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Banner of the Stars: Dinner With Family

June 19, 2020 by Sean Gaffney

By Hiroyuki Morioka and Toshihiro Ono. Released in Japan by Hayakawa Bunko. Released in North America by J-Novel Club. Translated by Giuseppe di Martino.

This volume takes us right back to the start of the series… and also cuts its ties with it, making it clear that whatever future Jint might have, it’s not going to be on the planet he was born on, or even with the guys he hung out with in college (or its equivalent). Unfortunately, it’s hard to get past the fact that he is taking on the sins of his father in many ways. That and his future lies with Lafier, but everyone and their brother knows that, from his former crew (who he reunites with in this book) to the people who raised him (who at least reconcile with him), the latter going to far as to essentially give Lafier their blessing. As for Lafier herself, even she admits that she’s just hanging around in this book – she’s here because Jint is, but her future absolutely lies in space, and just thinking about how she would want to do things she can’t is making her envious.

The cover art has the two of them looking quite cute, and that fits with the tone of this volume. After the prison drama and watching Jint suffer last time, here there’s a breather, as he has to deal with his world, which is in rebellion once more, and harboring soldiers from the enemy. He’s also trying to accrue some staff so that he can start earning money to pay back the massive debt he’s increasing – Lafier is just fine with him borrowing more and more, but then Lafier seems to be just fine with most everything in this book. This actually becomes a bit of a character point, as when Jint tries to recruit his old friend Durin, who rejects the offer because, frankly, he finds Abh creepy. He’s not wrong, to be honest – we’ve gotten used to the Abh’s tendency to banter in the face of danger in previous books, but to those on the outside, the fact that there’s a total lack of anger or rage can be unsettling.

The other half of the book sees Sobash and the rest of Lafier’s former crew take part in a mock battle which, coincidentally, involves getting to Jint’s home system and having the battle there – its remoteness from everything being a plus. Unfortunately, Martinh decides to fire at one of the ships – which does basically no damage – and the other ship fires back what they assume s also a shot that will cause no damage – it in fact causes a fair bit, though we’re not told how much. The reason we’re not told is that the planet makes it very clear that, in exchange for returning nominally to the Empire, Jint himself has to vow to never even go near the star system again. It’s total rejection, and the fact that it’s coming from the couple who brought him up hurts a bit.

Still, by now Jint, who’s always been a bit weird, is a lot more Abh than he’d perhaps like to think – and his future is definitely in space, with Lafier, though they’re still no closer to being a real couple except that everyone except them knows they are. This also brings this ‘arc’ to an end, though we’re not getting a ‘________ of the Stars’ title change this time. As for when we’ll get the next book here… not sure. I suspect they were licensed in chunks of three, so sales may need to tick up a bit. Till then, this is a good, if low on action, volume.

Filed Under: banner of the stars, crest of the stars, REVIEWS

Manga the Week of 6/24/20

June 18, 2020 by Sean Gaffney, Michelle Smith, Anna N, Ash Brown and MJ Leave a Comment

SEAN: Look out, folks. The danger of COVID-19 may still be here, but the dam has broken. There are SO MANY BOOKS next week.

ASH: Woo!

SEAN: We’ll start with Dark Horse, who have a 5th volume of Mob Psycho 100.

ASH: I’ll be picking this up.

SEAN: J-Novel Club’s debut is Deathbound Duke’s Daughter, which is another in the “I’ve been reincarnated as a villainess in an otome game” genre. Really nice artwork for this novel series. It’s from Futabasha’s M Novels.

Also from J-Novel Club: An Archdemon’s Dilemma 10, Ascendance of a Bookworm 7 (which finishes the 2nd arc, the one currently being animated), the 2nd Sorcerous Stabber Orphen manga, and a 4th Welcome to Japan, Ms. Elf!

Kodansha has a lot. Debuts? We have three. One even is in print: the first volume of The Ghost in the Shell: Human Algorithm, a spinoff of the legendary manga/anime franchise.

ASH: It’s always interesting to see how various creators envision Ghost in the Shell.

SEAN: A new digital-only title is Abe-kun’s Got Me Now! (Abe-kun ni Nerawaretemasu), a shoujo title from the online replacement for Aria, Palcy. A comedy manga about a girl who finds the school’s karate champ confessing to her… and he’s not going to take no for an answer.

Also digital (at least for now) is Sue & Tai-chan, another cat manga from the creator of Chi’s Sweet Home. This one runs in Be Love magazine, so seems more for housewives than kids. But… I mean, it’s still a cute cat manga.

MICHELLE: I’m looking forward to it!

SEAN: Scheduled (at the moment) for Digital next week and print later, we see Cardcaptor Sakura Collector’s Edition 5 (along with 3 and 4, whose print are out already), Fire Force 19, Love and Lies 9, O Maidens in Your Savage Season 7, and Yuri Is My Job! 6.

ASH: As usual, I’ll be waiting for the print release, but O Maidens in Your Savage Season is really good.

SEAN: Digital-only titles out next week? Altair: A Record of Battles 19 (I swear this is now weekly), Asahi-sempai’s Favorite 7 (the final volume), Hotaru’s Way 14, I Fell in Love After School 5, Kounodori: Dr. Stork 15, and Watari-kun’s ****** Is about to Collapse 7 (which also feels like it’s out every week).

MICHELLE: Of these, I’m only currently reading I Fell in Love After School, but I do enjoy it.

SEAN: KUMA has a digital-first, print later debut: Canis: Dear Mr. Rain. This BL title originally ran in Opera a few years back, but is now in Takeshobo’s Reijin. It’s about picking up a stray on the side of the road, only this is a human, not a dog.

MJ: Maybe?

SEAN: One Peace has a 13th Rising of the Shield Hero (manga version).

Seven Seas, in print, has New Game! 9.

Seven Seas, digitally, has a bit more. We have two debuts. Peter Grill and the Philosopher’s Time (Peter Grill to Kenja no Jikan) runs in Futabasha’s Manga Action, which means it can’t be full-on porn, but it sounds like it. Peter Grill has a lovely fiancee and has just won a tournament pronouncing him the World’s Strongest. Unfortunately, this means all the women in the world – elves, ogres – want to bone him. Poor guy, can he escape his horrible fate?

MJ: …wow.

SEAN: The other digital debut is Syrup, another yuri anthology of short stories – this one from Futabasha – and featuring the creators of I Married My Best Friend to Shut My Parents Up and Kisses, Sighs and Cherry Blossom Pink.

ASH: Oh! That sounds like it has promise!

MJ: This might be good!

SEAN: There’s also the 3rd Arifureta manga, Gal Gohan 3, GIGANT 2, a 2nd Magic User: Reborn in Another World as a Max Level Wizard light novel, Miss Kobayashi’s Dragon Maid: Elma’s Office Lady Diary 3, Non Non Biyori 13, the 3rd Reincarnated As a Sword manga, and the 10th and final Toradora! light novel. (Yes, I know there are short story volumes. No, they aren’t. No, it’s unlikely they will be.)

Square Enix has – digital first – the 3nd Hi Score Girl manga and the 2nd Suppose a Kid from the Last Dungeon Boonies Moved to a Starter Town manga.

Tokyopop has two new series. Don’t Call Me Daddy (Daddy Darlin’) is a BL manga, sequel to Don’t Call Me Dirty.

The other is No Vampire, No Happy Ending (Ringo to Bara to Kyuuketsuki (Kari)), a goofy Mag Garden comedy about a vampire enthusiast who finally meets one and discovers they’re not up to snuff.

MJ: This actually sounds fun, maybe in a What We Do in the Shadows kind of way, but …Tokyopop. Not sure I’m ready.

Vertical has (digitally) Bakemonogatari’s 4th manga, APOSIMZ 5, and Kino’s Journey 6.

MJ: I’ve been kind of out of it and have lost touch with the Kino’s Journey manga adaptation. I should try to fix that.

SEAN: That’s it! We’re done! Wait… (giant pile of Yen Press falls on Sean) Riiiiiight. Yen’s back in town.

ASH: Whoa! Hang on for the ride!

SEAN: All of the light novel debuts got moved to July. But there’s still a lot of Yen On. We get The Genius Prince’s Guide to Raising a Nation Out of Debt (Hey, How About Treason?) 3, I’ve Been Killing Slimes for 300 Years and Maxed Out My Level 7, Last Round Arthurs 2, My Youth Romantic Comedy Is Wrong As I Expected 6.5 (yes, the numbering is deliberate), Overlord 12, The Saga of Tanya the Evil 7, A Sister’s All You Need 7, That Time I Got Reincarnated As a Slime 8, Wandering Witch: The Journey of Elaina 2, Woof Woof Story 4, and World’s Strongest Rearguard: Labyrinth Country’s Novice Seeker 3. Guh. So many books, so many long titles.

ASH: For sure!

SEAN: Manga? Well, there we have a few debuts. Bestia is a fantasy series about magical beasts, looks cute, and runs in Kadokawa’s Shonen Ace.

Breasts Are My Favorite Things in the World (Sekai de Ichiban Oppai Ga Suki!) is sort of Knight of the Ice if the knight was a girl and instead of wanting to hear magical girl songs she had to fondle huge breasts in order to do well in competitions. It looks… a bit over the top. This runs in Media Factory’s Comic Cune.

MJ: What is happening??

SEAN: Lust Geass is from the creator of Evangelion spinoff The Shinji Ikari Raising Project, runs in Kadokawa’s Young Ace, and seems to be Death Note only with sex instead of death.

MJ: Yen Press is really losing me lately.

SEAN: And there’s Restaurant in Another World, the manga version of the light novel. Old-school Crunchyroll manga readers may recall this title.

ASH: Oh, I may need to check this one out.

SEAN: Lastly, Sekiro Side Story: Hanbei the Undying seems to be a side story to something I don’t know (it’s certainly not Sekirei), and I guess is based off a game.

Ongoing titles? Well, Umineko: When They Cry comes to an end with the 3rd and final omnibus of Twilight of the Golden Witch. We’ve figured out by now that most everyone in the cast is really, genuinely dead. But did ANYONE other than Ange survive? Read to find out.

And… Bungo Stray Dogs 15, Chio’s School Road 9, Dead Mount Death Play 4, Divine Raiment Magical Girl Howling Moon 2, Do You Love Your Mom (and Her Two-Hit, Multi-Target Attacks?) 3 (manga version), Eclair Bleau (another yuri anthology volume) Goblin Slayer 8 (manga version), KonoSuba Explosion 5 (manga version, technically a final volume but there’s a sequel), Little Miss P: The Second Day, Phantom Tales of the Night 4, The Saga of Tanya the Evil 10 (manga version), and A Witch’s Printing Office 3.

MICHELLE: So many paragraphs of things I’m not reading, with the probable exception of Eclair Bleue.

ANNA: I’m going to have a hard time doing pick of the week this week, despite this deluge of manga.

ASH: I’m glad to see publishers getting their books out there, but that is certainly a lot all at once!

MJ: A lot of… what?

SEAN: Stay masked even though all the manga is back! What are you getting?

Filed Under: FEATURES, manga the week of

Yona of the Dawn, Vol. 24

June 18, 2020 by Sean Gaffney

By Mizuho Kusanagi. Released in Japan as “Akatsuki no Yona” by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz Media. Translated by JN Productions, Adapted by Ysabet Reinhardt MacFarlane.

It can be very hard to stop something once it’s gotten started, and when that something is “war”, it becomes ten times as hard. At the end of the last volume I thought we’d get a long section of Yona and Su-Won debating the subject, but no, Su-Won knows that now is not the time to have Yona whisper sweet words of peace in his ear. Instead we get some very clever tactical maneuvering on both sides, relying on Hak’s reputation with the Wind tribe, Yona’s ability to make Tae-Jun do anything she says (though at least there is a bit of “it’s not because I like you or anything” to the logic), and Su-Won figuring BOTH of these things out and making his own move to ensure that yes, there is going to be a war with a lot of dead people. Because sometimes that’s how you king, especially given the previous king.

The cliffhanger implies that the next volume may be different, but this volume reminded me how good the author is at maneuvering things so that expected events do not take place, or go in different directions. It’s a good skill to have, especially as the reader does not feel manipulated. Despite negotiating with Ogi, the meeting with Su-Won does not happen, and instead we get retainer Min-Su, who sympathizes heavily with Yona but also serves the King, and explains that this war can only end in a bloody battle. And yet we don’t get that battle here either, though we come close. (We also don’t get much of Kouren, and I hope that there is some focus on her soon.) As ever, Yona is trying to solve things by being an idealist who can back her ideals up, sometimes with violence, but here through negotiating attempts. It’s hard to negotiate when the other side avoids you, though…that said, more and more people are discovering she is alive.

As you would expect, there’s not really a lot of humor in this book, although the reaction to Jaeha’s leg may be the high point there. This also brings me to Mizari, who is probably the most fascinating part of this book. Let’s face it, it’s rare that ‘the guy with the slasher smile who’s clearly not all there’ gets deep character development. He’s fascinated with the dragon warrior captives (this is why we see Jaeha’s leg), and when he sees the soldiers that are going against Su-Won’s forces, he kills one just because he realizes how weak they are. His logic – he would have died immediately on the battlefield anyway – is twisted but also shows that he too is thinking about how this war is going to go for Kouren’s side. Badly. And that’s why he wants the power of the Dragon Warriors, because he wants to protect her. I don’t like Mizari as a person, but as a character he’s fantastic.

The cliffhanger implies we’ll finally be getting the confrontation that we didn’t get this time, but honestly I suspect that despite all of Yona and Hak’s maneuvering that we’re going to end up going to war anyway. In the meantime, please keep reading one of the best shoujo series out there.

Filed Under: REVIEWS, yona of the dawn

Can Someone Please Explain What’s Going On?! ~A Sign-on-the-Line Wedding Story~, Vol. 2

June 17, 2020 by Sean Gaffney

By Tsuredurebana and Rin Hagiwara. Released in Japan as “Dareka Kono Joukyou wo Setsumei Shite Kudasai! ~Keiyaku Kara Hajimaru Wedding~” by ArianRose. Released in North America by J-Novel Club. Translated by Mattias Hirsch.

Despite everything seemingly being resolved at the end of the last book in terms of their marriage, the title of this series still fits, as Viola continues to not really believe it. A combination of her own low self-worth and the guy who’s now trying to win her love being astonishingly bad at it means that any romantic progression we see here is minimal at best. To Viola’s credit, she does actually blush near the end of the book when Cercis gets in her face and says he wants them to be a real couple. But even then, there’s no real sign that she’s fallen for him, more that she’s taken aback by his actions. In order to win the girl, Cercis is not only going to have to get a lot better at not being a rich playboy type, he’s also going to have to hammer into her again and again that he loves her. Fortunately, he has several more volumes to do this.

We begin where the last book left off, with Cercis’ Mistress moving out after dumping his sorry ass. I appreciated the fact that, although she was clearly the “other woman”, the story treated her with respect anyway, and I wonder if we’ll see her again. After that, there’s various events that Cercis uses to try to get closer to his wife who just wants to hang around the mansion and pretend to be a maid. There’s balls (where Viola completely trashes a stereotypical “princess curl” rich girl by simply using her low self-image as a weapon), there’s dates (where Viola continues to be appalled at how much rich people spend, and Cercis begins to vaguely catch a clue), there’s visits back home (where we see a lot of what made Viola who she is today… her mother certainly didn’t go out of her way to praise her), and in the end there’s yet ANOTHER rumor that Cercis has taken a mistress, showing that it’s hard to reform when everyone already thinks the worst of you. Through all this, Viola blithely glides along, with her inner narration providing the snark and her outer face being mostly the perfect duchess.

I praised the translation on Twitter, as Viola’s narrative voice is the main reason to buy this. There is a caveat, though: if you’re bothered by the use of ‘modern’ language in a series with horse and carriages, you may find some of Viola’s remarks jar – at one point she uses the term “helicopter parent”, for example. But honestly it didn’t really bother me, and I found it gave Viola a snap to her lines that was perfectly in character. I do hope that future books work a bit more on her self-loathing… there’s a point where she (having slept poorly the night before) accidentally breaks a vase and she immediately loses it. She’s sent back to her earldom to recuperate for the day, but is convinced in her sleepiness that Cercis will divorce her now. The fact that this isn’t really panicked or upset but just as matter of fact as her other thoughts makes it hurt all the more. Someone needs to teach this girl confidence.

That said, right now it’s Cercis who needs to be learning lessons more, as he starts to figure out that expensive food and presents is not going to win him jack shit, and he slowly begins to see what Viola actually likes. If he continues to be a better person, and someone kick start’s Viola’s self-image, we could see this couple on paper become a real couple soon. In the meantime, I enjoy Viola’s snark a whole lot.

Oh yes, and the entire book is made even better by Cercis’ trio of drunken lady knights, who are a stitch.

Filed Under: can someone please explain what's going on?!, REVIEWS

Pick of the Week: Picks Galore

June 15, 2020 by Katherine Dacey, Sean Gaffney, Ash Brown, Michelle Smith, Anna N and MJ 2 Comments

KATE: Holy smokes–that’s a lot of good manga heading our way this week! I’d be hard-pressed to limit my pick of the week to just two titles, let alone one. But if I had to choose just one book–and death was not an option–I’d pick Satoko and Nada, a sometimes gentle, sometimes sharp comedy about two international students making sense of the United States together.

SEAN: As I said in Manga the Week of, I love both Satoko and Nada and Tomo-chan Is a Girl. But if I’m going for a pick this week, I think I’ll go with – once again – Dead Dead Demon’s Dededede Destruction, Inio Asano’s K-On! gone horribly wrong series.

ASH: There really is an abundance of great manga being released this week! I’ll third the Satoko and Nada recommendation, but the manga I’m probably most looking forward to is Nagabe’s collection of short manga Love on the Other Side, so I’ll make that my official pick.

MICHELLE: I am going to pick still another option by going with the fifth and final volume of I’ll Win You Over, Sempai!. It’s a Kodansha digital exclusive and is about one of those pretty boys who’s actually kind of awkward but has been put on a pedestal and the pesky girl who does, indeed, eventually win him over. I have enjoyed it a lot.

ANNA: Out of everything coming out this week I’m most excited about Blue Flag 2, the first volume was wonderful.

MJ: Wow, the pressure is on! There’s a lot of exciting stuff to look forward to this week. And since my colleagues have already named most of them, I’ll put in a shout-out for The Weirn Books: Be Wary of the Silent Woods, which appears to be a continuation of her beloved (by me) Nightschool series for middle-grade readers. I’m excited to pick it up!

Filed Under: PICK OF THE WEEK

Kobold King, Vol. 2

June 15, 2020 by Sean Gaffney

By Syousa. and sime. Released in Japan by Legend Novels (Kodansha). Released in North America by J-Novel Club. Translated by Amy Osteraas.

First things first: aside from the very start of this book, it is entirely devoted to warfare, with a large group of adventurers, mercenaries and soldiers marching to wipe out the Kobolds and their allies, and our heroes essentially turning into a jungle-based terrorist group to stop them. If this doesn’t interest you, you are not going to get much out of this book, as the brief characterization we had in Book 1 is left behind for the most part in favor of battle scenes. The good news is that the battle scenes are quite well written, and there’s a definite sense of tension to the whole book. Having killed off one of the main characters in the first volume, the reader is under the assumption that no one is safe. Indeed, while I wasn’t expecting the bad guys to win, I did start to suspect it would be a pyrrhic victory where most of the main cast sacrifice themselves. It comes close. That said, this is marked the end of the first “arc”, so presumably more books are coming.

On one side we have the evil obsessed Wyatt and his suit of magical armor, determined to destroy absolutely everyone on the Kobold side, especially Gaius. He’s attracted most of his force by offer of a large reward, but some others (the ones who were there the first time) he has to blackmail. The force itself is quite well divided between men and women, actually, which surprised and pleased me. Of course, this means that both men and women get their skulls caved in, hearts torn out and heads chopped off, because the mercenary force runs into Gaius and Sashalia’s Kobold guerrilla fighters. They have a force far, far smaller than the army’s, but are fighting for both survival and to make the other side give up and say it’s not worth the trouble. To that end, the Kobolds put out endless dangerous traps, use dirty and underhanded fighting tactics, and also have Gaius, who can kill dozens on his own. All this coordinated by Sashalia, who can no longer fight but can still be a tactician.

While I enjoyed this book, there’s not really much to say about it because it’s almost all action. I was thankful that the whole “I want to be the one to take Gaius’ virginity!” plotline was given barely a passing mention, and indeed there’s no love triangle here as was hinted in the last book, mostly as everyone is too busy fighting. Most of the cast ends up coming pretty close to dying – indeed, I was fairly certain that when Darke was hurled against a tree at full speed that she was dead. I was also certain that Emon was dead when Wyatt basically started hacking him to bits. And I certainly expected Gaius and Wyatt to kill each other in the final battle. Instead, the day is saved by a spirit from the dead returning and giving Gaius one final weapon. It’s unrealistic, but hey, we’ve had realism the whole battle, so I was fine with it.

As with other series from this label, we’re not sure when there will be more of it – it’s only two volumes in Japan for now. Still, if you want to know what Vietnam would have been like with kobolds, elves, dwarves and giant lizard creatures, this is a strong read.

Filed Under: kobold king, REVIEWS

Our Last Crusade or the Rise of a New World, Vol. 3

June 14, 2020 by Sean Gaffney

By Kei Sazane and Ao Nekonabe. Released in Japan as “Kimi to Boku no Saigo no Senjou, Aruiwa Sekai ga Hajimaru Seisen” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Jan Cash.

Some authors are really good at plotting and worldbuilding. Some succeed at depth of characterization. Some write amazing dialogue. And then there’s Kei Sazane, who does none of those things, but that’s OK, as they have one thing that they do better than most anyone else: crafting cliffhangers that make a reader want to get the next book. I spent most of the second volume of this series thinking I would drop it after I finished, only for a last-minute plot twist that made me want to read more. Unfortunately, little is made of the plot twist here, mostly as the characters are two-dimensional. And once again I got to the end thinking, “yeah, OK, interesting did not happen, dropping this” only to get an epilogue which made me say, “Hrngh, now I want to know what happens next.” It’s a praiseworthy skill, and very well done. Of course, I wish that the skills had been used on a better light novel series.

Last volume ended with the revelation that Iska’s captain and designated dojikko Mismis now had an astral crest after basically falling in a pit of magic. So they have to figure out a way to keep it hidden so that she’s not imprisoned for life at best and executed at worst. I suspect skin-colored bandages, tried here, are not going to work well. It doesn’t help that, aside from one or two flashes of actually being a commander, Mismis is a fluffhead of the first order. (The author loves to write those types – more on this later.) Fortunately, they have a reason for her to be away from the Empire and using an Astral Crest – they have to infiltrate the enemy territory. Unfortunately, everything goes south when, for once, it’s Iska who gets to be the designated idiot, sipping a drugged drink provided by Alice’s maid and now taken prisoner in the hideous… honeymoon suite of a first-class hotel.

Last time Alice and Iska never met up, this time they’re together most of the book. It’s not really a great thing for Alice, as, like Mismis, the author loves to write her as a fluffhead, in this case a girl in love who doesn’t actually realize it. The ‘kidnapping’ wasn’t her idea, and she prefers to settle things on the battlefield in a one-on-one fight, of course. Unfortunately, the Empire is also trying to break out a top security prisoner (who is basically Gilgamesh from Fate/Stay Night only with magic instead of swords), and so everyone needs to rush off and stop everything ending in fire. Including Iska, who is, of course, also slowly falling for Alice in his own stoic lunkhead sort of way. Both Iska and Alice excel at combat scenes, where they’re both allowed to be ridiculously overpowered and cool, rather than enacting A Child’s Garden of Romeo and Juliet Scenes.

There’s no actual bad scenes or writing here – everything is very competent but empty, and reminds me a lot of Strike the Blood or Asterisk War in that it feels like it was written as a novelization of an anime. The main cast are all pretty likeable, and as I said, there’s a great cliffhanger that will probably make me read the 4th book in the series. I’ll be grumbling as I do, though.

Filed Under: our last crusade or the rise of a new world, REVIEWS

Torture Princess: Fremd Torturchen, Vol. 4

June 12, 2020 by Sean Gaffney

By Keishi Ayasato and Saki Ukai. Released in Japan as “Isekai Goumon Hime” by MF Bunko J. Released in North America Yen On. Translated by Nathaniel Hiroshi Thrasher.

I had mentioned that I was reading this new volume on Twitter, and someone replied to me “isn’t that just torture porn?”. It’s a reasonable question, given the title of the series and a good deal of the content. This fourth volume has slightly less grotesquery than previous ones, but that’s only by degree: there’s still many scenes here meant to disgust you. That said, I would argue it isn’t torture porn for the good reason that anyone reading this series ONLY for the gore is bound to be disappointed. The start of this book delves into mystery briefly, as Kaito and Hime try to discover what or who is slaughtering villages of beastmen. The end of the book, meanwhile, opens the Pandora’s Box of its lore and mythology, showing us that there’s far more disturbing creation myths than we really expected. The gore is there to drive the plot like all the other elements. And, once again, we have a book that is well-written if a bit off-putting because, well, intestines.

There’s also, surprise!, another Torture Princess, who we see on the cover here. Fate/Zero fans may have a head start on this one, though fortunately she doesn’t (so far) share her historical namesake’s fetishes. Jeanne de Rais was created much as Elisabeth Le Fanu was, only her sacrifices were 100% consensual. She’s thought to be the one behind the village massacres, but it turns out to be far more complex than that. She actually ends up being more of a guide/mentor figure, gathering everyone to a place the Church does not want to be seen and then showing them all what’s inside. She’s a fun new villain, though her method of speech takes some getting used to; half the time she sounds emotionless, the other half she talks like a foul-mouthed cowboy.

As for the others, well, fans of Subaru and Rem who want them to get it on will want to read this one, which may be as close as you’re going to get. (it does cut away before coitus ensues, so those reading for THAT will also be disappointed.) Kaito and Elisabeth continue to get very angry with each other for trying to sacrifice themselves so the other can live on, in a way that is half heartwarming and half hilarious. Izabella continues to be a trope that Japan loves, which is the one true believer in an increasingly corrupt Church. Sadly, she’s having a very bad last few weeks. And then there’s the Butcher, who has sort of been a comedy relief figure so far in the series, but here is shown to have a FAR larger role in everything that’s occurring, being a sort of combination of Judas and Mary Magdalene. I wonder what he’ll be doing going forward.

The book ends with a series of revelations about the world’s past religious history, and I suspect that the next book will involve the Church condemning absolutely everyone who found out about it to, well, torture. that said, with Elisabeth AND Jeanne on the same side, I doubt they’ll get far. Torture Princess can be grotesque, and is not for the faint of heart, but it’s far more than mere torture porn.

Filed Under: REVIEWS, torture princess

Manga the Week of 6/17/20

June 11, 2020 by Sean Gaffney, Michelle Smith, Ash Brown, Anna N and MJ 2 Comments

SEAN: It’s mid-June. Is it hot where you are? It’s certainly hot where I am. Have some manga.

We start with light novels, though, as J-Novel Club has a debut. Wild Times with a Fake Fake Princess is another series by Ichiro Sakaki, author of Outbreak Company. The description makes it sound like “straight man surrounded by wacky people and situations”. Think broad comedy. It’s 3 volumes total.

J-Novel Club also gives us Her Majesty’s Swarm 3.

Kodansha, in early digital releases of print titles, gives us Boarding School Juliet 12, That Time I Got Reincarnated As a Slime 13 and Witch Hat Atelier 6.

ASH: I’ll be waiting to pick it up in print, but I am very pleased to see all the love Witch Hat Atelier is getting these days!

ANNA: Totally collecting Witch Hat Atelier in print too!

SEAN: Digital-only has a LOT more. The debut is Men’s Life —Her Secret Life in The Boys’ Dormitory—, a Betsufure series by the creator of L♥DK. Introverted girl, extroverted brother, she has to disguise herself as him… you know the drill.

MICHELLE: I will at least give the debut volume a look, but I didn’t realize it was by the L♥DK creator. I tried the first volume of that and didn’t like it much.

MJ: This sounds potentially awful? I’ll wait to see what Michelle says.

SEAN: There’s also (deep break) Dolly Kill Kill 3, Domestic Girlfriend 25, GE: Good Ending 6, I’ll Win You Over Sempai! 5, Kakushigoto 4, Saint Young Men 6, Shojo FIGHT! 11, The Slime Diaries 3, and That Blue Summer 6.

MICHELLE : Both That Blue Summer and I’ll Win You Over, Sempai! are enjoyable shoujo. This is also the final volume for the latter. I really need to catch up on Shojo FIGHT! as well.

SEAN: One Peace has an 8th volume of Hinamatsuri.

Seven Seas has a couple of debuts. Kuma Kuma Kuma Bear gets its manga in print. It also gives us the 2nd novel as an early digital book.

The other early digital debut is Love on the Other Side: A Nagabe Short Story Collection. The Girl from the Other Side is the author’s most well-known work, and these are short stories (unrelated to his other series) about supernatural love.

MICHELLE: I will definitely be reading this!

ASH: Likewise! I’m very happy to see more of Nagabe’s work being translated.

ANNA: Sounds great.

MJ: Here for this!

SEAN: In ongoing print, we see Classroom of the Elite 4.5, Masamune-kun’s Revenge 11, Satoko and Nada 3, and Tomo-chan Is a Girl! 7, which also now has all its volumes available digitally! I love both Satoko and Nada and Tomo-chan.

ASH: Satoko and Nada is a great series.

SEAN: Other digital first titles: Akashic Records of Bastard Magical Instructor 9, Dance in the Vampire Bund: Age of Scarlet Order 2, and the 2nd Invincible Shovel light novel.

Sol Press has a 2nd digital volume of light novel Redefining the Meta at VRMMO Academy.

Vertical debuts, digital-first, the manga version of Weathering with You, another Makoto Shinkai multi-media franchise. The manga runs in Afternoon.

MJ: I loved the movie, and have historically enjoyed the manga versions of Shinkai’s work, so maybe?

SEAN: Viz Media gives us the 8th 20th Century Boys Perfect Edition, Blue Flag 2, Dead Dead Demon’s Dededede Destruction 8, the 3rd Drifting Classroom Perfect Edition, and Golden Kamuy 16.

MICHELLE: I am chastened to admit I have not read Blue Flag yet! I will rectify this forthwith.

ASH: I’m following quite a few of these series, but Blue Flag is what I’ll be reading first. I think you’ll like the series, Michelle.

ANNA: Blue Flag is wonderful.

MJ: I also have not read Blue Flag, but I guess I should!

SEAN: Lastly, remember a few weeks ago when we were talking about Nightschool and wishing we could see more of it? Good news! The Weirn Books seems to be a reboot of the series aimed at readers of her Berrybrook Middle School series. The first volume from Yen Press is subtitled Be Wary of the Silent Woods.

ASH: Oh, nice!

ANNA: Sweet!

MJ: Oh, interesting!

SEAN: Good things come to those who wait. What are you waiting for?

Filed Under: FEATURES, manga the week of

The Promised Neverland, Vol. 15

June 11, 2020 by Sean Gaffney

By Kaiu Shirai and Posuka Demizu. Released in Japan as “Yakusoku no Neverland” by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump. Released in North America by Viz Media. Translated by Satsuki Yamashita.

This is the last time I’ll be able to write ‘serialization ongoing’ in the header, as the main manga ends this Sunday as I type this. Of course, that still means another 5-6 volumes to go here. More importantly, though, this volume is around the time when we start to see The Promised Neverland lose some of its initial audience. This series started out as pure horror/suspense, and grew quite popular based on that. Even as Emma and company escaped and tried to find out the secrets of this world, those two genres were never far from everyone’s mind. But here, in this 15th volume, when Ray and Emma meet up against some hallucinatory rooms and dream skeletons, it’s frankly a bit of a relief. Most of this volume is made up of political intrigue (albeit among demons) and moral/ethical arguments. It’s well written, and I think this is a very good volume. But is it what people are really reading this series for?

If Emma is the ‘idealistic’ hero of this series, then Norman falls into the ‘realistic’ side. This is amusing if you recall the start of the series, where it was definitely Ray who fell into that category, with Norman being the balance between them. But Norman’s had two years on his own, whereas Ray’s been with Emma the whole time. As a result, there’s been nothing stopping Norman from getting very dedicated to killing some demons. As I said in my last review, this is perfectly valid. The demons have done horrible things, and murdered many of their friends. That said, when the reveal becomes less “they need to do this or they die, so there’s no good answer’ and more ‘there is a good answer, but politics won’t let them use it’, there’s less of a moral leg to stand on. Emma gets this right away, and innocently asks why everyone can’t simply use the solution Mujika has. Norman (and Ray, who is now the middle ground) understand the real reason: power.

Norman, who has been planning everything for SO LONG, is not inclined to stop it just because Emma wants everyone to live happily ever after in peace and harmony, so she and Ray try to find a way to get him to compromise. There’s also the problem that even if they win, they don’t know if anything beyond the Seven Walls is an escape. So they’re going to go beyond the Seven Walls and find out, giving everyone a reason to move forward – and possibly one that might not involve genocide. Of course, it’s not that simple – they end up seemingly back at a deserted Grace Field House, only to find that it’s an amalgam of nightmares and bad memories. This section of the book is where the art really shines, and as I said before adds a nice bit of surrealistic horror to the proceedings. The question is, can they find the real entrance from here?

This is not the Promised Neverland we started off with, and that’s a good thing, even though I do get nostalgic for the old suspense novel feeling. It’s still well worth a read.

Filed Under: promised neverland, REVIEWS

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