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From the back cover:
When Maho confesses her true feelings for Takashi, he admits that he’s not the man she thinks he is. With the arrival of winter comes an end-of-semester school trip to Kyoto, where a little love and tenderness just might fill everyone with good memories, glad tidings, and the sweetest of dreams.

Review:
This volume was comprised of three sections that stand alone from the main plotline.

Maho’s Love Story-
The first two chapters were a flashback to when Maho, then a 9th grader, fell in love with a 27-year-old dentist and eventually persuaded him to begin (chastely) dating her. I liked Takashi and his initial reluctance, and at least their relationship isn’t intimate, but it’s freaky to envision them even smooching.

The School Trip-
Yawn. There was more unfunny comedy in this one, featuring a lot of the gang acting obnoxious in public. About the only thing of significance that happened was Yukino and Arima finally deciding to call each other by their first names. They also indulged in a blush fit when their hands accidentally touched, which is so odd for a couple who has had sex. Apparently there has been no follow-up whatsoever.

Act Zero-
I’m a little confused by this, because I don’t know whether it’s supposed to be what actually happened or what Yukino imagines happened. Anyway, this is another flashback, this time to when Yukino and her eventual friends took the entrance exams for their high school. And this brings up a point…

Yukino’s sister Kano laments that she’ll probably never go to the same school as her sister again because she’s not smart enough to get into Hokuei. So how on earth did Tsubasa get in?! This is a girl who leaps out of upstairs windows and eats pine cones! I don’t get it.

These stories were okay, but they weren’t great. They’ve also inspired me to take a bit of a break from this series.

From the back cover:
The culture festival begins with a bang—Kazuma’s band Yin & Yang rocks the house, and the curtain finally opens on Aya’s play! But not everybody’s mind is on songs and spotlights. Poor Tonami hopelessly pines away over the elusive Tsubaki, who is the kind of woman who loves to be free—even if it means being alone.

Review:
I’m so glad we got to see the entirety of the play! It takes up most of the volume, but winds up having several themes that resonate with Arima and his current crisis, like a lead who’s trying to cover up his imperfections and tells another character, “If you knew the real me, I’m sure even you would hate me.”

The experience of accomplishing something with her friends energizes Yukino and she resolves to start trying other various things and states that she’s no longer going to obsess about being first in the class. Arima sees this as her leaving behind for good the little world that only they two shared. As her voiceover recalls that she truly regrets not hearing his call for help, creepy Arima reappears for the final panel.

Unfortunately, Tsuda-sensei now says that before we get to the meat of the “Arima arc,” we’re going to be treated to some stories featuring the other characters first. Whee.

From the back cover:
As preparations for the culture festival continue, Soichiro realizes that there are actually two sides to his personality, one that is gentle and giving, and one which is frighteningly violent and possessive. It is a development that hasn’t gone unnoticed by Yukino, and she worries that it will damage their relationship. Meanwhile, Tonami and Tsubaki finally realize that they have fallen in love with each other.

Review:
The back cover blurb has been edited to remove made-up words; it actually says “frightingly.” I also didn’t notice Yukino worrying that Soichiro’s personality issues are going to damage their relationship. All she says is, “Sometimes, I feel like you’re a completely different person. I wonder why.”

Anyhoo, this volume is kind of disjointed because there are so many balls in the air. Tonami is really growing on me as a character; he’s far more interesting in the manga than he was in the anime. In fact, he’s a more developed character than his love interest Tsubaki, and she’s been around longer. The scene in which they admit their feelings for each other would’ve had more of an impact if I could’ve understood how she came to be in love with him, for it’s really not clear.

Arima continues to angst, but there’s a great chapter near the end where a hurricane forces him to stay the night with the Miyazawa family. Feeling Yukino’s presence all around, he sleeps well and without nightmares, even though a storm rages outside. Some things he thinks do have me wondering whether he’s supposed to actually be going crazy or not. It seems possible.

The rest of the volume is occupied by culture festival plans and a boring bonus story whose only redeeming feature is that it doesn’t pair up the two characters I expected it to. In the main story, there are also a few painfully unfunny “comedy” scenes featuring boob-grabbing and Tsubasa inanely jumping out of an upper-story window to glomp on her stepbrother below.

Lastly, I am really peeved at all the untranslated text I’m seeing. TOKYOPOP generally does not translate sound effects, which sucks but is expected, but they’re also not bothering with actual sentences which I then feel compelled to try to look up and make sense of. I’m so glad I managed to learn the kana, or else I’d really be annoyed.

From the back cover:
The second semester has begun and everyone’s busy with tests, practices, and activities. It’s time to prepare for the culture festival and Yukino has been asked to perform in a futuristic sci-fi play. There’s instant drama when Tonami, a transfer student and old friend of Soichiro, comes back on the scene after three years. Tempers flare and competitive natures run wild.

Review:
This volume is comprised mostly of planning for the play that Yukino and friends are going to be performing at the cultural festival. While not the most riveting fare, this stuff is pretty interesting, because it shows Yukino being great at organization and getting various administrative tasks accomplished. I’m dismayed by how infantalized Tsubasa is in these segments, though.

Initially, there isn’t much fallout from what happened at the end of the previous volume, except one question from Arima to make sure that he didn’t hurt Yukino in any way. Most of the rest of the time, he hangs around looking dejected while she chats with other guy friends of hers. One of these guys is new character Tonami, who has a grudge against one of Yukino’s friends. I’m meh about this story—Yukino’s friend (Tsubaki) is largely unsympathetic now and completely so in the flashbacks—but Tonami is kind of amusing, particularly when he wonders what Arima (his idol back in junior high) is doing going out with such a strange girl. And, okay, the smooch in the tree was sweet.

Right at the end, things get cooler, with Hideaki warning Tonami to keep his distance from Yukino, because Arima is possessive and has a temper. This leads into another visit from Arima’s nightmare self and a genuinely creepy final scene where he encounters Tonami in a darkened corridor and gives him a super evil look. And Yukino has absolutely no idea that all of this darkness is lurking within him.

And yeah, okay, the story could totally get taken over by Arima’s angst, but I still like seeing him be all freaky. It’s certainly the most interesting thing going on in the series currently.