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My Week in Manga: October 21-October 27, 2013

October 28, 2013 by Ash Brown

My News and Reviews

Last week I reviewed Takako Shimura’s Wandering Son, Volume 5. The series is personally very important to me, so I’m always happy when a new volume is released. Sadly, we probably won’t see the next volume until next year. Last week I also posted Discovering Manga: Podcasts Redux. It’s a quick update on some of the podcasts that I’ve listened to and written about in the past. It also outlines my plan to write more podcast posts since my previous ones seem to have been fairly popular. If you have a manga podcast that you think I should check out, do let me know!

On to good stuff found online! A commenter on my recent post Random Musings: Queer Theory, Japanese Literature, and Translation linked to a fascinating article from earlier this year: Talking about (a)sexuality in Japanese. Over at Publishers Weekly, Deb Aoki has a great recap of Manga at New York Comic Con. Misaki C. Kido gives seven reasons Why Felipe Smith Is the Only Mangaka from America (So Far). And some of the most interesting news from last week: Crunchyroll will begin to digitally distribute Kodansha manga, providing access to new chapters the same day they are released in Japan. (Including some titles not previously available in English!) It should be interesting to see how this venture develops.

Quick Takes

Attack on Titan, Volume 8 by Hajime Isayama. The mystery of the Female Titan has been solved! Or, at least one of the mysteries–the identity of the person is who is controlling it. The reasons behind why and for what purpose are still unknown. For every question that is answered in Attack on Titan it seems as though there are even more to be asked. This particular volume includes a huge (dare I say titanic?) plot reveal which ends with a fantastic confrontation between Hanji and Minister Nick. (As an aside, I love that Hanji is a canonically gender ambiguous character.) One of the major secrets dealing with the walls is literally uncovered, but has yet to be fully explained. Attack on Titan continues to get stranger and stranger. For those who have been watching the Attack on Titan anime but who have thus far been avoiding the manga for one reason or another (I know plenty of people who can’t get past the terribly inconsistent artwork), the eighth volume is where you’ll want to pick the series up if you want to see any more of the story any time soon.

Knights of Sidonia, Volumes 4-5 by Tsutomu Nihei. I am still enjoying Knights of Sidonia, but it frequently strikes me as a peculiar mix of science fiction horror and romantic comedy. But whatever genre it falls into at any given time, I do think the manga is Nihei’s most accessible work to date. Occasionally I still miss his grittier style of illustration, but the cleaner and somewhat simpler artwork in Knights of Sidonia has really grown on me. One of the things that amuses me tremendously is that Nagate is frequently seen stuffing food into his face. This emphasizes how much of an oddity he is compared to the rest of society on the Sidonia. And he is rather odd. His social interactions can be very awkward and often he is completely oblivious to his faux pas until it’s too late. (Let’s just say that it’s fortunate that he heals quickly.) The Gauna continue to be daunting adversaries. While at first they were terrifying enigmas, over the course of the series they have adapted and evolved and have even adopted (or at least mimicked) human technology and tactics, making them even more frightening.

Monster Musume: Everyday Life with Monster Girls, Volume 1 by Okayado. Monster Musume is a harem series that attempts to distinguish itself by featuring monster girls. There is absolutely no question that Monster Musume is an ecchi manga, so unsurprisingly there are a lot of boobs and other bits. (I’m still trying to figure out how a snake can have a camel toe.) Kurusu Kimihito is an average guy who was “volunteered” for an exchange program between human and part-human species. He has become the host family for Miia, a lamia who is overly fond of him (inter-species canoodling is forbidden). Overwhelmed, he is constantly in a state of near-panic. As the first volume of Monster Musume progresses, bad puns and groan-inducing wordplay become increasingly prominent. (I’m one of those odd people who actually appreciates this sort of intentionally and ridiculously terrible dialogue, though.) It’s not at all a deep story–and I do wonder where all the monster boys are–but Monster Musume can actually be rather entertaining on occasion.

Pick of the Week: Old Favorites & New

October 28, 2013 by Sean Gaffney, Michelle Smith, Anna N, Ash Brown and MJ 3 Comments

SEAN: There’s far too much stuff coming out this week, so something is bound to get lost in the shuffle. With that in mind, I will once again bang the gong for one of my addictive series. Higurashi: When They Cry continues to answer things, as we see the aftermath of Satoko and her parents, see how Rika lost her parents, and watch Miyo almost lose everything. The parallels between Miyo and Rika are emphasized even more. Definitely will be devouring this.

MICHELLE: And I’ll bang the gong for one of mine, Pandora Hearts. I’m not sure how much answering it’s going to do, but I’m sure it’ll be as riveting as it is occasionally baffling.

ANNA: I’m going to venture off-list and pick Vinland Saga again. Because today I’m finally going to head out to a physical bookstore to buy it as it seems to still be unorderable on Amazon.

ASH: Wow, there really is a lot of manga coming out this week! I’m particularly looking forward to the second volume of Mitsuhisa Kuji’s Wolfsmund which I would recommend for fans of dark and intriguing historically-inspired manga.

MJ: It’s an abundant shipping week, for sure, though for such a full week, there’s surprisingly little in it that appeals particularly to me. I’m planning to take a look at new Yen titles Another and No Matter How I Look At It, It’s You Guys’ Fault I’m Not Popular!, and I’m always happy to see a new volume of the visually stunning Bride of the Water God. But there’s only one book in this week’s batch that I absolutely can’t wait to read, and that’s volume 18 of Pandora Hearts. I’m a long-time fan of the series, as you know, and at NYCC I was reminded again of just how few of us there are in critical circles when a fellow journalist at the con asked me, “Who writes about Pandora Hearts?” I could think of very few. So, with that in mind, I’m happy to join Michelle this week in making it my pick!

What looks good to you this week?

Sweet Rein Vol 1

October 27, 2013 by Anna N

Sweet Rein Vol 1 by Sakura Tsukuba

I had totally forgotten that Sweet Rein was coming out, so when I saw it I got to be pleasantly surprised all over again. Sakura Tsukuba had two series published by CMX, Penguin Revolution and Land of the Blindfolded. Both of these series fit well into the low-fi, cozy vibe that was characteristic of many of CMX’s fantasy series. I was very happy to read Sweet Rein, and I’m calling it now – this is the perfect feel-good shoujo for the holiday season.

Sweet Rein has the sort of premise that is most enjoyed when the reader doesn’t think about it too hard. Kurumi is walking along alone when she bumps into a boy. Kurumi and the boy are suddenly tethered together, and he rushes up to her and yells “Master!” He then proceeds to explain “I’m your reindeer and you’re my Santa Claus!” It turns out that mystical reindeer with the power to take human form are bonded forever to a human Santa Claus, who is the only person who can release the reindeer’s magical powers. Kaito comes from a family of magical reindeer, and he cheerfully and happily fulfills all of Kurumi’s commands. Kurumi is extremely dubious about the invisible tether that connects them and also is very uncomfortable with the idea that she has any form of power over another being. Kaito is just happy that his Santa Claus is a nice and cute girl who is so concerned for him.

Kaito being at Kurumi’s beck and call is played more for gentle laughs than anything else, as he shoots away from her in the air when she yells “Get off of me!” and promptly appears outside her window when she wishes for his presence. Kurumi is genuinely kind, and Kaito’s presence eases her loneliness. She’s extremely careful not to get entangled in a romantic relationship with him, because she doesn’t want to abuse her power over him. In the meantime, Kaito’s enthusiasm serves as a counterpoint to Kurumi’s introspection, and it is clear that he’s fallen in love with her almost immediately.

For a manga dealing with Santa Claus and reindeer, it is actually a bit surprising how many stories in this volume take place in the spring or summer. Kurumi does deliver presents on Christmas Eve, but much of the manga is centered around Kurumi fulfilling a wish for a sick boy she encounters while on summer vacation. Readers also get a glimpse of Kaito’s extended magical reindeer family. I was actually a bit disappointed that a there was a lengthy vampire back up story, not because it was poorly executed, but I wanted to read a bit more of the main story. Tsukuba’s light and playful illustrations complement the story, ably depicting Kaito flying through the air or swooping in to comfort Kurumi. In the hands of a creator with less of a deft touch, the master/servant relationship in the manga might have seemed a bit off-putting or odd, but here it just seems like a way for two people to slowly discover how much they care about each other.

Off the Shelf: Two from Vertical

October 27, 2013 by MJ and Michelle Smith 3 Comments

MICHELLE: One of us is sad and one of us is sick, but we’re still putting our woes aside to talk about some new manga this morning. I guess that makes us troopers, huh?

MJ: Or masochists, one of the two.

MICHELLE: I… had not thought about that possible interpretation.

MJ: That’s what I’m here for!

MICHELLE: MJ, dispensing disturbing interpretations since the 1970s!

MJ: You know it!

We’ve been away from this column for a while, for various reasons, and to crank things back up again, we thought we’d take a look at a couple of recent releases from one of our favorite publishers, Vertical, Inc. First on the docket is a rare classic from the late Satoshi Kon, Tropic of the Sea, written while Kon was still a college student, and first published in Japan over twenty years ago.

Yosuke is the teenaged son of a village priest, whose family has long guarded the secret of a mermaid’s egg, which was reportedly entrusted to his forebears in return for the continuing safety and bounty of their small fishing community. According to legend, the egg must be protected and watered regularly for sixty years, at which point it is returned to its home and replaced by a new one. As the next in line to care for the egg, Yosuke is charged with bringing fresh seawater up to the shrine in which it is kept, which he does both out of duty and a lingering fondness for the legend he believed as a child.

When Yosuke discovers that his father has sold out their family secret to land developers seeking to transform the village into a sprawling resort, he is mildly appalled, but not nearly so much as his grandfather, who, enraged by his son’s hubris, risks his life in an attempt to return the egg to the mermaids as promised. Meanwhile, the villagers wage their own battle with the land developers whose promises of luxury and prosperity threaten their way of life. As the volume continues, Yosuke must decide what he believes and what is really important as he watches his community and his family being torn apart over their land and the mysterious egg.

MICHELLE: Usually, stories about families who stop honoring their contracts with supernatural beings never end well, but I was pleased that this story took a slightly different route. That said, I often times found the pacing disjointed. Perhaps Kon was trying to cram as much story as possible into a limited number of chapters, but there were a few transitions that puzzled me. And in the end, it all just seems to zip by so quickly, and I got a much firmer sense of the awesomeness of Yosuke’s dog (Fujimaru) than many of the human characters.

MJ: I realize that it might be the decongestants slowing me down, I didn’t have quite the same experience. While some sections did feel a bit zippy—particularly the final confrontation and chase with the land developers, I appreciated way Kon slowly and quietly revealed his characters’ truths, particularly Yosuke’s. For instance, while it’s clear early on that Yosuke has some kind of painful past association with the water that makes him reluctant to swim, Kon avoids the sort of carefully manipulated drama that would normally accompany a hero’s childhood trauma. There’s obviously an issue—one that his close friends are distractedly aware of—but it results in none of the kind of drama I’d expect from most stories.

First of all, Yosuke is uncomfortable with swimming, but he still *does* it when he needs to, without any tortured posturing. Then, later, when we finally figure out what it’s all about, the drama of the reveal is overshadowed by the larger problems at hand. I found this somehow refreshing.

MICHELLE: I’m glad that it read a bit differently for you. I wonder if part of the problem for me is that I am usually a slow reader, but the art style (which I loved) and paneling and everything made it possible for me to read this much more quickly than usual. Whereas you’re used to reading stuff quickly. I dunno.

But I absolutely agree about the low-key approach to Yosuke’s trauma. I also really loved the final page of the volume, which would be an absolutely ordinary image to anyone who hadn’t read the story to learn its full significance.

MJ: I love the subtlety of that final image, too, and the way Kon consistently lets his artwork do the storytelling. And while I think that this strong instinct to “show, not tell” is probably part of what made it read so quickly for you, it’s also his greatest strength here. I’m not saying that I think this is a perfect work, by any means, and even as much as I enjoyed it, it very much feels like an artist’s early work. But I found a lot to appreciate in it.

So, would you like to introduce our second selection?

MICHELLE: Alrighty!

Helter Skelter is another one-shot from Vertical, and another sort of cautionary tale, as well. Currently popular model Liliko is much talked about but also, as we soon see, a wretched person. She’s obligated to her agency’s president, whom she calls “Mama,” who helped to transform her from an unattractive and overweight girl into a celebrity with a perfect, but nearly entirely fake, body. Liliko sought fame and adulation and made this choice herself, but is soon disillusioned with the life and dissatisfied with the work and yet terrified of the moment that it all ends. “What happens when I stop being sellable?” she wonders. “Everyone who pampers me now will leave me.”

Meanwhile, a prosecutor named Asada and his assistant are investigating the clinic where Liliko’s procedures were performed as well as a string of suicides committed by former patients.

MJ: Liliko makes for a troublesome heroine, as her disillusionment and fear has created in her a level of cynicism and raw desire that would ruin even the purest soul (which she is decidedly not). In a frantic bid to keep control of someone, even as she’s (literally) falling to pieces, she calls upon her remaining allure in order to emotionally enslave both an eager assistant and the assistant’s boyfriend. She’s cruel, manipulative, and every bit as terrifying as the technology that led her there. Yet, even as we witness her careful destruction of those around her, it’s impossible not to understand her. And perhaps that’s the most terrifying thing of all.

MICHELLE: I thought Okazaki did a great job at making Liliko sympathetic and understandable even while she’s doing utterly horrible things, like ensnaring/tainting Hada (the assistant) and Okumura (her boyfriend). She interrupts them together right after she learns that “Mama” has never sent money back home to her family as promised, and the narration makes it clear that there’s a direct correlation between the discovery and her subsequent actions. And later, after she has “punished” Hada for wanting to quit, she thinks, “I just want to play with bodies. And have fun wrecking others. How can I help it? Aren’t others making a wreck of me?”

And, of course, her jealousy of newcomer teen model Kozue is completely understandable, especially considering that Kozue has come by all of her beauty naturally and is able to be herself in public in a way that Liliko can never be. (One of the things that intrigues the prosecutor about her, after all, is that her responses in interviews are completely devoid of any hint of her actual personality or upbringing.) We can even understand why she might lash out at the woman who ended up marrying the rich guy Liliko had pegged for her safety net, though it’s less easy to understand why Hada and Okumura might do her bidding in actually carrying out an attack on the woman.

MJ: I admit I found them understandable as well, though identifying at all with them may actually be more disturbing than understanding Liliko. Their own relationship is so dysfunctional and lacking, I think harboring mutual shame becomes a sort of sick bonding experience for them. They’ll continue down their road with Liliko, because any attempt to go back only forces them to confront what their relationship has become, which is somehow more uncomfortable than just doing what they’re told. The deeper in they get, the less they resemble themselves, and this is actually a plus for them. That’s my interpretation, anyway.

You know, I was thinking as I read this… I’m always anxious for more josei manga, but I’ll admit that there’s a part of me that bristles at the notion that good stories for adult women must be those that prove that the world is a horrible place filled with horrible people. It’s an ugly, cynical view that doesn’t generally resonate with me at all. But though Helter Skelter is exactly that kind of manga, there’s an honest fury to it that makes me somehow thrilled that it exists. As disillusioned and cynical as Liliko is, Okazaki’s take on her circumstances reads to me as just plain angry. To her, Liliko matters, and as awful as she’s become, Okazaki is still furious on her behalf. Is that a strange thing to say? And my feelings about this were reinforced a million-fold by the way she ends the story.

MICHELLE: No, I think you’re spot-on with that. This isn’t an indictment of Liliko; it’s an indictment of the culture of disposable, commodified celebrity that helped create and destroy her. One of my very favorite pages is quite near the end, where the babble of fans/consumers is now obsessed with obtaining “That.” This just reinforces the idea that Liliko was never a person to them; just a thing to be interested in for a while until the next thing comes along.

And wow, that ending was so unexpected! I wonder whether we’re to take the “to be continued” literally, as in that Okazaki really will pick up the story again later, or if we’re only to take that as a sign that Liliko’s “curious journey of adventure” will continue.

MJ: I selfishly hope for the former, but my hopes may be in vain!

MICHELLE: I don’t know whether I want a sequel or not; I kind of like the ambiguous ending as it is. We will, at least, be getting more Okazaki in English soon, as Vertical will be releasing Pink next month!

MJ: I’m certainly looking forward to it!

Weekly Shonen Jump Recap: October 7, 2013

October 27, 2013 by Derek Bown Leave a Comment

It’s always interesting to get a new series in Weekly Shonen Jump. Though in the case of monthly series the experience is altered a little bit. Rather than spending every week wondering if the series will get cancelled, we find ourselves not even considering that because there are already several months worth of chapters that have been published in Japan. But, as Cross Manage proved, just because something hasn’t been cancelled in Japan yet doesn’t mean a Western audience will like it, and vice versa. So let’s take a gander at the newest series and the rest of the issue.

Seraph of the End Ch. 1
If this magazine was aimed at adults there is no way a series like this would fly. And considering how many adults read the magazine (unless I’m the only one) then I can’t say this series will be very well received. Why? Because for starters the creepy overtones I got from the one vampire made me think we needed to get Chris Hansen on standby. Now there’s a manga idea, “Chris Hansen: Pedo-Vampire Slayer”. And then there’s the climax of the chapter where a baker’s dozen’s worth of children get massacred by one of the vampires. Now, if any of you didn’t feel uncomfortable during this segment then I must ask you to stay well away from my family.

The idea of children fighting vampires had potential, uncomfortable potential, but still potential. But that is immediately undermined when at the end of the chapter we discover that not all adults died. Only those in Japan apparently. So the first promise the series makes is already broken. I can’t say I hold high hopes for the rest of it.

Worst of all is the tonal shifts. I admit to not knowing many orphans, but I refuse to believe any of them could talk about how their parents died, often in horrible ways, with any kind of smile on their face. I call all kinds of bullshit on every single element of the main character’s backstory. This is a problem throughout the whole story, where we switch from typical shonen enthusiasm to incredibly dark events. It’s just that one scene in the orphanage encapsulates the entire problem. I know manga likes to make these kind of tonal jumps, but it doesn’t always work, and in this case it most definitely doesn’t work.

I’m probably being harsher than I need to be, but that tends to happen when I’m made to read the wholesale slaughter of a bunch of twelve and youngers. I may not have my own children, but I’m certainly at the point where I feel protective of those hobbit sized humans. So this was not the best way to endear a new manga to me.

One Piece Ch. 723
Oh One Piece, at least you only mentally scar your children instead of outright murdering them. Sadly there are only so many ways I can say this series is awesome without growing repetitive. Perhaps that’s why so many reviewers, and I myself, fall into the routine of writing bad reviews. But don’t think I’m trying to put a negative twist on a great series by trying to find some kind of fault with it. Even if that fault is me complaining about how I can’t find any fault with it. Okay so that may actually be me trying to do what I said I wasn’t doing. But can you blame me? Most of the time One Piece is so perfect and I’m such a fanboy that I’m probably the worst person to be analyzing it.

At least this chapter finally gives Sanji a chance to show his badass self. Even if we all know he’s going to get his butt kicked next chapter. But with plenty of comedy, and a great climax I have to say that One Piece is as amazing as ever. But when one always excels it becomes harder and harder to stand out. And I fear that One Piece has been at risk of this for the past couple years. We’re so used to expecting amazing things, and while One Piece has been amazing it feels like it hasn’t exceeded any expectations it’s just been meeting them. And as much as I love this series it feels like the chapters just continue to be amazing rather than wowing me like they did a couple years ago.

Naruto Ch. 649
Oh Naruto, you’re my favorite series that I don’t actually like. Why? Because I can find so many things wrong with every single chapter. Usually. Sometimes you just bore me and I can’t find the will to even bother complaining. This week I don’t have as much material, but there are a couple bones I feel the need to pick.

It constantly surprises me how big of a fanbase this manga continues to have, despite the fact that Kishimoto has shown himself incapable of writing characters beyond their base stereotypes. Such as several chapters ago when Ino showed that she’s just as terrible a character as she was at the start of the series. Maybe even more so. Don’t get me wrong, stereotypes can be very useful, very powerful tools. The thing is that when writing characters you need to expand beyond the initial stereotype, not constantly bring it back to that original stereotype without any further development. For example, when the Mizukage was introduced her gimmick was that she was an unmarried woman approaching middle age who just wanted to get married, and was very sensitive about the subject, to the point where she would make threats against people for the most innocent of comments. Not the most progressive portrayal but amusing enough. Any other writer would use that character trait as a bouncing off point towards character development. Maybe she would find a man, maybe she would realize that she didn’t need a man, maybe she’d realize she liked women instead. Or maybe she’d come to realize that real relationships take a lot of work but are ultimately more rewarding than the fairy tail romance she’d built up in her mind. But since this is a shonen action series and not a romantic comedy, that would never happen. So instead she’s the exact same character she was before. Why do I make such a big deal about this? Because with her comment about not being married this chapter I once again am reminded that Kishimoto does not write character traits, he writes gags that are confused as character traits. Rather than actually giving us any kind of satisfying development his characters stay in the same limbo they were at their introduction and we end up with nothing but a bunch of uninteresting characters cracking unfunny jokes.

Fortunately Shikamaru still has a semblance of a character and is actually undergoing some growth. And I’m not about to cry sexism since so many of the female characters remain unrealized, because Kiba shows us this chapter that he hasn’t developed in the slightest either. So yay, some semblance of equality, even if it’s equality in mediocrity.

Bleach Ch. 551
You know, it doesn’t make villains any smarter when they point out the abject stupidity of the protagonists. The whole “You should have taught this skill to others” isn’t so much a keen villainous insight as it is an exercise in the basic mental faculties of any human being whose brain is still capable of breathing. And Nanao is supposed to be one of the smart ones! And here she didn’t consider that maybe, just maybe this ultimate barrier spell would be useful elsewhere as well. It’s really hard to root for the good guys when I’m too busy praying they don’t accidentally hurt themselves with the swords they’re carrying. The intelligence displayed by these characters would make me think twice before letting them have safety scissors let alone weapons.

And of course rather than building up the tension for a bit longer we discover that Urahara has a way to win back their bankai. Well isn’t that just convenient.

Nisekoi Ch. 93
Whether you like this chapter depends entirely on what your views are in regards to female stereotypes. Are you the kind that becomes enraged when a girl worries about her weight? Possibly consider avoiding this chapter. Unless you like getting angry, like me. If you don’t mind it then read on. It’s plenty funny and plenty cute, but not the most outstanding chapter in this series. Though the punchline at the end of the chapter is well worth the chapter.

Toriko Ch. 252
The majority of this chapter is made up of small montages. While these are enjoyable enough I can’t help but feel like this is all something that needs to be expanded upon. And maybe if we were living a couple decades in the past we’d get a full flashback. But for now I guess I can just look forward to the anime expanding on everything that happened in this chapter.

Though I have one complaint. Under what circumstances is it realistic for a starving person to have the gall to ask for better food? I know there are some people out there with an amazing amount of gall, but the segment where Froese was feeding the hungry felt so unrealistic it dragged me out of the story. And I know, I know, there’s plenty of other more unbelievable things happening in this series. But for the most part they make sense in the context of the series. But what cannot be treated subjectively is how people act. Even in the most outlandish series there needs to be some sense that people still follow understandable human logic. And a starving person asking for better food just doesn’t make any sense.

One-Punch Man Ch. 28
The one thing I really appreciated in this chapter was the end. Saitama getting promoted was all good and fine, but I’m glad to see that Mumen Rider made another appearance, possibly as a future friend and ally of Saitama. I’m partly glad that my earlier prediction was right, but for the most part I just think he’s a fun character that I hope we will get to see more of.

World Trigger Ch. 33
Well, at least this arc isn’t a straight up tournament just yet. By which I mean at least the candidates aren’t all just fighting each other. That would be cliche and boring. Too bad most of this chapter is spent explaining things with very little actual payoff. This series has been somewhat getting better, but it’s far from being any kind of favorite of mine. It’s just really dull, and I’m pretty enraged that the series is doing so well in Japan when better series have been cancelled. No, I don’t ever intend to let Cross Manage’s cancellation go.

Blue Exorcist Ch. 50
I have to give Blue Exorcist props for pulling off a character betrayal while retaining that character’s personality. It’s so easy to have an established character turn into a traitor and then completely change their personality, turning them into a total villain. Shima on the other hand is still the same person he was before, he just has different loyalties now.

Shiemi being a bad cook is a manga trope, but at least in her case it makes sense. Too often the joke is played as “Look at these people putting disparate ingredients into their food!” in a way that makes no sense whatsoever. Any intelligent human being knows that you don’t put curry powder in cookies! But rather than mix ingredients that clearly don’t go together Shiemi tries to make healthy food and ends up making it really bland. That works for me because it’s more realistic than mixing ingredients that clearly don’t belong. \

Dragonball Z Ch. 34
I must confess. Dragonball Z is not the most engaging manga to be writing about. Let’s just say Goku and Vegeta fought and leave it at that. Though, it is worth pointing out that this chapter we get to see the first part of Goku falling so in love with fighting that he makes terrible decisions in the future.

And that’s our reviews for the week. Some decent chapters, but nothing that really stood out. Though, once again, that might have something to do with my unreasonable expectations.

If you want to hear more, check out the Manga^3 Podcast Archives.

Kodansha and Crunchyroll Partnership: What Are We Getting?

October 26, 2013 by Sean Gaffney

For those wondering what I mean, here’s Crunchyroll’s presser.

Kodansha not having a weekly digital equivalent to Viz’s Shonen Jump was always a major stumbling block, and this should fix that right up.

So… what are we getting? Attack on Titan and Fairy Tail you already know. UQ Holder! and The Seven Deadly Sins were announced at NYCC by Kodansha for next year.

That leaves 8. Let’s take a look.

The biggie here is definitely Space Brothers, which has an anime to its name, and which Kodansha Comics has already admitted they’d love to put out if it wasn’t 20+ volumes and seinen. If it does well digitally, perhaps we can see it in print. I once heard this described as “Twin Spica for MANLY MEN”, and that’s not far off. It’s called Uchuu Kyoudai in Japan, and runs in Weekly Morning.

Mysterious Girlfriend X (Nazo no Kanojo X) runs in Monthly Afternoon, and also has a tie-in anime. It’s 10+ volumes, and is sort of a weird romantic comedy. It also has an obsession with drool that I recall made me avoid it, but hey, whatever floats your boat.

A Town Where You Live (Kimi no Iru Machi) has everything a modern manga publisher doesn’t want: it’s 20+ volumes (and weekly – it runs in Shonen Magazine), a harem comedy, and its author had a prior series get cancelled for low sales over here (Suzuka). That said, it has a very active online fanbase, and let’s hope they pay to see it coming out over here.

Back a long time ago, I license requested Yankee-kun to Megane-chan, aka Flunk Punk Rumble. Sadly, it was one of my license requests that did not get fulfilled. But now we have the author’s new work, Yamada-kun and the Seven Witches (Yamada-kun to 7-nin no Majo)! It has bodyswaps, it’s funny, and it has a female creator. Can’t wait.

As the Gods Will (2nd Series) (Kami-sama no Iutoori Ni 2) is, as you might imagine, the sequel to As the Gods Will 1, which is (oh dear) a survival game horror manga that runs in Shonen Magazine. Despite picking up with the sequel, and my utter boredom with this genre, I hope it does well.

My Wife Is Wagatsuma-san (Wagatsuma-san wa Ore no Yome) is one of the more interesting romantic comedies Kodansha’s putting out these days. A loser guy (no, wait, come back) who really wants the cute girl he likes to (no, really come back!) like him wakes up one day, 10 years in the future, married to his dream girl! But he has no memories of the last 10 years. He has to figure out how they got this way. The author also writes a prison horror comic, so this must be the light relief.

…oh wait, here is the comic in question! Fort of Apocalypse (Apocalypse no Toride) is by the author of Wagatsuma-san but with a different artist. It runs in Shonen Rival, and has prisons AND zombies. I suspect it may be the darkhorse hit of this whole deal.

Coppelion, a Young Magazine title, is one of those series everyone expects to be the announcement at every single con but it never is. Genetically modified cute girls plus post-apocalyptic Japan, who can possibly resist? It’s 19+ volumes, which explains why Kodansha resisted. But now… digital!

Which of these has you most excited? For me, it’s Space Brothers and Yamada-kun.

Discovering Manga: Podcasts Redux

October 25, 2013 by Ash Brown

Over the last few years I have been looking for manga podcasts to listen to. Sadly, podcasts that exclusively focus on manga seem to be rather difficult to find. However, I have written a couple of posts in the past about the podcasts that I’ve discovered that at least feature manga somewhat regularly. Considering how popular those particular posts continue to be, I don’t think I’m the only person out there looking for manga podcasts. So, here are some brief updates on the podcasts that I’ve written about before. (For more information and my thoughts about the individual podcasts, please refer to the Discovering Manga posts linked to below.)

Discovering Manga: Podcasts
Anime 3000
20 Questions: On hiatus
A3K Radio: Updating weekly
Manga Corner: Updating irregularly
Anime Today: No longer updating; archives available
Manga Out Loud: No longer updating; archives available

Bonus! Japanator Radio: No longer updating; no archives, but track lists still available (I would consider Nihongaku Radio to be its direct successor if you’re looking for some great Japanese music!)

Discovering Manga: Podcasts, Part 2
ANNCast: Updating weekly
Manga Pulse: Updating weekly
The Speakeasy: Updating monthly

Over the next few months I’m planning on listening to and posting about other podcasts I’ve come across that feature manga. Here is the list that I’ll be working from:
Friendship! Effort! Victory!
Fujojocast
Manga^3
Manga Dome Podcast
Otaku in Review Podcast
Weekly Shonen Jump Podcast

Do you know of a great manga podcast (either ongoing or archived) that I’ve missed? Please let me know in the comments, because I’d love to give it a listen!

Manga the Week of 10/30

October 24, 2013 by Sean Gaffney, Ash Brown, MJ and Michelle Smith 3 Comments

SEAN: Oh. My. God. Sooooooooo much stuff. Let’s break it down.

Because the Manga Bookshelf Team demanded it, Dark Horse is bringing you Vol. 14 of Bride of the Water God. I should probably read it at some point – I wonder if there are digital plans.

ASH: I have yet to actually read this, but the artwork is lovely.

MJ: The artwork is certainly the highlight of this series, which can be a bit of a mess at times, otherwise, but I’m very happy to see that Dark Horse continues to put it out. It would, indeed, be a great candidate for digital release, especially as it’s gotten so long! I’ll be picking this up for sure.

SEAN: Also from Dark Horse is Vol. 29 of Gantz, which I’ve run out of things to say about, but apparently it sells really well to the direct market. (stares at cast in latex rubber-style combat suits) For some reason.

Speaking of things I’ve run out of words for – and indeed speaking of Volume 29s – we have Air Gear from Kodansha.

Attack on Titan 8 is where those who have only seen the anime should start off, as towards the end of the volume we start treading into unanimated waters. Also, the first spoiler that everyone knows gets revealed here. I’ve discussed it here.

ASH: I’m glad that Kodansha was able to speed up the release for this series.

MJ: After NYCC, I’m even more torn over having left this series behind after the first volume. I feel like I’ve missed hopping on the greatest bandwagon of all time.

SEAN: Fairy Tail 31 shows how much of a pain in the ass a time skip can be, and starts a tournament arc.

MICHELLE: All this stuff, and so far there’s a bunch of series I haven’t read and one that I am terribly, terribly far behind on.

SEAN: In case, for some bizarre reason, you did not buy Sailor Moon Vol. 7-12 the moment it hit bookstores and devoured every single page with your eyes, there is now a box set for you to crack open and engulf.

ASH: It also comes with stickers!

MJ: Ooooo… stickers…

SEAN: Sankarea Vol. 3 continues to walk a fine line between servicey romantic comedy and disturbing zombie manga, and to my surprise doesn’t do that bad a balancing job.

ASH: I’ve actually been pretty surprised by Sankarea as well.

I may not have really been tempted to get Wolfsmund from Vertical, but buzz from the not-mes has been excellent. They’ll appreciate that Vol. 2 is due out this week.

MICHELLE: I have volume one; I just need to find the time to actually read it.

ASH: I really enjoyed the first volume. I think it’s definitely worth checking out for people who enjoy historically inspired manga like Vinland Saga.

MJ: I never picked up the first volume, but I guess I should!

SEAN: Another of those giant done-in-one omnibuses that Yen has favored lately, here’s the complete Another manga, based on the light novels that Yen released digitally this summer. Creepy high school horror catch your eye? This is for you. Also, as a bonus, I’m pretty sure it doesn’t have any survival games.

MJ: Heh. I suppose I’ll read it, then.

SEAN: Yen has licensed some interesting stuff lately, probably thanks to the success of Black Butler, which has Vol. 15 drop this week. Is the entire cast damned yet?

Higurashi is in its final arc, but it’s the longest one yet. Vol. 2 of Festival Accompanying Arc contains Vols. 3 and 4 of the Japanese release, and also has my vote for the most horrifying scene in the entire series (it involves Rika’s mother).

Inu x Boku SS is the first of two Yen debuts this week, and has yokai demons and bodyguards, thus allowing me to add another series to my ‘look how popular yokai are in North America now’ list.

ASH: Yokai are the best!

SEAN: Is This A Zombie? 6 is coming out. So there’s that.

K-On! finally wraps up with its High School manga, hoping that fans are as interested in Azusa trying to keep the light music club alive as they were in the original cast’s college adventures.

The Melancholy of Haruhi Suzumiya’s manga adaptation finally gets to one of the most interesting novels, as Sasaki and company debut here.

MICHELLE: Another whole mess of stuff I have nothing to say about. Bad manga reviewer! Bad!

MJ: Hmmm… perhaps this is the time for me to pick this adaptation back up again.

SEAN: Oh god, don’t read the mediocre adaptation, read the original novels! Books 9-11 are this arc. 10 and 11 come out here next month.

As featured on a giant banner at New York Comic Con, Yen’s other big release this week is No Matter How I Look At It, It’s You Guys’ Fault I’m Not Popular!, Vol. 1. Just call it WataMote like everyone else. I discussed Vol. 1 here.

ASH: I’m looking forward to giving this series a try, even though I can never seem to remember the title.

SEAN: Pandora Hearts 18. MJ?

MICHELLE: Finally, something to go “woo” over!

MJ: Oh, Pandora Hearts, dear, heart-stomping Pandora Hearts. It just won’t be satisfied until I’ve been utterly destroyed. This, of course, is awesome.

SEAN: Puella Magi Oriko Magica wraps up, I believe, with this second volume. But don’t fear, I’m sure there are other Madoka Magica spinoffs out there to have cute girls suffering for your enjoyment.

Lastly, there is Vol. 4 of Triage X. I used up my lack of enthusiasm with Is This A Zombie?, so this can’t even get that much.

Surely with all this, there must be something you want. What is it? (And be warned, it gets no better the week after.)

Gagan Singh on Viz’s digital program

October 24, 2013 by Brigid Alverson

Lissa Pattillo looks at Viz’s new license announcements from NYCC, which include Black Rose Alice, by Afterschool Nightmare creator Setona Mizushiro, and Time Killers, a collection of short stories by Blue Exorcist manga-ka Kazue Kato.

ICv2 talks at length with Viz chief technology officer Gagan Singh about their digital program, their app vs. e-books, piracy, and growing the manga audience.

Erica Friedman rounds up all things yuri in Yuri Network News.

Jocelyne Allen takes a look at Machiko Kyo’s U, a manga that is not licensed over here but has some pretty interesting artwork.

Taking a page from Bakuman, 14-year-old Sato Ito is the author of a story to be published in the December issue of Nakayoshi. Despite her youth, Ito is no overnight success; she won the Niigata Manga Competition three times in a row, starting in 2009.

I’m late in linking to this, and there’s only a week left, but if you want to try your hand at translating some real manga, check out the Digital Manga Association’s Manga Translation Battle. There are prizes to be won, plus it’s good experience for would-be translators.

Reviews: Carlo Santos takes a quick look at some recent releases in his latest Right Turn Only!! column at ANN.

Leroy Douresseaux on vol. 8 of Afterschool Charisma (The Comic Book Bin)
Ash Brown on vol. 26 of Blade of the Immortal (Experiments in Manga)
Lesley Aeschliman on vol. 8 of Bleach (Lesley’s Musings… on Manga)
Rebecca Silverman on vol. 9 of Bunny Drop (ANN)
Anna N on vols. 1 and 2 of A Dark Fable of the Forest (Manga Report)
Rebecca Silverman on vol. 12 of Dengeki Daisy (ANN)
Matthew Warner on vol. 10 of A Devil and Her Love Song (The Fandom Post)
Matthew Warner on vol. 2 of Doubt (The Fandom Post)
Sean Gaffney on vol. 1 of From the New World (A Case Suitable for Treatment)
Lesley Aeschliman on vol. 9 of Fullmetal Alchemist (Lesley’s Musings… on Manga)
Matthew Warner on K-On! College (The Fandom Post)
Lesley Aeschliman on vol. 13 of Kamisama Kiss (Lesley’s Musings… on Manga)
Sean Gaffney on vol. 1 of No Matter How You Look at It, It’s You Guys’ Fault I’m Not Popular (A Case Suitable for Treatment)
Leroy Douresseaux on vol. 17 of Nura: Rise of the Yokai Clan (The Comic Book Bin)
Lesley Aeschliman on vol. 12 of One Piece (Lesley’s Musings… on Manga)
Matthew Warner on vol. 12 of Psyren (The Fandom Post)
Derek Bown on the September 30 issue of Shonen Jump (Manga Bookshelf)
Leroy Douresseaux on vol. 30 of Slam Dunk (The Comic Book Bin)
Leroy Douresseaux on vol. 3 of Tiger & Bunny (The Comic Book Bin)
Carlo Santos on vol. 3 of Tiger & Bunny (ANN)
Leroy Douresseaux on Sides A and B of Tiger & Bunny: The Beginning (I Reads You)
Erica Friedman on Tsuki to Sekai to Etoile (Okazu)
Josh Begley on vol. 1 of Vinland Saga (The Fandom Post)
Ash Brown on vol. 5 of Wandering Son (Experiments in Manga)
Leroy Douresseaux on vol. 6 of X (The Comic Book Bin)

From the New World, Vol. 1

October 24, 2013 by Sean Gaffney

By Yusuke Kishi and Toru Oikawa. Released in Japan as “Shin Sekai Yori” by Kodansha, serialization ongoing in the magazine Bessatsu Shonen Magazine. Released in North America by Kodansha Comics.

The question of “how much fanservice is too much” has come up often in discussion of manga in North America, and it’s usually the case that we have a lower tolerance of it than Japan does. That said, there’s simply so much of it, particularly in Kodansha’s Weekly Magazine and its monthly spinoff, that sometimes you just have to smile and nod at the boobs and move on. I review Fairy Tail every month, and Negima back when it ran, and rarely commented on the fact that every 4 or 5 chapters would just be a blatant “look at all the naked women” bath scene or shower scene or whatever. It was rarely connected too much to the plot, so could easily be edited out of my memory.

It’s impossible to do that with From the New World, whose fanservice goes above and beyond the call of duty. The series has an intriguing post-apocalyptic premise, which a town teaching kids magic and the kids then going over the fence to explore the forbidden countryside. There is some horror thrown into the mix, as one of the lead characters gets unpersoned about 1/3 of the way through, to such an extent that the others don’t even remember she existed – that was handled quite well. And the action scenes, when they do come, are pretty decent. The story starts with a “here is how everything fell apart” flashforward, so no doubt we will soon see the entire world destroyed or something like that.

But it needs to be said: Saki and Maria (and Reiko when she was with them) have naked bathtime fun, with groping. There’s jealousy of the guys in the group, which leads to “you must THINK ONLY OF ME” and more groping. And then at the end it goes above and beyond, and there’s a full-on lesbian sex scene. I expect hot springs nudity from my Kodansha titles, but this boggled my mind, and compared to the prior mood of the series seemed so utterly jarring. I’ve no doubt that part of this was on purpose, but only part – I think a great deal of this series sells on guys buying it to see girls having hot lesbian sex. (FYI for yuri fans, think Kannazuki no Miko more than Maria-sama Ga Miteru.)

So I went to research what the hell was up with this… and wish I hadn’t. The manga is based on an award-winning novel, and also has an anime to its name. Apparently there is a vague plot-related reason for the hot lesbian sex, which I sort of guessed. But apparently two of the guys are also supposed to be in a relationship with each other. This was made clear in the novels, and toned down but kept there in the anime. The manga seems to have removed the male relationship entirely. And from what I can gather, the yuri fanservice gets even more blatant as the series goes on. I guess the editors know what sort of audience they want the series to connect to.

If you can get past the sex scenes and nudity, there’s a dark and twisted science fiction story here that might eventually pay off. I just found it impossible to do so. Which, given the amount of manga I read with nudity and yuri in it, says a lot.