Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Blog

The Magic in This Other World Is Too Far Behind!, Vol. 4

by

By Gamei Hitsuji and himesuz. Released in Japan by Overlap. Released in North America digitally by J-Novel Club. Translated by Hikoki.

You get the sense that this is the book where the author and publisher realized that it was enough of a success to start planning larger plots in the future. This isn’t as easy to assume these days since most of the light novels put out lately tend to be based on webnovels that are already 7-8 volumes ahead of publication, but it does have that feel. Suimei finally reunites with Reiji and Mizuki here, if only temporarily. We resolve the plots from the previous book, and gain a new “harem” member. And we get introduced to a whole buttload of villains at the end of the book, including one who had seemingly been an ally before. Yes, if Suimei is able to take care of villains with ease, and if Reiji’s party is hiding a secret master swordsman, then you also need to step up on the villain game. In the meantime, though, this gives the reader what they want: Suimei being cool, lots of fighting, and Lefille not being a loli anymore. Well, at least *I* wanted that.

The book can be fairly simply divided into its good and bad points. As usual, I like to start with the bad and work towards the good. So it has to be said, Liliana really loses out here. On the run, getting the crap beaten out of her by mooks, and finally rescued by Suimei, she’s not allowed to help out in clearing her name because of the nature of dark magic and how she’s essentially been brainwashed by the villain into using it. Understandable, but it does make her an absolute damsel in distress. Also, unless you’re a hardcore gamer or fantasy buff, the endless lectures on magic theory are going to numb your mind fast. They may be coached in different terms, but this is absolutely the equivalent of those isekai books where the heroes talk about leveling up their XP in morbid detail. So I’m a Magician, So What?

On the bright side, where Liliana falters Felmenia shines. She too got a bit of a raw deal in the first book, and has mostly been following Suimei out of a bit of lovestruck crushing. But she’s clever and very quick to learn, and is also a magic powerhouse, something that Suimei is well aware of. I didn’t like his endless lectures, but I very much did like his trusting her to hold off the cavalry (Graziella, who reminds me a bit of an evil Olivier Armstrong, and the other hero Elliot, who is much less of a womanizing creep here). And as I indicated, we get the return of regular-sized Lefille, kicking ass and taking names. Not sure if she’s still cursed (I suspect yes), but we’ll cross that bridge when we come to it. I also liked the poignant relationship between Liliana and her adopted father.

There’s more I could get into (the idea that no one bothers to search Suimei’s place for Liliana for several days beggars belief, and I didn’t even mention Little Miss “I’m hiding my super awesome fighting skills so I can seem more girly and attractive”), but you get the idea. I’m less wild about Too Far Behind than I was when it first came out, but it’s still pretty solid, and the books are also fairly lengthy, so you get bang for your buck. Light novel fans will enjoy this.

(Note: the lack of illustrations beyond the color pages was apparently a feature of the Japanese version as well, in case you were wondering.)

Go for It, Nakamura!

by

By Syundei. Released in Japan as “Ganbare! Nakamura-kun!!” by Akaneshinsha, serialized in the magazine Opera. Released in North America by Seven Seas.

It may come as a surprise that I’m reviewing a title like this – I try not to be one of those “girl on girl is hot, but guys ew!” fans, but it has to be said that BL is not a genre I generally cover. But there was a big buzz about this title and its style, and it’s also done in one. The main reason I likely picked it up to review was that it made me nostalgic for the old days of manga. The art style is right out of the Ranma 1/2 and KOR playbook, and I was pleased to see that once I started reading the book, the humor was as well. Indeed, Ranma fans might find themselves thinking that if you took Gosunkugi from that series and made his obsession a guy rather than Akane, it wouldn’t be too far off from our titular hero here. The main reason to read the book is Nakamura, who is a big introvert, has an otaku-esque obsession with octopuses, and is, overall, a bit of a hot mess.

Nakamura is also gay, which is probably why you’re seeing this series run in the BL magazine Opera rather than, say, Weekly Shonen Sunday. The object of his affection, who you see dotted around the front cover, is Hirose, who is a nice, extroverted, upbeat young man – he’s the sort who’d be the “best friend of the hero” in a typical manga. Nakamura wants to be more than friends, but he can’t even work his way past that first hurdle. As the volume goes on, we see Nakamura work himself into a frenzy trying to get the courage to have a normal conversation with Hirose. There’s drawing him in art class. There’s helping out with the school play. He’s even getting dating advice from a BL manga. Admittedly, it’s a BL manga involving anthropomorphic train bento, so he’s not having much luck there. It takes a class trip and an aquarium to finally get Nakamura and Hirose to communicate properly, and though there’s no relationship at the end, the friendship step has finally been conquered.

As you may have gatehred, the main reason to get this book is the humor. It’s simply very funny in a lot of places – Nakamura’s imagined smooth conversations leading to romance are also fun and relatable, and it’s also great to see him fretting. As the cast expands (I liked the author’s note where they said they were worried about adding girls to a BL manga) we also get new veins of humor that aren’t just Nakamura’s somewhat obsessive personality – poor Kawamura has a crush on Nakamura, but he’s only interested in her sketches of him and Hirose, and the occult club president is scheming and clever – in most other titles she’s the sort who’d be the newspaper club girl. That said, the main reason to read this is Nakamura, and seeing his fumbling attempts to get closer to Hirose, which do finally pay off. The ending is rather sweet.

In the end, I’m glad I picked this up. It was entertaining, and if you want to start off your BL reading on the milder side, it’s a good choice.

Bookshelf Briefs 7/17/18

by , and Leave a Comment

Cutie Honey a Go Go! | By Shimpei Itoh | Seven Seas – Over the years Go Nagai’s Cutie Honey has seen numerous incarnations, including live-action, anime, and manga adaptations. Cutie Honey a Go Go!, a collaboration between manga creator Shimpei Itoh and Hideaki Anno, is directly based on Nagai’s original manga. The short manga series has been collected in its entirety along with additional material in a single, action-packed volume. Although I have been aware of Cutie Honey for quite some time, Cutie Honey a Go Go! was actually my entrée into the franchise. It’s a tremendous amount of fun, even considering that Itoh had to wrap up the manga earlier than hoped. The story about an endearing super-powered android and the gun-toting investigator keeping tabs on her ends rather abruptly as a result, but the series’ likeable characters and terrific sense of humor more than make up for that fact. The manga is full of capable, kick-butt women. – Ash Brown

Fairy Tail S, Vol. 2 | By Hiro Mashima | Kodansha Comics – A good number of Fairy Tail spin-offs, sequels, and prequels have already been translated with even more to come, a testament to the franchise’s popularity. While some of those manga are accessible to those unfamiliar with the original, Fairy Tail S is definitely intended for established fans. It’s a short series, only two volumes, collecting a variety of omake, side stories, crossovers, four-panel comics, and other short Fairy Tail manga. One of the crossovers in the second volume of Fairy Tail S is with Hitoshi Iwaaki’s Parasyte (also recently published in the Neo-Parasyte M anthology) while another is with Hiro Mashima’s own Rave Master. Most of the stories tend towards the humorous and include a fair amount of fanservice, but some do have more serious, heartfelt moments, too. Lucy features prominently in the second volume though many of the other characters get their time in the spotlight as well. – Ash Brown

Go For It, Nakamura! | By Syundei | Seven Seas –The retro-looking Takahashi-esque cover for Go For It, Nakamura! promised a cute story and that’s exactly what it delivers. Sixteen-year-old Okuto Nakamura has known since he was very young that he’s gay, and when he spies adorable Aiki Hirose at the opening ceremony, he falls in love. Nakamura is shy, however, and has trouble approaching Hirose. After a couple of incidents that go awry, he soon begins to make some headway, courtesy of things like filling in for a dramatic performance, scaring off some bullies, and being the victim of an overly friendly cockroach. It’s adorable and sweet and completely teen-rated, which makes it a good choice if you’re in the mood for standalone brain balm. – Michelle Smith

Haikyu!!, Vol. 25 | By Haruichi Furudate | VIZ Media – Hinata continues to use the opportunity to observe at the prefectural rookie camp to great advantage, and ends up seeing something that actually enables him to help one of the participants. This serves him well once he’s back with his regular team, as he notices that Tsukishima is capable of more, which prompts Kageyama to (after some arguing and angst) decide that maybe it’s okay to bring back his king persona if it means he can demand the best from his teammates. Everyone’s getting better, which is nifty, but I’m especially keen to see how much better Hinata really has gotten at defense after his time away. I thought Haikyu!! was good before, but now it feels like it’s getting even better! I am so down for that. – Michelle Smith

Himouto! Umaru-chan, Vol. 2 | By Sankakuhead | Seven Seas – The series here (despite the presence of a few “pilots” at the end) seems to have settled into what it wants to be. We get Motoba fully integrated into the cast, becoming convinced that the blobby “indoor” Umaru is actually the little sister of the Umaru she knows. We get a bit of backstory for Ebina, and find out why she seems to be crushing on Taihei so hard. (He’s the only one who didn’t greet her by staring at her large breasts.) I do wish we’d see a bit more of the contrast between the two Umarus, and perhaps a bit more school stuff (the two could combine, in fact), but I understand why it’s easier to write for blobby Umaru. This is not high art, but is amusing moe fun. – Sean Gaffney

Kaguya-sama: Love Is War, Vol. 3 | By Aka Akasaka | Viz Media – The cover this time has Ai, Kaguya’s childhood friend, maid, and minder, not in that order, and she gets a couple of chapters to herself. The bigger deal here, though, is the introduction of Yu Ishigami, another member of the student council, who is a capable treasurer but filled with depression and paranoia. He has a great ability to read the room except when it will get him into trouble, and he’s absolutely terrified of Kaguya, who thinks he gets in the way of her machinations against Miyuki too much. And then there’s Chika, still my favorite, who manages to be super innocent while at the same time more worldsly than Kaguya, and also discovers that training Miyuki will always bring pain. Hilarious. – Sean Gaffney

Kiss Him, Not Me!, Vol. 14 | By Junko | Kodansha Comics – Kiss Him, Not Me ends here, and it does a very good job of wrapping up its storylines. We see Kae and Mutsumi as nervous virgins (the high point of the book may be Yusuke, the non-virgin, having to advise everyone else on sex). We negotiate the dreaded “I am going to college far from you” speedbump, and see Kae actually abandoning her BL obsessions for study so that she can eventually join him. And we see a wedding—and yes, Kae is fat for it, but it is for once not for the sake of comedy (much), and given she fits in her dress fine you suspect they planned for it anyway. We even get to see a kid, who is (of course) named Shion. And, though there were annoying hints, they avoided making Shima het at the last minute. Good job. – Sean Gaffney

One-Punch Man, Vol. 14 | By ONE and Yusuke Murata | Viz Media – One-Punch Man puts its humor on the back burner for the most part in this volume. It helps that Saitama is absent from about 2/3 of it. The gist of it is Goketsu, a monster who used to be human, showing up at the tournament to offer the other participants a chance to turn into monsters as well—or die. What follows shows off the difference between those who are heroes to protect or save people, and those who are heroes to show off how powerful they are. Suiryu gets the bulk of the character development here, though he mostly gets his ass kicked. But let’s face it, the main reason to read this is the absolutely gorgeous action sequences, which are almost works of art. I’m hoping for more funny stuff next time, though.-Sean Gaffney

The Water Dragon’s Bride, Vol. 6 | By Rei Toma | Viz Media – This went from “solid shoujo” to “lights-out fantastic” in one volume, and I’m still stunned. When the dragon god realizes that just being his priestess is putting Asahi in danger, he tries to fix it. And tries again. And then tries again. Each attempt is amazing to read—he tries putting her in a fake life back on Earth where fun times keep repeating, but she notices. Then he tries memory erasure, which doesn’t work. Finally he does something I was honestly not expecting to see—he genuinely sends her home. Home a good decade or so later, apparently, and she now has a rather grumpy little brother. But her heart is still back in the fantasy world, and with the Water God. My guess is she’s back at the start of book seven. Fantastic. – Sean Gaffney

The Isolator, Vol. 4

by

By Reki Kawahara and Shimeji. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Jenny McKeon.

This is the first time we’ve had a villain as the cover girl of this series, though it is not the Stinger of the subtitle, who we never quite get a good look at and may not even be completely human. Instead it’s Liquidizer, who was the evil mentor to our hero’s evil counterpart Trancer in the third book. Both of them have major roles in the fourth book as well, which seems designed to show that it’s not merely a case of Good Guys vs. Bad Guys here. This is, frankly, much appreciated, as whenever Kawahara tries to show off how evil his bad guys are the result is never all that good. I’m all for nuance if it keeps us away from mad ranting and rape threats. Even better, as Minoru’s overall psyche improves so does the series. He angsts here, yes, but far less than the previous books. There are even good things happening! Overall, it pleases me, as it means that, while not a book filled with happiness and sunshine, The Isolator is no longer a depressing slog.

We pick up right where we left off (like Accel World, Isolator is not really interested in down time), right after the last big battle with Trancer and Liquidizer. Minoru is jogging around, awkwardly chatting with his high school friend Tomomi (who may have lost her memories of their traumatic battle, but still has a giant crush on him), and getting some New Year’s mochi, which he shares with the Professor. If you think this may sound a bit like a harem protagonist, you’re not wrong, but Minoru’s Charlie Brown-ish sort of personality keeps things from getting too cliched. At the same time, Trancer and Liquidizer are licking their wounds and talking about what to do next. We get this from Trancer’s viewpoint, and also get a bit of his backstory, as he has a frozen childhood friend in a warehouse that he’s sort of hoping the Ruby Eyes can fix, even though she’s pretty dead. You get the sense that the choice between “jet eyes” and “ruby eyes” may be purely arbitrary.

The main problem – for both groups – arises with The Stinger (another lame Jet Eyes code name), whose gender and appearance is unknown but who can apparently do absolutely anything with insects, including gruesomely killing several soldiers and civilians, and trying to kill both Minoru AND Trancer. The most interesting thing about this half of the book is seeing Trancer’s hatred and self-loathing get the better of him, as he becomes convinced that this is an assassin sent by his organization because he failed them. This leads to a wonderful heartwarming moment, which is all the more amazing given it’s Kawahara writing villainous depth, where Liquidizer shows she does, in fact, care about Trancer’s well-being. It all leads to a cliffhanger, and who knows where we’ll go from here, but it’s a wonderful thing to see.

There are other things going on I didn’t talk about much, such as whether Minoru’s shell can heal the comatose and possibly have a connection with his sister in heaven (I’m winning to bet “no” on that second one), but I’ll save that for the next book, which may come out in 2020 given the author’s other projects. Still, this was probably the best book in the series, and Minoru proves to be an excellent protagonist when he’s not moping. Worth the wait.

Pick of the Week: Delightful Digital and Precious Print

by , , , and Leave a Comment

MICHELLE: For the second week in a row, I’m going to pick one of Kodansha’s digital josei debuts. This time it’s Kakafukaka, a title I know almost nothing about except that it’s josei. We went so long without many josei options that they’re always going to pique my interest when they come along.

SEAN: It’s an odd little week, and there’s a few things I’m quite interested in but nothing that screams READ ME!. So my pick this week is the 10th Durarara!! novel, as I believe this is one of the ‘plot hammers going off’ volumes.

KATE: I’ve had mixed feelings about some of Inio Asano’s other work, but I am STOKED for volume two of his alien invasion dramedy Dead Dead Demon’s DeDeDeDestruction. Great art, great story, and weird humor = win!

ASH: Dead Dead Demon’s DeDeDeDestruction is definitely high on my list for this week, too, as is the most recent volume of Land of the Lustrous which is always a visual treat.

ANNA: I have to join in with Michelle in celebrating more digital josei, so Kakafukaka, for me as well!

Demon Slayer: Kimetsu no Yaiba, Vol. 1

by

By Koyoharu Gotouge. Released in Japan by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump. Released in North America by Viz.

It has to be said that the title of this series is not its strong point – you get the sense that they kept the Japanese title as a subtitle in order to make it searchable on Amazon, separated from the countless other demon slayers. The premise, too, seems to be fairly traditional and straight down the middle. A young man living with his family out in the boonies (it’s later shown this is the Taisho era – around the 1910s or so) returns home one day to find his family slaughtered and his sister a demon. A demon hunter also shows up to take care of the sister, but her brother defends her, and proceeds to try to a) learn how to get stronger so he can protect his sister, and b) try to find out how to stop her wanting to eat humans. The latter is easily done as she simply comas her way out of the story after a bit, so the former takes precedence. This means the series lives and dies on its action sequences.

The good news is that the action sequences are good. There’s lots of horrific images, and this is not a manga to read if you don’t want to see limbs flying off and people you love lying in a pool of their own blood. Tanjiro is a very earnest young lad in everything he does, and he takes on his training in that mode as well – he is here to SAVE HIS SISTER and kill demons, and he’s all out of sister. He’s a nice kid at heart, which proves to be a bit of a stumbling block for everyone teaching him about demon slaying, as they think he’s not suited for it. He proves to be far more effective than they’d expected, though. His training is not the most original in the world (I have to split that giant boulder in only one blow?), but I was never bored, and the demon we meet in the cliffhanger is pretty damn awful. You want Tanjiro to succeed and be able to save his sister.

The sister, unfortunately, is the weak link here, as once she’s a demon she doesn’t really get to speak. There was a brief moment when I thought she might actually be the comic relief – the bit where we see her bottom half sticking out of the far-too-small basket Tanjiro brought to carry her made me laugh out loud. Sadly, it’s about the only comedic bit in this otherwise very serious series, and once he actually starts his training she rather conveniently slips into a coma so that she’s not off trying to eat people while he gets stronger. I am hopeful that she will wake up, and slightly less hopeful that she might gain some character depth as well. The series is 11+ volumes in Japan, so clearly we have a ways to go. But this is a good start, if a bit straight-laced and serious minded. I’d read it if you enjoy horror/action in an about equal ratio.

In Another World with My Smartphone, Vol. 9

by

By Patora Fuyuhara and Eiji Usatsuka. Released in Japan as “Isekai wa Smartphone to Tomo ni” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Andrew Hodgson.

I’ve frequently described In Another World with My Smartphone as being “entertaining but not good”, and that applies just as much to this volume as it does to the others before it. There’s no real plot beyond “watch what Touya does next”, the characterization can vary depending on what needs to happen, and the author’s tendency (and he’s hardly alone in this regard) in writing all his human villains as ugly, whining petty and completely 100% evil is wearing a bit thin. On the other hand, there was some brief attempt at backstory and depth for the Phrase, of all things, which made me very interested in what was going to happen next with them. (not much, at least not in this book.) And honestly, seeing Elze gleefully punching things with her giant robot would put a smile on anyone’s face. Smartphone is dumb fun. Emphasis on the dumb, yes, but also emphasizing the fun.

We start off with another Phrase invasion, which gives us an opportunity to talk some more with Ende, who is clearly connected with them in some way (as we see in the backstory I mentioned above), but who otherwise continues to be Kaworu-lite. There’s another kingdom with a waffling, non-assertive leader, whose scientific advisor (the eeeeeeeevil villain of the book I mentioned above, though he’s also super pathetic) shows off his wood glems as being just as good if not better than Touya’s powered suits. Spoiler: they aren’t. We also go back to Eashen, which is dealing with more internecine wars, and would probably be far more entertaining if I was up on the actual history. And we also meet the leader of a magic-heavy kingdom… who’s actually far more like the other kings we’ve met, as it was his now dead brother who had all the magic powers. He’s just a big powerful guy. He’s also in love with Lu’s sister, which gives Touya another boisterous in-law, to his chagrin.

If it sounds like nothing happens in this book, you’re not wrong. There are lots of events, and several things occur which look like setup for a larger plot down the road. In addition to the Phrase stuff, there’s also Sakura, who still has amnesia and still isn’t a wife (damn you, anime spoilers). She finds a dark elf with a tragic past… which we don’t find out about, but she gets to join the Royal bodyguards anyway. And Touya keeps meaning to tell the other girls that he’s from another world, but still hasn’t gotten around to doing so, despite hints from his “sisters” (who also grace the cover, along with Sakura) that he needs to do thins sooner rather than later. Taken individually, these scenes are mildly irritating at worst and a lot of fun at best. But they’re the opposite of someone like Ryohgo Narita in Durarara!!, who sets up dozens of plot guns over a few books, then fires them all off. This is the adventures of Touya wandering around and seeing what happens next, and occasionally using his godlike powers.

I mean, I’m still reading it. It’s still entertaining. But it’s also still not very good.

My Hero Academia: Vigilantes, Vol. 1

by

By Hideyuki Furuhashi and Betten Court, based on the story by Kohei Horikoshi. Released in Japan as “Vigilante: Boku no Hero Academia Illegals” by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump +. Released in North America by Viz.

My Hero Academia, the main series, is very explicitly based on the American concept of superheroes. And, despite the occasional foray into “yes, heroes really do die” and an examination of loss, for the most part it remains a very idealistic series that wears its heart on its sleeve. Therefore, there was absolutely room for a “grim and gritty” take on the Academia universe, though it won’t be featuring any of the main students. If Horikoshi read a lot of Superman, then (as he explicitly states in the author’s notes) Furuhashi is modeling this spinoff after Batman. And, given the design of the “let’s punch everything” vigilante Knuckleduster, it’s pretty clear we’re talking the Frank Miller Batman. That said, this is still My Hero Academia, so I don’t expect things to get completely hopeless. Mostly as, if the “mentor” figure is Batman, the “hero” is… well, Deku. Something the authors also explicitly admit.

Our hero is Koichi, who is in college and trying to hold down a part-time job. Unlike Izuku at the start of MHA, he DOES have a quirk – he can glide along the ground. Slowly. Most people think he resembles a cockroach. He spends his off time doing nice things like picking up litter, to the point where the neighborhood gives him the hero name “Nice Guy”. He also has run ins with a group of bullies… wait, he’s out of high school, so they get to be thugs – as well as a self-styled wannabe pop idol. And, thanks to a variety of circumstances, he also ends up trying to stop an underground drug trade, which makes people’s powers go out of control, turning them into villains, also also seems, very disturbingly, to be controlled by bees. But it’s OK. He can glide. The wannabe idol can jump really high, and then there’s Knuckleduster, who has no quirk, but is GOOD AT PUNCHING.

As I said, we’re dealing here with mostly original characters. Eraser Head shows up at one point to help compare and contrast the difference between licensed heroes and vigilantes, but the core of the series is our three “illegal” heroes. Of the three, Pop Step is the most problematic. My Hero Academia has been criticized a bit for having the female characters get less focus than the guys, and their costumes overly sexualizing them, and that’s not wrong. But over the course of the first volume, Pop Step is captured multiple times, threatened with rape, and the sadly very popular “covered from head to toe in gloop which probably reminds the reader of something”. Knuckle Duster fares better – he’s in the Frank Miller style, but it’s taking the good bits of Miller and leaving out all the claptrap. As for Koichi, he’s a nice kid, but so far is defined personality-wise as “Deku, only less shiny because this is a “grim and gritty” spinoff. He needs more oomph.

On the good side, the action sequences are very well handled here, and there are some nice creepy horror images with the bees. Vigilantes is a decent enough start for a MHA spinoff, and I hope it gives better development to its leads in future volumes. And stops having Pop Step get captured all the time.

Manga the Week of 7/18/18

by , , and 1 Comment

SEAN: Mid-July. It’s hot. But there is manga for you.

ASH: Yay, manga!

SEAN: Bookwalker has a 4th light novel of The Ryuo’s Work Is Never Done.

Dark Horse gives us a 6th Blade of the Immortal omnibus and the 6th Fate/Zero.

J-Novel Club has new volumes for Demon King Daimaou (6), The Magic in This Other World Is Too Far Behind! (4) and The Unwanted Undead Adventurer (2).

Kodansha has a digital debut, as we see Kakafukaka, the 2nd debut from josei magazine Kiss in two weeks. It’s about a girl who just had a break-up moving in with an old school boyfriend, but he has his own issue – erectile dysfunction. I am intrigued.

MICHELLE: Somehow I totally missed the ED angle on this one! But hooray for josei!

ANNA: Huh. OK!

SEAN: Kodansha also has a pile of ongoing digital. All Out!! 6, Fuuka 19, Love’s Reach 10, Perfect World 4, and The Wizard and His Fairy 2.

MICHELLE: Man, I’m falling so far behind on these.

SEAN: On the print side, we have new volumes as well. There’s a 2nd Golosseum, a 6th Kiss Me at the Stroke of Midnight, a 6th Land of the Lustrous, and a 5th. Wake Up, Sleeping Beauty.

MICHELLE: The last volume of Wake Up, Sleeping Beauty ended on quite a dramatic note, so I’m keen to see what happens next.

ASH: I’ve been enjoying Wake Up, Sleeping Beauty as well, but Land of the Lustrous is what really catches my eye out of that bunch.

SEAN: Seven Seas has a debut in The Bride & the Exorcist Knight (Hanayome to Futsuma no Kishi). This is a relatively short (4 volumes) series from Hakusensha’s LaLa by the author of The Heiress and the Chauffeur. Warning: one of the male leads falls below the comfort line in terms of age.

MICHELLE: Hm. I think I’ll wait to see some reviews of this one.

ANNA: Yeah, I don’t know. Heiress and the Chauffeur was pretty cute, but not sure about this.

SEAN: Seven Seas also has a digital-only light novel with the 4th Boogiepop book, Boogiepop in the Mirror. This is the first one that is new to North America, I believe.

ASH: It is! I’ll be waiting for next year’s omnibus print edition, but I’m very glad for Boogiepop‘s return.

SEAN: There’s also a 2nd volume of Himouto! Umaru-chan.

Tokyopop debuts Hanger, a Gentosha title (bet you guessed that) from their BL magazine Rutile. A cop teams up with a criminal to catch people using performance-enhancing drugs. The author also did Innocent Bird back in the day.

Vertical has a 2nd volume of My Boy, which I found less uncomfortable than I expected.

Viz gives us Children of the Whales (5), Dead Dead Demon’s DededeDe Destruction (2), and Fire Punch (3). Dededede is my pick from this.

ASH: Same! I need to catch up with Children of the Whales, too.

SEAN: And most of Yen’s stuff got pushed back a week or two, but we still have two light novels, with the 10th Durarara!! and the 4th Magical Girl Raising Project. More dead magical girls, or Izaya? It’s a tough choice…

Manga? Or air conditioning? You decide.

Accel World: Archangel of Savage Light

by

By Reki Kawahara and Hima. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Jocelyne Allen.

The author jokes in the afterword about how once again he said that an arc would wrap up in the next volume… and once again it did not, with this volume ending on yet another cliffhanger. It could be a sign that the author has difficulty bringing things together, but honestly with Accel World you don’t really mind. The main plot is interwoven into the individual arcs, so we know that solving the ISS Kits and rescuing Ash Roller is not going to stop the Acceleration Research Society anytime soon, just as we know that eventually Haruyuki is going to have to meet Kuroyukihime’s sister, even though we still haven’t seen her either. For now we have this volume, which is mostly in two chunks. The first involves rescuing Aqua Current by taking on another of the Four Gods guarding the Accel World equivalent of the Imperial Palace. The other involves taking on Metatron, who has the laser that Haruyuki thinks he can now repel. Sadly, before that they have to take on Magenta Scissor – again.

The cover features Blood Leopard and Aqua Current, who turn out to have a closer relationship than previously expected. The role of ‘parent’ and ‘child’ is an interesting one in the AW universe, as all it involves is getting another person into the same game you’re playing. That said, in the AW universe there’s good parents and bad parents, and we get an example here with Avocado Avoider. He was invited into the game, then the other players saw his power wasn’t really “useful” and proceeded to essentially kill him right there. You’re never allowed to forget that Accel World is actually a game, and that means that it invites the worst of gamer mentalities. Haruyuki’s playing for the fun of it, the curiosity of winning and the bonds he forms is contrasted with the agenda of Magenta Scissor, who wants everyone to be equal in abilities, point, and everything else – it’s fair, but is it really any fun? That said, her behavior at the end of the volume here suggests she may not be as hardcore about it as she sounds.

The other big revelation here involves the “villain” of the piece, Metatron. We see our heroes going after her laser and coming up with a very clever plan… which then goes to hell when Metatron decides to come down to the ground to attack them right there. It’s always wise to not assume what your enemy plans to do. That said, Metatron appears to be fighting a battle herself, and with Haruyuki’s help is able to get past it… only to reveal that she seems to be EVEN MORE POWERFUL now. I’m interested in seeing where she goes from here, especially as she’s now apparently providing Haruyuki with power in order to rescue Niko (oh dear, please tell me she’s not going to be part of the harem). The cliffhanger was rather abrupt, but plausible – you knew these goons were not just going to let Nega Nebulus waltz in and destroy them. And the harem antics were there but minimal.

Kawahara, with this series, has succeeded in making it one where you want to get the next book immediately after reading the last one. Sadly, we have to wait for September now. Will he finish the arc this time? Mmmmmmmaybe?