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Ascendance of a Bookworm: I’ll Do Anything to Become a Librarian!, Part 3: Adopted Daughter of an Archduke, Vol. 4

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By Miya Kazuki and You Shiina. Released in Japan as “Honzuki no Gekokujou: Shisho ni Naru Tame ni wa Shudan wo Erandeiraremasen” by TO Books. Released in North America digitally by J-Novel Club. Translated by quof.

It’s a good thing these books are coming out every two months rather than every three or four, as they definitely rely on a reader remembering everything that has come before. Nothing that happens in these books is ever truly forgotten, and it ranges from Rozemyne’s worrying about her autumn monster hunt (the one she accidentally failed last year) to remembering a very minor character who popped in about 7-8 books ago. To be fair, Rozemyne does not remember him either, and the books are not written in such a way that they are incomprehensible if you haven’t done your homework. It does serve to show off how important and prevalent the worldbuilding in this series is. Rozemyne still has aspects of the world she now lives in that she is unaware of, and this is fortuitous, as it can themn be explained to us without sounding too much like infodumping. This includes family politics, a rather more serious part of the series.

Given the size of each volume, it’s no surprise there’s a lot going on in this one. Rozemyne gets her summer ingredient for the “fix my broken body tour”, which involves going inside a volcano and stealing an egg – expect lots of hot springs references. The printing press is finished, and we get to see them printing their first non-picture books. Brigitte’s dress is finished, and she makes a stunning appearance at an event, showing off how good tall, muscular, busty women look in this new fashion – and getting a proposal from the earnest Damuel, though more on that in a bit. We also visit Illgner to search for new kinds of paper, and if Rozemyne’s world is the equivalent of Boston, this would be the equivalent of Portland, Maine. In her spare time, Rozemyne also invents hand pumps for wells (deliberately) and intelligent talking swords (accidentally). The biggest issue, though, is the arrival of Georgine, Sylvester’s older sister and. let’s face it, the story’s new villain.

One thing brought up here is marriages in this society, and how nobles tend to marry based on mana capacity. This is why Brigitte doesn’t see Damuel as a partner – his mana is not strong enough, though he’s working to make it more impressive, and asks her to wait a year for him to improve. It also shows off why Rozemyne, in the future, will have a limited number of partners – and sorry, Lutz fans, he ain’t gonna be one of them. Brought up in this volume are Wilfried, which I cannot see working at all given his behavior through the entire series, and Ferdinand, a suggestion proposed by Sylvester that is immediately shot down by both parties. Fortunately, Rozemyne is still about nine years old here, so we don’t have to worry about this anytime soon.

The book ends very ominously, with Georgina’s faction gleefully talking about plotting against Rozemyne – indeed, they talk about torturing her. What’s more, the next book in the series is the final one in this arc. I know the series goes on long after this, but it is worrying that Rozemyne’s life as an adopted daughter may be coming to an end soon. Till then, this remains essential reading.

Pick of the Week: Penguins, Legends and Childhood Friends

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SEAN: Given that it turns out Manga Bookshelf are top-tier futurists, I’m tempted to pick March Comes in Like a Lion, but that will have to wait for 2022. And there’s plenty coming out this week anyway, including the new Shigeru Mizuki and a new volume of Rozemyne’s latest antics. But no, I am too tempted by the wonder that is Penguin Gentlemen, which wins for cover art alone. Hot damn.

MICHELLE: Penguin Gentlemen certainly has the most unique premise of this week’s batch, but I’m most drawn to some sweet Boys’ Love in the form of the first volume of I Cannot Reach You.

KATE: After reading Ash’s lovely review of Tono Monogatori, that’s my top pick for this week. But I won’t lie: a little animal-themed manga sounds pretty good, too, so add Penguin Gentlemen and Wonder Cat Kyuu-Chan to my list of “things I’m going to check out this week.”

ANNA: I’m not sure when I’ll actually get around to reading it, but Penguin Gentlemen sounds hilarious so that’s my pick.

ASH: It probably isn’t much of a surprise that Mizuki’s adaptation of Tono Monogatari is my pick this week – I’m thrilled that this manga is now available in English – but I will also admit that Penguin Gentlemen has caught my attention, too. Granted, for entirely different reasons.

I Shall Survive Using Potions!, Vol. 6

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By FUNA and Sukima. Released in Japan as “Potion-danomi de Ikinobimasu!” by K Lanove Books. Released in North America by J-Novel Club. Translated by Hiroya Watanabe.

Word of warning first, it is impossible to review this volume without spoiling the biggest parts of it, as the plot IS the spoiler. So reader beware!

Nothing makes my jaw drop quite like a volume of I Shall Survive Using Potions!, and this one made me do it even more than usual. I mean, it starts out normally. There’s a civil war going on in the kingdom next door, and the first prince (the one who’s stalking… erm, crushing on Kaoru) has had to go into hiding, while the arrogant and dimwitted second prince is now in power, held up by the evil bishops who have managed to escape from their religious dictatorship and insinuate themselves here. Kaoru is not particularly interested in helping the stalker prince, nor does she feel any need to protect Roland and Francette’s kingdom. Instead, she feels that this is her war and she’s the one who’s going to put an end to all of it. This goes quite well at first… until she’s killed off brutally.

The cover deliberately has a feel of “this is the final volume, please enjoy the author’s next work”, let’s face it. Now, this is NOT the final volume – the 7th book came out recently in Japan – but certainly it’s a big ol’ sea change, with most of the supporting cast thrown out the window. Kaoru is able to escape her deathtrap, but it takes a long time and the help of a long lost friend… and when she gets out, it’s 70 years later. In fact, I was pretty convinced (as was Kaoru) that all of her friends would be dead. That turns out not to be true, thanks mostly to Kaoru’s ludicrous potions, but she also makes a clear decision, now that she’s been essentially killed off and made into a legend, to not go back to her old life, and to seek out a new country to live in far away. It’s a very Kaoru thing to do, and fits her well.

As for the rest of the cast, well, they’re mostly not in it, as you’d expect, though Francette gets a big chance to step up and be the hero, saving the world from the wrath of a furious goddess who has just lost her friend. (I also loved said goddess yelling at Francette for offering up her own life as sacrifice, as if Kaoru would want that either.) The main addition here is Reiko, one of Kaoru’s two friends from Japan. Time apparently passes the same in Japan as it does here, and since it’s 70 years later, the two friends can now reunite (the third is still alive, but presumably will show up soon). Reiko and Kaoru are very similar types, but they also play off each other well, and Reiko is (slightly) more sensible. As for where the story goes from here, well, we’re already adding a whole new cast of waifs nd strays for Kaoru to take in next time.

So yes, time skip, new cast, everything you would NOT expect from FUNA, whose Make My Abilities Average is noted for the stasis of its lead girls. FUNA: Hard Mode continues to reward fans of the author, while possibly appalling those unused to such things.

Altina the Sword Princess, Vol. 7

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By Yukiya Murasaki and himesuz. Released in Japan as “Haken no Kouki Altina” by Famitsu Bunko. Released in North America digitally by J-Novel Club. Translated by Roy Nukia.

We’re still fighting the battle against Britannia here, though after the one volume dedicated to the other side it’s been very much a battle seen from Altina and Regis’ side. Things don’t go swimmingly for our heroes here, though they do get to claim the big win in the end. There are far more casualties than Regis has ever had to deal with as a result of one of his plans, leading him to have even more self-loathing than his normal levels. Even worse, some of his plans actually don’t work, and he’s forced to watch in horror as the biggest, baddest mercenary in Britannia’s army ends up waltzing right into their camp and dueling Altina. Fortunately, they do also have a few things go their way, including some surprise new characters and the return of a beloved weapon. That said, the entire book may be dwarfed by the ending, which I will try not to spoil but which is definitely a game changer. Assuming that Belgaria manages to survive this war, they’re certainly going to have their hands full.

The series is in general a military chronicle, and not all that interested in romance. That said, Altina and Regis shippers should be relatively pleased with events towards the start of this book, though Altina really is going to have to spell things out to Bakarina levels in order to get past Regis’ self-image issues. She’s also growing up and getting smarter… and, more importantly, more inclined to think first and not act as impulsively. She asks Regis the reasons behind some of his decisions, and does not need it dumbed down quite as much as she did in Book 6. The conversation they have about balancing the present and the future is also excellent, with Regis trying to get Altina to be more forward thinking, and Altina trying to get Regis to see that “a land of peace” can in fact be an option to try, even in a land as warmongering as their own.

I will admit there was one plot twist that I found a bit eyebrow-raising, as the blacksmith who is trying to get Altina her now-repaired sword ends up meeting a seemingly harmless old man in the middle of a battlefield. I didn’t expect him to be harmless, but I was expecting him to be one of the enemy. The revelation that he ‘s actually Altina’s mentor is a bit too pat in a series that usually doesn’t rely on that sort of thing too much. That said, the end of the book is also extremely predictable in every possible way, but this time it works quite well, mostly as it’s fast, violent, and will spark a lot of plot in upcoming volumes more than Altina being reminded that fighting fair is something that you should not worry about on a battlefield.

This came out in Japan at the same time as a volume of short stories, which the author says complement the novel. Good news, we are getting the short story volume over here, but bad news, it’s coming out simultaneous with Volume 8, not 7. At least you know which to read first! In any case, still a good series with no magic or fantasy elements, just straight up alternate world battlefield.

Didn’t I Say to Make My Abilities Average in the Next Life?!, Vol. 12

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By FUNA and Itsuki Akata. Released in Japan as “Watashi, Nouryoku wa Heikinchi de tte Itta yo ne!” by Earth Star Novels. Released in North America by Seven Seas. Translated by Diana Taylor. Adapted by Maggie Cooper.

I’ve often felt that my reviews are read by the Japanese authors after I write them, and they subsequently go back in time to before the next volume was out in Japan to deal with what I was talking about. Now, I can’t confirm this is 100% true, but I will admit that after admitting to the author of this series that I had forgotten the ongoing plot and worldbuilding and only read it for the cute overpowered girls doing cute overpowered things part, the author now seems to have buckled down a bit and started to pay more attention to how the antics of Mile and company are affecting not just their own kingdom but also the world as a whole. Now, don’t worry, this is not remotely a serious-minded volume or anything, and Mile is still completely ridiculous in the best FUNA way. But… there’s thoughts going into other countries’ actions here, and also what happens when you bitchslap a dragon.

After a prologue that shows us what life is like in their default inn with Lenny when they aren’t around (spoiler: not great, but at least she’s building up strong muscles), we get the plot that makes up the bulk of this book, as the Crimson Vow are asked to escort four researchers disguised as merchants to Albarn’s Empire, as there are disquieting rumors going around about what they’re up to. Given the Vow were responsible for much of their downfall, they’re not wild about it, but they do go along, also pretending to be merchants and making a mint. After managing to find the one company picnic to end up getting attacked by bandits bent on murder and kidnapping, they manage to find out why Albarn is going to war, and it’s a reason that’s a lot closer to what they’ve been doing lately… those damn ruins. And to solve this… they may need to beat up a lot more dragons.

As always, the best part of these books are the bond between the four girls, who may occasionally get jealous of each other’s powers (Mile) or large bust (Pauline) but for the most part are so close than when asked by Mile, in one of her attempts to amuse herself late at night, what they would take with them to a desert island, the answer ends up being Mile… as she can provide anything else. Reina is a bit despairing of the fact that if they ever do split up,. the others will be totally unable to work as a team, but let’s face it, they’re never going to split up as long as this series is an ongoing concern. As for the Albarn Empire, the discussion of why they always go to war, and what’s driving them to do so again, is pretty well nuanced, with the family that the Crimson Vow protect on the company picnic essentially military suppliers. A lot of the reason things are like this now is related to either Mile or her prior self, Adele. Will she take responsibility? Well, sort of, as we see with the golems. But not a whole lot.

Still the most nuanced of the three FUNA series, but that’s a matter of degree – this is still toxic to anyone who hates OP characters.

Do You Love Your Mom and Her Two-Hit Multi-Target Attacks?, Vol. 8

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By Dachima Inaka and Iida Pochi. Released in Japan as “Tsujo Kogeki ga Zentai Kogeki de Ni-kai Kogeki no Okasan wa Suki desu ka?” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

As I look back through previous volumes of this series, I keep having to remind myself “this is a parody” more and more often, for two reasons. First, because as the series goes on the serious plotline of what the proper amount of love and distance should be between mother and child is taken more and more seriously, and that holds here as well. The other reason, of course, is that due to the nature of the plot and the over the top parody aspects, we see some really toxic abusive relationships between mothers and daughters. I mention this in passing because Wise and Mehdi’s mothers show up again in this volume to team up with Mamako, and for the most part they’re being greatly softened. I should not have expected much else – even if “sometimes you need to cut off an abusive parent” was a thing that happened very often in media like this, it’s certainly not going to happen in this specific title with the opposite message.

The book leads off with the moment we’ve been waiting for – finally, we get Porta’s mom. As was hinted last volume, she is the final of the anti-mom generals – and also one of the main developers of the game itself. She and Porta have a strained relationship that manages to be different from our other three mom-child teams. Mamako is the smothering type, Wise’s mother the ignoring type, and Mehdi gets the education mama, but Porta and her mother both compete to see who can hate themselves the most, and let me tell you, it’s neck and neck. What’s more, the latest plot to break up the game seems to work quite well – planting pins on the kids of the world so that they all try to act super independent, leading their mothers to get depressed that they aren’t needed any more. This goes double for Mamako, who knows that she doesn’t even need to have a pin to get those feelings – her baby is growing up, and pretty soon she’ll have to let him to at least a little.

If you worried the humor was gone, no fear. Shiraaase is still around to make everything hilarious, this time by making Mamako and her other mom companions idol singers, something that humiliated all the children, and all the moms who are not named Mamako, who is of course delighted. Shiraaase has also managed to find a way to weaponize her own coffin demises, which is impressive. There’s also some amusing schtick in the middle of the book, as Masato and company have to play Porta’s life-sizes board game in order to advance, a board game filled with annoying yet amusing pitstops. It’s also quite nice that, even after 8 volumes (out of 11 total), there is very little to no romance in this still. Sometimes, once or twice a book, Wise and Medhi briefly show they might like Masato, but they’re far more comfortable emasculating him instead.

So yes, as long as you don’t take this too seriously, it’s still good enough, and it was nice to see the guilty workaholic mom added to the pile. (Honestly, I thought that might be filled by Shiraaase, but her kid is only 5, so unlikely to show up in this game.) Next time around… (Noddy Holder scream) IT’S CHRIIIIIISTMAAAAAAS!!!!

Re: ZERO ~Starting Life in Another World~, Vol. 15

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By Tappei Nagatsuki and Shinichirou Otsuka. Released in Japan by MF Bunko J. Released in North America by Yen On. Translated by Jeremiah Borque.

This book slid in RIGHT under the wire in avoiding spoiling English-speaking fans. The book came out literally the day before the episode aired which animated the first part of it. It also brings to an end the 4th arc in this series, in a mostly satisfying way. Some of the beats feel very obvious, but as always with Re: Zero, they feel that way because we’ve spent so long setting up those beats with the previous go-rounds. This series also does a very good job of keeping all the fights it has to have here interesting, either through breaking them up by moving from the Sanctuary and Emilia’s trials to the mansion and Subaru’s pleading and back again, but also because, much like Banner of the Stars, this series runs on banter and there is a lot of that. Still, by the end of the book our heroes have won the day, though… not without some cost with a last minute bitter sting in its tail. And we’re ready to move on to a new arc!

Beako is on the cover, and deservedly so. Garfiel, Emilia and Ram/Roswaal’s stories also come to a conclusion here, but there’s no real surprises in any of them on an emotional level. Emilia’s trials two and three feel almost anticlimactic – after failing so hard at the first trial over and over, she sails through them. But that’s to be expected, as she has moved past the trauma that held her back. Garfield too had most of his issues resolved in earlier books, allowing him to be the muscle that’s required in order to beat the immortal nightmare that is Elsa (who gets a shred of backstory here, but honestly I think works best as simply a grotesque impossible to stop enemy). But Beatrice’s story is the one that needs Subaru, and, true to form, he fails over and over again to convince her to leave the Library of Forbidden Books and come with him. Not even the entire mansion burning down can sway her.

The high point of the book, as I just said, is Subaru and Beatrice, and I loved every scene with both of them in it. The rest of the book does not QUITE reach those heights. Emilia, in particular, suffers from the author wanting her to grow up and move past her trauma but also being an innocent boke who knows nothing about anything. Sometimes this is hilarious – her comment on “Ryuzu’s mother” may be one of the best jokes in the series – but announcing she’s pregnant because she and Subaru kissed fell a bit flat to me. (Presumably he explains later – or more likely Ram does). Oh yes, and there’s another character who I thought was gone for good who shows up again to help kick Roswaal’s ass, which was great. Actually, there’s a scene which mentions that the entire cast take turns punching Roswaal at some point, and I deeply hope this gets like an entire episode devoted to it in the anime.

Where will this go next? There’s apparently the series’ first time skip coming up, and presumably we’ll see more of Anastasia, Priscilla and Felt. Till then, though, please enjoy Garfiel punching forever, Subaru and Otto being bros, and Emilia being even more earnest than Rem, if that’s even possible. (Technically Rem is in this book a lot, but sorry, she still does not wake up.)

Manga the Week of 3/10/21

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SEAN: Has anyone else run out of time to read things? You’d think I’d be reading MORE in a pandemic, but…

MICHELLE: I have run out of brain to read things.

ANNA: My non-work reading and writing have suffered.

ASH: It’s strange but true.

MJ: What is time?

SEAN: Airship has the print debut of Failure Frame: I Became the Strongest and Annihilated Everything With Low-Level Spells. Also in print is the second ROLL OVER AND DIE: I Will Fight for an Ordinary Life with My Love and Cursed Sword!, and digital-first gives us the 2nd Trapped in a Dating Sim: The World of Otome Games is Tough for Mobs.

Dark Horse has a 7th Deluxe Hardcover edition of Berserk.

ASH: It’s probably no surprise that I’ll be picking that up.

SEAN: Drawn & Quarterly has a biggie: the late Shigeru Mizuki’s adaptation of Tono Monogatari, a famous collection of folklore. It ran in Shogakukan’s Big Comic.

ASH: My recent brief doesn’t truly do it justice, but I love this book.

MJ: Ash is persuasive!

SEAN: No debuts for J-Novel Club, but a lot of new volumes of beloved series. We see Ascendance of a Bookworm 11, Bibliophile Princess 5, the 2nd manga volume of The Engagement of Marielle Clarac, Girls Kingdom 2, Infinite Dendrogram 14, the 5th manga volume of The Master of Ragnarok & Blesser of Einherjar, and Slayers 6.

ASH: Yay, Bookworm!

SEAN: Kaiten Books has a debut with Welcome to the Outcast’s Restaurant, a manga version of the light novel we’ve seen released here by Tentai Books. A strong adventurer, banished by his party, starts a restaurant, and has to deal with his customers’ varied issues.

ASH: There seems to be a surprising number of these types of restaurants.

SEAN: Kodansha has some print. There’s Grand Blue Dreaming 12, Rent-a-Girlfriend 5, Saint Young Men 5 (in hardcover omnibus), and the 14th and final Waiting for Spring.

MICHELLE: I’ve been waiting for Waiting for Spring‘s finale for ages!

ANNA: I have the first volume and I still haven’t read it!

ASH: I’ve liked what I’ve read of Waiting for Spring so far, but Saint Young Men has most of my attention from this batch.

MJ: Same here!

SEAN: For digital, the debut is Shaman King: Marcos, which runs in Shonen Magazine Edge, and is MORE SHAMAN KING.

Also digital: A Couple of Cuckoos 3, Ace of the Diamond 31, Peach Boy Riverside 5, Saint Young Men 10, Seven Shakespeares 15, and We Must Never Fall in Love 7.

MICHELLE: A baseball binge is in store for me!

SEAN: Seven Seas has two debuts. The first had an anime recently, and it’s called Super HxEros (Dokyuu Hentai HxEros). Despite the Japanese title, this isn’t quite porn, but it does run on fanservice. Aliens are sapping the world’s lust, and only superheroes who can use their own lust to power up can stop them. This runs in Jump Square, home of Blue Exorcist, believe it or not, and is 11+ volumes in Japan.

The other debut is Wonder Cat Kyuu-chan (Fushigi Neko no Kyuu-chan), a 4-koma about an office worker who finds an abandoned cat that proves to be… a wonder cat! This looks very cute.

ANNA: That does sound cute.

ASH: It does.

SEAN: Also from Seven Seas: Akashic Records of Bastard Magical Instructor 11, Arifureta: From Commonplace to World’s Strongest 6 (manga), Arpeggio of Blue Steel 17, Peter Grill and the Philosopher’s Time 4, The Ideal Sponger Life 8 (manga), The Saint’s Magic Power Is Omnipotent 2 (manga), and We Swore to Meet in the Next Life and That’s When Things Got Weird! 2.

SuBLime gives us Caste Heaven 5 and the 2nd and final volume of Toritan – Birds of a Feather.

MICHELLE: I need to check out Toritan. Caste Heaven was not for me.

ASH: I haven’t tried Caste Heaven yet, but I really liked the first volume of Toritan. I didn’t realize it was only two volumes long.

SEAN: Tokyopop has Katakoi Lamp, a BL title from Rutile. A young man working at a coffee shop falls for a customer, but can he work up the courage to confess?

They also have the 2nd volume of Ossan Idol!.

Vertical has a 9th volume of Flying Witch and a 3rd With a Dog AND a Cat, Every Day is Fun.

Viz has Tokyo Fashion: A Comic Book, an illustrated guide to building your wardrobe and looking good.

ASH: Oh, that could be interesting!

SEAN: We also have Fly Me to the Moon 4, The Legend of Zelda: Twilight Princess 8, RIN-NE 38, and Splatoon: Squid Kids Comedy Show 3.

Yen On has a debut, with The Executioner and Her Way of Life (Shokei Shoujo no Ikirumichi), about a woman whose job it is to STOP isekai protagonists – they keep bringing chaos whenever they arrive! Unfortunately, the girl she meets may be more than she can handle. Nice seeing more yuri light novels.

ASH: That is kind of a delightful and cathartic twist to the isekai deluge. And it’s yuri, too? I may have to check it out!

SEAN: Yen On also has Combatants Will Be Dispatched! 5.

Three debuts from Yen Press. I Cannot Reach You (Kimi ni wa Todokanai) is a BL series from Media Factory’s Gene Pixiv, and is a childhood friend romance sort of story. It looks sweet.

MICHELLE: I’m really looking forward to this one!

ASH: Me, too!

MJ: Okay, yes, THIS.

SEAN: SEAN: Play It Cool, Guys (Cool Doji Danshi) runs in Square Enix’s Gangan Pixiv, and features a bunch of cool guys who are secretly… awkward dorks! This seems more on the funny side.

ASH: Could be fun!

SEAN: Penguin Gentlemen (Penguin Shinshi) is a done-in-one hardcover about a group of penguins who run a bar. Sometimes they’re drawn as penguins… and sometimes they’re drawn as buff hot guys. This ran in Kadokawa’s Pixiv Essay.

ANNA: This sounds hilarious.

ASH: It really does, in the best sort of way.

MJ: This sounds amazing.

SEAN: Lastly, Yen has Happy Sugar Life 8, I’ve Been Killing Slimes for 300 Years 5 (manga), Kakegurui Twin 9, and Restaurant to Another World 4.

What series are you falling more and more behind on?

MICHELLE: ALL OF THEM.

ANNA: SO MANY SERIES!

MJ: I REPEAT, WHAT IS TIME?

Konosuba: God’s Blessing on This Wonderful World!: The Lich’s Proposal

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By Natsume Akatsuki and Kurone Mishima. Released in Japan as “Kono Subarashii Sekai ni Shukufuku o!” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Kevin Steinbach.

It is the nature of a long-running series that it tends to accrue supporting cast members. The longer the series, the more cast members it has to support. Now, KonoSuba has never made it a secret that it is, at heart, a story of four people: Kazuma, Aqua, Megumin and Darkness. Now, this series has a bit of an advantage over many others in that it is popular enough to have scored a slew of spinoff books. We’ve seen one of them, which focuses on Megumin and Yunyun before and during the events of the series. There’s another, unlicensed series (by a different author) that follows KonoSuba through the eyes of Dust and his party (which also has a large helping of Yunyun, who is pathetic enough to get entangled in Dust’s life). But really, though we’ve learned a bit about her past, there has not been a huge focus on adorably pathetic shop owner Wiz. That changes now!… though this does not really mean Wiz will come off looking good.

As with a large number of KonoSuba books, the actual main plot does not really start up till about halfway through the book. There’s also a fake plot – Yunyun has to take the test to be the next chief of the Crimson Magic Clan, and wants Kazuma’s help. Megumin refuses to let this happen, of course, and instead helps Yunyun herself – with offscreen results, but results you can probably guess. There’s a treasure hunt to clean encrusted jewels off a turtle’s shell, and Darkness once again tries to seduce Kazuma, who makes it clear that he’s only willing to go through with it if he’s forced, so he can blame her. (They’re both caught, of course.) That said, the main plot is what folks are here for – a mysterious stalker… erm, stranger arrives and seemingly proposes marriage to Wiz! Or at least that’s what Kazuma and Wiz herself believe. Only Vanir knows the truth, and he finds it absolutely hilarious.

As you might gather, fans of Kazuma being a complete scumbag will be well-served here by his behavior here, though again this is the slightly less appalling version we’ve seen from Vol. 9 and later. I was highly amused where Megumin offers to sneak into his room and he, having just gotten laid via succubus sex workers, indicates he’s not in the mood – the joke being Megumin was unaware men could EVER be not in the mood. The main plot itself is amusing, but if you aren’t a fan of the series kicking Yunyun when she’s down, you may not enjoy it as much, as Wiz is absolutely an airhead here, getting completely into the idea that someone has proposed to her and acting like a lovestruck maiden. Vanir heaps abuse on her, probably because all her love-love feelings are making him cranky. That said, spoilers, but Wiz does not get married. Sorry to ruin that for you hopeful readers.

Speaking of Yunyun, the cliffhanger involves that she will finally drag the main cast back to her chieftain trial, which is at its third (and presumably final) attempt. We’ve got four more books to go after this one, so you can see the series starting to dot its I’s and cross its T’s. This is not really as deep or heartwarming as some prior volumes, but it’s a lot of mean, kick-them-when-they’re-down fun.

Zom 100: Bucket List of the Dead, Vol. 1

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If your chief criticism of King of Eden was “not enough boobs,” have I got the manga for you: Zom 100: Bucket List of the Dead, a comedy about a corporate drone whose life is transformed by the onset of a zombie plague. Its hero, Akira Tendo, sees opportunity where others see only chaos, and decides to make a bucket list of 100 things he wants to do before he, too, becomes one of the walking dead. His top priorities? Telling his voluptuous co-worker Ohtori how much he likes her—even if she is the “boss’ side piece”—and tracking down a mysterious hottie he encounters in a convenience store.

While Akira’s quest doesn’t sound particularly memorable, his new-found optimism makes him an agreeable guide through a Tokyo overrun by zombies. His palpable joy in quitting a soul-crushing job is infectious—if you’ll pardon the expression—as he finds pleasure in small things: riding a motorcycle for the first time, scavenging for his favorite beer, playing video games during normal business hours. No matter how much carnage he encounters, or how many of his bucket-list errands don’t go according to plan, Akira’s can-do spirit remains undiminished. So, too, is his loyalty to others, as evidenced by his willingness to rescue his childhood friend Tencho from a hotel overrun by zombies.

The hotel scene is indicative of what’s good and not so good about Zom 100. On the one hand, the friends’ shared ordeal leads to a heartfelt exchange in which they discuss why they drifted apart after college. Their dialogue is a little on-the-nose—“I got jealous of how successful you were and took my anger out on you,” Akira confesses in a torrent of tears and snot—but the characters’ sincerity makes Akira and Tencho’s reconciliation feel like a genuine moment of maturity.

On the other hand, the main reason this scene begins in a hotel—specifically, a love hotel—is to offer some good old-fashioned fan service, as Kencho is trapped in a bondage chamber with an irate, naked zombie who’s been chained to the wall. The zombie is drawn in loving detail, right down to her perky breasts, but serves no real dramatic purpose; she exists mainly to make young male readers gawp at Kencho’s predicament. The same goes for several other gratuitous moments of nudity and pin-up posturing, none of which feel necessary or demonstrate artist Kotaro Takata’s skill at drawing attractive, anatomically correct women. (All of his figures seem to have a few extra vertebrae.)

The fan service is indicative of a deeper problem as well: the zombies—or the boobs, for that matter—don’t feel essential to Akira’s story. Almost any catastrophe or life-altering event could have set the plot in motion, whether it was a devastating medical diagnosis or Earth’s impending collision with a meteor. Equally disappointing is that Akira’s quest feels more like a to-do list than a real emotional journey; even he seems disappointed in his inability to come up with a sufficiently long or imaginative bucket list. As a result, Akira seems like just another standard-issue shonen lead, blessed with an optimism that sometimes makes him seem a little dim, a superhuman ability to escape life-threatening situations, and an uncanny knack for stumbling into situations with hot women. I don’t know about you, but I would have enjoyed this series 100% more if the gender roles had been reversed, if only for the sight of a former office lady cheerfully riding a Harley through a zombie horde on her way to score a few brews.

To read a brief excerpt of Zom 100: Bucket List of the Dead, click here.

ZOM 100: BUCKET LIST OF THE DEAD, VOL. 1 • STORY BY HARO ASO • ART BY KOTARO TAKATA • TRANSLATION BY NOVA SKIPPER • TOUCH-UP ART & LETTERING BY VANESSA SATONE • EDITED BY KARLA CLARK • VIZ MEDIA • RATED: OLDER TEEN (PARTIAL NUDITY, GORE, VIOLENCE) • 159 pp.