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Welcome to the Erotic Bookstore, Vol. 1

March 26, 2013 by Sean Gaffney

By Pon Watanabe. Released in Japan as “Momoiro Shoten e Youkoso” by Media Factory. Released in North America digitally by Yen Press.

This was definitely one of the most intriguing announcements of SDCC, and I wondered what sort of title it would be like? How mature were we walking here? Was it plot-oriented, or just a slice-of-life gag comedy? Well, having now seen it, slice-of-life is definitely the road it travels down. If it weren’t for the sex talk, this would be almost a typical workplace gag manga. It’s just that here, the workplace sells pornography and sex toys as well as the regular used books, and the clientele it gets can be a little special.

There’s only one scene that I would call so questionable that I’d grab it away from the under-18s (where the bookstore staff goes to the shooting of a porn movie… the most explicit parts of which are drawn using cute cat mascots instead), but make no mistake about it, this book is about a sex shop, and every single chapter is filled with sex talk. Masturbatory aids, adult videos, exhibitionists, voyeurs, you name it, they’re all in here. The author, by the way, is also the narrator/star, but mostly serves to stand aside and make snarky comments – she doesn’t get involved in any of the activities.

Judging by Watanabe’s other two titles, she seems to specialize in slice-of-life gag works like this. It’s broken up into short 8-page chapters, which examine the lives of the owner and staff, the varied customers, and also gets quite philosophical at times. The general rule of thumb in this book seems to be that sexuality is good and nothing to hide provided that it’s not hurting other people. This seems to be an especially good moral to have in times like these, where propriety is seen as everything.

The title is also quite funny, in a mild “causes a smile” way usually, but sometimes the more risque humor made me jaw drop a bit. It’s mostly about the shop, its merchandise, and the customers, but the real world intrudes quite a bit – you see Watanabe having to bust middle school students pretending to be over 18, dealing with yakuza and undercover police (she wasn’t arrested, but had to give a statement – no uncensored porn, please!), and going on karaoke nights with her co-workers. She’s also a female, and quite tall, so there’s talk about how sex shop customers react at having to pay for things through her. And yes, her manga skills do come up once or twice, as she tries drawing things for the shop. We also see her naivite occasionally, such as when she tries to lure more females into the store, only to find that this depletes the much larger male customer base (as they feel even more uncomfortable).

Overall, it’s a cute little title. That said, I wouldn’t get it unless you like slice-of-life mild humor stories, sexual content or no. The style is very “superdeformed” and abstract, so there’s no real nudity or sexual situations. It simply is what it is, a cute title about a woman who manages a used bookstore that has a back room filled with sex stuff.

Pick of the Week: Blood & Mecha

March 25, 2013 by MJ, Sean Gaffney, Michelle Smith and Anna N Leave a Comment

MJ: We’ve got some interesting titles to choose from this week—not a lot in the way of long-standing favorites, but quite a bit of variety. Given my initial reaction to this series’ cover images, I’m surprised to hear myself saying this, but I’m giving my vote this week to volume two of Yuuki Kodama’s Blood Lad. I enjoyed volume one quite a bit—more than my colleagues, I believe—so I’ll be delving into the second volume with a great deal of optimism. Apparently, otaku vampires are my thing after all! This title was a surprise hit for me, and I’m really looking forward to continuing with it.

SEAN: We’ve finally hit the last bad end of Higurashi: When They Cry, and it’s a really bad end, as you’d expect with the title Massacre Arc. The arc after this is a bit contested among fandom, but everyone seems to love this one, which may end in tragedy but is the emotional catharsis of every other arc that came before it. It may not run in Jump, but the precepts of Friendship and Training (well, living through the arcs could be considered training in a way) are here in spades, and will help to achieve Victory in the Festival Accompanying Arc. No victory here, though. But oh so close.

MICHELLE: I think I’m gonna go with Durarara!! Saika Arc this week. As I wrote in a recent Off the Shelf, so far “this is shaping up to be a lot more linear than the original, and I’d say a definite improvement.” The story’s self-contained, so one could start here, but be prepared for a disorienting glut of characters at first. Since you’d encounter the same even if you started at the actual beginning, though, there’s really no difference.

ANNA: I think Mobile Suit Gundam: The Origin comes out this Tuesday, and I am genuinely excited for that. Based on the Japanese Aizoban editions and produced by Vertical, this is a manga that should be a treat to own.

Readers, what looks good to you this week?

Bookshelf Briefs 3/25/13

March 25, 2013 by Sean Gaffney, Anna N and Michelle Smith Leave a Comment

This week, Sean, Anna, and Michelle look at recent releases from Kodansha Comics and Viz Media.

Dawn of the Arcana, Vol. 9 | By Rei Toma | Viz Media – Dawn of the Arcana is shaping up to be a decent fantasy adventure! Nakaba and friends are presently in Lithuanel, attempting to broker an alliance with Senan, but the foreign land is no stranger to ruthless political machinations, as Nakaba soon knows all too well, thanks to her power, the Arcana of Time. In fact, this volume makes it clear that the ability to see into the past and the future is far more of a curse than a blessing, as Nakaba learns just what it is that her attendant Loki has been hiding and soon faces a terrible choice. Meanwhile, her husband, Caesar, sails home to an uncertain fate. A little bit of sloppy plotting and art that’s a bit too simple keep this title from achieving true epic status, but it’s still quite entertaining. Highly recommended. – Michelle Smith

Genshiken: Second Season, Vol. 2 | By Shimoku Kio | Kodansha Comics – Most of the original cast of Genshiken has moved on by this volume – Sasahara barely appears, Saki is absent, etc. But Madarame has always been Genshiken’s heart, so it’s no surprise that he can’t drag himself away from the narrative for long. Which is good, as it’s becoming clear that he’s having a mini-harem form around him. Not that he’s aware of it or anything. It’s good as this is a goldmine of humor, and allows Genshiken’s funniest characters – particularly Sue, who gets her own omake devoted to how awesome she is – shine. But what the 2nd season really seems to be about is Hato and his gender identity, and that’s handled quite realistically and sensitively. In short, it may be a second season with a new cast, but Genshiken still does what it’s always done best – give otaku nerds depth and heart.– Sean Gaffney

Kimi Ni Todoke, Vol 16 | by Karuho Shiina | Viz Media This is one of those shoujo series that is just always excellent. We see Sawako and her friends move forward with more self-awareness and maturity into their developing relationships. Sawako senses some distance between her and Kazehaya and attempts to deal with the issue. Kento attempts to develop his relationship with Ayane. Some of the best moments in this manga are when characters are just sitting and talking to each other, as Kento and Kazehaya discuss their relationship woes. Shiina’s use of paneling and shifting perspective makes everything visually interesting even when most of the manga focuses on heartfelt discussions as opposed to action. – Anna N

Psyren, Vol. 9 | By Toshiaki Iwashiro | Viz Media – I’ve been more of a fan of the modern day parts of Psyren than the dystopian future, though the leveling up of the Elmore Wood kids helped a lot in Vol. 9. Still, in a manga where the future can change such as this one, it’s hard to invest in it. Which is why it’s good to see a subplot with someone like Amakusa, a slimeball who is determined that since the world is destroyed, he may as well rule it. There’s always going to be people like him around after a tragedy. Luckily, he’s merely small fry, getting taken out merely by Marie getting very mad… and crumpling the entire building into a ball around him. Still, there’s no getting around it – this is a “fighting volume” of a Jump series, meaning that the plot mostly takes a pause… with the exception of Nemesis Q’s creator, whose big appearance is the cliffhanger of this good but not great volume. – Sean Gaffney

Rin-Ne, Vol. 11 | By Rumiko Takahashi | Viz Media – One of the big reasons that I go on about Sakura having her negative emotions stolen when she was in the afterlife is that she’s so normally passive that it’s hard to get a grip on her and understand her, and thus she runs the risk of becoming dull. Dull Takahashi characters make me sad. That said, the start of Vol. 11 continues to make me think there’s something to it, as Sakura gets some candy that allows her to not see ghosts… including Rinne himself. And, in her own subtly, low-key way, she realizes that she’s bored out of her gourd without them. (On the bright side, she does miss the many, many attempts on her life.) Other than that, we get the usual: ship tease that doesn’t really go anywhere, unhappy spirits who can easily move on because the whole things a misunderstanding, and lots of violence. Rin-Ne is what it is. – Sean Gaffney

Strobe Edge, Vol. 3 | By Io Sakisaka | Viz Media – This third volume of Strobe Edge is primarily devoted to Ando, who is being groomed to take over the rival spot from Daiki now that he’s been quickly paired off. It’s always fun seeing the so-called player who’s found a girl that he’s genuinely fallen for, but can’t make that clear. Ando’s player tendencies have a serious past to them, much like every other character in this series. The pain of teenage love, and the fact that it doesn’t work out most of the time, is why we read Strobe Edge, a series that so far has no real bad guys. Even Mayuka seems beset by doubts when she shows up towards the end. But of course, if things remain as they are, we won’t have a plot, so that’s no surprise. Strobe Edge is slow paced, and may frustrate some people, but its bittersweet feelings seem just about right for me. – Sean Gaffney

License Request Day: Another Look At Medaka Box

March 24, 2013 by Sean Gaffney

By NisiOisiN and Akira Akatsuki. Released in Japan by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump.

Back in 2010, I did a License Request post regarding a Shonen Jump manga called Medaka Box, and explained why I thought it was a great series, and also why I thought it was unlikely to get picked up. Well, it’s now almost two and a half years later, and the series is still running in Weekly Jump, and gotten two anime seasons (which, sadly, animated the least interesting part of the manga) and has more reasons I’d love to see it licensed… as well as even more reasons it won’t. So let’s discuss.

Since my original post, the manga has kept going, and gotten even more ludicrous. It now projects to be over 20 volumes, and just began a new arc after faking readers into thinking it was ending – the 2nd time the authors have done that! It’s introduced even more overpowered characters, including Najimi Ajimu, who can seemingly control the narrative and utilizes her 12,858,051,967,633,865 skills to waltz around the story being smug. And it still has a small core of hardcore fans who enjoy discussing what it’s really trying to say – even if they all disagree with each other, and half of them are fans of the series but despise the lead.

So, why do I want to see this series over here? Let’s see…

1) Tons of strong female characters, including many leads, several of which have no romances whatsoever. Medaka Box sails through the Bechdel test, honestly. Medaka herself is currently one of two Jump series with a female lead (and the other, Novice Policewoman Kiruko-san, may not last long). We also meet characters such as the aforementioned Najimi Ajimu, Youka Naze (a genius mad scientist with a knife sticking out of her bandaged head), Hansode Shiranui (who is primarily comic relief in the anime-adapted shows, but proves to be far more dangerous – and far more broken – than everyone expected), and Mukae Emukae (who makes anything she touch rot and die, including animals and, presumably, people. )

Each arc has at least one or two major female antagonists or protagonists, and some are entirely female, such as the Jet Black Bride arc. Now yes, there is some romance, with some characters falling in love or obsessing over a person. But it’s not a requirement. More to the point, almost every single female in this series beyond about chapter 26 can kick anyone’s ass right ways from Sunday. I have never seen such a larger group of BAMFs. It’s pretty amazing.

2) Examination, parody, and deconstruction of shonen themes. Many series do this subtextually, but Medaka Box goes right ahead and makes this text. Misogi Kumagawa, who is easily the most popular character among Western fans of the series (and probably Japanese fans as well – the anime did a final episode just devoted to him as if to make up for its likely cancellation), often refers to events by saying “If this were in Weekly Shonen Jump”. Ajimu takes it one step further, and seems entirely aware that this is a serial – it’s made into a plot point, and once led to one of the greatest lines in the entire series, “Manga that go longer than 10 volumes just coast on their success, and this has already gone three volumes over that. So just watch… I’ll end this manga before the anime begins.” (Spoiler: she didn’t.)

But it’s not just pointing out the series is fictional. Medaka Box goes to great pains to mock and undercut many of Shonen Jump’s most treasured values, with several monologues noting that while Jump is supposedly about “Friendship, Training, Victory”, the reality is that the stronger characters defeat the weak ones, so more power always wins. And indeed that is the case throughout Medaka Box. Medaka is insanely powerful, so she wins despite everything. The only exceptions are characters who are (temporarily) stronger than she is. Kumagawa is set up to rebel against this – his entire purpose in life is to be the one representing the weak, loser characters whose only purpose is to fail.

But with all that said, the beauty of a series like Medaka Box – and something that a few of its fans don’t quite get – is that for all that it’s deconstructing Jump series, it also IS a Jump series, and thus in the end it serves what Jump strives for after all. This is not a series that will end with our heroes broken and Medaka humiliated and tarnished – that’s not its goal. Its goal is to show the wonders of humanity in all its forms, even when humans are equipped with various types of superhuman abilities. (Medaka Box sometimes seems like X-Men there’s so many people with insane superpowers.) It may say Jump is all about who is most powerful, but Medaka succeeds because of the bonds she has with Zenkichi – and his bonds with all the others.

3) It’s simply fun. Everyone acts gloriously over the top, almost in a Higurashi sort of way. The series is peopled with larger than life superheroes, so it’s only natural that they are larger than life. Kumagawa can be terrifying or hysterically funny, often in the same chapter, and his juvenile pursuit of seeing girls’ panties, girls in naked aprons, and girls in “hand-bra jeans” (don’t ask) is a nice reminder that all these superhuman geniuses really are teenagers after all. There’s fun wordplay, and later volumes introduce Nienami, who seems determined to be the ultimate boke just to have everyone scream at her. You’re never quite sure if the manga is a parody or not – which is the point, of course.

Now, I mentioned I don’t think this will be licensed. Why? I already discussed in my prior post that it starts off very slowly. In fact, it’s quite mediocre for the first few volumes. (You know, the ones they chose to animate). But let’s update things.

1) It’s now over 20 volumes and counting, and is not a huge hit the way Toriko or Bakuman were. This is reason #1 with a bullet.

2) It would make the translators cry. There is an entire ARC given over to battles using kanji and wordplay, culminating in a final confrontation involving the Japanese game where the next person starts a word with a syllable that the previous person ended with. Oh yes, and there’s a chapter where Ajimu tries to inspire Zenkichi by recalling about 25 old Shonen Jump heroes, many of whom never appeared over here and would require extensive translation notes – something which Viz has never used in its shonen series.

3) One character, Shori Wanizuka, walks around at times with a revolver sticking out of her mouth, sucking on the barrel. Oh, Viz would just LOVE that.

4) Medaka herself. Not since Ichigo Kurosaki has there been a more polarizing lead character in Shonen Jump. Medaka is meant to be a deconstruction of the “Mary Sue” sort of character – she is perfect at anything she tries, has a killer body, is genius level IQ, a physical powerhouse, etc. Despite this, Medaka throughout the series is shown to have difficulty with basic humanity. This is a thread that exists in a lot of NisiOisiN’s works, where he shows the basic disconnects anyone that far ahead of/in front of us would have with average people.

As such, a lot of the time, Medaka is unlikeable, particularly when dealing with Zenkichi, her childhood friend. Now, one of the main plots in the series is showing that she is gradually improving at human interaction, and is not a superhuman freak but merely a teenage girl like everyone else. Of course, character development is frequently not welcome by some fans, who form their opinions and then refuse to change them ever. I’d argue that a majority of the fans support Zenkichi or (especially) Kumagawa as a “main character”, seeing Medaka as an antagonist. In addition, a small minority of fans seem to suffer from “nice guy syndrome”, demanding that Medaka treat Zenkichi nicer because, well, he’s the male love interest and why won’t she learn her place?

5) For those who like Jump for its BL elements, you’ll find some of that here as well. (There’s a couple of yuri teases too.) That said, Medaka’s figure and habit of exhibitionism can also put off female readers who might see the title as pure fanservice.

With all that said, I remain fascinated by this series, one of the most addictive I’ve seen in Jump in years. Even with all the pitfalls, I’d still love to see someone take a chance on it. Hey, it’s licensed in France! Can North America be that far away?

Drama Diary: My Princess Eps. 8-16

March 24, 2013 by Anna N 3 Comments

Here’s my first My Princess post covering the beginning of the series, if you haven’t read it before!

The second half of My Princess becomes more serious as the political machinations pick up and everybody has to deal with Events From The Past, as one does in kdramas. The restoration of the Monarchy is going to go up to a public vote, so the President and other politicians are very interested in the outcome. The President supports the Monarchy on the surface because he owes Hae Young’s Grandfather a great deal, but in reality he is not thrilled about a new ceremonial Korean Monarchy pulling focus from the elected government. The toppling of the Monarchy is aided by the evil Yoon Joo, who gets a willing accomplice in Seol’s sister Lee Dan. Lee Dan manages to steal a royal artifact from Seol’s house and starts claiming to be the real princess. Professor Nam tries to head off Yoon Joo, but isn’t entirely successful. While most of the time in kdramas the evil second woman isn’t particular sympathetic, I thought that Yoon Joo was so irredeemably bitchy that as a viewer I wouldn’t really be satisfied unless she was somehow seriously maimed by a runaway truck at the end of the series. Unfortunately, no maiming of Yoon Joo actually happens.

Please die in a fire, evil lady!

Seol and Hae Young are pushed apart by the rumor that his father persecuted her father and caused his death. Seol is dedicated to bringing back the monarchy in order to restore his reputation, and the idea that Hae Young’s father might have caused her tragic early life is very painful to her. One of the repetitive aspects of this kdrama that actually gets a bit wearying as the series goes on is the sheer number of times that Seol runs away from Hae Young, only to be reunited with him a half hour later. Also, it seems like the South Korean government just places travel bans on people willy nilly, as everyone is always fleeing to the airport only to be told that they are unable to leave the country. Seol’s constant fleeing might have decent motivations, but it does make me question her sanity in avoiding a brooding rich diplomat who clearly adores her.

Seriously, would you run away from a man with this face!?

As things begin to get worse for the would be Monarchy, Professor Nam and Hae Young begin to grudgingly work together. One of the most amusing things about this series are the random displays of alpha male posturing when they start arguing over ridiculous things like cuts of meat in an attempt to establish who is doing a better job looking out for Seol.

Who is more handsome!
I am!
No, I am!

This series manages to last for 16 episodes purely because Seol and Hae Young are each determined to suffer in silence and not burden each other with their problems. While this might be noble, it is a bit infuriating that Seol never comes out and tells the Professor or Hae Young how badly Yoon Joo is bullying her, although both men figure out what is going on. Hae Young ends up solving many problems through his sneaky diplomatic skills, but by putting the Monarchy first, the Princess and the Diplomat might have to put romance aside.

So cute, I can’t stand it.

Hae Young and Seol are one of my favorite couples out of all of the kdramas I’ve watched so far. The actors have great chemistry. The relationship between them has an amusing dynamic, because while Hae Young tends to act in a very high-handed manner most of the time, when Seol decides to get back at him by doing something like pretending to go to a marriage meeting he immediately drops his arrogant pretenses and starts acting overly concerned. I enjoyed rewatching this series, because I was reminded of some of my favorite moments, like Seol trying to erase her slightly perverted internet history and Seol and Hae Young bonding by sitting together in an antique car museum exhibit. The final episode pairs everybody off nicely, and while I would like to see the villains of the series be punished even more, there’s something to be said for the comfort found in happy endings.

Watch now at DramaFever!

Off the Shelf: Shoujo Fantasy Double Feature

March 23, 2013 by MJ and Michelle Smith 22 Comments

MJ: Good morning, Michelle! I greet you this morning, dizzy with the particular brand of glee that can only be brought on by epic shoujo fantasy. How about you?

MICHELLE: Much the same, actually! With a side of gratitude that the epic shoujo fantasy in question is a) completely available in English and b) in the process of becoming easier to obtain!

MJ: Indeed it is! And really, it is a dream come true. When manga publishers first began launching their various digital initiatives, one of the things many of us hoped for was that these venues would eventually become a platform for re-releasing out of print manga. In particular, I expressed a hope that we might see some of Viz Media’s “scads of fantastic 80s and 90s shoujo,” most of which has become difficult to obtain in print.

Fortunately, Viz seems to be on the same page, as they’ve recently begun releasing some of these older shoujo series in digital form! They began with one of my favorite series of all time, Saki Hiwatari’s 21-volume epic Please Save My Earth (volumes 1-6 are available now), originally serialized in Japan beginning in 1987, followed recently by three series from the early 1990s, Kaori Yuki’s Angel Sanctuary, Chie Shinohara’s Red River, and Kyoko Hikawa’s From Far Away. This week, Michelle and I decided to delve into the latter two of these series, whose first volumes are now available at both vizmanga.com and on Viz’s mobile apps.

Michelle, would you like to choose which we’ll discuss first?

MICHELLE: I’m inclined to save the best for last, which means that in my personal opinion, Red River should go first!

I actually own all of Red River in print, but had never read any of it ’til now. It has the distinction of being the final series in the now-defunct “shojo” imprint to reach completion. Though it starts off rated for older teens, I have a distinct memory of the later volumes being shrinkwrapped, so presumably sexy times will eventually ensue.

Anyway! Both of the series we’re going to discuss today involve a modern-day Japanese schoolgirl being transported to an unfamiliar environment. In the case of Red River, things are looking good for fifteen-year-old Yuri Suzuki. She has just passed the entrance exam for the high school of her choice and shared a first kiss with her good friend turned love interest, Satoshi. But on the evening of her family’s celebration dinner for her achievement (the exam, not the smooch), she begins to notice that water is acting strange around her. Soon, a pair of arms is reaching out to her from fish tanks and bath tubs, trying to pull her in. Though she manages to avoid water for a little while, she’s eventually captured via a puddle and transported to the Hittite Empire in 14th century B.C., where a scheming queen seeks to use her as a sacrifice to ensure that her son (currently sixth in line for the throne) becomes king.

MJ: Fortunately, Yuri quickly becomes acquainted with Kail, third son of the king and no friend to his stepmother, the scheming queen. Though he’s a notorious player (whose methods of “saving” Yuri generally involve pretending she’s his sexual conquest—something he’d clearly like to achieve in reality as well), Kail appears to be genuinely trustworthy, at least when his own life is on the line. Unfortunately, though Yuri is grateful for his protection, her desire to return to her own land drives her to recklessness, placing both her life and that of a devoted slave, Tito, in peril.

As it happens, I agree with your choice of which to discuss first (and why), which isn’t to say that I disliked Red River in the slightest. It’s immediately engaging and action-packed, with a relatable, plucky heroine and a fascinating historical setting. Even playboy Kail manages to be a genuinely attractive love interest, despite my weariness with his classic rake persona. What does weaken this story, however, is just how easy things are for Yuri, at least in this first volume.

While it may seem odd that I’d consider her path “easy” at this point—she has been marked for death, after all—there are some ways in which things really are inexplicably so. The issue of language, for instance, is immediately discarded, as Yuri finds she can suddenly understand the Hittite’s tongue simply by kissing Kail (insert inappropriate “tongue” joke here). Because of this, she’s able to grasp her situation immediately, including recognizing exactly where (and when) she is. Also, by being under Kail’s protection, she’s also suddenly a princess, with the ability to stop executions and generally direct people to do her bidding, which puts her in an immediate position of power, at least within Kail’s realm.

MICHELLE: Your last paragraph there neatly encapsulates my main criticism of Red River, though there are things about Kail that bother me, too. (I don’t think he’d follow through with the threat, but dialogue like “Now stop grousing or I’ll bed you for real” will never sit well with me.) It feels a little like Shinohara is squandering this rich environment and the potential for adventure in favor of romance. True, Yuri does end up in peril by the end, but it’s due to her impetuous, uninformed insistence on retrieving her clothes from the scheming queen and pretty much just a plot device designed to allow Kail to swoop in and save the day.

However! This series does run for 28 volumes, so I am willing to acknowledge that the story could move beyond its origins and go interesting, complicated places.

MJ: Wholeheartedly agreed! Despite my quibbles (and I do share your discomfort with Kail’s threats—hello, rape culture), 28 volumes of 90s shoujo fantasy is not something I can possibly reject, and my expectations are high!

MICHELLE: Of course, 14 volumes of shoujo fantasy is nothing to sniff at, either. Want to do the honors of introducing From Far Away?

MJ: I’d love to! Though half the length of Red River, Kyoko Hikawa’s From Far Away took several years longer to complete, running in Hakusensha’s LaLa magazine from 1993 to 2003. And if the first volume is any indication, this was time well-spent.

High school student Noriko has been experiencing a recurring dream set in a mysterious land filled with gorgeous landscapes and unfamiliar wildlife. As she walks home from school with her friends on one ordinary afternoon, television news anchors warn of a terrorist threat involving small bombs planted around the city by a recently captured suspect. While her friends hash out theories about Noriko’s dream—whether it’s a past life, a portal to another dimension, or pure fantasy fueled by Noriko’s sci-fi author dad—Noriko’s attention is drawn by a stray ball, leading her to an abandoned paper bag which explodes just as she approaches.

Though no trace is left of her body, Noriko is presumed dead. Meanwhile, Noriko has fallen into the same world she’s been dreaming about, where she is identified as “The Awakening,” a supernatural being prophesied to grant power over the legendary Sky Demon—the most destructive evil known in that world—to any nation that possesses it.

MICHELLE: Like Yuri, Noriko is fortunate enough to encounter a formidable ally right off the bat, though things are distinctly less easy for them. Izark might be a powerful warrior who saves Noriko from the political factions attempting to capture her (not to mention gigantic caterpillar things), but the language barrier prevents them from understanding one another and her fear and confusion seems to get on his nerves. Still, he’s unable to ignore her when she’s obviously upset and she comes to trust him. The non-verbal storytelling here is great, and I love that Noriko grows ashamed of her earlier behavior and starts trying to learn the language so that they may better communicate.

Despite being an imaginary fantasy world, the setting here feels more real than the Hittite setting in Red River, and has an abundance of the adventure feeling that I was missing in the other series.

MJ: My feelings exactly, Michelle, on all counts. And really, much of this story’s strength is due to the author’s inclination to prioritize adventure over romance, at least in the first volume. Though strong, roguish Izark is clearly leading man material by any shoujo fan’s standards, both he and Noriko are entirely focused on survival at this point in the story, with no romantic action to be found.

Another factor in From Far Away‘s success as fantasy-adventure is its overall complexity and sense of intrigue. While Red River‘s villain is firmly established from the beginning, things are less clear-cut in Noriko’s new world. With every nation competing for control over The Awakening, everyone is a potential enemy, and it’s not clear at all whom we should be rooting for—including Noriko herself! Though it seems fair to hope that our heroine can’t really be the harbinger of evil, it’s little more than a hope this early in the story, and Izark’s origins and intentions are even less clear. Furthermore, the series is already peppered with some extremely interesting supporting characters, including pint-sized seer Geena Haas, her mercenary father Agol, and a whole host of potential enemies who are aggressively hunting The Awakening.

Perhaps most telling is the fact that as soon as I finished From Far Away‘s first volume, I rushed to purchase the second. I suspect I’ll begin reading it the moment we’ve finish this column.

MICHELLE: I also wanted to immediately proceed to the second volume! I actually read and reviewed the first five volumes of From Far Away a little over three years ago, and though I no longer remember specifics, I remember feeling that it just kept getting better and better.

I do want to mention a couple of random thoughts. Something about the setting of this world—probably the huge insects and people standing whilst piloting flying craft/creatures—reminds me of Nausicaä of the Valley of Wind, and it’s not a comparison in which From Far Away suffers. Too, I wonder if the story will take on a Life on Mars idea… like, is Noriko dead/injured in the present day or is she really experiencing all of this? Granted, it doesn’t seem at all like Hikawa plans to go in this direction, but what with the bombing and witnesses to Noriko’s disappearance, it makes me wonder.

MJ: I’ve been wondering that, too, Michelle! Unlike Yuri in Red River, Noriko really is assumed to be dead in her world—and reasonably so—which immediately puts her mortal status in question, and also raises questions about what place she’ll have back in her world if she really is alive and able to return. I also can’t help being curious about Noriko’s father, whose career as a science fiction writer just makes him… interesting. And potentially involved somehow? Who knows?

I think it’s pretty obvious that we find this series compelling.

MICHELLE I’d say so!

Of course, no column like this would be complete without me throwing in a plea for Basara to be the next out-of-print epic shoujo fantasy in VIZ’s catalog to receive the digital treatment.

MJ: I second that plea and add (predictably) Akimi Yoshida’s Banana Fish! Because, let’s face it, Yoshida’s New York is every bit the fantasy that is Tamura’s post-apocalyptic Japan. Bring ’em on, Viz!

Read Red River and From Far Away at vizmanga.com.

Weekly Shonen Jump Recap: March 18, 2013

March 22, 2013 by Derek Bown Leave a Comment

Well, this is the week that One Piece is not the best manga chapter in the magazine. But not so much thanks to the merits of the other contenders, rather it’s because One Piece was on hiatus this week. It’s kind of amazing how the only way other manga seems to have a chance is when One Piece isn’t around to act as a comparison.

Toriko Ch. 226
It looks like Sunny and Tommyrod’s fight is about to come to a close. Considering how large this arc is and how many fights we have to get through, I’m not surprised that one of the main fights of this arc is going to be resolved in what will apparently be less than five chapters. It definitely helps that this week’s chapter explains where Sunny got his power up from. As long as they’re done with style, I don’t mind unexplained power ups, but the fact that we actually got an explanation helps a great deal. This arc has been a lot of fun, and while it may not be the best for non-action fans, anyone already enjoying Toriko is most definitely enjoying this along with me.

Bleach Ch. 530
I generally avoid places where manga fans congregate, but even my absence from tumblr wasn’t enough to keep me from feeling the waves of “shipping enthusiast” metaphorically breaking over me. There’s just a sense—a disturbance in the force I suppose you could say—whenever I see something that could be used as fuel for shipping debates. And while I try to avoid those debates with a passion, I can’t help but chuckle every time I find a nugget. I’ll leave you to find out what exactly I’m talking about here.

As for the chapter itself, I’m continuing to enjoy seeing the previous generation. Ryuuken was a lot more sympathetic than I thought he would be, after all the times we’ve seen him in the manga before. It’s the small pieces in the manga that make it all the more enjoyable. Ultimately though, I can’t wait to find out what the deal is with the apparent Vasto Lorde revealed at the end of the chapter. I think Bleach fans will recognize that particular design, hm?

Cross Manage Ch. 025
After all the romance and relationship elements this manga has been throwing at us, I’ve started to refer to it as a shoujo manga in disguise. This was the first chapter in which a clear shounen element was introduced. Until this point, we’ve never really heard the characters flat out say how much they want to win. Seeing them confronted by an insurmountable opponent and having them decided to win no matter what is such a shounen element that I’m surprised it took so long to introduce into this series. Here’s hoping Cross Manage has a chance to keep moving forward.

One-Punch Man Ch. 009
One-Punch Man‘s greatest charm is its refusal to play by the rules. When faced with the villain’s lair, do the heroes fight their way up from level one to the very top? Nope. They just blow the place away. Fortunately for the villains, the real complex is underground. Still, there is a sense of logic to the series. After all, if you have the power to demolish a building of bad guys, why not just do that, rather than bothering to fight your way through the complex? One-Punch Man is a satire not just of the superhero genre, but of shounen action adventure series in general. Granted it does make for shorter arcs, but we already know how each fight will end, so why not have some fun with the tropes of the genre?

Dragon Ball Z Ch. 007
Quick question, was the Kamehameha ever shown in color in the original Dragon Ball manga? If yes, was it colored yellow? Did the anime get the color wrong by coloring it blue? It’s not like this would be the first time that an anime got the color scheme wrong. However, if it never was colored in the manga before, then why is it being colored yellow here? It may not seem like a big deal, but it’s such an arbitrary change, and I can’t see how anyone wouldn’t know what color the Kamehameha is meant to be. It’s only the most iconic attack of the series, and in every incarnation I’ve seen it in it’s been blue. And yet, somehow, they got the color of Picolo’s attack correct. Does anyone know who exactly has been coloring these chapters? Because either they made the silliest mistake in the world, or I’ve had it wrong this entire time. I’m going to stick with the colorist making a mistake until proven otherwise.

World Trigger Ch. 006
I liked this chapter. I can’t really put my finger on why exactly why I liked it more than other chapters (after the first one), but there’s just something about this week’s that works better. Perhaps it’s the interaction with the other Border characters. Perhaps it’s seeing Yuma lay the smack down on the pretentious Ai. Perhaps it’s Jun’s unexpected reaction. Perhaps it’s Yuma having to explain to Osamu that he, Osamu, was the one to save everyone (the only one who Yuma saved was Osamu, when the latter couldn’t protect himself). Either way, I’m looking forward to seeing whether this series continues to rise or starts the rapid descent into cancellation.

Nisekoi Ch. 066
Once again, Nisekoi manages to combine adorable and hilarious in the same neat package. The class finally have to switch seats, but because of the teacher’s relaxed attitude, they keep switching them over and over. Again, this is a chapter that needs to be read; it’s just too funny and adorable to explain without spoiling the experience. Just be warned, this chapter contains Shu’s crowning moment of the series.

Which was your favorite chapter this week? Or are you holding out choosing until One Piece returns next week? Do you have any suggestions that would make this column better? We’ve been running this for a while, so I would love to get feedback for what I could be doing better.

If you want to hear more, check out the Manga^3 Podcast Archives. Or go directly to last week’s episode, Episode 039 – March 11, 2013 – Women in Shonen Manga | Toriko Vol. 1

Manga the Week of 3/27

March 21, 2013 by Sean Gaffney, Michelle Smith, MJ and Anna N 2 Comments

SEAN: Last week of the month, and we have a few interesting tidbits from around the mangasphere.

Dark Horse has the 2nd and final omnibus of CLAMP’s Angelic Layer. I seem to recall there was some big complaint with this book, but can’t recall what it was. Whatever it was, this is the big series where folks prefer the anime to the manga, so I’ll be interested to see how much CLAMP break their own premise this time. As we’ve seen, they later got in the habit of breaking every series they did in some way. Was this the first?

MICHELLE: Somehow I missed the first omnibus of Angelic Layer coming out! I still have my TOKYOPOP editions, which I’ve read, but I don’t remember what the difference between the manga and the anime was. (Tangent: my big series where I prefer the anime to the manga is Gravitation!) I liked it enough to keep it, at least!

MJ: I’ve been saving these up to read together, as it’s one of the few CLAMP series I never picked up. I’m looking forward to finding out whether it’s my kind of CLAMP.

ANNA: I’ve also never read this, so I am curious to hear what you guys think before I dive into another CLAMP series.

SEAN: Kodansha has the 2nd season of Genshiken continue with Vol. 2. The cover features the new characters, and I’m hoping the focus is put squarely on them before it returns, as it inevitably will, to the original cast.

We have finally hit the end of Naoki Urasawa’s 20th Century Boys, with the 2nd volume of the 21st Century Epilogue. It’s been an epic journey, thank you, Viz. And I fear, bar a major surprise, it will be the last Urasawa we see over here for some time.

MICHELLE: I like to marathon my Urasawa, so I actually haven’t read 20th Century Boys beyond the first volume. At some point I will have to find the time to remedy this.

MJ: Fortunately, Urasawa is eminently re-readable, so if nothing else, we can revisit old worlds while waiting for the new.

ANNA: I think I’m only halfway through this series, but I intend to catch up one day!

SEAN: And then there’s Yen, not arriving at Midtown but arriving everywhere else. First off, we have a digital Light Novel, Another (which I believe is Part 1 of 2) hitting Kindle and Nook. Horror has sold quite well for Yen, and so we’re going to continue to see more of it – I think the manga adaptation of this is due out in the summer. It has supposedly dead students who aren’t quite the urban legend folks thought, creepiness, and lots and lots of corpses.

MJ: Well, hm, that sounds like it might be fun.

The 2nd omnibus of Blood Lad is out. The first one wasn’t a huge hit with me, but I liked it better than I expected, and I’m hoping for good things for this one as well. Though I’m sure it will have lots of fanservice as well. As these titles often do.

MICHELLE: I’m actually interested to read this too, after the intrigued reactions volume one received ’round these parts.

MJ: As you probably know, I quite enjoyed volume one of Blood Lad—much more than Sean did. So I’m definitely looking forward to digging into the second volume.

SEAN: Durarara!! hits the 2nd arc, called the Saika arc. Something is going around slashing people in Ikebukuro! Who is it, and what do they have to do with our heroes?

MICHELLE: I liked this volume. Celty gets her sleuth on!

SEAN: Higurashi: When They Cry wraps up its penultimate arc, as the Massacre Arc shows us why it has that title. Expect heartwarming moments intermixed with appalling tragedy and death. As usual.

Jack Frost is manwha, and I haven’t read it since the first few chapters, but hey, let’s throw it in here. Vol. 7 is out. Is the girl still just a head?

MJ: I’m behind on this series, but I’ve lately had the hankering to dig back in, so perhaps I’ll be able to answer that for you soon, Sean!

SEAN: Soul Eater hits lucky Vol. 13 and Baba Yaga Castle gets a lot louder with the addition of Black*Star. This is rapidly becoming one of my favorite shonen series, so I can’t wait to read more.

Lastly, there’s the release – also digital only – of Welcome to the Erotic Bookstore, an odd ecchi title about a used bookstore that decides to add some adult videos and sex toys to its merchandise. It’s already out on Nook, and apparently will have an iPad app. It may be on Amazon’s Kindle site soon as well. So, if you are able, check it out!

What’s your springtime manga?

Erica Friedman steps down from Yuricon, Vertical adds digital

March 21, 2013 by Brigid Alverson

Erica Friedman explains why she is stepping down as Yuricon events chair and giving up on yuri publishing: “I can’t afford print, you don’t want digital, the JP companies won’t talk to me and all the many differences between JP publishers and US fans are so huge and insurmountable. I don’t have the energy or clout or money to bridge the gap.” While this is a loss for readers, Erica will continue promoting yuri manga and blogging at Okazu.

Vertical, which has resisted digital up till now, will make three of its manga series available on several digital platforms: Twin Spica, Drops of God, and 7 Billion Needles, will be available for Kindle, Nook, and iBooks later this year.

The Manga Bookshelf team devotes their Pick of the Week to JManga, with recommendations for those of you who still have some points you want to use before the shopping stops on March 26.

MJ and Michelle Smith chat about Tokyo Babylon, Durarara!! Saika Arc, and Hiroaki Samura’s Emerald in their On the Shelf column at Manga Bookshelf.

Lori Henderson and Alex Hoffman discuss the digital Shonen Jump in their He Said, She Said column at Manga Village.

Lori Henderson rounds up some manga about earthquakes at Manga Xanadu.

How do you organize your manga? MJ explains her system, then throws the thread open for others to share how they do it.

News from Japan: Banana Fish creator Akimi Yoshida has received this year’s Manga Taisho award for Umimachi Diary; Kaoru Mori’s A Bride’s Story came in second in the voting. Chitose Get You manga-ka Etsuya Mashima has launched a new series, Zombie-chan, in Shogakukan’s Sunday GX. And ANN has the latest Japanese comics rankings.

Reviews: Ash Brown wraps up a week’s worth of manga reading in one easy-to-digest post at Experiments in Manga. The Manga Bookshelf team keeps it short and sweet with a new Bookshelf Briefs column.

Kate O’Neil on vol. 7 of Afterschool Charisma (The Fandom Post)
Leroy Douresseaux on vol. 13 of Arata: The Legend (The Comic Book Bin)
Sean Gaffney on vol. 1 of Battle Angel Alita: Last Order (omnibus edition) (A Case Suitable for Treatment)
Kate O’Neil on vol. 5 of The Betrayal Knows My Name (The Fandom Post)
Matthew Werner on vol. 52 of Bleach (The Fandom Post)
Chris Kirby on vol. 1 of Btooom! (The Fandom Post)
Chris Kirby on vol. 7 of Bunny Drop (The Fandom Post)
Chris Kirby on vol. 4 of Durarara!! (The Fandom Post)
Lori Henderson on vol. 4 of Flowers of Evil (Manga Village)
Daniela Orihuela-Gruber on Hot Steamy Glasses (All About Manga)
Erica Friedman on Inugami-san to Nekoyama-san (Okazu)
Ken H on vol. 1 of Kamen Rider (Comics Should Be Good)
Daniela Orihuela-Gruber on vol. 2 of Kizuna (All About Manga)
Anna N on vol. 9 of Library Wars (Manga Report)
Daniela Orihuela-Gruber on The Man I Picked Up (All About Manga)
Johanna Draper Carlson on vol. 2 of Message to Adolf (Comics Worth Reading)
Sean Gaffney on vol. 2 of Neon Genesis Evangelion (omnibus edition) (A Case Suitable for Treatment)
Chris Beveridge on vol. 3 of Paradise Kiss (The Fandom Post)
Leroy Douresseaux on vol. 11 of Rin-ne (The Comic Book Bin)
Lori Henderson on vols. 1 and 2 of Soul Eater Not (Manga Xanadu)
Lori Henderson on Start with a Happy Ending (Manga Village)
Lesley Aeschliman on vol. 1 of Strobe Edge (Blogcritics)
Drew McCabe on vols. 13 and 14 of Toriko (Comic Attack)
Sean Gaffney on Trigun: Multiple Bullets (A Case Suitable for Treatment)

Neon Genesis Evangelion Omnibus, Vols. 4-6

March 21, 2013 by Sean Gaffney

By Yoshiyuki Sadamoto and GAINAX. Released in Japan by Kadokawa Shoten, serialized in the magazine Shonen Ace. Released in North America by Viz Media.

These volumes of Evangelion were coming out just as the TV series was finishing, so by now readers had a general idea where things were going to go. And so that allows Sadamoto to start to mix things up and change what we expect to see. There’s no radical alterations here, but some introductions are different, and one character’s fate is changed – for the worse.

Rei features on the cover, but really has very little to do in these three volumes. That said, her one major scene is quite good. Shinji is still angsting about his father, and how he hates him but knows he’d like that to change. Rei points out that being silent isn’t changing anything, and he should talk to his father. So he does! And he gets shut down cold, as it becomes clear that Gendo is never going to bond with Shinji in any parental way, or stop using him as a tool. (Ironically, telling Shinji to stop trying to get closer to him might be the nicest thing Gendo does for him.) Rei also realizes that for all that Gendo is supposedly closer to her, it’s merely a facade, and I think that bothers her, in her own Rei sort of way.

Of course, the majority of this omnibus is focused on the arrival of Asuka. As noted above, she gets a different and far cooler introduction to the story, taking out an Angel by herself and then beating up a group of street punks to save Shinji’s butt. That said, she’s as harsh and abrasive as ever – except around Kaji, of course. (Kaji shutting Asuka down towards the end of this volume is handled quite well – he clearly knows what is going on and has been ignoring the hell out of it, but Asuka stripping in front of him lets him know he can’t do that anymore. Actually, Kaji in general is handled really well in the manga.) Shinji’s scenes with Asuka are usually the funniest parts of the books, and they also get some sweet bonding moments, showing them starting to open up to each other a little bit.

Then there’s the last third of this omnibus. I wonder if Sadamoto had heard people talking about how the manga was a lighter, more optimistic take on the anime and said “Oh yeah? Well take this!” All of Vol. 6 is devoted to Toji being selected as the 4th pilot, and all that stems from that. And it’s horrible, in the best possible way. In particular, Hikari’s tsundere antics (genuine tsundere, as opposed to Asuka’s “I am at heart emotionally broken” tsundere) are simply impossible to read as anything but tragic, and the last scene of the volume is a perfect “OK, gonna go sob in the corner now” capper. I hated reading it, but it was handled in a fantastic way.

So with that cliffhanger, we’ve been shown that the happy fun times of Evangelion are over. How Shinji reacts to his role in all this – as well as what his father did – will no doubt take up part of the next book. In the meantime, if you never read this series, this oversize omnibus with color pages and detailed notes explaining the confusing backstory is a perfect introduction.