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My Stepmom’s Daughter Is My Ex: “Time to Get Serious”

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By Kyosuke Kamishiro and TakayaKi. Released in Japan as “Mamahaha no Tsurego ga Motokano datta” by Kadokawa Sneaker Bunko. Released in North America by J-Novel Club. Translated by Gierrlon Dunn.

The subtitle of this volume serves as an accurate description of what’s inside. Of course, that’s not to say there still isn’t a great deal of broad humor in the book. I mean, Isana exists, for one. There’s also Yume deciding that the best way to seduce Mizuto is by wearing a miniskirt and cat ears, and (ça va sans dire) endless discussions of breasts, with much groping of the larger girls happening from the other girls. (Isana even notes this is the sort of thing she though only happened in light novels, implying that she’s read her own series.) That said, this is about a trip that all the main and supporting cast take, and the girls decide to use it to confess, seduce, or otherwise make things clearer to the object of their affection. Does it work out? Well, sort of. Some of the pairings are actually becoming pairings. It won’t surprise you,l though, that the main pairing remains up in the air.

The student council are planning a getaway trip to a hot springs town (given that their president’s family is loaded, this isn’t as hard as it sounds), and Yume is asked to fill out the numbers a bit, so Mizuto, Isana, Minami and Kawanami end up coming along as well. Aiba has decided that this is the trip where she stops being the teasing flirt and seriously confesses to her senpai, and so the other girls also decide to make an effort. Well, apart from Isana, who is supposedly here for art study. Kurenai ramps up her attempted seductions of Joji, wanting to lose her virginity without really thinking trough what that actually means. Minami has finally accepted the fact that she’s still in love with Kawanami, and her own attempt to be serious baffles and annoys him. As for Mizuto and Yume… LEWD HAND HOLDING.

The main couple are still hamstrung by Mizuto’s own reluctance and Isana’s presence in their life (going poly would solve most of these problems, but I can’t see the author or publisher OKing that), so it’s the other couples that carry the book. This is easily the best volume for Minami, who, once she decides to stop being an annoying bitch around her ex all the time and genuinely try to help him, turns out to be pretty awesome. Both Kawanami and Hoshibe (the senpai) are dealing with past traumas that have left them either unable to move forward or literally ill, and this book is about getting past that with the help of others. It’s also about being yourself, to a degree – Kurenai fails here because she was just trying far too hard. She’d be much better off trying to raise Joji’s bottomless well of self-hatred first. Basically, at the end of this book we have one definite couple, two “give it a book or two” couples, and Mizuto, Yume and Isana. Who remain in stasis.

The 9th book may change that, as we are reminded that where there are stepparents there are also parents, and one of them is still alive. Till then, this is a good volume in a romcom that’s enjoyable provided you can wade past the wall of breast jokes.

Manga the Week of 10/25/23

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SEAN: We’re close to Halloween, so I’ve declared manga to be candy.

ASH: Oh! Maybe I should try giving out manga this year… but that could be dangerous.

SEAN: Yen divided its October pretty evenly this time around, so there’s a lot this week as well. This includes three light novel debuts. From Yen On we see Days with My Stepsister (Gimai Seikatsu), another light novel series from the creator of My Friend’s Little Sister Has It In for Me! and Looks Are All You Need. As you can imagine, this is a “I’m now living with the hottest girl in school” title, but apparently trauma from their parents’ respective divorces and remarriages has them both being very distant with each other.

Only I Know the Ghoul Saved the World (Ghoul ga Sekai o Sukutta Koto o Watashi Dake ga Shitteiru) is also by a known quantity, the creator of The Greatest Demon Lord Is Reborn as a Typical Nobody. The world’s most famous ghoul hunter… is also a ghoul, so everyone hates him. But one girl sees past the ghoul in him and wants to be his disciple.

And from the JNC imprint comes a print release for Reborn to Master the Blade: From Hero-King to Extraordinary Squire, released digitally by J-Novel Club.

Other light novels from Yen On: Combatants Will Be Dispatched! 7, Date A Live 10, The Ephemeral Scenes of Setsuna’s Journey 2, The Holy Grail of Eris 4, I Kept Pressing the 100-Million-Year Button and Came Out on Top 6, and Re:ZERO -Starting Life in Another World- 23.

Some Yen Press debuts as well. 7FATES: CHAKHO is listed as ‘comic’ rather than manga, so I assume it’s a Korean webtoon. An amnesiac young man wakes to find he’s suddenly the center of a bunch of murders, a bunch of monsters, and 7 people with the same fate.

ASH: I had to look this one up and, indeed, it is a Korean webtoon. With a BTS connection, too.

SEAN: Cheerful Amnesia (Bright and Cheery Amnesia) is a yuri series from Comic Cune. When her girlfriend loses all her memories of the last three years – including their relationship – Mari assumes they’re through. Little does she know that now Arisa can fall in love with her all over again!

ASH: That does sound cheerful.

SEAN: Honey Trap Shared House is… oh God… from Dragon Age, so we know what we’re getting. A spy starts a shared house to seduce enemy agents. Little does he know his first target is his former childhood friend!

ASH: Uh-oh!

SEAN: Monthly in the Garden with My Landlord (Maitsuki Niwa Tsuki Ooya Tsuki) is from Comic Newtype, and is also a yuri manga. A manga editor, trying to get over her ex-girlfriend, finds the perfect new place to live! One problem… she’ll need to live with the landlord.

ASH: I still love that were getting more yuri featuring adults these days.

SEAN: Overgeared is also a Korean webtoon series. Um… VR game… legendary class… strongest skill… yeah, OK, anyway, there’s this.

Also from Yen Press: The Boxer 4, The Dark History of the Reincarnated Villainess 8, The Hero Is Overpowered But Overly Cautious 6, Higurashi When They Cry: GOU 2, Is It Wrong to Try to Pick Up Girls in a Dungeon? II 4, Konosuba: God’s Blessing on This Wonderful World! 16, My Gently Raised Beast 4, Our Last Crusade or the Rise of a New World 7, Plunderer 11 (the final volume), and Uncle from Another World 8.

Viz Media debuts another Junji Ito collection, Mimi’s Tales of Terror (Mimi no Kaidan). This collection of urban legends ran in Comic Flapper.

ANNA: Good for spooky season!

ASH: It is!

SEAN: They’ve also got My Hero Academia: The Official Easy Illustration Guide, a guide to drawing your favorite characters.

And we also get The Promised Neverland Complete Box Set. If you want a great example of how an incredible shonen manga can leap off a cliff in its last few volumes, definitely check this out.

ANNA: Oh, I’m glad I only read the first couple volumes and never tried to get caught up then!

ASH: There was a lot to like in those early volumes.

MICHELLE: I never managed to finish this. I didn’t know it was as bad as leaping off a cliff!

SEAN: Two debuts from Tokyopop. Sating the Wolf (Boku de Mitashite) manages to combine BL, alpha/omega stuff, and beast men in one package. It ran in from RED, and is complete in one volume.

UNDEAD: Finding Love in the Zombie Apocalypse is also BL, and comes from the magazine Cab. Two childhood friends try to find love in a deadly post-apocalyptic world.

From Square Enix we get Otherside Picnic 7 and Soul Eater: The Perfect Edition 12.

No debuts from Seven Seas, but we do see Arifureta: From Commonplace to World’s Strongest 11, I’m in Love with the Villainess 5, Kemono Jihen 8, My Lovey-Dovey Wife is a Stone Cold Killer 5, Skeleton Knight in Another World 11, Skip and Loafer 8, and Yakuza Fiancé: Raise wa Tanin ga Ii 5.

ASH: Still behind with Skip and Loafer; I need to change that!

SEAN: Kodansha’s print debut is one they’ve been putting out digitally again, as we see print for Nina the Starry Bride.

ANNA: This is one of the few series that I read digitally, and I’m happy it is also coming out in print. Great if you are longing for some fantasy shoujo.

ASH: Oh! I may need to check it out then.

SEAN: Also in print: Go! Go! Loser Ranger! 7, L♥DK 21-22, Rent-A-Girlfriend 21, Seraph of the End: Guren Ichinose: Catastrophe at Sixteen 2, Something’s Wrong With Us 17, Tsugumi Project 3, and Twilight Out of Focus 3.

The digital debut is Ogami-san Can’t Keep It In (Ogami-san, Dadamore desu), an Afternoon series about a young girl who has perverse fantasies that she tries to keep to herself… till she meets the man of her dreams!

Also digital: As a Reincarnated Aristocrat, I’ll Use My Appraisal Skill to Rise in the World 7, Blade Girl 3 (the final volume), Boss Bride Days 10, Drops of God: Mariage 2, Fungus and Iron 4, Gamaran: Shura 13, My Home Hero 9, and The Iceblade Sorcerer Shall Rule the World 7.

No debuts for J-Novel Club, but plenty of stuff. The 13th Black Summoner manga volume, Demon Lord, Retry! R 7, The Game Master Has Logged In to Another World 4, Gushing over Magical Girls 8, In Another World With My Smartphone 28, The Invincible Little Lady 4, La Ragazza: Living with Francesca 2, Monster and Parent 2, My Daughter Left the Nest and Returned an S-Rank Adventurer 10, Only the Villainous Lord Wields the Power to Level Up 3, Seventh 5, and Stuck in a Time Loop: When All Else Fails, Be a Villainess 2.

Ghost Ship gives us a 15th volume of Parallel Paradise.

Airship has one print release, the 13th and final volume of Arifureta: From Commonplace to World’s Strongest.

And in early digital we get Mushoku Tensei: Jobless Reincarnation 25 and Though I Am an Inept Villainess: Tale of the Butterfly-Rat Body Swap in the Maiden Court 5.

Did you get huge candy bar manga? Or did you get circus peanuts?

If the Villainess and Villain Met and Fell in Love ~ She Was All But Disowned for Her Spirit Contract, But She’s Still Competing with Her Rival ~, Vol. 1

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By Harunadon and Yomi Sarachi. Released in Japan as “Akuyaku Reijō to Akuyaku Reisoku ga, Deatte Koi ni Ochitanara: Nanashi no Seirei to Keiyaku Shite Oidasareta Reijō wa, Kyō mo Reisoku to Kisoiatte Iru Yō Desu” by GA Novels. Released in North America by Yen On. Translated by Judy Jordan.

I didn’t really have too many hopes for this one. The villainess market is, frankly, glutted, and the description of this series combined the villainess tropes with a magical academy *and* “I have this weak power that everyone hates me for, but it’s really the strongest”, as seen in endless isekais. On the bright side, this is NOT an isekai – our villainess is home grown. So yeah, book full of cliches. And I can’t deny that they’re there. But this is also a book that took me by surprise a number of times, and it did that by taking a big swing towards being dark. Brigitte’s life until the start of the book has been a tale of hideous abuse, the “heroine” in this story is not only arrogant but also sociopathic, and we may have a winner for the worst fiance in a villainess book – despite the fact that he barely appears.

We begin as so many of these books tend to begin: with Brigitte, the “villainess”, having her engagement broken and getting publicly humiliated by her fiance, who claims she was bullying the girl he is with now, Lisa. Brigitte’s world collapses around her, frankly. We learn that she was judged to have very little spirit power as a child, despite coming from a famous family of fire spirit users. Her father reacted to this news in a sensible, staid manner: he took his 5-year-old child’s hand and stuck it in the fire till it burned horribly. Needing to wear gloves all the time, she’s a shy, reserved child… till she meets the third prince, Joseph. Joseph tells her to her face that he likes stupid girls, and that she should dress in pink, gaudy clothes, wear thick makeup, and act arrogant. So, desperate for anyone to like her, she does. And then we get to page 1.

I apologize for summarizing the book using only the first 10 pages or so, but the first 10 pages are dynamite. My jaw dropped. After that, things turn a bit more typical, as she meets Yuri, a cool young man who has contracts with two major spirits, but gives everyone the cold shoulder. But honestly, the main reason to read this is the aura of toxic misogyny that permeates it. Not from the author, I hasten to add – this was deliberately baked into the world itself. More to the point, it’s coming from Joseph. He’s very unusual for a “fiance who breaks things off” character, remaining cool and collected even when attempting to do to Yuri what he did to Brigitte. But there’s an air of petty sadism around everything he does – he’s done it with Brigitte her whole life, and now that she’s gone he starts to do it to Lisa, who responds by… well, the other time in the book where I screamed “Holy shit!” was her response.

Given the cliffhanger to the book shows Joseph asking Brigitte to get engaged to him again, I think we’ll see more development of this in the second book. Till then, apologies to Yuri, and maybe next time I can get into the adorable romance that he and Brigitte develop.

Adachi and Shimamura, Vol. 11

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By Hitoma Iruma and raemz. Released in Japan by Dengeki Bunko. Released in North America by Seven Seas. Translated by Molly Lee.

It may not feel like one, but the Adachi and Shimamura series comes out as a Dengeki Bunko title. One of the heavy hitters of the light novel world, skilled at many things, including, of course, cross-promotion with other series. And if you add to that Hitoma Iruma, who loves throwing in “if you get this, great, if you don’t, it doesn’t matter” references to their other series, you can sometimes get a crossover cameo pileup. And since we’re also dealing with a series that has not been (and probably is unlikely to be) licensed over here, I will let you know (and thanks to translator Molly Lee for confirming) that the kimono girl and the senpai who take up about half the narrative in this book are from the 3-volume light novel series “Watashi no Hatsukoi Aite ga Kiss Shiteta”, also a Dengeki Bunko title. Oh, and another Yashiro shows up. Not our Yashiro, and not the Ground Control to Psychoelectric Girl Yashiro, but the third one that we met earlier in this series. I need diagrams.

This is one of those volumes that really should be called Shimamura and Adachi – all the POV for the “main story” is hers this time around. It’s more a series of short stories than a novel (not the first time we’ve seen this), as we get to see Shimamura at 8 years old (hyperactive, full of life, hanging at the pool with her bestie Taru-chan), Shimamura at 15 years old (sullen, teenage drama, getting close to the Shimamura we meet at the start of the series), Shimamura at 18 years old (the present-day Shimamura, having a study date with Adachi that turns into a discussion about whether the attraction between the two of them is sexual or just romantic), and Shimamura at 22 years old (going on a vacation with Adachi, full of life and love, comfortable with herself and her girlfriend). There’s also brief chapters with Yashiro and Shimamura’s mother, Hino and Nagafuji, and Shimamura’s sister meeting another Yashiro.

Given that most of my experience with this series has been dragging Shimamura constantly in these reviews, it’s really amazing to see how far she’s come. The Shimamura at 18 and 22 is a Shimamura who has finally found the thing that she needed to shake her out of her torpor: being in love with Adachi. She’s still trying to figure out what this love is. Her discussion with Adachi about sex is, for this series, very frank (for any other series, not so much), and while it’s funny to see Adachi completely lose it multiple times over the course of a single minute, I also appreciated the conclusion they came to: Adachi wants to do sexual things but refuses to unless Shimamura does as well, and Shimamura has never thought about this at ALL, so is not ready. And that’s fine. Instead, we get the power of Adachi as a transformative force, transforming Shimamura into someone with real human emotions, joy, and energy. Go back to, say, the fifth book and read Shimamura, then re-read this one. Night and day.

12 is still the final volume, but before that Dengeki Bunko is releasing a short story volume (how is that different from most of the last few?), and “Vol. 99.9”, which is a collection of the bonus stories that came with the Blu-Ray release of the anime. That said, both of those will be a few more months till they get here, I imagine. Till then, enjoy Shimamura’s happiness, and Adachi’s Adachiness.

Bookshelf Briefs 10/17/23

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Blue Box, Vol. 6 | By Kouji Miura | Viz Media – A lot of things are finally done in this book. We get Hina’s confession, and Taiki’s subsequent rejection, as well as the two of them trying to go back to the friendship they had before. We get Chinatsu hearing about this, which neither of them know about, and now she’s awkward around both of them. And, most importantly, we get Chinatsu’s growing feelings for Taiki. So far the romance in this sports romance manga has been more one-sided than anything else, but it’s now swinging the other way, and we even get the standard “a storm has trapped us in an inn for the evening in the same bedroom” plot. As for the sports part, well, Chinatsu’s team lost, but there’s still one more semester to go. Good solid Jump manga. – Sean Gaffney

Interviews with Monster Girls, Vol. 11 | By Petos | Kodansha Comics – This took almost a year and a half to come out, but it serves up the finale pretty well. Takahashi and Sato got together last time, so there’s not really much else about them except “boy, they’re sweet.” Instead we go back to this series’ bread and butter, how people feel about demis. The decision to do a podcast, which will allow semi-anonymity but also let the girls talk about their demi status and also how they’re also dealing with the same issues regular humans do is inspired, and it makes sense that the one to take the reins as the main driver behind this is Hikari, our first “heroine.” I also appreciate how they rope in the rest of the cast, even the zashiki-warashi, who is briefly visible. Honestly, if you’re going to read a cute manga about monster girls, this should be the one to read. – Sean Gaffney

Like a Butterfly, Vol. 2 | By suu Morishita | Viz Media – I have to say, the art in this is really fantastic. Shoujo titles tend to come in two varieties, “cluttered and messy” and “expansive and lots of white space,” and this is the latter, where a conversation (or, given this series and who stars in it, a failed conversation) can take up an entire chapter. I’m not all that fond of one of the main conceits of the series, which is that Suiren is so gorgeous that she cannot go anywhere by herself for ten feet without being accosted by guys, but then, I’m a guy, so I can’t really speak to that. But yeah, this has the same strengths as the first book: really shy beautiful girl tries to tell really shy handsome guy that she likes him. It’s a lot of fun to read. – Sean Gaffney

My Hero Academia, Vol. 35 | By Kohei Horikoshi | Viz Media – This volume starts the final arc that is still ongoing right now, and so can feel a bit like setup. That said, my shipper heart will forever love this one, which has a ton of IzuOcha in it, from their bonding over sympathizing with villains towards the start to Toga basically outing Uraraka’s love after Izuku ends up grabbed and taken to the wrong place, throwing off all the heroes’ plans. The rest of what follows is “there will be fighting,” though it was nice to see Aoyama playing his part (and, notably, Aizawa didn’t say he WOULDN’T be expelled but also insisted he’s still one of his students, which is a very Aizawa thing to say). And, as always with long-running Jump series, this reads better in volume format. – Sean Gaffney

My Picture Diary | By Fujiwara Maki | Drawn & Quarterly – Although eventually formally published, My Picture Diary is an autobiographical work by Fujiwara Maki, wife of the renowned mangaka Tsuge Yoshiharu, which was originally intended to serve as a personal family record for their son Shōsuke. Nearly every day from January through April of 1981, and then sporadically throughout the remaining part of the year, Fujiwara drew an illustration to accompany a brief note about her daily life. Addressing the same time period as Tsuge’s manga The Man Without Talent, My Picture Diary provides more context and insight into Tsuge’s work but also shows Fujiwara as an artist in her own right. Before marrying Tsuge, Fujiwara was involved in avant-garde theater, only later turning to writing and illustration as creative outlets. With Fujiwara’s charming illuatrations and honest portrayals of the ups and downs of family life, it’s easy to see why My Picture Diary continues to remain in print in Japan. – Ash Brown

Nejishiki | By Tsuge Yoshiharu | Drawn & Quarterly – When Drawn & Quarterly first announced its series of Tsuge Yoshiharu’s mature works, immediately knowledgeable fans of alternative manga started talking about “Nejishiki,” arguably one of Tsuge’s most important contributions to avant-garde comics. It is now finally readily available in English, lending its name to the third volume of the series. Nejishiki collects seven of Tsuge’s short works, including “Nejishiki,” originally published between 1968 and 1972, most but not all in the influential alternative manga magazine Garo. Also included is an extensive essay by the series’ translator and comics historian Ryan Holmberg which places Tsuge and these particular selections into greater context. (I greatly appreciate this aspect of the series.) The stories in Nejishiki are surreal, disconcerting, and provocative, many utilizing dark, and often sordid, eroticism to convey the psychological underpinnings of their characters and narratives. Certainly not always the most comforting to read, Nejishiki is without a doubt a volume with impact. – Ash Brown

Tales of Wedding Rings, Vol. 12 | By Maybe | Yen Press – I stopped briefing this for a while, but am still reading it, despite the various issues it has. (It’s also getting an anime soon.) This final arc has basically been “the past hero was exactly like you and also had a bunch of girls who liked him, but they weren’t as strong, so everyone died, and as a result I won’t let you have your happy poly relationship,” which our hero and heroines beat back with the power of pure shonen manga. Honestly, this whole series sometimes feels like a textbook example of “shonen by numbers”—lots of cute, voluptuous girls not quite having sex with our hero (though we have at least gotten to the sex with the main girl) and lots of fantasy battles. This ends soon, I believe. Keep reading if you are already. – Sean Gaffney

The Mythical Hero’s Otherworld Chronicles, Vol. 5

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By Tatematsuri and Ruria Miyuki. Released in Japan as “Shinwa Densetsu no Eiyū Isekai Tan” by Overlap Bunko. Released in North America by J-Novel Club. Translated by James Whittaker.

As I’ve mentioned before, I keep vacillating back and forth on whether I like this series or not. The books themselves don’t help, being variously filled with things that I really want to see more of and things that make my teeth grind. The author himself notes that this book is a bit of a throwback to the first in the series, which is good as it allows the books to pick up various threads that they’d put aside in order to have a throne war (the Fallen and why and how they get that way), but is also bad because it means we still have to cling to some “who is this written for?” light novel conventions (our hero plans things out so that the women can save the day, but they fail and he has to step in himself). That said, I’m still going to be reading the next one, as I want to see if a) Hiro will go full villain, and b) if Aura will worship or execute him.

Everyone’s heading back to the Emperor, and it’s probably bad news. Liz and Aura had some very public defeats, and they’re going to have to accept some punishment for them. That said, Liz is also determined to make sure that Scáthach and her family are compensated… well, as much as they can be given it’s Scáthach and a collection of heads. Unfortunately, everyone (including Hiro) is thrown off their game by the first prince, Stovell, renouncing his claim to the throne… which, of course, is actually a prelude to an attempt to overthrow the Emperor. He’s got 30,000 men. Hiro, Liz, Aura and Scáthach have about 3000. Those are not good odds, even with Liz being who she is, and with the helpful addition of Scáthach’s Gae Bolg. Hiro might actually need to try this time around…

Hiro remains the most interesting part of the book. As I said earlier, I’m not quite sure where we’re going with him. Certainly Hiro is absolutely not doing any of your shipping nonsense, as he plans on simply fading away once Liz is on the throne and has trustworthy allies. There’s also the fact that he’s not quite human, and also his battle bloodthirst is inevitably going to take him over at some point. This is wonderfully hypocritical given he yells at an enemy general for doing much the same thing here, but Hiro is our… well, hero, yes, thanks, I got that pun. He’s going to need the entire female cast giving him a cooldown hug at this rate. And then there’s Aura’s obsession with her Bible of past glories, which is amusing given that she’s the one who notices most when Hiro is doing his suicidal battle lord stuff. She’s still probably my favorite.

If you like edgelord military throne war stuff, this is a must. If you don’t, like me, you’ll probably consider dropping it but get the next one anyway.

The Ice Guy and the Cool Girl, Vol 1

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The Ice Guy and the Cool Girl, Volume 1 by Miyuki Tonogaya

I was curious about this manga, because I’ve heard good things about the anime, which I have not watched yet. The premise of a man descended from snow spirits and his evolving relationship with his work colleague sounded amusing. This series started off being serialized online, and that definitely shows in the episodic nature of the early chapters and the same humorous situation being repeated multiple times. Fortunately, I enjoy scenes of people being overcome with emotions over and over again. I think pacing out reading the first volume over a period of a few days would make for a less repetitive reading experience, and it certainly was pleasant to dip in and out of this manga.

Ice Guy and the Cool Girl

Himuro is the decedent of a snow spirit, and his heritage causes him to have incidents where he inadvertently chills or freezes things in his environment. Fuyutsuki is pretty self-contained, but she does notice Himuro’s challenges and tries to come up with ways to make his life easier. She brings in straw that he can use to insulate the flowers he likes so they won’t freeze over, and brings him cat whiskers as a good luck charm when she realizes that he can’t pet a real cat. Fuyutsuki’s deadpan expression and lack of awareness about her emerging crush provide a contrast to Himuro’s over the top realizations of his feelings for her, which usually involve being overcome with emotion and causing a blizzard in his immediate vicinity. Tonogaya’s art is expressive and the contrast between Himuro’s over the top reactions and Fuyutsuki’s self-contained demeanor is funny. I really liked the bonus story at the end, because it gave a bit more insight into Fuyutsuki’s internal thoughts. Overall, this is a pleasant manga to keep on the reading pile, flipping through a few pages now and then for a bit of cute romantic comedy whenever it is needed.

Pick of the Week: Searching for My Perfect Manga

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ASH: Blade of the Immortal certainly isn’t a new series, the deluxe edition being at least the fourth time it’s been released in English, but this is probably(?) the last time I’ll be able to make it my pick, and so I will! One of the first manga I ever read and made a point to start collecting (and then recollecting), the series continues to hold significant meaning for me.

SEAN: I wasn’t able to watch the anime of Bocchi the Rock! because Bocchi’s social anxiety was a bit too much for me with sound and motion. I’m hoping that on paper it will be more tolerable, so Bocchi is my pick this week.

MICHELLE: I’m a little iffy on the premise of Searching for My Perfect Brother, but it *is* josei and I like the cover, so I suppose it can have my (admittedly tentative) endorsement this week.

ANNA: I have similar feelings as Michelle about Searching for My Perfect Brother, but I am a little curious to check it out.

The Apothecary Diaries, Vol. 9

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By Natsu Hyuuga and Touko Shino. Released in Japan as “Kusuriya no Hitorigoto” by Hero Bunko. Released in North America by J-Novel Club. Translated by Kevin Steinbach.

I may not mention it often in these reviews, possibly as I’m distracted by all the crime solving, political dealings, and Maomao slowly learning that she can rely on others for things, but The Apothecary Diaries can also be a comedy, and it has some very, very good jokes. This is possibly the funniest volume of all, featuring a new character (we’d seen her a bit before, but she’s in full flower here) who is here solely to be hilarious, and it works. Honestly, some of the humor is fourth wall breaking to an extent, be it Chue pulling little flags of the nations out of her sleeves (I hope we see some doves or rabbits next book) or En’en pulling out fans with “:Go for it, Yao!” written on them to cheer her on when she’s trying to earnestly get her point across. Unfortunately for Yao and En’en, we may not see them for a volume or two, as The Apothecary Diaries is going on a world tour.

After the stunning events of the last volume, Maomao is now being forced to learn surgery on the fly in order to tend to Jinshi’s brand and make sure that it doesn’t get infected. This will require more knowledge than she has, so she’s forced to go to her adopted father, who presents her with an impossible problem to solve… well, it would be impossible for Maomao by herself, as she doesn’t care about things that don’t interest her, but with Yao and En’en also there, she’s able to discover it (and learn more about Luomen’s somewhat tragic past). Now she’s learning how to be a surgeon the hard way, especially since women aren’t allowed to be surgeons, but everyone is politely ignoring it given who her father is, who her adopted father is, and who her not-yet-lover is. All of this is to prepare for a sea voyage, as Jinshi is being sent to the West to see what’s going on with Gyokuyou’s older brother.

It has to be said, a lot of the appeal of this series is “weak-willed men are led around by the nose of strong women”, and if you like that, this is also the volume for you. Basen’s older brother Baryou is so ill and apathetic that Chue basically has to “do all the work” in order to get a child (and she’s being asked for a second one, so asks Maomao not to bother her at night). As for Jinshi, he and Maomao are sort of being cagey around each other after the last book, and it lasts until the end of this one, when Maomao finally snaps and tells Jinshi that if he’s going to be so manipulative that he brands himself to get her to stay with him, the least he can do is actually manipulate her properly, rather than being half-assed about it. Jinshi’s response to this is that he wants her to slap him, which is a bit too masochistic for my tastes, but certainly fits his character.

I didn’t even get to talk about Yao, who is fantastic in this book, though I fear she’s going to be a lot less happy because she lacks Maomao’s connections. In any case, this is a good read, especially if you’re waiting for the anime to debut later this week.

Tearmoon Empire, Vol. 10

by

By Nozomu Mochitsuki and Gilse. Released in Japan as “Tearmoon Teikoku Monogatari” by TO Books. Released in North America by J-Novel Club. Translated by Madeleine Willette.

This volume starts off with something we have rarely seen in this series: the actual beginning of a new story arc. For some reason or another, the author and publisher of this title are very bad at making climaxes in this series happen at the end of the volume itself, so we have the next book start with the climax instead or an epilogue chapter rather than the next arc. But here, at last, we start off with something new: Mia, Rafina, and company headed off to Equestria, there to meet up with the chiefs who make up that nomadic people. Or at least, they are until Mia and Rafina, our for a ride, are beset by bandits. The head of the bandits turns out to be the daughter of one of the tribe leader, and there’s a good reason that her people are reduced to this: a poor harvest means they’re hard up for food. Something that Mia understands all too well…

I’ve been complaining about the narrator for a while now, so it’s time I turned around and mentioned the points where I do appreciate it. The manga doesn’t really use a narrator, making Mia far more sympathetic, but the new anime adaptation (which so far is excellent) is definitely playing it up. It was a highlight of the early books, but grew a bit wearying as we began to see Mia genuinely growing as a person. Where it works best in this book is when it’s looking at everyone else’s thoughts – seeing Ludwig or Rafina staring at Mia talking about what is inevitably food, and thinking that this is the point when they realize that she’s not a great sage but a massive faker… and then they leap to a different conclusion to support their own love for Mia, and the narrator is disappointed once more. This is funny as hell.

Bel, as always, gets little to to in this volume, but for a change what she does get is fantastic. We haven’t paid quite as much attention to her past… which is to say, the Bad Future #3… in a while, but that does not mean that she isn’t constantly dwelling on it, especially given that her entire existence is something of a secret. But now she’s best friends with Citrina, and may finally be able to reach out and make promises without getting her hopes dashed by everyone promising to come back and then dying on her. (There is some mild subtext between her and Citrina, which I’m content to ignore, partly as they’re both 10 and partly as I’m sure it’s unintentional, but…) She also says she’s going to tell Citrina about her secrets when they get back to the Empire, which should be very interesting if it happens, and might be the start of a new arc.

But first we have to end this arc, which of course does not neatly wrap up here. Is Abel’s sister irredeemably evil? Can Mia possibly win a horse race riding a horse the narrator repeatedly compares to Mia herself? And did we just see the start of a Rafina x Malong ship? The next book is… for once, not that far away! Also, go watch the anime.