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Pick of the Week: Loveless! And other stuff.

August 11, 2014 by Sean Gaffney, Michelle Smith, Ash Brown, Anna N and MJ 4 Comments

potwSEAN: It’s a relatively quiet week for me manga-wise, which is good, as I’m still trying to make a dent on last week. As a result, I will pick my go-to Shonen Sunday action series, Magi.

MICHELLE: I like Magi, too, but I am absolutely unable to pick anything other than Loveless, whose long-awaited twelfth volume is finally here! I will do my best not to think about how long it’ll take for volume thirteen to arrive, seeing as how it hasn’t even been released in Japan yet.

ASH: It’s Loveless for me this week, too! I’ve been saving up a few volumes to read all at once.

ANNA: There isn’t really anything coming out this week that I am all that enthused about, so I’m going to pick Kaze Hikaru from last week, just because that’s what I’m going to read next!

MJ: Loveless. LOVELESS. Did I mention Loveless? Seriously, though, did anyone expect me to pick something else? Surely not.

… Loveless

What looks good to you this week?

Filed Under: PICK OF THE WEEK

Kokoro Connect, Vol. 1

August 10, 2014 by Sean Gaffney

By Sadanatsu Anda and CUTEG. Released in Japan by Enterbrain, serialized in the magazine Famitsu Comic Clear. Released in North America by Seven Seas.

Generally speaking, if you’re going to be releasing a manga series based on a light novel that stars a group of high school students in a strange club, you’d better have something extra to bring to the table in order to distinguish yourself from packs of similar series. And Kokoro Connect does have a premise that shows promise, particularly if it goes the dramatic direction that it seems to be hinting at. Three girls and two boys are friends in a club, till one day they discover that the five of them have begun to randomly switch bodies, without warning and for unknown periods. After having the reason explained to them by an exposition who happened to be walking by, they have to figure out how to deal with this, particularly as they are all rather fragile teens, and many have hidden secrets.

kokoro1

The leads are all likeable but flawed. In fact, in possibly the most annoying part of the volume, we have the flaws explained by Himeko, the ‘serious student’ of the club. Our hero is told how he tends to put the needs of others before himself, and in fact is directly called a “self-sacrificing bastard”. The trouble is we’ve only known him for about 90 pages before this, and the only evidence we see is that he volunteered for cleanup duty because no one else wanted to. Likewise, one somewhat insecure, thought-provoking monologue does not really measure up against the previous scenes of a girl being happy and outgoing, so hearing that Iori is “the most likely to crack” seems a bit out of nowhere. Kokoro Connect has a “tell rather than show” problem.

This is a bodyswap manga, and so it can sometimes be difficult to recall who is in which body at the time. The usual manga shorthand is to see either a ghostly presence of the real person behind the swapped one, or to show a SD-caricature of the real person in the speech balloon. This volume does both, and I think the latter works better, as the doubling can look confusing. Other than that, though, the artwork is appealing and cute. There’s also a healthy dose of humor scattered throughout. I could have done without the ‘oh my god teenage boys are perverts’ stuff, but if I wanted to avoid that I’d have to drop manga altogether. And the “solution” to Yui’s issues with men did make me laugh, I will admit. As for romance, it seems to be a ‘one guy and two girls who kind of like him’ story, with a ‘backup couple’ thrown in. The backup couple get the most development here, which tells me that the majority of what’s to come will likely focus on Iori and Himeko.

Mostly, though, I think this first volume made me hope that things improve in the next four (It’s a 5-volume series). It’s an intriguing premise, and I think it does show promise that it could take advantage of that, but right now it feels like it’s trying too hard. Let’s hope it finds its feet in the next volume.

Filed Under: REVIEWS

My Love Story Giveaway!

August 10, 2014 by Anna N

I have an extra copy of My Love Story, so I thought I would do a giveaway! Just leave a comment here telling me what your favorite love story is, and I’ll randomly pick a winner next Sunday. US residents only please.

Filed Under: UNSHELVED

Vinland Saga, Vol. 4

August 9, 2014 by Ash Brown

Vinland Saga, Omnibus 4Creator: Makoto Yukimura
U.S. publisher: Kodansha
ISBN: 9781612624235
Released: July 2014
Original release: 2009
Awards: Japan Media Arts Award, Kodansha Manga Award

Makoto Yukimura’s award-winning Vinland Saga has quickly become one of the manga releases that I most look forward to each time a new volume is published every few months. The series is thoroughly researched historical fiction with fantastic artwork and incredibly engaging story and characters. I was happy when Kodansha Comics picked up the license, but as the series gets better and better with each passing volume my excitement for the manga grows along with it. Kodansha’s edition of Vinland Saga was the publisher’s first foray into a deluxe release. Each omnibus collects two of the original volumes, retaining the color pages, in a nice hardcover format. Vinland Saga, Omnibus 4, published by Kodansha in 2014, contains the seventh and eighth volumes of the Japanese edition of the series, both of which were released in 2009. The fourth omnibus, like the third, also includes an exclusive question and answer segment with Yukimura about the series which I’ve really been enjoying.

Defying all expectations, Prince Canute has survived his father’s attempt to have him killed in battle and has taken his destiny into his own hands. At one point a gentle young man considered weak by the Viking mercenaries and soldiers, Canute is now resolved to wrest the crown from his father, King Sweyn. He is prepared to use force and any other means necessary in order to gain control of the realm. This change of heart has earned Canute an impressive array of followers who are willing to fight and die for him as he challenges Denmark’s king. Thorkell and his men are known and respected as great warriors to be feared on the battlefield. Most of Askeladd’s troop has been slain, but Askeladd himself is a skilled fighter with an even greater talent for strategy and manipulation. The aid of both men will give Canute distinct advantages in the approaching confrontation, but its conclusion is far from certain. Sweyn  has strong men who are loyal to him as well in addition to the recognized power to rule over the masses. He isn’t about to let the throne slip away so easily.

I continue to be extremely impressed by the characterization in Vinland Saga. The main characters and even the supporting cast all have a tremendous amount of depth. They are complex, with both human failings and strengths, well-developed personalities, and believable motivations. Nothing is as simple as good or bad. Instead the characters are portrayed as real people with complicated pasts that have made them who they are. Up until this point Sweyn has been somewhat of an enigma, a dark shadow hanging over Canute and the territories which he has conquered. But in Vinland Saga, Omnibus 4 he, too, is revealed to be much more nuanced of a character than when he was first introduced. Much like Canute, Sweyn’s actions are informed and driven by his beliefs and his desire to create a prosperous realm. He is a formidable ruler with significant influence, but he is also a man and a tired one at that. Kingship has taken its toll. Sweyn also serves as an example showing that even a person with righteous intentions can become corrupt, a lesson that Canute would do well to take to heart.

Compared to previous installments of Vinland Saga, the fourth omnibus in the series focuses less on all-out battle and more on the political strategies and maneuverings going on behind the scenes. However, the intensity of the series remains and when fights do break out they make an impact. They are incredibly bold and dynamic. Yukimura’s action scenes are epic and extremely well choreographed, but what makes them so effective is the emotional investment of the characters. Askeladd in particular is especially compelling. He has been able to channel his hatred and desire for revenge, controlling those around him with immense skill, but it hasn’t been without personal sacrifice. Askeladd himself is also the target of revenge–Thorfinn holds him responsible for the death of his father. Thorfinn and Askeladd’s relationship is extraordinarily complex. Askeladd doesn’t blame the younger man for seeking his demise. In his own way he actually tries to teach Thorfinn, drawing from his own past experiences. But this omnibus makes it tragically clear that Thorfinn is so obsessed with his quest for revenge that he has thought very little beyond it.

Filed Under: REVIEWS Tagged With: Japan Media Arts Award, kodansha, Kodansha Comics, Kodansha Manga Award, Makoto Yukimura, manga, Vinland Saga

The Twelve Kingdoms, Vol. 4: Skies of Dawn

August 8, 2014 by Ash Brown

The Twelve Kingdoms, Volume 4: Skies of DawnAuthor: Fuyumi Ono
Illustrator: Akihiro Yamada

Translator: Alexander O. Smith
U.S. Publisher: Tokyopop
ISBN: 9781427802606
Released: November 2010
Original release: 1994

Skies of Dawn is the fourth and sadly final volume of Fuyumi Ono’s eight-volume fantasy novel series The Twelve Kingdoms, illustrated by Akihiro Yamada, to have been released in English. Published in Japan in two volumes in 1994, the novel was released in its entirety in 2010 by Tokyopop under its Pop Fiction imprint, first as a hardcover and then later in a paperback edition. As with the previous volumes of The Twelve Kingdoms, Skies of Dawn was translated by Alexander O. Smith. Interestingly enough, Elye J. Alexander, who frequently collaborates with Smith on translations and who worked with him on the first three volumes of The Twelve Kingdoms, does not appear to have been involved with Skies of Dawn. Though I discovered the series relatively late, I have been thoroughly enjoying The Twelve Kingdoms and Ono’s exceptionally well-developed world and characters. Skies of Dawn is easily the longest of the translated volumes, but that didn’t at all diminish my enthusiasm.

Yoko has become the king of Kei after being chosen by Keiki, the kingdom’s kirin. It’s still early in Yoko’s reign, but it hasn’t been easy for her. Many of the ministers of her court are corrupt and the others have very little trust in Yoko–Kei has had a bad history with lady-kings. Yoko lacks confidence in her rule as well. Having grown up in Japan before being suddenly swept away to the Twelve Kingdoms, her understanding of the world in which she now finds herself is limited and her knowledge of what it means to be king is even more so. Yoko isn’t the only young woman who is struggling with great changes in her life. Like Kei, the kingdom of Hou has also recently lost its ruler and those circumstances have forced its princess Shoukei into exile. Suzu, another girl who was originally from Japan, is unhappy with her lot in life in the Twelve Kingdoms. Though they don’t know each other, the destinies of these three young women will become closely intertwined, changing the direction and fate of Kei, a kingdom still struggling to restore itself after years of turmoil and calamity.

Although Skies of Dawn is technically the fourth volume in The Twelve Kingdoms, chronologically its story follows immediately after the events of the first volume, Sea of Shadow. The two intervening novels–Sea of Wind and The Vast Spread of the Seas–serve as prequels to the series, providing more context as well as back stories for The Twelve Kingdoms as a whole and for its major characters. As with the other volumes in The Twelve Kingdoms, Skies of Dawn actually stands very well on its own as a novel. Though they provide more background, it’s not absolutely necessary to have read the previous volumes in the series to understand what’s happening in Skies of Dawn. Actually, Skies of Dawn is almost like reading three novels contained in one, especially towards its beginning. It takes quite some time for Yoko, Shoukei, and Suzu’s individual stories to come together into a single narrative, but it is very satisfying when they do, especially because it happens in a way that is somewhat unexpected.

Worldbuilding has always been a major component of The Twelve Kingdoms and that hasn’t changed with Skies of Dawn. I do appreciate all of the thought and detail that Ono has put into every aspect of the series. Granted, while it is all very interesting, the worldbuilding does slow down the pacing of the plot a great deal. Much of the first half of Skies of Dawn is devoted to things like rules of governance, taxes, and marriage laws as Yoko learns more about her kingdom and the kingdoms surrounding it. It’s not until the second half of Skies of Dawn when Yoko, Shoukei, and Suzu’s stories begin to converge that events start to quickly escalate as the people of Kei come closer and closer to rebellion. The Twelve Kingdoms is an epic tale of fantasy in which the characters are required to grow and evolve, taking responsibility for themselves and for the changes in the world in which they live. Although it is unlikely that the rest of the series will be translated, Skies of Dawn and the previous volumes are still well worth seeking out.

Filed Under: REVIEWS Tagged With: Akihiro Yamada, Fuyumi Ono, Light Novels, Novels, Tokyopop, Twelve Kingdoms

Manga the Week of 8/13

August 7, 2014 by Sean Gaffney, Ash Brown, Michelle Smith, Anna N and MJ Leave a Comment

SEAN: If there was a quiet week in August, next week would be it, with a mere nine titles.

samurai2

Dark Horse has the 2nd of its Samurai Executioner omnibii, for those who can’t get enough of samurai, manliness, and manly samurai.

ASH: Surprisingly enough, I haven’t actually read any of Samurai Executioner. This would probably be a good time to change that.

SEAN: Kodansha gives us a double shot of Hiro Mashima, with the 41st volume of Fairy Tail (which starts a new arc) and the 2nd volume of Monster Soul (which wraps up).

SubLime has an entry, as the 5th volume of Crimson Spell is out. Listen to them. Crimson. Pff. It’s f**king Red. (Sorry, got caught up in the meme there.)

ASH: Speaking of getting caught up, I believe the fifth volume means we’ve caught up with Japan, too.

SEAN: Vertical has the 5th volume of Wolfsmund, whose cover may not be red but whose contents I expect will at least have a bit of blood.

ASH: I suspect that you’re right.

SEAN: Viz has recently said that Deadman Wonderland is its breakout hit of the last year, so it will please people no end that Vol. 4 is out. Also, clearly this means we need more license rescues. (Kidding, kidding…)

MICHELLE: I never kid about license rescues! Of course, whatever momentum the TOKYOPOP series that I most love(d) had is probably long-dissipated by now, but I can continue to hope that one day, I’ll get to read Silver Diamond in English in its entirety.

loveless12

ANNA: I am pausing a moment to contemplate the lack of an ending in English for Shinobi Life, Demon Sacred, and Sky Blue Shore.

SEAN: We also have the 12th volume of Itsuwaribito, which I still haven’t really read. Anyone?

The 12th volume of Loveless will no doubt generate a bit more excitement from my other Manga Bookshelf colleagues.

ASH: I’m looking forward to it!

MICHELLE: I am positively asquee!

MJ: Okay, yeah, I’m in the middle of production week, but I have to take at least a moment here to say: LOVELESS!!! <3 Oh, happy day.

SEAN: Lastly, we get a 7th volume of the Arabian Nights series Magi, which I enjoy quite a bit.

MICHELLE: I vow that I will finally get caught back up with Magi!

SEAN: Getting something here? Or catching up with the week before?

Filed Under: FEATURES, manga the week of

D-Frag!, Vol. 1

August 7, 2014 by Sean Gaffney

By Tomoya Haruno. Released in Japan by Media Factory, serialization ongoing in the magazine Comic Alive. Released in North America by Seven Seas.

An action manga can get away with a chapter or two with no fighting. A romance manga relies on there being little to no resolution for volumes at a time. But a gag manga has to have gags, or else it runs the risk of failure even after only a chapter. Being funny, on a long-term basis, can be quite difficult. Most writers therefore try to balance out their humorous manga with other elements, such as the aforementioned fighting or romance. When you do see an author that tries to pull off straight-up gag manga, then, it’s an impressive thing. Particularly if it’s been licensed in North America, whose gag manga litter the shores of the river Styx. D-Frag! is not quite PURE gag manga, such as Bobobo-bo Bo-Bobo or Cromartie High School, but it comes pretty damn close.

d-frag1

I’m not exactly sure what the title is supposed to signify, as the manga has nothing to do with defragmenting your hard drive. Instead it’s a variation on ‘straight man guy joins a really weird club’, only without the strong personality of a Haruhi or Kyon. Kazama wants to be a delinquent, but is honestly too nice and well-meaning. He’s tricked into joining the “Game Development Club”, whose members include a thug (who’s also student council president), a jock, a space cadet, and the teaching advisor, who is usually mistaken for one of the students. The plot, such as it is, starts when he finds out there’s already a Game Development Club – the ‘real” one, so to speak – and that the club he’s now joined is a fake offshoot.

If this doesn’t sound like much to hang a plot on, well, you’re right there. The only member of the real club who matters is Takao, who fell out with one of the fake club members and is trying to make up with her by being stubborn and screaming a lot, in the traditional manga way. She also has a large chest which is frequently commented on, lest you worry that Comic Alive had suddenly turned into some other magazine. Seeing her interaction with Roku is nevertheless a highlight of the volume, and leads to the only (very brief) serious moments. Much of the rest of it is the eccentric personalities of everyone involved, and Kazama’s tsukkomi reaction to their antics.

Another impressive aspect of this first volume: there’s little to no romance suggested. Now, this may change, but I greatly enjoyed that this manga is not a harem manga with gag elements, but devoted entirely to being weird and silly. Kazama is far too busy trying to figure out how to deal with anyone to find them attractive (his preferences are apparently towards big breasts, but even this is used as gag fodder), and girls such as Roku seem more content to simply have him around then have an unrequited crush.

This sort of series is dangerous to read, because if it loses its humor and pacing, it could crash very fast. But Vol. 1 is a solid start, and I laughed out loud several times. I’m interested in seeing where it goes.

Filed Under: REVIEWS

Food Wars, Vol 1

August 6, 2014 by Anna N

Food Wars Volume 1 by Yuto Tsukudo and Shun Saeki

This is a potentially engaging battle style foodie manga that I found myself having a difficult time getting into due to the copious amounts of fan service. I do realize that in shonen manga, one has to expect some boobs and miniskirts, just as one might expect scenes of shirtless vampires chained to the wall in supernatural shoujo manga, but I thought the sexual elements in Food Wars didn’t really enhance what might otherwise be a fun food battle manga.

Soma has grown up cooking for his father’s neighborhood restaurant. He’s trying to battle his father for supremacy but still falling short of the mark. The third page of the manga contains a reference to tentacle rape, as Soma pops a bite of a squid food experiment into a girls mouth, only for her to feel horrifically molested by the terrible combination of flavors. The first chapter in the book is a prolog, as representatives of a hostile corporation try to move in on the restaurant, Soma’s father decides to take off and cook in America, and Soma is promptly sent to try out for an elite cooking school called the Totsuki Saryo Culinary Institute.

The female antagonist of Food Wars is Erina Nakiri, a student with an incredibly refined palette, and a gift for metaphor, as she likens an unsatisfactory dish to the sensation of visiting a hot springs only to find out that there is a gorilla staring at her. Full visuals for this scene are of course provided, and it is actually much more funny than some of the other fanservicey scenes that just seem to involve food blowing away peoples’ clothes. Erina judges Soma’s dish and finds it extraordinary despite the fact that he’s making everyday Japanese food instead of something more fancy. She fails him, but he’s let into the school after all when a school administrator tears up the test results after tasting the dish.

I do enjoy food manga, and ordinarily I’d be totally up for reading a few volumes of food battling set in an elite high school. I also liked the theme of contrasting Soma’s expertise in making everyday food with the snobby pretensions of his fellow students. The fan service elements were just a bit too much for me, and there are certainly other examples of food manga that manage to show the transformative experience of eating an excellent dish without resorting to upskirt shots. So for funny food manga, I’d probably recommend that someone with similar tastes as me go with Yakitate Japan or the ridiculous Toriko.

Filed Under: REVIEWS Tagged With: food wars, Shonen, viz media

Manga Giveaway: Mecha Manga Giveaway Winner

August 6, 2014 by Ash Brown

Bokurano: Ours, Volume 1And the winner of the Mecha Manga Giveaway is…Elliot!

As the winner, Elliot will be receiving a copy of Mohiro Kito’s Bokurano: Ours, Volume 1. For some reason, I never think I’m going to enjoy mecha manga, but then I do. And so, as part of this giveaway, I was interested in learning what mecha manga other people had read and enjoyed. There have been a good number licensed in English, though this is only a small fraction of what’s available in Japan. As many of the entrants pointed out in the giveaway comments, sometimes an anime gives the mecha genre a little more oomph, but manga can be enjoyable, too.

Some of the mecha manga licensed in English:
Bokurano: Ours by Mohiro Kito
Broken Blade by Yunosuke Yoshinaga
Code Geass by Goro Taniguchi (and various)
Eureka Seven by Jinsei Kataoka and Kazuma Kondou
Full Metal Panic! written by Shouji Gatou, illustrated by Retsu Tateo
Gurren Lagann by Kotaro Mori
Kannazuki no Miko: Destiny of Shrine Maiden by Kaishaku
Knights of Sidonia by Tsutomu Nihei
Magic Knight Rayearth by CLAMP
Mobile Police Patlabor by Masami Yuuki
Mobile Suit Gundam: Ecole du Ciel by Haruhiko Mikimoto
Mobile Suit Gundam: The Origin by Yoshikazu Yasuhiko
Mobile Suit Gundam Wing by Hajime Yatate and Yoshiyuki Tomino (and various)
Nadesico by Kia Asamiya
Neon Genesis Evangelion by Yoshiyuki Sadamoto
RahXephon written by Yutaka Izubuchi, illustrated by Takeaki Momose
The Vision of Escaflowne by Aki Katsu
The Voice of a Distant Star written by Makoto Shinkai, illustrated by Mizu Sahara

The above list is only a small selection of the mecha manga that have at one point or another been released in English. I was a little surprised to see how much of it has gone out of print. But there are still some great titles like Knights of Sidonia, Mobile Suit Gundam: The Origin, and the various incarnations of Neon Genesis Evangelion that are still going strong. Mecha will still be around for a while, I suspect. And thank you to everyone who shared your favorites with me!

Filed Under: UNSHELVED Tagged With: Bokurano, manga, Mohiro Kito

Comic-Con Hangover

August 5, 2014 by Brigid Alverson

Best and Worst Manga panelists: Deb Aoki, yours truly, David Brothers, and Christopher Butcher

Best and Worst Manga panelists: Deb Aoki, yours truly, David Brothers, and Christopher Butcher

I’m back from San Diego, which was great, as always. I covered a ton of panels for CBR, where I am a contributing writer, and I got to be one of the folks who went up on stage when that site won the Eisner Award for best comics journalism, which was pretty damn awesome. Aside from that, though, one of the best moments was being part of the Best and Worst Manga panel, arranged and moderated by the amazing Deb Aoki. It was held in one of the bigger panel rooms, which I would estimate seats about 300 people, and it was standing room only. This was in contrast to the other comics panels I covered, which were mostly in smaller rooms that were only half full. What’s more, the audience was really engaged, reacting with enthusiasm to all our choices. Clearly, the manga scene is alive and well, at least in San Diego.

Here’s Deb’s writeup of the panel. tl;dr: Read Vinland Saga. Seriously.

Deb also rounded up the manga news from the con. Some highlights:

  • Udon licensed Kill la Kill
  • Kodansha announced two new licenses, including Let’s Dance a Waltz, by Kitchen Princess manga-ka Natsumi Ando
  • Drawn and Quarterly announced Shigeru Mizuki’s Hitler and a collection of short stories by Tadao Tsuge that originally ran in GARO magazine.
  • Artist Katsuya Terada (The Monkey King) was signing at the Dark Horse and Last Gasp panels, promoting two of his books.
  • Viz, Vertical, Yen Press, and Seven Seas didn’t have panels but they all were doing a brisk business at their booths.

Sean Gaffney has his usual astute commentary on the announcements at his blog. Meanwhile, deb, Deb, who was my roommate at the con, has more on the Udon announcements and a video of Terada drawing the Monkey King at her site, Manga Comics Manga.

Lori Henderson rounds up the con news in her latest Manga Dome podcast at Manga Xanadu.

Vertical sold completely out of their newest Moyoco Anno title, In Clothes Called Fat, at the show. I read it before I left and again when I got back, and then I reviewed it for Robot 6.

The ICv2 folks sat down with Viz execs Leyla Aker and Kevin Hamric for a meaty interview (part 1, part 2) about the state of the manga market, print versus digital sales, their rescues of some Tokyopop licenses (including Deadman Wonderland), and whether they will release a Doraemon manga anytime soon (it’s already being published digitally in English by Shogakukan).

Meanwhile, while we were in San Diego, the Japanese government started a new anti-piracy campaign that has two prongs: They are sending takedown notices to pirate sites and directing readers to legitimate online manga sites.

Hiroshi Oti, the creator of Ganbare Goemon, has died at the age of 54.

Reviews

L.B. Bryant on vol. 1 of Black Rose Alice (ICv2)
Sean Gaffney on vol. 5 of Blood Lad (A Case Suitable for Treatment)
L.B. Bryant on vol. 1 of Food Wars (ICv2)
Ash Brown on In Clothes Called Fat (Experiments in Manga)
Lori Henderson on Insufficient Direction (Manga Xanadu)
Sean Gaffney on vol. 4 of Inu x Boku SS (A Case Suitable for Treatment)
Kristin on Les Miserables (Manga Classics) (Comic Attack)
Kristin on vol. 1 of Monster (perfect edition) (Comic Attack)
Rob McMonigal on La Quinta Camera (Panel Patter)
Drew McCabe on The Shadowman (Comic Attack)
Kristin on vol. 1 of Spell of Desire (Comic Attack)
Kristin on vol. 1 of Terra Formars (Comic Attack)

Filed Under: MANGABLOG

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