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The Manga Review, 5/13/22

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April sales figures are in, and manga continues to dominate the NPD Adult Graphic Novels list. Though the list includes some perennial favorites–Berserk, Demon Slayer, My Hero Academia—Spy x Family saw a big jump in sales after its anime debuted on Crunchyroll last month. ICv2’s Brigid Alverson points out that  “April marks the fourth consecutive month that manga has completely filled the chart of the top 20 Adult graphic novels in the book channel.” Manga sales aren’t quite as robust in comic book stores, but three titles made ComicsHub’s Top 20 Graphic Novels for April: Chainsaw Man (4), Kaiju No. 8 (16), and Spy x Family (20). For additional insights into the current state of the manga, check our Madeline Dunnett’s recent post at Anime News Network.

MANGA NEWS

Kodansha just announced the winners of its 46th annual Manga Awards. [Anime News Network]

With less than three weeks to go, Sam Sattin and Guruhiru’s Kickstarter campaign for Unico: Awakening has exceeded its pledge goal of $50,000. The story is “an homage to the God of Manga’s original messaging of social welfare and eco-consciousness.” [Kickstarter]

Good news for Moto Hagio fans: Fantagraphics will be re-printing the first volume of The Poe Clan this summer. While there’s no official release date for the new edition, the long-awaited second volume will be released on July 26, 2022. [Fantagraphics]

Drawn and Quarterly will be publishing Nejishiki, an anthology of short stories by Yoshiharu Tsuge. Look for it in stores in April 2023. [Drawn and Quarterly]

Earlier this week, Yen Press announced that it will publish Sho Harusono’s Hirano and Kaguira, a spin-off of Sasaki and Miyano. [Yen Press]

Brace yourself: Seven Seas just announced even more new manga licenses! Among the most promising are Polar Bear Café: Collector’s Edition and Ex-Yakuza and Stray Kitten, which is pretty much what it sounds like: a former mobster indulges his softer side by rescuing a cat from the streets. [Seven Seas]

Over at The OASG, Justin and Helen round up the latest anime, manga, and licensing news. [The OASG Podcast]

FEATURES AND INTERVIEWS

Patricia Thang takes issue with the marketing label “manga-inspired,” arguing that “To call a comic ‘manga-inspired’ is akin to me saying, ‘Here’s a painting I did! It’s art-inspired! You’d think (or at least hope) I was joking, right? Because what in the fuck would that even mean?!” [Book Riot]

On the most recent Manga in Your Ears podcast, Kory, Helen, and Apryl dissect two manga by Naoki Urasawa: Sneeze, a short story anthology, and Asadora!, his latest series. [Manga in Your Ears]

Andy and Elliot dedicate the latest episode of the Screentone Club to City Hunter and Goodbye-Eri. [Screentone Club]

Walt Richardson and Emily Myers review the April issue of Shonen Jump. [Multiversity Comics]

The Mangasplainers turn their attention to Kakegurui: Compulsive Gambler, “the smash hit seinen manga that pits trust-fund-teens against one another in battles that cause embarrassment and ecstasy, skirting the line between schadenfreude and sadism!” [Mangasplaining]

As the spring anime season kicks into gear, Silvana Reyes Lopez recommends fifteen “unmissable” manga adaptations, from Chainsaw Man to Kakegurui Twin. [Book Riot]

Wondering what to read after Black Clover wraps up later this year? Christian Markle has a few recommendations. [Honey’s Anime]

Brianna Lawrence argues that Death Note Short Stories is more than just a sequel or a companion to the original series; it’s a thoughtful exploration of “how the government would react if such a terrifying weapon was available.” [The Mary Sue]

In an interview with TCJ’s Alex Deuben, Ken Niimura discusses his latest work, Never Open It: The Taboo Trilogy, which re-tells three of Japan’s most famous folk tales. “What I like about these stories… is that they’re pretty open ended,” Niimura explains. “They can be interpreted in many different ways. For example, there’s what’s considered to be the standard version of ‘The Crane Wife,’ but there are actually different versions depending on the region, the era, with many differences to the characters, the ending, etc…” [The Comics Journal]

REVIEWS

Readers in search of “hallucinogenic” stories might want to check out Keiichi Koike’s Heaven’s Door: Extra Works. “In some of these stories, the scale is pure Akira, but the detail and fluidness of the line are absolutely Moebius,” reviewer James Hepplewhite opines. Speaking of over-the-top manga, Megan D. revisits one of the most ludicrous series Tokyopop ever published: The Qwaser of Stigmata. (No, really; this manga goes to eleven.)

Modern Villainess: It’s Not Easy Building a Corporate Empire Before the Crash, Vol. 1

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By Tofuro Futsukaichi and Kei. Released in Japan as “Gendai Shakai de Otome Game no Akuyaku Reijou wo Suru no wa Chotto Taihen” by Overlap Novels. Released in North America by Seven Seas. Translated by Alexandra Owen-Burns.

One of the most common afterwords in light novels, particularly when a book was originally published on the web, is the author talking about how they were only writing this book to amuse themselves and they had no idea it would get fans, or get published, or get an anime, etc. Usually I take this with a grain of salt, particularly when the book ends up having all the most popular cliches that are currently selling. With Modern Villainess, though, I 100% believe the author was not writing this for anyone but themselves, because it really does not seem to care about the common cliches. Our reincarnated-as-a-child heroine does not bother to act childish except to occasionally say “yay, pudding!”. About the only cliche that remains in place is the heroine believing that, no matter what changes she makes, she is doomed. But the answer in this case is not to learn magic and swordplay (non-existent), or make friends (though she does do that). It’s to become a tycoon.

As you’d expect by now, our heroine has been reborn into the life of a villainess from an otome game. Only this otome game is set in an alternate-world modern Japan, and she ends up ruined by the bubble bursting in 2008. In order to avoid that, she’ll need to invest wisely. Shame that she’s just a little kid. Also, both her parents are dead. And she’s sort of exiled from the family due to various scandals. Oh, and she might be descended from Russian royalty. And, yes, her family’s finances are in danger. Fortunately, she has a savvy butler who simply accepts that this girl is a genius, and so she sets out to fix her life via mergers, investments, buying up debt, and making herself a Very Important Person to the government of Japan. Unfortunately, that also attracts the attention of other countries.

The goal here was to write a villainess book that was not like others, which this mostly manages to do. She still has a mini-harem of young, brilliant boys, all of whom are set to “betray her” at the end of the otome game. But for the most part, this book is about economics. So much economics. The glossary at the end of each chapter, when added up, runs to about 25-30 pages. It can be difficult to keep track of the bankers, lenders, oil barons, and politicians who come into Runa’s life, but it’s also a lot of fun seeing her managing to outflummox everyone with the power of her Swiss bank account. (Those who don’t like capitalism will want to skip this, trust me.) Despite essentially being the star of Monopoly, Runa is surprisingly likeable, and we do occasionally see her making mistakes, which is refreshing. It’s a lot of fun if you can get through the pages and pages of money, power, and the combination therein.

Our heroine is still in elementary school at the end of this volume, so we’ve got a ways to go before we get to the ominous prologue (where we also see the heroine, who otherwise doesn’t show up). If you want something different in your villainess books, give this a shot.

(Also, kudos to her friend Hotaru, who actually does seem to have magic powers in an otherwise magicless book. And also looks exactly like Hotaru from Sailor Moon.)

Manga the Week of 5/18/22

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SEAN: It’s May, but the winds are blowing here like it’s March. What manga is blowing our way?

Airship debuts The Tunnel to Summer, the Exit of Goodbyes (Natsu e no Tonneru, Sayonara no Deguchi), the latest in a long line of “kind of depressing romance novels with a sci-fi bent” light novels that have been out here lately. For once it’s not based on a film, though one is coming soon.

ASH: I’ll admit, it’s a subgenre I frequently enjoy.

SEAN: Also in print: Mushoku Tensei: Jobless Reincarnation 16 and Reincarnated as a Sword 10.

We also get early digital volumes of Adachi and Shimamura 9 and She Professed Herself Pupil of the Wise Man 4.

From Cross Infinite World we get The Dragon’s Soulmate is a Mushroom Princess! (Ryuu no Ban no Kinoko Hime – Unmeida to Konyaku Hakisaretara, Kinoko no Hentai ga Yattekimashita). If you can imagine Kinoko Komori from My Hero Academia as the heroine of a romance novel, you pretty much have this one. Expect mushroom puns.

ASH: I do love mushrooms. And puns.

SEAN: Ghost Ship has a 10th volume of Parallel Paradise.

A very tiny week from J-Novel Club, which only has The Master of Ragnarok & Blesser of Einherjar 20 and My Instant Death Ability Is So Overpowered, No One in This Other World Stands a Chance Against Me! 10.

In print from Kodansha, the debut is a box set, as we get Cells at Work! Complete Manga Box Set!. It is what it sounds like.

ASH: I really enjoyed this series as it was first being released.

SEAN: Also in print: Bakemonogatari 13 and Sayonara, Football 10, the manga that I always forget to mention because Kodansha doesn’t list it on their website.

Digitally we get two debuts. The Untouchable Midori-kun (Midori-kun ni wa Sawarenai) is the latest josei series, this time from Kiss. A woman goes to meet her new neighbor… and finds they went to school together! Can romance develop? Unlikely. He’s an idol singer, and she’s an adult film actress! Kodansha says this is for fans of Tokyo Tarareba Girls.

MICHELLE: Huh. I guess that means me, then.

ANNA: I might check it out.

ASH: Pretty sure I’m one of those fans, too.

SEAN: When a Cat Faces West (Neko ga Nishi Mukya) is from Afternoon, and is from the creator of Mushishi. That really should be enough, but it’s apparently about a woman trying to find out why she’s 35 years old but has the body of a tween.

MICHELLE: I’m excited to see more by this creator!

ANNA: This sounds so wacky.

ASH: Mushishi is one of my absolute favorites, so I’m likewise excited to see more of the creator’s work being released in English!

SEAN: Also digital: Blue Lock 13, Boss Wife 4, GTO Paradise Lost 17, I Guess I Became the Mother of the Great Demon King’s 10 Children in Another World 5, Irresistible Mistakes 2, and Piano Duo for the Left Hand 3.

One Peace gives us The Music of Marie (Marie no Kanaderu Ongaku), a Comic Birz title from the creator of Short Cuts, Lychee Light Club, Genkaku Picasso, and many more. It’s a fantasy about a world watched over by Maria, a mechanical goddess. What’s her secret? This is complete in one omnibus.

ASH: Speaking of favorites, I am also a fan of Usumaru Furuya’s work, so I’m very happy to see this release.

SEAN: From Seven Seas: COLORLESS comes from an artist called KENT. The story itself is from LEED’s Comic Border, and is a post-apocalyptic sci-fi story where the world has lost all colors.

ASH: Count me curious.

SEAN: We also get My Next Life as a Villainess Side Story: Girls Patch. Did you read the Bakarina novels/manga and get frustrated that there wasn’t enough yuri? Read this anthology. You will still think it does not go far enough, but it’s certainly more than the main series.

Also coming from Seven Seas: Arifureta: From Commonplace to World’s Strongest ZERO 6, Classroom of the Elite 2, and The Hidden Dungeon Only I Can Enter 6. There’s also the 2nd novel of Grandmaster of Demonic Cultivation: Mo Dao Zu Shi.

ASH: Here and actually ready for the second volume of Grandmaster of Demonic Cultivation!

SEAN: Tokyopop debuts Mame Coordinate (Mame Code), a Comic Ryu series about a girl trying to be a model but failing due to her rural manners. Can a new manager help?

Viz Media debuts Crazy Food Truck, a Comic Bunch series about a man driving his food truck through – you guessed it – a post-apocalyptic desert. He runs into a naked girl and takes her onto his truck… but she has people after her! Honestly, I’m interested just for the title.

ASH: Same. I’ll bite.

SEAN: Also from Viz: Frieren: Beyond Journey’s End 4, Golden Kamuy 26, Mashle: Magic and Muscles 6, Undead Unluck 7, the 21st and final volume of We Never Learn, and Zom 100: Bucket List of the Dead 6. Well, now we know why Viz was so quiet two weeks ago – its Jump stuff got moved here. Also, RIP We Never Learn, a series that managed to face off against The Quintessential Quintuplets, which infuriated its entire fanbase, and STILL come in second.

Yen On’s light novel debut is I Got a Cheat Skill in Another World and Became Unrivaled in The Real World, Too (Isekai de Cheat Skill wo Te ni Shita Ore wa, Genjitsu Sekai wo mo Musou Suru ~Level Up wa Jinsei wo Kaeta~), a title that makes me tired just reading it. The synopsis does as well. A bullied kid finds a doorway to another world, and gets the standard isekai package… which he can also bring home with him. Not gonna lie, I will be avoiding this with great avoid.

Also from Yen On: Baccano! 19, Dragon and Ceremony 2, Eighty-Six 10, The Genius Prince’s Guide to Raising a Nation Out of Debt (Hey, How About Treason?) 9, No Game No Life 11, Spy Classroom 3, Suppose a Kid from the Last Dungeon Boonies Moved to a Starter Town 9, and Wandering Witch 8.

Yen Press debuts I Want to be a Wall (Watashi wa Kabe ni Naritai), a josei title from Enterbrain’s B’s-LOG Cheek. He’s gay and has a crush on his childhood friend. She’s asexual and being pressured by her parents. Can a marriage of convenience solve their problems? I’ve heard good things about this.

MICHELLE: I’m thrilled by the consistent stream of josei we’ve been getting lately!

ANNA: Me too! I just have to read, like, any of it!

MICHELLE: Same.

ASH: Also same, but I’m particularly interested in this particular title!

SEAN: Yen also has I Cannot Reach You 4 and No Matter How I Look at It, It’s You Guys’ Fault I’m Not Popular! 19.

There’s quite a lot I want to read this week. How about you?

Torture Princess: Fremd Torturchen, Vol. 8

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By Keishi Ayasato and Saki Ukai. Released in Japan as “Isekai Goumon Hime” by MF Bunko J. Released in North America Yen On. Translated by Nathaniel Hiroshi Thrasher.

As you might expect, there’s a lot of serious stuff going on in this volume of Torture Princess. We’re going to war, and one side does not really have a goal that is not “kill everyone in the most appalling way imaginable”. We get to see this world’s equivalent of last resort weapons, only for the enemy to respond with their own. Characters that we have seen since Book 1, who have died before but always seem to come back, finally die. And, of course, the entire book is asking the question: why are we even bothering to save a world like THIS? As a result, you might guess that the humor we’ve seen in previous volumes is pretty much absent, and you’re right – mostly. There is one scene near the end, though, which also begins in death, which ends up being the funniest scene not only in this book but possibly in the entire series. I don’t want to spoil it, but it features Jeanne and Izabella. It’s magical.

The mixed-race people, with Lewis and Alice behind them, are continuing to wage revenge against the humans and beastmen, with the help of some demi-humans. There are a few suggestions to stop the war. One is offered by the enemy, which is to give them Elisabeth, Kaito and Hina. But that would pretty much make the previous seven books pointless, so that’s off the table – at least privately. No, let’s face it, there’s really only one solution left, and it’s to go to war. On one side we have the humans and beastmen, aided by two Torture Princesses and some near gods. On the other side we have Alice, Lewis, and a dead giant sandworm which proves to be far more useful than anyone else might have imagined. Can one side win? What is “winning” in a battle that’s just about revenge? And is this world simply doomed regardless?

Kaito and Hina get a bit more to do in this book, despite spending almost all of it trapped in the big ol’ crystal. Their dreamscape not only shows off what’s happening in the world as a game of brutal chess, but also has a few uninvited guests. That said, for the most part we’re still putting focus squarely on Elisabeth. She’s trying to do her best here, but as everyone is fond of pointing out to her, she’s changed a bit TOO much fro being around Kaito, and actually, y’know, likes and cares about people now. That, plus the fact that she’s trying to save Kaito and the world he himself saved, means she’s less effective in many ways. Thankfully, she has daddy dearest, Vlad, on her side. The battle between Vlad and Lewis is probably the second best scene in the book. Also not without humor, it has a far darker finish.

The afterword notes that the next volume will be the final one in the series. Which is good, as frankly we’re running out of population. Will we go full end-of-world? Can our heroes manage to pull a happy ending out of a hat? Does a happy ending even fit this series? We’ll find out soon. Till then, this was an excellent volume.

Reign of the Seven Spellblades, Vol. 5

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By Bokuto Uno and Miyuki Ruria. Released in Japan as “Nanatsu no Maken ga Shihai suru” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

It’s been several books since we’ve had to deal with the revelation that we got at the end of Book One, which is to say it’s been a while since Oliver and his allies have tried to murder a teacher. Good news! We get that here, as the academy’s resident mad scientist is next on the chopping block. More good news is that we also get a lot more explanations and backstory for exactly what is going on. Being Seven Spellblades, of course, it’s complex, and its discussion of Gnostics and Gnostic Hunters is very reminiscent of the battle for the “true face” of Christianity around the time of the Apostle Paul. There’s more suggestions that by the time this series is over Oliver will be dead or evil, but honestly, that’s not really a surprise anymore. Revenge is sometimes more important than… well, everything else. That said, boy, this revenge was costly. If the body count goes up with each dead teacher, the academy may be empty by the final book.

The book opens to a flashback showing us Chloe Two-Blade, the legendary Gnostic Hunter, and her fight against the Lovecraftian wyrms that have devastated her comrades. Hold that thought, because we then move back to the present, as our heroes try to tame griffins the hard way, learn about astronomy (which honestly seems more like history than anything else), and worry about Nanao, who has unfortunately Been Noticed – not only by Chela’s father but also by the headmistress of the academy, and you really don’t want to get noticed by her. Also, Professor Forggieri takes Pete on a tour of his mad scientist lab, with Oliver and Nanao tagging along. Still, there’s a sense of unease and tension throughout the book… which lets out in the second half, which is one big battle to kill said mad scientist.

Our main cast are probably safe, at least until the second to last book where one of them will tragically sacrifice themselves (my money’s on Chela), but the book is here to remind you that anyone else can die, as we’re introduced to more students who seem fun, powerful, and who are in the end sacrifices to help Oliver get his revenge. Even aside from Oliver, Guy and Katie meet a student who cheerfully says he’ll die soon due to experimentation, and try not to be like him. this is a super dangerous place, and even after graduation there’s no guarantee you won’t die fighting monsters from beyond our ken… or end up being brutally tortured and murdered by your allies. I really enjoy the religious subtext at the back of this series, and how it’s trying to show you that kindness is not a virtue here – something that may prove Oliver’s undoing, as little hints here and there suggest that we’re building up to a final battle between him and Nanao.

Fans of this series should be quite happy, as long as they don’t get too attached to anyone, and are familiar with 2nd-century religious persecution.

Rascal Does Not Dream of His First Love

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By Hajime Kamoshida and Keji Mizoguchi. Released in Japan as “Seishun Buta Yarou wa Hatsukoi Shoujo no Yume wo Minai” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

One of the things I like best about this series, which sets it apart from many of its contemporaries, is its use of short, quick sentences. The book reads fast, with dense paragraphs kept to a bare minimum and most of its page count being dialogue or inner monologue of some sort. However, this does not mean that it sacrifices any emotional impact – in fact, in many ways it’s heightened. The start of this book was always going to be a killer, and the prose makes it even more so. The sheer despair that Sakuta is feeling, the grief and rage that Mai’s mother and Nodoka have as they blame him for her death and cry out as to why it happened, it’s absolutely visceral and raw. Even knowing that this is not going to be permanent, that Mai will not remain dead (a series does not kill off its main draw), this is still a painful read. It gets better. But at some cost.

When we last left our heroes, Mai had just been hit by a truck. Sadly, she is not reincarnated in a fantasy world, but is simply dead. This shatters Sakuta, and things are not helped by the fact that a superstar actress died in order to save the life of her ordinary boyfriend – most of Japanese media is out to get him. refusing to accept Mai’s death, he returns once more to the beachfront we’ve seen in most other books in this series, and finds the older Shouko there once more. She reminds him of what almost everyone has experienced so far – Adolescence Syndrome – and that this might actually be a future we don’t want to see, rather than the present. But can Sakuta return to his “present” even though he’s already there? Will anyone notice him? And even if he can stop Mai from getting killed, who’s to stop HIM from dying?

I do wonder if there’s a fanfic out there showing what happened in that bad future if Sakuta couldn’t fix it, because the implication is there is no way the media would allow him to survive. Sakuta’s grief infuses over half of this volume, making it by far the least funny of the books to date, but that’s fine, you don’t want laughs here. When they come later, they’re as much a relief for Sakuta as they are for the reader. It’s also nice to see Mai reminding us that she is quite a sweet and loving partner, to the point where Sakuta has to actually find ways to upset her in order to have her be cool and menacing towards him (his professed fetish). And then there’s Shouko, whose life and death also rides on this book. The ending may be a bit sappy and unrealistic, but given the nature of the series, realism is not what I want. That said, it’s VERY abrupt – you’re waiting for another epilogue.

It’ll be interesting to see where we go from here, with the main backstory plotlines pretty much resolved. The next volume promises a return to Kaede’s attempts to go to school. Till then, please enjoy this cry of grief from the heart, and be thankful it all ended well.

Pick of the Week: Lovers, Gamers, and More Villainesses

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SEAN: As always, I’m a sucker for Villainess novels, so my pick this week is Modern Villainess: It’s Not Easy Building a Corporate Empire Before the Crash. It will be nice to read about a villainess using capitalism rather than magic to achieve her goals, as well as a rare villainess story that takes place in Japan.

KATE: I’m torn between two titles this week: the final volume of Apple Children of Aeon, which is quiet, lovely, and haunting, and the first volume Cat + Gamer, which is heartwarming and adorable, if a little predictable: who knew cats were mischievous? (My cats are both staring at me, so I had to tone down my word choice, lest I upset my Overlords.) If I had to pick one, though, my vote would go to Apple Children, as there is a positive glut of cat manga at the moment.

MICHELLE: I’m most intrigued by Mizuno and Chayama, though I admit I’m not exactly excited about “corporations versus the government.” Also, why did the cover of This Vampire Won’t Give Up! have to be kind of cute? I know it’ll be smutty fluff but now it looks potentially like fun smutty fluff.

ASH: Mizuno and Chayama is the debut that I’m most curious about this week, though Cat + Gamer is a series I’m interested in, too. I’ll admit, I’m actually not sure which one I’ll end up getting around to reading first!

ANNA: Are there vampires around? I’m sure the manga that my fellow reviewers are picking are much better than This Vampire Won’t Give Up!, but I’m going to pick it anyway perhaps because of the exclamation point in the title.

The Executioner and Her Way of Life: Crimson Nightmare

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By Mato Sato and nilitsu. Released in Japan as “Shokei Shoujo no Virgin Road” by GA Bunko. Released in North America by Yen On. Translated by Jenny McKeon.

For the most part this fourth volume of The Executioner and Her Way of Life is a bit of a breather volume. There’s pretty much zero gore, which is nice. Akari and Momo prove to be highly amusing together as they pettily snipe at each other, and both are more interesting away from Menou. And the running gag of various enemy agents being forced to admit they’re sex pests to avoid giving away their cover runs long enough to be funny and just that long. Plus we get the addition of several old villains, and they’re almost pleasant. All this and hot springs. The whole thing would be lovely if it were not for the fact that Akari is still a ticky ticky timebomb… or is she? As Menou slowly figures out… or is straight up told… various parts of the plot, she rapidly realizes that killing Akari to save the world might not be what’s actually going on. Unfortunately for her, her Master has come to take over.

Akari and Momo, reluctant allies – very reluctant – take a train to a nearby hot spring town in the mountains. Neither one wants to be around the other, but they both have one thing in common, which is that they want to save Menou’s life. Unfortunately for them, Menou managed to go after them much faster than expected due to the obvious solution of “ask Ashuna for money and a ride”. Good news for Ashuna (and the reader), this involves Menou dressing in a butler uniform. And, as it turns out, EVERYONE is arriving at this little mountain town, including Pandaemonium, who lacks power but is still dangerous, Manon, who is resurrected with a new body, and one other surprise guest. Things do not build to a furious climax, alas, but peter out, as Akari ends up spirited away by the one person whose presence has suffused this whole series.

The best parts of this book were the parts with Akari and Momo. Their constant insults and angry bitching is funny, yes, but as the book goes on we get to see how both of them are generally a lot kinder than they’d like to let on, and Akari in particular feels less upset by Momo’s attitude after she realizes that Menou is pretty much all Momo has. We also get a lot of stuff explained to us here, such as the nature of Conjurations, why Akari has to be killed, and what really happened in the past. This even ties in with Japoan, not only because the hot springs mountain town is the closest we’ve seen to Japanese culture in this world, but also because there may be a way to get Akari back after all. If she wants to go. And if she can put up with mass murder. And of course Flare, near the end of the book, shows us, unsurprisingly, that she’s not going to arrive to save the day.

This series has a cast that are interesting and fun to read about but are all, except maybe for Menou, various shades of unpleasant. It makes for an intriguing read.

Ishura: The New Demon King War

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By Keiso and Kureta. Released in Japan by Dengeki no Shin Bungei. Released in North America by Yen On. Translated by David Musto.

I almost didn’t get this. It ticked off quite a few boxes in terms of “things I’m not interested in”, was very long, and looked like it would consist of one big fight. Most of those things are true, but I will admit that the book definitely picks up as it goes along, especially in the second half. It suffers from having a sprawling cast, each of which have to get their own introductory chapter to show off why they’re here and why they’re really pretty strong. Unfortunately, this means that it feels like we’re reading 16 prologues at times. In the back half things get much better, the fights are indeed very cool, and there are some surprisingly touching moments. I enjoyed reading it, in the end. That said, I’m pretty sure that this will be the only volume I read because, no matter how well it tries to hide it, this series is going to come down to two genres that I really cannot stand. It’s both a tournament arc AND a survival game.

This world we’re introduced to seems to have everything. There’s wyverns AND dragons. There’s various kinds of magic. There’s walking skeletons and walking mandrakes, both super powerful. And there’s isekai’d Japanese folks, though for once they’re just part of the cast pile – we learn nothing about who they were or why they ended up here. The first half of the book sets up for a war between the main city Aureatia, which is run pretty much by humans – called “mitia” here – and Lithia, a city that has split off, with its ruler declaring herself the new Demon Lord. That title is a bit taboo these days, especially after the appearance of the True Demon Lord. In the second half of the book, the war begins and we see who lives, who dies, and who gets tragic backstory and THEN dies.

As you’d expect with a book like this, some character arcs work better than others. My favorite was Kia, a young, seemingly blase elf girl with the power to control absolutely anything with her words. At first she almost comes across as a bargain-basement tsundere, but as the book goes on and she learns about how the world works – and what her powers can do – she suddenly gains morals and ethics, much to the horror of her teacher, an assassin named Elea who is trying to murder anyone who discovers Kia’s secret. I also enjoyed the touching relationship between Regnejee, a battle-hardened wyvern who is a little battle-hungry, and Curte, a blind woman who lives in a tower and marvels at everything Regnejee says… or at least that’s how it looks at first.

I could go on, I’m sure. There’s something for everyone here, and I liked the use of names and titles, which reminded me quite a bit of Katanagatari. As a fantasy series with a high body count, it’s a real winner. It’s just not my thing.

Sword Art Online, Vol. 24: Unital Ring III

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By Reki Kawahara and abec. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

Given that this series has now been running for twenty-four volumes, it’s no surprise that the current arc is seeing a lot more discussion of what has come before. This is especially true now that Kawahara has caught up with himself and no longer has to quietly edit the crappy things he wrote when he was 20 years younger. There’s a lot of interesting stuff that never really got developed in the past that can now be looked into at more leisure. This is the concept behind the Progressive series – which these books pretty much make clear have sort of usurped the original first volume as being canonical – as well as the movie, which also gets referenced here. The line between canon versions of Sword Art Online is blurring. And given that, it’s no surprise that, despite the current death game-esque plot of Unital Ring, complete with a Death Collar of sorts for Kirito, we’re still heading back to the Underworld, which may be 200 or so years into the future but still manages to ask the important question: is *he* REALLY dead?

(Man, covers always spoil, huh? So much for my trying to be ambiguous…)

Kirito is having a bit of a rough time at the moment, though honestly compared to “I am in a coma” it’s going pretty well. In Unital Ring everyone seems to be trying to kill his party. Someone has apparently dived into the Underworld without authorization, which means there needs to be an investigation. And, most importantly, it’s Asuna’s birthday and he has to get just the right present. Frankly, he’s pretty much a dumbass about that, and it’s a good thing that Argo is back in his life to give him enough hints that he can do the right thing. Argo and Alice get to spend time with Kirito in Unital Ring this volume, as Argo has finally given in and ported her character in. Good thing too, as it turns out that it’s not just SAO, or ALO, or GGO, it’s lots of other virtual reality games. Meaning we also get GIANT INSECT BATTLES!

I suspect there may be some fans who are a bit grumpy about the supposed reveal towards the end of this book. That said, “Nobody dies in Bleach” is the phrase, not “nobody dies in SAO”. There have been important characters killed off. So I think we’re allowed to give the author a bit of rope here, especially as there’s no confirmation that it *is* who Kirito thinks it is. That said, I cannot help but be reminded of the separation of Alice Zuberg and Alice Synthesis Thirty and go “Hrrrm”. Aside from that, I continue to be amused, given his reputation as the all-powerful light novel hero, how much of this book shows Kirito being mocked or screwing up. I mean, yes, he does some cool things, but that’s mostly because his human strategy guide is back. Of course, he fares better than Asuna, who has an incredibly cool battle… recapped for us as it’s offscreen. Bleah.

This arc is settling in to be another long one, but at least it has the entire cast this time, so fans should be a bit more happy than Underworld. Till next time: d’awwww. sugar maple tree.