Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Blog

The Invisible Wallflower Marries an Upstart Aristocrat After Getting Dumped for Her Sister!, Vol. 3

by

By Makino Maebaru and Murasaki Shido. Released in Japan as “Kon’yaku Haki Sareta “Kūki” na Watashi, Nariagari no Dan’na-sama ni Totsugimashita” by Mag Garden Novels. Released in North America by Cross Infinite World. Translated by piyo.

The first two volumes of this series were pretty rough, and while I knew this third one would be the finale, I also wondered if we’d have to get through a lot of pain and drama to get to the inevitable wedding photo cover art. As it turns out, not only did the book start with the wedding, but this came a lot closer to the “victory lap” I’ve talked about before than I was expecting. Oh, sure, there’s a murder attempt, a blackmail attempt, and a relatively serious resolution to the matter of Lucas’ parentage. That said, the fact that the parentage was resolved in any way other than “dead deadbeat dad” surprised me. What this mostly was was Lucas and Iris in love, and having to prove over and over they’re in love because everyone is trying to get them to back out of their relationship. Fortunately, they’ve already consummated… oh, right, they’re both innocent virginal dorks. Well, heck.

Lucas and Iris have moved up their wedding, mostly as the third prince has been sending potential fiancee towards Lucas,. trying to get him to call things off. Lucas, of course, refuses. Meanwhile, he and Iris are busy searching for his father, and decide to start by going back to the convent where his mother gave birth to him. This reveals a secret that is not exactly a shock to Lucas, Iris, or the reader – his mother was a noble, and was cast out of her family for being in love with a commoner. What’s more, this is also known to the noble family itself – who are down on their luck right now, and could really use a fresh new pawn to blackmail into doing whatever they say. As for Iris, well, that’s what murder is for. OK, it’s not ENTIRELY a victory lap here.

The outcome of the dangerous evil nobles is not exactly a surprise – in fact, it’s so little of a surprise that we never actually find out how Iris manages to get out of being murdered, she just shows up to rescue Lucas and save the day. That said, as I noted above, I was surprised that we actually had some resolution with Lucas’ long-lost father, who turns out to be hard done by but who also married too young, and the way that Lucas reacts to all of this information coming at once feels very true to life. I will note that this book definitively ends with the third volume, but it may have been a last minute decision – Things are set up so there could be more,. but then we get a quick epilogue explaining they had many children and lived happily ever after. It does have a really killer ending sentence, though, which ties up the theme of Iris’ character nicely.

These two have spent three books trying to stay married, let’s leave them to it. A fun read.

Bottom-Tier Character Tomozaki, Vol. 11

by

By Yuki Yaku and Fly. Released in Japan as “Jaku Chara Tomozaki-kun” by Gagaga Bunko. Released in North America by Yen On. Translated by Jennifer Ward.

Last time I said that this volume is the final one, which is not true anymore. That said, last time I reviewed this series it was June 2023. Yuki Yaku has been busy with the anime, as well as writing Jellyfish Can’t Swim in the Night. But, he assures us, the 12th volume is done and will be out a few months later. Um, well, this came out in Japan in January 2024. And there’s no sign of it. But honestly, that’s fine, as this book was a jaw dropper, and I was emotionally worn out by the end of it. We’re at the finale even though this is not the final volume, and you can tell because the cast has narrowed considerably. It feels thematically relevant that everyone who ends up in the sciences classroom for third year doesn’t appear for the rest of the volume. We can’t solve this with numbers. In fact, that may be part of the problem. We need to solve it with words… which Tomozaki is good at, but “good” isn’t enough anymore.

We pick up where we left off, with Aoi seeing the family video that was made for her. Let’s just say her reaction is… viscerally bad. After we return to school, and the main cast starts their third year, Aoi is absent from school, and does not appear to be returning. It doesn’t help that she’s not in either arts OR sciences, but the “advanced” classroom, meaning she’s isolated. And so Tomozaki is forced to do things that are, well, sketchy. Namely, lurk around her house, and eventually start talking with her younger sister Haruka, who, after verifying Tomozaki is not a kidnapper or creeper, opens up to him – a bit – about her family. Eventually these meetings do drag Aoi out of the house, and she too opens up to Tomozaki. Unfortunately, learning the full story of the death of her other sister does not fix everything magically.

There’s a lot of really big scenes in this book – the author excels at writing compelling set pieces to advance the story. Fuka, who is the secondary heroine of this whole series, shows off why she’s the only one besides Tomozaki who’s been able to rattle her, and Fuka’s response when Haruka explains her family is stunning – and also drives home the fact that she truly thinks like a writer. The lightest part of the book is at the live Atafami competition, with Mimimi’s novice commentary, but even that has Tomozaki realize that while he wants to be a gamer he doesn’t really have a compelling enough dream that will make him attract others. Lastly… we really had not seen much of Aoi’s mother at all, but we get a much better portrait of her here. And oh, I wish we hadn’t. There are some things you should not say to grieving children.

We came very close to ending on a MASSIVELY depressing cliffhanger, but fortunately, Fuka exists, and as always is there to pull Tomozaki up and push him forward. Though if they’re going to save Aoi, they’ll need the entire cast, not just this scaled-back version. As for when we’ll see the finale? Or if it really will be the final book? Stay tuned.

Pick of the Week: Boxers, Idols, and Vampires

by , , , and Leave a Comment

MICHELLE: This week, it’s Ashita no Joe that appeals to me the most. I continue to be grateful that this is being released!

KATE: I second Michelle’s pick! We need more classic sports manga available in English.

SEAN: Because I enjoyed New Game!, I’ll give my pick this week to a new work from its author, Idol x Idol Story!.

ANNA: I’m also making Ashita no Joe my pick!

ASH: I do love that Ashita no Joe is being translated, but this is likely the only chance I have to pick A Vampire in the Bathhouse which looks like an utterly ridiculous (in a good way) josei manga. It was the rubber duckies on the cover that tipped the scales for me.

Tearmoon Empire, Vol. 15

by

By Nozomu Mochitsuki and Gilse. Released in Japan as “Tearmoon Teikoku Monogatari” by TO Books. Released in North America by J-Novel Club. Translated by Madeleine Willette.

Generally speaking, unless God is literally involved in the plot, the “how and why” of these time loop stories is rarely examined. We know why – so they can redo their life and get it right this time. And for a lot of Tearmoon Empire, that’s been the case. Even with vanishing diaries and conflicting timelines, the premise has been “Mia fixes things so she’s not executed”. But with Bel and Patty, things aren’t quite so clear cut. We can guess that Patty might have been sent back to screw up Mia’s timeline fixes, but if so that’s going pretty badly. As for Bel… is it really just to help her mature and keep Citrina happy? Or is there some deeper purpose to her presence? Is there a guiding hand in this that is not Saint Mia and her sarcastic narrator? Unfortunately, this is Bel’s problem to solve, as Mia has a whole host of new things to deal with. Which, mostly, she handles very well.

This is a “set up the next arc” volume, so there’s a bit less drama and a lot more talking. What drama there is comes from Patty, who is on the verge of a nervous breakdown, and Mia realizes that she may have left it a bit too long before she needs to tell her the truth. We also get more details about Patty’s brother, who was supposedly very ill, and also supposedly assassinated by Citrina’s family… though we discover most of those “assassinations” were “ship them overseas on a boat” instead. Once Mia returns to home base, she must deal with her clingiest friends being out of sorts about not spending time with her, and also has to win over a new princess in order to further her own plans. Unfortunately, this princess is following daddy’s orders, and while she’s savvy she’s not really that clever… except when it comes to fish.

After last volume reminded us that Sapphias exists, this volume does the same for Esmeralda, who has mostly been absent from the story since the shipwreck arc. She’s very aware of that, in fact, and has been hearing about Mia having all of these adventures – some of them dangerous, but that doesn’t matter – without her. As for Esmeralda herself… look, with Mia, we have her genuine character growth constantly undercut by the narrator, so we have to pick it out in between the snark. The narrator, however, mostly shuts up when Mia or her immediate offspring aren’t involved, though, and it allows us to see that Esmeralda has changed as much as Mia.This also means that she not only spots regrets in others – such as one of Mia’s ex-maids who is now at the Mia academy – but also in herself, as she finally gives Arshia a richly deserved apology… which, to Arshia’s credit, she doesn’t accept. More needs to be done before the bridges can be repaired. It’s also a good example of the timeline changing as we read. as the start of her arc in this book has Esmeralda an obscure, mostly forgotten figure who worked behind the scenes, while at the end she’s a famous diplomat.

I was annoyed that the fat jokes seem to have returned here, but other than that this was an excellent volume, showing Mia actually thinking things through and making clever decisions, though it’s her empathy, as always, that wins the day.

Homunculus Tears: Alchemy for the Brokenhearted

by

By Inori and Aonoshimo. Released simultaneously in Japanese, English, Spanish and German by the author. Translated by Kevin Ishizaka.

(I try not to spoil too much about this book, but I do spoil the final resolution of it. Reader beware.)

This is a spring/summer that will have two works by I’m in Love with the Villainess author Inori coming out. The second, The Girl Who Wants to Be a Hero and the Girl Who Ought to Be a Hero, came out the traditional way in Japan via Dengeki Bunko, and is coming out the traditional way here via Yen Press. But this is a self-published work, releasing digitally on the same day in four languages, and translated by the same translator as ILTV. As such, thoughts like “experiment” and “risk” come to mind. Which may be true, but in the end, I think the most important thing is that it’s a good book with a lot to say about why we exist and what to do when someone feels they no longer want to. It’s also got a good couple at the center of it, who can be boiled down to “the grumpy one and the sunshine one”, but also contain greater depths. Best of all, I love the narrator, whose deal is my favorite part of the book.

In a dystopian world where humans are at war with the demons (and the men appear to have all been killed off – this is a yuri genre, after all), Maha is a grim but excellent soldier, who uses alchemy to wipe out the demons, though the cost of the alchemy she does is that she deliberately destroys past ties to herself, such as her memory of those who died, or of the taste of good food, in order to give equivalent exchange to power her spells. One day, her researcher mother (who has spent most of her life ignoring her daughter) reveals they have created a homunculus, who hopefully will be able to fight against the demons so that humans no longer has to. Maha has many feelings about this, most of them angry, but unfortunately, the homunculus herself, Ruri, is adorable, innocent, and really likes Maha a lot. And Maha’s grumpy, closed-off heart gradually starts to open up again.

There were a couple of minor things that made me a bit annoyed during the book – I’m not fond of the “loli that’s really x00 years old” archetype, and the relationship between Maha and Ruri starts off with “we’re like older and younger sister!”, which I’ll be honest had me saying “oh no, not again” after ILTV. But for the most part, this was a very rewarding read. The narrator is not Maha, as you’d expect, but instead… well, I don’t want to spoil too much, but someone who is both a guide for Maha and also a filthy shipper who really wants Maha to fall in love with another woman. The narrator is also deeply tied to the past of this book, which reminded me a lot of the 5th ILTV book, and I’m wondering if the author first thought of this concept while writing that. I also appreciated the fact that it managed to not only argue for the value of living, but did so without (I’ve got to spoil this) a tragic sacrifice, while I was expecting from about Page 20, and had steeled myself for. Instead everyone goes for a swim. I smiled.

The author says there may be more self-published works in this vein. Honestly, I’d like to see a different story done the same way, as I feel this wraps up very neatly in a volume and doesn’t need a sequel. Fans of the author should enjoy this a great deal.

Too Many Losing Heroines!, Vol. 4

by

By Takibi Amamori and Imigimuru. Released in Japan as “Make Heroine ga Ōsugiru!” by Gagaga Bunko. Released in North America by Airship. Translated by Matthew Jackson. Adapted by Acro.

I feel that as this series has gone on it has very much decided to be a normal romcom with an oblivious protagonist rather than a satire/deconstruction of same, and I like it better this way. Sure, I still want to strangle Nukumizu, but that’s the point, and everyone else in the story agrees with me. Unfortunately, because this is a romcom, all the women in the series who are not otherwise seeing someone seem to be falling in love with him. Including new candidates this volume, because unlike previous ones, the plot forces him to stay involved the entire time and not try to blow everyone off. What it shows is that when he tries, he can be observant, caring, and genuinely nice… provided he’s not thinking about it. Once he does, and he gets into that “no, I’m overthinking this, there’s no way she could be interested in me that way” mode, that’s when he makes girls want to punch him.

This is one of those series where each volume has the heroine of that particular book, so as you may have guessed, this volume focuses on Shikiya, student council secretary and vaguely emotionless weirdo. That said, the book starts with Tiara Basori, the uptight vice-president of the student council, confiscating Tsukinoki’s later BL novel, which features… erm… a genderswapped student council president and Nukumizu in RPF. Naturally, she threatens to submit it to the faculty, which will definitely lead to Tsukinoki getting suspended at least, the dissolution of the literature club, and possibly Nukumizu, who’s in the book, also getting suspended. As such, there’s a new goal for Nukumizu to achieve… find a way to blackmail Tiara and get that book back! Of course, this is not an issue, because, as Shikiya says, “Tiara is easy.”

Note that easy means a romantic pushover, and not easy in the western way. She falls for Nukumizu almost immediately, it’s honestly one of the better jokes in the book at how comically fast it is. That said, she’s also the duller, more standard part of the book. The more interesting bit is with Shikiya and Tsukinoki’s fractured relationship, and how no one really wants to talk about it. Shikiya has been amusing but an enigma in the first three books, and in this one we see that her emotional difficulties are actually a major issue for her, and that she regards other people smiling – even if it turns out to be just a faked smile – as something that she can’t really do. As with every other girl in this series, if she and Nukumizu became a couple, they’d be a good one. Also like every other girl in this series, that would require Nukumizu to be self-aware, which he painfully isn’t. Right now he has a better chance of scoring with his “still walking the incest line but not going over it” younger sister.

Still, if you like romcoms with a greater emphasis on “com”, and don’t mind the fact that everyone in the cast is a failure pile in a sadness bowl, this is perfect for you.

Manga the Week of 4/30/25

by , , and Leave a Comment

SEAN: As April becomes May, we have a week equally divided into both.

Yen has some stragglers. From Yen On we get Bottom-Tier Character Tomozaki 11 and Wolf & Parchment 10.

Yen Press debut To Sir, Without Love: I’m Divorcing You (Haikei Mishiranu Danna-sama, Rikonshite Itadakimasu), a manga based on a light novel that will be coming out from Yen in the summer. It runs in Flos Comic. A woman who wants a husband-free life is delighted when, immediately after her marriage, her husband goes to war. Now, eight years later, he’s coming home, and she wants a divorce. He seems less inclined.

ASH: Uh-oh.

ANNA: That doesn’t seem great for her!

SEAN: Also from Yen Press: Blend-S 2, Brunhild the Dragonslayer 2, mono 2, Senpai, This Can’t Be Love! Brush Up 2 (the final volume), and The War of Greedy Witches 2.

Viz Media gives us Dragon Ball Super 23, Firefly Wedding 2, and – for digital fans – The Legend of Zelda manga will finally be available digitally. This is Vol. 1-10, which includes Ocarina of Time, Majora’s Mask, Oracle of Seasons, Oracle of Ages, Four Swords, The Minish Cap, A Link to the Past, and The Phantom Hourglass.

ASH: Oh, nice!

SEAN: Steamship has Alpha Wolfgirl x Omega Wolfboy 3.

Square Enix Books has a big ol’ artbook, Final Fantasy XIV: Dawntrail — The Art of Succession -Relics of Heritage-. Recommended for those who know what that title means.

ASH: I don’t, but I bet it’s pretty.

SEAN: Seven Seas has some debuts. Cat Man (Neko Ningen) is a shoujo title from Kurofune Pixiv. A humanoid cat struggles with everyone just seeing them as cute, and they don’t really want to be affectionate. This is apparently more serious than you’d expect, examining preconceptions and prejudice.

MICHELLE: Hm.

ASH: I am potentially intrigued.

SEAN: IDOL x IDOL STORY! is a new series from the creator of New Game!, and it runs in Comic Fuz. A convenience store worker was once a hopeful idol, but fell short. Then she meets an up-and-comer inspired by her story. Can she try again? Either way, there’s probably yuri subtext.

ASH: Naturally.

SEAN: Kaya-chan Isn’t Scary (Kaya-chan wa Kowakunai) is a seinen horror manga from Kurage Bunch, and has an anime coming soon. A kindergarten teacher discovers that one of her class has a secret and disturbing ability… she can punch out evil spirits!

ASH: That seems like it would be a good ability to have.

ANNA: These are perilous times.

SEAN: My New Boss is Goofy (Atarashii Joushi wa Dotennen) already had its anime air, and it runs in Manga Cross. A man changes jobs, and his previous boss was sadistic and cruel. His new boss… isn’t. This looks BL but isn’t, apparently.

MICHELLE: That cover absolutely looks BL.

ASH: It really does.

SEAN: Also from Seven Seas: Checkmate 3, The Condemned Villainess Goes Back in Time and Aims to Become the Ultimate Villain 4, Dai Dark 8, Dance in the Vampire Bund: Age of Scarlet Order 14, The Dangerous Convenience Store 5, Dungeon People 5, and ENNEAD 5 (in paperback and unedited hardcover).

One Peace Books debuts Detectives These Days Are Crazy! (Mattaku Saikin no Tantei to Kitara), a Dengeki Maoh series about a middle-aged detective who suddenly has a high school girl show up wanting to be his assistant.

ASH: I’d give that a try.

SEAN: Two debuts in print for Kodansha. GAEA-TIMA the Gigantis (Daikai Gaea-Tima) is a seinen title from Monthly Young Magazine, from the creator of COLOR/LESS. A monster devastates a community, with one survivor of its attack. However, a decade later it’s a tourist destination, and the survivor is selling monster souvenirs! But what happens when there’s another monster attack?

A Vampire in the Bathhouse (Sentou to Vampire) is a one-shot josei title from Zero-Sum Online. An overworked bathhouse attendant suddenly finds that an overworked vampire has started showing up! Comedy ensues.

ASH: Hooray, josei!

ANNA: Josei AND vampires? Sounds good!

SEAN: Also in print: Ashita no Joe: Fighting for Tomorrow Omnibus 2, Blue Lock 18, EDENS ZERO 31, and Nina the Starry Bride 9.

MICHELLE: I was thinking it was about time for another Ashita no Joe installment!

ASH: Excellent.

ANNA: What will he be able to punch this time????

SEAN: And digitally we get Parasyte Reversi 4, The Transcendent One-Sided Love of Yoshida the Catch 4, and Ya Boy Kongming! 19.

J-Novel Club has two debuts, both manga. My Fiancé Cheated, But a New Love Rings! (Konyakusha no Uwaki Genba wo Michatta no de Hajimari no Kane ga narimashita) is a manga based on a light novel out in two weeks or so, also from J-Novel Club. The manga runs in MAGCOMI. Fans of this genre will know the basics. Noble girl, doing her best as a future queen, catches the crown prince cheating on her with her younger sister. So she runs away, with the help of a guy who’s always loved her.

My Tiny Senpai (Uchi no Kaisha no Chiisai Senpai no Hanashi) is not based on a light novel, and runs in Manga Life Storia Dash. It was also made into an anime. Big shy guy. Office manga about a tiny teasing girl. Clearly they both like each other. Why aren’t they together? A question the entire office is asking. This is from the author of She’s My Knight.

For light novels, J-Novel Club has EXP Is Golden 2, The Frontier Lord Begins with Zero Subjects 8, Magic Stone Gourmet 9, The Poison King 4, and Tearmoon Empire 15.

For manga, they have The Banished Former Hero Lives as He Pleases 6, The Oblivious Saint Can’t Contain Her Power 3, Rebuild World 11, A Royal Rebound 2, and Young Lady Albert Is Courting Disaster 6.

No debuts for Cross Infinite World, but they do have Dinners with My Darling 2, How I Became King by Eating Monsters 3, and The Invisible Wallflower Marries an Upstart Aristocrat After Getting Dumped for Her Sister! 3 (the final volume).

And no print titles for Airship, but we do see Adachi and Shimamura 99.9 (a second short story volume) and Reborn as a Space Mercenary: I Woke Up Piloting the Strongest Starship! 12 digitally.

Has spring sprung for you yet? What titles interest you?

The Hero and the Sage, Reincarnated and Engaged, Vol. 4

by

By Washiro Fujiki and Heiro. Released in Japan as “Eiyū to Kenja no Tensei Kon: Katsute no Kōtekishu to Konyaku Shite Saikyō Fūfu ni Narimashita” by HJ Bunko. Released in North America by J-Novel Club. Translated by Joey Antonio.

It is honestly getting a bit hilarious about how relaxing this series is. Generally speaking you want a series like this to have, well, tension or suspense. But with this series you get the exact opposite. At no point in the book’s 202 pages do you ever, EVER think anything will not go exactly the way our leads want. Their plan is a fait accompli as soon as they come up with it. And while you’d expect that to be a disaster, it’s the bread and butter that makes this go. The running gag in the series is that character tell Raid and Eluria to stop shamelessly flirting in front of them, but the audience wants MORE of that. The flirting is the point. The battle against alternate world goons from the past is irrelevant. Nothing a massive magical world tree can’t solve.

There’s a war coming, but Raid and Eluria have more important things to worry about, and I don’t just mean the massive pile of exposition at the start of the book, which even the two of them say needs to be dumbed down a little. No, I mean Eluria has to meet Raid’s family, including his overserious brother, his overzealous mother, and his incredibly strong and bonkers younger sister, who is basically “NOW FIGHT ME!” for about 35 pages. There’s also a reunion with the beastgirl Raid saved a thousand years ago, who is still alive, ruling a kingdom, and still in love with him. (Don’t worry, the amount of romantic drama is zero. She and Eluria get along great). Then we get the exams, which Raid knows will be interrupted by an invading army of alternate world suicide bombers who are also OK with killing innocents. Can they stop this without anyone dying? Have you forgotten what series you’re reading?

This was another one where, after reading the ending of the volume, and seeing JN-C had not put its usual “go to our site for the next volume!” blurb, I had to check to see if this was it. It’s not, there’s two more volumes out in Japan. But boy, it really feels like it could have wrapped up here. This despite the fact that it ends with an obvious lead-in to the next volume, with Raid and Eluria going to the alternate world to try to save it. But I could easily see that as an “and our adventures continued” ending, especially as it comes with a mutual confession of love. Still, I will happily read more of these two lovesick overpowered goofs, as well as their goofy friends, their beleaguered headmaster, and all the others. The next book may only have Raid and Eluria, but I know what to expect. Everyone lives, we banter a lot, and we’re very cute.

If lack of tension bothers you, avoid. But this is my catnip.

One Piece: Heroines, Vol. 1

by

Created by Eiichiro Oda. Written by Jun Esaka. Illustrated by Sayaka Suwa. Released in Japan by Jump Books. Released in North America by Viz Media. Translated by Stephen Paul.

It’s been a while since I’ve dipped my toe into reviewing One Piece, but here they are with a light novel. Like most Jump light novels, the content is light as air, and you can read it in less than an hour. That’s not to say it’s bad, though. The author apparently is an old hand at this, having written a number of Sasuke spinoffs for the Naruto light novel series. The artist seems to be more on the fashion end, but it’s a terrific style – Oda does not do anything besides the cover art, but I didn’t miss him, as these have a style all their own. As for the stories themselves, well, they’re a mixed bag, as you’d expect. Our main two heroines do better, but things lag a bit in the second half. overall, frankly, the book suffers somewhat from what the manga itself does at times – it wants to write cool, strong women, but it also can’t help but objectify them.

In the first story, Nami buys shoes that will supposedly let her run fast in heels, but they’re terrible. When she goes to return them, she finds an arrogant designer and his jaded girlfriend/assistant. Told he’ll give her proper good shoes if she models for him, Nami does so, but also tells the assistant she’s better off without this jerk. Robin’s story takes place while she’s with the revolutionaries, as she tries to help the crew eat some very bitter mushrooms and Koala to decipher a newly discovered lost script. In the third story, a young boy has fallen in love with Vivi and writes a letter to her saying this, but it blows away. Trying to catch it, Koza ends up in trouble when everyone thinks he wrote it. Lastly, Zoro and Perona are living with Mihawk, and have a nice interlude – and a lot of fighting – when three bottles of delicious wine wash up at their castle.

The series is best when it’s living up to its title. Nami and Robin may be praised by the narrative as amazingly beautiful and stunning, but they’re also cool and clever – Nami gets exactly what she wants, gets a bit of revenge that nets her money, and (a distant third) helps a woman realize her life has value without a boyfriend. Robin could do everything in her story herself, but does not, knowing that Koala is undergoing the joy of discovery and working something out for herself. I also loved her washing the dishes. The weak story is the third one. It’s supposed to be about Vivi, but she only shows up for the resolution, and is used 100% as an object of worship. Koza’s relationship with her means that he takes over the narrative – Nami and Robin fortunately lack men in their lives. Perona is shown here midway between her “I am a minor villain” debut and the “I am Zoro’s friend and ally” we see later, and hers is probably the funniest story – yes, it revolves around Zoro and Mihawk too, but she’s the POV, so it works fine. (She’s not praised as the other three are. Shame, she’s cute.)

So overall, two excellent stories, one funny and good story, and Vivi’s story being hijacked. Not a bad batting average. Next time we’ll have Hancock, Tashigi, Reiju and Uta. For One Piece fans.

Pick of the Week: Tamaki & Amane (and They Were 11!)

by , , , and Leave a Comment

SEAN: Of course, we already picked They Were 11! unanimously back in January when the preorder pages fooled us all. As such, of course, that is our pick this week as well. HOWEVER, we will also be picking another title in the interests of fairness. So I’m picking the new Fumi Yoshinaga, Tamaki & Amane, which looks fantastic.

MICHELLE: I can’t conceive of a time when I *wouldn’t* pick a new Fumi Yoshinaga! So, yes, same for me!

KATE: At the risk of being boring, I, too, choose Fumi Yoshinaga!

ANNA: I agree!

ASH: I adore Fumi Yoshinaga’s work, so I am incredibly excited for Tamaki & Amane. (And also Moto Hagio’s.)