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Adachi and Shimamura, Vol. 6

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By Hitoma Iruma and Non. Released in Japan by Dengeki Bunko. Released in North America by Seven Seas. Translated by Molly Lee.

(I try not to spoil much, but honestly, if you read this you’ll guess what happens in it. Be warned.)

I’ve spent five volumes talking about Shimamura and her tendency to try not to feel too hard about things, which contrasts nicely with Adachi’s feeling very, very hard about everything… well, everything to do with Shimamura, that is. And if there’s any change that’s going to be happening, it’s going to have to be from Shimamura herself. Honestly, Adachi is expending all her energy not simply exploding in a giant cloud of gay. That said, good news: this is a big breakthrough volume for Shimamura, and probably the one that deals with her and her emotional reserve best. I don’t know that it works as well as it should – the author really relies on the reader connecting a lot of dots, and sometimes I don’t think they connect – but by the end of the book Shimamura is far more willing to reach out and deal with everything, including Adachi. Especially Adachi. Shimamura may not have worked out how she feels about Adachi just yet, but she’s definitely stopped ignoring the fact that Adachi is madly in love with her.

Sadly for Adachi, the first half of the book has Shimamura going to her grandparent’s place out in the country, so she’s going to have to suffer for a while on her own. Going back there, a place she’s spent many summers, fills Shimamura with memories, especially since the puppy which she played with when she was a little girl is now old and having trouble moving around like they used to. This causes Shimamura to think hard about her life, in particular the way that she’s chosen to close herself off from caring too much recently. When she returns (the return is the highlight of the book, for reasons I won’t spoil), she’s quick to phone Adachi, and they then agree to go out to another festival (I mean, it’s summer in Japan, there is always a festival somewhere). Oh yes, and before that they bathed together, which was… weird, but also led to Adachi confessing when she overheated. Will Shimamura finally face this fact and give Adachi a response? And will the response be something other than “well, OK, whatever”?

First off, I am spoiling one thing that does NOT happen in the book – the entire front of the book is setting the reader up for the dog to die. Hell, every time Shimamura sees the dog she herself is thinking that it’s going to be dead. But Adachi and Shimamura did not win the Newbery Medal, and therefore the dog does not die. I was relieved. As for Adachi and Shimamura, well, this is a turning point, certainly. I’m not sure it’s necessarily a good move all around – Adachi is worse than ever this volume, and I think if they ever animate it she’s going to have to simply be vibrating in place by the end. Shimamura has made great strides, and I was actually impressed with her through most of the book, but her response to Adachi still is more “sure, we’ll try that” rather than a big emotional investment. Which makes sense – honestly, even getting a small emotional investment is a victory.

So how will things progress from here? Will it be cute and teen romancey, or will it get realistic and have everything fly apart because these two are far too emotionally scattered to really connect right now? Still, Shimamura trying is infinitely better than the Shimamura we’ve had until now, so I’m in favor overall.

So I’m a Spider, So What?, Vol. 12

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By Okina Baba and Tsukasa Kiryu. Released in Japan as “Kumo Desu ga, Nani ka?” by Kadokawa Books. Released in North America by Yen On. Translated by Jenny McKeon.

With this volume we have almost, but not quite, caught up with Shun’s “present” that we left off in the 6th volume. This book is the huge human/demon war that led to Shun becoming the Hero, with huge casualties on both sides. The book is essentially a war diary from various points of view, showing off the various battles going on around the world. We see the demons use revenge monkeys to completely destroy one fort; another demon army wiped out by Ronandt’s long-range magic; the cute childhood friend couple from Japan being a cute childhood friend adventurer couple here; Sophia saying “well, well, well, if it isn’t the consequences of my own actions”; Wrath basically winning easily; and the big final battle with Julius versus several demons, including Bloe and Agner, and White trying to cut the thread (so to speak) by bringing in a Queen Taratect to ruin everything. Which it does, but not quite in the way that she’d planned…

I talked about this last time as well, but I think the author has been trying their best to make sure that the reader cares about the human side and the demon side equally, and from what I’ve seen, that’s just not happening. In fact, honestly, the readers don’t want to see the demon side EITHER. The readers want spider. Lots of spider. Sorry to say, White is still a minor character in this book. She gets cute little sidebars explaining each battlefield in her usual hyperactive way, and we see her interactions with the demon lord, Bloe, and Sophia and the 10th unit. None of them really see White as we know her, though I think the demon lord is starting to figure it out. She’s also getting far more talkative and better at actually explaining her actions. Basically, White is maturing. This will be handy when they inevitably run into the giant pile of reincarnations we left off with ages ago, but can be frustrating right now.

The battles are well handled. As you might guess, this is mostly tragedy… with one exception. The story of Sophia’s adventures at school, complete with her version of the handsome jerk and the class president, are absolutely hilarious, especially given they all end up in the same military unit anyway. I hope we see more of them being absolute bitches at each other. And as I hinted above, everything about Kunihiko and Asaka’s relationship is adorable and heartwarming, and I don’t THINK they’re dead yet… (crosses fingers). But there’s lots of depressing stuff we knew was coming here, as all but one of the hero party gets wiped out, and it also takes out several major parts of the demon party as well. What’s more the demon lord and White didn’t even achieve their main objective – the one-kill anything sword is still around, and can now be used by the new hero against the demon lord. Annoying, that.

This is an excellent book, but the overall impression I get at the end is “can we PLEASE get back to the main storyline we started in Volume 1?”. Recommended for those who like war memoirs and cute lovesick girls getting crushed to death by giant spiders.

Manga the Week of 7/28/21

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SEAN: The end of July should be quiet, right? Everyone’s on vacation, right? Right?

ASH: I actually will be on (a very much needed) vacation!

ANNA: Me too!

SEAN: Airship has the print edition of Reincarnated as a Dragon Hatchling 1, and an early digital for Accomplishments of the Duke’s Daughter 2.

Cross Infinite World has the 2nd volume of Mia and the Forbidden Medicine Report.

Denpa Books has a 2nd volume of Heavenly Delusion.

ASH: Nice to see this one finally coming out; it encountered some delays.

SEAN: Ghost Ship debuts Booty Royale: Never Go Down Without a Fight! (Hagure Idol Jigokuhen), which is coming out in 2-volume omnibuses and runs in Nihon Bungeisha’s Bessatsu Manga Goraku. A wannabe idol and karate expert is tricked into the adult entertainment industry, and forced to fight the sex equivalent of a death match game.

MICHELLE: …

ASH: Huh.

ANNA: Erm.

SEAN: J-Novel Club gives us The Faraway Paladin’s 5th manga volume, John Sinclair: Demon Hunter 3, Monster Tamer 5, Perry Rhodan NEO 2, and the 4th Sweet Reincarnation manga.

Kodansha’s print titles include the debut of Pretty Boy Detective Club (Bishounen Tanteidan). They’ve released the first three novels for this already, now we’re getting the manga, which has run in Aria, Palcy, AND Shonen Magazine Edge, so is sui generis. It’s about a middle schooler who gets caught up in a very strange club.

MICHELLE: The first novel didn’t thrill me, but that was largely because of the narrative style. Could be that I would enjoy it more as manga.

ASH: I’ve found that to be true of some of NISIOISIN’s other work as well; at times the stories seem better suited for manga (or anime) rather than prose.

SEAN: Also in print: Boys Run the Riot 2, CITY 12, I’m Standing on a Million Lives 10, Sweat and Soap 7, and Yuzu the Pet Vet 6.

ASH: Boys Run the Riot is high on my list. And this is a good reminder for me to give Sweat and Soap a try.

SEAN: Digitally we see two debuts. My Darling Next Door (Tonari no Otona-kun) is a Betsufure series about a high school girl who falls for an older salaryman who’s just moved next door. Hrm…

ONIMAI: I’m Now Your Sister! (Onii-chan wa Oshimai) runs in Ichijinsha’s Comic Rex, and is about a young man who is turned into a woman due to his mad scientist Little Sister. No comment.

We also see And Yet, You Are So Sweet 4, Back When You Called Us Devils 3, Harem Marriage 7, I’m Standing on a Million Lives 11 (print has nearly caught up), Quality Assurance in Another World 2, Saint Cecelia and Pastor Lawrence 2, Saint Young Men 12, She’s My Knight 2, The Slime Diaries: That Time I Got Reincarnated as a Slime 5, and the 10th volume of When We’re in Love, which is not a final volume but the series has gone on hiatus after this.

MICHELLE: Cue lamentations about being so far behind on everything.

SEAN: Seven Seas has a few debuts. I’m in Love with the Villainess is based on the light novel, and the digital version has been out for some time, but the print edition of the manga is now released.

ASH: Excellent.

SEAN: Seaside Stranger (Umibe no Étranger) is a BL story from Shodensha’s On Blue, about two men who bond with each other at a seaside town… only one of them isn’t staying long. Can they reconnect?

MICHELLE: I’m definitely looking forward to this one!

ASH: Same! I’ve heard good things.

ANNA: Sounds good.

SEAN: The Strange Adventure of a Broke Mercenary (Kuitsume Youhei no Gensou Kitan) runs in Hobby Japan’s Comic Fire, and is based on the light novel that Airship is releasing. A cynical merc finds it hard to change careers and become an adventurer.

Also from Seven Seas, Berserk of Gluttony 3, Blue Giant 5-6, My Senpai Is Annoying 5, the 5th and final volume of the PENGUINDRUM manga, and The Demon Girl Next Door 3.

ASH: For the most part, I’ve been enjoying what I’ve read of Blue Giant.

ANNA: I have yet to read the first volume, but I have it!

SEAN: Square Enix debuts The Great Jahy Will Not Be Defeated! (Jahy-sama wa Kujikenai!), the story of a demon lord whose mana crystal is shattered and who ends up powerless in the human world. Can she regain her power despite being small, weak and somewhat pathetic? This has an anime coming out this summer, and is, sigh, from the same writer as Breasts Are My Favorite Things in the World! and The Maid I Hired Recently Is Mysterious.

They’ve also got The Strongest Sage with the Weakest Crest 4.

Tentai Books gives us How to Melt the Ice Queen’s Heart (Koori no Reijou no Tokashi Kata), a light novel which seems to be a sweet high-school romance series.

Tokyopop has a 4th volume of Ossan Idol!.

Viz has a formerly print-only release now released to digital – all 19 omnibuses of it! If you haven’t heard of Ranma 1/2, I’m sorry, I don’t know what to tell you.

ASH: Ha!

ANNA: What an obscure title!

SEAN: They’ve also got a digital release of Jump title Ayakashi Triangle, a series so ecchi it can’t appear on the normal Jump app. It’s from the To-Love-Ru creator, natch.

Yen On gives us Combatants Will Be Dispatched! 6, The Executioner and Her Way of Life 2, Goblin Slayer 12, In the Land of Leadale 3, Is It Wrong to Try to Pick Up Girls in a Dungeon? 16, Rascal Does Not Dream of a Sister Home Alone (the 5th in the series), and Reign of the Seven Spellblades 3.

Yen Press debut? We’ve got it. Captivated, by You (Muchuu sa, Kimi ni) is a one-shot short story collection from Enterbrain’s Comic Beam about strange high school kids, and has won some awards. It’s also a hardcover release. Anyone seeing the words “Comic Beam” should have already added this to their buy list.

ASH: Ooooh, this does look good.

ANNA: Sign me up!

SEAN: Yen also has Cirque Du Freak: The Manga’s 3rd Omnibus re-release, Cocoon Entwined 3 (hair), IM: Great Priest Imhotep 10, Karneval 12, and RaW Hero 5.

Hey, that’s not quiet at all! What suits your tastes?

Bookshelf Briefs 7/22/21

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A Certain Scientific Accelerator, Vol. 12 | By Kazuma Kamachi and Arata Yamaji | Seven Seas – I was surprised that this is the final volume. It wraps things up pretty well, tying things off as well as tying into the eighth Index novel, showing us Accelerator’s side of his walking up to Awaki and punching her suitcase full of badness into tiny bits. It works well as a capper for the whole series, which is filled with what Accelerator does best: saving the day while thinking to himself Touma could have done it better. We also get to see Yomikawa once again show she is the only sensible goddamn person in the entire City, and also the only one trying to help the kids grow up to not be monsters. Good luck with that; Railgun shows it’s not going well. – Sean Gaffney

Fist of the North Star, Vol. 1 | By Buronson and Tetsuo Hara | Viz Media – It’s hard to get a good read on this series, because it’s become so influential and referenced that you feel like you’ve already read it before you have. The author’s name could also be “Bronson,” as in Charles, and that tells you about the sort of story we get here. Kenshiro walks across an apocalyptic waste, finds injustice being done and innocents being killed, and starts exploding folks and saying things like “You Are Already Dead.” The humor is almost zero, it’s tremendously violent, and yet it’s also really compelling and readable. You can see why it became an ’80s classic. Don’t read this unless you know what you’re getting, but if you do, it’s essential. – Sean Gaffney

Kageki Shojo!!, Vol. 1 | By Kumiko Saiki | Seven Seas – The series had moved from Shueisha’s Jump Kai to Hakusensha’s Melody with this volume, so, despite the renumbering, I was expecting a bit of a reintroduction to everyone. Nope. You’d better have read the omnibus or you’ll be wondering what the heck happened. This seems to be several months after the omnibus, and shows that Ai in particular has mellowed out a lot. Fans of the anime running this summer will note that several scenes from this volume were folded in with the adaptation of the omnibus, but they work well here too. Especially the cliffhanger ending, where Sarasa does an absolutely brilliant acting job in class… and the teacher explains if she continues to do it that way, she’ll never be a star. Fantastic. – Sean Gaffney

Komi Can’t Communicate, Vol. 13 | By Tomohito Oda | Viz Media – Last time we were introduced to a young girl who’s staying with Komi’s family who has communication issues herself, though not the same as Komi’s. The majority of this book is her fighting with and bonding with Komi, who not only proves to be a sweetie pie but can also rally the entire town, Hinamizawa-style, when there’s a crisis. Meanwhile, she’s been improving so much lately that she hasn’t been needing Tadano… which upsets both of them. Then we get some of the class teaming up for a night out… which includes a test of courage, where Tadano is paired with first Komi and then Manbagi. Who is trying hard to push Tadano away, and it’s just not working. We’re headed for a crisis soon. – Sean Gaffney

New Game!, Vol. 11 | By Shotaro Tokuno | Seven Seas – After a fanservice-laden start that reminds you that, while the series may not have any men in it, the reader is definitely meant to be a man, we’re back to business as usual in New Game!. Hotarui returns to France, finding that it’s the best place for her art to grow. We see how difficult it can be to communicate the issue when something is just slightly off in the game designs and you’re not sure why. The big development, though, is that the team decides to make every NPC more playable than usual, meaning they all need unique designs and attention. The designs end up looking very much like our New Game! cast… with the exception of Rin, who wants to avoid her yuri crush becoming canon elsewhere. Cute as always. – Sean Gaffney

Sword Art Online: Girls’ Ops, Vol. 7 | By Neko Nekobyou and Reki Kawahara | Yen Press I’m not entirely certain how horrified the reader is supposed to be here, but certainly “the souls of those who died in Sword Art Online are being used to inhabit NPCs in the new game” is creepy as hell to me. And to Luz, who of course has someone dear to her that has now shown up again. There’s also a lot of clever fights here, and we get to see Luz use her Kirito-copy mod in order to fight as well. I also laughed at Argo trying her best to help everyone out… but nothing worked, so she ran off. And of course this whole arc ties in to one of Kawahara’s biggest themes, “what defines an NPC.” This ends with the next volume, and I hope the girls all get something cool to do. Even Leafa, the Zoidberg of SAO. – Sean Gaffney

Takane & Hana, Vol. 17 | By Yuki Shiwasu | Viz Media – OK, that turned out to be far less dramatic than I expected, and indeed less dramatic than Hana and her family expected as well. Turns out everything is fine… well, at least once Takane actually confronts his grandfather and admits what’s been obvious all along. There’s even time for a ski trip with a dramatic death-defying cliffhanger… well, it would be death defying if it were not the world’s tiniest cliff. Takane & Hana, despite the occasional dramatic turn, knows what its readers are here for, and that’s laughs and sentimentality. We get plenty of both here, and we even end with a wedding… well, with a marriage license, I assume the wedding will come in volume eighteen, which is the final one. Recommended for fans of snarky girls mocking jerky guys. – Sean Gaffney

Tales of Wedding Rings, Vol. 9 | By Maybe | Yen Press – Thankfully, after a break of over a year, this volume of the series has precisely zero “are they going to bone?” scenes in it, mostly as the hero and heroine are separated for most of the book. Satou is still trying to gain a few advantages in fighting, and seeing that legendary swords are not all they’re cracked up to be, while Hime struggles in trying to learn magic that seems to come easily to everyone else. Luckily, she’s helped out by what, to her, seems like a kindly woman who is very similar to her late mother. Unfortunately, to everyone else, it appears she’s talking to a black cloud of pure evil, and it’s no great surprise that everyone else is correct here. This was a stronger volume than previous ones, mostly due to the lack of “will they get it on?” to the plot. – Sean Gaffney

Those Not-So-Sweet Boys, Vol. 3 | By Yoko Nogiri | Kodansha Comics – Although Midori Nanami originally only became involved with a trio of truant boys to preserve her own scholarship, they’ve genuinely become friends. The more Midori has gotten to know Rei Ichijo, the thoughtful and lonely son of a rich, negligent father, the more she has fallen for him. By the end of this volume, it would appear her feelings are reciprocated. On paper, this series looks like pretty formulaic shoujo romance, but Yoko Nogiri has a way of imbuing her stories with realism and intriguing complications. Here, the main obstacle is Rei’s friend Yuki, who objects to Midori and Rei getting closer, but encourages his other bestie, Chihiro, to go after her. Does Yuki have feelings for Rei, or is he just deeply dependent on him? I’m really enjoying this series so far and am especially looking forward to further exploration of Yuki’s motivations. – Michelle Smith

We’re New at This, Vol. 7 | By Ren Kawahara | Kodansha Comics (digital only) – Having achieved stability in their relationship, our favorite cute and sexy couple decide to get a bigger place. There’s some nice discussion about finances and give-and-take, and I like that it shows that constant communication is what makes this couple work so well, and when they don’t communicate well things tend to go badly. This ends up leading to the next major problem, which is that Ikuma’s client he was working for goes under, meaning money he had assumed was coming in is now most definitely NOT coming in. He manages to find a quick solution, but doesn’t talk to Sumika about it first, which does not go over well. Can the marriage survive salaryman Ikuma over contracter Ikuma? Dunno, but I bet it’ll be cute and sweet. – Sean Gaffney

Last Round Arthurs, Vol. 5: Once King & Future King

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By Taro Hitsuji and Kiyotaka Haimura. Released in Japan by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Jan Cash.

Yeah, that really did not stick the landing, did it? After a series that mixed up wacky romcom “shout at the appalling girl being appalling” stuff with Shonen Jump battles, the series goes all in on the latter here at the end. Which is fine – given the glimpse of Kay and Emma *still* in fetishwear in the epilogue, I’m quite happy to have a final volume of serious fighting. The trouble is that the fighting is not all that great, and the beats are very, very predictable. I’ve compared it to Jump before, but here it sort of reads like one of those Jump series that gets cancelled 2-3 volumes in and told to wrap things up here. We meet the final boss, who is exactly who you’d expect, and our heroes are almost defeated, as you’d expect, except Luna simply! will! not! give! up!, as you’d expect. What about Rintarou, you ask? Well, he’s trapped in another dimension. Will he make it back just in the nick of time? Take a guess.

We pick up where the last book left off, as our merry crew (minus Rintarou) have gotten back from their Holy Grail Quest to find that New Avalon has been overrun by monsters, and that evacuation of the island is being cut off by magic. Someone wants a massacre here. (Casualties are implied, but we never see or hear about dead bodies, so…) There’s also a massive dark evil castle in the center of the city now. Making their way there, our heroes split up to take on the bad guys: the original King Arthur, who has been corrupted into evil, his two companions, and Morgan Le Fay, who we find in this book would like the entire world to end so that she can be reunited with a nebbish ordinary knight she fell in love with back in the day. Luna may declare herself to be the next King Arthur, but can she go up against the original without Rintarou’s help?

Well, no, because the entire point of the series is that you get a partner for your quest and rely on them. Plus, again, Jump-esque series. When Rintarou showed up to save Luna in the nick of time, all I could think was that she’s going to hit him and tell him “You’re late!”, and sure enough, that’s exactly what happens. There’s a lot of discussion of what makes a king here, especially when Luna gets all the other candidates to basically give up and join her as subordinates. Luna says that being a king is about determination and never giving up, which certainly defines her, though give the fights in this book I sometimes get the sense she’s a Tex Avery dog slamming against a door over and over till it opens. Rintarou basically had his character development finish last time, so he essentially is absent for most of this book until he comes to save the day.

And so we end with Luna in charge, a new Round Table, and a world that is now aware of magic and monsters, which means that we’re seeing more of them across the globe. You get the sense that Luna’s going to turn the new Round Table into a modern-day Avengers. Fortunately, the series ends here, so I don’t have to worry about it. There wasn’t anything really bad with Last Round Arthurs, unless you dislike obnoxious women, but it never really rose above “yeah, it went there” in terms of narrative thrust.

Tearmoon Empire, Vol. 5

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By Nozomu Mochitsuki and Gilse. Released in Japan as “Tearmoon Teikoku Monogatari” by TO Books. Released in North America digitally by J-Novel Club. Translated by David Teng.

The structure of this book is slightly off, as the author admits that the story got away from them and the island arc that should have concluded the 2nd “arc” of this story ended up being the first third of this 5th book as well. Still, it works out, as we get to see Mia turn a corner and fend off another of her fates written in a long history book… or at least it was long. Yes, sometimes when you’re trying to stop the bad guys who can mess with the fates, you end up finding that your fate can sometimes get even worse. Now Mia’s not being executed at the guillotine or cut down in her adult years for not being Empress, the history books say she’ll be killed in a few scant months. Can she avoid this fate while continuing to work hard to save her kingdom from famine, win over more allies by being kind and charming, and also eat delicious sweets? The answer should be obvious.

The one thing I took away from this book is that I think Mia handles plots against her, or large conspiracies, much better than sudden random events conspiring against her. When she has to deal with a cave-in, a seemingly deadly fish attacking her, or even just horses sneezing in her face, she seems to always end up on the wrong foot. But the larger, more epic scenarios are where she shines – and yes, by now even the narrator is having trouble saying EVERYTHING she does is due to her selfishness and need to eat sweets, although god knows they try to say so anyway. In her confrontation with Esmeralda, where she sees the traitorous past of their nation as found in a secret underground ruin, stares destiny right in the face, and says “to hell with that”, she really is learning to be a good person – and yes, it’s framed as her having to “deceive” Esmeralda by saying they’re best friends, but I don’t doubt it’s actually going to come to pass. Mia is no longer as passive or luck-driven as she was in past books.

The 2nd half of the book, back at school, is even better. Finding from Bel’s now-changed history book how she’s going to die, she takes steps to avoid it, the first of which is getting even better at riding horses. The way she does this is actually quite clever. You see, she gets up early, practices really hard, learns to read the movements of the horse, and treats them well, even going so far as to help save the life of the pregnant horse that she had been eyeing up as a replacement mount (as opposed to the horse that keeps sneezing on her). See? I told you it was clever. Mia is doing things correctly and doing them well. This culminates in the highlight of the book, where she races Ruby, the daughter of the House of Redmoon, in a Belmont Stakes with one of her retainers at stake. The race is fantastic, with Mia being both very much in character (she’s screaming and whining the entire time) but also incredibly awesome. And we also see her changing history once more, as one reason she was executed her first go-round is that she pissed off Ruby so much she persuaded her father not to support them with military might… something that ended up being fatal to them both. This time around, everyone wins, and Mia’s solution to what to do about Ruby is brilliant. I don’t even care if she wasn’t thinking long-term here. It’s still brilliant.

There are, of course, a few plotholes with the new arc, but they’re acceptable. Miabel did not vanish when Mia’s fate changed, despite the fact that she did not live long enough to have kids, much less grandkids. Even the author acknowledges this is a handwave, but it’s fine, as we also get sweet scenes of Miabel managing to stay her innocent, sweet self even in a bad future where she has to be hidden from the world. That said, Mia is still the star, not her granddaughter, and Mia is the reason that these books keep getting better. I can’t wait for the next one, and I would say that this is essential light novel reading.

Culinary Chronicles of the Court Flower, Vol. 2

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By Miri Mikawa and Kasumi Nagi. Released in Japan as “Ikka Kōkyū Ryōrichō” by Kadokawa Beans Bunko. Released in North America digitally by J-Novel Club. Translated by afm.

Last time I talked about the similarities between this series and The Apothecary Diaries, but hey, at least Rimi does no go around solving crimes… oh wait, yes, she does. In this volume, there’s a large chunk in the middle with a precious treasure being stolen, and Rimi, being the foreign girl who made food out of “wood”, is suspected of having magicked it away. So, um, yeah. Fortunately, the two books do have one major thing separating them, and that’s the heroine’s personality. Rimi and Maomao could not be more different, with Rimi being a more Usagi Tsukino sort of character, who may not be the sharpest knife in the drawer (though her emotional maturity is developing by leaps and bounds), but who knows just the right things to say to people to earn their trust. Of course, the delicious food helps as well. In fact, Rimi’s biggest problem may be that she’s so lovable that there may be civil war in the future, if the two men who’ve fallen for her don’t work things out…

Rimi is temporarily working with Shusei in the culinary department, and there’s an important assignment. The four consorts have to stand with the emperor soon for an important ceremony, and one must stand next to him and hold the Scattering Lotus, a highly valuable treasure. Needless to say, the competition to be that consort is high, and previous consort battles have even led to death. Shusei and Rimi have to work to pacify the consorts and get them to make a decision about what order to stand in without it coming to blows – even though everyone fears it will. And then, as I noted above, the Scattering Lotus is stolen and Rimi is the prime suspect. Is every book doomed to have her fighting to not be executed? Oh yes, and also the Emperor is far more interested in sleeping with her than any of the Four Consorts. That’s probably going to be a thing.

Rimi remains funny in this story, continuing to speak the language of the country she now lives in slightly off-center, so that things she says sound slightly to very rude. (The Emperor suggests she’s doing it on purpose, which I do not think she is… yet.) But she’s also the nicest person in the book, her life not really damaged by political schemes because she’s been raised entirely apart from everyone else. Sometimes this works against her, but it also allows her to see past the fronts that the other four consorts throw up and see what they truly have in common. I also love the concept of the treasure itself and what the solution was. That said, there’s more concerning things here as well. Someone high up seems to have it in for her, and while she escapes his grasp here I will not be surprised if he’s back in the next book, especially as he seems to regard her as some sort of sorceress.

This isn’t a great light novel, but it’s solidly good, and Rimi is a fun protagonist who I think is not as airheaded as she seems… though admittedly, that’s a low bar to clear. I’m happy to read more.

Pick of the Week: Five Alive

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KATE: If you’d told me five years ago that VIZ would be re-issuing Taiyo Matsumoto’s No. 5, I’d have chuckled and thought, “Boy, is this person naïve! VIZ couldn’t *give* copies of this series away back in 2001! It’s weird! It’s surreal! American readers aren’t ready for it!” I’m happy to say that I’m wrong, and that VIZ is about to release a gorgeous new edition of No. 5 that will give everyone a chance to luxuriate in Matsumoto’s spooky, slithery, beautiful artwork again. If you liked Tekkonkinkreet or Ping Pong, call your local comic shop NOW and ask them to pull a copy of No. 5 for you.

ANNA: I agree, No. 5 is the clear pick of the week for me as well.

MICHELLE: Now that I’ve gotten over my panic at the sheer influx of manga, I must concur—No. 5 is the standout here.

SEAN: Clearly it’s No. 5, yes, but I know the way I read manga, and I know Matsumoto and I have struggled before. As such, I’m going to actually pick the 5th volume of Tearmoon Empire, a hilarious “villainess makes good when she goes back in time” novel with a heaping helping of social conscience to it as well. Now with a stage show!

ASH: As soon as Tearmoon Empire is released in print, I suspect that I’ll wholeheartedly be onboard with that series. But, yeah, No. 5 is where it’s at for me this week, too. I think the time is finally right for the the manga to hit its mark in English, and I’m glad for it.

MJ: I hate to be a sheep, but it’s gotta be No. 5 for me, too! Weird and surreal feels exactly right when we’re living in a reality like the one we have now. Count me in!

My Friend’s Little Sister Has It In for Me!, Vol. 3

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By mikawaghost and tomari. Released in Japan as “Tomodachi no Imouto ga Ore ni dake Uzai” by GA Bunko. Released in North America by J-Novel Club. Translated by Alexandra Owen-Burns.

Someone needs to tell Japan that “having the rest of the cast being creeped out about the appalling character” is not a get out of jail free card for everything the character does. I’ve said in the previous books that the shotacon tendencies of Sumire are not funny but awful. Well, she’s the main character of this book, and so we get a lot more of it than even the previous two, and it’s still awful. Saying that a guy would be the perfect husband if only he were 5 years old is not a “LOL” moment. So be aware as I write the rest of this that this is a big black mark, and made me not enjoy this book nearly as much as the previous two. That said, I’m still reading it, because I do like the cast and the romantic comedy situations. With, well, one exception. Fortunately, this is not We Never Learn, so the teacher has precisely zero chance of winning the romantic sweepstakes.

We pick up right where the cliffhanger left off, as Sumire begs Akiteru to marry her. As expected, her family has decided enough is enough, and is going to arrange marry her soon… which means she won’t be able to draw anymore. This is basically the only reason Akiteru agrees to the scheme. After some “wacky” date situations, which I will not go into as they are dumb, a trip that’s supposed to be to the beach becomes a trip to her remote mountain village, where her father wants to meet Akiteru… and force them to get married immediately. Can they possibly get around the marriage ceremony with a 100% success rate? Can Iroha continue to try to cleverly juggle all these relationships in the air, given sempai is a dense MF and won’t do it for her? And can Mashiro finally admit she’s secretly their star writer?

Again, this series leans pretty hard on the Higurashi pastiche. Their game is subtitled “When They Cry”, and Sumire’s home village essentially turns out to be Hinamizawa, complete with terrifying elders and obscure rituals. Having already mentioned the volume’s big weaknesses, I do want to applaud its really good moment, when Mashiro’s editor (who we meet here, ad boy does it take some fancy footwork to explain her presence) points out to Akiteru that he needs to be able to offer his fellow game creators a reason to stay on with him, or else they’re going to look for other opportunities. What can he personally offers them? (Other than, of course, being the romantic lead who has no idea half the cast are in love with him.) It’s not a question that’s answered here, but I do appreciate it was brought up. Iroha also remains quite enjoyable, a bit less “annoying” than the first two volumes, probably as she’s trying harder to have him “get” her feelings.

That’s unlikely to happen soon, and a cliffhanger means we don’t even get this one resolved in one volume. Still, hopefully it won’t take up all of Vol;. 4. I think two volumes starring Sumire is two too many.

Oresama Teacher, Vol. 29

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By Izumi Tsubaki. Released in Japan by Hakusensha, serialized in the magazine Hana to Yume. Released in North America by Viz Media. Translated by JN Productions.

Though it’s not an explicit canon pairing, be warned I do talk about the IMPLICIT canon pairing in this review, so ‘ware spoilers.

The final volume of Oresama Teacher, a series that ran for thirteen years, and one of my own favorites, even though it will likely always be overshadowed by the still-running gag comedy Monthly Girls’ Nozaki-kun. It’s a shonen manga that ran in a shoujo magazine, and certainly had shoujo art, but one look at the plot and characters told you this was essentially a “gang” manga at heart, and featured a lot of “new bad guy arrives -> slowly win them over through being nice and/or beating the crap out of them -> now they’re friends! -> new bad guy arrives” in a circle with Mafuyu as its pivot. We’ve had so many ridiculous situations, so many awesome fights, so many cool teenage girls and dorky teenage guys. The journey to get here was wonderful. So, should I still be disappointed if the ending is not one I personally wanted? I mean… if you exist in fandom, yes, it ruins everything. Fortunately, Oresama Teacher only has 29 fanfics on AO3.

First of all, despite the cover art, this is not an OT3 ending, alas, and we do not see Mafuyu getting married. We start off resolving the cliffhanger from last time, and if it feels a bit like it’s undercutting and mocking the drama, well, that’s what this series has always done best. Adfter this we deal with the last remaining open plot hook – what happened to Mafuyu’s memories when she was a kid? The answer, as Takaomi warns her, is not only something she will regret knowing when he tells her, but also something far less dramatic than you’d expect. It is, however, very in character for her. It even ties into the ending, as it turns out even Mafuyu can get into college if she applies herself… in the wrong way. We then get an extended “where is everyone off to after graduation” chapter, and end with a brief epilogue showing our main characters as adults.

So yeah, surprise, once again Japan loves teacher/student and jerk pairings more than the West. I always suspected that we were going with a Takaomi endgame, particularly when Hayasaka’s past only turned out to be the end of Part II rather than the whole series. Mafuyu’s memory loss ties in to her obsession with him – she couldn’t imagine living without him after he had to leave her to go to educational college, so she literally erased her own memories, somehow, to forget him. That is both in character and EXTREMELY frustrating, frankly. As for Takaomi himself, he’s far less effusive, but honestly, he hasn’t stopped her chasing after him her entire life, so why would he stop now? The epilogue shows he’s started a company (it’s unclear what it does, but it’s implied it’s a “we fix your problems” sort of company) and both Hayasaka and Mafuyu are employees there. And again, while the implication is the “they’ll always be friends!” was meant to be the emotional heft, there’s also his implication he’ll propose to her in three more years. Eh.

So yeah, not the pairing I wanted, but I enjoyed everything else about it. In the end I’ve enjoyed every single Izumi Tsubaki series. Sometimes I am alone in this (I will defend The Magic Touch to my dying day), sometimes I am part of a much larger horde (Nozaki-kun 2nd season WHEN?). Oresama Teacher fits squarely in the middle. Its fans love it, but it’s still a bit of a cult. Its huge, huge cast can give readers a headache. And you’d better love dimbulbs, because this series runs on them. I’ll miss it dearly.