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Discussion, Resources, Roundtables, & Reviews

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My Week in Manga: November 11-November 17, 2013

November 18, 2013 by Ash Brown

My News and Reviews

Last week was apparently “Blade of the Immortal Week” here at Experiments in Manga. I finally got around to reading and reviewing Blade of the Immortal: Legend of the Sword Demon, a novel written by Junichi Ohsako with illustrations by Hiroaki Samura, which is a re-imagining of the early part of the manga series. Honestly, I was disappointed with it and would only recommend the novel to fellow Blade of the Immortal completists. I also reviewed Blade of the Immortal, Volume 27: Mist on the Spider’s Web. With that review, I have now caught up with the English released of the Blade of the Immortal manga series. And so, I wrote some random musings on Wrapping Up the Blade of the Immortal Monthly Review Project.

And now for a few interesting things found online last week. SciFi Japan has a great interview with Zack Davisson, the translator for the recently released Showa: A History of Japan by Shigeru Mizuki. The School Library Journal’s Good Comics for Kids has an interesting roundtable on Gene Luen Yang’s Boxers & Saints. Takako Shimura’s Wandering Son, Volume 4 is one of the nominees for the 2014 Rainbow Book List. (As is Julie Maroh’s Blue Is the Warmest Color, for that matter.) And finally, Kodansha Comicss participated in Reddit’s Ask Me Anything. I haven’t had the chance to read through all of the comments yet, but what I’ve read so far has been interesting.

Quick Takes

Battling BoyBattling Boy by Paul Pope. I have enjoyed Paul Pope’s work in the past and so I was very excited for the release of Battling Boy, his most recent graphic novel. What I didn’t realize was that it was the first volume in what will be at least a two-volume series, not including the recently announced prequel The Rise of Aurora West. It was a little frustrating to reach the end of Battling Boy just when things were really starting to pull together only to discover that it stops without any sort of conclusion and not even much of a cliffhanger. Still, Battling Boy is a tremendous amount of fun and I did enjoy it. I appreciate Pope’s offbeat humor and slightly surreal and absurd storytelling. The artwork’s pretty great, too. Following the eponymous demigod Battling Boy as he struggles to complete his coming-of-age ceremony and become a hero, the graphic novel is Pope’s original take on the superhero origin story. While he brings his own touch to the genre, there are plenty of influences from other comics (such as Batman and Thor to name two) that can be seen in the work.

Endless RainEndless Rain by Yuuya. I’ve not had particularly good luck with the boys’ love that I’ve been reading recently and Endless Rain hasn’t changed that. I can’t say that I enjoyed this one-shot much at all. Despite having a happy ending (which I am not at all convinced would happen) the manga isn’t particularly pleasant and includes what basically amounts to forced prostitution. The plotting is sloppy, the narrative is difficult to follow and at times doesn’t make any sense, and the characterization is inconsistent. With Hyougami’s vendetta against the Kasuga family and the bad blood between Akira Kasuga and his father Endless Rain had some potential, but Yuuya doesn’t quite pull it off. Maybe if the manga was a little longer it wouldn’t have been such a mess. As it is, Yuuya tries to cram in too much and it ends up rushed. The only part of Endless Rain that I really liked was Iwao–a scarred and severe-looking yakuza who dotes on Akira’s younger brother. Contrary to his appearance, he’s actually a very sweet guy. Unfortunately, he only briefly shows up as a side character.

Missions of Love, Volume 5Missions of Love, Volume 5 by Ema Toyama. Although I am familiar with the basic premise of Missions of Love, I haven’t actually read any of the series until this volume. When I heard the manga described it seemed so trope-filled that I just couldn’t muster up any interest in it despite the rather provocative covers. But now I’m kind of sorry that I missed out on the earlier volumes. Yes, there are quite a few tropes being used, but the twisted romantic relationships are mesmerizing even if they aren’t particularly healthy. None of the characters are really very nice people and their interactions are a mess of lies and manipulation. Missions of Love is very suggestive and scandalous even though all that really happens in this volume (well, except for the emotional exploitation) is a bit of ear nibbling. I can see why others call Missions of Love addicting; I know that I want to read more. The only thing that really annoyed me about Missions of Love is how Yukina’s glasses are drawn (or rather how the aren’t drawn)–the lines used are so minimal that they barely seem to exist at all.

Silver SpoonSilver Spoon directed by Tomohiko Ito. Based on the award-winning manga series Silver Spoon by Hiromu Arakawa (which was in part inspired by her experiences growing up on dairy farm), the Silver Spoon anime adaptation is quite well done. The series is very forthright and honest about where food comes from, including the raising and slaughtering of animals for meat. I know that particular subject will distrub some viewers, but I think it is something that is important for people to understand and the anime does handle it very well. Many of its characters are also conflicted over it. One of the major story lines of Silver Spoon has to do with Hachiken, the protagonist, trying to come to terms with what it is he eats. However, life and the taking of it is treated with immense respect in the series. I myself grew up in a farming community among the cows, corn, and soybeans (my neighbors actually happened to be dairy farmers), and so I could appreciate Silver Spoon‘s realistic portrayal of the challenges faced by those who make their living caring for animals and crops.

Filed Under: FEATURES, My Week in Manga Tagged With: anime, Battling Boy, comics, Ema Toyama, manga, missions of love, Paul Pope, Silver Spoon, Yuuya

Pick of the Week: Mostly Sunny

November 18, 2013 by MJ, Michelle Smith, Anna N, Ash Brown and Sean Gaffney Leave a Comment

potw-sunny-yotsubaMJ: Once again, there’s quite a bit on this week’s shipping list, including a new volume of the much beloved Yotsuba&!, but one title stands out clearly from the crowd for me. That would be volume two of Taiyo Matsumoto’s Sunny, due out this week from Viz. From my review of the first volume: “The book’s structure and pacing seem so in tune with a child’s sense of time—that feeling of impatience on top of the endless landscape of imagination. These kids have more reasons than most to escape into their fantasy worlds, but they spend just as much time being shuffled along the familiar routines of childhood. Meals, school, sleep, play—their daily lives are similar to most young kids, but with an edge of anxiety most of us were privileged to do without. And it’s these points of anxiety that make Sunnyfeel moving and real, and not a nostalgia piece in the slightest.” Yes, I will be buying this. I really can’t wait.

MICHELLE: I’m with MJ on this. I reviewed volume two for this week’s Bookshelf Briefs and it was every bit as masterful and moving as volume one. Perhaps more so. Really, I find words inadequate to describe its greatness, so just go read it already.

ANNA: I’ll have to join in on the love for Sunny, this is clearly the standout title for the week.

ASH: It’s Matsumoto’s Sunny for me this week, too. I had the pleasure of being at TCAF for the series’ English debut, and I’ve been looking forward to the second volume’s release ever since.

SEAN: I’m picking Yotsuba&!, because I dislike unanimity, and also it’s hella fun.

What looks good to you this week?

Filed Under: PICK OF THE WEEK

Bookshelf Briefs 11/18/13

November 18, 2013 by Sean Gaffney and Michelle Smith Leave a Comment

This week, Sean and Michelle look at recent releases from Viz Media.


midnight2Midnight Secretary, Vol. 2 | By Tomu Ohmi | Viz Media – As ever with the josei series we’ve seen Viz license in Shojo Beat, this second volume is dedicated to much angsting and lying to oneself. Unlike most Shojo Bdeat series, all the angsting ends in a fairly hot sex scene, which actually feels earned, mostly as we do get to see both Kaya and Kyohei making the same journey. Kaya “But I’m just a secretary” drives the first half, and Kyohei’s “Vampires should not love humans” drives the second, but they’re essentially the same concerns; each is losing themselves to the other, and it’s scary. I am pleased that we continue to focus on how good the two of them are at their jobs, and I suspect that Kyohei’s family will play a larger role as things go on. In the meantime, enjoy all the fretting and frothing leading to a whole lot of pleasure for all concerned. – Sean Gaffney

psyren13Psyren, Vol. 13 | By Toshiaki Iwashiro | Viz Media – I like the fact that so much attention is given in Psyren to showing us how the villains came together as a team. Usually the heroes band together with the power of friendship, etc., so it’s nice seeing it coming from the other side, with folks having agendas other than ’cause we’re evil like that’. Also, given Jump action series almost never really focus on the romance, I also liked seeing Sakurako freaking out at what her alternate self did with Ageha, even if it was played for the broadest comedy. (As was Maria being jealous, which was also very cute). Then it’s back to the Psyren world for more fighting, as things get livened up by the addition of a genuinely unhinged serial killer on the villain’s side – the flashback to his victims being found is chilling. Hopefully the series cam keep the momentum going, next volume looks like all fighting. – Sean Gaffney

rin-ne13Rin-Ne Vol. 13 | By Rumiko Takahashi | Viz Media – Never let it be said that Rumiko Takahashi’s comedy hasn’t been consistent as we travel from UY to Ranma to Rin-Ne. Her characters are funny because they are all gloriously selfish asses who are truly horrible to each other for the most petty reasons. There is the occasional heartwarming bone thrown here, but even then you never know when it will be yanked away from you, as with the chapter with Rinne’s horrible father. Even Sakura gets in on the act, not having issues with Rinne being a thief, but musing he wouldn’t be so bad at it if he were. Even the ghosts everyone is helping are petty, vindictive and shallow. If I hadn’t been reading Takahashi for almost 20 years now, I’d be fairly repulsed at this entire cast. As it is, it feels like putting on your favorite old electric blanket. – Sean Gaffney

strobeedge7Strobe Edge, Vol. 7 | By Io Sakisaka | Viz Media – One of the things that makes Strobe Edge so great it’s that it’s often sweet, but never sappy. Some of the best moments occur when mature-seeming character show their vulnerabilities and insecurities to the select few they care about, which means these scenes area always firmly rooted in character. The primary focus of this volume is the growing closeness between Ren and Ninako and the latter’s unwillingness to let go of their friendship to try for something more, especially since she knows Ren is still sad after breaking up with his girlfriend, unlike the other girls in school, who are eager to nab him without truly knowing him. Then there’s Ninako’s friend, Sayuri, who is worried that her current boyfriend has fallen for another girl just like her last one did. I suppose there’s nothing really new here, but it’s done so well that I just don’t care. – Michelle Smith

sunny2Sunny, Vol. 2 | By Taiyo Matsumoto | Viz Media – How does one craft something that’s sad but simultaneously uplifting and charming? Introspective and yet a page-turner? I have no clue, but thankfully Taiyo Matsumoto does and has instilled those qualities in Sunny. I especially love that the kids in this series (who live together in a group foster home) are not idealized. They tell lies, act tough, fail to show gratitude for their caretakers, and hang out with the wrong crowd but Matsumoto shows us the vulnerabilities that make them behave this way. One can’t help but feel for them, with the painful truths they’re confronting at such a young age. My favorite chapter involves relative newcomer Sei taking the latest arrival under his wing, only to say goodbye when the boy’s mother actually keeps her promise to come for him. It’s just beautifully done all around, which is yet another reason why you should be reading Sunny. – Michelle Smith

Filed Under: Bookshelf Briefs

Jason Thompson on Crunchyroll, Dallas and Ben on Kodansha Comics

November 18, 2013 by Brigid Alverson

The Manga Bookshelf team discusses this week’s new manga.

Dallas Middaugh and Ben Applegate of Kodansha Comics did an Ask Me Anything on Reddit—check it out for some interesting responses. Related: Tony Yao explains Billy Bat, which is on Middaugh’s shortlist of manga he’d like to see translated.

Jason Thompson kicks the tires on Crunchyroll’s new digital manga service, comparing it with its predecessors and taking a look at all 12 of the launch series.

Erica Friedman brings us the latest update of Yuri Network News at Okazu.

News from Japan: Hayao Miyazake may have retired from filmmaking, but he’s not sitting around watching Wheel of Fortune—he’s writing a samurai manga. Kodansha’s Morning and its digital sister publication D Morning are publishing a manga by Kazuto Tatsuta, a former worker at the Fukushima Daiichi Nuclear Power Plant, describing his experiences when the plant was damaged in the March 2011 earthquake.

Reviews: Ash Brown has reviewed every volume of Blade of the Immortal; here’s a link to a roundup of all the reviews.

Sean Gaffney on vol. 1 of Alice in the Country of Hearts: The Mad Hatter’s Late Night Tea Party (A Case Suitable for Treatment)
Sean Gaffney on vol. 1 of A Centaur’s Life (A Case Suitable for Treatment)
Lesley Aeschliman on vol. 1 of Codename: Sailor V (Lesley’s Musings… on Manga)
Kristin on vols. 14 and 15 of La Corda d’Oro (Comic Attack)
Kristin on vols. 8 and 9 of Dawn of the Arcana (Comic Attack)
Matthew Alexander on vol. 8 of Dogs: Bullets and Carnage (The Fandom Post)
Leroy Douresseaux on vol. 8 of Dogs: Bullets and Carnage (The Comic Book Bin)
Ken H on vols. 31 and 32 of Fairy Tail (Comics Should Be Good)
Anna N. on Helter Skelter and Utsubora (Manga Report)
Sean Gaffney on vol. 1 of Inu x Boku SS (A Case Suitable for Treatment)
Alice Vernon on Lychee Light Club (Girls Like Comics)
Sakura Eries on Manga Melech (The Fandom Post)
A Library Girl on vol. 4 of Nightschool (A Library Girl’s Familiar Diversions)
A Library Girl on vol. 1 of Shinobi Life (A Library Girl’s Familiar Diversions)
Sean Gaffney on Showa 1926-1939: A History of Japan (A Case Suitable for Treatment)
A Library Girl on vols. 16, 19, and 24-30 of Skip Beat! (A Library Girl’s Familiar Diversions)
Anna N on vol. 1 of Vinland Saga (Manga Report)

Filed Under: MANGABLOG

Alice in the Country of Hearts: The Mad Hatter’s Late Night Tea Party, Vol. 1

November 18, 2013 by Sean Gaffney

By Quin Rose and Riko Sakura, based on the game by Quin Rose. Released in Japan as “Heart no Kuni no Alice – Boushiya to Shinya no Ochakai” by Ichijinsha. Released in North America by Seven Seas.

We have now had about seven or eight spinoffs to the Alice series, most of them being variations on “well, what if Alice fell in love with this person instead?”. It’s been so long, in fact, that we may have forgotten that the original manga adaptation was pretty definitive about Blood Dupre being the canonical love interest, and its 6 volumes revolved around that. Of course, being an otome game adaptation, the manga can easily delight in all the possible routes. But it does mean that this spinoff, also dealing with Alice and Blood, is coming to us with a handicap: is there anything introduced here that we can’t get in the main series?

hatter

That’s not the only handicap, unfortunately. I’ve said before that I prefer Alice when it’s a psychological mystery rather than when it’s “which hot guy do I want to go out with”, and despite occasional attempts at a plot, this is very much the second. Alice is clearly attracted to Blood, with only his resemblance to her old tutor and his blunt ways holding her back. And even that doesn’t last long – Alice and Blood are in bed halfway through this first volume. (Again, I note that I am pleased that the series allows Alice to be sexually active without shaming or punishing her for it – probably a benefit to running in Ichijinsha’s josei line, where this sort of thing wouldn’t be out of place.)

As for Blood, well, he’s a charming rogue, and thus has the usual charming rogue issues. He’s attracted to Alice and wants her around, but demands control, and is jealous when she sees other men – particularly Julius. Yes, this is a Hearts world, so the clockmaker is back in the story, and everyone still hates him. I’ve mentioned before how much of this is due to the metatext of the game – his status as a neutral party, his connection with death that might remind Alice of why she’s in Wonderland in the first place – but this is a romance rather than a mystery, so honestly it’s mostly just the fact that they’re different types. Julius offers Alice peace and relaxation, something that Blood simply cannot provide.

There’s a lot of old ground gone over again – this being the Hatter Route, we get the subplot involving his secret relationship with Vivaldi again, as well as his ability to fluster and enrage alice simply by opening his mouth. If you’re a fan of Blood Dupre, you may want to give this a try, but for those wondering if this is a required read as an Alice fan, I’d have to say no. You get most of what happens here in the main series. (I was amused to see that this seems to be the only non-BL series the artist has drawn – she specializes in smutty yaoi.) I still like the Alice series, but the spinoffs are running out of ways to charm me.

Filed Under: REVIEWS

Vinland Saga Vol 1

November 18, 2013 by Anna N

Vinland Saga, Vol 1 by Makoto Yukimura

This is a manga that I think of as having mirage-like qualities. I never thought it would actually be released in the US, just because I assumed a 13+ volume series about vikings would be a bit of a hard sell, despite the almost universal acclaim that Planetes Yukimura’s other English-translated series received. Furthermore the fact that the first volume of this series vanished from amazon (it is still available in kindle format) made it seem all the more hard to get. Fortunately I was able to brave the wilderness of an actual brick and mortar bookstore (isn’t it good these are still around) and track down this volume.

Releasing series that might be slightly less commercial in an omnibus deluxe format seems like a smart move. This hardcover volume features color pages, author notes, and a bonus story, so the higher price point still feels like a bargain. Vinland Saga certainly lives up to its title, as the first two volumes set up a sweeping tale of adventure, simmering revenge, daring battles, amusing cynicism, and manly men being almost too awesomely manly. The story opens mid-battle, as the Viking commander Askeladd observes a battle between Frankish tribes and is determined to enter the battle as a third party and make off with all the spoils of war. Askeladd sends out a pathologically surly young boy to be his messenger, but Thorfinn demands a reward before agreeing to undertake his task. Askeladd knows what Thorfinn wants and promises him his reward if he brings back the head of the commander of the opposing forces.

Bringing back someone’s head might seem like a bit too much of a burden for a young man, but Thorfinn capably negotiates with the frog-like Frankish leader, climbs the walls of the besieged castle, beheads his target, loses the head, retrieves it, then heads back to his companions to demand his reward – a duel with Askeladd. Thorfinn has been raised by Vikings who killed his father, and as he’s grown older and more capable his desire for revenge has increased as well. The battle scenes in Vinland Saga are dynamic and detailed, and it is hard not to root for Askeladd due to his innovative battle tactics and glee in his victories. If this manga only focused on battles, I could see it becoming less interesting, but Yukimura spends just as much time showing the reader the family life of the men who go out to plunder and raid.

An extended flashback throws Thorfinn’s current life in sharp contrast, as the reader sees the peaceful village where he was raised, and the father who he wishes to avenge. While Thorfinn’s family was removed from violence in the past, his father’s legendary martial prowess results in old enemies seeking him out, and Thorfinn’s innocent desire for adventure ends up leading him to experience loss at a very young age. Yukimura’s realistic and detailed style grounds the story effectively, with all of the background elements such as dwellings, ships, and clothing having the well-researched feeling that just allows a reader to slip into enjoying the story easily. While there’s plenty of adventure and action in Vinland Saga what stands out to me more are the human elements that Yukimura focuses on so well. Seeing the world weary desire for peace shown by Thorfinn’s father does more to ground the character than showing all of his past battles. Leif Erikson shows up as a storyteller who enjoys talking about himself far too much. Thorfinn’s sister is hilariously indifferent to the attentions of the village boys, and Thorfinn’s gentle mother is shown with murder in her eyes when she sees her husband not paying enough attention to her newborn daughter. I’m very much looking forward to the next volume of this series.

Filed Under: REVIEWS Tagged With: Kodansha Comics, Vinland Saga

A Centaur’s Life, Vol. 1

November 17, 2013 by Sean Gaffney

By Kei Murayama. Released in Japan as “Centaur no Nayami” by Tokuma Shoten, serialization ongoing in the magazine Comic Ryu. Released in North America by Seven Seas.

I think the North American marketplace has sort of reached the point where it’s wary of slice-of-life series. There was a huge glut a few years ago, but we’re seeing less of them now. They were quiet, laid-back stories, usually involving a group of girls in high school and their slightly comedic, slightly heartwarming adventures. They’re so huge in Japan that one publisher, Houbunsha, has almost devoted its entire company to making them. But these days you can’t just have cute girls in clubs, or cute girls in bands, or cute girls in yuri relationships. So you need a hook. A Centaur’s Life certainly has that hook.

centaur1

The title literally translates as “A Centaur’s Troubles/Worries”, and indeed the first chapter (which reads like an ecchi doujinshi that was toned down for publication… then again, given it’s Comic Ryu, maybe it wasn’t toned down too much) features our heroine being very worried indeed. She attracts some cute boys, and is concerned about her sexuality. The hook is that Himeno is a centaur, in a world where fantastic creatures are the norm, and her main concern is that she wants to know that she’s … compatible with other humanoids. After all, she has the body of a horse. Her friends Nozomi (a dragon girl) and Kyoko (a goat girl) help her out and calm her fears… not that this helps her romantically.

The first chapter is, not to put too fine a point on it, a bit too concerned with the girls’ privates. Luckily, the chapter does indeed seem to be more of a pilot chapter, and the rest of the series settles down as a slice-of-life that happens to feature a multiracial… indeed, multispecied cast. We see the usual school tropes. The marathon run, and the girls trying to get out of it. The school play. Side jobs as a model, and trying to hide it from the school. There’s also a hint of yuri sprinkled throughout between Himeno and Nozomi, though so far it seems to be mostly just the standard “if it’s you, it’s OK” high school tease.

What makes the manga interesting, and ensures that I will at least try a second volume, is that the writer doesn’t seem to be using the idea of fantastical creature folks as fodder for fetishes or comedy, they’re honestly worldbuilding. Centaurs used to be a slave race, so riding on top of them – even if consensual – can lead to arrest or worse. There’s discussion of “snake people”, and how the term is felt to be derogatory and they prefer “Antarctic people”. We see how Angel clothing deals with wings, what shoes centaurs wear, and how underwear works for those with tails (yes, the fanservice goes way down, but it’s still there at times). This is not just “let’s take these fantasy characters and dump them in cliched situations”, it’s “how would these situations go if these types of characters were involved”.

So far the series is merely adequate – like most slice-of-life, they tend to seem better the more you get to know the characters, so I expect my appreciation to rise as we go along. The girls may be fantastic creatures, but their personalities are still “the naive one”, “the tomboy”, etc. But given that the premise seems like an excuse for weird fetish pornography, I was pleasantly surprised at A Centaur’s Life, which is taking itself more seriously than you would think. I’ll get a second volume.

Filed Under: REVIEWS

Random Musings: Wrapping Up the Blade of the Immortal Monthly Review Project

November 16, 2013 by Ash Brown

Manji - Blade of the ImmortalHiroaki Samura’s Blade of the Immortal was one of the first manga that I ever read and it was the first series that I made a point of collecting. Even before I started writing at Experiments in Manga, I was reading and reviewing Blade of the Immortal. However, I wasn’t very consistent or timely with those reviews. And so, early in 2012, I began a monthly review project in which, beginning with the seventh volume, I would read and review one volume of Blade of the Immortal every month.

Nearly two years later, I have reached the twenty-seventh volume and my reviews have finally caught up with the English release of the series. I also plan on reviewing the new volumes of Blade of the Immortal as they are published. Assuming Dark Horse continues releasing Blade of the Immortal as it has been, there should be a total of thirty-one volumes in the English-language edition and we’ll see the end of the series in 2015.

Deliberately focusing on a single series month after month was an interesting experience and one that I enjoyed. I believe that it allowed me to see overarching plots and themes more clearly; it forced me to really look at what was going on and I noticed details that I might not have otherwise. Overall, I found it to be a valuable exercise in reviewing. So much so that I’ll soon be taking up a new monthly review project. I’m putting it up to a vote, too, so be on the lookout!

The links to all of my Blade of the Immortal reviews have been conveniently collected below, including the links to my reviews of Samura’s Blade of the Immortal artbook and the novel based on the manga written by Junichi Ohsako. (Some of the older reviews were written before I had read much manga and before I really knew what I was doing; I find them rather embarrassing, so please be forgiving.)

The Art of Blade of the Immortal
Blade of the Immortal: Legend of the Sword Demon

Blade of the Immortal, Volume 1: Blood of a Thousand
Blade of the Immortal, Volume 2: Cry of the Worm
Blade of the Immortal, Volume 3: Dreamsong
Blade of the Immortal, Volume 4: On Silent Wings
Blade of the Immortal, Volume 5: On Silent Wings II
Blade of the Immortal, Volume 6: Dark Shadows
Blade of the Immortal, Volume 7: Heart of Darkness
Blade of the Immortal, Volume 8: The Gathering
Blade of the Immortal, Volume 9: The Gathering, Part II
Blade of the Immortal, Volume 10: Secrets
Blade of the Immortal, Volume 11: Beasts
Blade of the Immortal, Volume 12: Autumn Frost
Blade of the Immortal, Volume 13: Mirror of the Soul
Blade of the Immortal, Volume 14: Last Blood
Blade of the Immortal, Volume 15: Trickster
Blade of the Immortal, Volume 16: Shortcut
Blade of the Immortal, Volume 17: On the Perfection of Anatomy
Blade of the Immortal, Volume 18: The Sparrow Net
Blade of the Immortal, Volume 19: Badger Hole
Blade of the Immortal, Volume 20: Demon Lair
Blade of the Immortal, Volume 21: Demon Lair II
Blade of the Immortal, Volume 22: Footsteps
Blade of the Immortal, Volume 23: Scarlet Swords
Blade of the Immortal, Volume 24: Massacre
Blade of the Immortal, Volume 25: Snowfall at Dawn
Blade of the Immortal, Volume 26: Blizzard
Blade of the Immortal, Volume 27: Mist on the Spider’s Web
Blade of the Immortal, Volume 28: Raining Chaos
Blade of the Immortal, Volume 29: Beyond Good and Evil
Blade of the Immortal, Volume 30: Vigilance
Blade of the Immortal, Volume 31: Final Curtain

Filed Under: UNSHELVED Tagged With: Blade of the Immortal, Hiroaki Samura, manga

Manga the Week of 11/20

November 15, 2013 by Sean Gaffney, Ash Brown, MJ, Anna N and Michelle Smith 4 Comments

SEAN: Another one of those weeks that brings something for everyone.

berserk37

It has been a year and two months since the last volume of Berserk from Dark Horse. (This is the fault of the Japanese author, let’s note, whose reputation for breaks is limitless.) Now, at last, we have the next volume.

ASH: YES! Berserk is one of my favorites. Well, early Berserk is one of my favorites. But I’m always happy to see a new volume of the series released.

MJ: I have never read Berserk, but I’ll admit that Dark Horse’s announcement about the new volume made it all sound very exciting.

SEAN: Oh My Goddess 45 contains one of the most amazing, ballsiest retcons I have seen in ages. It set fandom alight, and I look forward to reading it in this new volume, also from Dark Horse.

Fairy Tail’s speedup is nearing the end, but not quite there yet, so here’s Vol. 32, which is still at the start of the Grand Magic Games arc.

Sherlock Bones also has its 2nd volume, which will feature more from the sort-of love interest of the boy (the dog does not, as far as I know, have a love interest).

ASH: Well, there is Takeru’s sister who reminds Sherdog an awful lot of Irene Adler…

mum

SEAN: Picturebox is having a busy month. This week we get the second in their Ten Cent Manga series, featuring a well-known name – Osamu Tezuka, with The Mysterious Underground Men, one of his very first works.

ASH: I’ll admit, I’m a little burned out on Tezuka, but the Ten Cent Manga series is pretty great.

MJ: I’m with Ash here, but I’ll still probably read it.

SEAN: The longest Alice in the Etc. series to date comes to an end with the 7th and final volume of Cheshire Cat Waltz. Will Alice and Boris live happily ever after? Is happily ever after really a desirable result here? We shall see.

ANNA: I have to say, I don’t care very much about this series, but I just started Alice in the Country of Joker. That’s one thing to be said for all the many Alice in series, something for everyone.

Sickness Unto Death wraps up with its second volume. I reviewed it here.

Hey, remember Dogs? It’s at the ever popular yearly release schedule (not due to sales – Japan has a yearly schedule as well), and is sure to be stylish.

sunny2

Sunny was a nicely introspective manga when the first volume landed in the spring, so I am quite looking forward to Vol. 2.

ASH: As am I! It’s a beautiful, deluxe release, too.

MICHELLE: Me, too! I’m reviewing it for the next Bookshelf Briefs, in fact!

ANNA: I very much enjoyed the first volume of this series and the deluxe format makes a nice holiday gift!

MJ: I really can’t wait to read this. Michelle & I adored Volume 1.

SEAN: I have run out of things to say about Yen’s BTOOOOM!, so I will note that since this is Volume 4 I added an extra O to the title.

MICHELLE: *snerk* I gave up after the craptacular second volume.

SEAN: A quick detour to the manwha side, as Vol. 8 of Jack Frost is out. I lost track of this back at the start. Is the girl still getting decapitated constantly?

MJ: Probably.

SEAN: Soul Eater 17 contains one of the most popular sequences in the entire series. I won’t say anything more, other than: Rule 63.

Lastly, speaking of yearly releases, it’s Yotsuba&! time. Featuring Halloween, camping, and Asagi’s friend (and that’s all she is, despite yuri fans everywhere wishing it were otherwise) Torako. Ever volume of this series puts a smile on my face.

ASH: I can’t believe how far behind I am with Yotsuba&!. I should address this issue immediately.

MICHELLE: Yay, Yotsuba&!.

ANNA: I am terribly behind as well.

MJ: New Yotsuba&! is always a welcome sight!

SEAN: What appeals to you most?

Filed Under: FEATURES, manga the week of

Blade of the Immortal, Vol. 27: Mist on the Spider’s Web

November 15, 2013 by Ash Brown

Blade of the Immortal, Volume 27Creator: Hiroaki Samura
U.S. publisher: Dark Horse
ISBN: 9781616552152
Released: September 2013
Original release: 2010
Awards: Eisner Award, Japan Media Arts Award

Mist on the Spider’s Web is the twenty-seventh volume in the English-language edition of Hiroaki Samura’s Blade of the Immortal manga series. Released by Dark Horse in 2013, Mist on the Spider’s Web is more or less equivalent to the twenty-sixth volume of Blade of the Immortal published in Japan in 2010. Blade of the Immortal is an award-winning series. Over the course of its long publication history the manga has earned Samura a Japan Media Arts Award and an Eisner Award among other honors. Blade of the Immortal is also a series of which I am particularly fond, so I am glad to see Dark Horse sticking with the manga through to its end. Mist on the Spider’s Web takes place during the fifth and final major story arc of Blade of the Immortal. The previous volume, Blizzard, was particularly good and so I was very interested to see where Samura would take things next with Mist on the Spider’s Web.

While Rin, Manji, and the others are recovering from their final confrontation with Shira, the hunt for the remaining Ittō-ryū swordsmen continues. The main group is well on its way to Hitachi under the guidance of senior members Abayama Sosuke and Kashin Koji. Before making their escape they hope to reunite with their leader Anotsu Kagehisa who has been delayed after his attack on Edō Castle. The three other Ittō-ryū fighters who also took part in the strike are either dead, missing, or severely wounded. Habaki Kagimura is in pursuit, chasing down the Ittō-ryū and its allies. He and his Rokki-dan warriors–death row convicts with little choice but to aid Habaki in his quest–are charged with annihilating the rogue sword school. The pressure on the Ittō-ryū continues to mount as more and more of Anotsu’s enemies draw ever closer.

If it wasn’t already apparent, Mist on the Spider’s Web makes it very clear how far the Ittō-ryū has fallen since its glory days. The most talented swordsmen are slowly being killed off, the new members are few and inexperienced, and the group has had to abandon some of its core ideals and principles just for the chance of survival. It is becoming increasingly likely that the Ittō-ryū may simply cease to exist in its entirety. The sword school is a mere shadow of what it once was. The Ittō-ryū, which destroyed so many other martial groups and caused so much chaos, is now faced with its own demise. However, its members are prepared to fight to the very end and by any means necessary. Despite the questionable methods that the Ittō-ryū has employed to reach its goals, Anotsu wasn’t entirely wrong in his ambitions. It is a little disheartening to see the Ittō-ryū’s idealism fading away.

Mist on the Spider’s Web has some fantastic action sequences, but there’s also quite a bit of standing around and talking, too. It can be somewhat tedious at times, but it does make sense within the context of what is going on. In general the focus of Blade of the Immortal on the Ittō-ryū has been directed towards its fighters, but the group also has members that rely more on their mental capacities rather than on their martial capabilities. Anotsu has always been shown to be a particularly impressive strategist in addition to being a skilled swordsman, but in Mist on the Spider’s Web it is old man Kashin who demonstrates his worth through his devious intelligence. He doesn’t need physical strength to overcome his enemies, only careful thought, thorough planning, and little bit of time. Of course, time is one of the things that the Ittō-ryū has less and less of these days.

Filed Under: REVIEWS Tagged With: Blade of the Immortal, Dark Horse, Eisner Award, Hiroaki Samura, Japan Media Arts Award, manga

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