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The Devil Is a Part-Timer!, Vol. 12

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By Satoshi Wagahara and 029. Released in Japan by ASCII Mediaworks. Released in North America by Yen Press. Translated by Kevin Gifford.

This is a stronger volume of Devil Is a Part-Timer! than the previous one, probably because the previous one got all the exposition out of its system in one gulp. Actually, the theme of this new volume could be avoiding exposition, as both Emilia and Maou do their absolute best to not talk to Laila and avoiding knowing why it is they’re the only ones who can save the world this time. In practice, this means this is a “downtime’ volume, though there is an exciting battle in a subway tunnel in the middle of the book. For the most part, though, Emi is still shattered by the last book, to the point where she runs away to a minor character’s home for college advice. Maou is just trying to get the new delivery program at MgRonald’s in gear. And Chiho should be pleased that Emi and Maou are finally acting closer, but this is offset by her realizing that she’s in a shonen love triangle where she’s the sweet girl who doesn’t get the guy but finds new confidence so that’s OK. Which does not sit well with her.

That’s Laila on the cover, but I get the feeling it’s meant to be what Emi and Maou think she’s doing in this book, rather than her real personality. Laila is genuinely trying to save the world, but seems to be making a lot of incorrect assumptions as well, not least of which is “this is for a good cause so my daughter who I have been manipulating her entire life and the boy I helped before he was a demon king will totally be into it”. But sometimes world-saving is goddamn exhausting, and after getting kidnapped/rescued and learning some nasty truths about heaven and Enta Isla, neither Emi or Maou really wants to deal with it right now. Probably the best scene in the book (and the author knows it, as the other characters praise him for it as well) is Maou talking about assuming that the strongest person will always be there to protect and save. If you have something made of steel, does that mean it’s OK to beat the crap out of it?

There’s also the romantic dynamics here. This series has been pretty good at keeping the romance there but on a low boil. Chiho has confessed to Maou (though he’s pretty much ignored that) and everyone can see how she feels. Suzuno is starting to realize that she may have feelings for Maou, though is very reluctant to admit it. And Emi, while not quite admitting that she’s in love with Maou yet, is willing to admit that she sometimes wants to be protected, and is OK if the person doing it is him. She even hugs him! (He does not hug her back. Maou still seems to be baffled by the concept of loving and being attracted to someone.) Unfortunately, both this and the main plot collide at the end, as due to a deal made between Maou and Laila, Emi is now refusing to leave his side, much to everyone’s horror.

That said, she can’t keep running from her problems forever. I suspect the next volume will have more details on how we’re going to save the world next. But for now, enjoy Maou reminding folks that heroes and villains need downtime too.

The Quintessential Quintuplets, Vol. 1

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By Negi Haruba. Released in Japan by Kodansha, serialization ongoing in the magazine Weekly Shonen Magazine. Released in North America by Kodansha Comics. Translated by Steven LeCroy.

Deserved or not, it has to be said that sometimes Kodansha in Japan has a certain reputation for making series that are very similar to series published by other publishers. The most obvious example is Fairy Tail, which is “Kodansha’s One Piece”, but there are a few others. So when Shueisha started releasing a series in Weekly Shonen Jump about a poor high school student who is blackmailed into tutoring a bunch of eccentric, mistrusting but gorgeous young women (We Never Learn), I raised an eyebrow when I saw that Shonen Magazine, precisely six months later, has debuted this title, in which a poor high school student who is blackmailed into tutoring a bunch of eccentric, mistrusting but gorgeous young women. (It’s also not hard to think of Araragi from the Monogatari series when looking at Futaro, and I think the author was on the short list of manga artists considered for that adaptation.) That said, unoriginal does not equal bad, and I found the first volume of this series enjoyable enough, though these girls are VERY mistrusting.

Futaro is our hero, a somewhat misanthropic young man who gets excellent grades but has a “loner” personality. His family is in debt, which may explain why he’s so gloomy, though his bubbly younger sister seems fine with it. He’s told that he can get his family out of debt by tutoring some girls, all of whom with grade issues, from his school. Imagine his surprise when he finds that one of them is the new transfer student he met the previous day. In fact, all these girls seem familiar… that’s right, they’re quintuplets, all in the same school, having left their previous school for low grades. And they are all pretty low. How he has to figure out a way to teach them so they retain it, while also dealing with the fact that they’re either unmotivated, airheaded, stubborn, or just plain malicious. Is there any way he can do this?

Well, we know the answer to that one right away – the manga debuts with a flashforward to the wedding of Futaro and…. one of the quintuplets. They look very alike, and sometimes try to “switch” to another sibling to fool Futaro, so there’s no guarantee that it’s Itsuki he’s marrying simply because she’s the first one that he meets. (That said, this is a shonen romantic comedy, where “first girl wins” holds quite a lot of weight.) Actually, the bulk of the character development in this first book goes to Miku, the middle sister, who’s the “quiet one” of the siblings and also has an obsession with the Warring States period. This allows Futaro to figure out a way to tutor her, and they bond a bit. Others may prove harder. Futaro getting literally drugged into unconsciousness by Nino, the angriest of the five sisters, was going a bit too far for me.

If you like reading shonen romantic comedies and arguing about who is “best girl”, well, we have five siblings who look a lot alike but have differing personalities, so you should have a lot of fun here. That said, this seems like the sort of series that gets better in future volumes. This was an okay start, but only okay. It has several more volumes out digitally, though, and is getting an anime soon.

Bookshelf Briefs 12/31/18

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After Hours, Vol. 3 | By Yuhta Nishio | VIZ Media – Well, After Hours is over already. Ultimately, it just doesn’t feel like three volumes was enough. I suppose if you look at this more as the story of Emi finding something to be passionate about, then it was the right length, but in terms of really understanding the two leads and their relationship, I don’t feel I ever really got there. I should’ve felt something when Kei mysteriously disappeared, suddenly deciding to be a dutiful daughter and help her parents recover from a business loss, but I didn’t. Possibly because it seemed like one page she was ready to call it off with Emi, and by a couple of pages later, the crisis was averted and they were trembling thinking about their future together. It was an enjoyable series, but sadly not a favorite. – Michelle Smith

Ao-chan Can’t Study!, Vol. 3 | By Ren Kawahara | Kodansha Comics (digital only) – The series continues to toe the line but not actually cross it, which is good as crossing it would make this an entirely different sort of series. So even though our hero is inadvertently slipped an aphrodisiac, and really want to bang our heroine, he is a good boy and tells her to get away from him for the time being. Ao, meanwhile, is still very unclear as to what she wants—and it is genuinely affecting her studies. This means the climax of the book is Kijima thinking that it’s for he best if he stays away from her, even though he’s clearly fallen for her. How is Ao going to balance having a good education with her boiling hormones? We’ll see next book, and I think an anime is coming as well. – Sean Gaffney

CITY, Vol. 4 | By Keiichi Arawi | Vertical Comics – A stronger volume of Nichijou than the previous one. The “main” plot, such as it is, involves Nagumo being locked in a tower and forced to have a massive award ceremony telling her she’s amazing. Since this is clearly not to be trusted, she resolves to escape. Sadly, escape turns out to be… ridiculously easy, so much so that there’s a lot of desperate tsukkomi going on. Meanwhile, Niikura races all over the city trying to retrieve a pendant with an embarrassing photo that has gotten tangled with a cat. Even the stories that aren’t about the trio are pretty good this time around, with my favorite being the school playing a “mock detective” game. CITY is built on weird humor, and this volume gives you that in spades. – Sean Gaffney

Dragon Half, Omnibus 3 | By Ryusuke Mita | Seven Seas – Much to my surprise, the plot does gain more importance as we reach the end of Dragon Half, though it will never quite be as important as sheer dumb humor. And I do mean the dumbest humor—some of these jokes are so amazingly lowbrow you laugh from sheer shock that the author bothered. This is, of course, the point—who wants Dragon Half with subtle intelligent humor? That said, Mink clears her name, defeats the demon lord, does not transform into a hideous monster, and marries her beloved Dick Saucer, whose backstory actually manages to be tragic. There’s even an epilogue showing off the next generation. Dragon Half was a terrific series for fans of old-school manga, and I’m very happy it was licensed. – Sean Gaffney

Giant Killing, Vol. 15 | By Masaya Tsunamoto and Tsujitomo | Kodansha Comics (digital only) – The flashback to ten years ago continues! Tatsumi has emerged as the ace of ETU and his performance in the derby against Tokyo Victory draws a lot of attention. For his part, Tatsumi is (even then) seeing chances others can’t and coordinating his teammates to take advantage of them and never once plays like he’s the star. Once he’s injured and ETU falters, it hurts him to hear angry fans lambasting his teammates. Meanwhile, the president of the club wants to show as many people as possible Tatsumi’s entrancing soccer, which seems like a good thing, but we end the volume with this guy ordering the coach to put a not-fully-recovered Tatsumi in the next game so as not to disappoint the fans. I have a feeling the next volume is going to be hellaciously frustrating. What a great series, though. – Michelle Smith

Missions of Love, Vol. 16 | By Ema Toyama | Kodansha Comics – Kodansha may not cancel series for low sales, but series that aren’t performing do tend to come out veeeeeeery far apart. That seems to be the fate of Missions of Love, which now seems to be down to twice a year. Fortunately, it’s almost done. Everyone has confessed, but that’s hardly the be-all and end-all, even in shoujo manga. Yukina has to meet the parents. Hisame is back to behaving like an absolute ass. And Yukina’s literary career… and her use of her own life as a template for it… is finally coming out into the open. Is this something that can be forgiven? Oh, probably, but I imagine there will be even more drama next time around. Which is good, as overblown drama is why this series exists. – Sean Gaffney

Outdoors | By Yuichi Yokoyama | Breakdown Press – The three nature-themed stories collected in Outdoors were originally published online in 2009, the first and so far only time that Yokoyama created manga for a website. Interestingly, according to the short interview by Ryan Holmberg also included in the volume, Yokoyama doesn’t own a computer and strictly works using traditional media—he’s never even seen the site on which his manga was released. In general Yokoyama’s work tends to be something that I appreciate more than enjoy. While the short manga in Outdoors are visually striking—especially important as they contain no dialogue and almost no story—they also have a sense of cold detachment. In the interview Yokoyama notes that he has no interest in portraying human emotions or drama, so I think the effect is a deliberate one. I can recognize Yokoyama as an accomplished artist, but when experiencing his work I personally miss having that emotional core. – Ash Brown

Sleepy Princess in the Demon Castle, Vol. 4 | By Kagiji Kumanomata | Viz Media – If this series were even one small molecule less silly than it is, Syalis would be a hateful monster. The things she does to the demons in this book absolutely boggle the mind. Fortunately, this is absolutely a silly, silly manga and therefore Syalis’ sociopathic attempts for the perfect sleep are absolutely hilarious. She tries to hibernate, carves up even more ghosts, and gets kidnapped by Hades, which as you can imagine does not go very well for him, because Syalis is a law unto herself. Even when she shows a smidgen of humanity, such as when trying to get chocolates on Valentine’s Day, it’s still funny. I want to see this get even more over the top and sadistic. Fun, fun manga. – Sean Gaffney

Yowamushi Pedal, Vol. 10 | By Wataru Watanabe | Yen Press – If there’s anyone that can make Midosouji somewhat more redeemable, it’s Onoda, and he manages to achieve it here. Day Three may be a little more difficult, though. Not only do we meet a new rival who’s an absolute creep, hitting on Kanzaki and reminding us briefly that women do exist in this manga. (And then she goes away again.) But even more importantly, the third day is not about teamwork and working together, it’s ‘the fastest one wins.’ So Onoda finds himself overwhelmed by a whole new experience. Fortunately, he’s reminded how much he loves this and recovers. Still, this final day looks to be the most mentally exhausting. Will it end in the next omnibus? I doubt it somehow. Great sports manga. – Sean Gaffney

Didn’t I Say to Make My Abilities Average in the Next Life?!, Vol. 5

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By FUNA and Itsuki Akata. Released in Japan as “Watashi, Nouryoku wa Heikinchi de tte Itta yo ne!” by Earth Star Entertainment. Released in North America by Seven Seas. Translated by Diana Taylor. Adapted by Maggie Cooper.

There is something going on with this series that I absolutely love, that’s gotten stronger with each volume. We see Mile and the rest of the Crimson Vow, who have awesome strength and abilities and are a fantastic party. And throughout the book, we see everyone trying to find ways to use that to further their own agenda. And every time – Every Single Time – they are frustrated and anguished as our heroines shut everyone down and continue doing what they want to do. It’s fantastic, especially since so many of these folks eyeing the Crimson Vow are young guys thinking “ehehehe, cute young girls of marriageable age”. We even get it contrasted with a plotline about an inn being run by three young (very young – more on that later) girls who end up with husbands (mostly). The Crimson Vow, minus Mile, are all able to understand the romantic subtext, but just are not looking for that in their life right now. Mile, meanwhile, is Mile.

The start of the book features a moment we’ve been waiting for, as Mile’s main friends go back to her old kingdom and meet her emergency backup friends, which is to say Marcela and company. The main chapters give a fun and emotional reunion. An extra side story turns everything very ridiculous, as Reina and company have to battle against Marcela and company to see who gets custody of Mile. Once Mile realizes that’s what this is about she gets really angry, but till then it’s really quite funny, showing off the old cast vs. the new cast in very amusing ways. There’s two other big stories that take up the rest of the book. The first has the group hired to try to find spices for a gourmet restaurant, and Mile deciding to simply make her own capsaicin. PURE capsaicin. The other involves two warring inns…. well, one inn in trouble and another that wants to help but can’t because of stubbornness.

It is mentioned several times that the age of “I am an adult” is far younger here, i.e. it’s ten years old. Which makes sense in a fantasy sort of way, but I do mention it as we are seeing a lot of 15-16 year old girls discussing marriage, and some here who are about eight talking about getting engaged. In fact, time does seem to be passing and things actually happening here. In addition to trying to track down those excavating the past (which provides us with the cliffhanger), Mile finds out that her old kingdom has executed or exiled those responsible for her original fate, and they are in fact actually trying to find her… again, so that she can be elevated to a title and married off. Responsibilities for young women are never far away from everyone’s thoughts. But Mile, Reina, Mavis and Pauline want to carve out their own path before settling down, and that path does not involve marrying a lord and stopping. This is a series that moves.

I didn’t mention the humor this time, but there are tons of funny moments, mostly involving Pauline, who gets humiliated a lot but also seems to be a few steps away from becoming a supervillain, so it balances out. Anyone who likes seeing young women kick ass and gales of laughter should be seeking this series out.

Pick of the Week: Brides, Beds, and Breakfasts

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ASH: It’s the first week of the new year and I’m already behind! So many great manga were released last year and it seems that trend will continue this year as well. For me the debut that’s caught my eye this week is Kakuriyo: Bed & Breakfast for Spirits. A yokai and food manga? There’s no way I could resist.

SEAN: I’m interested in that as well, and also new volumes of Kaguya-sama: Love Is War and One-Punch Man. But after a humdinger of a volume last time, I’m going to be picking up The Water Dragon’s Bride the moment I get it, so that’s my pick this week!

MICHELLE: Yes, yes, yes! The Water Dragon’s Bride has always been good, but volume seven was especially so and even thinking of one particular moment gives me geekbumps. Can’t wait for volume eight!

KATE: I’m still excavating my pile of unread manga, too! If I had to choose something — and death was not an option — my pick would go to the third volume of Dr. STONE, an awesomely silly Shonen Jump title with a hero so dumb he makes a ham sandwich look good by comparison. I know, I know — I’m not doing a good job of selling it — but it’s a fine bit of escapism if you need it. Lord knows I do!

MJ: I’m firmly with Ash this week, since basically everything about Kakuriyo: Bed & Breakfast for Spirits sounds like my kind of manga. Count me in for this!

ANNA: I’m interested in Kakuriyo: Bed & Breakfast for Spirits, but I’m so invested in the complex story of Water Dragon’s Bride, that it has the edge. That’s my pick!

I’ve Been Killing Slimes for 300 Years and Maxed Out My Level, Vol. 3

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By Kisetsu Morita and Benio. Released in Japan as “Slime Taoshite 300 Nen, Shiranai Uchi ni Level MAX ni Nattemashita” by Softbank Creative. Released in North America by Yen On. Translated by Taylor Engel

For all that the premise of this book is about a girl who likes to take things easy and relax, they sure do a hell of a lot. But that’s where the humor comes into play, of course. The only thing relaxed about Azusa’s life is her general attitude and desire to simply live in her cottage. What actually happens? Well, OK, the cookie baking battle seems to fit in nicely. But then one of her daughters is stuck as a slime, leading to a big adventure to try to fix things, which includes a martial arts tournament. Then a fake witch is abusing the name of the Witch of the Highlands, forcing Azusa to track her down and find out why it’s happening. Even a barbeque party, which you’d think would be as peaceful as the cookie baking, involves killing off masses of dangerous boar animals – and teaching dragon girls that nudity is not OK. There’s a lot going on here.

There is more of what I enjoy about the series in this volume (some great humor, “found family” affection) and less of what I don’t like (Halkara’s clumsiness and jokes about her chest – well, OK, there’s some of those). There’s also still a large amount of yuri subtext, though it’s not going anywhere as Azusa really isn’t interested. It’s heavily implied most everyone who lives in the house – and even some who don’t – love her romantically, but she seems to be a) straight, and b) mostly indifferent anyway. Actually, that may be by design – when we meet another long-lived witch, and discuss the loneliness that happens when you outlive everyone around you, Azusa strongly implies that she’s deliberately suppressing all her emotions in order to not be affected by this. It helps that she’s made several long-lived girls part of her family (or ghosts, as the case may be), but I do wonder if it will come up again in the future.

Frankly, though, I’m happy with Azusa being relatively subdued and snarky – except in her head, when the tsukkomi comes across much louder. We get a lot more memories of her previous life on Earth, both from her wageslave days and her school life (she brags about her ping ping club skill… which proves to be a mistake against two dragons she describes as being “classic high school jocks”. There’s a bit more development of the others, particularly the dragons and Beelzebub the Demon Lord, who isn’t living with Azusa but might as well be for how often she pops up. There’s also some examination of modern Japanese foibles, as we get a fantasy undead who’s also a NEET, and the “fake witch” trying to get people to praise her by a method so oblique that it feels a little ridiculous.

If “my pace” heroines drive you nuts, steer clear. But however much Azusa may not want it to, things are happening in this series. Just… very slowly and leisurely.

Yona of the Dawn, Vol. 15

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Yona of the Dawn, Volume 15 by Mizuho Kusanagi

This story arc of Yona of the Dawn examines issues of geopolitics and addiction, along with Yona’s growth into someone who inspires others to do their their best. Yona gets injured defending her new friend Riri. Sinha appears just in time to rescue her, and as she recuperates Hak is constantly by her side. Yona being Yona, as soon as she is slightly mobile she decides to continue her mission to track down the source of the drug trade that is decimating the Water Tribe. Seeing Yona’s determination, Riri challenges herself to do what she can as well, stealing her father’s seal of authority and traveling to the coastal city of Sensui. Riri’s overtures of friendship to Yona as they part ways are adorably awkward, as she shoves a box of sweets at Yona and attempts to help her with her sash.

Yona of the Dawn 15

One of the reasons why I like Yona of the Dawn so much is the way Kusanagi builds in short character development moments into a larger, more complex story. Seeing Riri on her own standing up for what she believes in shows the depth of Yona’s influence. Jaeha has a few quiet moments with Yona that show how much of his breezy womanizing persona is actually an act. The larger conflict between Yona and Su-Won appears again, as their paths continue to intersect as Yona’s actions on behalf of the people intersect with his travels through his kingdom. Kusanagi is building up to a dramatic confrontation, and while I have no doubt that Yona and her companions will eventually leave the country of the Water Tribe in better shape than it was when they arrived, seeing the pathway to fixing the problems of the people is what makes this series so consistently interesting.

Manga the Week of 1/2/19

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SEAN: It’s the new year! 2019 manga! Fortunately, January is always the lightest month of the year, so there’s not TOO much of it. Yet.

ASH: I’m ready! (If you ignore the giant “to be read” pile of 2018 manga and novels still waiting for me…)

ANNA: I’m not ready!

SEAN: Apologies to Bookwalker, as I always forget when they release a new volume of The Ryuo’s Work Is Never Done. The 6th novel is already out.

Dark Horse has a 2nd Gantz omnibus.

J-Novel Club has a 3rd Sorcerous Stabber Orphen.

Kodansha debuts in print a title that’s come out digitally already, and is also getting an anime soon. The Quintessential Quintuplets sounds like classic Shonen Magazine romantic comedy.

In print, Kodansha also has a 10th Aho-Girl, the 10th (and final) Descending Stories, and a 4th Tokyo Tarareba Girls.

ASH: I’ll admit, I’m not following many of Kodansha’s print series right now, but I’m definitely picking up Descending Stories and Tokyo Tarareba Girls.

MICHELLE: I read a little Descending Stories and really liked it. I need to go back and have a marathon now that the final volume is coming out!

SEAN: Digitally, there doesn’t SEEM to be a debut, but I already know they sometimes add those at the last minute. There are definitely new digital volumes for Can You Just Die My Darling? (7), Can I Kiss You Every Day? (3), Chihayafuru (14), and The Prince Romance Gambit 6.

MICHELLE: It seems like the Chihayafuru releases are coming a bit faster now, so huzzah.

ANNA: More for me to get caught up on with Chihayafuru. I’m hoping to make some headway over winter break.

SEAN: Seven Seas doesn’t realize it’s 2019 already, so is releasing these manga while it’s still 2018! Due to the nature of this list it still counts, though. There’s A Certain Scientific Accelerator 8, Devilman Grimoire 5 (a final volume), High-Rise Invasion 5-6, Hungry for You: Endo Yasuko Stalks the Night 2 (also a final volume), and Magika Swordsman and Summoner 10.

And there is Viz, rounding things out with a heaping helping of shonen and shoujo. The debut is Kakuriyo: Bed & Breakfast for Spirits (Kakuriyo no Yadomeshi: Ayakashi Oyado ni Yomeiri Shimasu), and is an Enterbrain title, from Comic B’s Log. It’s about a young girl who, not wanting to marry a demon to clear her debt, ends up employed at an inn… for the afterlife. Sounds like a good title for Kamisama Kiss fans.

ASH: I’m looking forward to giving this one a try!

MICHELLE: Hm. Could be good!

ANNA: Sounds promising!

SEAN: There’s also Anonymous Noise 12, Blue Exorcist 21, The Demon Prince of Momochi House 13, Demon Slayer: Kimetsu no Yaiba 4, Dr. STONE 3, Dragon Ball Super 4, Haikyu!! 30, Kaguya-sama: Love Is War 6, My Hero Academia: Vigilantes 3, One-Punch Man 15, the final Rurouni Kenshin 4-in-1, Skip Beat! 3-in-1 13, Twin Star Exorcists 14, and The Water Dragon’s Bride 8.

ASH: Quite a few in this list that I’m reading, too!

MICHELLE: Forsooth. I just wish that Skip Beat! volume was new material!

ANNA: Me too. Always glad for another volume of Water Dragon’s Bride.

SEAN: So, y’know, there’s a lot. Just not as much as the past few weeks. What interests you?

Pick of the Year: A Year of Terrific Manga

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SEAN: This week is a bit light on stuff, so it’s a good time for the pick of the year. I’ve already talked about Silver Spoonin other end of year wrapups, so let me take the time to praise two other series I love to bits, both from Viz: The Promised Neverland and Yona of the Dawn. Each are the top of their genre, shonen and shoujo respectively, and also great manga for teens.

MICHELLE: If someone had asked me to name the best shounen and shoujo series that I read this year, I would have the exact same picks as Sean (with My Hero Academia and Takane & Hana as runners-up). So, instead I’ll highlight my favorite josei and seinen releases of the year—Chihayafuru and Giant Killing, both brought to us by Kodansha’s digital-first initiative. It’s been really neat to see sports manga from a more grown-up perspective, and I recommend each series heartily.

ASH: When it comes to the end of the year, I usually try to get away with picking a publisher as a whole. This year, Seven Seas has continued to impress me with the variety found in its catalog, everything from autobio comics like The Bride Was a Boy, to classics like Devilman (in multiple incarnations), to the publisher’s first BL offering Go For It, Nakamura!, and so much more.

ANNA: The titles that first came to mind for me for pick of the year were Water Dragon’s Bride and Yona of the Dawn, truly excellent shoujo series. It has been a great year of shoujo in general, and I’m also thankful that we are also getting titles like Ao Haru Ride translated in English. I finally got around to reading three volumes of Inio Asano’s Dead Dead Demon’s Dededede Destruction last night and thought it was amazing. I’m going to recommend Dead Dead Demon as my pick for the year.

KATE: I agree with Ash: my pick of the year is not a series but a publisher. Seven Seas has emerged as one of the boldest US publishers, licensing classic and queer-friendly manga, all while keeping their original readership happy by providing a steady stream of monster girl series and light novels. The company’s monthly licensing survey is another brilliant strategy, as it gives fans a say in what Seven Seas publishes. So my hat’s off to Seven Seas!

MJ: There’s been a lot to love this year in manga, and like my colleagues, I’m impressed with what Seven Seas has become. But I can’t deny that this year, my heart belongs to Silver Spoon. There’s honestly no other series that’s captured my attention so completely this year. It’s funny, original, and charming in a way that is entirely unique to its creator. I maintain a manga lending library in my voice studio, and I had the pleasure just a week or so ago of introducing Fullmetal Alchemist to a pair of 16-year-old twins for the first time. Since I hadn’t read the series in so long, I gave myself a quick refresher read of the first few volumes, and I was reminded all over again of what a masterful storyteller Hiromu Arakawa is, and how emotionally rich her characters and relationships are. Silver Spoon is obviously a very different manga, but I’m struck by how much her artistry has continued to deepen and mature. Each new volume is an absolute pleasure to read. Silver Spoon has to be my Pick of the Year!

Konosuba: God’s Blessing on This Wonderful World!: 110-Million Bride

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By Natsume Akatsuki and Kurone Mishima. Released in Japan as “Kono Subarashii Sekai ni Shukufuku o!” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Kevin Steinbach.

For all that KonoSuba is occasionally called a harem manga, it’s more clearly a love triangle. And having given Megumin her due again in the 5th book, we’re back to focusing on Darkness, who is dealing with the realities of being the daughter of a noble. As the title may imply (it’s a parody of the “My Bride Is a Mermaid” series), she’s getting married off in order to clear a family debt, one that hearkens back to events of the previous books. This is actually very well handled, as it looks more closely at the “we saved the world but there was massive property damage” trope from various fantasy titles. Knowing Darkness’ sense of duty, it’s no surprise that her first thought is to sacrifice herself for the sake of everyone else. Of course there’s no way that Kazuma is going to let her get away with… oh, he’s sulking. OK, he may actually let her get away with it. Fortunately, Megumin and Aqua are on the case. (Fortunately?)

Before the wedding, Darkness is trying other avenues to earn cash, including taking out a hideously dangerous (and thus high bounty) monster, which naturally likes to attack and eat people, leading to Kazuma dying – again. This helps to emphasize something that we saw in the previous book – Kazuma and his partners work better in a large group than they do as a quartet. Unfortunately, this also means the reward is divided among various adventurers, so she has to go through with the wedding. Which is, naturally, to the evil Lord we’ve seen before, who is pretty much the bad guy behind nearly everything in the series. To Kazuma’s credit, he does try to rescue her from this plight, at first, but he simply cannot resist running his mouth off, which leads to a fight, which… well, you know. Kazuma.

This is one of those books that’s all about the climax, though. It’s also very much about Darkness’ specific masochism fetish, which is on display throughout the book. It can be very difficult for both her and Kazuma to draw a line between “you are being mean and embarrassing me and I find it really arousing” and “you are being mean and embarrassing and I am pretty furious”, and after the events of this book, I don’t think either one has really gotten closer to figuring out where that line is. In terms of the reader and KonoSuba’s sense of humor, though, nothing can quite top Kazuma’s declaration that she’s his property now and he plans to use her body to the fullest. This is in the middle of the wedding, and is essentially followed up by Darkness having an orgasm. It’s strangely heartwarming too, in that KonoSuba way. Also heartwarming is the way that everyone in the town arrives to help Darkness.

This series has been very consistent lately, which I’m quite happy with. And the cliffhanger shows that Kazuma has finally figured out who Chris is, which is nice. The next volume seems to feature both Eris and Aqua, so I’m expecting less romantic comedy and more just plain comedy. KonoSuba will make any reader who likes funny stuff happy.