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Pick of the Week: Quality Assortment

February 24, 2020 by Katherine Dacey, Anna N, Sean Gaffney, Michelle Smith, Ash Brown and MJ Leave a Comment

KATE: I think the best way to describe this week’s new arrivals is A Whole Lot of Stuff I’m Unlikely to Read. I will cop to being interested in Shuzo Oshimi’s Blood on the Tracks, though the part of me that read Flowers of Evil, Drifting Net Cafe, and Happiness wonders how many volumes I’ll read before it just gets too squicky for me.

ANNA: There’s a bunch of stuff coming out this week but I have to say what most interests me is the reissue of Saiyuki. You’ve got Jeeps! Monkey gods! Cigarettes! Guns! Pointy ears! Cranky Priests! Yokai! Is there a more 90s series than this? I don’t know, but I’m glad it is being released again.

SEAN: It’s definitely a Kodansha week for me – leaving aside Saiyuki, there’s also the debut of Sweat and Soap, and new volumes of In/Spectre and Magus of the Library. Kodansha is my pick!

MICHELLE: I’m intrigued by Blood on the Tracks, though I could not make it through Flowers of Evil, so perhaps that will happen again. And I’ll definitely be checking out Saiyuki and Kodansha’s latest digital shoujo debut, I Fell in Love After School. But what I am most excited about is a new volume of The Ancient Magus’ Bride. I love that series very, very much.

ASH: I love The Ancient Magus’ Bride, too! But this week my pick goes Magus of the Library – I’m really enjoying Mitsu Izumi’s fantasy take on librarianship and how surprisingly accurate it can be at times.

MJ: Even though I’ve still got my old copies of Saiyuki, I doubt I can turn down a chance to buy them again, especially in shiny, new hardcover editions. Though nothing will quell my longing for more of Minekura’s Wild Adapter, I’ll take what I can get. Bring me Saiyuki!

Filed Under: PICK OF THE WEEK

I Refuse to Be Your Enemy!, Vol. 1

February 24, 2020 by Sean Gaffney

By Kanata Satsuki and Mitsuya Fuji. Released in Japan as “Watashi wa Teki ni Narimasen!” by PASH! Books. Released in North America digitally by J-Novel Club. Translated by Molly Lee.

Despite the fact that, if you look at forums and message boards, you’d think “otome game villainess” novels were the new vampire or Alice trend, we haven’t actually had too many legally licensed over here yet. My Next Life As a Villainess, aka Bakarina, it a very broad comedy, almost a parody, of the genre. Accomplishments of the Duke’s Daughter just has the manga so far, and seems more interested in the politics and worldbuilding than it does in anything else. This new series, though, may be the purest form of the genre I’ve heard of. It’s not subverting anything – in fact, the opposite, it’s almost painfully earnest throughout. Our heroine knows she’s going to be a villainess (actually, not even that – a mid-boss) and get killed by the hero, and does her damndest to avoid that in every possible way. All this while falling in love. Light novel fans might be a little disappointed. Romance fans should be quite happy – it’s right up their street.

Kiara has had a rough life. The daughter of a Baronet (the lowest rung of nobility), her mother died early, and her father sold her off to the family of a count. There she was fed odd potions, trained in poisons and knifework (for some odd reason) and shipped off to boarding school. What’s more, she’s been having these odd dreams where she lives in a different world as a schoolgirl playing an RPG… whose plot sounds a lot like the world she lives in! What’s more, she remembers from the dream that she (with a different, married name) is not only a spellcaster, but is brutally murdered by the heroes. So when a letter comes from the count telling her to come home and marry the guy whose last name she now recognizes, she very quickly runs away. Fortunately, she ends up hiding in the wagons of a group of young men who are sympathetic to her story… and one of them is more than he seems. Now she has to find a way to stop the fate she’s familiar with from the game from happening.

As you might guess, this is an isekai of sorts, but it’s handled in an interesting way. Kiara never loses her sense of “self” to whoever the Japanese girl whose memories she has, which the memories remaining “dreamlike”. As such, it feels a lot more realistic, even when she brings up RPG terms. On the down side, her character can be highly variable depending on the nature of the plot – she was bad at school, so has to have a few things explained to her (and the reader), but by the end of the book she’s putting her RPG memories to use as a real-time strategist, and seems to get far too good at spellcasting far too quickly. The better parts of the book are her interactions with Reggie, her love interest (yes, besides the presence of two other obvious candidates, there seems to only be one love interest here), and her “I must be mistaken no one could be interested in me” thought process is both frustrating and adorable.

The book ends on a cliffhanger, which is a bit annoying as it felt like if it had gone 10 pages more, we could have ended the series with the first volume. But there are five more. In the meantime, this is pretty solid, if a bit humorless. It’s serious romantic fantasy, with everyone acting the roles as straight as they can.

Filed Under: i refuse to be your enemy!, REVIEWS

Hayate the Combat Butler, Vol. 35

February 23, 2020 by Sean Gaffney

By Kenjiro Hata. Released in Japan as “Hayate no Gotoku!” by Shogakukan, serialized in the magazine Shonen Sunday. Released in North America by Viz. Translated by John Werry.

The revelation that Viz Media has licensed the newest manga by Kenjiro Hata, Tonikaku Kawaii (aka Fly Me to the Moon) for release this fall came as a big surprise to the huge number of Hayate the Combat Butler fans… OK, really, there’s just two of us now, but we were surprised! After all, Hata’s Hayate the Combat Butler still has about fifteen volumes left to release, but continues to come out at the “we won’t cancel it, but we hate you” two-volumes-per-year schedule. Fly Me to the Moon may begin and end while Hayate still coming out. Still, for those who do enjoy a new Hayate volume every spring and fall, this should give you something to sink your teeth into. It has a minimal amount of Nagi, which, let’s face it, is always a plus, and one we’ll get less and less of as Hayate barrels towards its conclusion. (I don’t hate Nagi, but she suffers from being less appealing than half the cast). Instead, Ruka is still ascendant.

I don’t think this is deliberate on Hata’s part, but as Hayate the Combat Butler rolled along, it ended up showing off a new “favorite girl” who everyone loved and was much better than Nagi… and then gradually forgetting about them till they became irrelevant. Hinagiku is the most obvious example – she may be on the cover here, but her days as lead girl are long gone, and Athena came along, stomped all over everyone else… and then became Alice, who is also barely in the plot. And now there’s Ruka, who was not as warmly welcomed by fans (who have long memories and probably guessed what would happen), but she gets the back half of this book as pure, almost serious romantic tension with Hayate, and does a very good job of it. Hinagiku does get a chapter or two here, but it’s in support of her sister Yukiji, who used to not only be cool, but play the guitar! Hinagiku is upset Yukiji abandoned her dream, Yukiji is there to remind readers dreams are not abandoned, just deferred. She promises to shape up. It likely won’t last, but is sweet to see.

Part of the problem of taking this seriously, of course, is that Hayate the Combat Butler is always first and foremost a fourth-wall breaking gag manga. Before it’s a romantic harem comedy. Before it’s a serious examination of childhood abuse and abandonment. Before it’s a supernatural action series. And the cast know it. One chapter in this volume has Risa being annoyed by the fact that she’s not “spoiled” by Hayate, and this leads into a discussion of Izumi, and the fact that her character type is inherently more popular (with both Hayate and, it’s inferred, readers). Despite what they say, it’s not just the panty flashes – it’s that Izumi blushing and helpless is funny Izumi. Also, frankly, Risa is a boke, and thus, like many of Hayate’s love interests, she’s been eclipsed by a new and better boke – Fumi, who gets her own completely ridiculous chapter. (Miki works best around Hinagiku, but since her sapphic side was revealed, has been around her less – not sure how deliberate that is).

In the end, Hata is happy to point out all the flaws in Hayate the Combat Butler directly in the text. This can be funny… and also intensely frustrating. Welcome to the experience of being a Hayate fan.

Filed Under: hayate the combat butler, REVIEWS

Neon Genesis Evangelion: Anima, Vol. 2

February 22, 2020 by Sean Gaffney

By Ikuto Yamashita. Released in Japan as “Shin Seiki Evangelion Anima” by Kadokawa Shoten, serialized in the magazine Dengeki Hobby. Released in North America by Seven Seas. Translated by Nathan Collins. Adapted by Peter Adrian Behravesh.

It occurred to me as I was reading this second volume, and glancing at most of the color pages, that this was written to be serialized in Dengeki Hobby, a (now defunct) magazine devoted to fans of the plastic model kit. It therefore should come as no surprise to me that the book is a lot more concerned with the Evas and how they function than the inner workings of the actual cast. There are some moments where that’s not the case – Misato’s grief at Kaji’s fate here is well handled, as is her quick recovery, and Shinji’s raging grief in his attack near the end also rings true. But as I watched everything get worse and worse and worse, it occurred to me that the problem with this continuing on from the end of the original TV series is that there’s no way to back up and get much of what the start of the TV series had – fun. It’s a very interesting continuation, but it lacks joy.

Of course, there are very good reasons why fun is in short supply. This is an apocalypse narrative, continuing straight on from the first book, and there’s simply no time to settle down and have a penguin raiding your fridge. Shinji and Super Eva (I will never get used to that name) are trying to fight against a mind-controlled Hikari and her German Evangelion; Misato and Toji are trying to hold down the fort back at base, despite her getting kidnapped midway and his worrying about Hikari; the Reis are all dealing with the death of Cinq in various healthy and unhealthy ways, and Quatre is still a very troubled soul; Kaji stops Kensuke from putting on a possessed mask and losing his identity by… doing it first (yeah, I dunno either); we get the fabulous and somewhat bonkers adventures of Asuka… ON THE MOOOOOON!; and there are far, far more people turned into pillars of salt, to the point where you will get sick of the phrase.

Of these subplots, Asuka had my favorite, showing off a lot of smarts, gumption, and pure survival tactics. Despite this, she loses most of her hair and almost her existence; it takes Hikari and Shinji calling out to her to give her an identity again, and even then she’s… well, let’s leave that as a spoiler. Shinji, aside from his RAGE near the end, does not really get time to do much soul-searching as he’s constantly on the run and fighting; at one point he has Maya in his cockpit, and later on Rei Trois, but this Shinji is made of sterner stuff. Of course, he may have a few issues continuing on after the events in this book as well. And there is a LOT of apocalypse imagery – in addition to the pillars of salt, there’s ancient animals coming back to life and killing people, natural disasters killing people, the Lance of Longinus killing people… if you’re a resident of Earth in this book and aren’t part of the main cast, it doesn’t look good for you.

As I said, this book is quite interesting, and I do want to see what happens next – especially as they’re running out of disasters and we have three more books to go. But, as someone who never really cared about the giant robot battles in Evangelion, it can be a bit of a slog.

Filed Under: evangelion, REVIEWS

Manga the Week of 2/26/20

February 20, 2020 by Sean Gaffney, Michelle Smith, Anna N, Ash Brown and MJ Leave a Comment

SEAN: It’s the end of February at last, and we celebrate with a huge pile of stuff. Are you ready?

ASH: Always!

SEAN: Cross Infinite World has a 2nd volume of light novel The Eccentric Master and the Fake Lover.

Dark Horse has a 4th deluxe hardcover for Berserk.

ASH: The hardcover edition really is impressive — I’m slowly replacing my paperback copies.

SEAN: A couple of Volume 2s from Ghost Ship: Destiny Lovers 2 and World’s End Harem: Fantasia 2.

J-Novel Club has another shoujo light novel out next week: Tearmoon Empire (Tearmoon Teikoku Monogatari). This is from TO Books, and stars a selfish princess who is about to be guillotined by an angry populace when suddenly she wakes up in the past! It’s time to change the future so she doesn’t die! But… that’s so much hard work… can’t she just get others to do it for her? This seems like fun.

ASH: I appreciate this foray into shoujo fantasy works.

SEAN: There’s also a 9th Lazy Dungeon Master and a 3rd Welcome to Japan, Ms. Elf!.

Kodansha has three debuts, two print and one digital. The print is Sweat and Soap (Ase to Sekken), a seinen title from Weekly Morning. A woman who works in a toiletry company is ashamed of the way she smells, and very grateful for her company’s products. Then she meets the company’s lead brand developer, who is fascinated by her natural scent. Romance ensues. Despite sounding like it does for sweat what Mysterious Girlfriend X did for drool, I’ll give this a try.

ASH: I’m cautious, but intrigued?

MJ: This could either be amazing… or really not.

SEAN: The other debut is a license rescue, coming out in deluxe omnibuses: Saiyuki! And yes, this is the original 1990s Saiyuki, not any of the modern remixes and spinoffs. A GFantasy title, it originally came out via Tokyopop. Now Kodansha is re-releasing it. Hope you like journeys to the west.

MICHELLE: I read a little of this ten years ago but never continued, so I’m looking forward to having another chance.

ANNA: I love journeys to the west! I have the old volumes but I’m seriously considering double dipping and I almost never double dip.

ASH: Nice to see this series back in print!

MJ: I’m so happy to see this again! It won’t get me over my eternal longing for Wild Adapter, but I’ll take it.

SEAN: Kodansha also has, in print, In/Spectre 11, Land of the Lustrous 10, and Magus of the Library 3.

ASH: I’ve fallen behind and need to catch up with In/Spectre, but I’m definitely ready for more of Land of the Lustrous and Magus of the Library!

SEAN: Digitally the debut is I Fell in Love After School (Houkago, Koishita), another Dessert title. A shy girl who lacks presence and a volleyball club she’s managing. This looks very fluffy.

ANNA: Aww, this sounds cute if only I were capable of keeping up on all these digital releases.

SEAN: Also out digitally next week: Altair: A Record of Battles 15, Drowning Love 17, Guilty 5, Hotaru’s Way 12, Kounodori: Dr. Stork 13, and Watari’s ******* Is About to Collapse 3.

KUMA has a one-volume title called Can an Otaku Like Me really Be an Idol? (Doruota no Bokudesuga Shinken ni Aidoru Mezashimasu!?). It’s a BL title about cross-dressing idols, and ran in Takeshobo’s Qpa. It was also on the Renta! site.

MICHELLE: My friend assures me it is very cute.

ASH: I’ve likewise heard good things.

SEAN: One Peace has a 7th Hinamatsuri.

Seven Seas has a pile, as is becoming traditional for the last week of the month. There’s another ‘early digital’ novel release, again by the author of I Want to Eat Your Pancreas. This is I Had That Same Dream Again (Mata, Onaji Yume wo Miteita), and is another coming-of-age story.

We also get The Ancient Magus’ Bride 12, The Brave-Tuber 2, Classroom of the Elite’s 4th light novel (in print), How Heavy Are the Dumbbells You Lift? 2, Mushoku Tensei’s 10th manga volume, Reincarnated As a Sword’s 4th light novel in print, Skeleton Knight in Another World 4 (print) and 5 (digital), and Ultra Kaiju Humanization Project 4.

MICHELLE: Hooray for more of The Ancient Magus’ Bride!

ASH: Yes, indeed!

SEAN: Square Enix has the debut of Hi-Score Girl, a Big Gangan series with a quirky art style and a love of retro gaming. Two otherwise dissimilar kids share a bond over games.

ASH: I like quirky.

MJ: I’m up for whatever Square Enix throws at us, so count me in.

SEAN: Udon has the 3rd and final Stravaganza omnibus, as well as a 6th Otherworldly Izakaya Nobu.

Vertical debuts Blood on the Tracks (Chi no Wadachi), another psychological drama from Shuzo Oshimi. This ran in Big Comic Superior, and is about a boy who realizes that his doting, over-affectionate mother may NOT be as normal as he’d though. If you’ve read Oshimi you know what to expect.

MICHELLE: Hm, potentially interesting.

ANNA: I’m gonna wait for a review, but I am also intrigued.

MJ: I’m with Anna on this.

SEAN: Yen On technically has a debut, but really it’s just more KH, as we get Kingdom Hearts III: The Novel 1.

They’ve also got Is It Wrong to try to Pick Up Girls in a Dungeon? Sword Oratoria 11, KonoSuba EXPLOSION! 2, My Youth Romantic Comedy Is Wrong As I Expected 9, Re: ZERO 12, Sword Art Online Alternative: Gun Gale Online 6, and World’s Strongest Rearguard 2. Lots of heavy hitters in that lineup.

From the manga end, Yen debuts RaW Hero, which is from the creator of Prison School, and also appears to be for fans of Prison School. It runs in Kodansha’s Evening Magazine, and is about heroes, villains, and fetishes, not in that order.

ASH: That’s… the general impression that I’ve gotten, too.

SEAN: We also get Combatants Will Be Dispatched! 2 (manga), The Devil Is a Part-Timer! 15 (manga), Goblin Slayer: Brand New Day 2 (manga), Happy Sugar Life 4 (also a manga, but not a light novel as well like those others), Kemono Friends a la Carte 2, Phantom Tales of the Night 3, and Trinity Seven 19.

ASH: Oh, Phantom Tales of the Night! If nothing else, it’s very pretty (and creepy); I’m interested in how the series continues to develop.

SEAN: A lot of, shall we say, saucy manga out next week. Are you getting any?

Filed Under: FEATURES, manga the week of

No Game No Life, Vol. 10

February 20, 2020 by Sean Gaffney

By Yuu Kamiya. Released in Japan by MF Bunko J. Released in North America by Yen On. Translated by Daniel Komen.

This volume begins with our heroes, [ ], having abdicated the throne (the country is now ruled by the business class, with Steph reduced to talking to potted plants – and Plum, who is about as helpful as one) and living life as sellers of medicine. In particular, their breast enhancer, although temporary, is quite popular. It also attracts the attention of the Dwarves, one of the few races we haven’t really dealt with yet, and they summon Sora and Shiro to their underground city to throw down. Fortunately, our heroes have a new dwarf ally, Tilvilg. Unfortunately, she lacks the natural genius ability that all dwarves have, and is somewhat beaten down that their answer to that seems to be “well, just keep trying anyway while we pity and belittle you”. Can Sora and Shiro show that her desire to see the sky is not merely a baseless fantasy? And, more importantly for the author, can they do it while throwing in so many references to boobs that the reader might throw up?

I will admit, when it comes to having your cake and eating it too, no one does it quite as well as Yuu Kamiya. This entire volume seems to be boob-obsessed, with both Chlammy (she and Fi are genuine allies in this book for once) and the dwarven leader Veig being particularly bad. And yet at the same time it goes out of its way to mock and belittle anyone who might have similar thoughts – Veig in particular dreams of the sort of pneumatic fantasy girl that only exists inside the head of virgins, something viciously pointed out by Sora. What’s more, his perverse behavior towards Tilvilg, which he brushes off as “I was drunk, it was a joke”, is noted to be “the top two excuses of male scum”. Kamiya fills his books with ludicrous and somewhat sickening fanservice… but also knows that’s all it is, and does not mistake it for anything else.

Steph does not have a large role in this book, but she is there, and her parts (as always) interested me the most. Once again, when asked to be a political thinker, she’s head and shoulders above the rest of the cast, and her confrontation with Emir-Einz, where she blackmails her into taking her to Sora and Shiro by threatening to disrupt the book’s fragile status quo, is brilliant. (It also shows that Steph is not as oblivious to her own feelings as it appears.) And, getting back to the book’s obsession with boobs once more, there’s a nice scene where Steph gets upset at the fact that Sora groped her when they first met, only for Jibril and Emir-Einz to call that “humblebragging”, pointing out to Steph that so far, of all the women in the entire series, Sora has only groped one by his own choice – her. The jealousy is searing.

In the end, of course, no one should be reading No Game No Life who is not already able to deal with its proclivities, and I’m not trying to say that they’re lessening – in fact, there was even more in this book. But the author is better at showing us the man behind the curtain, as we see that none of it really makes much of a difference in the end. This volume is about accepting your weaknesses, accepting that everyone is different, and going beyond the impossible. It’s also (not counting the unlicensed “Practical War Game” spinoff) the last book in the series to date, so we may have a while till we see Book 11.

Filed Under: no game no life, REVIEWS

Silver Spoon, Vol. 13

February 19, 2020 by Sean Gaffney

By Hiromu Arakawa. Released in Japan as “Gin no Saji” by Shogakukan, serialized in the magazine Weekly Shonen Sunday. Released in North America by Yen Press. Translated by Amanda Haley.

There’s always a careful balancing act that an author has to keep up when writing a character whose failures are hilarious. On the one hand, you can’t overegg the pudding – you need to contrast this hilarity with moments where they actually succeed. If done right, this can be extremely heartwarming. The first half of the manga deals with the equestrian competition, with Hachiken actually competing this time, and his “slow, steady and have fun” approach actually does pretty well, especially as it allows Mikage to dazzle. And of course the beauty of it is that it sets things up for the much larger stage where Hachiken again competes… and fails so badly that it turns into 20 pages of “lol”. You feel bad for him, but thinking as an author, the reason for this is obvious: Hachiken when he’s suffering is very, very funny. What’s more, there’s been less and less of that as he’s matured, so it’s nice to see he can still be a national laughingstock when appropriate.

Speaking of which, Hachiken, in his despair after doing so badly, wonders if Mikage won’t love him as he’s bad at horse racing. This is a callback to earlier in the book, when Mikage smiles as she recalls him saying he’ll ask her out after she passes her exams… then realizes that might mean if she fails, he won’t ask her out! Does he hate “stupid” girls? Now that the two of them have made it clear how they feel about each other, all that’s left is to actually get together. But it’s not as simple as that – they have goals to achieve first, Mikage’s father is watching Hachiken like a hawk, and his own father just seems to get in the way of any romantic resolution. What’s more, as the above jokes indicate, the two of them are still too insecure for a strong romantic relationship to happen. Mikage doesn’t need to pass her exams to date Hachiken – but it certainly would help her see herself as a success.

Elsewhere in the book, it’s pigs and pizza once again. I like the idea that the head of the school is willing to go the extra mile for these kids provided they can actually justify it as learning things and being educational. As a result – more pizza ovens! Which leads to a good competition where they try out various kinds of three-cheese pizza to see which one proves the most popular. Likewise, even in the midst of despair at his equestrian performance, he’s still able to do some pig research while in a different area of Japan (sadly, he finds that the pigs raised there would not do well in the northern climes of his school.) And, for once, there’s not even any long series of chapters devoted to butchering and slaughtering animals, so even the squeamish can enjoy this one.

We’re nearing the finish line for Silver Spoon, and I expect the next volume to mostly be about Mikage passing (or not) her exams. Will that also lead to romance? God, I hope so. I feel like Sakae – Just do it already!

Filed Under: REVIEWS, silver spoon

An Archdemon’s Dilemma: How to Love Your Elf Bride, Vol. 9

February 18, 2020 by Sean Gaffney

By Fuminori Teshima and COMTA. Released in Japan as “Maou no Ore ga Dorei Elf wo Yome ni Shitanda ga, Dou Medereba Ii?” by HJ Bunko. Released in North America digitally by J-Novel Club. Translated by Hikoki.

As this series has gone on and become a reasonable success, the author has sensibly decided to widen its brief. As such, the “will they actually do anything?” parts get smaller and less relevant as time goes on. This is not to say that they’re absent, however, and we do get possibly the funniest moment in this volume when Zagan thinks that he and Nephy are literally cursed to never get closer to each other rather than, as everyone else around them can see, just being two socially awkward dorks in love. Still, at least the two of them share a honeymoon suite. That’s progress? And they sleep in each other’s arms, and call each other (as they are under cover) as “honey” and “dear”. But yeah, that’s all you’re going to get. Honestly, even Chastille and Barbatos make more progress in this book than Zagan and Nephy, who are adorable but really should grow up the teensiest bit. That said, they’re ahead of Shax, Mr. “I had your underwear in my pocket for a reason”.

The main thrust of the plot sees everyone converging on the Holy City for various reasons. That’s where Azazel’s Staff is, which is highly important to every single faction in the series. So we get the Angelic Knights, who don’t know much about it but know it should not fall into the wrong hands; Bifrons and Shere Khan, who have sent two minions to destroy the holy treasure room to get it; and Zagan and Nephy, who are actually there to try to find Orias, who might be able to help her cure Kuroka’s blindness, but end up looking for the staff as well. As you might imagine, there’s a lot of fighting towards the end of the book, mostly involving everyone attacking Zagan and his mopping the floor with them. That said, in the final battle against one of the stronger Angelic Knights, he has to use martial arts, rather than sorcery, to win. He regards this as a loss. Everyone else thinks he’s simply ridiculously overpowered.

It is amusing to see how many of the characters are leading double lives. There’s a traitor among the Angelic Knights, and you might briefly be worried for Chastille, but everyone agrees her alliance with Zagan is far too open and honest; she’s not tricky enough to be the real traitor. Then there’s Michael, who is secretly an Archdemon, but is also not the actual traitor. We also continue to get more insight on Alshiera, who continues to stay true to the course of “blond underage vampire mistress” in modern Japanese works, i.e. she’s pretending to be an irredeemable bad guy but really fits the caring mentor role better. And props to Foll, who is growing powerful enough to take on Bifrons and deal him actual damage. Our little dragon girl is growing up.

We’ve now caught up with Japan, as the 10th volume came out there two weeks ago, so it might be a bit till we get it here. Till then, though, this is a good, solid entry in the series, provided you don’t care that Zagan and Nephy are the most awkward couple ever – still.

Filed Under: archdemon's dilemma, REVIEWS

Yona of the Dawn, Vol. 22

February 17, 2020 by Anna N

Yona of the Dawn Volume 22 by Mizuho Kusanagi

Volume 22 of Yona of the Dawn follows the tried and true formula of contrasting a hilarious chapter with a deep dive into introspection. The volume opens as Riri is recovering from her and Yona’s latest adventure. Su-Won goes to visit her and it is clear that some of the people that surround them are interested in pushing them together for various geopolitical reasons. However, Riri’s a bit dispassionate at being told to act dignified in front of the king, and Su-Won continues to find her frank mannerisms amusing. I hope for better for Riri than Su-Won though! In a hilarious scene Riri reveals the depth of her crush as General Geum-Tae enters her room. She immediately starts blushing and acting like a shy maiden. In the aftermath, plenty of people inform Riri that Geum-Tae is happily marries, and she’s very well aware, she’s just happy to enjoy her crush. Seeing Riri freak out about how cool Geum-Tae is in front of Su-Won was hilarious.

Yona of the Dawn

The reader gets a rare look into Hak’s mind as he struggles with the idea of returning Yona’s misplaced belongings to her, including the hairpin that Su-Won gave her right before he murdered her father. Hak reflects on their past friendship, and Su-Won’s betrayal. He thinks about his own emotions and how Su-Won didn’t seem to care about the pain he was inflicting on other people. The bulk of this volume deals with an adventure to a new land, as people from Xing pop up to ask if Yona and her companions are the “monsters from Kokha.” Yona meets another new female friend when she spends time with Tao, the younger princess of Xing, but she also learns about the extent of political destabilization that is following from Su-Won’s wars, as Xing might be split between two factions. Tao asks Yona’s advice about what to do with Su-Won, and Yona remains awkwardly silent, realizing that bringing her own feelings and opinions into someone else’s political calculations might not be in the best interest of Xing. This volume bridges two story arcs very effectively, with a little bit of comic relief, a glimpse of the emotional toll the journey has taken on Hak, and the introduction of a new land that hopefully Yona will be able to help.

Filed Under: Manga Reviews, REVIEWS Tagged With: shojo beat, shoujo, viz media, yona of the dawn

Pick of the Week: As Expected

February 17, 2020 by Sean Gaffney, Michelle Smith, MJ, Katherine Dacey and Ash Brown Leave a Comment

SEAN: A lot of diverse choices this week. The “prestige” title is clearly Downfall, but let’s face it it’s far too bleak for me. Instead, to no one’s surprise, I’ll go with Silver Spoon again. Because it is Silver Spoon, and because it is my heart.

MICHELLE: I am ashamed to admit I still haven’t read any Silver Spoon. I, too, am turning away from bleakness and toward my favorite genre, which means I am picking Shojo FIGHT! this week.

MJ: Silver Spoon. It is always Silver Spoon.

KATE: This week’s list is chock-full of great manga, from MB fave Silver Spoon to Drifting Dragons, one of the best-looking fantasy titles being published in English right now. (I reviewed the first two volumes back in 2018, if you’re curious.) My pick goes to another under-appreciated gem, however: O Maidens in Your Savage Season. If you were a nerdy teen girl—and I certainly was—Maidens should be on your list, as writer Mari Okada clearly remembers how hard it was to be horny, awkward, and VERY SERIOUS at fifteen. You’ll laugh and cry and cringe in equal measure.

ASH: So many great titles are being released this week, it’s hard to choose just one! I gladly join the chorus for Silver Spoon and all the other manga already mentioned, but the first volume of Nicola Traveling Around the Demons’ World was such a treat that the second gets my official pick.

Filed Under: PICK OF THE WEEK

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