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The Pillow Book of Sei Shōnagon

November 8, 2014 by Ash Brown

The Pillow Book of Sei ShōnagonAuthor: Sei Shōnagon
Translator: Ivan Morris
U.S. publisher: Columbia University Press
ISBN: 9780231073370
Released: December 1991
Original release: 11th century

I’ve recently developed a particular interest in Heian-era Japan and literature. The Pillow Book of Sei Shōnagon is an important eleventh-century work that provides a glimpse into Heian society, especially that of the court and higher classes. Shōnagon was a lady-in-waiting to Empress Teishi as well as a contemporary and rival of Murasaki Shikibu, the author of The Tale of Genji and a lady-in-waiting who served Empress Shōshi. The Pillow Book of Sei Shōnagon has been translated into English, both in part and in its entirety, many times, the first translation appearing as early as 1889. Out of all of the English translations, I gravitated towards that of Ivan Morris’ whose works of nonfiction The World of the Shining Prince and The Nobility of Failure I thoroughly enjoyed. Excerpts of The Pillow Book of Sei Shōnagon were actually included in The World of the Shining Prince and I enjoyed his translation. Morris’ complete two-volume translation of The Pillow Book of Sei Shōnagon was published in 1967 by Columbia University Press. However, in 1971, an edited and abridged translation began to be released. It is this single-volume edition that is now more readily available and generally more approachable for the average reader, not to mention the version of The Pillow Book of Sei Shōnagon that I myself read.

The Pillow Book of Sei Shōnagon is a diary of sorts, a collection of thought and observances, lists and poetry. Most of the individual sections are short, some only a few paragraphs and the longest still being under fifteen pages. The volume isn’t arranged chronologically, some parts can’t even be definitely dated, but seeing as each section stands perfectly well on its own and there is no overarching “plot,” this isn’t particularly problematic. Shōnagon relates events and ceremonies that take place at court and at shrines, but she also details more personal affairs and gossip as well. The Pillow Book of Sei Shōnagon mostly deals with Heian-ea nobility and their lives, but the lower classes are occasionally mentioned, too, though usually with some disdain. While relatively little is known about Shōnagon outside of her own writings, it is clear she was a well-educated and intelligent women with a strong personality that brought her admirers as well as a those who could be considered her opponents.

While I haven’t read other translation of The Pillow Book of Sei Shōnagon and so am not able to offer comparisons, I was very pleased with Morris’ translation. I found it easy to understand, pleasant in its style, and overall very enjoyable. Morris’ translation presents an excellent balance between the literal and the literary. It reads well in English and yet retains a sense of poetic elegance. This particular edition of The Pillow Book of Sei Shōnagon also includes additional material for readers who are interested in the works’ specific historical context or in Heian-era Japan in general. Morris’ notes are copious and entire appendices are devoted to the calendar and time system, the government and its structure, places and their accompanying maps, an illustrated guide to clothing, households, carriages, instruments, and other daily objects, as well as several chronologies. A list of recommended reading is also given. In all, the supplementary material accounts for about a third of the volume’s total length.

I found The PIllow Book of Sei Shōnagon to be a very enjoyable and even charming read. However, it’s not a work to be read all at once or in a hurry. Instead, savoring a few sections here or there will generally provide a more pleasant reading experience. Shōnagon’s personality really comes through in her writings. She’s witty and sharp-minded, but also occasionally mean-spirited and a little self-important. Granted, as The Pillow Book of Sei Shōnagon serves at least in part as her diary, it’s not too surprising that she allows herself to express herself so freely within its pages. However, eventually she was quite aware that others were and would be reading the work as well. Even though centuries have passed since The Pillow Book of Sei Shōnagon was first written and compiled, it’s noteworthy how engaging and approachable the work can be for modern readers. Shōnagon was a keen observer of the people and society of her own time, but her humor and insights into human nature can still be appreciated even today.

Filed Under: REVIEWS Tagged With: Ivan Morris, Nonfiction, Sei Shōnagon

Attack on Titan Conquers All

November 7, 2014 by Brigid Alverson

I wrote a roundup of the current manga scene for SLJTeen newsletter, with notes on publishing trends (omnibuses, license rescues) and some recommended series.

CBR has more details on the Attack on Titan/Marvel crossover, including where it’s going to run: In the Japanese culture magazine Brutus.

Lori Henderson looks at this week’s new manga at Manga Xanadu.

The Manga Bookshelf team discusses next week’s new manga, and MJ has some pix of the new Pandora Hearts art book.

Attack on Titan creator Hajime Isayama was named “Tourism Friendship Ambassador to the ‘Beautiful Riverside Location of Hita,'” his home town in Oita Prefecture. Isayama came back to his hometown for a two-day cultural event, “Shingeki no Satogaeri” (Attack on Returning Home), and during a talk show that was part of the event, he said that the landscape of the area was his inspiration for the setting of Attack on Titan.

Three volumes of Attack on Titan make the BookScan best-seller list, which tracks graphic novel sales in bookstores; just like in the old days, the latest volume of Naruto tops the list, and vol. 19 of Vampire Knight is there as well.

Naruto comes to an end next week, but it’s not really going away: Next week’s issue of Shonen Jump includes an announcement that a new mini-series will launch in the spring, and a couple of novels are already in the works. What’s more, something called the “Naruto Shin Jidai Kaimaku Project” (Naruto’s New Era Opening Project) has a countdown for a big announcement on Monday. So stay tuned!

Kadokawa launched its Book Walker app this week with an array of titles, some old, some new.

Laura looks at the series currently running in BetsuHana magazine.

Reviews: Sean Gaffney and Anna N. look at some new releases from Viz, Seven Seas, and Vertical in the latest edition of Bookshelf Briefs. Ash Brown looks back at the week in manga at Experiments in Manga.

Sean Gaffney on vol. 1 of Barakamon (A Case Suitable for Treatment)
Ein Gamagori on vol. 2 of Food Wars (The Fandom Post)
Anna N. on vol. 1 of Kiss of the Rose Princess (Manga Report)
Sarah on vol. 12 of Library Wars (nagareboshi reviews)
Kory Cerjak on vol. 8 of Magi (The Fandom Post)
Erica Friedman on vol. 1 of Mebae (Okazu)
Matthew Warner on vol. 5 of Nisekoi (The Fandom Post)
Ash Brown on vol. 9 of No. 6 (Experiments in Manga)
Sakura Eries on vol. 17 of Oresama Teacher (The Fandom Post)
Rebecca Silverman on vol. 1 of Resident Evil: The Marhawa Desire (ANN)
Sarah on Sword Art Online: Aincrad (nagareboshi reviews)
Sean Gaffney on vol. 0 of Übel Blatt (A Case Suitable for Treatment)

Filed Under: MANGABLOG

Fanservice Friday: Pandora Hearts Art Preview

November 7, 2014 by MJ 2 Comments

This year at New York Comic Con, publisher Yen Press gave out copies of their upcoming Pandora Hearts art book, Pandora Hearts ~Odds and Ends~, as prizes during their panel presentation. I was unable to attend this year, but fortunately for me, Sean is not a fan of the series, so he generously offered me his prize!

As you probably know, I am a big fan of Pandora Hearts, and the series has been featured in this column pretty heavily in the past, most notably in discussion of female-aimed fanservice in shounen manga and delectable manga costuming. So for a treat this week, I thought I’d share a few snapshots as a taste of what’s inside. If you were worried about a potential lack of fanservice, the very first image should quell your concerns immediately. Enjoy!

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Look for Pandora Hearts ~Odds and Ends~ in bookstores later this month!

Filed Under: Fanservice Friday Tagged With: pandora hearts

No. 6, Vol. 9

November 7, 2014 by Ash Brown

No. 6, Volume 9Creator: Hinoki Kino
Original story: Atsuko Asano

U.S. publisher: Kodansha
ISBN: 9781612627946
Released: October 2014
Original release: 2014

Released both in Japan and in English in 2014, No. 6, Volume 9 is the final volume of Hinoki Kino’s manga series No. 6, an adaptation of a series of science fiction novels written by Atsuko Asano. The manga adaptation felt a little hurried at first, but the series’ pacing, characterization, and world-building continued to improve with each new volume. I have very much been enjoying the No. 6 manga. My introduction to No. 6 was actually through the eleven-episode anime series from 2011, directed by Kenji Nagasaki. I largely enjoyed the anime, but was disappointed with its extraordinarily rushed ending. One of the reasons why I was particularly happy when Kodansha Comics licensed the No. 6 manga for an English-language release was that I was hoping for a more satisfying conclusion to the story. Though there are some similarities between the two (including the same character designs), the manga and the anime adaptations are different interpretations of Asano’s original No. 6, each with their own merits. I was definitely curious to see how Kino would end the series.

Shion and Rat have failed in their mission to rescue Safu from the Correctional Facility, barely managing to flee with their own lives. To make matters worse, Rat has been critically injured–shot in the chest while trying to protect Shion during their escape. Shion was able to give Rat first aid, but the other young man is in desperate need of proper medical attention. However, the facilities that could save Rat’s life don’t exist within West Block. No. 6, the city that Rat wishes above all else to destroy, holds his only hope, and it is now in chaos. The citizenship is dangerously close to revolt and fear is sweeping across the populace. Some of the turmoil was cause by Shion and Rat during their attack on the Correctional Facility, but there are also others within No. 6 itself who are seeking revenge against the state, fanning the flames of discontent. Rat and Shion have so far been able to survive, but their fight is far from over. Shion doesn’t even have time to grieve for Safu if he wants to prevent losing more of the people he loves dearly.

Because I started reading the No. 6 manga in part because I had seen the anime, at times it’s difficult for me not to compare the two. And as previously mentioned, I was particularly interested in how Kino would end the series. I’m not certain how it compares to Asano’s original novels, but the manga’s conclusion is much more comprehensive than the anime’s. (Actually, I can make some more sense out of the anime now that I have read the manga.) The last few volumes have been increasingly intense. The sudden relaxation of all of that tension in No. 6, Volume 9 is very disconcerting, and even a little anticlimactic, as the immediate danger passes. However, the Correctional Facility has been destroyed and the wall between No. 6 and West Block has begun to fall. There may be a temporary lull in which people momentarily feel safe, but peace will be a long time in coming as resentment and hatred still exist and pose a threat. Taking this into consideration, Kino’s ending allows for that and, while the ending is complete, there is a sense that the world of No. 6 and the struggle continues beyond the page.

Although No. 6, Volume 9, mostly provides a satisfying conclusion to the manga series, at times it does feel like it’s only really scratching the surface of a much more complicated and detailed story. However, all of the major plot threads are addressed and resolved, including the revelation of the meaning behind the parasitic bees and the explanation of the secret experiments being carried out in No. 6. Granted, it does take an infodump or two to fit it all into the last volume, but they work and their inclusion actually makes a fair amount of sense within the context of the narrative. Where Kino’s No. 6 really excels though is with the evolution and development of Rat and Shion. They begin the series with straightforward personalities that become increasingly layered and complex as the manga progresses. Shion is benevolent but also frightening; Rat’s apparent strength hides his frailty. Their roles in their relationship with each other have reversed several times throughout the series and continue to shift and change all the way to its end. I came to care about Shion and Rat immensely and am very glad to finally have a much more thorough ending to their story.

Filed Under: REVIEWS Tagged With: Atsuko Asano, Hinoki Kino, kodansha, Kodansha Comics, manga, no. 6

Manga the Week of 11/12

November 6, 2014 by Sean Gaffney, Ash Brown, MJ, Anna N and Michelle Smith 2 Comments

SEAN: After the deluge of the last two weeks, I am relieved to say that next week is at least a LITTLE quieter. Unless you’re Kodansha.

Speaking of which, apologies to Kodansha and Viz– I missed two of their titles that are out this week. The 2nd Heroic Legend of Arslan is already out! Go get it, it’s good! And Viz has All You Need Is Kill, the manga based off of the novel (as opposed to the earlier comic based off the novel).

ASH: I really enjoyed the original All You Need Is Kill novel, so I was happy to get my hands on the manga omnibus. I haven’t finished reading it yet, but am already very confident in recommending it over the graphic novel adaptation.

MJ: I can’t believe I haven’t picked this up yet, considering the artist. What have I been doing with my time??

ANNA: I feel guilty I haven’t started reading the Heroic Legend of Arslan yet.

SEAN: On to next week. Dark Horse has its second omnibus of Samurai Executioner, which pretty much lives up to its name.

showa1944

Drawn & Quarterly has the 3rd big volume of Shigeru Mizuki’s Showa, this one covering the years 1944-1953. It is an absolute must read.

ASH: Agreed.

MJ: Oh, yes.

SEAN: Kodansha time, and they have a lot. Air Gear does not have QUITE the same gravitas as Showa, but at Vol. 32 I don’t think it has anything to prove, really.

And there’s also the 4th Air Gear omnibus.

Cage of Eden is down to its final quarter, and I suspect we will start getting answers soon, or at least fewer baffling questions. And more naked bathing as well, of course.

After reading Ubel Blatt, seeing the more mild and cute fanservice from The Seven Deadly Sins seems like a relief. The 5th volume arrives next week.

Tsubasa Reservoir Chronicle has a 2nd omnibus. Will you be caught up in time for its new sequel starting up next year?

MICHELLE: Eh? I was totally ignorant of that. I never did finish the first one!

MJ: Hurray!

SEAN: UQ Holder offers more Akamatsu goodness. Will there be more Negima teases in Vol. 3?

false2

SubLime gives us the 2nd volume of False Memories, which would appear to involve a Burger King crown of some sort.

Viz has 07-GHOST 13. Buy it or it will be unlucky! You don’t want bad luck, do you?

MICHELLE: I believe Anna vowed to get caught up with this series last time there was a new volume. Did you fulfill your pledge, Anna?

ANNA: I’m also feeling guilty for not fulfilling my pledge! But I did buy the missing volume 5 that was preventing me from getting caught up, and I started reading it only to get distracted (as usual) by shoujo manga from Viz. Maybe I will fulfill my pledge this month. It could happen!

SEAN: I believe that the 9th volume of the Fullmetal Alchemist omnibus is the final one, in which case it contains one of the best endings in shonen manga. But you should know this already.

MICHELLE: Yep.

ASH: Such a great series.

MJ: I can’t believe just how happy it makes me to consider new readers finishing this series for the first time.

SEAN: Lastly, Rin-Ne keeps chugging along with its 16th volume.

MICHELLE: I wish I could be excited about RIN-NE, but it’s always pleasant, at least.

SEAN: Which manga cries out for you to buy it?

Filed Under: FEATURES, manga the week of

Übel Blatt, Vol. 0

November 6, 2014 by Sean Gaffney

By Etorouji Shiono. Released in Japan in two separate volumes by Square Enix, serialization ongoing in the magazine Young Gangan. Released in North America by Yen Press.

After finishing this first omnibus, you can absolutely see why Übel Blatt was licensed, and why I think it will do very well over here. The plot is straightforward and is the sort of thing that lends itself to a long, drawn-out story. The hero is mostly likeable (more on that later) and you understand his burning need for revenge; the action, though incredibly bloody and violent, is well-drawn and not at all confusing. You find yourself drawn into the story and wanting to find out what happens next. It’s very well-written. It also has a rape so mind-bogglingly appalling in the first few pages that my jaw dropped, as well as two “semi-consensual” sex scenes that also push the limits. So there’s that.

ubelblatt1

Let’s back up a bit and talk about that plot. It may seem very familiar to fans of The Seven Deadly Sins, and that’s because it’s the exact same plot. Of course, Übel Blatt started in 2004, a good 8 years before Kodansha’s shonen series, so any inspiration most likely runs the other way. In any case, we have a typical manga fantasy world, where everyone is living in castles or huts but we also have flying zeppelins. The young man on the cover is Köinzell, who flashbacks show was once a cute young kid but now appears to be older, far more angry and bitter, and not quite human anymore. He’s on a mission to wipe out the legacy he and his companions left behind, one that has him and three other (seemingly dead) friends branded as traitors. Along the way, he meets a young girl trying to save her brother, an even younger girl just trying to get to the next country, and a seemingly endless number of evil monks.

This is a fun series. Köinzell is mostly serious, even in his lovemaking, but this isn’t really a manga that needs comedy relief. Even the token little girl who gets taken along for the ride doesn’t really get too many wacky antics here. The first half came out as a “Volume 0” in Japan, but unlike most other Volume 0s appears to have actually debuted at the same time as Vol. 1, so I will assume it’s not ‘go back and rewrite the backstory to make it fit what I have now’. There are some men and women in the background I’d like to see more of.

It’s just very hard to recommend a manga where you have to admit that it begins with one of the mook villains explicitly raping a woman, then when he tosses her aside to rant for a bit, his HORSE decides he’s going to get some as well. I understand the need to show that this is a desperate and horrible world which our heroes will need to save, but there are better ways to do it than this. What’s more, Köinzell (who is, to be fair, not the usual sexless hero, something that surprised me) is not much better, recognizing a young woman’s crush on him and having her stripped and his hand down her pants within ten seconds.

Thus my recommendation of this series is tempered by “if you can get past the rape, assault, and non-consensualness with many of the female characters”. I hate saying that. As with Japan, I suspect Übel Blatt’s main audience are young college-aged men who like fantasy series with a lot of sex and violence, and this is probably better than a few others coming along, though I’d try Berserk (which has similar issues all around) first.

Filed Under: REVIEWS

Kiss of the Rose Princess, Vol. 1

November 5, 2014 by Anna N

Kiss of the Rose Princess Volume 1 by Aya Shouoto

I’m always happy to check out a new reverse harem manga. Kiss of the Rose Princess seems a little bit on the wacky and comedic side like Ouran High School Host Club, except it has random paranormal elements, is less ridiculous, and does not feature twins. So actually, not very like Ouran at all. The heroine of the story is Anise Yamamoto, a girl who is cursed with wearing the same rose necklace to school every day in flagrant violation of the dress code, because her father told her that she would be cursed if she ever took the necklace off.

Of course, only a few pages into the manga, Anise’s necklace falls off and she soon finds herself assigned mystical knights who she can summon to do her bidding by kissing cards imprinted with different colored roses. By day they are Kaede the slightly cranky yet typically handsome shoujo hero, Tenjo the secretly freaky student council president, the gothically morose Mutsuki, and the tiny but cute Asagi. Random events at school cause Anise to need help, and as she mystically summons her knights to her side she begins to learn a bit more about their personalities. There are plenty of amusing scenes in Kiss of the Rose Princess, even though it doesn’t approach the manic humor of a series like Ouran High School Host Club or Oresama Teacher.

The art is attractive, but fairly conventional. It doesn’t have much of a distinct style to it, and I tend to enjoy reading manga a bit more if the artist has some recognizable unique takes on character design, backgrounds, or paneling. I found myself picking up and putting down this volume a bit, which might have been a function of me being crazy busy recently, but the story didn’t really capture all of my attention. That being said, Kiss of the Rose Princess was enjoyable to read, as a good example of super light and fluffy manga. I’m hoping that the humor and the relationships between the characters develops a bit more in the second volume.

Filed Under: REVIEWS Tagged With: kiss of the rose princess, shojo beat, shoujo, viz media

Manga Giveaway: Sherlock Bones Giveaway Winner

November 5, 2014 by Ash Brown

Sherlock Bones, Volume 1And the winner of the Sherlock Bones manga giveaway is…Serene!

As the winner, Serene will be receiving a copy of Yuma Ando and Yuki Sato’s Sherlock Bones, Volume 1 as published by Kodansha Comics. Because Sherlock Bones features a rather unusual detective–Sherlock Holmes reincarnated as a puppy–for this giveaway I was interested in learning more about other people’s favorite detectives and unusual crime solvers. Check out the Sherlock Bones Giveaway comments for all of the responses. And, as usual, I have taking this opportunity to compile a list!

Manga in English featuring detectives and/or other crime solvers:
888 by Noriko Kuwata
Black Butler by Yana Toboso
Case Closed by Gosho Aoyama
City Hunter by Tsukasa Hojo
Clamp School Detectives by CLAMP
Death Note written by Tsugumi Ohba, illustrated by Takeshi Obata
Fake by Sanami Matoh
Future Diary by Sakae Esuno
Goku: Midnight Eye by Buichi Terasawa
Ice Blade by Tsutomu Takahashi
Kamen Tantei by Matsuri Akino
Kids Joker by Maki Fujita
Kindaichi Case Files written by Yōzaburō Kanari, illustrated by Fumiya Sato
Kurosagi Corpse Delivery Service written by Eiji Otsuka, illustrated by Housui Yamazaki
Lupin III by Monkey Punch
Monster by Naoki Urasawa
MPD-Psycho written by Eiji Otsuka, illustrated by Shou Tajima
The Mythical Detective Loki Ragnarok by Sakura Kinoshita
Petshop of Horrors by Matsuri Akino
Phoenix Wright: Ace Attorney written by Kenji Kuroda illustrated by Kazuo Maekawa
Pluto by Naoki Urasawa
Remote written by Seimaru Amagi, illustrated by Tetsuya Koshiba
R.O.D: Read or Dream written by Hideyuki Kurata, illustrated by Ran Ayanaga
Rose Hip Zero by Tohru Fujisawa
Sherlock Bones written by Yuma Ando, illustrated by Yuki Sato
Skyscrapers of Oz by written by Yoshino Somei, illustrated by Row Takakura
Steam Detectives by Kia Asamiya
Young Miss Holmes by Kaoru Shintani
Yellow by Makoto Tateno
Zodiac P.I. by Natsumi Ando

The above list isn’t comprehensive by any means, but it’s probably not a bad place to start if you’re looking for some detective or mystery manga to read. Thank you to everyone who shared your favorites with me. I hope to see you again for the next giveaway!

Filed Under: UNSHELVED Tagged With: manga, Sherlock Bones, Yuki Sato, Yuma Ando

Pick of the Week: Better late than never?

November 5, 2014 by Sean Gaffney, Ash Brown, Anna N and MJ Leave a Comment

potwSEAN: There’s another giant pile of stuff that I’m interested in, but I’ll take the first omnibus of Lucifer and the Biscuit Hammer from Seven Seas. I’ve reviewed the first volume digitally before, but am very pleased to see it in print: it’s rare to see a manga in the superheroes genre (as opposed to sentai or “group of fighters”), and there’s a lot of highly disturbing backstory to make this more edgy than most. Also, lizard. Can’t forget the lizard.

ASH: It is another great week for manga! Both What Did You Eat Yesterday? and Black Rose Alice are at the top of my list. But, seeing as I have yet to master the skill of simultaneously reading two manga at once, I’ll be reading Black Rose Alice first and so will make it my pick of the week. I absolutely loved the first volume of the series and can’t wait to read the second.

ANNA: There’s a lot of great manga coming out this week, and if Ash hadn’t picked Black Rose Alice that would have been my pick. I feel like I have an extra chance to highlight some great manga, and the finale of Phantom Thief Jeanne is not to be missed. I’m not sure if any other manga has an ending quite as unique as this one, but it’ll be on my top 5 of crazy manga endings, for sure.

MJ: While I’m decidedly interested in everything that’s been mentioned, but I’ll be the one to go for volume five of Fumi Yoshinaga’s What Did You Eat Yesterday? I really don’t think I’ll ever be able to get enough of this series (or Yoshinaga in general, frankly). The food is scrumptious, and she’s got a way with dialogue that is truly unmatched. More, please!

What looks good to you this week?

Filed Under: PICK OF THE WEEK

Marvel Universe to Invade Attack on Titan

November 4, 2014 by Brigid Alverson

AoT Marvel Crossover

Marvel editor CB Cebulski Tweeted some startling news yesterday:

Not a joke, folks. Attack on Titan and the @Marvel universe are crossing over!

And then he posted the sample art above.

ANN collected all CB’s Tweets about the crossove, and Steve Sunu has a bit more at CBR, but the Marvel folks haven’t said much beyond the original Tweet. We know the crossover is happening in Japan, but presumably they will be bringing it over to the U.S. as well.

Reaction on Twitter and the CBR boards has been mostly positive; it may be that the Marvel and Attack on Titan audiences are already crossing over, and the story is just following them.

Filed Under: MANGABLOG

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