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Raven of the Inner Palace, Vol. 1

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By Kouko Shirakawa and Ayuko. Released in Japan as “Kōkyū no Karasu” by Shueisha Orange Bunko. Released in North America by Airship. Translated by Amelia Mason.

Sometimes people just want variations on a theme. Looks at why isekai is so popular, despite the fact that everyone you talk to seemingly hates it. Heck, look at Villainess novels, where I feel like Holt from Brooklyn Nine-Nine. “I’ve read this story before.” “AND YOU’LL READ IT AGAIN!” And now we have the mini-genre of “intrigue in the inner court palace of the Emperor and his harem”, where I’ve already got The Apothecary Diaries (mystery series with a side of toxic romance), Culinary Chronicles of the Court Flower (foodie shoujo with doomed romance very much not as the side), and Though I Am An Inept Villainess (bodyswap AND villainess AND romance AND intrigue). And now we have Raven of the Inner Palace, which has mystery, and also romance, but most importantly it has ghosts. So many ghosts, they’re honestly choking the Inner Palace. Fortunately, we have a young woman who can help them move on. Somewhat less fortunately, she’s stuck there for the rest of her life, because she is Special ™.

Jusetsu is the Raven Consort, who, unlike the other Consorts in the Inner Palace, does not spend the nights “having conversations” with the Emperor. Instead, she helps others in the court to find lost items, or to remove a curse with her mystical powers. Now the Emperor, who is relatively new to power after overthrowing the Dowager Queen (who is ludicrously evil in an almost laughable way, despite the fact that we never see her) is here to see Jusetsu to see if she can identify who is the owner of a jade earring dropped on the ground. From here, and despite Jusetsu being standoffish and prickly and the Emperor seemingly being stoic, the two grow closer, and each learns the backstory of the other.

As with a lot of mystery series, I don’t want to give the game away by talking about the plot too much. I do like Jusetsu, who different enough from the other “court intrigue” heroines to be her own person. She turns out to be socially awkward as hell, partly from her tragic past, but mostly, it’s inferred, from the training she got to be the next Raven Consot, which consisted of emphasizing that she should have a minimum of human contacts. That goes out the window in the first book. Not only is the Emperor clearly starting to fall for her (she doesn’t notice) and she gains a court lady and a second servant. This is clearly a good thing for her character development, but I suspect a lot of folks are not going to like her straying out of her lane in the future. It does help that she’s very good at the supernatural part, which is the other half of this book. The ghosts are more sad than terrifying, but I’m sure we’ll have even more of them in future.

This also got an anime in the fall (which, be warned, used the Chinese names rather than the Japanese ones as this translation does). It succeeds for the same reason the other three series I mentioned do. Not because of the genre, or because of the mysteries. It’s because they’re REALLY well written. I wasn’t planning to read more. It’s now definitely one I’ll read more of.

Kuma Kuma Kuma Bear, Vol. 13

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By Kumanano and 029. Released in Japan by PASH! Books. Released in North America by Seven Seas. Translated by Jan Cash & Vincent Castaneda. Adapted by M.B. Hare.

Generally speaking, long-running light novels tend to come in two different varieties of some sort. The first is “there is a definite end goal in mind, but we can drag this on forever if it stays popular”. This applies to most romantic comedies where the end point is “he chooses girl X”, or to fantasy books which have a save the world sort of goal, where the world getting saved is the endpoint. The others are the ones where we create a world or a situation and then just write infinite variations on the situation, with no expected end beyond “and the adventure continues…” Kuma Kuma Kuma Bear is definitely the second kind of book. No one expects Yuna’s past in Japan to ever be relevant again beyond going to this fantasy world’s Japan analogue. Likewise, this isn’t the kind of book where it’s going to pair Yuna romantically with anyone – not seriously, anyway. Unfortunately, this does mean that after a while it’s hard to find a real reason to carry on. Yuna’s not going to change.

The ten-year-old girl showing off her legs on the front cover (sigh…) is Karina, the daughter of the local lord of Dezelt, where Yuna has been sent. The water gem that stops their land becoming a sand-infested monster home has cracked and needs to be replaced, and fortunately Yuna’s water gem she got from killing the Kraken is just what they need. Unfortunately, for magic reasons, only the lord’s wife (who is pregnant) or Karina can guide folks through the labyrinthine pyramid to get to where the gem needs to go… and Karina dropped the magic map in the labyrinth. Karina, wracked with guilt, has been trying to find a group of adventurers who will help her find the map again, but you’d need someone super powerful who has a soft spot for ten-year-old girls, and where in this series can we find anyone like that?

Forgive me for saying things I have said about ten times over the course of this series, but Yuna seems to have a tremendous issue with accepting praise. To the point where even casual people who have just met her see that it’s a problem. It’s pathological by this point, and even when she’s forced to accept rewards for saving the entire town, she still finds a way to quietly only take half of it. It’s frustrating to me because, as I hinted above, I don’t think this is going anywhere. The author has mostly dropped the darker aspects of the series as they’ve gone along, so we’re unlikely to hear more about Yuna’s past. And I don’t think we’re reaching any sort of crisis point where Yuna has a breakdown or admits that she has to change herself. The only way I can see that happening would be if it comes from Fina, but Fina’s not in this book. Instead we have a Finalike, who is nice enough but frankly is another earnest ten-year-old girl with a crush on Yuna to stack onto the pile of earnest ten-year-old girls with a crush on Yuna.

I am aware that I’m not the audience for this series, and that it’s squarely in the “Cute Girls Doing OP Things” genre. But man, don’t use psychological trauma as your heroine’s one character trait.

Bookshelf Briefs 1/14/23

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Hello, Melancholic!, Vol. 3 | By Yayoi Ohsawa | Seven Seas I don’t think this series was cancelled, per se, but I am sad that this is the final volume, as it felt like it was just getting started. As you can likely guess, this final volume focuses on our main couple (the other pairings get side chapters that, alas, are not collected here) and their attempts to realize that they actually do like each other that way, as well as dealing with Minato’s terminal anxiety. I appreciated the way that this book showed that sometimes pushing a person to do something way outside their comfort zone can be a good thing, and I also enjoyed Hibiki being forced to realize that she may be more like her father than she thinks. Easily the best trombone-related yuri I’ve ever read, this is also an excellent manga even without the trombone. – Sean Gaffney

Kaguya-sama: Love Is War, Vol. 24 | By Aka Akasaka | Viz Media – This volume flat-out tells you that we’ve reached the final arc of the story, and the back half of it is dedicated to that arc, kicked off by Kaguya vanishing from school. Before that, we get a lot more Ishigami and Iino ship tease, some more of Maki being a good friend but a terrible romantic partner, and Chika wondering why on Earth she doesn’t have any romance in her life? (Kaguya offers to set her up with Hayasaka, and given how much Chika fawns over another girl in this book, it’s probably not a bad idea.) There are still plenty of laughs here, but no doubt the final arc will be a serious one. Let’s hope that Kaguya can not only stay together with Shirogane, but survive to the end of the series. – Sean Gaffney

Komi Can’t Communicate, Vol. 22 | By Tomohito Oda | Viz Media – It can be very, very difficult to confess your love to a crush, especially in Japan, where casual dating is far less of a thing than it is over here. That said, I feel the plotline of “when will Manbagi confess, get rejected, and try to move on?” is taking forever, and that’s not helped by this volume, which gives her the perfect opportunity to confess, but she just can’t work up the guts. It doesn’t help that this is killing Komi too, and Manbagi knows it. The rest of the volume is mostly just the rest of the school trip, the high point of which was my realization that they’re staying at the same hotel that I stay at when I go to New York. (It’s got a lot of international customers.) Still good, but get on with it! – Sean Gaffney

Love at Fourteen, Vol. 12 | By Fuka Mizutani | Yen Press – I don’t think I’ve been this disappointed over the direction a series went since Bunny Drop. Now, don’t worry, no one breaks up here or anything. We even get a flashforward showing our main couple still together (if fairly static). The issue is that the author ran out of ideas for the main couple and so decided to bring in their fetishes, and we pay as much attention to them as we do to the Love at Fourteen. There’s not one, but THREE teacher-student romances, one of which explicitly has the girl decide to romance the teacher so he’s not seduced by a gay man. There’s the middle schooler and the mature looking fifth-grader. There’s the middle schooler and the OL, who get married at the end. Why was this so seedy? – Sean Gaffney

The Music of Marie | By Usumaru Furuya | One Peace Books – In this visually arresting, maddeningly empty story, Usumaru Furuya envisions a world in which humanity has been stripped of its technological progress. Marie, an enormous clockwork automaton, floats through the sky, keeping a seemingly silent vigil over her creators. Only one person can hear her celestial music: Kai, a young man who is torn between his feelings for Pipi, a childhood friend, and his emotional connection to Marie. Furuya’s illustrations are gorgeous, but the story never quite finds its groove, see-sawing between Pipi’s increasingly desperate attempts to win Kai’s affection and Kai’s efforts to uncover who built Marie, and why. The script sounds a few cautionary notes about the dangers of idolatry and technophobia, but Furuya’s penchant for making icky jokes spoils the mood. – Katherine Dacey

No Longer Allowed in Another World, Vol. 1 | By Hiroshi Noda and Takahiro Wakamatsu | Seven Seas This manga has one joke, and if you’re not here for the joke, you’ll probably want to stay away. The joke is that the protagonist of famous novel No Longer Human, about to kill himself along with his lover Sacchan, is instead hit by the inevitable isekai truck, and ends up in a fantasy world. This is a broad comedy, and the parodies of isekais are hilarious if (like me) you’ve read too many of them. That said, the main character here tries to kill himself multiple times over the course of the volume, and if suicide as comedy bothers you, absolutely do not read this. For those with no such issues, and who are familiar with No Longer Human, it’s pretty funny. – Sean Gaffney

Orochi: Perfect Edition, Vol. 1 | By Kazuo Umezz | VIZ – It’s pretty rare for me to disagree with critics like Helen Chazan and Chris Mautner, but I was underwhelmed by Orochi, especially when compared with some of Kazuo Umezu’s other translated works. The stories read like half-recalled dreams, with baroque plot twists and dialogue that makes Whatever Happened to Baby Jane? seem like a work of cinéma vérité. To some extent, that’s true of Umezu’s other work, but at least Cat-Eyed Boy and The Drifting Classroom pack a visual and an emotional punch, both of which are sorely lacking in Orochi; the title character is such a cipher that she registers more as a walking plot contrivance than a person, thus blunting the tragedies she helps set in motion. – Katherine Dacey

Rainbow Days, Vol. 1 | By Minami Mizuno | VIZ Media – I typically enjoy manga that was serialized in Margaret or one of its offshoots, but in Rainbow Days I have found the exception. Natsuki Hashiba is a wholesome teen with more worldly friends, and when they try to warn him that his new girlfriend is a gold digger, he refuses to listen. Alas, they were right. I found Natsuki to be a bland protagonist, but he’s at least better than one of his friends, Katakura, whose only personality trait is “into S&M.” Practically any time he’s in a scene, he’s either holding a whip (at school, no less!) or making comments about mouth gags. At no point is any of this ever funny. I do like Natsuki’s new love interest—and her abrasive, overprotective, and smitten best friend—and honestly I just wish those two had their own manga instead, because I really can’t do fifteen more volumes of this one. – Michelle Smith

The Shadows of Who We Once Were, Vol. 8 | By Yae Utsumi | Kodansha Comics (digital only) – I wouldn’t exactly say The Shadows of Who We Once Were has been a fun series to binge—it’s about teens being held hostage by a former classmate and forced to participate in deadly experiments, after all—but it’s certainly been riveting in its own bleak way. From the outset, readers knew the total of deaths related to the incident, and the final two turn out to be quite a surprise. I also appreciated how the reporter factored in, and the cynical detail that her subsequent article managed to change public opinion for, like, three months. The best part of the series, though, is the way the survivors have changed from the incident, in many cases for the better. Overall, I really liked this series and hope that it will one day have a print release. – Michelle Smith

I’m in Love with the Villainess: She’s So Cheeky for a Commoner, Vol. 1

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By Inori and Hanagata. Released in Japan as “Heimin no Kuse ni Namaikina!” by GL Bunko. Released in North America by Seven Seas. Translated by Kevin Ishizaka. Adapted by Nibedita Sen.

I’ll admit I was surprised when I heard that this spinoff was being written. After five volumes of the main series, with so much that’s possible to explore, do we really need to have a retelling of events of the first book from Claire’s perspective? Fortunately, the answer is yes, we do need to have this. When I reviewed Book Two of the main series I talked about how much I loved Claire’s character development even though so much of it had to be filtered through Rae’s POV. Now we’re able to see that first hand. That said, this is still an adaptation of the events in the first book, meaning that much of the character development is still to come. We do see Claire’s inherent goodness and kindness, but we also see a lot of arrogance and ignorance of the class system that has propped up families like hers. Over the course of the book, Claire starts to get better about noticing that other people – even her good friends – have differing opinions.

Claire Francois is enjoying her life as one of the elites in the Royal Academy… at least until one day a commoner starts pestering her, and harassing her, and confessing love to her. It’s maddening, of course. Especially when said commoner ends up getting hired as Claire’s second maid! That said, she’s just a commoner, so a spot of mild bullying should do the trick and drive her away. Unfortunately, Claire’s friends Pepi and Loretta have ideas for bullying that are far more sadistic than what the essentially good-hearted Claire has in mind, so she gets nowhere. Over the course of the book, Claire is forced to confront her preconceptions about her friends, her roommate Catherine, lesbians, and commoners. Then just when she thinks she has a handle on things, she’s faced with the worst kind of betrayal.

As you may have noticed, this is not just a straight “write the same scenes from the opposite POV” side story. For one thing, Claire’s friends, known to the reader (and to Rae) as “Those Two Girls” get actual things to do and times where they disagree with Claire… though they also rely on her a great deal. We also get a brand new character, Claire’s roommate Catherine. Catherine is deeply connected to Claire’s traumatic past, and is also the daughter of a family that rivals hers, though Catherine’s status as part of that family is less than ideal. Of all the new things introduced in this book, she’s the most interesting to me, and I have a sneaking fear she won’t survive the series. She may have an agenda of her own for all I know, but her main role in this book is to give Claire good advice and try to get her to open her horizons… though she ends up rather startled when Claire is able to return the favor later on by forcing Catherine to leave her gilded cage.

As for Rae herself, Claire consistently refers to her as “the commoner” in her narrative voice throughout this book. I expect that will change in future volumes. If you enjoyed the main series, there’s absolutely no reason not to get this as well.

Manga the Week of 1/18/23

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SEAN: Good news, Yen Press have finally decided to join 2023, and they have STUFF.

ASH: I’m not sure that I’ve fully joined 2023 yet, so that’s one up on me, at least!

SEAN: Yen On’s debut is Bride of the Barrier Master (Kekkaishi no Ichirinka), which features a young woman who has always let her twin sister take the spotlight… then she finds she has a super powerful ability! Can she avoid fuss? Can she avoid romance? Signs point to no.

ASH: Oh ho, a supernatural shoujo romance novel, you say?

SEAN: Also from Yen On: Baccano! 21, Bottom-Tier Character Tomozaki 9, The Detective Is Already Dead 5, Goblin Slayer 15, High School DxD 10, Sabikui Bisco 4, Sasaki and Peeps 3, Sugar Apple Fairy Tale 2, Suppose a Kid from the Last Dungeon Boonies Moved to a Starter Town 11, and Your Forma 3.

Yen Press has seven, count em, seven debuts. Christ.

ASH: So. Many.

SEAN: We begin with Apparently, Disillusioned Adventurers Will Save the World (Ningen Fushin no Boukenshatachi ga Sekai o Sukuu Youdesu), which is based on the light novel (also from Yen) and has an anime that just began.

Doomsday with my Dog (Sekai no Owari ni Shiba Inu to) is the latest in the “let’s wander the post-apocalypse” genre, only with a girl and a dog instead of two girls. It’s a Comic Walker title.

ASH: I do tend to enjoy this particular sub-genre and we get relatively few dog manga!

SEAN: Honey Lemon Soda is a long-running shoujo series from Ribon about a shy girl who tries to change herself after a “refreshing” boy rescues her.

MICHELLE: Well, I’m all about long-running shoujo series.

ANNA: I think there’s a lot of pent up excitement for this series, and I am also here for long-running shoujo series. Woo!

ASH: Ditto!

SEAN: I’m Quitting Heroing (Yuusha, Yamemasu) is the manga version of the light novel. A hero defeats the demon lord… then is told to go away, as the people he saved find him too powerful. So he decides to help the demon lord rebuild.

Oshi no Ko is the biggest debut this week. The writer of Kaguya-sama: Love Is War and the artist of Scum’s Wish team up. Its premise is not being spoiled by the blurb, so I’ll just say it involves idols.

MICHELLE: Hm. Potentially interesting.

SEAN: Pandora Seven is a Young Gangan series about a young woman, the only human on an island of non-humans, who lives a happy life with her family and friends… until humans come to destroy it all.

ASH: I am intrigued.

SEAN: Your Forma is the manga version of the light novel. It runs in Young Ace.

Also from Yen Press: Angels of Death Episode.0 5, Bungo Stray Dogs 22, Bungo Stray Dogs: Beast 4 (the final volume), Cheeky Brat 5, The Elder Sister-Like One 6, Hakumei & Mikochi: Tiny Little Life in the Woods 10, I Got a Cheat Skill in Another World and Became Unrivaled in the Real World, Too 2, I Want to Be a Wall 2, In Another World with My Smartphone 7, Karneval 14 (the final volume?), Lost Lad London 3 (the final volume), Love of Kill 10, Magia Record: Puella Magi Madoka Magica Another Story 2, No Longer Heroine 2, Overlord: The Undead King Oh! 9, A Polar Bear in Love 5, The Saga of Tanya the Evil 18, Sword Art Online: Phantom Bullet 4 (the final volume), Triage X 24, and Tsubaki-chou Lonely Planet 2.

MICHELLE: I’m excited for the finale of Lost Lad London!

ANNA: That’s a ton of stuff. I’m going to check out the second volume of Tsubaki-chou Lonely Planet.

ASH: So much manga! It’s been a while since I’ve thought about A Polar Bear in Love, but I did enjoy earlier volumes.

SEAN: Now for non-Yen stuff. Viz debuts Tatsuki Fujimoto Before Chainsaw Man: 17-21 (Fujimoto Tatsuki Tanpenshuu), a collection of short stories from the popular author.

Viz also has the 22nd and final volume of BEASTARS, Frieren: Beyond Journey’s End 7, Record of Ragnarok 5, Seraph of the End 26, and Undead Unluck 10.

Tokyopop gives us a third volume of Our Not-So-Lonely Planet Travel Guide.

Square Enix Manga has the 10th and final volume of Hi Score Girl.

Seven Seas has two debuts. BARBARITIES is a BL title from Magazine Be x Boy about a man who is hired to bodyguard a lord, and his attempts to seduce the lord’s overly serious nephew.

MICHELLE: This is by Tsuta Suzuki, whose A Strange and Mystifying Story ended up being really interesting.

ANNA: Oh, now I’m curious since I’ve heard good things about A Strange and Mystifying Story.

ASH: I’ve been looking forward to giving this one a try; I’ve enjoyed Tsuta Suzuki’s work.

SEAN: Miss Kobayashi’s Dragon Maid: Fafnir the Recluse (Kobayashi-san Chi no Maid Dragon: Okomorigurashi no Fafnir) is another of the endless Dragon Maid spinoffs, this one running in Monthly Action.

Seven Seas also has Headhunted to Another World: From Salaryman to Big Four! 4, Saint Seiya: Saintia Shō 16 (the final volume – yes, 15 only came out this week), and Sakurai-san Wants to Be Noticed 3.

One Peace Books has a 6th volume of Multi-Mind Mayhem.

Kodansha debuts Is Love the Answer? (Kimi no Sekai ni Koi Wanai), a one-shot josei title from Hatsu Kiss. It’s about a woman who wonders why she’s never felt any of this “love” stuff, till she goes to college and finds out what it is: she’s asexual.

MICHELLE: Ooh.

ANNA: Alright!

ASH: Hooray, josei!

SEAN: They also have the print edition of My Unique Skill Makes Me OP Even at Level 1 (Level 1 Dakedo Unique Skill de Saikyou Desu), they had already been releasing the digital.

Also in print: As a Reincarnated Aristocrat, I’ll Use My Appraisal Skill to Rise in the World 3, In the Clear Moonlit Dusk 2, PTSD Radio Omnibus 2, and Welcome Back, Alice 4.

Digitally we see Beast #6 2, The Café Terrace and its Goddesses 4, Gamaran 5, Blue Lock 17, Golden Gold 8, Hitorijime My Hero 13, Medaka Kuroiwa is Impervious to My Charms 5, Miss Miyazen Would Love to Get Closer to You 3, Mr. Bride 7, and The Untouchable Midori-kun 3.

MICHELLE: I look forward to getting caught up on Blue Lock.

ANNA: One of my kids is reading it in print form, so we’re a bit behind in my house.

SEAN: It’s print time for J-Novel Club. We see Ascendance of a Bookworm 16, In Another World with My Smartphone 25, Seirei Gensouki: Spirit Chronicles Omnibus 8, the 8th manga volume of The Unwanted Undead Adventurer, My Friend’s Little Sister Has It In For Me! 6, and The White Cat’s Revenge as Plotted from the Dragon King’s Lap 6.

ASH: Obligatory, “Yay, Bookworm!”

SEAN: J-Novel Club has one digital debut, The Game Master Has Logged In to Another World, a license rescue from the late unlamented Sol Press.

Also digital: Dungeon Busters 4, Formerly, the Fallen Daughter of the Duke 3, Now I’m a Demon Lord! Happily Ever After with Monster Girls in My Dungeon 3, Private Tutor to the Duke’s Daughter 6, and Yuri Tama: From Third Wheel to Trifecta 2.

Ghost Ship has the 5th and final volume of Does a Hot Elf Live Next Door to You?, as well as GUNBURED × SISTERS 3.

Airship has a 10th volume of Adachi and Shimamura in print.

While we get early digital volumes of Free Life Fantasy Online: Immortal Princess 2 and I Swear I Won’t Bother You Again! 3.

That’s a lot. What of that pile are you getting?

The Manga Review: Coming Attractions

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According to the collective wisdom of the internet, Best of 2022 lists are out, and What to Read in 2023 lists are in! So in that spirit, here are a few articles to help you get off to a good start this year. The Beat’s list of 60 Anticipated Graphic Novels offers a pleasing mixture of manga, manhwa, and comics, while Brigid Alverson’s Manga Pick Hits highlights March’s big debuts. Over at Honey’s Anime, Brett Michael Orr organizes his recommendations by genre, naming his five most anticipated shoujo, shounen, josei, and romance manga. Readers looking for a complete overview of 2023’s most anticipated titles should click over to Anime Collective, which has compiled an exhaustive, month-by-month list of every new manga series debuting this year.

NEWS…

Over at ICv2, Brigid Alverson parses the December 2022 Bookscan data on the 20 Bestselling Adult Graphic Novels. “Six of the titles on the December charts are the first volumes of manga series that have been around for a while,” she observes. “It’s not unusual to see the first volume of a hot series, such as Chainsaw Man, in the Top 20, but first volume appearances on the chart seem to spike in December: there were eight or more first volumes on the chart in December 2020… and 2021.” [ICv2]

Topping the list of December 2022’s most popular manga are Chainsaw Man, Demon Slayer, Jujutsu Kaisen, and Spy x Family. [ICv2]

Coming soon to a screen near you: Zom 100: Bucket List of the Dead, which is getting two separate treatments. The first is an animated television series, which will be available on Hulu in July, while the second will be a live-action movie, which will premiere on Netflix in December. [ANN]

Seven Seas is hiring: they need an editor for their extensive line of novels. [Seven Seas]

Australian fans’ demand for unlicensed manga has led to a surge in piracy Down Under. According to the Attorney General’s office, “There has been a general downward trend in the demand for unlicensed television shows, films and music since 2017, but a general increase in the demand for unlicensed publishing materials.” [The Guardian]

… AND VIEWS

Alenka Figa, Kayleigh Hearn, Carrie McClain, Paulina Przystupa, and Masha Zhdanova list their favorite manga of 2022, from Correspondence from the End of the Universe to The Vampire and His Pleasant Companions. [WWAC]

Also compiling a list of his favorite manga of 2022 is Tony Yao, who names Sensei’s Pious Lie and Akane-banashi as two of last year’s best debuts. [Drop-In to Manga]

Erica Friedman kicks off the fourth season of Yuri Studio with a preview of coming attractions and a reaction video. [Okazu]

Jocelyne Allen invites readers to “start your year off with some feminist manga” with a look at Takinami Yukari’s Watashi-tachi wa Mutsu Renai ga Shitai. [Brain vs. Book]

The latest Manga Machinations podcast focuses on three series: Tales of the Kingdom, Children of the Sea, and Welcome Back Alice. [Manga Machinations]

The folks at Taiiku Podcast have been busy, posting not one but two new episodes in the first days of 2023, the first exploring the work of panpaya (Invitation from a Crab, Guyabano Holiday), and the second critiquing Akane-banashi and Embrace Your Size. [Taiiku Podcast]

On the most recent episode of Shojo & Tell, Ashley and Colleen dish the dirt on Natsuki Tayaka’s Twinkle Stars. [Shojo & Tell]

REVIEWS

Sarah gives Phantom of the Idol solid marks, arguing that the series offers an “entertaining look at the world of idol culture that will appeal to readers who enjoy stories (like IDOLiSH7) set in the hothouse world of popular music.” Over at Beneath the Tangles, the gang posts a fresh crop of capsule reviews of Maison Ikkoku, Romantic Killer, Yakuza Finacé and Your Forma.

New and Noteworthy

Complete and Ongoing Series

 

Slayers: The Long Road Home

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By Hajime Kanzaka and Rui Araizumi. Released in Japan by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Elizabeth Ellis.

After the previous volume, which was essentially an anniversary special, Kanzaka seems to have remembered how much fun it was to write Lina and Gourry, and so has returned to Slayers once more to kickstart a new arc. That said, he knows that he’s already used up most of the plots and fight scenes that he can in Lina’s world. There’s only so many times that you can battle a Dynast General and not have it seem dull, you know? Of course, he COULD just give in and write Lina taking Gourry to meet her family, which she’s been trying to do for the last couple of books, but that would involve writing her family, and we already know that characters like Lina’s older sister Luna work better as an unseen threat. As such, this volume DOES start with a battle with a Dynast general… who promptly gives in because Lina’s reputation is Just. That. Bad. Unfortunately, when they emerge from the fight they’re not in Kansas… erm, Zephilia anymore, but in a completely different place.

As it turns out, Lina and Gourry hail from the demon lord side of the continent. There’s also a dragon side of the continent, separated by a strong barrier to keep the two sides from meeting. And now Lina and Gourry, thanks to that annoying Dynast general, are in Ceifeed lands, with no idea how to return home. They spend most of the start of the book trying to decipher the different writing system, figure out the money conversion, and slowly making their way towards a real city. Along the way they run into a spunky young girl, Ran, who may act like a hyperactive tween but also can use wind magic and has an incredibly powerful staff. Unfortunately, as they move along, it becomeds apparent that Lina’s type of sorcery is far more powerful than these foiks are used to… and they want it for themselves.

The main issue I have with this book is that it’s a setup for more books down the line. Ran is a fun character, but we learn next to nothing about her, nor do we know anything about her motivation for traveling with Lina and Gourry. The villains in this book (leaving aside the city guard guys, who are more mooks than anything else) tend to blend together like most minor Slayers villains do, but they certainly show a callous disregard for human life or property… something that becomes more understandable when you realize who they are. Other than that, this is a perfectly decent Slayers book. Lina and Gourry are always fun, and we get to see Lina trying to get past her own reputation even in a place where it doesn’t precede her. The fights are action packed, and if they ever animate Slayers again might be fun to see. It will be interesting to see where this arc goes.

Unfortunately, this book came out in 2019, and there’s no Vol. 18 on the horizon, so we may never see how the arc goes. Which is the most frustrating part of this book, to be honest.

Tearmoon Empire, Vol. 9

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By Nozomu Mochitsuki and Gilse. Released in Japan as “Tearmoon Teikoku Monogatari” by TO Books. Released in North America by J-Novel Club. Translated by David Teng.

I’m not sure how long Tearmoon Empire is supposed to be, or even if the author has an ending in mind. Certainly Vol. 12 is due out in Japan soon, so we’re not anywhere close to the end at the moment. And yet it feels that we have at least started to hit the back half of the series, if only because we’re getting flash forwards that aren’t always depressing nightmares. The last couple of volumes of Tearmoon Empire have shown us glimpses of the main cast in the original world after Mia is executed, and this volume has one as well. It’s meant to show us all the good that Mia has done her second time around, even when she doesn’t always realize it. But here we also start to see flashforwards that seem to be the ACTUAL happy future, showing us an older Mia still happily running rings around everyone even if the narrator insists that she’s being a selfish coward. I really enjoyed reading them.

We pick up right where we left off at the end of the previous book, with Mia and company trying to stop Prince Sion from being poisoned by his younger brother. They succeed at this… accidentally, but the actual poisoning that happens is much worse, and requires everyone (but particularly Tiona and Citrina) being incredibly quick-witted. After the fallout from this, there’s still a massive party with nobles to attend to, so Sion and Abel decide to fight for Mia’s hand once and for all in a sword duel. Which comes as a big surprise to Mia, who as usual in matters of the heart seems to act like a girl her age. That said, when Sion actually confesses to her, she knows that this isn’t something she can actually brush off or deflect, and gives him an honest, sincere answer. Even the narrator is (mostly) silent here.

Tiona spent most of the start of this series either absent or barely appearing, which was a surprise given the role that she had in Mia’s original timeline. But gradually she’s grown in importance as a character, and here we see what Mia’s actions have wrought, which is that she and Sion have now had enough character development that they can genuinely confide in each other. While Tearmoon Empire isn’t quite a “villainess” book per se, and is not derived from an otome game, Tiona absolutely fulfills the “heroine of an otome game” archetype, including being able to see past noble bullshit and get to the heart of the matter. As for Mia, she’s getting smarter by the book. I especially loved when Citrina praised her for her foresight in finding the antidote mushroom, and Mia briefly debated taking credit for it, but decided to tell Citrina that it really was just pure coincidence. I’m hoping that in future books we can see her be even more honest with others about her real motives, though the basic premise of the book tells me I won’t see it too often.

This was an absolute banger of a book, wrapping up this arc in fine fashion, and with several real dramatic moments. Next time we’ll be going to The Valley of Horses, but hopefully not in a Jean M. Auel way, and presumably we will slowly set up the next arc but not pay it off. These books are long, as are the arcs.

Adachi and Shimamura, Vol. 10

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By Hitoma Iruma and raemz. Released in Japan by Dengeki Bunko. Released in North America by Seven Seas. Translated by Molly Lee.

Finally, after two volumes with illustrations ranging from minimal to none, we have a new artist. I had speculated last time that Non, the old artist, had left the title as they were ill, but I’ve since found out that it’s more “they are shifting their career goals”, i.e. they’re only drawing BL now. Which is fine. Replacing them is raemz, who is best known over here for the gorgeous illustrations for Chitose Is in the Ramune Bottle. So things are back to normal with this series… for the most part. This volume, following up on the 8th book, spends far more time in the future with Adachi and Shimamura moving in with each other after graduating and getting jobs. Iruma has never really been all that fond of linear storytelling, so I’m not too surprised, but it does also remind you that the series is winding down. Indeed, the author states in the afterword that the 8th book was the “final” one, and the four to follow are afterwords. And Dengeki confirmed 12 will be the last.

As noted, the book is divided into ‘present’ and ‘future’ sections, with the former narrated by Shimamura and the latter mostly by Adachi. In the present, now that Adachi and Shimamura are dating, and given that the author is not really going to do anything with Hino and Nagafuji here after they got a major spotlight last time, there’s really only one plot thread to wrap up. Or rather, to cut. Tarumi is still around, still has a major unstated crush on Shimamura, and still wants to hang out with her. And credit to Shimamura, here we see what all this interaction with Adachi and Yashiro has wrought, as she decides to deal with the issue head on telling Tarumi that she’s dating Adachi now. The scene is meant to be heartbreaking, but sadly, most of Shimamura’s narration still puts a layer of gauze over everything, so I think it’s merely bittersweet.

There’s quite a bit of Yashiro in this book, as she spends most of it dressed up in onesies of various kinds of animals. I’ve joked before about how I’m the only fan of the series who likes Yashiro, but I do think that her role in the story is very important. First of all, she deserves just as much credit as Adachi for getting Shimamura out of her passive daze and forcing her to take a good long look at herself. Adachi does this directly by being a vibrating ball of gay, but Yashiro always does it indirectly, so it’s harder to spot. She also gives Adachi and Shimamura a gravitas that they would not otherwise have. The idea from prior books that there are many alternate universes, and that all of them have Adachi finding Shimamura in them, is a nice one that distracts you from the fact that these books can be very, very dull if you let them. Future Shimamura also seems to realize that even after they’ve moved to a different city, Yashiro is gonna show up anyway. She’s the spice.

Adachi and Shimamura 11 just came out in Japan last month, so it will no doubt be a while before we see it here. Till then, enjoy the present, as Shimamura cuts ties with an old friend, and the future, as Adachi and Shimamura move in together and share a bed but are quite asexual about it all.

Pick of the Week: Exciting Icelandic Sagas

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SEAN: No question, my pick this week is I’m in Love with the Villainess: She’s so Cheeky for a Commoner. We’ve seen “the same events from another perspective” in other light novels, but usually as briefly changing narrators, not an entire new series. Plus… More Claire! More Rae!

MICHELLE: Given is no doubt a nicer series than The Shadows of Who We Once Were, but since I haven’t read it in ages, I don’t feel as though I can really pick it these week. Whereas I’ve been binging Shadows and, though I am still not entirely sure how I feel about it, the end being in sight definitely inclines me in its favor. So… half-hearted endorsement, I guess?

ASH: Debut-wise, I think the series that I’m the most curious about this week is The Knight Blooms Behind Castle Walls, but if I look towards currently ongoing series (and favorites) Vinland Saga is always a top choice for me.

ANNA: I may be far behind, but I won’t pass up a chance to hype Vinland Saga either.

KATE: All the enthusiastic praise for Vinland Saga makes me think I should give it a second try, so I’m joining Anna and Ash and making it my pick of the week.