Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Blog

I’ve Been Killing Slimes for 300 Years and Maxed Out My Level, Vol. 6

by

By Kisetsu Morita and Benio. Released in Japan as “Slime Taoshite 300 Nen, Shiranai Uchi ni Level MAX ni Nattemashita” by GA Novels. Released in North America by Yen On. Translated by Jasmine Bernhardt and Taylor Engel.

There is a literary device known as lampshade hanging, wherein the author, knowing that a plot point is ridiculous or obvious, points this out in the narrative, thus taking the curse off it a bit. A classic example is Bruce Willis in Die Hard 2 bemoaning that he’s having the same bad Christmas as Die Hard 1. Readers of Killing Slimes for 300 Years, therefore, should be ready for a number of instances in this book, even more than the usual, where our heroine just straight up says “wow, it’s just like we have in Japan”. The temple visits, the way that weddings happen, various types of spirits… boy, it seems really familiar somehow. This, of course, is because the author is Japanese and doesn’t want to spend too much of a slice-of-life book developing a world when she can have the cast go to the beach instead. Even the Beelzebub side story (which makes a welcome return) has as the central gag Japanese office politics, only with demons.

As with previous volumes, it’s a grab bag of what are basically short stories with Azusa and the gang. While visiting her “mother”, she eats something that turns her small, allowing her a few days to be treated like a real child. She goes to a “singles event” that turns out to be filled with much older men than expected, then meets the local spirit, who tries to officiate weddings but has had bad luck with no one coming by lately. No one in the cast is ready to get married, so they do a “sister’s wedding” between Falfa and Shalsha, inviting most of the regulars. After an injury causes her to revert to her slime form, Fighsly enters a fighting tournament anyway. The cast, as I said above, go to a jellyfish-filled beach, and then we see Halkara’s hometown, and find she’s the responsible one. Then we get more of Beelzebub’s origin story, as she has to deal with crooked administrators and murderous former colleagues.

There’s nothing really to analyze here – it’s not as if people have character development in a series like this – so the goal is to see how cute and fluffy everything is. The answer is very. The wedding may be between two sisters, but features all the things you’d expect, and will put a smile on your face. Halkara’s family were funny and also helped make a character who can grate on a reader fairly easily more sympathetic. There’s more wacky spirits – one talks like a dazed hippie a lot of the time, and another is interested in painting portraits… but the portraits may not come out the way others like. And the Beelzebub chapters are great, showing how even when she’s unsure of herself she still kicks eleven kinds of ass.

Anyone wanting depth and ongoing plot should run far away from this series. But if you like “cute girls doing cute things”, it’s right up your alley.

Toradora!, Vol. 8

by

By Yuyuko Takemiya and Yasu. Released in Japan by Dengeki Bunko. Released in North America by Seven Seas. Translated by Jan Cash & Vincent Castaneda. Adapted by Will Holcomb.

Last time everything was terrible, and I asked is some of that could be fixed by the end of this book. The answer is mostly no, though we do get one major revelation that I expect will eventually lead to the endgame. Till then, though… this was a good volume, with lots of relatable teenage angst, but I have to admit that it feels very much like an author being told to stretch out a series to a nice round ten books and therefore just having everything continue to disintegrate. Minori in particular is still making all the wrong choices, trying to pretend that everything between her and Ryuuji is still exactly the same. Sadly, she’s much better at pretending than he is, so he assumes that his almost-confession meant nothing to her. Ami calls her out on her bullshit, which leads to a major fight between them. And then there’s the ending of the book, which I’ll get into later but leaves Minori sobbing alone in a corner. This is not a wacky fun Toradora! volume.

The tone of the book is set up right off the bat, as the much-awaited trip to Okinawa is cancelled when the hotel they were supposed to stay in burns down. As such, the class trip is a much shorter skiing trip, which pleases absolutely no one. As for Ryuuji, he’s still devastated by events of the previous book, and only JUST manages to get back to himself by halfway through the book. This thankfully allows for the brief bit of comedy we get – the tracksuit outfits picked out for the class are deliberately tacky and awful, and there’s various “Ryuuji and Taiga can’t ski” jokes that are a lot of fun – at least till the end. The main plotline remains the love septangle going on. Taiga is trying to distance herself from Ryuuji, and has also gone so far as to give Minori the hairclip Ryuuji was going to give her. She’s really pushing Ryuuji/Minorin hard. As for her crush on Kitamura, well…

As with the previous book, events in the last twenty pages of the volume almost consume everything else. After another fight, Taiga ends up disappearing off a cliff, and Ryuuji is the one to go down and rescue her. Unfortunately, Taiga, who is groggy from concussion and blood loss from the fall, sees Ryuuji’s goggles and thinks it’s Kitamura. We’ve heard that Taiga and Kitamura had a talk at New Year’s (which Ryuuji, in the hospital with flu, missed) and now we get the pretty obvious answer of what it was about – Taiga is incredibly devastated that despite her best efforts, she still loves Ryuuji. Naturally, she’s unaware she’s telling this TO Ryuuji. It’s so sweet and sad and heartwarming and terrible all at once, and I do feel that Ryuuji made the right choice for the moment of pretending that he was not her rescuer, but this isn’t going to go away.

If you like Toradora! and its teen comedy-drama, this one is almost all drama, but should definitely appeal. Next time, one hopes, Minori will finally open up, but I suspect nothing will really be resolved until the final volume.

Pick of the Week: What Did You Eat In 2019?

by , , and Leave a Comment

ASH: Although there are a few manga being released this week that I’m interested in, without a doubt my pick goes to the latest installment of What Did You Eat Yesterday? in English. The series is such a delight and it’s been more than a year since the last volume was published, so I’m really looking forward to reading more.

SEAN: What Did You Eat Yesterday? never gelled for me, so I’ll go with the latest Monogatari as my pick. Owarimonogatari: End Tale is one of many times that Nisioisin has said that he’s ending the series, and it does actually wrap up the main plotlines, to be fair, if not the books themselves. This is the first of three volumes, dealing with Araragi’s first year in high school and the mysterious Ogi Oshino.

MICHELLE: I’m very much looking forward to more 10 Dance and Waiting for Spring, but given that my spirits had a noticeable uptick when I noticed this volume on the calendar, it’s gotta be What Did You Eat Yesterday? for me!

MJ: I’m interested in a few titles in the upcoming New Year’s batch, but I’m going to have to go with Ash and Michelle. Fumi Yoshinaga always wins with me, and I’m thrilled that we’re finally seeing more of What Did You Eat Yesterday? this week!

Bookshelf Briefs 12/29/19

by , and Leave a Comment

As Miss Beelzebub Likes, Vol. 8 | By Matoba | Yen Press -Aside from the cute slice-of-life aspects of the series, much of it revolves around the fact that everyone seems to have a crush on someone in the cast, but it’s either the wrong person or they’re too shy/tsundere/unable to see it to do anything. I was reminded of that in this volume, which literally has Beelzebub and Mullin going on a date to the aquarium… but they’re still not actually a couple, even if they are treated as an eventual one. We see this again with a mixer that Mullin is forced to go to, where we see a girl who a) is so cute she even gets Mullin’s brain briefly off his boss for a bit, and b) has a great meet cute scene with Samyaza… who it turns out has a crush on Eurydice, the shotacon. Sigh. That’s the manga. – Sean Gaffney

Komi Can’t Communicate, Vol. 4 | By Tomohito Oda | Viz Media – One thing I really like about this series is that, while Komi has trouble communicating and is trying to improve, the series never shows it as a bad thing per se, and never really judges her for it. Her family is the same way, with the exception of her talkative mother, who we get more of here. A bulk of the story is devoted to the athletic festival, where, as you might expect, both Komi and Tadano are in a position to save the day and win for their group. There’s a bit of selfishness, mostly courtesy of Yamai, who is still around, but for the most part the series really runs on sweet kids doing their best, and also finds the time to be funny. I admire that. – Sean Gaffney

My Father Is a Unicorn | By Monaka Suzuki | Seven Seas – Sometimes you get a book that falls between two stools, and it can be even more disappointing than if it was too much of one thing or the other. This wants to be a funny comedy about a guy trying to live with his out-of-touch stepfather who is really a unicorn, bad at transforming at the worst of times, and also a big flake. This also wants to be a series about found family and giving new people a chance when they mean well and are trying. Unfortunately, too often it tries to do both at once, and the tone is wrong. There’s also a number of times when, even for the broad comedy this is sometimes going for, the characters are so stupid they beggar belief. If you like silly monster “guy” manga you may like it, but… eh. – Sean Gaffney

One-Punch Man, Vol. 18 | By ONE and Yusuke Murata | Viz Media – Another volume that is very funny when it’s trying to be, but isn’t trying 3/4 of the time anymore, so it’s just serious fighting stuff. The best bits were the restaurant and the dining and dashing, which felt a lot like the OPM of old. We’re also making Garo into less of a villain by having him do more protecting of a kid, which is fine but does remind you that everything about this world is absolutely terrible—in the end, the kid even ends up captured anyway. Now, arguably you could call this a pastiche of the tendency in modern comics, especially superhero comics, for “grim and gritty,” but this isn’t a parody anymore—it’s just a lot of serious fighting with more gore. My Hero Academia is looking better by the day. – Sean Gaffney

Saint Young Men, Vol. 1 | By Hikaru Nakamura | Kodansha Comics – It’s a Christmas miracle! Despite great interest in the series, Saint Young Men has been unlicensable in North America for years, at least in part due to concerns over how more conservative Christian groups in the United States might react to the manga’s blatantly irreverent humor. The premise is simple enough—Jesus and Buddha are taking a break from their heavenly duties and are sharing an apartment together in Japan. Hilarity ensues as they live their day-to-day lives while trying to keep their identities a secret. Readers who already have some familiarity with Christianity and Buddhism—and to to some extent Japanese culture, as well—will likely appreciate and get the most out of the series, but Kodansha has included plenty of notes after each chapter of this release to help along those who aren’t. Personally, Saint Young Men brings me great joy and laughter; I’m thrilled it’s being translated. – Ash Brown

Seven Days: Monday→Sunday | By Venio Tachibana and Rihito Takarai | SuBLime – Handsome Toji Seryo has a reputation for agreeing to go out with the first girl to ask him on Monday morning and then breaking up with her on Sunday evening, saying, “I’m sorry I couldn’t fall for you.” Impulsively, Yuzuru Shino (also popular with girls due to his looks) asks Seryo out and is surprised when he agrees. From there, their week as a couple unfolds, during which each guy develops feelings for the other, with Seryo convinced that Yuzuru is not going to seriously return his feelings and Yuzuru convinced that what’s happening between them has also happened with all the other girls Seryo has dated. It’s sweet and angsty and features some poor communication, and I enjoyed it a lot. They each finally found someone who loves them for who they really am and I am totally happy for these fictional boys. Strongly recommended. – Michelle Smith

Yuri Is My Job!, Vol. 5 | By miman | Kodansha Comics – Despite the events of the last volume, this one is devoted to showing us that nothing is really solved. Hime is trying a bit harder but is still too much of a flake to really be a good waitress (though she’s better as a schweister), Kanoko is still really in love with Hime, a situation not helped by them going out on a shopping “date” and Hime giving Kanoko a special present. Most importantly, Mitsuki is still tortured and tormented, and it’s coming out by her lashing out at Hime whether she deserves it or not. This is a good story in a tortured sort of way, but I have to admit this specific volume was not so much “fun to read” as “crawling across broken glass.” But the glass *is* very pretty and shiny, and there is hope things will get better. – Sean Gaffney

Invaders of the Rokujouma!?, Vol. 27

by

By Takehaya and Poco. Released in Japan as “Rokujouma no Shinryakusha!?” by HJ Bunko. Released in North America digitally by J-Novel Club. Translated by Warnis.

Another “short-story” volume of Rokujouma, although honestly it’s more three short stories and a half-novel, as the story written especially for the book is a continuation of the previous book and not really skippable. The three short stories are all essentially character pieces. The first focuses on Nana, who has been slowly drawn into the secondary orbit of the main cast, although she’s not in the Koutarou sweepstakes. It involves making changes to her mostly cyborg body to have her look more of her actual age… as well as various other members of the cast envying how Koutarou interacts with each of them. The slightest of the three stories has Shizuka and her “dragon” uncle going to a hot springs. The third involves an eating contest that all the cast enters, but it’s mostly about Sanae and Theia, along with making Yurika the butt monkey again, because, well, we’re back on Earth. All three stories are the same as we’ve seen in previous volumes – nice character pieces, but slight.

The final story is more significant, and starts with an obvious problem: Koutarou being on Forthorthe is ruining the economy, as anywhere he goes is automatically where everyone else wants to go, and everything he buys, everyone else does… meaning all the competitors are being ruined. This is a tad ridiculous, but serves to give him an excuse to quietly go back home with everyone except the main Forthorthe cast. That said, they’ve been away from Earth a LONG time. Various people on the magical girl side have been pretending to be them in class, but that’s not helping their actual studies, so they have to take a test to prove that they’re up to date… and failure means repeating a year. You can imagine who panics most about this, but Sanae and Koutarou are also not great students.

Now, I will partly hand it to Yurika, despite whining and moaning the entire time, she really did seem to earnestly study. That said, I do like how this book shows that all the studying effort in the world can’t help you when you start from so far behind. I also liked how Maki kept Yurika motivated – yes, Koutarou would still let her stay there if she had to repeat a year, but he’s be so disappointed… as you can imagine, the thought horrifies Yurika. The other main plot here involves the cast being followed around by various guys in suits and sunglasses who look straight out of Urusei Yatsura. This was amusing, but feels more like a setup for next book, where I expect Forthorthe is going to have to go public. In fact, the author said there’s a lot of setup for the next book in this story.

So overall not bad, and sets us up nicely for the next two books, which are the final ones in the “main” storyline, though the series continues after that. Rokujouma fans should be happy.

Baccano!: 2002 [Side A]: Bullet Garden

by

By Ryohgo Narita and Katsumi Enami. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Taylor Engel.

The first volume of this two-parter reminds me very much of the fist volume of the last two-parter we had, The Slash. It’s very short, almost all setup, and seems to be saving all its tricks for the back half. It also features a new character I don’t care for, and once again brings up Firo’s paralyzing fear of sexuality, which is not a plotline I like either. Adding this all together makes it one of the more “average” volumes in the series, and it feels sort of like the first volume in a DRRR!! arc as well – you’re reading along waiting for fun, only to be told the fun is four months from now. Fortunately, there is a BIT of fun to be had here – Claudia and Charon *are* new characters I like, being genderswapped carbon copies of their great-grandparents, Czes gets a lot to do an an ominous foreboding about what’s going to happen, and Illness is a treat, though her terrifying backstory reminds me of Huey and Elmer – deliberately, of course.

Firo and Ennis, we are told, married somewhere around 1980, fifty years after they first met, but have never had a honeymoon – or indeed consummated their relationship. On finding out about this, the Camorra bosses pay for him and Ennis to travel on an ocean liner’s maiden voyage – and, Firo still being extremely wary of what comes with a honeymoon, he invites Czes to come as well, much to Czes’s frustration. The cruise also features Claudia and Charon, great-grandkids to Claire and Chane (who, while not immortal, are both still alive and active in their nineties), who are in the film industry; Angelo, a sniper who is out for revenge on the terrorists who wiped out his South American gang; said terrorists, the Mask Makers, whose name seems awfully familiar to Firo and who have a love of modern cinema; and Bobby Splot and his gang, who stow away on the boat to get revenge on people because… well, because Bobby is terrible. He’s a disgrace to his great-grandfather Jacuzzi.

I am aware that Bobby will likely improve in the next book, but, like Maria in the first Slash volume, I have to rate him based on this book alone, and boy, he grates. To be fair, this is deliberate, as the book wants to have him NOT be his great-grandfather, in contrast to Claudia, but still. The plotline going on here seems complex, and you get the sense that we’ve barely seen the start of it. Someone seems to want to recreate the 1931 train incident, only without Isaac and Miria (who briefly appear, but are not on the boat). The Mask Makers are clearly a reference to the same group we saw in the 1705 novel, which makes you wonder what they’re doing here almost 300 years later. And, to make things even more interesting, the terrorists’ plan involves meeting up with the SISTER ship of this huge luxury liner, which is going in the other direction and scheduled to pass them.

We briefly hear what’s happening on the other liner, and honestly it sounds a lot more interesting than events here. As such, I suspect that the 2nd and final book in this 2002 arc will be far more exciting and interesting. Till then, enjoy Claudia, Charon and Illness, who are a lot of fun.

The Genius Prince’s Guide to Raising a Nation Out of Debt (Hey, How About Treason?), Vol. 2

by

By Toru Taba and Falmaro. Released in Japan as “Tensai Ouji no Akaji Kokka Saisei Jutsu ~Sou da, Baikoku Shiyou~” by GA Bunko. Released in North America by Yen On. Translated by Jessica Lange.

I had a lot of fun with the first volume of this series, and am pleased to report that I liked the second volume even better. For one, it’s a relief to be living in a world of political intrigue and mind games, one where our protagonists actually are people born in that world and have not been transported from modern day Japan. There is no adventurer’s guild… or indeed adventurers at all, nor do we appear to have any magic. It’s just a series with a clever young prince and his clever aide doing battle (at least in this novel) with an equally clever princess from the strife-torn Empire, still dealing with the death of its Emperor that we heard about in the last book. It feels a little bit like an episode of Blackadder if everyone were as clever as he was. There’s even a minimum of light novel cliches – the readers get a scene of the main female cast in a hot springs, but Wein is absent doing paperwork – no accidental peeping here. These are adults.

As noted, the main thrust of this volume is that Wein’s kingdom is visited by the 2nd Princess of the Empire, Lowellmina, who rumor has it is looking for a political marriage. As it turns out, she’s someone both Wein and Ninym have met before, though they were unaware that she was a princess. Wein correctly guesses she has another plan behind the public one, but has trouble figuring out the REAL plan she has behind the second one. She, meanwhile, is also trying to see what he does and how he reacts, relying on his being exceptionally clever to keep the ball rolling along. In among this we have the usual political crises. The Empire is trying to figure out which of the three sons of the Emperor should be in charge. Two territories in Wein’s kingdom who have always been at each other’s throats are coming to a boiling point. And a lovestruck, foolish son of an aristocrat from a neighboring nation may cause everything to fall apart for both Wein AND Lowellmina.

I mentioned in my last review that the best part of the book was the relationship between Wein and Ninym, and that remains the case. At the moment, it’s impossible for anything to happen between them, mostly as Wein is a noble Prince and Ninym is a non-noble from a race that many countries are severely prejudiced against. I suspect that will change before the series ends, because let’s face it, Wein and Ninym have been “married” for years now, in terms of closeness and knowing each other’s hearts. Lowellmina is also a great character, not as overdramatic as Wein can be when things go wrong (there’s some amusing faces in the illustrations) but still cut from the same cloth. There’s also some fun scenes showing Wein and Ninym at the Empire’s military academy from two years prior (which is where they met the in-disguise princess), and I’d love to see more from that period as well.

Certainly I’d recommend this for fans of series like Realist Hero and other kingdom-building books, but also for those who enjoy a light novel series without having to make excuses for half of the events that take place in them. Glorious fun.

A Witch’s Printing Office, Vol. 1

by

By Mochinchi and Yasuhiro Miyama. Released in Japan as “Mahoutsukai no Insatsujo” by Kadokawa Shoten, serialization ongoing in the magazine Dengeki G’s. Released in North America by Yen Press. Translated by Amber Tamosaitis.

It’s become something of a running gag that “isekai” is the way to sell your title to a publisher, no matter what the series is. “I’ve got this idea about two philosophy students meeting in a coffee shop to discuss Kokugaku and Rangaku.” “…why would that ever sell?” “You see, the coffee shop is… IN ANOTHER WORLD!” That said, sometimes the isekai prototype does help to make a series more interesting because it’s baked into the plot, especially when the series can avoid the usual pitfalls of having the same thing happen – no guilds, adventurers, etc. Without its isekai plotline, this would just be one of seventy different kinds of “we’re working in an office and also connected with Comiket” titles that come and go with no one remembering them. But, let’s face it: Recreating Comiket in a fantasy world, using magic tomes as the draw… that’s a very clever idea. And from this idea we get the story of Mika, whose desire to get back home led to all this.

The actual circumstances of Mika ending up in another world are mostly glossed over in this first volume – when we come across her, she’s been in this fantasy world for some time. She has one magical skill, Copy, which is what it sounds – she’s a human copier machine. Trying to find a spell that can transport her back home, she’s created her own printing office to help out people who desperately need things copied, such as the magic spell that can drive away monsters, which with Mika’s help can be given to every villager. That said, magic books and spells don’t just walk up to you, even if you are a printing company. And so Mika has decided to help organize Magiket, a massive convention where people buy and sell magical spells. Can she keep the convention from going off the rails? And can she find a spell that will get her back home?

I will admit, “magical Comiket” is just the sort of high-concept idea I like, so I was already on this manga’s side to begin with. Mika might remind many people of Yomiko from Read or Die, at least in appearance, but she’s also a very can do sort of woman who sometimes exhausts herself trying to achieve something and help others. There’s various subplots at the Magiket itself: some people aren’t selling well, at least not until a spell is urgently needed; some folks are trying to sell illegal or illicit spells; and of course there’s the usual problems with lines and keeping everyone moving. I’m not spoiling anything to say that by the end of this book Mika has not found a way to return home, but she has managed to carve out a niche for herself, starting a company with enthusiastic employees and organizing a massive publishing event. Honestly, she’s achieved more in one book than a lot of isekai slackers have in ten.

I don’t expect too many serious or ongoing plots in this series, which when you boil it down is another workplace slice-of-life. But adding the isekai made all the difference for once, and I look forward to seeing what the next Magiket brings us.

Manga the Week of 1/1/20

by , , , and Leave a Comment

SEAN: Happy New Year! And yes, I know most of the titles I’m mentioning here go with the OLD year, coming out on 12/31. What do we have?

J-Novel Club has a new debut, The Holy Knight’s Dark Road (Seinaru Kishi no Ankokudou). Our hero is a holy knight beloved by his people and his goddess… but he feels he’s starring in the wrong light novel archetype, and so goes to join a magical academy! Hijinks no doubt ensue.

J-Novel Club also has Full Metal Panic! 5 and Outbreak Academy 12.

In print, Kodansha gives us 10 Dance 5 and Waiting for Spring 12.

ASH: I’ve been enjoying 10 Dance a great deal. I’ve liked what I’ve read of Waiting for Spring, too, though I’ve fallen behind.

MICHELLE: I’m looking forward to both of these!

MJ: I’m incredibly behind on 10 Dance but I really need to catch up!

SEAN: Digitally, we get another debut with To Be Next To You (Tonari no Atashi), a Betsufure shoujo title about a girl in love with her neighbor who is horrified one day to find him kissing another woman! Maybe she should finally confess?

MICHELLE: There are a whole bunch of shoujo debuts happening digitally for Kodansha over the next couple of months. I approve.

MJ: Same.

ANNA: I also approve, although I have given up on keeping up on them.

SEAN: There is also GTO Paradise Lost 11, Hotaru’s Way 11, Kakafukaka 9, and Kounodori: Dr. Stork 12. (Lotta Vol. 12s this week.)

MICHELLE: One day I’ll read Hotaru’s Way.

SEAN: Seven Seas has but a single title with Machimaho: I Messed Up and Made the Wrong Person Into a Magical Girl! 4.

Tokyopop (at least according to Amazon – don’t be surprised if this is bumped) has a new BL title, Don’t Call Me Dirty (Dirty Darling), from Mag Garden’s UVU. A man trying to get over his crush (who turns out not to be gay) takes in a vagrant, and things go from there. This actually sounds kind of sweet. It’s complete in one volume.

MJ: That… title.

SEAN: Vertical has quite a bit. Owarimonogatari: End Tale is the latest (and last?) in the Monogatari Series, and is divided into three parts. This first book in the series delves into just WHY Araragi got to be the misanthrope we saw at the start of the series.

Seraph of the End: Guren Ichinose, Resurrection at Nineteen sure is the latest light novel spinoff series from Seraph of the End – in fact, it’s a sequel to the first light novel spinoff.

And Manga Bookshelf will be delighted to hear we get What Did You Eat Yesterday? 14, the first volume in almost a year and a half.

ASH: Excellent! I most certainly am delighted!

MICHELLE: Me, too!

MJ: I, too, am delighted! So exciting!

ANNA: Yay!

SEAN: And we end of Yen. On the Yen On side, no debuts, but we get The Alchemist Who Survived Now Dreams of a Quiet City Life 2, The Irregular at Magic High School 14, Is It Wrong to Try to Pick Up Girls in a Dungeon? 14 (yes, at last, after three long delays), Our Last Crusade or the Rise of a New World 2, and Spice & Wolf 21.

On the manga end, the debut is Magia Record: Puella Magi Madoka Magica Side Story, another in the endless series of Madoka Magica spinoffs. This one adapts a mobile game, and runs in Manga Time Kirara Forward.

There’s also Kakegurui -Compulsive Gambler- 11 and Sacrificial Princess and the King of Beasts 8.

And that’s it! What manga come to mind in these days of Auld Lang Syne?

Banner of the Stars: The Ties That Bind

by

By Hiroyuki Morioka and Toshihiro Ono. Released in Japan by Hayakawa Bunko. Released in North America by J-Novel Club. Translated by Giuseppe di Martino.

These are novels rather than light novels, so you don’t get cute interstitial artwork. This may be why we get this cover, with Lafier trying to look cool and captainlike while a cat is climbing on top of her. The cat is Jint’s (it’s Jint now. Don’t ask. Or rather, ask Hayakawa Publishing.), and spends much of the book wandering around places where it shouldn’t be and basically being a cat. That said, after the massive firefight that dominates the second half of the book, it’s probably for the best that the cat ends up being given a permanent home on planet. The cat also provides a different source of humor from the usual in this book, which is banter. Everyone in Banter… erm, Banner of the Stars is in a two-person team of back and forth dialogue as if they’re Nick and Nora Charles – indeed, Jint and Lafier are not nearly as caustic about it as many of the others, perhaps showing the feelings they have for each other. It’s almost Moonlighting in space.

This book takes place three years after the events of Crest of the Stars, with Jint now reunited with Lafier as her Clerk and right-hand man on her brand new ship. She’s just one of many ships that are setting out to fight the enemy, though, and we get a large amount of time devoted to space combat, things blowing up, and last-minute escapes. We meet Lafier’s crew, with Number Two Sobash, stoic Ecryua (stoic may be the wrong term given her love on Jint’s cat) and lovable drunk Samson. There’s also her Assault Unit Commander, who happens to be the sister of the guy that Lafier killed in Crest of the Stars. Sporr is still hanging around and being fabulous. And we also see Neleth and Nefeh, two twin brothers (unusual among the Abh) with a propensity towards being exceptionally weird. Everyone talks back and forth at each other like it’s His Girl Friday. Oh yes, and there’s the planet they’re fighting to conquer, which irritatingly hasn’t surrendered yet.

As I said, Jint and Lafier are also part of this, and we do get some choice banter (the thing about Lafier thinking her mother was a cat is brought up by Jint multiple times, to her displeasure). At the same time, there is a certain fatalistic quality to Jint that the reader, and Lafier, may find disturbing. Atosryua invites Lafier and Jint to a dinner to commemorate the life of her brother… the one Lafier killed… but it’s all very polite and no hard feelings. Afterwards, Jint remarks how he doesn’t have anyone who would miss him after he died anyway, and the look that Lafier gives him burns through the page and onto your fingers. She makes it more explicit later that she would miss him, dammit, but it’s fairly clear that if there is any romance going on between the two, she will need to break through a bit of his self-debasement first.

The author notes that each book in this series will be self-contained, which is probably a good thing given the first came out in 1996 and the 6th in 2018. As with Crest of the Stars, it will bury you in vocabulary, and some of the eccentricities of the characters feel like the author is being cute rather than letting it develop naturally. Still, this is a good solid start to the “second season” of Jint and Lafier.