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Bookshelf Briefs 12/30/13

December 30, 2013 by Michelle Smith, Sean Gaffney and Anna N Leave a Comment

This week, Michelle, Anna, & Sean look at recent releases from Yen Press and Viz Media.

Demon Love Spell, Vol. 5 | By Mayu Shinjo | Viz Media – Miko’s father allows his daughter and Kagura, the lecherous incubus, to move out together, but not only will he be withholding financial support, he also places a curse on Kagura’s nether regions that prevents the advent of sexy times. Miko is determined to become more powerful than her dad so that she can break the curse, and it’s nice to see both her abilities improving and a teenage girl with a healthy interest in getting it on with her hot boyfriend. Briefly it seems that she and Kagura will be opening a demon consultation office, but this gets derailed when Kagura becomes a pop idol to earn money and various jealousies and complications ensue. Demon Love Spell may not be the best shoujo manga I’ve read, but it’s definitely the best Mayu Shinjo manga I’ve read, by a wide margin. I think I might even go so far as to recommend it! – Michelle Smith

Magi, Vol. 3 | By Shinobu Ohtaka | Viz Media – Morgiana graces the cover of Vol. 3, but she really only appears at the end (there’s also a surprise reappearance of Layla from Chapter One). That said, she makes good use of her minimal screen time, deciding to effectively become Batman/El Santo in order to stop some bandits. As for Aladdin, he’s still trying to figure out his purpose in life, which is given new direction by defining our title – well, semi-defining it. Magi are those who can choose a king. I have a sneaking suspicion that I know who will be chosen by the end of this series, but let’s leave that aside for now. The rest of the volume deals with noble Queens, evil Viziers, and the benefits and drawbacks to your village coming under protection. Not quite as awesome as the first two volumes, but still solid. – Sean Gaffney

Nisekoi: False Love, Vol. 1 | By Naoshi Komi | VIZ Media – The back cover blurb for this debut volume describes Nisekoi as a “laugh-out-loud feel-good manga series,” but I only mustered a smile once and halfway through wanted nothing more than to be able to stop reading it, already. Getting tired of a premise and characters 100 pages in is not a good sign! Raku Ichijo and Chitoge Kirisaki are the children of rival gangsters, but they don’t realize this until their fathers force them to pretend to be in love in order to prevent all-out gang war. But there’s nothing amusing about their pretense, because practically all they do is hurl insults at each other until finally one of them does something fractionally nice, causing the other to reevaluate them a tiny bit. I think my synopsis makes it sound less grating than it really is, actually. Suffice it to say that Nisekoi is definitely not my cup of tea. – Michelle Smith

Soulless: The Manga, Vol. 3 | By Gail Carriger and REM | Yen Press – After her werewolf husband reacts badly to her should-be-impossible pregnancy, Alexia and friends flee London to escape both the ruthless gossip and the vampire assassins intent on preventing the birth of her child. As someone who is not steeped in the mythology of the novels upon which Soulless: The Manga is based, I sometimes find the adaptation to be a bit confusing and disjointed. Such is the case in volume three, which has the added problem of an antagonist who is glimpsed only briefly. (Seriously, a scene-stealing yappy dog makes more of an impression.) Still, I thoroughly enjoyed the read! The dialogue is witty (a line about hedgehogs made me laugh out loud) and I like the characters. REM is also especially good at drawing amusing facial expressions and portraying werewolves’ personalities while they’re in their lupine forms. I may feel a bit lost sometimes, but I’m always entertained! – Michelle Smith

Strobe Edge, Vol 8 | By Io Sakisaka | Viz Media – I have to confess that this is the point where I started feeling a tiny bit impatient with Strobe Edge Ando’s ex shows up and as one might expect, immediately throws an obstacle in the progression of Ninako and Ren’s budding romance. She tells Ninako that Ren and Ando used to be best friends until she came between them, and now the love triangle with Ninako will make things even worse. Ninako is determined to suppress her feelings yet again, just when she was on the verge of confessing to Ren. The couple prevented from getting together because of good intentions and lack of communication is a shoujo staple, and I’m starting to wish that this series would start wrapping up even though I do like reading it. Sakisaka’s art gets better and better, and while the plot might be a little pedestrian, this is one of the prettiest and most visually well-executed shoujo titles out there. Still recommended! – Anna N.

Toriko, Vol. 19 | By Mitsutoshi Shimabukuro | Viz Media – Most of this volume is dedicated to two things: 1) Watching Toriko eat food no matter what the cost to his body (with a brief break to beat up a giant bear monster) and 2) Everyone loving Komatsu, and I do mean everyone. Here his devotion to food and food preparation help to turn a man who specializes in cheating, draining memories and generally being evil towards the light side simply by sheer virtue of Komatsu’s… well, virtue. (Mustn’t forget about Coco, who also does a terrific job here as the brains of the team.) The fact that this is a very popular manga with BL fans should surprise absolutely no one. All that said, we are basically watching a giant game of Memory for an entire volume, so be prepared for a bit less action and punching than previous volumes. But just as much food. -Sean Gaffney

Dorohedoro, Vol. 11

December 29, 2013 by Sean Gaffney

By Q Hayashida. Released in Japan by Shogakukan, serialization ongoing in the magazine Ikki. Released in North America by Viz.

I’ll be honest, it can be pretty easy when you’re reading Dorohedoro to simply forget about the plot and characters and just let yourself be led along. Not that the plot and characters aren’t terrific – they are, even if 3 volumes a year means that ti can be hard to recall who is what much of the time. No, it’s just that Dorohedoro is possibly the most sensory manga being released over here now that Children of the Sea (also an Ikki title, you’ll note) has finished. Chapter 63 in particular would be hilarious or terrifying if it weren’t just so fascinating, watching these partial corpses go about their day inside the fractal dreams of Caiman and Nikaido – well, perhaps Caiman. We’re *really* not sure about him anymore.

See, that’s Caiman on the cover – only it isn’t. He has a regular head, and is calling himself Aikawa. In fact, the similarities to Ai from flashbacks are unmistakable. And he seems to have some memories from before – he certainly wants to avoid Nikaido, and after she forcibly makes him show his face, promptly runs off again. As for whether he’s a good guy or a bad guy, let’s remember that this is Dorohedoro. There are no good guys here. I assume he will continue to be a major plot point.

As for other heroes, they’re not having the best volume either. Nikaido is back in En’s clutches, but seems determined to not help even if it means her death – her memory of her childhood past is still holding her back. It looks as if En is going to force the issue… but then comes the end of the volume. Remember last time when I said it showed off how overpowered En was? Well, he’s just run into Curse, and may be firmly dead now. Yikes. Fujita fares slightly better, managing to restore Ebisu to something resembling life… sadly, she has a lucky hairpin stuck in her brain, and so her mind is somewhat broken. Of course, that’s not really a big change from before.

In a series where no one is quite what they seem, and identities change from day to day (oh look, there’s Risu – whoops), that may be why I keep getting drawn back to the art. It seems more sinister and horror-movie than usual this time around, and even the gratuitous fanservice comes in the middle of a big action sequence. The artist recently revealed that she’s trying to end the series with Volume 20 (one volume more than planned by her publisher), so we’ve just passed the halfway mark. As such, if everything is accelerating downward, it should be no surprise.

There’s not even a lot of humor here, beyond the dark as pitch kind. As I said, the images of all the head and torsoless bodies wandering around the city, doing their daily business is sort of creepy-amusing in a Shintaro Kago sort of way. And there’s the thought process of Judas’ Ear, one of the few characters, along with Natsuki of the Cross-Eyed gang, who can still be described as innocent. (You could throw Fujita in there as well, but I find it hard to do so in a volume he spends trying to resurrect his dead crush.)

In short, reading Dorohedoro remains a head trip, and you have little choice but to let it drag you along. Even if it’s headed to hell, as is becoming increasingly apparent.

Random Musings: Notable in 2013

December 28, 2013 by Ash Brown

Despite having written at Experiments in Manga for over three years, I have never once attempted to create a “best of the year” list and I’m not about to start. However, I thought it would be interesting to write a post reflecting on what I have read in the past year. This isn’t a best of list. It’s not even necessarily a list of my favorite releases of the year (although, some of them certainly are). Instead, it’s a collection of manga, comics, and fiction from 2013 that, for one reason or another, were particularly notable for me.

I’ll start out with Moto Hagio’s The Heart of Thomas. Fantagraphics released the entire series in a beautiful, hardcover omnibus. Technically, I think it was published at the end of 2012, but I wasn’t able to get my hands on one until 2013. I adore Hagio’s manga and wish more of it was available in English. The Heart of Thomas in particular is a historically significant work and one of the precursors to the boys’ love genre. Plus, it’s a wonderful work in its own right.

The Passion of Gengoroh Tagame: The Master of Gay Erotic Manga probably couldn’t be more different from The Heart of Thomas, but I anticipated its release just as much. Tagame is an incredibly influential gay comics artist. The volume was not only the first collection of his work to be released in English, it was also the first collection of bara manga to be released in print. Happily, it won’t be the last. More of Tagame’s manga is already scheduled to be published.

I have become increasingly interested in yokai over the last few years. And so I was thrilled when Drawn & Quarterly released Kitaro by Shigeru Mizuki. The volume collects stories from the first few volumes of Mizuki’s GeGeGe no Kitaro which is the yokai manga that started it all and which continues to influence creators to this day. I found Kitaro to be utterly delightful and can understand why it’s so well-loved. I hope more of the series will be translated.

I picked up Mobile Suit Gundam: The Origin for one reason–it was written and drawn by Yoshikazu Yasuhiko. I’m not at all a Gundam fan, but I am a fan of Yasuhiko’s work. Even so, I didn’t anticipate how much I would enjoy The Origin. The manga ended up being an extremely well done space opera. It doesn’t hurt that Vertical’s edition of the series is one of the highest quality manga releases available in English, either. I’m still not a Gundam fan, but I am a fan of The Origin.

Another manga that I was pleasantly surprised by was Osamu Tezuka’s Unico. As much as I appreciate Tezuka’s work, I will admit to have grown a little tired of it. (I wish that other classic manga received the same amount of attention in English.) I approached Unico more as a curiosity than anything else; the full-color artwork and unusual page layouts had caught my attention. It turned out to be an endearing manga that is both heartbreaking and charming.

After years of delay, Suehiro Maruo’s The Strange Tale of Panorama Island was finally released by Last Gasp in 2013. The manga is an adaptation of Edogawa Rampo’s novella Strange Tale of Panorama Island which, coincidentally, was also released in English in 2013. I cannot think of a more perfect artist to adapt Rampo’s work; Maruo’s exquisite, sensual, and erotically charged illustrations with hints of the macabre are an ideal fit. The Strange Tale of Panorama Island was worth the wait.

As for continuing series in 2013, Takako Shimura’s Wandering Son remains a manga that is incredibly important to me on a very personal level. I’m pretty sure that I’ve mentioned it before, but Wandering Son has quite literally been life-changing for me. In addition to that, I simply think it’s a wonderfully sensitive and sincere look at personal identity. Fantagraphics released both the fourth and fifth volumes of Wandering Son in 2013; I’m looking forward to reading more of the series great deal.

2013 also saw the release of Ai Yazawa’s Paradise Kiss, Part 3–the third and final volume in Vertical’s edition of the series. I missed out on the manga when it was originally licensed by Tokyopop and I’m very glad to have had the opportunity to read it. Over the last year, I have been extremely impressed by Yazawa’s work. I don’t have a particular interest in fashion, but the complex characters and complicated relationships in Paradise Kiss were extraordinary.

The One Trick Rip-Off + Deep Cuts is a fantastic anthology which collects fifteen comics by Paul Pope, including those he created for Kodansha while in Japan. The volume makes a great introduction to Pope’s comics, exhibiting a nice range of styles and stories selected from nearly a decade of his work. The influence of manga can be seen in the collection, but Pope definitely has his own approach to comics. I’ve become very fond of his work and the quirkiness of his stories and characters.

Written and illustrated by Gene Luen Yang with colors by Lark Pien, the Boxers & Saints duology is honestly one of the best comics that I read in the past year. It’s a powerful retelling of the Boxer Rebellion–a violent uprising in China that began in the late 1800s–from two different sides of the conflict, neither of which were entirely in the right. Yang put a tremendous amount of research into the work, making it historically accurate while still maintaining a very human element to the story.

I already knew that I enjoyed Toh EnJoe’s short stories and essays and so I was excited for the release of Self-Reference Engine, the first book-length work of his to be translated into English. It’s not quite a novel, and it’s not quite a collection of short stories, but whatever it is it’s good stuff. I expected Self-Reference Engine to be intellectually stimulating as well as entertaining, and it was, but I wasn’t prepared for how funny and mind-bending it would be.

Virgin Slave, Barbarian King and Raintree: Haunted

December 27, 2013 by Anna N

Virgin Slave, Barbarian King Vol 1 by Louise Allen and Takako Hashimoto

Available on emanga.com

This manga will appeal to historical romance fans, and people who enjoy a bit of sweeping adventure in their romance manga. Julia is a noble Roman woman who is quite horrified when her city is overrun by barbarians. She is even more horrified when a barbarian chieftain named Wulfric decides to carry her off in order to force her to serve as a slave. Wulfric’s long blond hair makes him look like a slightly more bloodthirsty version of Dorian from Eroica with Love, which I found amusing. Julia sees that Wulfric is far more humane in his treatment of Roman slaves as he’s sacking her city than their Roman masters were. She begins to start questioning her way of life and the way she unthinkingly took advantage of other people’s servitude. Julia is far too self-assured to meekly start serving anybody, and while she does start to fit in with the Visigoths, she also manages to fight back against Wulfric in some amusing ways. The art in this volume is much more detailed and assured than I usually expect to see in Harlequin Manga adaptations. As the story progresses, Julia begins to learn more of the pressures the barbarians face, as well as the political struggles that Wulfric has to deal with. My main quibble is that the ending felt a bit truncated, and I’m assuming that is because the adaptation of the story was actually split into two volumes. Still, this would be a fun manga for historical romance fans. I was reminded of Red River a bit, although this story didn’t have the complexity of story found in that manga. I’m happy that emanga.com is releasing some historical romance adaptations!

Raintree: Haunted Vol 1 by Kazuko Fujita and Linda Winstead Jones

Available on emanga.com

This manga is adapted from a series of Silhouette Nocturne Harlequin books, so I was expecting a contemporary paranormal romance and that’s exactly what I got. Gideon Raintree is a detective from a family with varied psychic powers. He can conveniently speak to ghosts, but he has issues emitting random bursts of electricity and thus will never know the joys of owning a smartphone. He is also occasionally visited by a ghost who claims to be the spirit of his future unborn daughter. Even Gideon finds this a bit disconcerting. Gideon gets assigned a tough yet beautiful new partner named Hope, who finds his numerous eccentricities suspicious even while she admits to herself that he is distressingly attractive. Gideon and Hope work to track down a female murderer who may have a connection to the occult, and along the way Gideon finds himself revealing more and more about his odd powers to his new partner. Kazuko Fujita has adapted a ton of Harlequin manga, and it shows in her attractive character designs and capable art. This is another Harlequin manga with much better than average art, and I enjoyed the way Fujita made the murderess look much more haggard and desperate than the other characters. Sometimes in manga-land everybody is portrayed as equally attractive, with just slightly different hairstyles, so I appreciated the extra attention to detail here. The story continues in the second volume of this manga, but the first volume also had a fairly satisfying conclusion. Also recommended!

No. 6, Vol. 4

December 27, 2013 by Ash Brown

Creator: Hinoki Kino
Original story: Atsuko Asano
U.S. publisher: Kodansha
ISBN: 9781612623580
Released: December 2013
Original release: 2012

Hinoki Kino’s manga series No. 6 is an adaptation of a series of nine science fiction novels written by Atsuko Asano. The fourth volume of the No. 6 manga was originally published in Japan in 2012. The English-language edition of No. 6, Volume 4 was released by Kodansha Comics in 2013. My introduction to No. 6 was actually through the anime adaptation, but I have been enjoying the manga’s rendition of the story as well. I have had a fondness for dystopian fiction ever since I was introduced to the genre in high school and so I am particularly pleased that a manga series like No. 6 is being released in English. I did find the first volume to be a little rushed and disjointed in places, but each subsequent volume has continued to improve and the series has settled into an excellent pace. The characters and world-building have also been developing rather nicely. Because the series keeps getting better, I was looking forward to reading the fourth volume.

Shion’s close friend Safu has been arrested by the Security Bureau of No. 6 and taken to the Correctional Facility, which may very well mean her death. Rat has known about Safu’s predicament for some time, but it’s something that he has been keeping a secret from Shion, concerned that he would put his own life at risk in order to rescue Safu. Rat is soon proven correct when, by chance, Shion discovers that Safu has been taken. Shion is prepared to do anything that he can to save her, even if that means doing it alone. But, despite his reservations, Rat isn’t about to let that happen. Infiltrating the Correctional Facility won’t be easy. Both Shion and Rat have been classified as dangerous criminal fugitives by No. 6’s authorities which severely limits their movements outside of West Block. Simply getting information about what is happening in No. 6 is a difficult task which will require all of the connections and influence that the two young men can muster. They are at a definite disadvantage and their situation is nearly impossible, but Rat and Shion are determined to come out of it alive however unlikely.

While the previous volume or so took time to further establish the relationships between the characters in the manga, No. 6, Volume 4 ratchets up the pace again, moving the plot forward quite handily. This is not to say that Kino has forgotten the series’ main players for the sake of the story. In fact, there are some absolutely wonderful character moments in the fourth volume. These are critical for the development of both the plot and the characters themselves. It is quite clear by this point in the manga that Shion and Rat deeply care about each other. But in No. 6, Volume 4 Shion is forced to confront just how vicious Rat can be, something that he has been avoiding. Rat has never hesitated to intimidate or threaten other people and is a master manipulator. Though up until now he has largely (but not completely) kept his overt violence in check, when given a reason and opportunity he can be absolutely terrifying. Rat’s actions in this volume are nominally for Shion’s sake, but he also has an intense, deep-seated hatred and anger towards No. 6 which lends to his brutality.

West Block has always been a violent place, but at least its residents are honest and forthright about it. They hold no delusions as they often literally have to fight to survive. On the other hand, there’s No. 6. The city is presented as a perfect society even though it is anything but. Granted, most of No. 6’s citizens are completely unaware that anything untoward is going on and those who do suspect find themselves conveniently disappeared. Because of this, No. 6 is actually the more terrifying of the two places. What exactly is going on in No. 6 has yet to be made clear. There have been some hints, and Shion and the others have uncovered a few clues, but even some of No. 6’s highest ranking officials aren’t privy to that information. All that is known is that some sort of terrible experiment is being conducted on the city’s population. However, the goal, purpose, and motivation behind that experiment hasn’t been revealed yet. With plenty of questions remaining to be answered and the story increasing in intensity, I’m definitely looking forward to reading the next volume of No. 6.

Manga the Week of 1/1

December 26, 2013 by Sean Gaffney, Michelle Smith, Ash Brown and MJ 1 Comment

SEAN: Attack on Titan 10.

Thoughts?

(sorry, couldn’t resist)

(Happy Holidays all)

MICHELLE: *snerk* Same to you!

ASH: I have thoughts! I have lots of thoughts!

MJ: I see that the manga gods have taken this opportunity to remind me how out of step I am with the world, having let this series go after the first volume. Perhaps I’ll rectify this in the new year?

Bloody Cross, Vol. 1

December 26, 2013 by Sean Gaffney

By Shiwo Komeyama. Released in Japan by Square Enix, serialization ongoing in the magazine Shonen Gangan. Released in North America by Yen Press.

I was interested in what this title would be like the moment I saw it licensed. Shonen Gangan has a fairly high success rate for me – I am a big fan of Soul Eater, and of course Fullmetal Alchemist is one of the finest manga out there. And yes, it also had two things that made it almost inevitable that North America would license it: vampires, and religious imagery recoded in a fantasy world. (It does amuse me that a story where heaven is engaged in a bloody war of succession is absolutely fine, but Jesus and Buddha living in an apartment as best buds is something we are unlikely to ever see. Oh, North America, when will you learn…?) So after reading the first volume, I’m a bit disappointed that I wasn’t quite blown away.

Not to say that this is bad, and indeed it shows great promise. It’s worth noting that unlike most shonen manga you see these days, this one is totally fine with every protagonist, antagonist, and mook/minion being a self-serving, backstabbing, distrusting person. Our hero and heroine meet trying to kill each other, occasionally make a show of continuing to do this as the volume goes on, and while there is attraction between them it seems to be based on lust and desire more than the purer emotions. Which makes sense given that Tsukimiya is half-vampire, and she promptly infects Hinata with her cursed blood. That said, the angels we see in this book are, if anything, worse. I’d say it has an Angel Sanctuary vibe, except that had actual innocents in it. There’s nothing like that here.

There’s also quite a lot of action in this volume, which helps to pass the time between trying to build up the plot. Our protagonists start out looking for demon blood, then have to find a sacred book, then we move on to a sacred key, and finally can use the key and the book to try to break the blood curse. If it sounds a bit like a video game, well, the author’s only other major work was a Star Ocean spinoff manga, so she has that sort of feel to her writing already. The action flows pretty well, with a bit more gore than I’m used to from fantasy titles, but then this isn’t meant to be a fun or pleasant world. Everyone suffers fatal wounds here, except being combinations of angel, demon and vampire, these woulds are rarely genuinely deadly.

I suppose the main problem with Bloody Cross is that after only one volume, I don’t quite have a handle on it. I suspect this may become a series like Bleach, where it reads much better if you take in 5-6 volumes a year in one gulp rather than reading one every 3 months. It may also probably benefit from rereading. As it is, this is a Chapter One. It’s intriguing enough that I want to find out more, but it hasn’t quite grabbed me yet – possibly as there’s no one I’m quite willing to root for yet. Even Tsukimiya, who we’re clearly *meant* to be rooting for, seems like she hasn’t earned our favor yet. We shall see what happens next.

Manga Giveaway: 4-Koma for You (Azumanga Daioh)

December 25, 2013 by Ash Brown

2013 may be nearing its end, but there’s still time for one more manga giveaway here at Experiments in Manga before the year is over! For December’s giveaway, you all have a chance to win a copy of the Yen Press omnibus edition of Kiyohiko Azuma’s yonkoma manga Azumanga Daioh. The entire series collected in one convenient volume! As always, the giveaway is open worldwide.

If I recall correctly, Azumanga Daioh was the first yonkoma manga that I ever read. Yonkoma, or 4-koma, is a four-panel format frequently used for gag manga. I know several people who consider Azumanga Daioh to be one of the best examples of yonkoma manga currently available in English. Yonkoma tends to be fairly hit-or-miss for me, but I was consistently entertained by Azumanga Daioh–it’s a goofy yet charming series.

So, you may be wondering, how can you win a copy of the Azumanga Daioh omnibus?

1) In the comments below, tell me a little about a four-panel manga that you have read and why you did, or didn’t, like it. (Haven’t read any? You can simply mention that.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

And there you have it! Each person can earn up to two entries for this giveaway. As usual, there will be one week to submit comments. Entries may also be sent via e-mail to phoenixterran(at)gmail(dot)com and I will post them in your name. The giveaway winner will be randomly selected and announced on January 1, 2014. Good luck and a Happy New Year, everyone!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: 4-Koma for You Winner

Pink

December 24, 2013 by Sean Gaffney

By Kyoko Okazaki. Released in Japan by Magazine House. Released in North America by Vertical.

It took me a while to get through reading Pink, and even after reading it I was somewhat confused at my basic reaction to the title. I’d enjoyed Helter Skelter, another josei work by Okazaki, but it was a walk through some very dark places, and the characters were ultimate very difficult to sympathize with. Pink is from a much earlier period in Okazaki’s career, but also deals with women who do a lot of horrible things to each other, and men who are unable to stop themselves from being drawn to said women. As for why I’m confused, well, it’s the fact that I found this title to be quite light-hearted and fun.

I’m not really sure how I came away with that impression. Our heroine, Yumi, is an office lady by day (whenever she feels like she wants to work) and a prostitute by night (as that’s where she makes most of her money). She has a poor relationship with her step-mother, but a strong one with her little sister, who is a young tween who’s far too intelligent for her own good. Yumi tracks down Haruo, who is a college student and aspiring writer who is currently sleeping with her step-mother, but soon he’s also sleeping with Yumi. Oh yes, and she also has a pet crocodile, who she feeds dead animals to (she mentions several times feeding humans to it, but there’s no real sense she’s ever done that). As for her johns, some are sweet, some are nasty, some leave her huge piles of cash, and some just rob her. It’s not especially pleasant, but it gets her what she wants; cash to buy things.

Yumi’s attitude may have a lot to do with the feel of it. She’s constantly living in the moment, and tends to let bad news just pass her by bar the odd temper tantrum. She mentions at one point the close relationship she had with her mother, and how she found her body after she hung herself. So it’s a sort of calculated attitude, one that keeps people at arm’s length while allowing her to still have the benefit of their positive emotions. Despite her self-centredness and petulant actions, you never really see her as unsympathetic per se. Certainly you side with her against the stepmother.

But I think in the end I feel Pink is fun because of the way it’s written – it feels like fun. Even the ending, which could be considered suitably tragic, will affect our heroine only a little bit in the long run, I expect. The writing, particularly the narrative, feels very much like a Bridget Jones sort of work – I particularly liked the description of Haruo’s college classmate/lover as “shockingly skilled at cooking, skiing, and fellatio”. It’s not just Yumi – the author is also doing her best to make this a light, breezy work despite the content. The dissonance that provides is what will make it a good book for a reread. But on this first read, I felt it was a hell of a lot of fun. Even if that thought confuses me a bit.

Bookshelf Briefs 12/23/13

December 23, 2013 by Michelle Smith, Sean Gaffney and Anna N Leave a Comment

It’s all Viz this week, as Michelle, Sean, & Anna take a look at several recent releases.

Arata: The Legend, Vol. 16 | By Yuu Watase | Viz Media – It’s hard to describe “that Shounen Sunday feel” to someone who’s never read a series from that particular magazine, but boy does Arata have it! This volume is a perfect example, in that the gang is theoretically doing something pivotal in collecting ancient musical instruments to battle a “demonized” Sho who uses sound as a weapon, but the majority of the enterprise is portrayed comedically, with one gag revolving around enemy attacks that gradually destroy the characters’ clothes, leading to a panel where Arata makes a heroic declaration whilst clad in barely there short-shorts. The whole thing has a certain Rumiko Takahashi vibe, where the interplay between the characters seems to be the main point, so it’s pleasant enough, but renders the cliffhanger ending kind of ho-hum. I’ll probably have forgotten all about it by the time volume 17 comes out in March. – Michelle Smith

Dengeki Daisy Vol 13 | By Kyousuke Motomi | Viz Media – Dengeki Daisy has settled into a bit of a formula, but fortunately it is a formula that I love. The McGuffin in this volume is the last will and testament of M, but the team realizes that they’ve actually been manipulated into searching for it despite their misgivings. Kurosaki and Riko have a significant talk, and Teru finds one secret hidden in her cell phone, leading to the team getting some suitably bizarre, funny, and useful information from her dead brother, even though he did set up a strange funhouse scenario to put everybody through their paces. Dengeki Daisiy is reliably quirky and at times very serious and suspenseful, which is hard to find in shoujo manga land. Still very highly recommended. – Anna N

A Devil And Her Love Song, Vol. 12 | By Miyoshi Tomori | Viz Media – Having wrapped up most of Maria’s issues in the last volume, we’re left with Shin, who is disgusted and ashamed with himself for not being totally self-sacrificing and pure. Thus, as he’s got to go to America anyway to get operated on, he decides this is a perfect time to split with Maria – this despite the fact that he notes to others he’ll love her for the rest of his life. Sigh. Needless to say, Maria is sad, frustrated and angry in equal measure, which all comes out at what may be the best Ave Maria performance we’ve seen the entire volume. It’s not all angst and depression – Maria asking her friends for advice about sex is quite funny, and I am intrigued to see how Maria’s burgeoning YouTube career will go. Still, it’s a good thing we’ve one volume to go – I want these kids to be happy, dangit. -Sean Gaffney

Nura: Rise of the Yokai Clan, Vol. 18 | By Hiroshi Shiibashi | Viz Media – Because we need to get the backstory for the Hundred Stories group, this entire volume takes place in Edo Japan at the time when Nura’s father was a young and brash man stating to take up his new role as leader. It’s refreshing to see a few more glances at some other characters, particularly Rihan’s first wife Yamabuki, who seems to have a permanent attack of the melancholics, as well as a group of young kids who, because it’s easier to draw, bear a striking resemblance to our normal human cast. In amongst this walks Sanmoto, one of the more loathsome and disgusting villains we’ve seen in a series with no small amount of loathsome and disgusting villains. He’s entirely human, too… at least until the cliffhanger. A good solid volume for Nura fans. -Sean Gaffney

Skip Beat! Vol 32 | By Yoshiki Nakamura | Viz Media – Each new volume of Skip Beat! makes me cackle with fangirl glee. Emotions are running high in this volume as Sho exhibits his jealousy about Kyoko’s relationship with Ren, not that Kyoko will pick up on that. Ren’s carefully constructed psychological barriers are beginning to crumble, and Kyoko with her trademark insight into anyone but herself is able to quickly see that he’s not acting like “Ren” or “Cain” but as a third party that she doesn’t even recognize. While Ren is in a panic over Sho and Kyoko being in close contact again, he reveals his own insight into her personality, pointing out that she is in no way equipped to deal with men, and he knows that she still has some deep emotional wounds to heal from.Ren’s actually acting like himself for the first time in many years, which has me eagerly awaiting the next volume. – Anna N

Voice Over! Seiyu Academy, Vol. 2 | By Maki Minami | Viz Media – I just can’t explain what it is about Voice Over!… As with volume one, the second is undeniably generic, but I can’t help liking it. Things get off to a slightly aimless start, with a plot in which the “stragglers” of the voice-acting program must help a visual artist find a new crush so that she’ll be inspired to create an anime for them to dub, but this ends up dovetailing into a new direction for Hime, whose talent for princely male voices is at odds with her desire to voice cute female characters. I’m not sure she’s ready to embrace her obvious true destiny yet, but she’s determined to make something of herself and cease being a disappointment to her mother, which leaves me cautiously optimistic that this series is about to get a little more focused; for now it’s earned a third volume read, at least! – Michelle Smith