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After School Nightmare, Vol. 1

December 17, 2014 by Ash Brown

After School Nightmare, Volume 1Creator: Setona Mizushiro
U.S. publisher: Go! Comi
ISBN: 9781933617169
Released: September 2006
Original release: 2004

After School Nightmare is a ten-volume manga series by Setona Mizushiro. I first came across the series while working my way through one of my local library’s manga collection which, at the time, was largely shelved alphabetically by title. So, it didn’t take me too long to encounter After School Nightmare. I borrowed and read the first few volumes and on the strength of those alone decided to track down and purchase the entire series which had sadly gone out of print. The manga’s dark, horror-tinged psychological drama and its themes exploring gender and sexuality immediately appealed to me; the series had the potential to be both disconcerting and compelling. After School Nightmare, Volume 1 was originally published in Japan in 2004. The English-language edition of the volume was released in 2006 by the now defunct Go! Comi. After School Nightmare has generally been critically well-received in English, even earning an Eisner Award nomination for Best U.S. Edition of International Material among other honors.

Mashiro Ichijo is an androgynously attractive and well-liked you man, but he’s hiding a secret from his classmates–his body is neither entirely male nor entirely female. This has brought Mashiro some challenges in his life and as a result of his physical condition he struggles with his personal identity and gender. Just how much he struggles is made abundantly clear when Mashiro is requested to join a special after-school class which must be completed in order for him to graduate. In it the students must literally live out their nightmares where they are forced to face their darkest fears and bear witness to one another’s deepest secrets. What’s more is that they aren’t there to offer comfort or support. Instead, circumstances encourage them to strike out against their fellow classmates. And even though what happens in the nightmares isn’t to carry over into the real world, sharing such an intimate experience can’t help but change the young people and how they see one another.

The circumstances surrounding the after-school classes are peculiar. Only the students invited to attend seem to be aware of it. The stairs leading down to the infirmary where the class is held in a basement that shouldn’t exist disappears and reappears depending on the day. The teacher in charge isn’t known by the school’s other faculty. Students who “graduate” quietly go missing and are forgotten. All of these things and more add to the foreboding atmosphere of After School Nightmare and the feeling that something just isn’t quite right about what is going on. The shared nightmares themselves are also ominously disconcerting. The imagery is frightening–a girl whose face and heart are gaping holes, disembodied hands and arms, a cruel knight in black armor–but in the end the students’ psychological torment and distress may be even more troubling and gut-wrenching. The nightmares simply reveal the darkness and confusion that they already carry within themselves.

In the dreams, the students take on their true forms, representative of the issues, abuse, and trauma that they are dealing with. Many of them appear so distorted in the nightmares that its difficult to know their identities in the waking world. That’s not the case for Mashiro who looks exactly the same except that, to his horror, he sometimes is wearing the girls’ skirted school uniform in the dreams. This makes him easily identifiable and a target in the real world. He catches the attention of Kureha Fujishima, a young woman who is afraid of men but feels comfortable around Mashiro after learning his secret. And then there’s Sou Mizuhashi who has a reputation for being a playboy and womanizer but who also seems to have taken an intense interest in Mashiro. Though somewhat conflicted over these developments in his relationships with his classmates, Mashiro largely welcomes the attention from Kureha and is understandably uncomfortable with Sou’s aggressive advances towards him. As the first volume of After School Nightmare shows, reality can be just as terrifying if not more so than any nightmare.

Filed Under: REVIEWS Tagged With: after school nightmare, Go! Comi, manga, Setona Mizushiro

Takeshi Obata Returns to Shonen Jump

December 15, 2014 by Brigid Alverson

Shonen Jump adds a new series to its lineup, and the artist is Takeshi Obata! The series is Gakkyu Hotei: School Judgment and the writer is Nobuaki Enoki. It’s about a school that has its own court; if that sounds familiar, it’s because the manga ran for a while as a smartphone-only series and just relaunched on December 1.

Kodansha has expanded into China with a local magazine, Jinmanhua, and homegrown manga by Chinese artists; the creative duo who go by Navar have seen their manhua Carrier: Xiedaizhe, go the other way—it is now running in Kodansha’s Bessatsu Shonen Magazine in Japan and has been published as collected editions there as well.

Got some last-minute shopping to do? Erica Friedman posts the Okazu Gift Guide, and she also has a fresh serving of Yuri Network News for us.

Laura reveals her favorite shoujo series at Heart of Manga, and she also looks at the series currently running in the magazine Be Love.

Reviews: The Manga Bookshelf team takes a quick look at recent releases in their newest Bookshelf Briefs post.

Rebecca Silverman on vol. 1 of Ajin (ANN)
Ash Brown on vol. 2 of Attack on Titan: No Regrets (Experiments in Manga)
Lesley Aeschliman on vol. 6 of Attack on Titan (Lesley’s Musings on Manga)
Lori Henderson on vols. 11-13 of Attack on Titan (Manga Xanadu)
Alice Vernon on Bloody Cross (Girls Like Comics)
Lesley Aeschliman on vol. 24 of Fullmetal Alchemist (Lesley’s Musings on Manga)
Kristin on The Garden of Words (Comic Attack)
Sarah on vol. 16 of Kamisama Kiss (nagareboshi reviews0
Lesley Aeschliman on vol. 25 of Naruto (Lesley’s Musings on Manga)
Johanna Draper Carlson on vol. 10 of Ooku: The Inner Chambers (Comics Worth Reading)
A Library Girl on vols. 1-3 of Pandora Hearts (A Library Girl’s Familiar Diversions)
Leroy Douresseaux on vol. 4 of Phantom Thief Jeanne (The Comic Book Bin)
Erica Friedman on Philosophia (Okazu)
Lesley Aeschliman on the December 15 issue of Shonen Jump (Lesley’s Musings on Manga)
Sean Gaffney on vol. 4 of Soul Eater Not! (A Case Suitable for Treatment)
Leroy Douresseaux on vol. 3 of Terra Formars (The Comic Book Bin)
AstroNerdBoy on vol. 2 of UQ Holder (AstroNerdBoy’s Anime and Manga Blog)

Filed Under: MANGABLOG

Bookshelf Briefs 12/15/14

December 15, 2014 by Sean Gaffney and Michelle Smith Leave a Comment

This week, Sean and Michelle look at recent releases from Viz Media and Kodansha Comics.

kimi20Kimi Ni Todoke, Vol. 20 | By Karuho Shiina | Viz Media – This is still Sawako’s story, and her development here is great, but I do love that there’s just as much investment in having the other two heroines grow up as well – Sawako’s career choice is actually the easiest. It’s also great to see the good teacher we know Pin is, as he reminds Chizu that running a ramen joint requires more than just knowing how to cook, and tells Yano straight up that she has the talent to set her goals higher… so why isn’t she? Her mother backs this up, and now Yano is not only wondering about her life goals but about her relationship with Kento. I’d complained earlier that I felt this series might be running a bit long, but this volume showed it still has a lot more going on. – Sean Gaffney

nura24Nura: Rise of the Yokai Clan, Vol. 24 | By Hiroshi Shiibashi | Viz Media – For the most part, this penultimate volume of Nura is a bunch of battles. I believe that the actual end in Weekly Jump is here, approximately halfway through – the rest ended up being in the extra issues like Jump Next, etc. It’s nice seeing the school classmates here, even if it fells like a goodbye – Nura quickly outgrew its “real-world” aspect, and even Kana is an afterthought now, as it’s Tsurara who spends the volume by Rikuo’s side. We see the culmination of what he’s been doing the entire series, as everyone he approached to be allies in the fight now shows up to help out, leaving him safe to fight the final boss. This was never the best shonen series, but I’ll miss it. – Sean Gaffney

rreal13Real, Vol. 13 | By Takehiko Inoue | Viz Media – The latest volume of this wheelchair basketball drama is actually all about pro wrestling, as Takahashi’s rehab companion, Shiratori, makes an inspirational return to the ring, fighting in such a way that the audience is oblivious to his disability. While it was nice to learn more about his backstory, better still is the impact his performance has on Hanasaki and Takahashi. The latter, especially, watches Shiratori fighting with everything he’s got left, pushing himself to the limit for something he loves and finally completely lets go of the aloof, unaffected persona he’d cultivated in high school and embraces his real self, who could love something passionately. To that end, the final page is him showing up to join a wheelchair basketball team. Maybe it sounds simplistic described in words, but in Inoue’s sure hands, the end result is very moving. Now to endure another year before volume fourteen! – Michelle Smith

toriko25Toriko, Vol. 25 | By Mitsutoshi Shimabukuro | Viz Media – I will admit to being a bit disappointed with this volume. I wanted more amazing cooking battles, but sadly Gourmet Corps crashes the event and starts attacking everything, so instead this turns into a melee battle. It’s not without its high points – I liked Coco explaining to Komatsu why chefs such as him are so highly prized in this world, and a battle between Sunny and Tommyrod promises to be rather epic – but for the most part this is a bunch of people showing off their fighting power, then vanishing from the narrative to make way for more people. Combine that with the already high number of new chefs introduced in the last volume, and you have a Toriko that’s less than the sum of its parts. – Sean Gaffney

rei2xxxHOLIC Rei, Vol. 2 | By CLAMP | Kodansha Comics – Yeah, OK, I knew I wasn’t really getting a reboot. Clearly this takes place after the main series, and also clearly there is something terribly wrong, seemingly based on a decision that Watanuki made at some point, something lampshaded by his being interrupted here in this dream/whatever world before he can choose between two gifts. He has knowledge of the supernatural that could only come with experience, and is thus surprising everyone – or is he? In any event, we also still have the usual supernatural, yokai-influenced stories, which are the best part of xxxHOLIC for me. And Himawari’s here, yay! And not married to generic guy we never see and shoved offscreen! Oh xxxHOLIC, why can’t I quit you?-Sean Gaffney

Filed Under: Bookshelf Briefs

Pick of the Week: Keaton vs. Fourteen

December 15, 2014 by MJ, Sean Gaffney, Michelle Smith, Ash Brown and Anna N 4 Comments

fourteenSEAN: There are a bevy of choices this week. I’m tempted by an English edition of Master Keaton at last, or the new yuri title Citrus. But I will go with Love at Fourteen as my pick of the week. It’s the story of two childhood friends, both mature for their age, who are dealing with love and everything that comes from it. The magazine it runs in, Rakuen Le Paradis, is one of Hakusensha’s best new titles, technically being shoujo/josei but really more ‘sui generis’. I cannot wait to read this.

MJ: I am decidedly with Sean this week. Though there are a number of titles on my radar, the one that intrigues me most by far is Love at Fourteen. Everything about this title sounds like exactly what I like best in a manga, and I am a bit ashamed that I didn’t even realize it was on the way until this week. Now I can’t wait to read it!

masterkeaton1MICHELLE: I’m in the opposite camp! I did know Love at Fourteen was coming, so the one I wasn’t aware of until recently was Master Keaton. I really love Naoki Urasawa, so I am super excited to read this one!

ASH: I’m with Michelle this week. While I’m interested in Love at Fourteen, my pick absolutely goes to Master Keaton. Urasawa is one of the reasons I developed such a healthy obsession with manga, so I’m very happy to see more of his work being released in English.

ANNA: I’m also with Ash and Michelle! A newly translated Urasawa series takes precedence over everything in my mind!

What looks good to you this week?

Filed Under: PICK OF THE WEEK

My Week in Manga: December 8-December 14, 2014

December 15, 2014 by Ash Brown

My News and Reviews

Two reviews were posted at Experiments in Manga last week. The first was of Frederik L. Schodt’s classic survey of manga originally written in 1983 but slightly revised in 1986 and with a new introduction added in 1997, Manga! Manga!: The World of Japanese Comics. It may be a few decades old, but it’s still a fantastic work that is well worth reading. Last week I also reviewed Hikaru Suruga’s Attack on Titan: No Regrets, Volume 2, the final volume of Attack on Titan‘s short, shoujo spinoff which focuses on Levi and Erwin’s backstories. I wasn’t quite as fond of the second volume as I was of the first, but I did enjoy the series. It’s definitely a must-read for fans of Erwin and/or Levi and I appreciated how it expanded the setting of Attack on Titan.

Elsewhere online, Kodansha Comics announced the license of Naoshi Arakawa’s Your Lie in April. An Indiegogo campaign was launched to create a stop-motion film adaptation of Moyoco Anno’s The Diary of Ochibi manga. Vertical linked to an older article about Prophecy and how French Manga Fans Inspire the Work of Tsutsui Tetsuya. (The first volume of Prophecy was recently released in English and it’s fantastic.) And last but not least, Muse Hack posted an interview with Mikhail Koulikov of the Anime and Manga Studies Blog. I’ve been following Koulikov’s Anime and Manga Studies ever since I’ve discovered it. The blog is a great resource for anyone interested in the academic pursuit and scholarly study of Japanese pop culture.

Quick Takes

Fairy Tail, Volume 43Fairy Tail, Volume 43 by Hiro Mashima. There was very little Gray in the forty-third volume of Fairly Tail which made me a little sad, especially after the buildup in his character and story over the last few volumes. But with a series like Fairy Tail, which has a fairly large cast of characters who regularly play an important role in its plot, time needs to be spent with those other characters as well. Fairy Tail always seems to have one or two moments of fanservice that, at least for me, detract from the story being told. The clothing and armor choices for the female characters in particular tend towards stereotypical fantasy design–showing more flesh than would be appropriate for battle–but at least the women in Fairy Tail generally have well-developed personalities and are very capable characters in their own right. Often, they’re even stronger than the men. And to be fair, there’s male nudity as well as female nudity in Fairy Tail, though as might be expected from a shounen manga, generally not to the same extent. Fairy Tail is now well into the beginning of the Tartaros arc of the series in which the members of the Fairy Tail guild must face off with a dark guild of demons which is trying to eliminate the entire Magic Council.

Kiss All the Boys, Volume 1Kiss All the Boys, Volumes 1-3 by Shiuko Kano. For the most part I enjoyed Kiss All the Boys more than Kano’s earlier series Yakuza in Love, but ultimately I felt a bit cheated by its conclusion. While in some ways I’m glad that most everything ends happily for the characters, I’m not convinced that that’s really how things would have played out and some of the eventual pairings are troubling. But while Kiss All the Boys may not be the most believable series, at least the convoluted relationships are for the most part interesting even when they are appalling. The series hinges on Tetsuo, a straight thirty-something hentai artist with a fifteen-year-old son born from his youthful indiscretions. At least he’s supposed to be straight. Conveniently for the manga, he soon finds himself entangled in relationships with several other men–his next door neighbor, his best friend and editor, and even the boy his gay son has a crush on. Tetsuo is an asshole, but at least he knows he’s an asshole. He does make some effort to rise above his nature but unfortunately never quite manages to succeed. For the most part Kiss All the Boys is intended to be a comedy and shouldn’t be taken too seriously, but I couldn’t help but worry for the youngsters left with terrible adult role models.

Yukarism, Volume 1Yukarism, Volume 1 by Chika Shiomi. I haven’t previously read any of Shiomi’s manga, but I was looking forward to Yukarism because of its promise of interesting gender dynamics, reincarnation, and historical romance. Although Yukari Kobayakawa is only seventeen, he has already made a name for himself as an author of novels set in the Edo period. He never has to do any research though since he subconsciously draws inspiration from his past life as a courtesan in the era’s pleasure district. Except for that particular twist, at this point Yukari actually isn’t a very interesting character. He’s very reserved, self-absorbed, impassive, and completely unfazed when he begins to slip back and forth between his past life and his current one. Many of the people surrounding Yukari in present-day Japan are reincarnations of people he knew in the pleasure district although they don’t all seem to be aware of that fact. There’s definitely some potential for romance in Yukarism, but after only one volume that doesn’t appear to be the series’ main concern yet. Instead, the mystery surrounding the deaths of Yukari and the others in the past seems to take precedence, although the connections between all of the characters in all of their incarnations is an important element as well. I’ll be curious to see how the series continues to develop.

DevilPartTimerThe Devil Is a Part-Timer! directed by Naoto Hosoda. I’ve been meaning to watch The Devil Is a Part-Timer! for quite some time now, but I was recently reminded of that intention when Yen Press licensed both the light novel series by Satoshi Wagahara on which the anime is based as well as at least one of its manga adaptations. While the anime is entertaining, the ridiculous premise is more hilarious in theory than in execution–The Devil Is a Part-Timer! is actually played fairly straight. But it’s still a fun and consistently amusing series. I particularly got a kick out of Satan diligently working in the fast food industry as a way to take over the world (he takes his job very seriously) and the portrayal of Lucifer as a hikikomori with an online-shopping addiction. For the most part, The Devil Is a Part-Timer! nicely balances its comedy with its drama. Although it has a conclusion, the ending of the series lacks finality and some of the characters introduced were never really put to good use, as though additional seasons were initially planned for but never manifested. (At least I haven’t heard anything about a second season.) Overall, The Devil Is a Part-Timer! is funny series and a nice change of pace from all of the anime centered around high school or middle school students. I might just give the original novels a try when they’re released in English.

Filed Under: FEATURES, My Week in Manga Tagged With: anime, Chika Shiomi, Devil Is a Part-Timer, Fairy Tail, Hiro Mashima, Kiss All the Boys, manga, Shiuko Kano, Yukarism

Soul Eater Not!, Vol. 4

December 14, 2014 by Sean Gaffney

By Atsushi Ohkubo. Released in Japan by Square Enix, serialized in the magazine Shonen Gangan. Released in North America by Yen Press.

I had thought that this was the final volume of the series, but apparently not, as there’s an unscheduled Vol. 5 that is likely waiting for a sufficient distance from the Japanese release. It’s unclear whether the plot of the manga will follow the anime, which had already finished (with Ohkubo’s advice) before this ended. That said, we have here a manga that still has the same problems which the first volume possessed, but is also adding some new ones, such as whether a typical ‘yuri’ fan is supposed to enjoy the series or be really pissed off about it, and how much serious plot you can have in a moe slice-of-life type manga before it really starts to feel out of place.

souleaternot4

Please note that by yuri fans I mean MALE yuri fans, the sort who would be quite happy to see the pairings end in a threesome, and who aren’t put off by the chapter of Meme running around naked that we see here. That said, fanservice isn’t everything, and I think most modern yuri fans are finding that the traditional tease just isn’t enough. Kim and Jackie are another good example – there’s lots of suggestion here that Jackie is in love with Kim, and some hints that Kim might one day return it… but this takes place before Soul Eater, where Kim and Ox become a couple. There’s no there there, it’s done solely to be ‘cutesy’ in a harmless way. Likewise, anyone who thinks that the ‘who will Tsugumi choose?’ plotline might actually involve genuine love and emotion has to be appalled at the aforementioned scene with the girls trying to sleep on a very hot night, which, fanservice aside, seems to show off the ‘immaturity’ of the girls for those who want a safe out.

That said, the other suggested romance in the series, that of Tsugumi and Akane, also seems to have vanished, and the manga is happily settling into focusing solely on our three heroines. There is also, among the jokes and 4-koma, a suggestion of the deeper ongoing plot. Eternal Feather is still recovering from her brainwashing two volumes ago. More importantly Meme’s memory issues, which have been used for comedy to this point, are getting to be a bigger and bigger issue, one that causes genuine concern. The final scene of the book is heartbreaking, as Tsugumi tears into Meme for what she sees as an annoying quirk (Tsugumi dealing with grief over a dead pet right now), but then stops seeing Meme expressing real sadness that she forgot something important again. It’s been vaguely implied she’s a mole for the villain, and I wonder if this is connected to that.

Soul Eater Not! is doing its best to try to appeal to a broader otaku market here, but it feels too pandering, to be honest, and could use more seriousness and heart. It still has some strengths – Anya has developed into the most sensible character of the bunch, and is a far cry from the tsundere princess she started as – but really, Soul Eater fans are better off with Soul Eater, and moe/yuri fans can find material that will give them better jokes and a better payoff than I expect this to have.

Filed Under: REVIEWS

Attack on Titan: No Regrets, Vol. 2

December 12, 2014 by Ash Brown

Attack on Titan: No Regrets, Volume 2Creator: Hikaru Suruga
Original story: Gun Snark

U.S. publisher: Kodansha
ISBN: 9781612629438
Released: October 2014
Original release: 2014

Attack on Titan: No Regrets, Volume 2 is the final volume of Hikaru Suruga’s manga adaptation of the A Choice with No Regrets visual novel written by Gun Snark. No Regrets is one of the many spinoffs and adaptations of Hajime Isayama’s immensely popular Attack on Titan manga series. It focuses on the backstory of one of Attack on Titan‘s most beloved characters, Levi, and how he became an exceptionally skilled and valued member of the Survey Corps. The second volume of the No Regrets manga was originally released in Japan in 2014, as was Kodansha Comics’ English-language edition. The volume also includes two short, largely comedic, No Regrets side stories as well as a special interview between Isayama and Suruga discussing the story and characters of the Attack on Titan franchise. I rather enjoyed the first volume of No Regrets and so was looking forward to reading the conclusion of the series.

At one point they were considered to be some of the most notorious criminals in the Underground, but now Levi, Isabel, and Furlan have been coerced into joining the Survey Corps, which may very well be a death sentence. Initially they weren’t well-liked by their fellow soldiers, and the three of them weren’t particularly happy with their situation, either. But during their first expedition outside of the walls, Levi and his crew leave quite an impression by handily dispatching an abnormal Titan with seeming ease. Levi and the others still don’t fit in with the rest of the Survey Corps members, but at least their remarkable skills, especially Levi’s, are recognized and admired. The extra attention they receive after defeating the Titan isn’t exactly welcome, though–Furlan is trying to coordinate a covert mission that will either lead to the three criminals’ ultimate freedom or to their deaths. They have been hired by a high-ranking political figure to steal back incriminating documents from Erwin, one of the Survey Corps’ most promising young leaders, and to end his life in the process.

What I particularly liked about the first volume of No Regrets was that it expanded the setting of Attack on Titan in addition to providing valuable background information about Levi, Erwin, and their relationship to each other. Sadly, the second volume doesn’t add much more that is new; I felt like I had already seen many of the scenes play out before and it was very clear how some of the events were going to end. The second volume of No Regrets spends a fair amount of time explaining the long-distance scouting formation, for example. While it’s noteworthy that No Regrets shows the first time that the maneuver is ever attempted, anyone familiar with Attack on Titan should already be quite aware of how the formation functions and its importance. Likewise, as is to be expected, encounters with Titans never tend to go well. Because in many ways No Regrets serves as a prequel to Attack on Titan, the deaths of major characters in the series are not at all surprising and lose some of their impact as a result.

More than anyone else’s, No Regrets is Levi’s story, but Erwin plays a pivotal role in it as well. Both of the men are exceptionally charismatic leaders, although Erwin is the only one of the two who actually seeks that role. Levi doesn’t want to be responsible for the lives of others while Erwin is willing to shoulder the weight of the sacrifices made in the fight against the Titans. He is extremely intelligent and talented and able to make tough decision. Even at the cost of individual lives, Erwin voluntarily employs dubious methods if he believes that the results will increase the odds of humanity’s survival. His almost fanatical drive and obsession contrasts sharply with Levi’s more reserved and internally focused nature. As is known will happen, eventually Erwin wins Levi over to his cause and gives him a firm direction and purpose, but this foregone conclusion does seem to occur rather abruptly. Still, the exploration of Levi and Erwin’s respective personalities and motivations in No Regrets is probably what the series does best and is what the manga brings to Attack on Titan as a whole.

Filed Under: REVIEWS Tagged With: attack on titan, Gun Snark, Hikaru Suruga, kodansha, Kodansha Comics, manga

Quick Friday Manga Links

December 12, 2014 by Katherine Dacey

Once again, the fifth volume of Monster Musume tops the New York Times’ Manga Bestseller list, followed by the latest installments of Fairy Tail, Attack on Titan, and xxxHolic Rei, CLAMP’s sort-of sequel to xxxHolic.

Will the Kickstarter campaign for Ludwig B. reach its goal of $21,000? Johanna Draper Carlson investigates.

The Manga Bookshelf gang discuss next week’s big releases, from Master Keaton to Mobile Suit Gundham.

Look out, Wallace and Grommit–Moyocco Anno has launched an Indie GoGo campaign to adapt her manga Diary of O’Chibi into a stop-motion film.

Kodansha recently posted a brief video “trailer” for Noriko Ootani’s josei series Sukkute Goran, and it’s lovely.

Reviews: Ash Brown discusses Frederick Schodt’s landmark 1983 book Manga! Manga! The World of Japanese Comics. Over at Anime News Network, Shaenon Garrity devotes the latest House of 1000 Manga column to Taiyo Matsumoto’s GoGo Monster.

Leroy Douresseaux on vol. 20 of Arata: The Legend (The Comic Book Bin)
Jordan Richards on vol. 1 of Assassination Classroom (Adventures in Poor Taste)
Rachel Tougas on vol. 1 of Assassination Classroom (Rachel Loves Comics)
Noel Thorne on vol. 1 of Batman: The Jiro Kuwata Batmanga (Comic Ally)
Rebecca Silverman on vols. 1-2 of False Memories (Anime News Network)
Marissa Lieberman on vol. 1 of Food Wars! (No Flying No Tights)
Eric Gaudette on Hellsing (Emertainment Monthly)
Megan R. on In Clothes Called Fat (The Manga Test Drive)
Nick Smith on vol.1 of Kiss of the Rose Princess (ICv2)
Leroy Douresseaux on vol. 9 of Magi: The Labyrinth of Magic (The Comic Book Bin)
Johanna Draper Carlson on vol. 2 of My Love Story!! (Manga Worth Reading)
Johanna Draper Carlos on vol. 2 of Spell of Desire (Manga Worth Reading)
Kate O’Neil on vol. 3 of Sweet Rein (The Fandom Post)
Matthew Warner on vol. 19 of Vampire Knight (The Fandom Post)
Leroy Douresseaux on vol. 8 of Voice Over! Seiyu Academy (The Comic Book Bin)
Rebecca Silverman on vol. 1 of Witchcraft Works (Anime News Network)
Matthew Alexander on vol. 5 of Wolfsmund (The Fandom Post)
Johanna Draper Carlson on vol. 1 of Yukarism (Manga Worth Reading)
Sean Gaffney on vol. 1 of Yukarism (A Case Suitable for Treatment)

Filed Under: MANGABLOG

Manga the Week of 12/17

December 11, 2014 by Sean Gaffney, Ash Brown, MJ, Anna N and Michelle Smith 1 Comment

SEAN: Merry Christmas! Have some manga. Since the publishers usually go quiet around Christmas and New Year’s, almost everything is frontloaded to next week. So be prepared to be completely buried.

The Shinji Ikari Raising Project has now officially passed its parent in volume count. It’s coming to an end soon, though. In the meantime, Dark Horse brings us Vol. 15.

Manga Dogs 2 will help us to ask the question, “can the three male leads get any stupider?”. I’m betting on yes.

ASH: I’m sure that’s probably the case, though they’re pretty stupid to begin with.

SEAN: Kodansha also has its 4th xxxHOLIC omnibus. The series was at its high point here, in my opinion.

MJ: Even if I don’t think it had a *low* point, exactly, I agree that this was a great period in the series.

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SEAN: Seven Seas debuts a new yuri series with Citrus, which is from Comic Yuri Hime – nice to see a title from that magazine over here again. Expect melodramatic schoolgirls.

ASH: I’m always interested in more yuri in English, so I’ll be checking this one out.

SEAN: There’s the third volume of D-Frag!, one of the funnier series I’ve read this past year.

You thought Dance in the Vampire Bund was over? You thought all we had left was spinoffs starring David Rasche? You were wrong! Here’s Dance in the Vampire Bund II: Vamp Harder… erm, Scarlet Order.

Girls Und Panzer isn’t over, but there’s always room for one more spinoff series. Little Army follows Miho, the “hardened battle commander” of the original series, as she does tank battles in elementary school.

And Haganai has a second collection of side story comedy for those who feel the main series has too much plot, this one called Club Minutes.

Lastly (from Seven Seas – we’re a long way from the end), there’s a new Witch Buster omnibus, with Vols. 13 and 14.

Vertical has a new Mobile Suit Gundam the Origin, and I think Vol. 8 means we’re 2/3 of the way through. Is the cast still alive? (I’m so far behind on this.)

ASH: As far as we know the cast is still alive; the last few volumes have been an extended flashback, so who knows what will happen from here?

ANNA: I’m behind too, but I keep buying it!

SEAN: Vertical is also debuting two old favorites digitally, as next week sees Vol. 1 and 2 of Black Jack, as well as Apollo’s Song. Mmmmm, digital Tezuka…

ASH: Since so many of Vertical’s Tezuka title have gone or are going out of print, I’m very happy that the publisher found a way to give them some new life.

ANNA: I have much fondness for Black Jack.

MJ: I do, too. I’m so happy to see this coming out digitally.

SEAN: Viz has a 10th volume of Afterschool Charisma, one of the SigIkki survivors.

ANNA: Another one of those series I read three volumes of and mean to get caught up on one day.

SEAN: It’s December, so it’s time for the annual release of Dogs: Bullets and Carnage, with Vol. 9 dropping.

The other SigIkki survivor also has a new volume, as Dorohedoro reached its 14th. Ikki in Japan may be no more, but Dorohedoro will be moving to its replacement, so don’t expect it to end right away.

MICHELLE: Someday I really will read these last three.

ASH: Dorohedoro! Such a delightfully charmingly bizarre series.

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SEAN: It’s been a while since we’ve been able to get excited about an Urasawa release. Now we see an omnibus edition of Master Keaton, which will feature incredibly dramatic insurance investigations. No, really, it’s excellent. Check this out even if you’re not a fan of insurance.

MICHELLE: I am so excited about this!!

ASH: I’m definitely interested in seeing more from Urasawa.

ANNA: I’m curious about this title for sure.

MJ: I’m in!

SEAN: Think we’re done? HAH! It’s Yen time. We’ll start with the Yen On line. We get the debut of a new series whose title screams “I am a light novel franchise”. It’s called Is It Wrong to Try to Pick Up Girls in a Dungeon? I’m going to guess the answer overall will prove to be “no”, this sounds pretty harem-ey.

ASH: I don’t know much about the series, but the title amuses me, so I might actually give this one a try.

MJ: Heh. Agreed.

SEAN: Spice & Wolf’s novels have been running since long before Yen On began, and as such, we get lucky Vol. 13 here. That’s the light novel, not the manga, which also ships next week, but is Vol. 10.

And Sword Art Online’s novels start everyone’s favorite arc, Fairy Dance. This is a 2-parter, FYI, the second ships in April. This is the novel, not the manga, which already began the Fairy Dance arc in August, but had Vol. 2 ship last month, which is not Vol. 2 of the light novels, though it adapts part of it.

MJ: I don’t hate Fairy Dance, so I’m happy to see this.

SEAN: On the manga front, we have the 2nd of the adaptation of Accel World, having had the 2nd light novel one month ago, which this manga volume does not adapt, as it’s still adapting the first one. Clear? Wait till next spring, when it will get REALLY confusing. Also, hooray for new math.

Alice is really hard to get a lead on, as Are You Alice? has hit Vol. 7 and still doesn’t know.

MJ: Heh.

SEAN: Barakamon seems like a countrified Yotsuba&!, which suits me just fine. The 2nd volume is out next week.

MICHELLE: I still need to check this one out.

MJ: I’m happy to see more of this!

SEAN: Bloody Cross has its 5th volume ship. I admit I finally moved on from this, but if you like supernatural action, it certainly fills that need.

Yen has 3 debuts this month! The first is a familiar author to many, Kaori Yuki. She’d been with Hakusensha for years, but recently moved to Kodansha and their eccentric Aria magazine. This was her debut there, Demon From Afar. That said, if you like the sort of thing she usually writes, this is more of that. But in hardcover!

MICHELLE: Huh. Interesting.

MJ: I’m definitely looking forward to this!

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SEAN: The second debut is another author familiar to us, but that’s because of a recent release from Viz. Aya Shouoto had Kiss of the Rose Princess come out via Shojo Beat, and now we see Yen releasing He’s My Only Vampire, which, yes, runs in Aria as well. This combines vampires AND childhood friends.

MICHELLE: Huh. Well, more shoujo is a good thing!

ANNA: I agree!

MJ: I’ll give it a try, for sure.

SEAN: There’s a spinoff of harem manga High School DxD, focusing on two of the lead females: Asia and Koneko’s Secret Contract. My guess is this is similar to Haganai’s Club Minutes, aka plotless comedy.

Kingdom Hearts II Vol. 3 is really not helping Yen escape my mocking of their volume numbers.

The last debut is the one I’m most excited about: Love at Fourteen. The plot sounds familiar, with two childhood friends finding love in school. But it runs in Hakusensha’s Rakuen Le Paradis, a magazine I’d kill to see more licenses from, and is apparently very well written.

MICHELLE: I’m really excited about this one, too!

ANNA: This was totally not on my radar before, but it sounds interesting.

MJ: My response is *both* of Michelle & Anna’s responses put together.

SEAN: Spice & Wolf has its 10th volume ship this week! That’s the manga, not the light novel. The light novel ships Vol. 13 this week, as I said earlier. Be aware that in 2015, Yen will begin calculating Manga and Light Novel volume numbers in Base 8, as they worry readers may get confused. (I am old enough to know what Base 8 is, yes.)

ASH: Ha!

SEAN: Lastly (at LONG last!), we get the 6th volume of Tena on S-String, a mere 4 years after the 5th. The series is out digitally if you want to jog your memory.

Is this enough Christmas manga? Do you want more? Clap your hands if you want more!

MJ: *clap*? No?

Filed Under: FEATURES, manga the week of

Kodansha Comics Licenses ‘Your Lie in April’

December 10, 2014 by Brigid Alverson

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Kodansha Comics announced a new license out of the blue on Wednesday: Naoshi Arakawa’s music-romance story Your Lie in April. Here’s the blurb:

Kosei Arima was a piano prodigy until his cruel taskmaster of a mother died suddenly, changing his life forever. Driven by his pain to abandon piano, Kosei now lives in a monotonous, colorless world. Having resigned himself to a bland life, he is surprised when he meets Kaori Miyazono, a violinist with an unorthodox style. Can she teach Kosei not just how to play, but how to start living again?

The anime is already running on Crunchyroll, Aniplex Channel, and Hulu, and apparently it’s quite popular; Kodansha may be banking on the same anime/manga synergy that made Attack on Titan such a hit. There’s more at the anime website, including trailers for an upcoming movie.

Filed Under: MANGABLOG

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