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Ranma 1/2, Vols. 35-36

January 19, 2017 by Sean Gaffney

By Rumiko Takahashi. Released in Japan by Shogakukan, serialized in the magazine Shonen Sunday. Released in North America by Viz. Translated by Kaori Inoue, Adapted by Gerard Jones.

I was quite excited by this omnibus of Ranma 1/2 when I got it. Not only does it feature not one but TWO appearances by Akari, my favorite minor character, but is also resolves a plot point. That may not seem like much to those of you who are used to plot and characterization in your manga, but this is Ranma 1/2, the title where everything is done for the humor, and everything will always snap back with few if any lessons learned. Taking this manga and these characters seriously is, as we’ve learned, a mug’s game. But yes, we actually get forward progression here (you can see that she had decided to end Ranma soon). No, Ranma and Akane don’t confess. No, no curses are broken. But Ranma’s mother now knows the truth about her son. And he doesn’t have to kill himself.

The whole sequence leading up to Nodoka discovering the truth is without a doubt the highlight of the book. It also, out of necessity, shows Genma at his absolute worst, a desperate, petty ass who would happily destroy his marriage in exchange for a good meal. As for Ranma, he’s trying really hard to shrug off what his father has taught him to believe, and finally decides to give in and face whatever consequences come from his mother discovering he can turn into a girl. (In fact, his happy expression when he resolves to do this may be one of the best panels in Ranma, period.) There’s also a lot of action, as Ranma and Genma constantly fight back and forth to attempt to stop the other, and it all ends in a fall off a giant cliff into the sea. (I also liked Soun, Kasumi and Nabiki’s understated presence throughout – they’re on Ranma’s side, even if awkwardly.) It’s a really good arc.

The rest of the book is not quite as good. Leaving aside yet another arc devoted to Ranma and Akane mistaking “I am embarrassed by my feelings” for “I hate you”, we have the introduction of Konatsu, a ninja with a poor family situation who somehow ends up at Ucchan’s. Given that fandom has paired Akari and Konatsu together by the function they fill (late-period characters introduced to ‘resolve’ parts of the love septangle), you’d think I’d be more accepting of him, but I’m not really. First of all, unlike Ryouga and Akari, any love seen here is clearly one-sided – Ukyou is literally paying Kanatsu the equivalent of 5 cents to work for her, and barely seems to acknowledge him as a human being. More to the point, though, Konatsu is just a rehash of Tsubasa Kurenai from earlier volumes, and reminds the reader that Rumiko Takahashi is simply not very good at writing trans characters, even giving her a pass of “this is the 1990s”.

And so, despite one piece of forward progression, this volume ends as it begins. In fact, thanks to the destruction of the Saotome home, we now have Nodoka living at the Tendos in addition to Ranma and Genma. Is there anything that can possibly resolve this manga and give it a happy ending>? Well. yes there is, though it depends on how broadly you define “resolve” and “ending”. Stay tuned next time for the final gripping installment of Ranma 1/2!

Filed Under: ranma 1/2, REVIEWS

The Girl From the Other Side: Siúil, a Rún, Vol. 1

January 17, 2017 by Katherine Dacey

On the surface, The Girl From the Other Side: Siúil, a Rún looks like a fairy tale. It unfolds in a long-ago, far-away place governed by one simple rule: humans and Outsiders must never cross paths. The principal characters are Shiva, a young girl, and Teacher, an Outsider who adopted Shiva after finding her alone in the woods. At first glimpse, their situation seems idyllic, two opposites living harmoniously in a charming little cottage — that is, until the human and demon worlds take interest in Shiva, testing Teacher’s commitment to protecting her.

Probe a little deeper, however, and it becomes clear that the manga’s nuanced characterizations elevate Shiva and Teacher from fairy tale archetypes to fully realized characters. Shiva, for example, talks and acts like a real six-year-old, toggling between moments of impetuousness and thoughtfulness. Though she is obviously fond of Teacher, she fantasizes about a reunion with her aunt, fervent in her desire to rejoin the human world. Shiva has an inkling that Teacher might be “sad” if she left, but she cannot fully appreciate his anguish over their possible separation. (Translator Adrienne Beck and adaptor Ysabet Reinhardt MacFarlane deserve special mention for voicing Shiva’s dialogue with naturalism; Shiva never sounds older or wiser than her years.)

The sophisticated artwork, too, plays an important role in transporting the reader to a specific place and time, rather than simply “long ago.” Nagabe’s elegant pen and ink drawings demonstrate a superb command of light; using washes and cross-hatching, she evokes a world lit by fire, where the glow of a candle casts a small spell against the darkness, and monsters lurk in the shadows. Her figure drawings are likewise strong, neatly conveying the characters’ personalities in a few well-chosen details. Teacher, for example, is a clever amalgamation of animal and demon parts. His most menacing features — his mouthless face and piercing eyes — are tempered by the way he carries himself; he’s fastidious in his movements and dress, gliding through the woods with the graceful, upright posture of a dancer.

Lest The Girl From the Other Side sound mawkish or precious, the brisk pacing and crisp dialogue prevent the story from sagging under the poignancy of the characters’ dilemma. It’s perhaps a little early to nominate it for a “Best of 2017” award, but this promising first volume demonstrates a level of craft, imagination, and restraint that’s sorely lacking in many fantasy manga. Highly recommended.

THE GIRL FROM THE OTHER SIDE: SIUIL, A RUN, VOL. 1 • BY NAGABE • SEVEN SEAS • RATING: ALL AGES

Filed Under: Manga, Manga Critic, REVIEWS Tagged With: Fantasy, Girl from the Other Side, Nagabe, Seven Seas

Nisekoi, Vol. 19

January 17, 2017 by Sean Gaffney

By Naoshi Komi. Released in Japan by Shueisha, serialized in the magazine Weekly Shonen Jump. Released in North America by Viz Media. Translated by Camellia Nieh

I was recently called out for spoiling a plot point in a recent review, and had to go back and put in a disclaimer. Regular readers of my reviews will note that I spoil everything shamelessly, often without thinking. It’s rare when I actually try to keep something a secret for the sake of those who haven’t read it yet (which one could argue defeats the point of reviews, but hey). But it got me to thinking about this most recent volume of Nisekoi, which I haven’t actually done a full review of since it began. It’s now over in Japan, and indeed has also ended in North America, being one of the series that ran in Viz’s Weekly Jump magazine. Any big fan of the series knows how it ended. But of course the volumes are about a year behind the chapters, as with most Jump titles. So, when I talk about this new volume, and note how well the author succeeds at keeping the harem balanced so that the reader isn’t quite sure who Raku will end up with… who am I supposed to be fooling?

I will try, however, for the sake of the one or two casual readers of Nisekoi who read my reviews and also don’t wish to be spoiled (there must be one or two, right?) not to give away the ending. I will note that fans of romantic fluff will love this volume, be they Chitoge fans, Kosaki fans, or Marika fans. (Tsumugi does not get much of a look-in, but she’s had big moments before and will again). We open with the resolution of the “Chitoge is moving away’ arc, in which Chitoge’s father, who’s always been pretty cook, gives in at last to his daughter’s demands. Raku defensing her is awesome, even if it is (of course) undercut by his realization of who she is to him… his BEST friend! Yes, Raku is still dense, as otherwise the title would be over. Most of the volume then covers Kosaki and Raku on a date… sort of. Tricked into it by Haru, but not really against the idea, this shows off the shy, blushing, embarrassing aspect of romance, which many Western harem readers prefer to Chitoge or Marika’s more forward brusqueness.

Lastly, speaking of Marika and brusqueness, Raku is literally kidnapped by her and brought to a South Seas island (which he takes far better than you’d expect, as Marika herself notes… Raku is a nice guy almost to a fault). At first this just seems like the usual Marika that we’ve seen before, going too far as always. But Marika’s health has always been in the background of her character as well, and it may finally be failing her. There have been ominous hints that she is, if not dying, at least far more ill than she lets on. In which case, vanishing to a South Sea island, and then getting shipwrecked on a different, more deserted one, may not be the wisest choice. But then, of all the heroines, Marika’s love has always been the most desperate.

So there’s something for everyone here. Fans who know how Japanese harem mangas tend to resolve may have a sneaking suspicion who will eventually win, but Nisekoi does a much better job than most in making the journey fun and heartwarming, mostly as Raku is the type where you understand why they love him. This is still quite highly recommended.

Filed Under: REVIEWS

Pick of the Week: Outside the Box

January 16, 2017 by Sean Gaffney, Ash Brown, Anna N, Katherine Dacey, MJ and Michelle Smith Leave a Comment

ASH: It’s a relatively small week for new manga releases but, unsurprisingly, there are still a few things that I’m interested in. Apparently I’m in the mood for quirky horror since both Franken Fran and Dorohedoro are high on that list. My official pick goes to Dorohedoro though as I can’t seem to resist it’s bizarrely charming characters and humor.

KATE: I didn’t find much in this week’s new manga arrivals, so I’m going off-list for my recommendation: Snow Blind, a TPB that collects all four issues of a limited-run series by Ollie Masters and Tyler Jenkins. The artwork is moody and gorgeous — who knew Alaska was such a good setting for noir? — and the plotting is skillful. Heck, even Warren Ellis seems to like it, so there’s that, too.

SEAN: Like Ash, it’s pretty much a choice between Franken Fran and Dorohedoro this week, and, like Ash, I will be picking the latter. Still one of the more surprising Viz licenses, especially without an anime, I am so pleased that this has gotten to Volume 20. Even if I will no doubt find it confusing again.

MICHELLE: I’m sure I would enjoy Dorohedoro if I actually got around to reading it, but since I haven’t, I’d feel weird recommending it. So, instead, I will recommend two series that I actually have finally gotten around to reading, after seeing both recommended multiple times on Manga Bookshelf: One-Punch Man and A Silent Voice. I am enjoying both quite a lot and can now add my voice to the chorus of praise.

ANNA: There isn’t really anything that appeals to me this week, but I’ve recently been trying to get caught up on The Demon Prince of Momochi House, which incorporates lovely art into a story exploring the relationship between human guardians living in a nexus between the human and spiritual world. That’s my pick!

MJ: I’m not particularly excited about anything on this week’s list, but I have a considerable backlog to get through, so that’s not necessarily a bad thing. First on my docket, I think, is the SuBLime series, Ten Count by Rihito Takarai. I have the first two volumes sitting here, with volume three on its way next month. I’m a little nervous about what looks to be a problematic relationship (therapist and patient), but considering how common that is in BL, I can at least take heart that the characters are adults, and that there isn’t a terrified uke on the cover. So I’m feeling optimistic.

Filed Under: PICK OF THE WEEK

My Week in Manga: January 9-January 15, 2017

January 16, 2017 by Ash Brown

My News and Reviews

Last week at Experiments in Manga I posted the Bookshelf Overload for December. It includes a pretty big list of things, in part due to massive holiday sales, so hopefully future months won’t be quite as ridiculous. Another thing that happened last week that was kind of cool was related to a post that I wrote back in 2014. My Spotlight on Masaichi Mukaide is probably one of the most noteworthy things that I’ve ever written and it actually got quite a bit of attention when I posted it. Well, Masaichi Mukaide himself apparently came across it recently and even left a comment.

Probably the biggest manga news from last week was the slew of licenses and other announcements made by Seven Seas. Here’s the list of manga:

Absolute Duo by Takumi Hiiragiboshi and Shinichirou Nariie
Alice & Zouroku by Tetsuya Imai
Captain Harlock: Dimensional Voyage by Leiji Matsumoto and Kouichi Shimahoshi
The Count of Monte Cristo by Moriyama Ena
Cutie Honey a Go Go! by Hideaki Anno and Shinpei Itou
Devilman G by Go Nagai and Rui Takatou
Dragon Half by Ryusuke Mita
Hatsune Miku: Bad End Night by Hitoshizuku-P x Yama and Tsubata Nozaki
Hatsune Miku Presents: Hachune Miku’s Everyday Vocaloid Paradise by Ontama
Magical Girl Special Ops Asuka by Makoto Fukami and Seigo Tokiya
Sleeping Beauty by Yumi Unita
Spirit Circle by Satoshi Mizukami
The Testament of Sister New Devil Storm by Tetsuto Uesu and Fumihiro Kiso
Unmagical Girl by Ryuichi Yokoyama and Manmaru Kamitsuki
Wadanohara and the Great Blue Sea by Mogeko

Seven Seas is getting back into translating novels and has a deluxe edition of Ryo Mizuno’s Record of the Lodoss War: The Grey Witch with illustrations by illustrations by Yutaka Izubuchi in the works, too. Also announced was a full-color edition of Madeleine Rosca’s Hollow Fields and five more illustrated literary classics. (I found Seven Seas release of Lewis Carroll’s Alice’s Adventures in Wonderland and Through the Looking-Glass to be quite enjoyable.)

It’s a pretty interesting group of announcements with a fairly wide range of titles to choose from. There’s even a manga from the late ’80s (Dragon Half), and not many of those are licensed any more. I’m particularly curious about Moriyama Ena’s adaptation of The Count of Monte Cristo (the cover art is gorgeous), the josei manga Sleeping Beauty by Yumi Unita (whose Bunny Drop left me with extremely conflicted feelings), as well as the number of titles which are part of classic franchises.

Quick Takes

Devils' Line, Volume 1Devils’ Line, Volumes 1-2 by Ryo Hanada. I actually didn’t realize it at first, but Devils’ Line is the second work by Hanada to be released in English. The first was the doujinshi Good-bye Geist which overall I enjoyed. However, Devils’ Line is Hanada’s first professional series. In general, I’m liking it, too, except that the artwork is terribly inconsistent. At times it’s absolutely spectacular (the cover illustrations are especially great) but within a few panels it may have lost all sense of scale an anatomy. I can’t quite tell if this is mean to be deliberate or not; if so, the execution is unconvincing. The story isn’t as tight as it could be, but it does have a nice blend of genres, including romance, horror, action, crime, and thriller. And, like Good-bye Geist, the series has a marvelously ominous atmosphere. The plot centers around Tsukasa, who unfortunately seems to be a magnet for both vampires (or “devils”) and sexual assault, and Anzai, a half-vampire working for the police in a unit specializing in devil-related incidents. Vampirism in Devils’ Line has an intensely sexual component to it; the eroticism often associated with vampires in other stories is in this case incredibly dark and violent.

The Ghost and the Lady, Volume 2The Ghost and the Lady, Volume 2 by Kazuhiro Fujita. Admittedly, The Ghost and the Lady is kind of a strange manga series. In part historical fiction and in part supernatural drama, the manga’s disparate elements don’t always perfectly mesh, but I still enjoyed the series a great deal. In The Ghost and the Lady, Fujita mixes together historical facts and legends, reimagining the life of Florence Nightingale and her accomplishments during the Crimean War with a distinctly supernatural flair. It’s clear that Fujita has done a tremendous amount of research for the series; and as the afterword by the series’ translator Zack Davisson points out, more or less every named character in the manga has a historical counterpart. There’s Nightingale herself as well as the people she knew, Grey is based on a famous ghost of the Drury Lane theater, and even historical figures like the Chevalier d’Éon have prominent roles to play. (Speaking of whom, I really need to find a good biography of d’Éon to read.) Despite the presence of the ghosts, the supernatural aspects of The Ghost and the Lady seem to come and go; I do wish that the eidolons had been utilized a little more in the series’ second half because it’s great when they are.

Holy Corpse Rising, Volume 1Holy Corpse Rising, Volume 1 by Hosana Tanaka. As can be safely assumed by provocative cover art, Holy Corpse Rising is a manga series that includes a fair amount of nudity and scantily clad women. However, despite the occasional ridiculousness, the fanservice is largely keeping with the style and tone of the series as a whole, so it doesn’t feel out-of-place; a significant portion of Holy Corpse Rising is intended to be titillating. In general, Tanaka’s artwork is quite attractive, though the women in the series are the most beautiful. They’re also by far the most powerful characters, both in ability and status. The first volume of Holy Corpse Rising serves as an introduction to the war between the Credic Church and the witches. Nikola, a monk who is a specialist in witch lore, is charged with securing the aid of the coven of first witches in the Church’s fight against their descendants. But first Nikola must resurrect them and in the process manages to put himself in some rather compromising situations. So far the first witches each seem to gain their power from a different bodily fluid (tears, blood). And since there are twelve of them, Holy Corpse Rising has the potential to enter some pretty kinky territory.

The One Hundred Nights of HeroThe One Hundred Nights of Hero by Isabel Greenberg. I don’t recall exactly what it was that brought The One Hundred Nights of Hero to my attention, but I’m so glad that I read it because it is marvelous; I loved the comic. Greenberg takes inspiration from existing stories and even provides retelling of folktales over the course of the graphic novel. The framework is deliberately similar to that of One Thousand and One Nights and there are stories within stories within stories. In fact, The One Hundred Nights of Hero is about the power of stories and storytellers. It’s also about love and “brave women who don’t take shit from anyone.” At the center of the comic is Cherry and her maid Hero, two women who love each other dearly. Night after night, Hero spins tale after tale in an effort to save their lives. The world of The One Hundred Nights of Hero is an incredibly misogynistic one. While different from our own, in some ways it is also tragically reminiscent. The One Hundred Nights of Hero isn’t always particularly subtle and can at times feel somewhat heavy-handed, but it’s a wonderfully powerful and unabashedly feminist work. I definitely plan on seeking out more of Greenberg’s comics.

Moshi MoshiMoshi Moshi by Banana Yoshimoto. Despite being an extremely prolific author and one of the most well-known Japanese novelists translated in English, I haven’t actually read any of Yoshimoto’s works until now. The story of Moshi Moshi is told from the first-person perspective of Yoshie, a young woman whose father has recently died. A successful musician, the circumstances surrounding his death are somewhat unclear, but it’s believed that he committed double suicide with a woman who neither she or her mother knows. The novel follows Yoshie as she tries to come to terms with the unexpected loss of her father by reinventing her life in the chic neighborhood of Shimokitazawa. Her mother joins her there, feeling that the ghost of her husband is haunting the family home, and Yoshie herself is plagued with recurring dreams in which her father appears, searching for his phone. Though Moshi Moshi does tend to drag a little in places, I really liked how Yoshimoto handles the themes of love, loss, and the inevitability of change in the novel. I suspect that Moshi Moshi likely isn’t the best introduction to Yoshimoto’s work, but for the most part I did appreciate it.

Filed Under: FEATURES, My Week in Manga Tagged With: Banana Yoshimoto, comics, Devils' Line, Ghost and the Lady, Holy Corpse Rising, Hosana Tanaka, Isabel Greenberg, Kazuhiro Fujita, manga, Novels, Ryo Hanada

Bookshelf Briefs 1/16/17

January 16, 2017 by Michelle Smith and Sean Gaffney Leave a Comment

Arpeggio of Blue Steel, Vol. 9 | By Ark Performance | Seven Seas – As this series has gone on, we’ve been introduced to more and more mental models, to the point where it can be hard to keep track of everyone. I have some bad news for you, but we get even more showing up here. My favorite was Ashigara, who is very much of the “I love combat and BEING LOUD!” sort of Japanese manga stereotype, and her battle goes about as well as you’d expect, which is to say not at all. Meanwhile, we find that not only can Iona do a good verbal impersonation of Gunzou, but she does a fair job of impersonating his captain skills as well. As we gain more cast and more subplots, it’s going to be important to be able to remember who they all are, and thankfully Arpeggio does its best. Solid. – Sean Gaffney

The Black Museum: The Ghost and the Lady, Vol. 2 | By Kazuhiro Fujita | Kodansha Comics – This story wraps up with this volume, though there is more Black Museum out in Japan (and not yet licensed). It’s actually rather interesting to see how well Florence Nightingale’s life works as an action manga and/or medical drama. There’s no shortage of villains, and I’m not even talking about D’Eon. We even get endnotes reminding us that these are based on real people. Still, the fun in this series is to see Florence’s never-say-die pluck, watch Gray be cool, and see the occasional swordfight or spirit battle. Oh yes, and the museum curator, who remains hilarious. Also watch for the cameo by characters from a manga by the creator of Rurouni Kenshin. Well worth the hardcover price. – Sean Gaffney

The Demon Prince of Momochi House, Vol. 7 | By Aya Shouoto | VIZ Media – I never thought I’d say this about an Aya Shouoto title, but this was a great volume of manga. It was always fairly obvious that Himari’s school project researching a local ghost story with a group of classmates would tie in to what happened to Aoi when he was a kid, but the reveal of exactly why and how he ended up at Momochi House was handled with a creepy atmosphere and suspenseful, engrossing pacing that made for a highly enjoyable read. Plus, although some major, game-changing things happen, the essential threat to Aoi’s humanity remains. If you’re curious about Shouoto and wondering which of her series to try, let there be no doubt: it’s this one. – Michelle Smith

Haikyu!!, Vol. 7 | By Haruichi Furudate | Viz Media – As with the last volume, this is entirely about all volleyball, all the time. Unlike the last volume, there’s lots to talk about, as the series goes from good to great. The way that Sugawara works to bring out the best in his team, the way that Kageyama is showing he can learn and evolve, and the communication that develops between everyone—even cranky Tsukishima—are a joy to see, and really drive the series. We must also be getting near the end of the game, as we get tragic backstory for one of the opposing players. And of course there IS lots of volleyball lecturing and discussion, as well as cool action poses. This is one of the most Jump manga ever, and if you don’t read it you’re missing a treat. – Sean Gaffney

Haikyu!!, Vol. 7 | By Haruichi Furudate | VIZ Media – I always love when characters who had previously been in the background get their turn to shine, and there is quite a lot of that in this volume of Haikyu!!. After Kageyama loses his cool and gets benched, Sugawara finally gets to play for the first time in the tournament. Although his skills are average, the way he communicates with his teammates brings them together and calms their nerves, showing Kageyama some ways in which he’s clearly lacking. When he returns to the game, he takes Sugawara’s advice, and finally starts interacting with prickly Tsukishima and figuring out how best to utilize him as a hitter. It means a lot to see that he’s actually willing to listen for the benefit of his team, and his later, awkward attempts at congratulatory high-fiving are fairly amusing. As ever, I eagerly await the next volume! – Michelle Smith

My Monster Secret, Vol. 5 | By Eiji Masuda | Seven Seas – Still hilarious, still has touches of harem romance, but this volume also shows that My Monster Secret can be quite touching when it wants to be. Mikan is on the cover, and much of the latter half of the volume focuses on her, as she gradually realizes that she’s in a school of monsters. Luckily, not only does she have her own monster issue with her possessed glasses, but an accidental trip to the future allows her to confess to Asahi. Now, he loves Youko, so that’s not going anywhere, but it’s good to get off her chest, and maybe it helped him to finally confess to Youko? That’s the cliffhanger. There’s also plenty of hilarious gags—this is a funny manga. But it’s also got great characters. Best ‘monster girl’ manga right now. – Sean Gaffney

Nichijou: My Ordinary Life, Vol. 6 | By Keiichi Arawi | Vertical Comics – This is a more hit-and-miss volume of Nichijou than before, but the hits are hilarious. Nakamura-sensei trying to find out what makes Nano tick, and ending up at her house and meeting The Professor is just one great visual gag after another. Speaking of The Professor, she’s horrified to find Mai coming over “to play,” as she knows her as the girl with the vicious biting dogs. Luckily, Mai’s art skills are more valuable than Mai’s sense of what’s interesting or amusing, so she manages to mollify her. As for Mio, she gets a lot of dream sequences here, be they her own or Yukko’s, and they’re all hysterical, as is her “running away from reality” rampage across town, which the anime animated flawlessly. Good stuff. – Sean Gaffney

That Wolf-boy Is Mine!, Vol. 3 | By Yoko Nogiri | Kodansha Comics – I’m usually dubious when a series gets compared to Fruits Basket, but here it’s more justified than most. Not only are there hot boys who transform into animals and a girl who knows their secret, but now we’ve got a figure filling the Akito role. Yata-sensei was the one who taught the boys to transform in the first place, and makes sure they are able to pass as humans, and when Komugi’s presence (and the tension it causes between Yu and Rin, who both have feelings for her) creates an unnecessary disturbance, he tries to get rid of her. First, he warns her off, suggesting she return to Tokyo to live with her mother, but by the end of the volume, he’s opted for more drastic measures. Exactly what those are, we’ll have to wait for the fourth and final volume to find out. I’m really enjoying this series! – Michelle Smith

Filed Under: Bookshelf Briefs

Attack on Titan, Vol. 20

January 14, 2017 by Sean Gaffney

By Hajime Isayama. Released in Japan by Kodansha, serialization ongoing in the magazine Bessatsu Shonen Magazine. Released in North America by Kodansha Comics. Translated by Ko Ransom.

(Note: this review contains large spoilers for the whole volume)

In the last volume we finally got back to a lot of Titan fighting after several volumes of political intrigue. That doesn’t let up here, as this book is about humanity’s desperate fight to stop the titans. It’s also about death – at the start of the series, a lot of characters we briefly knew well died, and Levi’s squad was killed off several volumes later. Now the reaper has come calling again, and it’s uncertain who’s actually going to survive by the end of it. Is Armin really dead? Well, we thought Hange was dead last time, but here she is, looking battered but alive. This series has always had an underlying question of “how depressing is the ending going to be?”. Will the author and editors really kill off most of the likable main cast for good? Will the Titans win?

Speaking of Armin, a lot of this volume focuses on him, particularly on his loss of courage in the face of disaster. This is actually done quite well, showing that the horrible slaughter of war does not automatically make anyone a badass, particularly if your soldier skills are mostly confined to tactics, as with Armin. Seeing him falter gives us extra frustration and sadness, and helps to make the end of the volume, where he snaps out of it, comes up with a plan, and seemingly sacrifices his life for the others’ sake, even more impressive. Speaking of impressive, I must admit I’ve never really warmed to Jean before now, a character who has always been very confrontational and obnoxious. But he’s fantastic here, taking over when Armin falters and thinking of good short-term plans that will help them escape, while admitting that long-term tactics is not something he is designed for. Great job.

Armin is, of course, not the only casualty here, as Erwin takes all the rookies who are watching the Beast Titan and company destroy everything on a suicidal charge in order to give Levi time to make a sneak attack. As one recruit points out (and oh what irony that he seems to be literally the only recruit to survive after this debacle), Erwin is asking them to go out and die, and Erwin responds bluntly that yes, he is. And they do just that. Naturally the reader focuses on Marlowe, whose shift from reluctant MP soldier to raw recruit has gotten quite a bit of focus, and he even got some rare Titan ship tease with fellow MP Hitch. Now he thinks of Hitch, who did not join the Survey Corps and is thus likely asleep, right before his head is blown apart. War is hell. And in war, the good die. A lot.

And that may also include Erwin, whose frustration that they’re almost but not quite able to get to Eren’s father’s house is palpable. He’s leaving everything to Levi and Hange, but like Armin, his fate is not quite confirmed at the end of this book. Will they both end up like Marlowe, Petra and Marco? Or will this be like Sasha or Hange, where we’re sure they’re about to die but they somehow escape? In any case, a good solid volume, and I can’t even complain about the mediocre art too much this time.

Filed Under: REVIEWS

Manga the Week of 1/18

January 12, 2017 by Sean Gaffney, Ash Brown, Michelle Smith, Katherine Dacey, MJ and Anna N 2 Comments

SEAN: Mid-month, and it’s a mostly quiet time in manga land. Some series end, but others carry on regardless. What’ve we got this time around?

ASH: Wow! It’s been a while since we’ve had a week this quiet.

SEAN: Kodansha has a 2nd volume of Interviews with Monster Girls, whose first volume I found pretty good. It’s more on the ‘cute’ than ‘sexy’ end of the spectrum.

ASH: Hopefully the recent anime adaptation will encourage people to try the manga, too.

SEAN: And there’s an 18th volume of The Seven Deadly Sins.

One Peace gives us an 8th volume of yuri trap manga Maria Holic.

.

Seven Seas has one of my favorite horrible guilty pleasure series come to an end with the 4th and final omnibus of Franken Fran. I understand it wasn’t a big seller, which is a shame, but its over-the-top horrible horror and humor always tickled my funny bone. Or made my jaw drop.

ASH: I’ve been thoroughly enjoying Franken Fran. It’s sad to hear it hasn’t done especially well, but I’m glad to have it on my shelves.

SEAN: How to Build a Dungeon also made my jaw drop, but not in a good way. Vol. 2 is out. Buyer beware.

My Girlfriend Is a T-Rex also has a 2nd volume, and I found the first, like Interviews with Monster Girls, cute and ‘pretty good’. This is a mild recommendation.

And Non Non Biyori’s 6th volume, a series that takes slice of life to such extremes you may fall asleep just reading the synopsis.

Vertical gives us a 7th volume of Ninja Slayer, which has ninjas, who possibly slay.

Viz has the 20th volume of Dorohedoro, and I could not be more delighted. I look forward to this series every time a new volume comes out.

ASH: Yes! I love Dorohedoro.

SEAN: And there is a 16th Terra Formars as well.

Lastly, Tokyo Ghoul has a 2nd novel based on the popular series, this one called Void.

MANGA? It’s what’s happening. What are you getting?

MICHELLE: Uhhh… nothing, apparently.

KATE: That makes two of us, Michelle! There’s a whole lotta “Whoa!” and “No!” in this week’s shipments as far as I’m concerned.

MJ: Same! Is it sad that I’m somewhat relieved to finally have disembarked the Seven Seas train? Sorry, Seven Seas.

ANNA: There is nothing that appeals to me this week, which is good because I can hopefully get caught up reading other things!

Filed Under: FEATURES, manga the week of

Bookshelf Overload: December 2016

January 12, 2017 by Ash Brown

Well, December happened, as I knew it would. I took advantage of a large number of holiday and end of year sales and made good use of coupons and gift cards, so my wallet is happier than it would have been otherwise, but I still managed to pick up an absurd number of things. This includes an unusual amount of anime for me, such as the Amazon-exclusive limited edition of Cowboy Bebop which was on super sale at one point. (This will replace the bootleg copy I unintentionally bought when I was much younger and didn’t know any better or how to tell the difference.) Probably the manga release I was most excited for in December was the return of Makoto Yukimura’s Vinland Saga. (I’ll hopefully have a review of the eighth and most recent omnibus to share in the near future.) I’m also especially happy to have the deluxe edition of Junji Ito’s Tomie and the conclusion of The Ghost and the Lady by Kazuhiro Fujita on my shelves. And, of course, more of Inio Asano’s Goodnight Punpun, Haruichi Furudate’s Haikyu!!, and Izumi Tsubaki’s Monthly Girls’ Nozaki-kun are always welcome. Fans of Mentaiko Itto will also want to be aware of the poster collection recently released by Bruno Gmünder. It’s labeled as “1,” so there may very well be more to come. (Ahem.) As for comics, Reindeer Boy by Cassandra Jean is a lot of fun and I recently read and highly recommend The One Hundred Nights of Hero by Isabel Greenberg.

Manga!
Aoharu X Machinegun, Volume 1 by Naoe
Blood Blockade Battlefront, Volumes 1-7 by Yasuhiro Nightow
Bungo Stray Dogs, Volume 1 written by Kafka Asagiri, illustrated by Sango Harukawa
Dragon Voice, Volumes 1-10 by Yuriko Nishiyama
Fruits Basket, Omnibus 1 by Natsuki Takaya
Gangsta: Cursed, Volume 1 written by Kohske, illustrated by Syuhei Kamo
The Ghost and the Lady, Volume 2 by Kazuhiro Fujita
Giganto Maxia by Kentaro Miura
Goodnight Punpun, Omnibus 4 by Inio Asano
Haikyu!!, Volume 7 by Haruichi Furudate
Happiness, Volume 2 by Shuzo Oshimi
He’s My Only Vampire, Volumes 1-3 by Aya Shouoto
Holy Corpse Rising, Volume 1 by Hosana Tanaka
Hunter x Hunter, Volumes 1-8 by Yoshihiro Togashi
Kiss of the Rose Princess, Volumes 1-2 by Aya Shouoto
Magi: The Labyrinth of Magic, Volumes 1-2 by Shinobu Ohtaka
Monthly Girls’ Nozaki-kun, Volume 5 by Izumi Tsubaki
New Lone Wolf and Cub, Volume 6 written by Kazuo Koike, illustrated by Hideki Mori
One-Punch Man, Volume 10 written by One, illustrated by Yusuke Murata
Ōoku: The Inner Chambers, Volumes 11-12 by Fumi Yoshinaga
Pandora Hearts, Volumes 20-22 by Jun Mochizuki
Persona 4, Volumes 4-5 by Shuji Sogabe
The Prince and His Dark Days, Volume 2 by Hico Yamanaka
Seven Princes of the Thousand Year Labyrinth, Volume 1 by Yu Aikawa
Sweetness and Lightning, Volume 3 by Gido Amagakure
Tomie by Junji Ito
Vinland Saga, Omnibus 8 by Makoto Yukimura
Welcome to the Ballroom, Volume 2 by Tomo Takeuchi

Comics!
Babybel Wax Bodysuit by Eric Kostiuk Williams
Battles by Jenn Woodall
Canopy by Karine Bernadou
Centralia 2050, Chapters 1-2 by Michelle Stanford
A City Inside by Tillie Walden
Diesel Ignition by Tyson Hesse
Dirty Diamonds, Issue 7: Imagination edited by Claire Folkman and Kelly Phillips
The End of Summer by Tillie Walden
Forest Dew by Heldrad
Hot Dog Taste Test by Lisa Hanawalt
I Love This Part by Tillie Walden
Little Kinano by Yeehun
Mondo by Ted McKeever
Oath: An Anthology of New (Queer) Heroes edited by Audre Redpath
The One Hundred Nights of Hero by Isabel Greenberg
Panther by Brecht Evens
RAV, Volume 2 by Mickey Zacchilli
Reindeer Boy by Cassandra Jean
Rosalie Lightning by Tom Hart
Small Town Witch written by Alex Singer, illustrated by Jayd Aït-Kaci
Somthing Terrible by Dean Trippe
Spidersilk, Volume 1 by Pamela Kotila
SuperCakes by Kate Leyh
That Which Wills: Virgo Rising, Book 1 written by Alex Singer, illustrated by Jayd Aït-Kaci

Artbooks!
BLKBT by C Lijewski
Burl & Furl edited by Irene Koh, Ricardo Bessa, Paul Reinwand, and Kevin Jay Stanton
Poster Book 1 by Mentaiko Itto

Novels!
The Borrowed by Chan Ho-Kei
Memoirs of a Polar Bear by Yoko Tawada
Moshi Moshi by Banana Yoshimoto
Orochi no Yaiba written by Itoshi, illustrated by Aldaria
Outlet by Randy Taguchi

Anime!
Cowboy Bebop directed by Shinichirō Watanabe
Detroit Metal City directed by Hiroshi Nagahama
My Love Story directed by Morio Asaka
Natsume’s Book of Friends, Seasons 3-4 directed by Takahiro Omori
The Perfect Insider directed by Mamoru Kanbe
Persona 4: The Animation directed by Seiji Kishi
Terror in Resonance directed by Shinichirō Watanabe
Yurikuma Arashi directed by Kunihiko Ikuhara
Young Black Jack directed by Mitsuko Kase

Filed Under: Bookshelf Overload, UNSHELVED

Welcome (Back) to The Manga Critic!

January 12, 2017 by Katherine Dacey


Welcome! My name is Kate Dacey, and I’ve been writing about comics since 2006 for sites like PopCultureShock, The School Library Journal, and MangaBlog. Though I’m passionate about comics in general, my first love is manga. I count Rumiko Takahashi, Katsuhiro Otomo, Kaoru Mori, Fumi Yoshinaga, Naoki Urasawa, and Osamu Tezuka among my favorite artists, as their work showed me the full potential of the comics medium.

I first created the Manga Critic in 2009. Back then, TOKYOPOP, CMX, and Del Rey were actively publishing material, Yen Press was the new kid on the block, and the New York Times was just beginning to acknowledge manga sales in its weekly bestseller lists. It was an exciting time: some weeks yielded as many as 50-60 new volumes of manga, and important artists — Hayao Miyazaki, Moto Hagio — were making the rounds at San Diego and New York Comic-Cons.

Though there were an astonishing number of manga-themed websites, blogs, and LiveJournals, many of these sites catered to self-professed otakus. For someone who primarily identified as a reader, I found the conversations at these sites unwelcoming, as I was more invested in the quality of the stories I read than in the fine details. I hankered for an online community where the hardcore fan and the occasional reader would feel equally welcome — and equally entitled to their opinions. When I didn’t find such a space, I set out to make one, and the Manga Critic was born.

For three years, I had a blast. I got shout-outs at the New Yorker and New York Times’ websites, a re-tweet from Roger Ebert that nearly crashed Manga Bookshelf, and enough passionate reader comments to fill a football stadium. (There are *still* a few people who are sore about my review of Blood Alone.) Then I hit the wall: I’d reviewed one too many books about teenage ninjas, wacky afterschool clubs, ruthless assassins, sexy robots, and vampire Romeos, and it showed. I put the Manga Critic in mothballs, and stopped blogging for almost two years.

In the immediate aftermath of shutting down my site, I felt relief: no more volumes of Highschool of the Dead to review! No more comments from infuriated teenaged boys! At the same time, however, I missed discussing and discovering new manga with thoughtful readers, an experience that I couldn’t fully replicate through Twitter or Tumblr feeds. So after several years of deliberation — and a few sporadic posts at MangaBlog — I decided that 2017 was the right time to bring back the Manga Critic.

HOW TO NAVIGATE THE SITE

If you’re new to manga, you’ll find several ways to discover new series and artists at the Manga Critic, from the Year in Review, an archive of my annual best-and-worst lists, to Recommended Reading, a series of articles highlighting different types of manga (e.g. horror, shojo). If you’re already a serious manga reader, you’ll find features that cater to your interests as well, including Manga Artifacts, an occasional column exploring Japanese comics published before 2000, and The Best Manga You’re Not Reading, a column highlighting great series that aren’t getting the attention they deserve. I also post occasional capsule reviews on Mondays — Bookshelf Briefs, a joint effort among the six Manga Bookshelf bloggers — and round-ups of manga industry news.

If you’re new to this site, I’ve compiled a short list of articles from the original Manga Critic (2009-2012). These essays provide a good introduction to my writing and reviewing style:

  • Ayako
  • The Best Manga You’re Not Reading: Benkei in New York
  • Manga Artifacts: Love Song
  • The Manga Hall of Shame: Wounded Man
  • My Favorite Shojo Manga: Kaze Hikaru
  • On Criticism: The 7 Deadly Sins of Reviewing
  • Rumiko Takashi’s Rumic Theater
  • Sexy Voice and Robo and Harriet the Spy
  • Summer, Fireworks and My Corpse

You’ll also find a wealth of sources on manga, manhwa, and comics for kids, all of which can be accessed through the Resources menu.

Going forward, I anticipate posting one major article each month, and one short review or news story each week. To stay abreast of what’s happening here at the Manga Critic, you can subscribe to my Twitter feed or the Manga Bookshelf Facebook page.

A WORD OF THANKS

Last but not least, I wanted to acknowledge three people for their encouragement and support: Brigid Alverson, who graciously gave me a place to hang out while The Manga Critic was on hiatus; Claire Dacey, who created the site’s funky new banner; and MJ, who played a major role in making the site functional and attractive. Thank you, ladies!

Filed Under: Manga Critic

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