• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Home
  • About Us
    • Privacy Policy
    • Comment Policy
    • Disclosures & Disclaimers
  • Resources
    • Links, Essays & Articles
    • Fandomology!
    • CLAMP Directory
    • BlogRoll
  • Features & Columns
    • 3 Things Thursday
    • Adventures in the Key of Shoujo
    • Bit & Blips (game reviews)
    • BL BOOKRACK
    • Bookshelf Briefs
    • Bringing the Drama
    • Comic Conversion
    • Fanservice Friday
    • Going Digital
    • It Came From the Sinosphere
    • License This!
    • Magazine no Mori
    • My Week in Manga
    • OFF THE SHELF
    • Not By Manga Alone
    • PICK OF THE WEEK
    • Subtitles & Sensibility
    • Weekly Shonen Jump Recaps
  • Manga Moveable Feast
    • MMF Full Archive
    • Yun Kouga
    • CLAMP
    • Shojo Beat
    • Osamu Tezuka
    • Sailor Moon
    • Fruits Basket
    • Takehiko Inoue
    • Wild Adapter
    • One Piece
    • After School Nightmare
    • Karakuri Odette
    • Paradise Kiss
    • The Color Trilogy
    • To Terra…
    • Sexy Voice & Robo
  • Browse by Author
    • Sean Gaffney
    • Anna Neatrour
    • Michelle Smith
    • Katherine Dacey
    • MJ
    • Brigid Alverson
    • Travis Anderson
    • Phillip Anthony
    • Derek Bown
    • Jaci Dahlvang
    • Angela Eastman
    • Erica Friedman
    • Sara K.
    • Megan Purdy
    • Emily Snodgrass
    • Nancy Thistlethwaite
    • Eva Volin
    • David Welsh
  • MB Blogs
    • A Case Suitable For Treatment
    • Experiments in Manga
    • MangaBlog
    • The Manga Critic
    • Manga Report
    • Soliloquy in Blue
    • Manga Curmudgeon (archive)

Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Blog

Bookshelf Briefs 12/31/18

December 31, 2018 by Ash Brown, Sean Gaffney and Michelle Smith Leave a Comment

After Hours, Vol. 3 | By Yuhta Nishio | VIZ Media – Well, After Hours is over already. Ultimately, it just doesn’t feel like three volumes was enough. I suppose if you look at this more as the story of Emi finding something to be passionate about, then it was the right length, but in terms of really understanding the two leads and their relationship, I don’t feel I ever really got there. I should’ve felt something when Kei mysteriously disappeared, suddenly deciding to be a dutiful daughter and help her parents recover from a business loss, but I didn’t. Possibly because it seemed like one page she was ready to call it off with Emi, and by a couple of pages later, the crisis was averted and they were trembling thinking about their future together. It was an enjoyable series, but sadly not a favorite. – Michelle Smith

Ao-chan Can’t Study!, Vol. 3 | By Ren Kawahara | Kodansha Comics (digital only) – The series continues to toe the line but not actually cross it, which is good as crossing it would make this an entirely different sort of series. So even though our hero is inadvertently slipped an aphrodisiac, and really want to bang our heroine, he is a good boy and tells her to get away from him for the time being. Ao, meanwhile, is still very unclear as to what she wants—and it is genuinely affecting her studies. This means the climax of the book is Kijima thinking that it’s for he best if he stays away from her, even though he’s clearly fallen for her. How is Ao going to balance having a good education with her boiling hormones? We’ll see next book, and I think an anime is coming as well. – Sean Gaffney

CITY, Vol. 4 | By Keiichi Arawi | Vertical Comics – A stronger volume of Nichijou than the previous one. The “main” plot, such as it is, involves Nagumo being locked in a tower and forced to have a massive award ceremony telling her she’s amazing. Since this is clearly not to be trusted, she resolves to escape. Sadly, escape turns out to be… ridiculously easy, so much so that there’s a lot of desperate tsukkomi going on. Meanwhile, Niikura races all over the city trying to retrieve a pendant with an embarrassing photo that has gotten tangled with a cat. Even the stories that aren’t about the trio are pretty good this time around, with my favorite being the school playing a “mock detective” game. CITY is built on weird humor, and this volume gives you that in spades. – Sean Gaffney

Dragon Half, Omnibus 3 | By Ryusuke Mita | Seven Seas – Much to my surprise, the plot does gain more importance as we reach the end of Dragon Half, though it will never quite be as important as sheer dumb humor. And I do mean the dumbest humor—some of these jokes are so amazingly lowbrow you laugh from sheer shock that the author bothered. This is, of course, the point—who wants Dragon Half with subtle intelligent humor? That said, Mink clears her name, defeats the demon lord, does not transform into a hideous monster, and marries her beloved Dick Saucer, whose backstory actually manages to be tragic. There’s even an epilogue showing off the next generation. Dragon Half was a terrific series for fans of old-school manga, and I’m very happy it was licensed. – Sean Gaffney

Giant Killing, Vol. 15 | By Masaya Tsunamoto and Tsujitomo | Kodansha Comics (digital only) – The flashback to ten years ago continues! Tatsumi has emerged as the ace of ETU and his performance in the derby against Tokyo Victory draws a lot of attention. For his part, Tatsumi is (even then) seeing chances others can’t and coordinating his teammates to take advantage of them and never once plays like he’s the star. Once he’s injured and ETU falters, it hurts him to hear angry fans lambasting his teammates. Meanwhile, the president of the club wants to show as many people as possible Tatsumi’s entrancing soccer, which seems like a good thing, but we end the volume with this guy ordering the coach to put a not-fully-recovered Tatsumi in the next game so as not to disappoint the fans. I have a feeling the next volume is going to be hellaciously frustrating. What a great series, though. – Michelle Smith

Missions of Love, Vol. 16 | By Ema Toyama | Kodansha Comics – Kodansha may not cancel series for low sales, but series that aren’t performing do tend to come out veeeeeeery far apart. That seems to be the fate of Missions of Love, which now seems to be down to twice a year. Fortunately, it’s almost done. Everyone has confessed, but that’s hardly the be-all and end-all, even in shoujo manga. Yukina has to meet the parents. Hisame is back to behaving like an absolute ass. And Yukina’s literary career… and her use of her own life as a template for it… is finally coming out into the open. Is this something that can be forgiven? Oh, probably, but I imagine there will be even more drama next time around. Which is good, as overblown drama is why this series exists. – Sean Gaffney

Outdoors | By Yuichi Yokoyama | Breakdown Press – The three nature-themed stories collected in Outdoors were originally published online in 2009, the first and so far only time that Yokoyama created manga for a website. Interestingly, according to the short interview by Ryan Holmberg also included in the volume, Yokoyama doesn’t own a computer and strictly works using traditional media—he’s never even seen the site on which his manga was released. In general Yokoyama’s work tends to be something that I appreciate more than enjoy. While the short manga in Outdoors are visually striking—especially important as they contain no dialogue and almost no story—they also have a sense of cold detachment. In the interview Yokoyama notes that he has no interest in portraying human emotions or drama, so I think the effect is a deliberate one. I can recognize Yokoyama as an accomplished artist, but when experiencing his work I personally miss having that emotional core. – Ash Brown

Sleepy Princess in the Demon Castle, Vol. 4 | By Kagiji Kumanomata | Viz Media – If this series were even one small molecule less silly than it is, Syalis would be a hateful monster. The things she does to the demons in this book absolutely boggle the mind. Fortunately, this is absolutely a silly, silly manga and therefore Syalis’ sociopathic attempts for the perfect sleep are absolutely hilarious. She tries to hibernate, carves up even more ghosts, and gets kidnapped by Hades, which as you can imagine does not go very well for him, because Syalis is a law unto herself. Even when she shows a smidgen of humanity, such as when trying to get chocolates on Valentine’s Day, it’s still funny. I want to see this get even more over the top and sadistic. Fun, fun manga. – Sean Gaffney

Yowamushi Pedal, Vol. 10 | By Wataru Watanabe | Yen Press – If there’s anyone that can make Midosouji somewhat more redeemable, it’s Onoda, and he manages to achieve it here. Day Three may be a little more difficult, though. Not only do we meet a new rival who’s an absolute creep, hitting on Kanzaki and reminding us briefly that women do exist in this manga. (And then she goes away again.) But even more importantly, the third day is not about teamwork and working together, it’s ‘the fastest one wins.’ So Onoda finds himself overwhelmed by a whole new experience. Fortunately, he’s reminded how much he loves this and recovers. Still, this final day looks to be the most mentally exhausting. Will it end in the next omnibus? I doubt it somehow. Great sports manga. – Sean Gaffney

Filed Under: Bookshelf Briefs

Didn’t I Say to Make My Abilities Average in the Next Life?!, Vol. 5

December 31, 2018 by Sean Gaffney

By FUNA and Itsuki Akata. Released in Japan as “Watashi, Nouryoku wa Heikinchi de tte Itta yo ne!” by Earth Star Entertainment. Released in North America by Seven Seas. Translated by Diana Taylor. Adapted by Maggie Cooper.

There is something going on with this series that I absolutely love, that’s gotten stronger with each volume. We see Mile and the rest of the Crimson Vow, who have awesome strength and abilities and are a fantastic party. And throughout the book, we see everyone trying to find ways to use that to further their own agenda. And every time – Every Single Time – they are frustrated and anguished as our heroines shut everyone down and continue doing what they want to do. It’s fantastic, especially since so many of these folks eyeing the Crimson Vow are young guys thinking “ehehehe, cute young girls of marriageable age”. We even get it contrasted with a plotline about an inn being run by three young (very young – more on that later) girls who end up with husbands (mostly). The Crimson Vow, minus Mile, are all able to understand the romantic subtext, but just are not looking for that in their life right now. Mile, meanwhile, is Mile.

The start of the book features a moment we’ve been waiting for, as Mile’s main friends go back to her old kingdom and meet her emergency backup friends, which is to say Marcela and company. The main chapters give a fun and emotional reunion. An extra side story turns everything very ridiculous, as Reina and company have to battle against Marcela and company to see who gets custody of Mile. Once Mile realizes that’s what this is about she gets really angry, but till then it’s really quite funny, showing off the old cast vs. the new cast in very amusing ways. There’s two other big stories that take up the rest of the book. The first has the group hired to try to find spices for a gourmet restaurant, and Mile deciding to simply make her own capsaicin. PURE capsaicin. The other involves two warring inns…. well, one inn in trouble and another that wants to help but can’t because of stubbornness.

It is mentioned several times that the age of “I am an adult” is far younger here, i.e. it’s ten years old. Which makes sense in a fantasy sort of way, but I do mention it as we are seeing a lot of 15-16 year old girls discussing marriage, and some here who are about eight talking about getting engaged. In fact, time does seem to be passing and things actually happening here. In addition to trying to track down those excavating the past (which provides us with the cliffhanger), Mile finds out that her old kingdom has executed or exiled those responsible for her original fate, and they are in fact actually trying to find her… again, so that she can be elevated to a title and married off. Responsibilities for young women are never far away from everyone’s thoughts. But Mile, Reina, Mavis and Pauline want to carve out their own path before settling down, and that path does not involve marrying a lord and stopping. This is a series that moves.

I didn’t mention the humor this time, but there are tons of funny moments, mostly involving Pauline, who gets humiliated a lot but also seems to be a few steps away from becoming a supervillain, so it balances out. Anyone who likes seeing young women kick ass and gales of laughter should be seeking this series out.

Filed Under: Didn't I Say to Make My Abilities Average in the Next Life?!, REVIEWS

Pick of the Week: Brides, Beds, and Breakfasts

December 31, 2018 by Sean Gaffney, Ash Brown, Michelle Smith, Katherine Dacey, MJ and Anna N Leave a Comment

ASH: It’s the first week of the new year and I’m already behind! So many great manga were released last year and it seems that trend will continue this year as well. For me the debut that’s caught my eye this week is Kakuriyo: Bed & Breakfast for Spirits. A yokai and food manga? There’s no way I could resist.

SEAN: I’m interested in that as well, and also new volumes of Kaguya-sama: Love Is War and One-Punch Man. But after a humdinger of a volume last time, I’m going to be picking up The Water Dragon’s Bride the moment I get it, so that’s my pick this week!

MICHELLE: Yes, yes, yes! The Water Dragon’s Bride has always been good, but volume seven was especially so and even thinking of one particular moment gives me geekbumps. Can’t wait for volume eight!

KATE: I’m still excavating my pile of unread manga, too! If I had to choose something — and death was not an option — my pick would go to the third volume of Dr. STONE, an awesomely silly Shonen Jump title with a hero so dumb he makes a ham sandwich look good by comparison. I know, I know — I’m not doing a good job of selling it — but it’s a fine bit of escapism if you need it. Lord knows I do!

MJ: I’m firmly with Ash this week, since basically everything about Kakuriyo: Bed & Breakfast for Spirits sounds like my kind of manga. Count me in for this!

ANNA: I’m interested in Kakuriyo: Bed & Breakfast for Spirits, but I’m so invested in the complex story of Water Dragon’s Bride, that it has the edge. That’s my pick!

Filed Under: PICK OF THE WEEK

I’ve Been Killing Slimes for 300 Years and Maxed Out My Level, Vol. 3

December 29, 2018 by Sean Gaffney

By Kisetsu Morita and Benio. Released in Japan as “Slime Taoshite 300 Nen, Shiranai Uchi ni Level MAX ni Nattemashita” by Softbank Creative. Released in North America by Yen On. Translated by Taylor Engel

For all that the premise of this book is about a girl who likes to take things easy and relax, they sure do a hell of a lot. But that’s where the humor comes into play, of course. The only thing relaxed about Azusa’s life is her general attitude and desire to simply live in her cottage. What actually happens? Well, OK, the cookie baking battle seems to fit in nicely. But then one of her daughters is stuck as a slime, leading to a big adventure to try to fix things, which includes a martial arts tournament. Then a fake witch is abusing the name of the Witch of the Highlands, forcing Azusa to track her down and find out why it’s happening. Even a barbeque party, which you’d think would be as peaceful as the cookie baking, involves killing off masses of dangerous boar animals – and teaching dragon girls that nudity is not OK. There’s a lot going on here.

There is more of what I enjoy about the series in this volume (some great humor, “found family” affection) and less of what I don’t like (Halkara’s clumsiness and jokes about her chest – well, OK, there’s some of those). There’s also still a large amount of yuri subtext, though it’s not going anywhere as Azusa really isn’t interested. It’s heavily implied most everyone who lives in the house – and even some who don’t – love her romantically, but she seems to be a) straight, and b) mostly indifferent anyway. Actually, that may be by design – when we meet another long-lived witch, and discuss the loneliness that happens when you outlive everyone around you, Azusa strongly implies that she’s deliberately suppressing all her emotions in order to not be affected by this. It helps that she’s made several long-lived girls part of her family (or ghosts, as the case may be), but I do wonder if it will come up again in the future.

Frankly, though, I’m happy with Azusa being relatively subdued and snarky – except in her head, when the tsukkomi comes across much louder. We get a lot more memories of her previous life on Earth, both from her wageslave days and her school life (she brags about her ping ping club skill… which proves to be a mistake against two dragons she describes as being “classic high school jocks”. There’s a bit more development of the others, particularly the dragons and Beelzebub the Demon Lord, who isn’t living with Azusa but might as well be for how often she pops up. There’s also some examination of modern Japanese foibles, as we get a fantasy undead who’s also a NEET, and the “fake witch” trying to get people to praise her by a method so oblique that it feels a little ridiculous.

If “my pace” heroines drive you nuts, steer clear. But however much Azusa may not want it to, things are happening in this series. Just… very slowly and leisurely.

Filed Under: i've been killing slimes for 300 years, REVIEWS

Yona of the Dawn, Vol. 15

December 28, 2018 by Anna N

Yona of the Dawn, Volume 15 by Mizuho Kusanagi

This story arc of Yona of the Dawn examines issues of geopolitics and addiction, along with Yona’s growth into someone who inspires others to do their their best. Yona gets injured defending her new friend Riri. Sinha appears just in time to rescue her, and as she recuperates Hak is constantly by her side. Yona being Yona, as soon as she is slightly mobile she decides to continue her mission to track down the source of the drug trade that is decimating the Water Tribe. Seeing Yona’s determination, Riri challenges herself to do what she can as well, stealing her father’s seal of authority and traveling to the coastal city of Sensui. Riri’s overtures of friendship to Yona as they part ways are adorably awkward, as she shoves a box of sweets at Yona and attempts to help her with her sash.

Yona of the Dawn 15

One of the reasons why I like Yona of the Dawn so much is the way Kusanagi builds in short character development moments into a larger, more complex story. Seeing Riri on her own standing up for what she believes in shows the depth of Yona’s influence. Jaeha has a few quiet moments with Yona that show how much of his breezy womanizing persona is actually an act. The larger conflict between Yona and Su-Won appears again, as their paths continue to intersect as Yona’s actions on behalf of the people intersect with his travels through his kingdom. Kusanagi is building up to a dramatic confrontation, and while I have no doubt that Yona and her companions will eventually leave the country of the Water Tribe in better shape than it was when they arrived, seeing the pathway to fixing the problems of the people is what makes this series so consistently interesting.

Filed Under: Manga Reviews, REVIEWS Tagged With: shojo beat, shoujo, viz media, yona of the dawn

Manga the Week of 1/2/19

December 28, 2018 by Sean Gaffney, Ash Brown, Michelle Smith and Anna N Leave a Comment

SEAN: It’s the new year! 2019 manga! Fortunately, January is always the lightest month of the year, so there’s not TOO much of it. Yet.

ASH: I’m ready! (If you ignore the giant “to be read” pile of 2018 manga and novels still waiting for me…)

ANNA: I’m not ready!

SEAN: Apologies to Bookwalker, as I always forget when they release a new volume of The Ryuo’s Work Is Never Done. The 6th novel is already out.

Dark Horse has a 2nd Gantz omnibus.

J-Novel Club has a 3rd Sorcerous Stabber Orphen.

Kodansha debuts in print a title that’s come out digitally already, and is also getting an anime soon. The Quintessential Quintuplets sounds like classic Shonen Magazine romantic comedy.

In print, Kodansha also has a 10th Aho-Girl, the 10th (and final) Descending Stories, and a 4th Tokyo Tarareba Girls.

ASH: I’ll admit, I’m not following many of Kodansha’s print series right now, but I’m definitely picking up Descending Stories and Tokyo Tarareba Girls.

MICHELLE: I read a little Descending Stories and really liked it. I need to go back and have a marathon now that the final volume is coming out!

SEAN: Digitally, there doesn’t SEEM to be a debut, but I already know they sometimes add those at the last minute. There are definitely new digital volumes for Can You Just Die My Darling? (7), Can I Kiss You Every Day? (3), Chihayafuru (14), and The Prince Romance Gambit 6.

MICHELLE: It seems like the Chihayafuru releases are coming a bit faster now, so huzzah.

ANNA: More for me to get caught up on with Chihayafuru. I’m hoping to make some headway over winter break.

SEAN: Seven Seas doesn’t realize it’s 2019 already, so is releasing these manga while it’s still 2018! Due to the nature of this list it still counts, though. There’s A Certain Scientific Accelerator 8, Devilman Grimoire 5 (a final volume), High-Rise Invasion 5-6, Hungry for You: Endo Yasuko Stalks the Night 2 (also a final volume), and Magika Swordsman and Summoner 10.

And there is Viz, rounding things out with a heaping helping of shonen and shoujo. The debut is Kakuriyo: Bed & Breakfast for Spirits (Kakuriyo no Yadomeshi: Ayakashi Oyado ni Yomeiri Shimasu), and is an Enterbrain title, from Comic B’s Log. It’s about a young girl who, not wanting to marry a demon to clear her debt, ends up employed at an inn… for the afterlife. Sounds like a good title for Kamisama Kiss fans.

ASH: I’m looking forward to giving this one a try!

MICHELLE: Hm. Could be good!

ANNA: Sounds promising!

SEAN: There’s also Anonymous Noise 12, Blue Exorcist 21, The Demon Prince of Momochi House 13, Demon Slayer: Kimetsu no Yaiba 4, Dr. STONE 3, Dragon Ball Super 4, Haikyu!! 30, Kaguya-sama: Love Is War 6, My Hero Academia: Vigilantes 3, One-Punch Man 15, the final Rurouni Kenshin 4-in-1, Skip Beat! 3-in-1 13, Twin Star Exorcists 14, and The Water Dragon’s Bride 8.

ASH: Quite a few in this list that I’m reading, too!

MICHELLE: Forsooth. I just wish that Skip Beat! volume was new material!

ANNA: Me too. Always glad for another volume of Water Dragon’s Bride.

SEAN: So, y’know, there’s a lot. Just not as much as the past few weeks. What interests you?

Filed Under: FEATURES, manga the week of

Pick of the Year: A Year of Terrific Manga

December 27, 2018 by Sean Gaffney, Michelle Smith, Ash Brown, Anna N, Katherine Dacey and MJ Leave a Comment

SEAN: This week is a bit light on stuff, so it’s a good time for the pick of the year. I’ve already talked about Silver Spoonin other end of year wrapups, so let me take the time to praise two other series I love to bits, both from Viz: The Promised Neverland and Yona of the Dawn. Each are the top of their genre, shonen and shoujo respectively, and also great manga for teens.

MICHELLE: If someone had asked me to name the best shounen and shoujo series that I read this year, I would have the exact same picks as Sean (with My Hero Academia and Takane & Hana as runners-up). So, instead I’ll highlight my favorite josei and seinen releases of the year—Chihayafuru and Giant Killing, both brought to us by Kodansha’s digital-first initiative. It’s been really neat to see sports manga from a more grown-up perspective, and I recommend each series heartily.

ASH: When it comes to the end of the year, I usually try to get away with picking a publisher as a whole. This year, Seven Seas has continued to impress me with the variety found in its catalog, everything from autobio comics like The Bride Was a Boy, to classics like Devilman (in multiple incarnations), to the publisher’s first BL offering Go For It, Nakamura!, and so much more.

ANNA: The titles that first came to mind for me for pick of the year were Water Dragon’s Bride and Yona of the Dawn, truly excellent shoujo series. It has been a great year of shoujo in general, and I’m also thankful that we are also getting titles like Ao Haru Ride translated in English. I finally got around to reading three volumes of Inio Asano’s Dead Dead Demon’s Dededede Destruction last night and thought it was amazing. I’m going to recommend Dead Dead Demon as my pick for the year.

KATE: I agree with Ash: my pick of the year is not a series but a publisher. Seven Seas has emerged as one of the boldest US publishers, licensing classic and queer-friendly manga, all while keeping their original readership happy by providing a steady stream of monster girl series and light novels. The company’s monthly licensing survey is another brilliant strategy, as it gives fans a say in what Seven Seas publishes. So my hat’s off to Seven Seas!

MJ: There’s been a lot to love this year in manga, and like my colleagues, I’m impressed with what Seven Seas has become. But I can’t deny that this year, my heart belongs to Silver Spoon. There’s honestly no other series that’s captured my attention so completely this year. It’s funny, original, and charming in a way that is entirely unique to its creator. I maintain a manga lending library in my voice studio, and I had the pleasure just a week or so ago of introducing Fullmetal Alchemist to a pair of 16-year-old twins for the first time. Since I hadn’t read the series in so long, I gave myself a quick refresher read of the first few volumes, and I was reminded all over again of what a masterful storyteller Hiromu Arakawa is, and how emotionally rich her characters and relationships are. Silver Spoon is obviously a very different manga, but I’m struck by how much her artistry has continued to deepen and mature. Each new volume is an absolute pleasure to read. Silver Spoon has to be my Pick of the Year!

Filed Under: PICK OF THE WEEK

Konosuba: God’s Blessing on This Wonderful World!: 110-Million Bride

December 27, 2018 by Sean Gaffney

By Natsume Akatsuki and Kurone Mishima. Released in Japan as “Kono Subarashii Sekai ni Shukufuku o!” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Kevin Steinbach.

For all that KonoSuba is occasionally called a harem manga, it’s more clearly a love triangle. And having given Megumin her due again in the 5th book, we’re back to focusing on Darkness, who is dealing with the realities of being the daughter of a noble. As the title may imply (it’s a parody of the “My Bride Is a Mermaid” series), she’s getting married off in order to clear a family debt, one that hearkens back to events of the previous books. This is actually very well handled, as it looks more closely at the “we saved the world but there was massive property damage” trope from various fantasy titles. Knowing Darkness’ sense of duty, it’s no surprise that her first thought is to sacrifice herself for the sake of everyone else. Of course there’s no way that Kazuma is going to let her get away with… oh, he’s sulking. OK, he may actually let her get away with it. Fortunately, Megumin and Aqua are on the case. (Fortunately?)

Before the wedding, Darkness is trying other avenues to earn cash, including taking out a hideously dangerous (and thus high bounty) monster, which naturally likes to attack and eat people, leading to Kazuma dying – again. This helps to emphasize something that we saw in the previous book – Kazuma and his partners work better in a large group than they do as a quartet. Unfortunately, this also means the reward is divided among various adventurers, so she has to go through with the wedding. Which is, naturally, to the evil Lord we’ve seen before, who is pretty much the bad guy behind nearly everything in the series. To Kazuma’s credit, he does try to rescue her from this plight, at first, but he simply cannot resist running his mouth off, which leads to a fight, which… well, you know. Kazuma.

This is one of those books that’s all about the climax, though. It’s also very much about Darkness’ specific masochism fetish, which is on display throughout the book. It can be very difficult for both her and Kazuma to draw a line between “you are being mean and embarrassing me and I find it really arousing” and “you are being mean and embarrassing and I am pretty furious”, and after the events of this book, I don’t think either one has really gotten closer to figuring out where that line is. In terms of the reader and KonoSuba’s sense of humor, though, nothing can quite top Kazuma’s declaration that she’s his property now and he plans to use her body to the fullest. This is in the middle of the wedding, and is essentially followed up by Darkness having an orgasm. It’s strangely heartwarming too, in that KonoSuba way. Also heartwarming is the way that everyone in the town arrives to help Darkness.

This series has been very consistent lately, which I’m quite happy with. And the cliffhanger shows that Kazuma has finally figured out who Chris is, which is nice. The next volume seems to feature both Eris and Aqua, so I’m expecting less romantic comedy and more just plain comedy. KonoSuba will make any reader who likes funny stuff happy.

Filed Under: konosuba, REVIEWS

Bookshelf Briefs 12/26/18

December 26, 2018 by Ash Brown, Sean Gaffney and Michelle Smith Leave a Comment

Abara | By Tsutomu Nihei | Viz Media – Although it’s up for debate how directly or tangentially related Abara actually is to Knights of Sidonia, in my mind the manga is unquestionably a precursor to Nihei’s later work. Even if they take different forms, the two series at the very least share elements of the same dystopic vision, a grim future in which humanity’s survival is not guaranteed in the face of the existence of creatures known as Gauna. Collected in a single, deluxe hardcover volume (along with another of Nihei’s earlier stories, “Digimortal”), Abara feels like the beginning of something grand even while being a complete work unto itself. Rather than prioritizing a narrative telling a coherent story, more than anything else the plot serves as a vehicle to showcase Nihei’s artwork and the astonishing, nightmarish atmosphere it creates. And that is just fine—the illustrations in Abara are stunning, managing to be simultaneously  beautiful and grotesque. – Ash Brown

Again!!, Vol. 6 | By Mitsurou Kubo | Kodansha Comics – In the original timeline, the fate of the ouendan was sealed when Usami was responsible for a disaster at a baseball practice game. This time, Imamura is working very hard to make sure that doesn’t happen. True, he still blames himself for the team’s eventual loss, since he wounded the pitcher’s fragile ego, but some things have clearly changed as a result of his actions. Namely, Usami is able to get the crowd on their side, rallying their spirits with her cheers when all seemed lost, and earning some praise from the school principal for her leadership. Sometimes this series is frustrating in that characters have to work harder for the kind of sports manga successes that make me sniff, but man, there are a few brief, glorious moments in this volume that are all the sweeter for having been hard-won. – Michelle Smith

Giant Spider & Me, Vol. 3 | By Kikori Morino | Seven Seas – There’s a bit of seriousness at the start of the third Giant Spider manga, as we find out why our kidnapper is so upset about the spider—his daughter was clawed by a cute baby bear, and died from an infection from the wounds. The rest of the volume, though, is relatively sedate, and even the big finale, in which Asa appears to be either ill or grumpy but is merely molting is pretty low-key. And yes, it’s a big finale as this is the final volume, even though the author says they know Nagi and Asa have lots more adventures. This is the sort of series that doesn’t really need a dramatic climax, but Nagi has changed thanks to her giant spider friend—she’s now surrounded by other friends as well. This was sweet. – Sean Gaffney

Girls’ Last Tour, Vol. 5 | By Tsukumizu| Ywn Press – Each volume of this gets darker than the last, while still maintaining its mood of “two girls wander around a city in their tank.” Chito almost dies a couple of times, and sprains her ankle at one point, leading to Yuu attempting to do leader-like things, which does lead to some laughs. And there’s a fascinating sequence when they look at modern art in a deserted museum. They’re still going up, though, and are helped in this (after breaking into a building using more high explosives) by an AI unit that begs for them to turn it off. We also get a flashback to how their journey began, showing that they were kids staying with adults at one point, and that things are terrible all over. One more volume to go. Will it end in death? – Sean Gaffney

Haganai: I Don’t Have Many Friends, Vol. 16 | By Yomi Hirasaka and Itachi | Seven Seas – The big surprise in this volume is that the student council president happens to be Yozora’s older sister. We’ve seen for a while that family issues are a large part of what makes Yozora the way she is, and it’s no surprise that she’s in a relatively foul mood this volume, where the Neighbors Club and the Student Council go on a vacation together. Before that, though, we do get Yozora returning to the Neighbors Club, and a virtual reality game that I will just gloss over as I found it the weakest part of the book. And for fans of Kodaka and Sena, there’s the final scene, even though it’s just a dream that… Rika has? Why is Rika dreaming of things like that? A good, fun volume, though even more perverse than usual. – Sean Gaffney

Hakumei & Mikochi: Tiny Little Life in the Woods, Vol. 3 | By Takuto Kashiki | Yen Press – Adorable and relaxing take a back seat to ADVENTURE in this volume, as Conju is kidnapped while in a “rough section” of town, requiring a rescue that involves a lost liquor, hang-gliding, and lots of faux badasses who really aren’t all that. It’s a heck of a lot of fun, and really shows off our heroes at their best. They also do well taking Hakumei’s boss out for a day on the town, showing him that life is not just work 24/7. And there’s a chapter involving sweets and some badgers that is quite funny. I’m really enjoying this series, though it has to be said—Hakumei and Mikochi are a married couple, they’re just not aware of it yet. (Nor do I expect that to change.) – Sean Gaffney

Hatsu*Haru, Vol. 4 | By Shizuki Fujisawa | Yen Press – How much you enjoy this volume may depend on how much you can take “I am oblivious to even a direct confession” on the part of Riko, which makes Kai once again spend half the book holed up in his room wondering where everything went wrong. Even when he returns to school and tries to take up his playboy ways once more, things go wrong—right now Riko needs a good friend more than a boyfriend, and if Kai’s not there, well, maybe Takaya will do. (Honestly, Takaya seems to be like he has his own issues, which I suspect may get revealed in a future volume.) Will Riko ever get Kai’s feelings? Does she like him back? Is she even ready to move on? And what of Ayumi, the intrepid newshound? Hatsu*Haru is a well-written soap. – Sean Gaffney

Horimiya, Vol. 12 | By Hero and Daisuke Hagiwara | Yen Press – I imagine there may be some people who have dropped Horimiya by now, and I get it—Hori is sort of a terrible person, groping her friends and joking about getting “technical” consent, and still being upset that Miyamura isn’t hitting her like she really wants him to. She’s a bit of a teenage mess, really. Fortunately, the cast around her have their shit together, so I don’t think things will get that bad. Honestly, seeing Hori groping Sakura reminded me that Sakura is one of the group now—in fact, one chapter has other students surmise that she may have a harem of hot guys. I still love reading Horimiya, even as it’s gone from “romance I’d happily recommend” to “problematic fave.” – Sean Gaffney

Slumbering Beauty, Vol. 2 | By Yumi Unita | Seven Seas – For the most part this was an OK, not great final volume of this series. The majority of it deals with Nerimu’s master trying to recruit Yoneko for the job permanently, and Nerimu trying to point out that this would involve essentially dying. That said, there was a fantastic moment near the end, as Yoneko is shown that her neglectful parents started off with good intentions and are not merely terrible people. And Yoneko says that this is true, and acknowledges it… but also reminds readers (and Nerimu) that the majority of her time growing up has been spent unhappy, and seeing that her parents have good sides as well is not going to change that. Still, at least she decides to live on for now. Like other Unita series, this was weird but worth reading. – Sean Gaffney

Yowamushi Pedal, Vol. 10 | By Wataru Watanabe | Yen Press – The third and final day of the Inter-High begins and since Midousuji got a somewhat sympathetic backstory that might be the start of a redemption arc of sorts it’s time to introduce another odious foe, this time in the form of Eikichi Machimiya, a schemer from Hiroshima who’s got a huge grudge against Hakone due to how things played out the previous year. This is a pretty fun volume, since Machimiya organizes a huge peloton that gobbles up stray riders, Jaws-like, and Sohoku must contend with leaving Onoda—who worked so hard on previous days for the team—behind to be devoured. Tadokoro even cries. Of course, plucky Onoda can’t be counted out yet, but neither can Hiroshima! Looking forward to the next installment, as always. – Michelle Smith

Filed Under: Bookshelf Briefs

Ojojojo, Vols. 1-2

December 26, 2018 by Sean Gaffney

By coolkyousinnjya. Released in Japan by Takeshobo, serialized in the magazine Manga Life. Released in North America by Seven Seas. Translated by Ben Robert Trethewey. Adapted by Clint Bickham.

Well, this was a pleasant surprise. We’ve seen a lot of this author’s works over here recently, including Miss Kobayashi’s Dragon Maid, which I dropped after a few volumes as I found it overrated, and Mononoke Sharing, which I didn’t like at all. Here, though, in a 4-koma series that lacks either monster girls or fanservice, I’ve found a series I can get behind. It helps that this handles the ‘4-koma slice of life’ genre very well. There’s always a danger in these sorts of titles that it will end up being plotless and lacking in forward motion, moving through the school year, festivals, etc. and ending up at graduation. Ojojojo, though, seems to actually care about character development, and things do, in fact, happen. Indeed, our leads end up dating by the end of the first book, which surprised me a great deal. That said, it’s not a surprise, as they complement each other perfectly.

…OK, perhaps they don’t complement each other perfectly immediately. As you can see by the cover, where they stand as far apart as they can and still exist, there’s a bit of awkwardness. This is because Haru Jikogumeguri (you can tell she’s rich because the name is *six* syllables) is socially inept and therefore acts like an arrogant rich princess, and Tsurezure Kawayanagi (who seems to be of modest status, despite also having a “rich” last name) is sopcially inept and therefore doesn’t really interact at all, preferring to stare at nature. When she transfers into his class, they bond almost despite themselves, and the joy of this book is watching the two of them grow close and learn how to communicate honestly. They’re helped by Akane Tendou, Haru’s first female friend in class and the relatively “normal” one of the group, Haru’s acid-tongued butler, and Chris, an English transfer student who has a similarly arrogant introduction as Haru did, but gets away with it more (probably as he’s a guy.)

Haru is the sort of arrogant rich girl you can’t help but love, especially once you get her semi-tragic backstory and see her earnest yet awful attempts to change her ways. The first volume is fairly normal 4-koma stuff, as we learn about our heroes via various quick gags and the occasional sweet moment. (The author says he planned to end it with the first book.) In the second half, he starts to deepen things, particularly the relationship between Haru and Akane, which turns out to involve a lot of misplaced guilt on Akane’s end. (The last name is a bit unfortunate – be assured she is not crossing over from Ranma 1/2.) By the end of the 2nd volume our leads have progressed to holding hands (which, given their personalities, is a big jump), and Chris is beginning to get over his own arrogance. There is one more omnibus to go, though, and since we know next to nothing about Tsurezure (who is unrelated to the Children of the same name, speaking of which) I suspect the next book will go into his past in an effort to move things along further.

Add to this next to no fanservice (Akane is jealous of Haru’s large chest at one point, but it’s a normal large chest, not the massive bosoms we see in Dragon Maid and Mononoke Sharing) and you have a title that’s a perfect introduction to casual fans who want to read a nice romantic comedy and don’t mind the “gag comic” format. A nice pleasant surprise.

Filed Under: ojojojo, REVIEWS

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 339
  • Page 340
  • Page 341
  • Page 342
  • Page 343
  • Interim pages omitted …
  • Page 1053
  • Go to Next Page »
 | Log in
Copyright © 2010 Manga Bookshelf | Powered by WordPress & the Genesis Framework