• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Home
  • About Us
    • Privacy Policy
    • Comment Policy
    • Disclosures & Disclaimers
  • Resources
    • Links, Essays & Articles
    • Fandomology!
    • CLAMP Directory
    • BlogRoll
  • Features & Columns
    • 3 Things Thursday
    • Adventures in the Key of Shoujo
    • Bit & Blips (game reviews)
    • BL BOOKRACK
    • Bookshelf Briefs
    • Bringing the Drama
    • Comic Conversion
    • Fanservice Friday
    • Going Digital
    • It Came From the Sinosphere
    • License This!
    • Magazine no Mori
    • My Week in Manga
    • OFF THE SHELF
    • Not By Manga Alone
    • PICK OF THE WEEK
    • Subtitles & Sensibility
    • Weekly Shonen Jump Recaps
  • Manga Moveable Feast
    • MMF Full Archive
    • Yun Kouga
    • CLAMP
    • Shojo Beat
    • Osamu Tezuka
    • Sailor Moon
    • Fruits Basket
    • Takehiko Inoue
    • Wild Adapter
    • One Piece
    • After School Nightmare
    • Karakuri Odette
    • Paradise Kiss
    • The Color Trilogy
    • To Terra…
    • Sexy Voice & Robo
  • Browse by Author
    • Sean Gaffney
    • Anna Neatrour
    • Michelle Smith
    • Katherine Dacey
    • MJ
    • Brigid Alverson
    • Travis Anderson
    • Phillip Anthony
    • Derek Bown
    • Jaci Dahlvang
    • Angela Eastman
    • Erica Friedman
    • Sara K.
    • Megan Purdy
    • Emily Snodgrass
    • Nancy Thistlethwaite
    • Eva Volin
    • David Welsh
  • MB Blogs
    • A Case Suitable For Treatment
    • Experiments in Manga
    • MangaBlog
    • The Manga Critic
    • Manga Report
    • Soliloquy in Blue
    • Manga Curmudgeon (archive)

Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Blog

Kase-san and Morning Glories

March 10, 2017 by Sean Gaffney

By Hiromi Takashima. Released in Japan “Asagao to Kase-san” by Shinshokan, serialization ongoing in the magazine Hirari. Released in North America by Seven Seas. Translated by Jocelyne Allen, Adapted by Jenn Grunigen.

I’ve always said (perhaps a bit too often) that as long as something is well-written and enjoyable, it doesn’t matter that it’s a hoary old cliche. And likewise, with the yuri genre, just because something is as Story A as it gets does not mean its sweetness and cuteness are in any way diminished. This series is no exception, being light as air but ever so tasty. The girls are nice, their incipient romance is nice, and there is a shot of someone silhouetted against the setting sun, because if you’re going to throw in romantic tropes, you may as well use the kitchen sink as well. All of this adds up to a fun series that will make you smile.

As the author notes in the afterword, the magazine this series runs in is generally about yuri one-shots, and its very easy to tell this is a series of shorts about the same two people. (In fact, future volumes will be “Kase-san and _______” rather than a Vol. 2 or 3.) Kase-san is the tall sporty girl on the cover, a track star and school idol who also has some odd rumors hanging around her. The other girl is Yamada, who is shy and fretful and has a very low self-opinion of herself. You know the sort – there’s no way they could ever be interested in little old me. They bond over flowers, which Yamada is planting at the school, and then there are bike rides and shopping for shoes and blushing. So much blushing. Because, of course, these two girls are really into each other.

Most of the drama, such as it is, revolves around Yamada’s low self-esteem and how it leads her to almost sabotage her own friendship. Luckily, Kase-san is not as clueless as some of these archetypes can get, and so is able to, if not realize what is going on, at least rescue Yamada from being desperately sad. I liked the idea of the marathon, as it allows Yamada to work to improve herself, even though that gets torpedoed by a bunch of jerks running over first her flowers and then her. The volume is done from Yamada’s perspective, though I’m hoping a future volume may have a flasghback showing Kase’s own thoughts on their relationship. It all builts up to a confession and kiss in the nurse’s office, with Kase uncharacteristically unapologetic and Yamada crying in relief.

It’s safe to say that not much happens here – honestly, I’m having trouble filling out my word count. But I’m just so pleased to see Seven Seas putting out stories like these and Kindred Spirits on the Roof rather than “yuri for guys” like Netsuzou Trap. Cute girls meet and like each other. In the end, they kiss. Thankfully, this is not the end, as we’ll see Kase-san and Bento soon. for now, just revel in the adorable.

Filed Under: kase-san and, REVIEWS

Manga the Week of 3/15/17

March 9, 2017 by Sean Gaffney, Ash Brown, Anna N, Michelle Smith and MJ Leave a Comment

SEAN: A relatively light week next week, relatively being the operative term. But first, let’s double back and look at titles out THIS week that weren’t announced till the weekend.

Remember how we used to say you couldn’t sell sports manga over here? Or 40+-volume series? Clearly digital-only is a good way to test the waters on flouting that rule. Case in point: The debut of Ace of the Diamond, a baseball manga that ran in Shonen Magazine from 2016-2015, and then, like many baseball manga, started up again with Season 2. It will be interesting reading a non-Adachi baseball series.

MICHELLE: !!!!!!!!!!!!! Yay!

ANNA: Interesting. I don’t know if I’m up for 40+ volumes but I will check it out.

SEAN: All-Rounder Meguru is a mixed martial arts manga from the creator of Eden: It’s An Endless World, though hopefully a bit less bleak. It ran for 19 volumes in Evening magazine.

And Giant Killing is another 40+ volume manga, this time about soccer, that runs in Weekly Morning. Naturally, being long-running sports manga, the primary audience in the West for these titles will be female BL fans.

MICHELLE: !!!!!!!!!!!!! Yay! I might even try All-Rounder Meguru, while I’m at it.

ASH: Wow! Kodansha is really killing it (sorry, I couldn’t help myself) with the recent digital releases! I’m very excited to see Giant Killing and All-Rounder Meguru being added to the mix.

MJ: I doubt I have the patience for either of the epic sports manga on this list, but I like watching Michelle’s squee.

MICHELLE: I will likely always have an abundance of squee for sports manga.

SEAN: Also, Persona 3’s 3rd volume from Udon moved up a week without me noticing. Whoops.

ASH: Can’t really blame you for that; sometimes I wonder if Udon even knows when it will be releasing something…

SEAN: Now onto titles actually out next week. J-Novel Club has some more volume twos, as we get another I Saved Too Many Girls and Caused the Apocalypse, which presumably adds more girls.

We also get the 2nd Mixed Bathing in Another Dimension, which is probably the biggest surprise of all J-Novel’s titles for me as I really enjoyed it.

Kodansha has a 4th Complex Age, which mixes cosplay and drama quite well.

ASH: I’ve been fairly consistently surprised and impressed by Complex Age.

SEAN: They also have the 2nd digital volume of House of the Sun, which seems to be on a much faster publishing schedule than the other new digital volumes.

MICHELLE: Ooh! I’ll definitely be checking out these two.

SEAN: One Peace has a 9th volume of not-really-yuri series Maria Holic.

Seven Seas has the debut of Hana & Hina After School, which is really yuri. It’s by Milk Morinaga, probably the most prolific yuri manga artist in terms of North American licenses.

They also have a 2nd Seven Princes of the Thousand Year Labyrinth, which hopefully continues to be, as I called it, “the most Comic Zero-Sum series ever”.

ASH: That really does seem to be an apt description.

SEAN: SuBLime gives us a new side story for Don’t Be Cruel, subtitled Akira Takanashi’s Story, though it’s unclear who this volume will focus on. (How’s my deadpan?)

MICHELLE: Heh.

SEAN: And they have the 8th volume of the Finder Deluxe Edition.

ASH: While this is the eighth volume, it’s the first one to be released since SuBLime took over the series. (Previously, it was released by Digital Manga.) The actually first volume in this edition will be released later this year; it’s nice that SuBLime isn’t making readers wait for the most recent content.

SEAN: Vertical has a 5th volume of Mysterious Girlfriend X, which I think is approaching its climax.

Viz not only has the 3rd Legendary Edition of The Legend of Zelda, which has both Majora’s Mask and A Link to the Past, but also the first volume of the latest in the series, Twilight Princess.

ASH: Unlike some of the other games (I’m a bad Zelda fan), I’ve actually played Twilight Princess. I’m looking forward to its adaptation.

SEAN: At last, the final omnibus of Viz’s re-release of Ranma 1/2! It even ends with a wedding! Don’t let that fool you, though, this is still Takahashi at her most Takahashi. Still well worth reading.

ASH: I’m still very happy that Viz found a way to keep Ranma 1/2 in print.

SEAN: And there’s a 23rd volume of Rin-Ne, which apparently will have a surprise announcement in Japan soon. New anime season? Spinoff? They found Sakura’s repressed rage?

As I said, light week is relative. What’ll you be getting next week?

Filed Under: FEATURES, manga the week of

Bookshelf Overload: February 2017

March 9, 2017 by Ash Brown

So, things got a little out of hand in February, mostly due to the fact that I came across a fair number of out-of-print and somewhat hard-to-find manga that I wasn’t able to pass up. Other than that I largely behaved myself. Most of the non-manga comics that I picked up last month were Kickstarter-related which just means that my wallet cried months (and in one case years) ago rather than in February. As for manga, I finally got my hands on The Girl from the Other Side, Volume 1 by Nagabe. Technically published in January, it’s one of my most anticipated debuts for the year. My copy of Jennifer Doyle’s Knights-Errant, Volume 1 (the most recent paperback from Chromatic Press) arrived after a short delay, too. When it came to actual February debuts, I was particularly curious about Kei Sanbe’s first first Erased omnibus and was thrilled that Two Hoses, a short erotic gay manga by Jiraiya, was simultaneously released in Japanese and in English. My copy of the gorgeous box set of Chiho Saito’s Revolutionary Girl Utena manga was one of the few that escaped the recall–most people will have to wait until April for the corrected version to be released. I also received an early copy of Ichi-F: A Worker’s Graphic Memoir of the Fukushima Nuclear Power Plant by Kazuto Tatsuta which was released a few days ago; I’m currently working on an in-depth review which should hopefully be posted sometime next week. Ichi-F is an important work, so I’m very glad that it was translated.

Manga!
Anonymous Noise, Volume 1 by Ryoko Fukuyama
Bakune Young, Volumes 1-3 by Toyokazu Matsunaga
Cantarella, Volumes 1-10 by You Higuri
Captive Hearts of Oz, Volume 1 written by Ryo Maruya, illustrated by Mamenosuke Fujimaru
Dawn of the Arcana, Volumes 8, 10-11 by Rei Toma
Erased, Omnibus 1 by Kei Sanbe
FukuFuku: Kitten Tales, Volume 2 by Kanata Konami
The Ghost in the Shell, Volumes 1, 1.5, 2 by Masamune Shirow
The Girl from the Other Side, Volume 1 by Nagabe
Grey, Volumes 1-2 by Yoshihisa Tagami
Haikyu!!, Volume 9 by Haruichi Furudate
Happiness, Volume 3 by Shuzo Oshimi
Ichi-F: A Worker’s Graphic Memoir of the Fukushima Nuclear Power Plant by Kazuto Tatsuta
JoJo’s Bizarre Adventure, Part 3: Stardust Crusaders, Volume 2 by Hirohiko Araki
The Legend of Zelda: Oracle of Seasons/Oracle of Ages by Akira Himekawa
The Legend of Zelda: Twilight Princess, Volume 1 by Akira Himekawa
Magia the Ninth, Volume 2 by Ichiya Sazanami
Maison Ikkoku, Volumes 1-15 by Rumiko Takahashi
Monthly Girls’ Nozaki-kun, Volume 6 by Izumi Tsubaki
Musashi #9, Volumes 1-9, 13-15 by Miyuki Takahashi
Persona 3, Volume 2 by Shuji Sogabe
Revolutionary Girl Utena by Chiho Saito
Ten Count, Volume 3 by Rihito Takarai
Two Hoses by Jiraiya

Comics!
Another Castle: Grimoire written by Andrew Wheeler, illustrated by Paulina Ganucheau
Big Kids by Michael DeForge
Chernozem by Aud Koch
Enough Space for Everyone Else edited by J. N. Monk and Lee Black
Knights-Errant, Volume 1 by Jennifer Doyle
A Land Called Tarot by Gael Bertrand
Mae, Volume 1 by Gene Ha
Magical Beatdown, Volumes 1-1.5 by Jenn Woodall
Mahou Shounen Fight!, Volume 1 by JD Saxon and Dusty K. Smith
My Monster Boyfriend edited by C. Spike Trotman
Namesake, Volume 2 by Isabelle Melançon and Megan Lavey-Heaton
Sorcery 101, Volumes 1-2 by Kel McDonald
Yes, Roya written by C. Spike Trotman, illustrated by Emilee Denich

Artbooks!
Sketches & Studies by Aud Koch
The Legend of Zelda: Art & Artifacts by Nintendo

Novels!
Decapitation: Kubikiri Cycle by Nisioisin
The Name of the Game Is a Kidnapping by Keigo Higashino
The Stones Cry Out by Hikaru Okuizumi

Anthologies!
The Accusation: Forbidden Stories from Inside North Korea by Bandi

Filed Under: Bookshelf Overload, UNSHELVED

Anonymous Noise Vol. 1

March 8, 2017 by Anna N

Anonymous Noise Volume 1 by Ryoko Fukuyama

I read Anonymous Noise a few days ago, and I’ve had a hard time writing about it, I think because I ended up feeling very conflicted about whether or not I actually enjoyed reading it. It was stylish looking, which I appreciated. The author deployed a great deal of typical shoujo manga plot elements, which I was less than enthusiastic about. Finally, there was a level of angst involved in the relationships between the characters that I actually found intriguing, and will likely keep me hanging on to reading this series in the hopes that it gets a bit better in the second volume.

Childhood friends who are separated and meet again only to fall in love is such a shoujo staple plot element, that I get weary of it if it isn’t executed well. Nino Arisugawa has a habit of developing close childhood friendships with boys only for them to utterly disappear, which will make it very handy for her to have a love triangle as a teenager. Her first friend is Momo, a next door neighbor boy with a habit of making terrible puns. They’re in the habit of singing together. Momo abruptly moves away with his family and while Nino is visiting the sea to scream her agony into it, she stumbles across Yuzu, a kid composer who likes to write musical compositions in the sand. Yuzu is also a very familiar character type seen in manga, the short kid who drinks a ton of milk in hopes of triggering a growth spurt. Nino finds a bit of peace when singing Yuzu’s compositions, but she still longs for her lost friend Momo.

Switching gears to the future, Nino starts attending a school where Yuzu is a student. He’s very busy, because he also has the time to be in a rock band called In No Hurry, which performs wearing face masks and eyepatches. Nino and Yuzu reconnect, but it is clear that she’s still nurturing her feelings for Momo. The part of this manga that I found most interesting, and I’m not sure if it was intentional on the part of the author, is that Yuzu’s obsession with Nino as a muse is so clearly unhealthy. He has a girl singer in his band called Alice who is designed with his memories of Nino in mind, and he likens his feelings for Nino as being trapped under the spell of a canary. Yuzu ends up being the most compelling character in this manga, just because he wears his emotional agony on his sleeve. No surprise, Momo is attending the same high school, and shows up around Yuzu to make a few bad puns and then disappear in an enigmatic fashion.

The art is stylish, if a bit generic. I enjoyed the edgy costumes for Yuzu’s band. A couple moments in the manga that stood out to be as being particularly well-executed were a scene of Nino and Yuzu reconnecting through music in a practice room, and an encounter with Yuzu’s band mates that hints at a whole different story of unrequited love. I often feel like some manga series need at least two volumes before passing judgement on them, and I’m hoping that the second volume of Anonymous Noise has less shoujo cliches and more teen angst because the potential is there for an entertaining music infused teen soap opera, but I’m not quite seeing that yet.

Filed Under: Manga Reviews, REVIEWS Tagged With: Anonymous Noise, shojo beat, shoujo, viz media

Tokyo Tarareba Girls, Vol. 1

March 8, 2017 by Michelle Smith

By Akiko Higashimura | Published digitally by Kodansha Comics

I spent all my time wondering “what if,” then one day I woke up and I was 33.

Thirty-something Rinko Kamata and her two best friends from high school, Kaori and Koyuki, are still single. They’ve happily spent the last decade getting together regularly for girls’ nights out, during which they get sloshed and speculate on what might’ve happened with past romances or how they might meet Mr. Right in the future. When it’s announced that Tokyo will be hosting the Olympics in 2020 and it dawns on the trio that they might still be single amidst all the celebrating, they abruptly realize that they might have missed their chance to snag husbands.

Ten years ago, Rinko had a chance with Mr. Hayasaka, a dull but sweet coworker, but rejected him. Their work—she’s a scriptwriter and he’s a producer for a television production company—still brings them together, however, and when she seemingly has a second chance, she considers accepting this time, wondering if women must choose being loved over being in love once they’re over thirty. Of course, she’s drunk at the time, so her thoughts are whimsically presented in the form of conversation with her snacks! Specifically, tara (milt) and reba (liver), whose names combine to mean “what if” and thus supply the pun of the series title. They’re cute little creatures, and tara especially gives me some Little Fluffy Gigolo PELU flashbacks (in the best way).

Of course, we wouldn’t have a series if things worked out with Mr. Hayasaka, and losing out to younger women in romance, work, and at a courtship party, where the “tarareba girls” discover that even schlubby guys their age have pretty young things competing for them (because the younger guys are all under- or unemployed), sends her somewhat off the rails, hopping in a taxi to capture some blackmail evidence and winding up at a hot springs resort, drinking alone and feeling unwanted until Key, a snarky male model who’s observed the rowdy trio at their favorite pub and was critical of Rinko’s writing—essentially unrealistic wish-fulfillment fare for daydreaming middle-aged women—shows up to forestall disaster and ends up proving himself to be the ultimate “what if” scenario that Rinko hadn’t even considered. Plus, he encourages her to see her recent failures as a chance instead of a setback, and I hope this means we’ll see her write what she claims she really wants to write and achieve success after all.

This is quite a madcap volume, what with the talking food, and there are also several quick cuts to Rinko guzzling alcohol that make me think this would be extremely amusing in either animated or live-action format. I also really like the way we her conversations with friends via text are depicted. Ordinarily, I might be bothered that these ladies are so fixated on husbands, but Higashimura-sensei has some author’s notes at the back wherein she makes it absolutely clear that she does not think that marriage is the key to happiness or that it’s a requirement for women. It’s just that she had some friends who were beginning to experience some of these things, and she decided to write about them.

Before Kodansha’s announcement, this series hadn’t even been on my radar, so in addition to being grateful for more josei in any format, I’m especially glad to be introduced to this fun story. I’m looking forward to volume two!

Tokyo Tarareba Girls is ongoing in Japan where it is up to seven volumes.

Review copy provided by the publisher.

Filed Under: Josei, Manga, REVIEWS

Chihayafuru, Vol. 1

March 8, 2017 by Michelle Smith

By Yuki Suetsugi | Published digitally by Kodansha Comics

Chihayafuru is a long-running josei sports manga series about a girl who discovers a passion for the Japanese card game, karuta. The very factors that made me sure I’d love the series also made it an unlikely licensing prospect. Happily, Kodansha Comics has started releasing it digitally! I still can’t quite believe that it’s really happened.

In the opening pages, we get a glimpse of a teenage Chihaya Amase during an intense match, then promptly travel six years into the past. At twelve, Chihaya had no dream other than seeing her older pageant-entering sister, Chitose, become “number one in Japan.” When she befriends transfer student Arata Wataya, who’s been shunned by classmates for his poverty and regional dialect, he tells her that her dreams should be about herself. Fired up by Wataya’s speed and intensity at karuta, Chihaya can’t help but attempt to score at least one card off of him, and the delight on Wataya’s face as he finally makes a friend who shares his passion is poignant.

As Chihaya (and the audience) learns more about karuta, Wataya eventually gains the respect of his classmates for his skill, prompting Taichi Mashima, the ringleader of the bullies, to cheat against him in a school tournament. I quite liked that we see Mashima’s motivations—his horrid mother flat out tells him that if you don’t think you can win at something, you shouldn’t even try—and that, afterwards, he makes his own decisions about what is right and what is important to him. The three kids become friends and, after joining a karuta club in their neighborhood, conclude the first volume by entering an elementary tournament as a team.

In several ways, Chihayafuru reminds me of Hikaru no Go. You’ve got the sixth-grade protagonist discovering enthusiasm for a traditional game. She makes a small group of friends who share a deep love of the game, and they compete together as a team. And yet, there is the inescapable fact that they won’t be able to stay together forever. Mashima’s path will take him to a prestigious middle school while the ill health of Wataya’s grandfather compels him to return to his hometown. Will Chihaya continue on her own? Presumably, like Hikaru, she will make new friends at each stage of her journey, and potentially face Wataya again as a rival in future.

As usual, what I really loved most was Chihaya finding the place she belonged, and the outlet in which her specific skills—quick reaction time, acute vision, and an extremely keen sense of hearing—are recognized and appreciated. Her sister becomes positively odious as she realizes Chihaya now has something in her life to work towards besides Chitose’s fame—“All Chihaya needs to do is look at me and tell me how amazing I am”—and I wonder how far she’ll go to sabotage her little sister’s ambitions, but the opening pages show us a Chihaya still deeply dedicated to the game, so I’m sure she’ll remain undeterred.

I really, really loved this debut volume and eagerly look forward to more!

Chihayafuru is ongoing in Japan, where the 34th volume will be published next week.

Review copy provided by the publisher.

Filed Under: Josei, Manga, REVIEWS

Bakemonogatari: Monster Tale, Part 2

March 8, 2017 by Sean Gaffney

By NISIOISIN. Released in Japan by Kodansha. Released in North America by Vertical, Inc. Translated by Ko Ransom.

One of the things I enjoy about the first few volumes of the Monogatari books is that each new story begins with the girl from the previous story having a long conversation with Araragi where they basically take on the role they’ll play in the books from this point forward. In the previous volume’s Mayoi Snail, Senjogahara showers Araragi with abuse and teasing affection. And here we have Suruga Money, in which Mayoi reappears and begins to function as Araragi’s sounding board and life advice coach, and Nadeko Snake, in which Kanbaru shows off that she was actually holding back in her own story, and becomes the only person in the cast who can be more perverse than he can. (This works in Japanese publication order, by the way, and continues at least through Nekomonogatari Black, which starts with a long scene with Araragi and his sister Tsukihi.) The first two books introduced Araragi and began to give him a “harem”, so to speak – this second book expands on that.

The stories in Bakemonogatari were originally written as short stories for a magazine, and it shows – each story has the introduction at some point of Araragi, Shinobu and Meme Oshino and explains his nature, for readers who had not read the previous stories. Not that Shinobu plays a part in this book – she’s still silent, apparently sulking as Oshino is stealing her Mister Donuts stash, and functions mostly as a maguffin to power up Araragi so he can battle oddities. For the most part, each story in this is devoted to showing us the new girl. This works quite well in Kanbaru’s case. Her overly solicitous politeness is perfectly translated, and you also see the frustration and rage she normally keeps well-hidden. She’s a good kid. She’s also a “pervert”, i.e. happy to talk about sexual matters with Araragi till she’s blue in the face. And she’s a lesbian, something she admits herself, though the text goes on to use the alternate term “sapphist”, which, as Araragi points out, is the same thing. (One could argue she flirts incessantly with Araragi in the following story, but I maintain that she mostly does this for appearance – much like many other characters in Monogatari, especially Araragi himself.) Her story is the strongest, flagging only when we have to read a very long battle scene from Araragi’s narrative POV – it gets tedious, and makes you realize why Nisioisin does so much dialogue – he’s better at it.

As for Nadeko… without spoiling anything about future volumes, we’re left with an okay story that works best when Nadeko isn’t in it. Araragi and Kanbaru’s banter at the start is probably the high point of the book. Nadeko herself is painted entirely as a shy, innocent victim, forever looking down or away from the two of them. Her “monster” problem is quite sexualized, which is uncomfortable given she’s only in junior high, but if that really makes you uncomfortable you’d better jump off now before we get to Nisemonogatari, as it will only get worse. In the context of future volumes, there’s lots of subtle clues and hints in here, a few of which I think are deliberate. But without that context, this story sometimes just lies there. It’s the weak link of the five.

The third volume will contain only one story, Tsubasa Cat, and you can probably guess who stars, though if you read these two volumes and think we’re finally getting a flashback to what happened during Golden Week, you’d be wrong. It also doesn’t have quite as much Kanbaru, which is a relief even though I love her. The translation is, on the whole, excellent throughout, but Vertical has decided not to have honorifics, and as such Kanbaru’s constant “Araragi-sempai” is turned into “My senior Araragi”, which is fine initially, but after the first hundred or so times you realize how OFTEN she uses his name, and it begins to wear. (Mayoi’s “Mister Araragi” works better.) I understand why they chose not to have the honorifics, but I suspect I might find it a bit more comfortable if Kanbaru’s use of -sempai was removed rather than adapted, even if that affected the politeness level. Other than that, though, this is good volume of Monogatari, if not quite as good as the other two.

Filed Under: monogatari series, REVIEWS

Anonymous Noise, Vol. 1

March 7, 2017 by Katherine Dacey

Anonymous Noise is to manga what “Talk Dirty to Me” is to contemporary hit radio: both have a killer hook — that plot! that sax! — and inane lyrics.

The story begins with a vorspiel of sorts. Nino, a tot with a golden voice, bonds with her next-door neighbor Momo, who shares her enthusiasm for singing, if not her sense of pitch. The two are inseparable until Momo’s family abruptly moves away. While pining for her lost friend, Nino crosses paths with Yuzu, a short, feisty songwriter whose tunes help Nino discover her true potential as a vocalist. He, too, unexpectedly skips town, leaving Nino despondent once again — so despondent, in fact, that she begins wearing a surgical mask to prevent herself from screaming. (No, I’m not making that up.)

Flash forward to the present: Nino is now in middle school, roaming the halls in a mask and obsessing about Momo. A chance encounter reunites her with Yuzu, who’s penning tunes for the school’s struggling Popular Music Club. What Nino doesn’t realize is that Yuzu’s bandmates are, in fact, members of In No Hurry to Shout, a pop act as famous for their identity-concealing costumes as their chart-topping songs. (Apparently no one else has put two and two together, either, as the snotty school council president regularly threatens the club with termination.) Nino agrees to sit in for the club’s vocalist, unwittingly auditioning for In No Hurry to Shout in the process.

Despite its soap-opera plotting, Anonymous Noise never gels into a compelling story. One contributing factor is the characters, who are barely fleshed out. Nino, for example, is defined almost exclusively by her capacity for self-pity; she mopes incessantly, mooning over Momo as if he’d just moved away. (Six years have elapsed since Momo’s family skipped town.) Her romantic prospects are also one-note characters: Yuzu is a blustery jerk who yells, cajoles, and insults Nino, while Momo is sweetly chivalrous, the perfect boyfriend-in-training.

Another contributing factor is the lackluster artwork. Though other characters gush about Nino’s voice, Ryoko Fukuyama never *shows* us that Nino has the goods. We see close-ups of Nino’s gaping mouth and a smattering of musical notes whenever she warbles a tune, but we could just as easily infer that she was shouting, yodeling, or yawning from the lifeless, unimaginative way in which she’s drawn. A quick glance at Nodame Cantabile, Your Lie in April, Ludwig B., solanin, or Nana, demonstrates that it *is* possible to show how much physical effort it takes to produce a good sound, and what effect that sound is having on the audience. While such gestures don’t replicate the full experience of hearing a great band in person, they suggest what it might be like — something that Anonymous Noise fails to do on any level.

The bottom line: Anonymous Noise is too bland to be memorable, and too earnest to be fun. Not recommended.

ANONYMOUS NOISE, VOL. 1 • BY RYOKO FUKUYAMA • VIZ MEDIA • RATED T, FOR TEEN

Filed Under: Manga, Manga Critic, REVIEWS Tagged With: Anonymous Noise, Romance/Romantic Comedy, Ryoko Fukuyama, shojo, VIZ

Fate/Complete Material, Vol. 2: Character Material

March 7, 2017 by Sean Gaffney

By Type Moon. Released in Japan by Enterbrain. Released in North America by Udon Entertainment. Translated by M. Kirie Hayashi.

I didn’t review the first of these artbooks when it came out three years ago for several good reasons. I wasn’t really into Fate then, I almost never buy artbooks in general, and I’m not sure exactly how I’d have reviewed it, except to point at it and say “Oooooh, pretty!”. The first volume is subtitled “Art Material”, and is what it says, showing off the big cutscenes and promotional materials for the visual novel. It’s gorgeous, and I recommend it, but you can’t talk about it for 500 words. That’s not a problem with the second artbook just released by Udon. This gets deeper into each of the characters in the original game, showing all their sprites, discussing their character with the writer and illustrator in great detail, talking about the weapons used in the VN, and also showing off the original character sketches and commenting on them. There’s a lot more text here.

For the most part, this book limits itself to the characters from the original Fate, though it does assume that the reader is at least aware of its sequel, Fate/Hollow Ataraxia, as Bazett comes up in the ‘character relationship’ charts and is mentioned once or twice. We get long sections devoted to each of the three heroines, reminding you just how many sprites there are of each of them. Shirou, obviously, gets far less page time, as being the player character his sprites were rarely seen. We discuss why everyone loves Saber and how on earth she does her hair up like that (they agree she uses magic to achieve it), how much the strength of Rin as a complete character took the creators by surprise, and also how difficult they found it to distinguish Sakura and not make her main design “too boring” (the dangers of being the good, sweet girl).

Other surprises that I found within were the fact that Taiga, one of the most comedic characters in the game, was originally going to be a mature “big sister” type – and also get killed off, potentially. Needless to say, when the Taiga we know came into being the death got deep-sixed, and instead we get things like the Tiger Dojo. If you look at the character sketch section, you can see Taiga’s original design, and in fact it’s Ayako – something the authors readily admit, the illustrator just repurposed the old Taiga sketches for Rin’s friend. I was also amused at the discussion of Rin’s other friends, who only appear in the opening prologue. You wonder why they bothered to have sprites at all, and the creators explain they were told to add some as it was felt there just weren’t enough characters.

There’s three more artbooks after this, though I don’t know if Udon has licensed them all. The third shows us backgrounds, Tiger Dojo stuff, and the new CG and sprites added for the PS2 version; the fourth goes into all the other Fate spinoffs that aren’t Ataraxia (at least, spinoffs at the time the book came out, which was six years ago), and the 5th is the Ataraxia-focused book. If they’re anything like the job Udon has done with this artbook, they’ll be a treat. Essential for Fate fans.

Filed Under: fate stay night, REVIEWS

Pick of the Week: Shoujo and Nuclear Power

March 6, 2017 by Sean Gaffney, MJ, Anna N, Ash Brown, Katherine Dacey and Michelle Smith Leave a Comment

SEAN: Lately it seems Pick of the Week is overflowing with choices, which is always a good thing. I’ll go with the debut of Anonymous Noise from Shojo Beat. For years I’ve been a fan of Hana to Yume series, and so I have high hopes for this new one. Plus that’s a fantastic cover.

MICHELLE: Oh, man. What a tough choice. I am looking forward to Anonymous Noise, and to another volume of Natsume’s Book of Friends, but I suspect that, when it makes its biannual appearances, it’ll be Skip Beat! that always ends up my official pick of the week.

KATE: I just ordered a copy of Ichi-F: A Worker’s Graphic Memoir of the Fukushima Nuclear Power Plant. If any medium seems well-suited to telling such a harrowing, personal story, it’s manga. I might need to read the first volume of Anonymous Noise as a chaser, though…

ASH: I’m definitely interested in Anonymous Noise, too, but I’m with Kate this week. Ichi-F is a fascinating, important, and personal work that gets my pick.

ANNA: I ordered Ichi F for my library, and I’m excited about Anonymous Noise as well. However, Skip Beat! is such a special series, I can’t imagine not picking it for Pick of the Week.

MJ: There are a number of potentially interesting titles on the list this week, but the one that sticks out for me most is definitely Anonymous Noise. I’ll admit I’m a sucker for music-themed manga, and this is no exception.

Filed Under: PICK OF THE WEEK

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 442
  • Page 443
  • Page 444
  • Page 445
  • Page 446
  • Interim pages omitted …
  • Page 1048
  • Go to Next Page »
 | Log in
Copyright © 2010 Manga Bookshelf | Powered by WordPress & the Genesis Framework