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By Bisco Hatori. Released in Japan by Hakusensha, serialized in the magazine LaLa DX. Released in North America by Viz Media.

This release of the third volume of Millennium Snow, along with an omnibus re-release of the first two volumes, gives us a unique glimpse into the world of manga publishing. Here we have a small series by an author which, halfway through, stopped for 10 years as suddenly a one-shot by the author blew up into a much MORE popular series (Ouran High School Host Club). After Ouran finished, the author returned to Millennium Snow, but brought with her ten extra years of talent and experience. What’s more, Viz has a similar arc – the first two volumes of this series came out seven years ago, but that was all there was until just last year, and it’s been long enough that they can’t rely on the buyer having the old volumes. So how does the older half of this supernatural shoujo series match up with the new volume?

Hatori admitted that she had a great deal of difficulty re-reading the old volumes to refamiliarize herself with the plot and characters, as she was taken aback by how poor it seemed to her now. I can see her point, though it’s certainly readable enough. The differences between the first chapter and one of the chapters in the third volume are startling. This can even be seen on the omnibus covers, as the three leads are drawn in a very sharp, angular style with wide mouths that is also typical of early Ouran, but which she gradually softened over the years. The cover to the third volume, with Toya lying on the ground being tortured and gorgeous, is far more mature – and also far prettier.

The changes don’t just limit themselves to the art, though. The first two volumes of this series are pretty good – I really love the heroine, Chiyuki, particularly after she recovers and starts to act like the energetic, snarky girl she’s always wanted to be. but you get the sense that Hatori wasn’t quite sure where she wanted to go with this series. Clearly it will end next volume with Toya and Chiyuki together for the next thousand years, as is fairly blatantly signposted from the start. However, the first half reads like a shoujo romance, with various young men coming into (or returning to) Chiyuki’s life to make things difficult for her and Toya. It’s told fairly well, but it’s pretty standard.

The third volumes switches gears, turning more towards an examination of Toya himself, as well as the supernatural world around him. Instead of potential boyfriends swarming around Chiyuki, we how have almost a yokai series, as Toya and Chiyuki investigate various supernatural events. Toya is also opening up his worldview, not just to Chiyuki but in general, and becoming less lonely as a result. It’s no coincidence that Satsuki, the werewolf boy who’s introduced as the main rival for Chiyuki in the early parts of the series, has a much smaller role in the third volume – there’s no real need for him to be there anymore.

Millennium Snow is a good read if you’re a fan of Hatori’s Host Club series, or like supernatural romances. But it’s also a great read because you see an artist return to a work she had to abandon for so long and not only pick up seamlessly where she left off, but raise it to a higher level. It’s not perfect (I just didn’t care for Yamimaru, whose cutesy accent didn’t help things), but it’s still above-average shoujo.

By Girls Und Panzer Project and Ryohichi Saitaniya. Released in Japan by Media Factory, serialization ongoing in the magazine Comic Flapper. Released in North America by Seven Seas.

I wasn’t sure what to think of this title when I first saw it. It’s based off of an anime, though the fact that the story is by a ‘Prroject’ team clearly says they had multimedia franchise planned from the start. It’s also a moe manga about tanks, and I had assumed it would be similar to Strike Witches, a moe anime about fighter planes. This time, though, the girls are not anthropomorphic personifications, there’s no horribly gratuitous fanservice, and the cuteness actually welds itself into the story with no great effort. By the end of Volume 1, I was surprised to see how much I had enjoyed reading it.

This is not to say that the premise is not inherently RIDICULOUS. In fact, its very ridiculousness was one of the things that appealed to me before I read it. It takes place in a world much like ours except that, similar to flower arranging and tea ceremony, tank driving is a feminine art that all proper young ladies must know. Our heroines form a tank team at their high school and engage in mock combats, all the while extolling the virtues of tanks. If you can’t buy into this premise, this is definitely not the manga for you. It’s also not shy about its fetishing of tanks – there’s minimal fanservice of the girls here, but that’s possibly due to the long, lingering shots of treads and turret guns we see here – for once, we may have a moe manga where the cute girls doing cute things is just a spice.

I understand that the anime follows Miho, the shy but determined girl who seems to have some sort of tragic tank backstory. In the manga, however, she’s more of the cool and awesome sempai of the group. The manga’s viewpoint character is Yukari, who likes tanks a WHOOOOOLE lot, to the point where she’s alienated all of her old classmates. Thus she is over the moon to be attending a school where she can gush about tanks and not be shunned (though the others do think she goes a bit overboard). Yukari is fun, a loud, energetic tank otaku who gets to react a lot, just what you like in a typical cute heroine. The rest of the main cast includes Saori, who is on the lookout for cute boyfriends; Hana, who is the yamato nadesico of the group, and Mako, who seems to be combining the emotionless stoic and the odd weirdo into one cast member. I like her best, probably.

As I said before, what I think I like most about this manga adaptation is that it doesn’t do what I expected (note: this is Volume 1. Future volumes may make me eat my words). There are no long nude bath scenes, no one is groping everyone else’s boobs, no one trips and falls over all the time. It’s just girls and tanks, and mock battles (with hopefully mock ammo – it’s never made clear how injury is avoided). More to the point, the fact that it’s not focusing on the obvious lead character – Miho – gives it a sort of off-kilter perspective I enjoyed quite a bit. It may become more cliched later on, but for now, if you like a gonzo premise, girls being pretty awesome, and don’t mind a lot of tank warfare, this is a title for you.

By Hikaru Suruga and Gun Snark (Nitroplus). Released in Japan as “Shingeki no Kyojin Gaiden – Kuinaki Sentaku” by Kodansha, serialization ongoing in the magazine Aria. Released in North America by Kodansha Comics.

Given what the fandom is like, both in the West and in Japan, a spinoff of Attack on Titan featuring Levi is possibly the most obvious moneymaker in the history of time itself. He’s the most popular character by a factor of two over everyone else, and his backstory has not been covered by the main manga itself (though that may be changing soon). Based on a visual novel that was released with one of the DVDs, this manga tells the story of how Levi came to join the survey corps, what his motivations may have been, and his complicated relationship with Erwin Smith, the other lead character shown here.

Not that those are the only two characters. Levi is shown to be living in the underground slums as we open this volume, surviving with the help of some purloined vertical maneuvering gear and two other friends. The friends are a lot of fun. Isabel is young, full of spunk and energy, and a tomboy that Levi probably sees as a younger sister type. Furlan is more sensible, and seems to be the one with the plan the three of them come up with – Levi is a bit too pinpoint obsessed to really be far-thinking. The three of them make a very good team, both before and after they join the survey team. That said, the narrative is telegraphing Isabel and Furlan’s deaths by the end of the next volume, so I will be VERY surprised if they both make it past Volume 2.

The other half of the narrative is Erwin and his political machinations, which is something that we already get plenty of in the main story, but it’s always nice to see. The Survey Corps is constantly in danger of being dissolved, so he has to resort to scurrilous means of getting what he wants (including blackmail and threats). His recruitment of Levi and his friends is important – he needs people not only talented enough to kill titans, but driven enough to kill them. Levi certainly qualifies – the final battle with the titan at the end of this book is riveting, and shows off how talented Levi and his friends are in comparison to everyone else.

You could argue that Levi is a little too perfect and awesome, and you’d be right – but given this is a title dedicated to showing him off, and it runs in the shoujo magazine Aria, what did you expect? (Yes, No Regrets is a shoujo title. Shelve it next to Kitchen Princess.) There’s not only a lot of fast, thrilling action but scenes such as Levi getting dressed up in his ‘cleaning clothes’, which serves no point except to have the reader go ‘kyaa!’. You just roll with it, and you’ll find it’s a lot of fun. For those looking for other cast members, you won’t find many – Hange is here, but she only appears a couple of times and has no lines. But that’s OK, as Levi and Erwin can carry this on their own.

For Attack on Titan fans, particularly those who like Levi, this is a must-buy. For anyone else, it’s worth a shot – the Titans themselves only pop up towards the end, and most of the volume is devoted to setting up the odd mentor relationship between Erwin and Levi. It should end with Volume 2, so I’m expecting a lot of bad things to happen next time.