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Daytime Shooting Star, Vol 7

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Daytime Shooting Star Volume 7 by Mika Yamamori

This manga brings both the drama and major uneasiness as Suzume and Shishio progress a bit on their student-teacher romance and then things get curtailed, causing plenty of angst.

One of the reasons why I enjoy reading this manga so much is that it makes me feel uneasy, which is not all that typical for shoujo manga. I’m not sure if Yamamori is going to be able to pull of a happy ending out of this series, and for all the swoony feelings of first love happening, it is difficult to escape the issues with the age gap in the main relationship in the manga. Suzume asks Shishio to go to a shrine for New Year’s and shows up wearing a disguise so no would be able to identify them in public. When a snowstorm causes them to miss the last train back, they have to check into a bread and breakfast and hide where they are. Shishio straight out lies to Suzume’s uncle, which is a bit beyond the pale, even if nothing much has happened on the romance front other than some significant gazes and a couple kisses.

I really enjoyed the chapter in this volume that was presented from Nekota’s point of view. She’s rightfully cynical about her own popularity and reflects on how she’s changed since developing a genuine friendship with Suzume. This chapter gave much more insight about her character, and the shifting point of view felt refreshing.
There’s also a bonus story in this volume that didn’t make a ton of sense, since Yamamori was collaborating with another author. I’m curious to see how Suzume deals with the emotional fallout from this volume, and if she’s able to move on a little bit with her life. Mamura continues to be awesome, so I’m hoping that Suzume at least attempts to give boys her own age a chance.

Pick of the Week: Not Quite Flocking Together

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KATE: I’ll be honest: even though there’s a tidal wave of manga heading our way, there isn’t much on this list that I’m jazzed about. One bright spot, however, is the return of Svetlana Chmakova’s Night School: The Weirn Books in a new, deluxe edition. If you know a middle-schooler who loves supernatural mysteries, steer them to Night School, which has sharp art, good characters, and just the right mix of sass, humor, and scares for tweens.

MICHELLE: I am kind of intrigued by the prospect of revisiting Chobits, since it’s been a very long time since I first read it, but I’m most looking forward to getting caught up on Ran the Peerless Beauty. It’s a soothing sort of shoujo series and I’ve fallen a few volumes behind. Time to remedy that!

ANNA: I’m most excited for the third volume of Given, I really like the way this series started and the combination of teen angst and rock music is compelling.

ASH: The next volume of Given is very high on my list this week, too, but I’ll give my official pick to SuBLime’s other release this week, the debut of Toritan: Birds of a Feather, which sounds like it should be delightful.

SEAN: Given I’ve had no power, water or Internet since Tuesday, I feel a lot like Myne. Ascendance of a Bookworm’s new novel is my pick.

MJ: I’d like to give a shout-out to Kate’s pick this week, because I really loved Night School when it first came around. But I think I share a pick with Ash. A man who talks to birds is kind of an irresistible hook for me, so I’m ready for SuBLime’s Toritan: Birds of a Feather.

Manga the Week of 8/12/20

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SEAN: The dog days of August are on us, and the manga keeps piling up like a conveyor belt with Lucille Ball at the end of it.

MICHELLE: That’s an evocative image!

MJ: Indeed!

SEAN: J-Novel Club has two debuts next week. The Epic Tale of the Reincarnated Prince Herscherik (just “Hersherik” in Japan) has an otaku die and get reincarnated in a fantasy world, as one expects these days. Ryoko was a 35-year-old hardcore otaku woman. Now, she’s the villainess… wait, no, she isn’t! She’s a prince! Sadly, said prince has no talent for combat… or magic… and the rest of the family is more handsome… but Ryoko has her otaku smarts.

The other debut, When the Clock Strikes Z (Z no Jikan) is by the author of Outbreak Company and Wild Times with a Fake Fake Princess, Ichiro Sakaki. This is his zombie book. Gamer teams up with horror fanatic to fight off the zombies.

Also from J-Novel Club: a double dose of Myne, as we have the 8th Ascendance of a Bookworm novel and the 5th manga volume. There’s The Combat Baker and Automaton Waitress 7, The Beloved of Marielle Clarac, The White Cat’s Revenge As Plotted from the Dragon King’s Lap 2, and The World’s Least Interesting Master Swordsman 4.

ASH: I haven’t tried the manga yet, but I’ve really enjoyed what I’ve read of Ascendance of a Bookworm so far!

SEAN: Kodansha’s print debut is the 20th Anniversary Edition of Chobits.

Also out in print: Beyond the Clouds 2, Cells at Work: CODE BLACK 5, Eden’s Zero 8, Fairy Tail: 100 Year’s Quest 4, Granblue Fantasy 6, Perfect World 2, and That Time I Got Reincarnated As a Slime 13.

ASH: This reminds me I need to read the first volume of Beyond the Clouds.

SEAN: Digitally? Well, there’s All-Out!! 15, Cells at Work and Friends 3, Cosplay Animal 13, Domestic Girlfriend 26, Fairy Tail: City Hero 4 (the final volume), Men’s Life —Her Secret Life in The Boys’ Dormitory— 3, The Prince’s Romance Gambit 7, The Quintessential Quintuplets 14 (also a final volume), and Ran the Peerless Beauty 8.

MICHELLE: I really need to get caught up on Ran the Peerless Beauty and to start All-Out!!.

SEAN: Seven Seas has two debuts. The first we’ve seen the digital version of: Syrup, a Girls’ Love Anthology. It focuses on adult women.

ASH: I’ll probably pick this up now that it’s in print.

SEAN: The other is Failed Princesses (Dekisokonai no Himegimi Tachi), a yuri manga from Takeshobo’s Manga Life STORIA Dash. This is high school girl yuri, and also apparently a bit darker than most.

In print, we see the 2nd Bloom Into You: Regarding Saeki Sayaka light novel, Machimaho 6, Reincarnated As a Sword‘s 5th light novel, and Skeleton Knight in Another World‘s 4th manga.

In early digital releases, we see a debut as well. The Sorcerer King of Destruction and the Golem of the Barbarian Queen (Hametsu no Madou Ou to Golem no Banhi) is an isekai fantasy, though apparently the guy who is isekaied has no memory of his former life. He’s being asked to destroy the world, which he wants no part of. So he’s given a powerful and dangerous partner.

And we get Kuma Kuma Kuma Bear 3 and Sarazanmai 2.

ASH: I need to begin my Sarazanmai journey soon.

SEAN: Square Enix has the print debut of The Strongest Sage with the Weakest Crest, a title whose plot is so familiar it’s already being made fun of.

SuBLime debuts Toritan: Birds of a Feather, a new BL series from Rutile about a man with the power to talk to birds.

They also have a 3rd volume of Given.

MICHELLE: I might be into Toritan and am certainly excited for more Given!

MJ: I’m kind of into the concept where a man talks to birds? I guess both of these are potentially for me!

ANNA: I ordered the second volume of Given and don’t have it yet, but I’m also excited for more volumes in this series!

ASH: Yup! I’m here for both of these, too.

SEAN: Tokyopop debuts A Gentle Noble’s Vacation Recommendation (Odayaka Kizoku no Kyuuka no Susume), a manga from TO Books’ Comic Corona. A man is transported to another world and decides to life a slow and easy life is a title we’ve seen before. This man, however, was the prime minister in a fantasy world before he was transported, which is interesting. It’s also one of those titles where everyone has to insist it’s not BL despite what it looks like.

ANNA: Honestly, I’d be intrigued by this if it was coming out from a different publisher.

ASH: Likewise.

MJ: Yep.

SEAN: Vertical has the 8th volume of CITY (in print) and the 15th Ajin (digitally).

Viz has two debuts, one of which probably falls outside the scope of Manga the Week of. BTS: Blood, Sweat and Tears is a biography of the popular band – no, not the 60s/70s jazz rock band, but BTS, the incredibly popular Korean boy band.

ASH: Huh! Viz has done a nice job with other biographical works, so this should hit the spot for BTS fans.

MJ: This does sound like it will be perfect for the right audience.

SEAN: There’s also an artbook. Monster Hunter: World – Official Complete Works should delight fans of Monster Hunter. (Note: ask rest of Manga Bookshelf what Monster Hunter is.)

ASH: Oooh, I know this! I’ve actually played and really enjoyed one of the games in the franchise before (despite being pretty terrible at it).

SEAN: Viz also has some ongoing titles. We get Fullmetal Alchemist: Fullmetal Edition 10, Hayate the Combat Butler 36 (only 16 more to go! That’s only 8 short years!), Komi Can’t Communicate 8, The Legend of Zelda: Twilight Princess 7, and A Tropical Fish Yearns for Snow 4.

ASH: A solid shounen (and seinen) showing from Viz.

MJ: Always ready to push Fullmetal Alchemist on another generation.

SEAN: Lastly, Yen has one light novel debut – we hope, this book was delayed 6 times over the course of the past year. The Eminence in Shadow (Kage no Jitsuryokusha ni Naritakute!) is a comedic isekai about a guy who likes to make up backstories and finds that the one he’s made up is getting out of his control. Let’s hope we can finally enjoy it.

ASH: I’m not hugely interested in isekai, but that sounds like it could be fun.

SEAN: See? SO MUCH STUFF. What manga are you desperately stuffing in your mouth as it comes down the conveyor belt?

An Incurable Case of Love, Vol. 4

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An Incurable Case of Love Volume 4 by Maki Enjoji

I do always wish that we got more josei from Viz, but I will take my one series at a time josei and enjoy it if I need to! Often in An Incurable Case of Love, there’s external conflict in the form of crazed stalkers or too-handsome additional doctors.

In this volume Nana and Tendo have to deal with a sudden opportunity for him to study abroad popping up, along with some memories from his past. It turns out that Nana is not the first nurse that Tendo has dated a nurse, his relationship with an extremely capable nurse with an incurable disease prompted him to specialize in pulmonology. Nana first tells Tendo not to leave but he ends up being so scattered and distracted at work that he’s not able to perform up to his usual standards. Nana points out that she’s actually capable of managing on her own and tells him to pursue his dream research opportunity.

Misunderstandings abound, but Nana and Tendo end up on the other side with a stronger relationship, although they are helped along the way by some of their interfering co-workers. Now that they’re officially dating, they need to switch up their work departments, and Nana needs to move from trainee nurse to being on her own. Her sudden business underscores just how much Tendo actually depends on having her around for emotional support, even though he’d never come out and say it. Overall, this was a solid volume, although it left me wanting a little more drama.

Prince Freya, Vol 2

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Prince Freya, Volume 2 by Keiko Ishihara

I enjoyed the premise and setting of the first volume of Prince Freya, even though I thought there were a couple pacing issues. I was curious to see if the next volume would feel a little more settled, and I’m happy to report that this volume felt much more cohesive as Freya settles into her new life as Prince Edvard, fending off evil plots and throwing herself into the action as much as possible. The volume picks up as Freya as Edvard attempts to save the royal guard Mikal from being kidnapped, only to put herself in danger in the process.

I’ll be honest, one plot point that I do enjoy about reverse harem scenarios where girls have to disguise themselves as boys is how often the boys surrounding the heroine start feeling oddly protective of their new companion and aren’t sure why their feelings have shifted. This happened multiple times in Prince Freya, so I found myself greatly enjoying the sillier aspects of the character dynamics. Mikal finds himself newly intrigued by Prince Edvard now that Edvard seems to have received an abrupt personality transplant. Freya is fiercely loyal to her friends, including people that she’s just met in her new role.
Aleksi and Julius head off to the rescue, and while they fend of danger with some help from Freya, Julius delivers a stern lecture about the responsibilities for self-protection that have to be present in royalty or someone disguising herself as royalty. Freya vows to protect everyone, including Julius, which causes him to be quite emotionally shaken.

As the story unfolds, Freya’s open personality cause her to strike up an unlikely friendship with one of Prince Edvard’s subjects, but her good intentions end up creating even more difficulties that are only solved by some bold action. The art in Prince Freya continues to be clear and dynamic, which is essential due to how many scenes involve combat by swords. One aspect of this manga that I found both intriguing and a bit startling is the body count that is starting to build up as Freya navigates her new world. It is true that there’s an inherit danger to being faux royalty, but I’m starting to find myself a little anxious about the survival prospects for anyone close to Freya. The cliffhanger at the end ensures that I’m already impatient for the next volume.

An Archdemon’s Dilemma: How to Love Your Elf Bride, Vol. 10

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By Fuminori Teshima and COMTA. Released in Japan as “Maou no Ore ga Dorei Elf wo Yome ni Shitanda ga, Dou Medereba Ii?” by HJ Bunko. Released in North America digitally by J-Novel Club. Translated by Hikoki.

This has been such a relaxed, somewhat sweet series that it actually can be startling when bad things happen. For the most part, the bulk of this book involves building a giant bath at Zagan’s castle, which he doesn’t really care about, but the rest of his increasingly large cast of women staying with him want very much. There’s discussion of the different kinds of baths, lots of teasing of various people who are still not quite hooked up with anyone yet, and a huge fight between Zagan and Barbatos, taking out large chunks of the forest, that basically revolves around “is it OK to peep?”. (Zagan says no.) Even when we cut to the bad guys, things are seemingly a bit more calm, with the twin assassin girls being given pocket money and sent out to the city, whereupon they buy a giant parfait. Unfortunately, horrible things do still happen here, and there is actually a real plot burbling underneath.

It can be a bit difficult to figure out who the major evil that needs to be defeated is in this series. First of all, Zagan has ended up turning a lot of former enemies into his allies. Secondly, of the current evil forces group, the twins are actually very cute when they’re in downtime mode (which makes the fate of one of them all the more tragic), Shere Khan is essentially a non-entity here, and Bifrons, the closest thing we’ve had to a big bad to date, ends up helping Zagan at the end – sort of. He’s still plenty evil, as the leading archdemon will attest, but there seems to be something even more evil behind all this – perhaps related to Azazel. Speaking of the twins, the serious part of the book has them both realizing they’d sacrifice their life to protect the other one, and then getting in situations where this is required. It’s touching and also a bit horrifying.

Then there’s the flip side of all this, which is Zagan and company. He’s still trying to figure out his own past, and there are several new revelations here about his childhood with Stella and Marc. Indeed, one of Archdemon’s Dilemma’s conceits is that everyone has connections to each other person in the series that they either don’t know or forgot about – ranging from serious (Marc’s identity in the church) to somewhat comical (where Chastille learned how to be such a good swordswoman at such a young age). Zagan and Nephy, fortunately, just get to be a cute little couple, again not actually achieving a romantic breakthrough just yet but this time around they manage to have a bath together with washing of the backs, which is nice. Certainly they’re miles ahead of the other not-quite-couples in this book.

So yes, this is mostly sweet and fun, but be warned it gets quite dark about 3/4 of the way through. Still a solid entry in the series, though.

Pick of the Week: Everything’s Coming Up Roses

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ASH: While there are quite a few manga being released this week, many of them great, my pick will likely be obvious. It’s a long time coming, but the second deluxe, hardcover volume of Rose of Versailles is here in all its glory! (Though, I will admit to being curious about My Papa’s Persimmon Tree, too, not having heard about it previously.)

ANNA: Rose of Versailles for me too. I still can’t believe we have it in English, even though I’m reading it!

KATE: Even if UDON hadn’t given The Rose of Versailles the royal treatment, I’d still feel morally obligated to buy it–I mean, they did the impossible and got the license, right?! The fact that the edition is so nicely packaged and well translated is just the icing on the cake for me.

MICHELLE: To properly express my gratitude to UDON, I can’t really pick anything else! (But speaking of gratitude, gotta give honorable mention to Chihayafuru and Byakko Senki!)

SEAN: There’s some of my favorite series due out this week. Oresama Teacher, Yona of the Dawn… that said, yes, it’s Rose of Versailles, and likely will be again in 2 weeks when the 3rd volume comes out. (You may thank COVID for these wacky release dates.)

MJ: Can there be any question? This week, it’s The Rose of Versailles!

Act-Age, Vol. 1

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By Tatsuya Matsuki and Shiro Usasaki. Released in Japan by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump. Released in North America by Viz Media. Translated by Camellia Nieh.

In general, when you think of Weekly Shonen Jump, a certain type of series comes to mind. Lots of boys shouting at each other. Friendship/Training/Victory. Tons and tons of characters getting more and more powerful. Or you think of the goofy romantic comedies, usually involving a hapless guy and the bevy of girls who beat up/like him. But lately Jump has been going outside of its comfort areas quite a bit. And this new series (if you can call it new when it already has 112 chapters out in Japan) is certainly not the cliched Jump title. Indeed, the first thing a person might think, even after reading the first volume, is that someone put this on the wrong label and that it should be running in Betsuma instead. But no, this is pretty shonen. It’s just that instead of pirates, or volleyball, or superheroes, it’s acting that gets the Jump treatment. Best of all, the protagonist is a teenage girl, still a rarity in Jump titles.

The start of this series makes it seem like it’s going to be darker and more depressing than it is. Kei Yonagi is raising her twin sister and brother by herself, trying to hold down jobs, go to school, and still have time to go to acting auditions, where so far she’s had no luck. Her emotions sometimes flow out of her when she thinks of her life, so she “resets” by recalling times when she was happy and smiling. That said, her method acting has not gone as unnoticed as she expected – the main reason she wasn’t cast is that the head of the agency refuses to let her act as it would be bad for her mental health. She’s opposed in this by a young hotshot director, who feels that Kei would be strong enough to get over the issues that method acting can bring about. More importantly, he just really wants to work with her. So begins Kei’s life lessons in how to act.

As someone who got a drama degree in college, let me be honest: I hate method acting. I would not say that it leads to mental stress the way that this manga does, but I feel that it should be used as one of many kinds of choices, not a be-all-and-end-all. Still, the manga does a pretty good job of portraying Kei’s burgeoning talent, as well as showing why she hasn’t gotten anywhere so far – she’s far too raw and has trouble with directions. What’s more, she draws the camera to her even when she’s playing an extra – which is bad. Fortunately she has director Kuroyama, who does some questionable stuff here (please do not kidnap girls off the street), but knows that Kei’s abilities can further both their careers. She’s arresting when she really tries. It’s that sort of thing that makes me want to read more.

This series struggles at times to keep its audience – Usasaki’s art in particular is highly variable throughout – But I really liked Kei’s character, and also her “character type” – stoic airheads are one of my favorite things. If you enjoy acting, or just like unusual Jump titles, this is definitely worth your time.

I Refuse to Be Your Enemy!, Vol. 2

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By Kanata Satsuki and Mitsuya Fuji. Released in Japan as “Watashi wa Teki ni Narimasen!” by PASH! Books. Released in North America digitally by J-Novel Club. Translated by Tara Quinn.

In my review of the first volume I said that light novel fans would be disappointed but romance fans should be happy. This volume dials back the romance (though it’s still there), and I’d argue that it may be fans of RPGs who get the most out of the series, as it’s become a military fantasy novel, which Kiara’s choice to become a spellcaster having far more of an impact on the plot than whether she likes Reggie or Cain. (It’s Reggie, btw. Of course it’s Reggie.) The cliffhanger is resolved fairly quickly, but the overall situation is not, as the King and castle are still very much under attack. We also get a couple of good choices for ongoing villains in this book, and see quite a few people on both sides die, which impacts Kiara more than anyone would like. But most importantly, Kiara and Reggie show how incredibly similar they are to each other, and how that’s a VERY bad thing.

Last time I noted that Kiara’s life in Japan was far more vague than in most reincarnated isekai protagonists, and that’s still true, but we do see a bit more of it here, including some of her life in Japan as Chisato, when she was essentially pretty happy but also alone much of the time, having no siblings and two parents who were working much of the time. She’s determined to avoid the fate of everyone in the game, and we’re pretty sure what she’s managed to avoid turning into an evil spellcaster, at least, but saving Reggie is not as simple as stopping the soldiers from killing him that one time. This is a constant war, and Reggie is in constant danger. As is Kiara, much to Reggie’s chagrin – the woman he’s falling in love with is not one who would take kindly at all to him shutting her away to keep her safe, so he doesn’t, but boy does he hate that.

This series is a romance. And it ends with Vol. 6 in Japan. Not to spoil hideously, or anything, but the final volume has a wedding couple on the cover. That said, you might be surprised at that when you read this book, where you’re wondering if the series may actually kill Reggie off a third of the way through it, or kill off its heroine by the end of the series. It turns out that the thing that he and Kiara both share is a flagrant disregard for their own safety that verges on suicidal tendencies at times. In fact, in the dream we see Kiara have in the epilogue side-story, her reaction in the original world to being killed by Alan was essentially “oh, thank God”. In the second half of the book this turns almost comical, with both desperate to save each other at the cost of their own lives and then getting really upset when they do just that. They really are perfect for each other.

This is a smooth and easy read, with the translator change not really noticeable. If you’re here for the romance, I hope you like slow burn. If you like turn-based RPG strategy books, though, this is right up your street.

Wandering Witch: The Journey of Elaina, Vol. 2

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By Jougi Shiraishi and Azure. Released in Japan as “Majo no Tabitabi” by GA Novels. Released in North America by Yen On. Translated by Nicole Wilder.

It did not escape my notice, when reading the first volume of Wandering Witch, that the best stories in it were the ones that focused on Elaina and her past rather than the ‘Elaina arrives at a strange town’ stories. Sadly, there is no more backstory here, just the wandering witch. Which should be fine. It’s why we picked up the series, after all. Look at the over! It’s the witch, smiling, drinking a cup of tea. This should be a relaxing, slow life series with a nice mix of humorous and serious stories. Unfortunately, I seem to have caught the author on a bad day. They admit as much in the afterword, where it’s noted how dark and tragic many of the stories in this book were. Indeed, one story was cut from the book for being too dark, which boggles my mind. Now, it’s possible that the next volume may try to counterbalance that. But that still leaves Wandering Witch with a problem: the people in this book are terrible.

Most of the stories here are short, with two or three longer ones that have a bit more emotional heft. Elaina goes to a country where prejudice against non-magic users runs rampant; stops a war between two villages; tracks down a runaway princess; starts a fashion trend; deals with a beast girl with a tragic past (the best story in the book, even if it was as much fun to read as a root canal); helps a man find his father’s inheritance; goes to a country where truth is magically enforced; has interaction with a bomb manufacturer; discovers her old teacher has written a book; goes to a country where laziness seems to be the norm; goes to a fake zombie town now infested by real zombies; tries to hide the truth from some happy-go-lucky hunters; and deals with a country where you had better love cats – or else.

As you can see, these sound exactly like the peaceful, slow life sort of stories you’d expect here. The trouble is the characterization. The people in these stories are bigots, shallow, greedy, slothful, and sometimes genuinely evil. Even the nicest stories deal with what might best be described as misguided fools. If Kino’s Journey has a running theme of ‘war is horrible’, Wandering Witch’s might be ‘people are awful’. Sometimes there’s karmic fate, but more often than not nothing really happens except Elaina leaves and goes to the next town. The very first story upset me in particular as Elaina sees that the non-magic using people in this town are being persecuted and literally called animals, but merely disapproves of this and leaves. She’s meant to be rather emotionally deadened, but it just ends up seeming incredibly callous. This also makes it harder with stories like the beast girl one, where Elaina is supposed to be genuinely moved and upset – it seems fake because of how we’ve seen her before. Also, her “that girl – it was me” narrative joke isn’t funny and makes her sound smug.

I’d heard that future volumes of this leaned on the yuri a bit, but I’m not sure how good it’s going to be. Saya, the girl from the first story of the first volume, shows up again and clearly has a massive crush on Elaina, but it’s unreciprocated. Moreover, one of the stories involves a romance between two women, but it ends up being treated like more of a punchline than anything else. More to the point, after this second volume, I simply don’t want to read anything more about this witch and her journeys. Which is fine. I’m sure if told that I was dropping her series, she’d simply shrug and move on to the next town filled with selfish, irritating people.