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NYAF in brief

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I’m finally home from NYAF! I had a very nice time, both visiting with old friends and at the con. Everyone else has already reported on the manga industry news and so on, so I’ll just talk about my personal experiences.

Many thanks to dear friends, Laura, Gavin, & James for making time to catch up with me at early hours of the morning, and to my dearest EA, little (or not so little!) Moo, and Malcolm, for putting up with me all weekend. I was also lucky enough to meet a couple of people I’ve become acquainted with through this blog. Here is my report (in order of appearance):

Ysabet Reinhardt MacFarlane: Friendly, fun, professional. I was very happy to spend time with her at a number of panels over the weekend!

Ed Sizemore: Kind, generous, BEST SHOES EVER. I wish I’d had the opportunity to chat with him more!

Overall, I really enjoyed this con. It was smallish, and with the exception of Saturday, felt actually kind of intimate, which is maybe not profitable if you’re running a con, I don’t know, but certainly enjoyable as an attendee.

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Boys Over Flowers 18 by Yoko Kamio: B+

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From the back cover:
When the Makino family’s finances hit rock bottom yet again, they decide to move to the countryside so Tsukushi’s father can earn a living as a fisherman. Poor Tsukushi is left behind in their apartment to try her hand at independent living. A few guests stop by, one most unwelcome—Tsukasa’s mother! Tsukushi stands up to the domineering woman, effectively declaring war. Then a housewarming gift from the F4 wreaks havoc on the apartment, leaving Tsukushi homeless! Will anyone take her in?!

Review:.
It feels pretty weird to pass the end of the story I know from the anime and still have half of the series left. I suppose that’s not all that unusual—Fruits Basket and Kare Kano are in the same boat—but the Boys Over Flowers anime was twice the length the others were, and still didn’t cover everything. I must say, I much prefer how things ended with the Shigeru situation in the manga; the end of the anime was pretty silly as well as rushed and unsatisfying.

The plot continues to be entertaining, though sometimes stretches the limits of plausibility just a little too much. I’m not sure how I feel about Tsukushi working as a maid in the Doumyouji mansion. On the one hand, I’ve heard that these next ten volumes or so are someone’s very favorite, and on the other, it just screams “shoujo trope” to me. Tsukasa is also being dense about what she’s doing there, and that annoys me, too.

I really liked Rui and Tsubaki in this volume. There’s a great scene where Rui and Tsukushi are heading home after spending the night at Shigeru’s villa. She’s lost in thought, so he has fun poking her face and fixing her hair in silly pigtails and stuff. I guess Tsubaki didn’t really do anything particularly awesome, but she did tell the story of her lost love that was hinted at in a recent volume, which I appreciated.

It’s strange not knowing what’s coming; I hope I like it.

Boys Over Flowers 17 by Yoko Kamio: A-

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From the back cover:
Tsukushi and Tsukasa get some quiet time together after they escape the mess of his birthday party, but this quiet can’t last for long. Tsukasa’s feelings for Tsukushi have at long last been made clear, but Tsukushi is more confused than ever about her feelings for him. Meanwhile, Tsukasa’s domineering mother, Kaede, is brewing up plans to keep them apart forever, and she might have found just the thing to do it when she introduces him to his new fiancée!

Review:
Lots of interesting things happened in this volume. Essentially, Tsukushi encouraged Tsukasa to go for it with Shigeru—who was offering on a silver platter everything Tsukushi had denied him, saying, “I can fall in love with you if you want”—and he was so peeved at her he actually did it.

I loved seeing Tsukushi’s hurt reactions to witnessing them together, and was significantly weirded out (in a good way) by the scene where he kissed the other girl. In other romantic rival plots I’ve read, the male lead never seems to actually go that far though, to be fair, he only did it once Shigeru bullied him into it.

The best thing about the relationship, though, was that it provided Tsukasa some room for growth. Although he could’ve easily taken advantage of Shigeru, he didn’t. That’s not really anything new for him, true, but it showed him in a good light nonetheless. The truly significant outcome was when he told her she just wasn’t the one, he was actually able to apologize (something he has had issues with in the past) and seemed to have true sympathy for her pain. Progress!

I also really loved the scenes between Tsukushi and Rui in this volume. Although some latent attraction might still exist, they acted more like friends, with Rui coming to her aid and helping her to relax and laugh amid tense situations. She said, “I no longer feel tortured and frustrated anymore, when I’m with him. Even if my feelings for him can no longer be called love… I think I’ll always like Rui Hanazawa.” Aww.

Quick check-in

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Heading out shortly to the train station for travel to NYAF! I’ll be staying with a dear friend in Brooklyn, and have plans to inundate her and her daughter with anime while I am there, specifically Princess Tutu, Mushishi, and/or Kino’s Journey. I’m also trying to work on getting her daughter interested in manga (she doesn’t read a lot, but I thought maybe comics would help her enjoy it more). I guess we’ll see how it goes. I’m not exactly sure what to try to start her off with. She’s ten, but has spent a lot of her life hanging out with adults, so she’s definitely not typical ten. She’s the kind of girl who would (and did) dress up for Halloween as “Dorth Vader,” a cross between Dorothy (from The Wizard of Oz) and Darth Vader. If you have suggestions, bring ’em on!

I’ll be at the con all three days, from opening to whenever I get too tired, so if you see me wandering around, please say hello! Just got my hair cut. Look approximately like this.

Just a quick note on xxxHolic chapter 166 before I go. …

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Writerly angst and fangirl squee

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I have a jumble of things on my mind today (what else is new?) and I’m going to attempt to organize it all somehow. Let’s see how I do.

First of all, Johanna Draper Carlson wrote this great article, How to Break Into Writing Comics which is pretty near and dear to my heart these days. I’m not exactly sure where I fit in to those options, and I’m thinking I need to figure that out. I mean, I know what I think I’m doing, but I’m not sure if I’m going about it in a useful way. Maybe, too, my gray areas are partly due to the OEL manga industry being (seemingly) a little different than the comics industry as a whole, in that from what I can surmise (and this is the “truth” I’m currently operating on), there is really no way in at all without doing the work of finding your own artist. So I’m doing that, while still holding out hopes that I might be able to get a publisher interested sometime after that point. It seems that this is how it needs to be done. I guess I’ll find out. In any case, I’m grateful to have read the article.

Switching now to fangirl mode, we finished watching Princess Tutu on Friday night, and it affected me so strongly, I haven’t really been able to talk about it yet. I love that. I’ll try to talk a little bit now, but it may take another week or so before I can be, you know, articulate.

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Wanted by Matsuri Hino: C+

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In the late seventeenth century, orphaned Armeria sings with a traveling musical troupe. Luce, the nephew of the wealthy governor at whose estate she is performing, is the first aristocrat to treat her kindly, and when he is subsequently captured by pirates, the young girl resolves to find and rescue him. Eight years later, Armeria has finally found the ship of the pirate responsible and, disguising herself as a boy, ventures aboard to find out what has become of her first love.

If you’re reminded of the plot of The Princess Bride, then you should be, because there are some similarities. Wanted is a far less coherent and satisfying story, however. It’s more like a series of vignettes—the one with the navy, the one with the map to a rare musical score—than anything else, and cuts off with disappointing abruptness.

It definitely has some good points: secrets that would normally be used to prolong angst are revealed early on, there are some genuinely fun moments, and the deckhands are pretty entertaining. On the negative side, Skulls is fond of nearly ravishing Armeria and tells her she’s useless far too often for my liking. The fact that she often proves him right by constantly requiring rescue just makes things worse.

As a final note, the bonus story at the end should be avoided at all costs; it manages to be confusing and dull simultaneously, which is not a winning combination.

Review copy provided by the publisher. Review originally published at Manga Recon.

J-rock interlude

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I don’t think I’ve ever talked about it here, but I’m a big fan of the band Plastic Tree (PuraTuri, if you prefer). They are one of my very favorite bands, and and unlike a lot of their fans, I love both their raw, older sounds and the newer, more pop-influenced sounds. I mean, okay, if you put individual songs head-to-head, I’m not going to say I like “Alone Again, Wonderful World” as much as, say, “Rocket” or “Nukegara” or “Irogoto” or “Petshop,” but I’d say that about “Andro Metamorphose” or “Mujineki” or even “Replay” on the right day. There’s a place in my life and heart for every phase of this band’s long history, and a moment that is the perfect moment for each song, somewhere along the way.

I’m not sure I could tell you exactly why I love this particular band so much, though I can say that I could listen to Ryuutarou Arimura sing all day, and often do, but somehow in their mish-mash of sounds and influences, they have captured me completely. I’ve spent long, exhaustive posts on this topic in other spaces, and in the end perhaps it is just simplest to say that this band speaks to me, so I listen.

What this is all getting around to, is that Pura has a new album, Utsusemi, coming out next week (available for pre-order at Yes Asia), which I’ve been anxiously waiting for, and I just found out, though this is probably old news to all other fans, that you can stream clips of all the songs over here at Universal Japan. A couple of the songs have been available already as singles (“Alone Again, Wonderful World” and “Replay“) but the rest are all brand new, and there are a few I already know will be favorites for me (the title track, for instance).

Just passing it on. :)

William Flanagan, Banana Fish, & NYAF: Could a post be more disjointed?

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Another scattered, incoherent post coming up here. I suppose it reflects my state of mind this week.

Random: Good news for CLAMP fans, I read here earlier that William Flanagan, who translates xxxHolic and Tsubasa: Reservoir Chronicle for Del Rey is in negotiations to translate Mangettes for Dark Horse. You know what a big fan of his xxxHolic translations I am (he also translates Mushishi, which I love as well), so I was pleased to hear he may be working on more CLAMP!

In unrelated news, I just want to point gleefully at another Banana Fish convert! :D

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Melting Stones by Tamora Pierce: C

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From the back cover:
Evvy, the fierce young stone mage introduced in Street Magic, has accompanied her guardian, Rosethorn, on a mission to study a mysterious plant die-off. With the help of Luvo, who is the living heart of a mountain, Evvy discovers the real source of the threat, which is far greater than anyone had imagined.

Preventing a natural disaster may cost Evvy her life. Even more frightening, doing so may require her to melt her own heart of stone… and to open herself to human contact.

Written by Tamora Pierce specifically for the voices of Full Cast Audio, Melting Stones is an unprecedented publishing event: the first time a major novel from a best-selling author has made its debut on audio a full year ahead of the print version!

Review:
I’ve enjoyed all of the other books in the Circle of Magic series, but Melting Stones nearly bored me to tears. Here are the main problems I had with it:

1. Evvy herself. She was whiny and cranky, and prone to doing risky things. When Luvo cautioned her against a rash action, she said, “If you’re going to natter and scold, don’t come with me!” As a result, she got into a dangerous situation and all I could think was, “He tried to warn you, dumbass.” Additionally, this attitude meant she had to learn (and I had to endure) a Very Important Lesson.

2. Profound monotony. 90% of the book was Evvy either rhapsodizing about, talking to, or casting her magical self underground to travel within rocks.

3. It was more juvenile than the others in the series. The “real source of the threat” that Evvy discovered turned out to be two volcano spirits, characterized like petulant kids. Evvy’s narrator also contributed to the childish feel. The character’s supposed to be fourteen, but sounded about twelve. Not only that, she sounded like a twelve-year-old putting on her best story-time voice for a group of five-year-olds. If you can successfully imagine someone going on—at length and in detail—about rocks in such a voice, you’ve begun to understand my pain.

I might have enjoyed this somewhat more in a print edition, since I would’ve interpreted Evvy’s thoughts more maturely than the narrator did, but honestly, I don’t think it would’ve made much difference.

Miscellaneous jumble

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I don’t ever seem to have time enough for anything lately, so just a few brief items today.

I’m having a lot of frustration while trying to write these days, and I expect it’s a bit of anxiety over the self-imposed deadline I have coming up which I don’t think I’m going to make. For the most part, I’ve made peace with the fact that I’m not always going to make the deadlines I set for myself, and that it is still good to set them, because I’ll still get further along than if I did not, but I think in this case I may have paralyzed myself a little bit with the urgency of it, and how much important I’ve placed on it. I guess we’ll see.

In any case, time to move on to my topics of the day, Bleach, Bakuman, and Princess Tutu!

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