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Looks Are All You Need: Shiika’s Crescendo

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By Ghost Mikawa and necomi. Released in Japan as “Kao Sae Yokereba Ii Kyōshitsu” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Evie Lund.

There’s a lot here that reminds me of other light novels, even though the premise itself is somewhat unique. If anyone remembers the old movie/TV Series Fame they will find this a bit familiar. But the two series it reminded me of most are No Game No Life and Spy Classroom. The former is obvious: it’s about a brother and sister, both eccentric, who have skills but have dealt poorly with social interaction in the past, being forced to socially interact. The good news is that, thankfully, there is precisely zero incest subtext in Looks Are All You Need, and Gakuto and Shiika feel like actual siblings rather than a weird fetish. As for Spy Classroom, this is another book that relies heavily on it being on the page. What this series does with music is something that can’t be conveyed aurally without losing the magic. Which makes me worry that, if it ever gets an anime, it’ll be Erna under the table all over again.

Seeker is a fairly popular virtual idol, who does mostly cover versions but has quite a following. In reality, Shiika is a shut-in who cares little for her appearance or social cues, who lives in an apartment with her brother, who is much the same but doesn’t have Shiika’s singing ability. One day they’re approached by a talent company, who were able to find out her real identity. They have a suggestion: go to Ryouran Academy and learn how to become a famous star. It’s tempting – Gokuto’s goal in life is to earn a ton of money without actually doing any work. Unfortunately, Shiika is a virtual idol for a reason. That said, they agree to have Shiika enter the academy and give it a try, provided that Gokuto can enter with her, as a sort of “supernumerary”. It ends up being the best thing that happened to the school.

I enjoyed this much more than I expected. I know the author from the series My Friend’s Little Sister Has It In For Me!, which is also very good. But this hit a lot of buttons that I resonated with personally. Shiika is not only a talented singer, she’s also synesthetic, seeing sounds as colors, and that’s a huge part of how she handles people – when she sees a rival girl who has a 6-octave range, she’s not impressed but horrified, as her falsetto range is “ick” – it has bad colors. Speaking of which, I was in a high school chorus where an alto was forced to sing soprano doe to lack of good voices in the higher registers, and it did destroy her voice, so I feel for Erio, who’s all technique but no soul. I hope she and Shiika become friends. And then there’s Gokuto, who gives off that air of “I am just a clever shlub” the entire book, until the unseen climax, where we get to see his inner warrior peek out.

Basically, Shiika and Gokuto give off “I am a cliche” vibes, but are deep enough that I want to read more of them, especially Shiika. Definitely a strong start.

Manga the Week of 9/6/23

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SEAN: School days, school days, dear old golden rule days. Also, manga.

ASH: Manga is always a welcome distraction from the chaos of a new semester.

SEAN: We start with Airship, which has two print books. There’s No Freaking Way I’ll be Your Lover! Unless… 2 and The Weakest Tamer Began a Journey to Pick Up Trash 4.

And in early digital we see Free Life Fantasy Online: Immortal Princess 4 and Reborn as a Space Mercenary: I Woke Up Piloting the Strongest Starship! 7.

Dark Horse Comics has the 12th volume of Mob Psycho 100.

ASH: I should probably catch up with this series at some point.

SEAN: From Ghost Ship, we get a 7th volume of The 100 Girlfriends Who Really, Really, Really, Really, REALLY Love You.

ASH: This one, too, from what I’ve heard.

SEAN: It’s a quiet week for J-Novel Club, though they are debuting three manga series digitally. An Archdemon’s (Friend’s) Dilemma: How to Babysit a Crybaby Knight (Akuyuu no Ore ga Ponkotsu Kishi wo Miterarenain da ga, Dou Sewa wo Yakya Ii? – Madome Gaiden) is a manga spinoff from the Archdemon’s Dilemma series, focusing on the pathetic not-quite-romance between Barbatos and Chastille. I think it’s in Comic Fire?

The Conqueror from a Dying Kingdom (Horobi no Kuni no Seifukusha – Maou wa Sekai wo Seifuku suru you desu) is based on the light novels also released by J-Novel Club. A Japanese NEET is reincarnated in a kingdom as a commoner boy, but quickly realizes this Kingdom doesn’t have much longer to go. This runs in Comic Gardo.

I’ll Never Set Foot in That House Again! (Nido to Ie ni wa Kaerimasen!) is based on the light novels also released by J-Novel Club. It also runs in Comic Gardo. It’s for people who think My Happy Marriage is too depressing.

ANNA: Who are those people?

SEAN: And they also have the 11th and final volume of Culinary Chronicles of the Court Flower.

Apologies to Kaiten Books, as I missed this last week: Welcome to the Outcast’s Restaurant!’s 3rd manga volume should have been on that list.

Kodansha’s print debut is The Moon on a Rainy Night (Amayo no Tsuki), a Comic Days series about a deaf high school musician and the girl who gets closer to her despite her best efforts. I have heard VERY good things about this series.

ANNA: OK, this does sound intriguing.

ASH: Oh, my interest is piqued!

SEAN: Kodansha Manga, in print, also has 10 Dance 7, Don’t Toy With Me, Miss Nagatoro 15, Noragami Omnibus 7, and Noragami: Stray God 26.

MICHELLE: Yay for more 10 Dance!

ASH: Yes, indeed!

SEAN: And for digital titles they have Blue Lock 21, How to Grill Our Love 4, Life 7, My Wife is a Little Intimidating 3, Shangri-La Frontier 12, Those Snow White Notes 9, Tying the Knot with an Amagami Sister 10, and Wandance 6.

One Peace Books gives us the 8th volume of Multi-Mind Mayhem.

Seven Seas debuts Soara and the House of Monsters (Soara to Mamono no Ie), a Shonen Sunday S series. A girl who spent her childhood preparing to fight monsters is now at a loss since the kingdom and monsters came to an agreement. Can she find a new career building monster homes?

Seven Seas also has Dinosaur Sanctuary 3, Free Life Fantasy Online: Immortal Princess 5, Magical Angel Creamy Mami and the Spoiled Princess 5, Otaku Elf 6, Tokyo Revengers 13-14, Trapped in a Dating Sim: The World of Otome Games is Tough for Mobs 8, and What He Who Doesn’t Believe in Fate Says 2.

Square Enix has My Clueless First Friend 3.

Tokyopop has a 4th volume of Our Not-So-Lonely Planet Travel Guide.

Udon has a third volume of Record of Lodoss War: The Crown of the Covenant.

The debut from Viz is Blade of the Moon Princess (Gekka Bijin), a Jump Square series from the author of Spy x Family. This was his debut. A bratty young moon princess is sent to Earth in order to avoid a coup on the moon, and must learn to grow up.

There’s also two anime coloring books out from Viz, one for Bleach and one for Naruto Shippuden.

ASH: Is there still the same demand for coloring books that there used to be?

SEAN: We also see Blue Box 6, Dragon Ball Super 19, The Elusive Samurai 8, Ima Koi: Now I’m in Love 7, Kubo Won’t Let Me Be Invisible 9, Like a Butterfly 2, and My Hero Academia 35.

Yen On debuts Liar, Liar. A school where everything depends on your rank has a new top dog, entering the school with the highest academic rank! There’s just one problem… this is all a lie. For fans of light novel covers that look like this one.

ASH: Ha!

SEAN: Yen On also has Your Forma 4.

On the Yen Press side, we see two debuts. Game of Familia (Game of Familia: Kazoku Senki) is from Dragon Age, so you know it’s trash of the highest order. A high school student moves in with his new family, including three stepsisters. But then the entire family is isekai’d!

The Witches’ Marriage (Majo no Kekkon) is a yuri series from Comic Newtype. A witch gets married to another girl in order to gain more power… but finds that the other girl is adorable.

And there is also Tales of Wedding Rings 12 and Trinity Seven 28.

It’s always September somewhere on the mangasphere! What are you buying?

My Dear Detective: Mitsuko’s Case Files, Vol. 1

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Have you seen The Law According to Lidia Poët? It’s a period drama that’s loosely inspired by the career of Italy’s first woman lawyer. Though the series explores the real-life Poët’s long, lonely battle for professional recognition, it also makes plenty of room for romance and adventure, portraying her as a free spirit who solves mysteries with the aid of a handsome male journalist. The show’s breezy tone is more Remington Steele than Masterpiece Theater, but it never shies away from acknowledging that nineteenth-century Italy was truly a man’s, man’s world.

If Lidia Poët sounds like something you’d watch, you might like My Dear Detective, which also features a plucky heroine in a male-dominated field. The setting is Taisho-era Japan, where twenty-something Mitsuko Hoshino works for the Ginza Detective Agency as an investigator. Though Mitsuko is a natural, she faces skepticism and condescension in her day-to-day work that sometimes shades into outright hostility; early in volume one, for example, local hooligans vandalize the agency with slogans accusing her of “stealing men’s jobs.” Her boss is unfazed, however, and remains quietly but kindly supportive of her desire to be, in her words, “a working woman.”

Through one of those only-in-manga contrivances, Mitsuko crosses paths with Satou Yoshida, a handsome young man who turns out to be the scion of a prominent family. (The Yoshidas own one of the poshest department stores in Tokyo.) He soon joins the agency as Mitsuko’s assistant, chauffeur, and bodyguard, dropping the Yoshida name whenever it expedites their investigation, and swooping in to save Mitsuko whenever she’s in danger. Mitsuko—ever the consummate professional—won’t admit to herself that she likes Satou, and puts up a blustery front any time he flirts with her.

Though the script is lively and the pacing brisk, the artwork is a little plain. The costumes, hairstyles, and props are just detailed enough to give a sense of the period, but the backgrounds are a little too sterile and generic to really evoke Tokyo in the 1920s. More appealing are the character designs: Natsumi Ito does an effective job of conveying each cast member’s age, social standing, and personality through small but meaningful details. Mitsuko, for example, sports a sleek, modern bob and knee-length skirts, while the older women she interacts with favor Nihongami and kimono, evoking the transitional spirit of the Taisho era.

Taken as a whole, however, My Dear Detective is the manga equivalent of The Law According to Lidia Poët. One the one hand, it’s a fizzy, fun series that offers solid mysteries with interesting twists solved by impossibly good-looking people. On the other hand, My Dear Detective gently reminds the reader how many practical barriers professional women faced a century ago, acknowledging the degree to which misogyny made it all but impossible for smart, ambitious women to chart a course for themselves outside of traditional gender roles. These two sensibilities don’t always mesh harmoniously, but most of the time My Dear Detective toes the line between escapism and didacticism in a highly entertaining fashion. Lidia Poët would undoubtedly approve. Recommended.

MY DEAR DETECTIVE: MITSUKO’S CASE FILES, VOL. 1 • BY NATSUMI ITO • TRANSLATED BY SAMUEL R. MESSNER • LETTERING BY BARRI SHRAGER • COVER DESIGN BY GLEN ISIP • AZUKI • 183 pp. • NO RATING

Guardian: Zhen Hun, Vol. 1

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By Priest and Marmaladica. Released in China on the JJWXC website. Released in North America by Seven Seas. Translated by Yuka, Shry, amixy. Adapted by Ealasaid Weaver.

Its always tricky when you come at a series after everyone else. The hype can sometimes be too much to bear. I was being told about Guardian years ago by friends who had seen the live-action drama loosely based (fans always emphasize the “loosely based”, wanting you to be sure to know how many liberties the TV show took from the source) on this online novel series. When Seven Seas announced it a year or so ago the excitement was greater than almost any other danmei title they’d announced before. Hell, even the cover art draws you into the hype. Just look at those two! That said, the question as always is: is this any good or not? I’m delighted to say that it is. Guardian is a compelling supernatural police procedural mystery, with a great protagonist who’s a classic “jerk with a heart of gold”, and even a lot of the “jerk” is for show. As for the other guy on the cover… well, he’s the mystery.

Zhao Yunlan is head of a special department in the police that deals with supernatural crimes, and he and his somewhat pathetic newbie underling are called upon to investigate the scene of a very grisly disemboweling on the street. This leads him to a university, where he meets Shen Wei, a handsome young professor who Zhao Yunlan is immediately very, VERY attracted to. He proceeds to try to get to the bottom of the case while also flirting heavily with the awkward Shen Wei, who is giving off somewhat mixed signals. As they uncover missing underworld artifacts, a young woman desperate to keep her grandmother alive, and an anthropology field trip that gets somewhat hijacked by ghosts from the past, Zhao Yunlan is determined to find out why Shen Wei is so compelling to him… and so familiar.

BL is not really my wheelhouse, so I will simply note that the chemistry between these two is amazing and those who are here for that will not be disappointed. As for the rest, Zhao Yunlan is an excellent protagonist and a good detective, combining human psychology with a knowledge of the netherworld and various tricks up his sleeve. He tends to put himself in harm’s way a lot, as you’d expect from a “jerk who’s not really a jerk” guy, but he’s savvy enough that it comes off well. The supporting cast are mostly good, though it took me a while to get used to Guo Changcheng, who is the very definition of “comedy relief”, but does vaguely grow over the course of this book. The cases were also well done, though I am hoping when we hit the second book we’ll get a mystery that does not revolve around a woman being the cause of most of this. And the writing was extremely good (and, of course, that means the translation and adaptation as well), despite the need for lots of footnotes for Chinese terminology.

Basically: readers will enjoy this. Go get it. I give it a 9/10, minus one point for falling down right at the end and mentioning the dreaded word “cultivation”.

Haibara’s Teenage New Game+, Vol. 4

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By Kazuki Amamiya and Gin. Released in Japan as “Haibara-kun no Tsuyokute Seishun New Game” by HJ Bunko. Released in North America by J-Novel Club. Translated by Esther Sun.

This is another one of those books where, after I had finished it, I had to double check the publisher’s website to confirm that yes, there is a 5th book in the series, and it doesn’t end here. It wouldn’t be surprising if it did. So many romcom series end with the main couple getting together, and not to spoil, but that’s what happens in this volume. I’m not too worried about spoiling it because everyone reading this series knows who the girl he loves is, and who the girl he has to reject is. It was all just a question of how long the series would drag things out. The good news is that it’s not that long. This series, despite its “back in time” premise, tends to err on the side of realism, and these sorts of “waffling guy can’t decide between two girls” situations don’t last as long as they do in manga or anime. Now, there is one spoiler left (also not much of a surprise), but we’ll get to that.

It’s back to school for our cast, and preparation for the school festival. Natsuki is still trying to decide between Hoshimiya and Uta… or so he says, but not only do we know that he’s fooling himself, HE knows it as well. He likes the girl that he’s liked since this series began. So it’s just a matter of working up the courage to confess to her, and to reject the other as best he can and hope it doesn’t destroy the friendships he’s come to love. Into this waltzes Serika, the emotionally weird girl we met in the last book, and she has a suggestion for Natsuki, especially after hearing him perform at karaoke: join a band. Join her band, in fact. He did try playing a guitar in his previous life (as well as practice karaoke), so it’s feasible. Is it what he wants to do going forward, though?

There’s a lot going on here given that it’s basically “when will he finally stop vacillating” as the main plot. We get a lot more development from Serika, who is incredibly talented and even writing her own songs. If this were a different series she’d be a new “harem member”, and she does admit to liking Natsuki, but knows that he’s in love with Hoshimiya. Indeed, everyone knows it. Including Hoshimiya, because he literally asks her to help him write the lyrics to the song he’s going to use to confess to her – something so brazen that she has to laugh, and so did I. I also liked Shinohara, the bass player, who allows Natsuki to try to help out someone who is exactly like he was the first life around. That said, the biggest surprise of the book was not that Miori was also in love with Natsuki – we guessed that – but that Reita actually *has* fallen in love with her, even knowing that she loves Natsuki. And Miori is far unhappier than she’s trying to sound about his new love being a success.

So yeah, there is a fifth book, and I assume it will delve deep into that, as well as “wait, how do these books work if we’re a couple?’. This is one of the stronger romcoms out there now. I really enjoyed it.

Pick of the Week: Guardian and Others

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SEAN: I have been hearing about the amazingness that is Guardian: Zhen Hun for years now, so it will be nice to finally see what the fuss is all about. This is my danmei of the week. My manga of the week is Nichijou, though.

MICHELLE: Frankly, I don’t see how I could pick anything other than Guardian: Zhen Hun this week!

ASH: Out of all of the releases coming out this week, Guardian: Zhen Hun has definitely captured most of my attention, so that’ll be my pick, too!

ANNA: I’m also pretty excited for Guardian: Zhen Hun, but also stoked for Don’t Call It a Mystery volume 2!

KATE: I’m joining Anna in picking volume two of Don’t Call It Mystery. It’s a little weird and talky, but also incredibly entertaining–think Columbo with fabulous hair and hot guys!

Spy Classroom: Pandemonium, Thy Name Is Sybilla

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By Takemachi and Tomari. Released in Japan as “Spy Kyoushitsu” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Nathaniel Thrasher.

The author mentions in the afterword to this volume that they were worried about Avian’s impact on the reader, and in particular whether Avian would be likeable enough. It’s a good point. From the moment we met them, they felt like the unpleasant, annoying mirror to our heroines, and it was not helped by the fact that they were better than all of them at everything. Of course, the ending to the previous volume also seemingly cut off any further development there… or so you’ think. But the author’s main strength has always been manipulating the written word and literary tricks (this is one reason the anime failed so hard for me), and so we get judicious use of flashbacks here to show off that really, Avian weren’t as bad as all that. In the end, they’re another bunch of wacky, eccentric spies. Of course, another way of helping to make your new characters sympathetic is to introduce even more new characters and make them worse. The spies we meet in this volume are worse.

The book starts off with Sybilla getting captured by these new characters. Belias are an English team of spies (OK, it’s the “Spy Classroom” version of England, but come on, this is sort of like Tanya the Evil’s version of England) who are trying to find the one surviving member of Avian, who are accused of trying to assassinate the Prince. Sybilla has also been trying to find Lan in order to discover how Avian were all killed so easily. The two have wildly different ends, but the same goal, so they agree to team up – or rather, Belias forces Lamplight to team up with them. This will involve going to an exclusive ball where they will have to dance to attract attention – meaning that Sybilla and Klaus will have to be on the same page, something they’ve been failing at since the series began. Then things get worse, as the Prince really is assassinated.

As I mentioned in the last review, this series can get pretty damn dark. The girls all being flakes is probably the best way to distract from that. I had been wondering if Avian being dead was another fakeout, but no, all but Lan are indeed dead. What’s more, Belias aren’t the real bad guys either, being a classic example of “we were only following orders” spies who don’t bother to question things lest it lead them to realizing that they’re being manipulated. Which naturally makes it easy for them to get manipulated by Lamplight. Avian may be dead, but before they died they managed to train the girls in ways that Klaus has entirely failed to, and they’re now really coming into their own. They clean Belias’ clocks and get the intel Avian left for them before dying. Good end! I mean, provided they aren’t betrayed by one of their own, of course. That would be terrible.

So yeah, another vicious cliffhanger. And a longer than usual wait for the next volume, because we’ve got a second book of short stories coming first. Till then, enjoy a world that is so tragic that Sybilla has to create a happy backstory to keep her going.

The Princess of Convenient Plot Devices, Vol. 3

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By Mamecyoro and Mitsuya Fuji. Released in Japan as “Watashi wa Gotsugou Shugi na Kaiketsu Tantou no Oujo de aru” by B’s-LOG Bunko. Released in North America by Yen On. Translated by Sarah Moon.

Again, my favorite part of this series is just out of my reach, which is everything that is happening in it, minus Octavia’s internal blathering. Don’t get me wrong, her narration is not all that annoying once you get used to it, and helps to drive home the fact that 95% of the time she’s improvising desperately rather than having a grand master plan. But I do love seeing her from the outside. Without that narration, she looks exceedingly crafty, mysterious, powerful, and possessed of knowledge that she just should not have. She does not behave the way than anyone thinks she should, her support for her older brother leaves much to be desired, and she comes across as… well, as a villainess. She’s trying to get a fake boyfriend so that she isn’t used as a womb to give her older brother an heir, but to others, she’s… well, trying to become Queen. Which is worrying, given the kingdom’s secret history.

After the revelations of the previous book, Octavia is a lot less keen to make Rust Byrne her fake boyfriend, given who he resembles. Unfortunately, he’s now very interested in her, in particular because she doesn’t react the way almost everyone else has when they see his face. To her surprise, the King is another one who reacted the same way that she did. Unfortunately, as they try to have a chat, traitors are trying something at the party, and have to be put down by armed guards. What are they after? And why is Sil now missing? The answer will draw Octavia into (pardon me, I’m so sorry) a web of mayhem and intrigue. Because there’s a secret room that has a passage to a different, even more secret room. And there are even more traitors there… including Sil? Maybe?

So many villainess books have some variation of “you can’t fight fate” built into them, with the villainess trying hard to change her destiny and the story itself fighting back as much as it can, even when that makes no sense in terms of how reality actually works. Here we see the past starting to repeat itself, despite Octavia’s intentions. And there’s no denying that Queen Idealia, the queen who was written out of history, has a lot in common with her. Hopefully not including being murdered by her brother. And of course there’s also the past of Klifford’s family, which everyone is still boiling mad over. What this means, I suspect, is that at the end of the day everyone’s going to see Octavia finding the tomb of the missing powerful and beloved Queen, discovering the *real* royal crown, and asking her uncle to present it to the King himself but say that she found it, as a massive power ploy. Not exactly what she’s intending.

Basically, if you like gambit pileups and a lot of handsome men, this is a fun little series. I read it for the bits in between the text.

The Magical Revolution of the Reincarnated Princess and the Genius Young Lady, Vol. 5

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By Piero Karasu and Yuri Kisaragi. Released in Japan as “Tensei Oujo to Tensai Reijou no Mahou Kakumei” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Haydn Trowell.

The last three volumes of MagiRevo have all had that feeling of “this is the final volume of the series” without it actually being true. It felt as if the author was not sure if it would be a success or not – very common in this medium. This is the first book where I believe that they wrote it knowing that the books were going to be going on longer, as it’s very transitional. There’s looking towards the future, as Anis and Euphie’s road trip is to survey the kingdom and look for new resources, plus they also end up learning of a number of new nations/races/possible enemies. At the same time, the entire book is also about coming to terms with everything that has happened in the previous four. Euphie’s on the throne, but this has not magically settled everyone’s hearts. Particularly Anis, who runs into Euphie’s brother at a ball and ends up projecting her own brother on top of him.

Anis is out of sorts, having essentially been told “try not to be too innovative for a bit, we need everyone to get used to the chaos you’ve already created”. But she can’t exactly turn that part of herself off. So Euphie plans to have the two of them tour the Eastern part of the kingdom, inspecting the damage caused by the previous monster stampedes and also trying to find new areas that they can harvest spirit energy. Of course, as Anis notes, this is a chance to go on a Love Love Honeymoon with her beloved – well, a honeymoon that involves two maids, two aides and a guard – and the guard is Navre, one of the men who was tied up in Lainie’s plotline in the first book. Then, to top things off, Anis had not really been listening when all of this was explained to her (because honeymoon fantasizing), and missed that they are, in fact, going to see her brother as well.

If I were to sum up this book, it would be “not bad, but not as good as the other books”. Part of the problem is Anis, who is still dealing with a pile of repressed guilt about what happened with Algard. (She is also, frankly, still not used to the fact that she is absolutely not the top in this relationship, and Euphie’s frank desires leave her a bit twitchy.) The heart to heart she has with her brother near the end was much needed, if only as I want her to move on from this as quickly as possible. There’s also a new character introduced who isn’t too bad, but seems designed to tick several “isekai cliche” boxes at once, so I was rolling my eyes at her arrival. On the bright side, Anis and Euphie get to have an awesome fight that I’m sure will look terrific if it ever gets animated in a theoretical Series 2.

So yeah. Mezza mezza. Still, we now have the promise of beastmen, and more vampires, and a bunch of other potential new plots. I just hope Anis will be back to being a fun ball of chaos next time around.

Sword Art Online, Vol. 27: Unital Ring VI

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By Reki Kawahara and abec. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

Last time I said that it was a good book but the plot progression was minimal, and I’d say that the plot progression is even more minimal here. It’s also not quite as good a book. Stuff happens, don’t get me wrong. Lives are put in danger, especially in the Underworld, and there is a return there of a villain that I really didn’t care about when they were around in the main Underworld arc and care less about now that their descendants have returned. On the Unital Ring side, we’re headed up to a new level, and we’re interacting more with players from different games, but I sort of feel like Kirito is a metaphor for what Kawahara is trying to do with the series. He’s trying to juggle 3-4 plots at once and can’t devote all his attention to any of them. Frankly, I’d rather that he and Asuna try to figure out if Kizmel has been magically brought back to life (clearly implied near the end) than anything with dragon spaceships.

We pick up where we left off, with Ronie and Tiese staring at Eolyne and wondering if he’s just Eugeo wearing a mask, but the answer to that is still – so far – that he is not. They all then bond in a big bath scene, but then Kirito and Asuna are dragged back to Japan while Alice gets to stay and bond with her sister some more. They head back to Unital Ring to find that everyone else is tacking the floor boss, with Lizbeth staying behind so that someone can bring them up to speed. They then arrive on the new floor… the third “game” to do so, after Asuka Empire (which Yuuki and her friends played) and Apocalyptic Date (where the players are anthro). Unfortunately, these new gamers know Kirito’s reputation, and they’re also desperate because of some poor decision making, so they decide to kidnap Yui. Also a poor decision. And back in Underworld, Alice’s reunion is interrupted by a full-blown invasion.

There were a few scenes in this book I enjoyed. The entire sequence with the robot kitten was not only adorable but also showed off the issues that AI is running into – I loved it when we were told that, if it ran on AI, the kitten would start walking around on two legs like a human. I also liked Asuna and Kirito’s brief panic on returning to Unital Ring, which was sort of darkly funny – was everyone killed off while they were gone? But honestly, the main issue with this book was that there was simply too much going on, and it didn’t give me enough depth to really care about one thing over the other. This is especially true on the Underworld side, where we still don’t quite know who the main villain is, but the ones behind the invasion are frankly a group I would have been delighted to never see again. At least it wasn’t the return of Gabriel Miller. Yet.

If you’re still reading SAO, I’d say keep going. Eugeo payoff looks like it will be coming next time, and hopefully we get some dark elves as well. Just… not in this book.