tokyo from Hokkaido, and she’s having a hard time adjusting. She has an affinity towards plants and feels cut off from nature in the big city. Alice is tormented by an oddly precocious neighbor boy named Rin. As she’s excaping the stress of school she happens upon an oddly intimate conversation between two of her male classmates, Jinpachi and Issei. At first Alice thinks that she’s stumbled across a moment from a yaoi manga and concludes “this is what manga fangirls are supposed to weep with joy over!” Later, Jinpachi and Issei explain the meaning behind their conversation – every night they share the same dreams where they are male and female scientists marooned on the moon.

Rin has an accident while Alice is babysitting him and is in a coma for several days. When he wakes up, the bratty boy seems to be taken over by a much more cynical and manipulative personality and he begins to exhibit an obsessiveness over Alice that would be even more disturbing in a grown man. Alice has a dream where she’s a woman named Mokuren, on the moon with Shion, the man she loves.

As the early part of the series progresses, Alice, Jinpachi, and Issei start tracking down other people who share their alien moon dreams by placing an ad in a kooky paranormal magazine. They start having regular meetings, trying to piece together the history of what happened to the alien scientists. Many of the feelings of the adult scientists tend to transfer over to their female incarnations, as Jinpachi starts to exhibit signs of the unrequited love his counterpart Gyokuran had for Mokuran/Alice and Issei/Enju remains on the sidelines.

Hiwatari’s art shifts back and forth from a cartoonish classic 80s style showing the schoolkids to a much more lush and detailed way of portraying life on the moon. One thing that I’d forgotten that I noticed much more the second time around were the touches of humor included in the story such as a random Saint Seiya reference and the occasional mention of shoujo magazine publishing conventions. Jinpachi is congratulated on his emotional conviction when he’s so stirred that he has to be portrayed in a two page spread.

A manga that focused only on characters sharing their dreams about being teeny tiny aliens on the moon might not seem to be very compelling reading on the surface, but there’s plenty of dramatic tension in the way the Moon and Earth stories intersect. The aliens are the last outpost of a dying race, spending their remaining time observing the Earth. But some events show Mokuren and Shion together after all of their companions have died off from an unexpected disease. The mystery behind the final days of the aliens is tricky to put together, as the events shown in the dream flashbacks shift forwards and backwards in time.

Rin is Shion reincarnated, and it is difficult to tell if his scheming is a desperate attempt to put things right or a form of revenge for being left alone on the Moon base for so long that he went insane. Rin is able to manipulate both the adults and high school kids around him, tagging along with Alice and coming up with an elaborate scheme to hide his true reincarnated identity. There’s a bit of a race against time element at play, as the other reincarnated high schoolers start to piece together more and more information about their previous lives, Rin may be able to manipulate them into revealing some information that would allow him to access the dormant alien technology from Earth. Rin also has developed psychic powers, which makes him quite terrifying as a hidden antagonist to the story.

With the digital availability of this series it is very easy to read several volumes at once, and I think that will end up being the most rewarding option for most readers. I wonder if part of the reason why I was starting to grow impatient the first time around was due to delays between volumes. The story of Please Save My Earth progresses in a very compelling way, with past lives informing the reader of the character’s current motivations. I’m interested to see if they are going to play out their tragic fates again, or if free will and the changed personalities of Alice and her gang are going to cause their lives to take a turn for the better. I’m happy to have the chance to revisit this series.

Filed Under: REVIEWS Tagged With: please save my earth, shoujo, viz media

Humming a Love Song with LaLa Dx

April 2, 2013 by Erica Friedman 2 Comments

laladxSo, we’ve talked many times about the vague lines that differentiate shounen/seinen and shoujo/josei. In real life, there is no one age when all boys shift from caring about becoming ninjas to liking looking at girls in bikinis and there is no one moment when girls stop wanting to be a princess and suddenly start paying attention to the cute boy in class.

When we read manga that has been licensed from Japan, we’re often seeing the very best of the bunch—the Fruits Baskets and the One Pieces—and yet, when you see pictures of manga stores in Japan, there are acres of shelves filled with…what?

Today we’ll talk about LaLa Dx, one of those fields filled with flowers of shoujo romance that you are never likely to see here in the US.

LaLa is a relatively well-known monthly magazine, home to several properties that have made to our shores, such as  Yuki Midorikawa’s Natsume’s Book of Friends and Hiro Fujiwara’s Kaicho wa Maid-sama, because of the relationship Viz has with LaLa publisher Hakusensha. LaLa Dx was originally a supplement to LaLa and is now its own bimonthly shoujo manga magazine. Like most of the Bestu, Za and Dx issues of monthly manga magazines, LaLa Dx is smaller than it’s better-known sister—international size A5 rather than the typical B5 size for the monthly magazines. According to the Japanese Magazine Publisher’s Association, Dx comes in at about 67,050  per issue circulation in 2011 (as compared with LaLa‘s 155,950). Small, but packed, Dx comes in at a hefty 850 pages with surprisingly little advertising—none of these series are making it to anime. So for the 690 yen ($7.32 at time of writing) you’re getting a lot of love.

LaLa Dx has a website, but perched in that vague space between childhood and maturity, it’s not quite interesting enough to be appealing to children, and doesn’t quite have content for an older audience. Part of the LaLa family of websites, the site is mostly and advertisement for the current issue. Interviews and other features are integrated with the other magazines on the site. Giveaways are, as well. These days, you’re likely to find a LOT of nyanko-sensei items as LaLa gifts and contest prizes.

When one opens the pages of Dx, one is looking at story after story of young women and young men not getting together for any number of reasons—you know, typical romance stuff. The plot might be driven by horror or comedy, but the story is romance. Friendships will be torn, secrets will be revealed, kind faces will become stern and angry faces will prove to be protective.  This magazine is a field of smiles, of tears, of love. This is what you see, when you look at all those shelves in manga stores. And this is the space between pop idols and cute boy in class…with a little princess thrown in for good measure. ^_^

LaLa Dx by Hakusensha: http://www.hakusensha.co.jp/lala/mag_laladx/now.html

 

 

Filed Under: Magazine no Mori Tagged With: Erica Friedman, Hakusensha, Magazine no Mori, Manga Magazines

Seven Seas licenses Senran Kagura, loses Blood Alone

April 2, 2013 by Brigid Alverson

Senran Kagura

Senran Kagura

Seven Seas confirmed a new license, Senran Kagura: Skirting Shadows, which follows the adventures of a quintet of teenage girls in a secret ninja high school.

Still catching up with manga news… Lissa Pattillo has a quick roundup in which she notes that Seven Seas will not license future volumes of Blood Alone, as the title has shifted to a new publisher, Kodansha, in Japan. Kodansha, of course, has their own American arm, Kodansha comics, although they do license to other publishers as well (and they are co-owners of Vertical).

The Manga Bookshelf bloggers discuss their Pick of the Week.

Reviews: Adam Stephanides posts some quick reviews of untranslated manga at Completely Futile. Ash Brown looks at a week’s worth of reading at Experiments in Manga. And it’s time for more Bookshelf Briefs at Manga Bookshelf.

Kristin on vol. 2 of 21st Century Boys (Comic Attack)
Katherine Hanson on vol. 1 of Asagao to Kase-san (Yuri no Boke)
Matthew Alexander on vol. 18 of Black God (The Fandom Post)
Lesley Aeschliman on vol. 4 of Bleach (Blogcritics)
L.B. Bryant on vol. 1 of Dark-Hunters: Infinity (ICv2)
Lesley Aeschliman on vol. 4 of A Devil and Her Love Song (Blogcritics)
John Rose on vol. 23 of Fairy Tail (The Fandom Post)
Leroy Douresseaux on vol. 3 of Ghost (The Comic Book Bin)
Lori Henderson on vols. 3-5 of Hero Tales (Manga Village)
Lesley Aeschliman on vol. 7 of Kamisama Kiss (Blogcritics)
Ken H on vol. 1 of Kikaider (Comics Should Be Good)
Sean Gaffney on vol. 1 of Mobile Suit Gundam: The Origin (A Case Suitable for Treatment)
Leroy Douresseaux on vol. 2 of Neon Genesis Evangelion (omnibus edition) (I Reads You)
Leroy Douresseaux on vol. 66 of One Piece (The Comic Book Bin)
TSOTE on vol. 31 of QED (Three Steps Over Japan)
Leroy Douresseaux on vol. 27 of Slam Dunk (The Comic Book Bin)
Lesley Aeschliman on vol. 2 of Strobe Edge (Blogcritics)
Leroy Douresseaux on vol. 34 of Vagabond (I Reads You)

Filed Under: MANGABLOG

Mobile Suit Gundam: The Origin 1

April 2, 2013 by Sean Gaffney

By Yoshikazu Yasuhiko; Original Story by Yoshiyuki Tomino and Hajime Yatate; Mechanical Design by Kunio Okawara. Released in Japan by Kadokawa Shoten, serialized in the magazine Gundam Ace. Released in North America by Vertical.

If you’re going to rewrite one of the most renowned and influential anime of all time, you have a lot of difficulties ahead of you. You have to tell the same story but add your own spin on it, making sure it’s not just a word-for-word copy. You need to draw the audience in by showing things that you were unable to the first time, for either budget or time reasons. And of course you need to remind everyone why the original was so legendary. It helps, of course, when you’re actually one of the architects of that original vision. And that’s what we have here, as one of Gundam’s creators has decided to tell the original story from the 1979 anime as a manga, adapting, expanding, and illuminating its plot and characters. And so far, I’m impressed.

gundam1

I must admit, I’ve never gotten into the Gundam phenomenon – as a kid, Battle for the Planets was more my speed, which is about a generation earlier in mecha shows, and I didn’t really follow the Wing/Seed phenomenon. That said, I do know a few things by fandom osmosis. Giant robots, only serious. War is bad. Char Aznable. Lots of tragic deaths. Colony drops. And everyone hates Turn A. That pretty much sums up my knowledge. So I was looking forward to delving into this to see what made it so compelling. The story begins in media res, as we follow a platoon of commandos trying to get into on a secret new weapon the enemy ship has… which turns out to be a Gundam, as we realize the enemy ship is actually Our Heroes.

This feels very much like an epic motion picture, and at times it almost felt like I was reading storyboards rather than a manga volume. Events slide smoothly from one to another, with little to no chance for a breather in between. The lead character, Amuro Ray, is somewhat sullen and teenagery, but not as hard to like as I’d thought, and clearly shows compassion when it’s in his sphere of things he cares about. (There’s a beautifully drawn shot of his childhood friend Fraw running towards him as a huge explosion bursts behind her, and I was sure this would be the first of many deaths, but amazingly no; the “named character” body count in this volume is pretty low.) As for Char, it’s immediately apparently why he is the breakout character from this series. Cool and cocky, but lacking the evil arrogance of some of his friends (like the guy we see right at the cliffhanger), he’s a bad guy you love to hate. Also, his mobile suit is named the Red Comet, which just makes me imagine that the Zeon base is at Cedar Point.

On the presentation end, Vertical has produced possibly its most impressive book to date, with a gorgeous hardcover with thick pages (many color), suitable for any coffee table. It really goes above and beyond the call of duty; kudos to the designers. That said, the main reason to get the Gundam manga is probably the same reason the original anime became so legendary; you can’t stop wondering what happens next. These people and their struggle to survive are amazingly compelling, and everything about this manga adaptation – the plot, the artwork, the characterization – makes it justify its existence. I am very happy to see it coming out here, and can’t wait for more.

Oh yes, and red makes things go three times faster. I remember that as well.

Filed Under: REVIEWS

Pick of the Week: Saiunkoku conclusion & more

April 1, 2013 by Sean Gaffney, Michelle Smith, Anna N and MJ 1 Comment

potw-4-1SEAN: It’s rare that I go off of my own reservation, especially in a week with so much stuff piling in. But my pick of the week just arrived in the mailbox, and will be hitting stores soon: Unico, the new release of Osamu Tezuka’s put out by DMP’s Kickstarter label. Unico is a children’s title (in full color) about a unicorn who can bring others happiness; that said, it’s not as happy and fluffy as you’d expect, and can be quite tearjerking. It’s great to see, and I can’t wait to dig into it.

MICHELLE: Despite the presence of favorites like Sailor Moon, Dawn of the Arcana, Kimi ni Todoke, and Slam Dunk on Sean’s list, I am going to have to give my pick to a beloved series that’s ending this week: The Story of Saiunkoku. I’m very glad we got the chance to read this, but I’m so sad the manga has ended already, when there’s so much story in the light novels that we will never see! Still, that’s no reason not to read the part of the story that we did get, because it’s utterly charming.

ANNA: Since I can’t pick Mobile Suit Gundam: The Origin two weeks in a row, I will highlight Library Wars Vol. 9, which is reaching increasing heights of romantic adorableness as Dojo and Kasahara seem to spend most of the volume blushing, lost in thoughts about their feelings for each other, and occasionally fighting the evil forces of library censorship. This shoujo manga isn’t very deep, but it is consistently enjoyable and always makes me smile.

MJ: There are a lot of strong titles on this week’s list, including all those mentioned above, but given that it’s reached its eighth and penultimate volume, I feel I must continue to root for Toru Fujisawa’s GTO: 14 Days in Shonan. When I placed this at the head of my Top Five New Print Manga of 2012, I talked a lot about Onizuka’s status as a genuine badass, and after volume seven’s terrifying blow against the kids he’s worked so hard to protect, I’m counting on his stubborn, badass nature to see us through. This is a series I’ll savor to the end.

Readers, what looks good to you this week?

Filed Under: PICK OF THE WEEK Tagged With: gto: 14 days in shonan, library wars, the story of saiunkoku, Unico

SakuraCon: Yen gets Kingdom Hearts manga

April 1, 2013 by Brigid Alverson

Inu x Boku SS

Inu x Boku SS

The anime con season kicked off this past weekend with SakuraCon, where both Yen Press and Dark Horse had license announcements and other news. Yen Press announced it has licensed the Kingdom Hearts series and will re-release the volumes previously released by Tokyopop and publish the later volumes as well. They have also licensed Inu x Boku SS, by Cocoa Fujiwara, No Matter How I Look at It, It’s You Guys’ Fault I’m Not Popular! (Watashi ga Motenai no wa Dou Kangaete mo Omaera ga Warui!), by Nico Tanigawa, and the manga adaptation of the film Wolf Children Ame and Yuki.

Editor Carl Gustav Horn had two new licenses to announce at the Dark Horse panel: New Lone Wolf and Cub, an 11-volume sequel to the original Lone Wolf and Cub series, and Hatsune Miku: Unofficial Hatsune Mix (Maker Hikōshiki Hatsune Mix), a series about the Vocaloid idol and her friends that originally ran in Comic Rush from 2008-2010.

It doesn’t look like there were any new license announcements at the Viz Media panel, but they did announce two new box sets, Bakuman and One Piece, as well as their publishing schedule for the coming year.

Sean Gaffney took a closer look at the new Yen Press and Dark Horse licenses at his blog.

This past week had an unusually strong set of new releases; I covered ’em all at MTV Geek. And the Manga Bookshelf team takes a look at this week’s new manga as well.

I’m playing a little catch-up here, but I wanted to get this in print before JManga went dark: The most fun interview I had at New York Comic Con was with manga-ka Masakazu Ishiguro, the creator of Soredemo Machi wa Mawatteiru, and his editor at Young King Ours magazine, Masahiro Ohno. It’s up now at MTV Geek, along with a preview of SoreMachi, which will stay up after JManga goes down.

Erica Friedman cues up the latest edition of Yuri Network News at Okazu.

MJ and Michelle Smith discuss an assortment of new titles, including the Sabrina the Teenage Witch manga, in their latest Off the Shelf column at Manga Bookshelf. And MJlooks at three older series she is enjoying in her 3 Things Thursday column. And Anna, MJand Sean open up the Manga Shopping Bag and discuss their recent purchases.

Somehow I was so busy last week that I missed the Manga Moveable Feast, which focused on history; it was hosted by Khursten Santos at Otaku Champloo, and here are her introduction, Day 1 roundup, discussion of the power of historical manga, Day 2 roundup, review of Ooku, and a post on World War II as viewed by three manga artists. This is a very nice collection and well worth a read. Also: Ash Brown is giving away a copy of Onward Towards Our Noble Deaths at Experiments in Manga.

Travis Anderson has a license request: Tea Girl.

Reviews: Ash Brown looks back on the weeks’ manga reading at Experiments in Manga.

Johanna Draper Carlson on vol. 2 of 21st Century Boys (Comics Worth Reading)
Manjiorin on Accidental Princess (Organization ASG)
Matthew Warner on vol. 1 of Alice in the Country of Hearts: My Fanatic Rabbit (The Fandom Post)
Kate O’Neil on vol. 4 of Attack on Titan (The Fandom Post)
Matthew Warner on vol. 54 of Bleach (The Fandom Post)
Lori Henderson on vols. 1 and 2 and vols. 3 and 4 of A Bride’s Story (Manga Xanadu)
Jocelyne Allen on vols. 2 and 3 of Chokodoshoujin (Brain Vs. Book)
Kate O’Neil on vol. 1 of The Dark-Hunters: Infinity (The Fandom Post)
Connie C. on A Drifting Life, Even a Monkey Can Draw Manga, and I’ll Give It My All… Tomorrow (Comics Should Be Good)
Lori Henderson on vol. 1 of Emma (Manga Xanadu)
Daniella Orihuela-Gruber on vol. 2 of Finder (All About Manga)
Ash Brown on The Heart of Thomas (Experiments in Manga)
Sean Gaffney on vol. 21 of Higurashi: When They Cry (A Case Suitable for Treatment)
Ash Brown on vol. 1 of The Infernal Devices: Clockwork Angel (Experiments in Manga)
Jocelyne Allen on vol. 1 of Ippo (Brain Vs. Book)
Angela Eastman on vol. 3 of Jiu Jiu (The Fandom Post)
Daniella Orihuela-Gruber on Kimi Shiruya—Dost Thou Know? (All About Manga)
Daniella Orihuela-Gruber on vols. 1 and 2 of Kiss Blue (All About Manga)
Daniella Orihuela-Gruber on vol. 3 of Kizuna (All About Manga)
Daniella Orihuela-Gruber on A Love Song for the Miserable (All About Manga)
Daniella Orihuela-Gruber on Mr. Convenience (All About Manga)
Kate O’Neil on vol. 14 of Pandora Hearts (The Fandom Post)
Anna on vols. 2 and 3 of Paradise Kiss (Manga Report)
Daniella Orihuela-Gruber on Restart (All About Manga)
Sean Gaffney on vol. 10 of Sailor Moon (A Case Suitable for Treatment)
Derek Bown on the March 25 issue of Shonen Jump (Manga Bookshelf)
Daniella Orihuela-Gruber on Shy Intentions (All About Manga)
Daniella Orihuela-Gruber on Sleepless Nights (All About Manga)
Sean Gaffney on vol. 1 of Tokyo Babylon (omnibus edition) (A Case Suitable for Treatment)
Ash Brown on vol. 3 of Vagabond (omnibus edition)
John Rose on vol. 30 of Wallflower (The Fandom Post)

Filed Under: MANGABLOG

Bookshelf Briefs 4/1/13

April 1, 2013 by Sean Gaffney, Anna N, MJ and Michelle Smith 1 Comment

This week, Sean, Anna, MJ, & Michelle look at recent releases from Kodansha Comics, Viz Media, Yen Press, and Vertical, Inc.


attack4Attack on Titan, Vol. 4 | By Hajime Isayama | Kodansha Comics – The art still has issues with facial differences, but this is finally the volume where we see developed characters beyond the big three. Annie and Jean both get to show off potential antagonist chops, but my favorite was Sasha, or “Potato Girl.” In a manga as deeply depressing and bleak as this series is, we need moments of levity—moments we didn’t get in the first three volumes. Sasha’s personality, love of food, and general liveliness are a breath of fresh air. Of course, that doesn’t mean this volume is all laughs. We cycle back and forth between training flashbacks and the present day so quickly that I lose track of which is which (black borders would help, Isayama—don’t you read manga?), and the present day is bad for everyone, with more corpses, more distrust of Eren, and a bleak future promised. Also, Blouse? Not Braus? This reminds me of Fairy Tail romanization… -Sean Gaffney

demon2Demon Love Spell, Vol. 2 | By Mayu Shinjo | Viz Media I read the first volume and liked this series much more than Ai Ore!, and that was confirmed by the second volume, which kicks off with an unexpectedly poignant story of a lost fox demon. Miko continues to be a reasonable foil for any demons she encounters due to her almost bull-headed obliviousness. A scene of her fending off a demonic spirit with an extra sandwich was hilarious. Kagura is very much the typical alpha male Shinjo hero, but his frequent transformations into a tiny handbag mascot keeps him from being too insufferable. This is going to be a go-to fun read for me whenever I need a bit of a laugh. – Anna N

saika1-200x300Durarara!! Saika Arc, Vol. 1 | By Ryohgo Narita, Suzuhito Yasuda, and Akiyo Satorigi | Yen Press – As always with DRRR!!, there’s a lot going on here at the same time. Mikado fades into the background a bit, as we turn to Anri and her own self-esteem issues, which aren’t helped by a sexually harassing teacher. Shizuo is on the cover, and some of his backstory is covered here, showing why he is so incredibly strong—and why it’s a burden rather than a choice. And of course there’s also a series of assaults in the city, as everyone’s getting slashed by a mysterious demon sword—who’s also an internet troll. DRRR!! is the sort of series where explaining everything that’s going on makes it sound more complicated than it is. This is the life of a city, as filtered through about 20 different cast members. Like the author’s other series, Baccano!, there is no main character. Just lots of fun and chaos. – Sean Gaffney

books_limit4Limit, Vol. 4 | By Keiko Suenobu | Vertical, Inc. – As swiftly as Limit‘s group of survivors came together in the series’ third volume, they fall apart even more quickly in the fourth, as it becomes clear that one among them has committed a brutal murder. Accusations are hurdled from all sides, and yet another member of their party will be lost before the group finally settles into a sort of grudging paranoia that is unlikely to abate anytime soon. Volumes of this series seem to fly by, that’s how engaging they are, and I emerged from this one with a combination of dread and feverish anticipation. Fortunately, these are being released on a reasonably brisk schedule, with volume five due out before the end of May. Given the series’ tense atmosphere and quick pacing, it’ll be a great candidate for marathon reading once all six volumes have been released. I look forward to that re-read for sure. Still recommended. – MJ

saiunkoku9The Story of Saiunkoku, Vol. 9 | By Kairi Yura and Sai Yukino | Viz Media – The main storyline of The Story of Saiunkoku wrapped up quite satisfactorily in volume eight, and I never would’ve thought that a subsequent volume of side stories would be necessary. And, indeed, it really isn’t. There are three stories in this final volume—“So Began the Fairy Tale,” which offers a glimpse at the early loss of innocence suffered by Shoka, Shurei’s father; “Hurrican Ryuren Strikes the Capital,” about the eccentric member of the Ran clan who achieved the second-highest rank on the civil servants’ exam; and “Someday I Will Come to You,” about Shoka’s odd brother Reishin and his continued obsession with Shurei. Actually, rather a lot is made of Reishin and his obsession for Shoka, too, and it’s a joke that’s warn a bit thin with me. Nevertheless, this is a pleasant volume, if not the most dramatic or substantial. I’ll miss this series. – Michelle Smith

Filed Under: Bookshelf Briefs Tagged With: attack on titan, demon love spell, durarara, Limit, the story of saiunkoku

Paradise Kiss, Vols. 2 and 3

March 31, 2013 by Anna N

I was very happy to have the chance to experience this great series again in the new editions from Vertical. Paradise Kiss is one of the most emotionally nuanced josei manga that I’ve read, and these gorgeous oversized editions make it possible to appreciate Ai Yazawa’s art. One of the reasons why I like this series so much is that for a manga about a group of fashion kids putting on a show, it manages to explore the subject of love in an extremely unromanticized way. Beginning model Yukari is beginning to go through a process of self-examination, deciding for herself what her priorities in life are. She’s pushed to this in part by George, who is one of my favorite romance manga leading men, just because he’s so atypical. Bisexual, ruthless and driven to produce his vision of haute couture fashion, George is showing Yukari a new world but he doesn’t have the emotional sensitivity to be a 17 year old girl’s first love. Add in a wonderful supporting cast in the form of cross-dresser Isabella, the punked-out Arashi and painfully cute Miwako, and the reader of Paradise Kiss gets a manga masterwork.

The second volume shows Yukari deciding to drop out of school. Seeing the ParaKiss team work together to create something meaningful has made the deficiencies in her own life far to clear. Yukari has been dedicating her life to studying due to her mother’s ambitions, and she wants to put school aside and work until she figures out what she wants to do. She ends up running away from home when her mother is less than thrilled with her new life plan. The ParaKiss team is dismayed, but somewhat supportive. George intones “Even if you end up in hell, I refuse to take any responsibility.” Yukari ends up staying at Arashi’s place while he visits his home, and this entire volume shows how sincere and well-meaning he is. Yukari and George end up becoming closer and she moves in with him, but she’s too restless to enjoy lounging around his apartment all day. She looks around for work and helps out with the dress for the big fashion show. The only person from Yukari’s old life who seems to be concerned about her absence from school is Miwako and Arashi’s old friend Tokumori.

There’s more dramatic tension in Yukari and George’s romance, because it is clear from the start that things aren’t going to work out. Yukari is too anxious, trying to meld her personality to reflect her idea of George’s ideal woman, and while George cares for her, he has the self-involvement of a true artist. His work will always come first. Even while Yukari tries to cling on to George, she knows that they are going to end up being incompatible.

Everything turns bittersweet in the concluding volume of the series, as Yukari begins to launch herself into a modeling career, and the ParaKiss group prepares their showstopping dress. Preparing for the show isn’t going all that smoothly as Yukari starts having health issues and difficulty dealing with jealousy when one of George’s old classmates comes back for a visit. There’s a general sense that everything is going to end one way or another after the show. George is making unsuccessful attempts to launch Paradise Kiss as a label, and having difficulty. If the label can’t sustain them, everybody is going to have to split up and get jobs separately. In a more conventional manga, the show would happen, George would get a grand prize for his dress, and everybody would live happily ever after. Paradise Kiss explores the fashion world in a much more realistic manner. While Yukari is tall, she lacks the towering height of a supermodel. George’s own elaborate sense of aesthetics is holding him back from the type of commercial creations that a successful fashion label would require, but he’s not going to compromise his vision. Yukari and George’s relationship goes from a whirlwind of love to a relationship where they’re both burdened by each other’s expectations.

What makes Paradise Kiss so interesting as a romance manga is that so much time is spent exploring the reasons Yukari and George are going to split up. The book basically takes place entirely in Yukari’s head, so it is easy for the reader to be just as uneasy as she is about George’s true feelings. When his grand romantic gesture comes at the end of the series, it is easy to see just how much he cared for her. Paradise Kiss had a very satisfying and realistic ending, which elevates it among most romance manga. It is rare for me to feel like all the aspects of an emotional story arc were fully explored, but Yazawa is just that good. Reading Paradise Kiss again made me pine for more Nana or the possibility of a Gokinjo Monogatari translation. The oversized volumes make it possible to appreciate all the intricate details of the fashion-centric world the characters inhabit. These great editions from Vertical deserve a place on any manga fan’s shelf.

Filed Under: REVIEWS Tagged With: paradise kiss, vertical

Off the Shelf: Supernatural Sunday

March 31, 2013 by MJ and Michelle Smith 8 Comments

MICHELLE: Hey, MJ! Why did the Easter egg hide?

MJ: Hmmm… I don’t know, Michelle. Why did the Easter egg hide?

MICHELLE: ‘Cos he was a little chicken.

MJ: Ouch. Ouch, ouch. Er. I mean. Ha ha!

MICHELLE: It actually genuinely makes me giggle, but I am predisposed to find chickies amusing.

Anyway! Encounter anything amusing in the realm of manga this week?

sabrina1MJ: Indeed I did! My first read this week was volume one of Tania del Rio’s Sabrina the Teenage Witch: The Magic Within, a manga-style graphic novel collecting the first ten issues of her series, which began its run in 2004. This came out just last week from Archie Comics, and though I realize it’s comprised of previously released material, I’m surprised it hasn’t gotten more buzz.

Sabrina’s been an Archie Comics staple since the 1960s, and she’s appeared in such a variety of mediums (comic books, animated television, live-action television), it’s difficult to imagine that more than a handful of Americans my age and younger could have avoided running into her one way or another. When this graphic novel appeared in our mailbox, my husband—who’d been a fan of the 1996 live-action sitcom starring Melissa Joan Hart—grabbed it up to read before I even had a chance. I was in the thick of my own professional acting career during most of that series’ 7-year run, and I hadn’t been a fan of comic books growing up, so my own history with Sabrina was fairly minimal. Yet here she is now, right in my wheelhouse!

For the two or three people who’ve never encountered her, Sabrina Spellman is a typical North American teenager—mostly. Her days are spent navigating the treacherous world of high school, friendships, and teen romance. Her nights are spent in another world entirely—the Magical Realm, where she studies her true birthright, witchcraft. As one of a growing number of witches who have chosen to live in the mortal world (Sabrina shares a house with her two grownup aunts and a talking cat, Salem), Sabrina delicately balances two separate lives and two separate love interests—shy jock Harvey in the mortal world and charismatic player Shinji in the Magical Realm.

If this sounds like ideal fodder for shoujo manga, Archie Comics obviously agrees—and they’re not wrong, for the most part. Though the series’ episodic format is initially a bit lacking in the kind of depth and character development we tend to expect from manga, later chapters really begin to gel, growing into a character-driven supernatural romance with one hell of a cliffhanger at the end of the volume. And if I’d like to see the story tip a bit more towards supernatural adventure and a bit less towards romance, that’s a very personal quibble.

Where the series really betrays itself as North American manga style comics, is in the artwork—not that this is a big surprise. For my tastes as a manga fan, The Magic Within fails where a whole lot of OEL manga fails, and that’s with cramped, over-toned pages filled to the last inch with ink. As a shoujo manga fan accustomed to delicate line art, sparse backgrounds, and gracefully flowing panel layouts, Sabrina begins as a cluttered, disorienting, inky assault. Fortunately, it’s engaging enough to ultimately render this a non-issue, and by the end of the book I was anxious for more.

MICHELLE: I actually watched some of the live-action Sabrina, though not avidly. And so it feels weird to me that there’s suddenly a love interest called “Shinji” in this comic. Perhaps this is jaded, and I am completely overlooking all of the good things you just mentioned, but this strikes me as “manga fans will think it’s manga if there’s a Japanese guy in it!”

MJ: I definitely get where you’re coming from, and maybe my minimal exposure to earlier versions of Sabrina makes that easier for me to swallow. But the truth is, Shinji is so charming a character, it’s difficult not to just plain like him. I think a chapter later in the book where we meet more of his family (including a mortal uncle who visits from Japan and popularizes Salem as a stuffed mascot—much to Salem’s dismay) helps, too, by giving him some real background. And I’ll admit I can’t help rooting for him in the ongoing Harvey-Shinji romantic showdown (where, as Guy #2, he’s obviously doomed), though at this point, I’m more interested in the volume-end cliffhanger, which is actually all about Shinji, and looks to be potentially quite serious.

The truth is, I enjoyed this book a lot. And for what it’s worth, my Sabrina-fan husband gave it an enthusiastic thumbs-up as well.

So what have you been amusing yourself with this week?

onepiece66MICHELLE: The most amusing manga I read this week was our mutual read for today’s column, but I suppose we’ll get to that in a moment.

My solo read this week was volume 66 of One Piece, which you totally still need to read. This series experienced a two-year time jump prior to volume 61, and volume 66 wraps up the first arc of the “New World,” in which the Straw Hat pirates have reunited and helped thwart an attempt by some human-hating fish-men pirates to take over Fish-Man Island.

This arc has not been an emotional one for our characters—they’re helping, but they’re not personally invested. Rather, the arc is about a fresh start, and so far seems intended as a backdrop against which our heroes can show off the new techniques they’ve learned in the past two years, as well as some of the insecurities they’ve conquered—Chopper no longer has stigma about being a monster, Usopp no longer reacts to taunts about being the weak link in the crew. That isn’t to say that there aren’t some truly nice moments—I’m particularly fond of the several pages depicting the celebratory feast after the battle is won.

A lot of the other things I thought were nifty were more plot-related. I always like it when there’s talk of adding someone to the crew, for example, and then there was a lot of stuff about the mystery of the missing 100 years of history—a subplot that’s been on the back burner recently—and a suggestion that Luffy might possess an ability rare for a human, one which only the previous Pirate King possessed. The one sour note was the depiction of a large female villain, but then I realized that Oda actually does extremely well at involving large heroic people in his series (of both genders), so my brief flare of irritation quickly faded.

Ultimately, this arc’s been fun, but not One Piece at its best.

MJ: I suspect any really long series is going to have its less exciting arcs, and at 66 volumes One Piece has certainly earned a rest. I hope for your sake that it is leading up to further greatness, and not petering out like most long series eventually do. I’ll admit it’s that 66 volumes that makes venturing further than the three I’ve personally read feel really daunting, but I keep planning to dig back in!

MICHELLE: I think if you could just get to volume nine, you’d see what the fuss is about!

Feel up to introducing our mutual read?

bloodlad2MJ: Sure! Our mutual read this week was volume two of Yuuki Kodama’s Blood Lad, a sort of horror/comedy seinen manga currently running in Kadowaka Shoten’s Young Ace and being released here in double-length omnibus editions by Yen Press. I read (and enjoyed!) the first volume of the series back in December, but Michelle’s just catching up now, so for those of you who are also tuning in for the first time, I’ll briefly go over the premise.

Staz is a young vampire who is also boss of a largish territory in the lower (read: slummier) levels of the demon world. He’s also obsessed with mortal Japanese pop culture, so when a Japanese teenager named Fuyumi accidentally turns up in the demon world, he latches on to her right away, demanding her opinions on manga, anime, and video games. As a human, Fuyumi’s chances of survival are slim in the demon world, and it isn’t long before she’s killed and becomes a ghost. This leads Staz on a quest to bring her back to life—partly for his own sake (he’s dying for some real time in the human world) and partly for hers, which is surprising to Staz, as he generally cares little for others. This leads to all sorts of mayhem, including a run-in with Staz’ friend/rival (a werewolf creatively named “Wolf”), who ultimately joins him in his quest to resurrect Fuyumi.

One thing that’s mentioned a few times in volume one is that though Staz lives in the lower-class area of the demon world, he’s actually a pure-blood vampire—a direct descendant of Dracula, even—and this becomes even more important in volume two, where he finds himself in the thick of a family plot, hatched by his manipulative older brother Braz and carried out with the help of their ruthless little sister, Liz. Though volume two begins with Staz directly at odds with his siblings, one of the volume’s nicest surprises is the evolution of Liz’s character as she begins to realize just how controlling and self-serving her oldest brother is. The series’ other delightful surprise—in my opinion at least—is its genuinely funny comedy, but I probably should let Michelle weigh in before going on further about that.

MICHELLE: Originally, I really didn’t think Blood Lad would be something I’d enjoy, but after your experience with it, I couldn’t help but be curious. And now I’m quite glad I decided to check it out, because I liked it very much!

While I like Staz and Fuyumi and am reasonably interested in the fulfillment of his quest, the thing I like best about this series is how it doesn’t do what I expect. For example, one might expect female characters as blatantly buxom as these to be put into fan service poses at every turn, but that doesn’t really happen too often. And that friend/rival, Wolf? He actually takes a break from a fight he’s losing, allowing Staz to take over. Like, with absolutely zero posturing or hurt pride! That is certainly rare!

The very best part, though, is the comedy. Many of the best lines go to Mamejirou, a three-eyed, prescient, low-level demon critter who is pretty much as adorable as it gets. There’s a recurring gag in this volume where boisterous teleportation expert Bell makes a grand entrance to a scene, at which point Mamejirou says something like, “Seriously. Rude.” I love him. (I suppose this is not surprising, considering my love for Koh in Silver Diamond.) The adaptation is also well done, and incorporates a few meme references that I found fun.

So I suppose I need to thank you for convincing me to give Blood Lad a chance!

MJ: I’m both thrilled and relieved that you ended up enjoying this manga, because I would have felt very guilty if you hadn’t! And yes, yes on the comedy. Volume two in particular contains a lot of older manga references as well, from Lupin III to Dragon Ball (chapter 15’s Dragon Ball bit is just plain awesome), though probably these are most enjoyable for long-time manga fans. That’s really much of the series’ charm, though. It’s a love song to otaku, through and through, and who can resist that?

MICHELLE: I had expected it to be longer (only seven volumes appear to be out in Japan right now, with the eighth due next week, if I am interpreting Amazon.jp correctly), but I guess because it’s seinen, it’s serialized less often. Which means after the third Yen Press volume in May (comprising volumes five and six), we might have to wait a while. I will miss Mamejirou in the interim!

MJ: As will I! Thanks for bringing this over, Yen Press!

Filed Under: OFF THE SHELF Tagged With: blood lad, One Piece, sabrina the teenage witch

New Licenses from Dark Horse and Yen Press

March 31, 2013 by Sean Gaffney

Another week, another con. Two cons, in fact. Sakuracon was the place to be for manga folks, though, as both Dark Horse and Yen had panels with brand new announcements! (Viz had a panel as well, but they already did their big announcements last month, so did not have anything new on the print manga front.)

shinlone

New print titles to start. Fans of Lone Wolf and Cub will be pleased to see that Dark Horse has licensed the sequel, New Lone Wolf and Cub. Old-school manga followers may note that they announced this back in 2006, but it got put on the back burner for reasons that have to do with the Japanese licensor, I’m guessing. It has the same writer but a different artist, and ran in the magazine Jin till that folded, whereupon it moved to the online magazine Katana. Expect much samurai action.

vocaloid

Vocaloid is a fandom that has taken off both here and in Japan to an unprecedented degree, so it’s no surprise that someone was going to pick up a cute comic manga featuring the leads, though Dark Horse being the one may be a bit of a surprise. They’ve tried to shed their grim ‘n’ gritty manga image quite a few times recently, so my guess is this is another opportunity. Maker Hikoushiki Hatsune Mix ran in Comic Rush magazine a few years back, and sounds like it’s cute slice-of-idol life stuff.

The big news from Dark Horse may be on the digital front, though. They’ve already added quite a few of their Kadokawa titles to their online store, including Evangelion spinoffs, Kurosagi Corpse Delivery Service, and Ghost Talker’s Daydream. Trigun and Hellsing are also now on there, as is Appleseed, the classic Shirow title. That said, two of their biggest series were still missing. Well, that’s going to change. Starting next month we’ll be seeing Oh My Goddess! and Blade of the Immortal digitally. Given the length of both series, digital may definitely be the way to go in order to gain new readers.

inuboku1

Yen, meanwhile, had three new announcements, a couple of which will be quite exciting to fans who’ve seen the anime adaptations of these. Inu x Boku SS is a Gangan Joker series, still ongoing at 8+ volumes (I smell an omnibus release from Yen), and it’s got everything. Yokai schoolgirls, Fox-tailed secret service butler bodyguards, reincarnation, star-crossed love, and boarding houses. It also has quite a plot twist halfway through, which I won’t spoil here.

notpopular1

Do you love long drawn out manga titles that end in an exclamation point? Japan certainly does, and lately North America has started to as well. So on the heels of Oniichan no Koto Nanka Zenzen Suki ja Nain Dakara ne!! and Ore no Imouto ga Konna ni Kawaii Wake ga Nai comes Gangan Online’s Watashi ga Motenai no wa Dou Kangaete mo Omaera ga Warui!, aka WataMote, aka It’s Not My Fault I’m Not Popular!. This one stars a high schooler who is a master of otome game life, but fails at real life, possibly as she looks like a giant Gloomy Gus. The humor comes when she resolves to try and turn her life around and become sociable. This was a long-awaited title, and does not seem, at first glance, to be filled with incest, so I’m hoping Yen is on to a winner here.

wolfchildren

And for those who enjoyed the Wolf Children movie, Yen has licensed the 3-volume manga adaptation of it, Oukami Kodomo no Ame to Yuki, which ran in Kadokawa’s Young Ace. It’ll come out in a convenient one-volume omnibus, and is the touching story of a young mother trying to bring up her children… who are part-wolf. Judging by the cover art, I think ‘heartwarming’ is the word of the day for this series.

Lastly, they’ve rescued the Kingdom Hearts manga titles, and plan to start releasing those, with both stuff that already came out via Tokyopop and new material.

2013 solicits are almost over, as we’re seeing November release date news now! What’s your top license of the year?

Filed Under: NEWS, UNSHELVED

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