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Bye-bee!

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So, Matt Blind just posted news that the first two volumes of the Lucky Star manga from Bandai have been spotted on Amazon (for May and August of this coming year). I’m a fan of the anime, so this is good news for me!

In his post, he brought up the whole high-school-students-drawn-like-little-kids thing, and I admit that was weird for me at first (though I’ve gotten used to it), but I was thinking about that recently, as we’ve just started watching Shugo Chara! which features fifth graders who (in my opinion) look like high school students, and wondering what does it all mean? I know that the high school students who look like eleven-year-olds are supposed to appeal to twenty-something men who are into cuteness, but who are the eleven-year-olds who look like high school students supposed to appeal to? Shugo Chara! is a shojo series, so I suppose the answer is young girls. Is it because (as one friend suggested) young girls wish they looked like teenagers? Or do the kids in Shugo Chara! really look authentic to their age, and my perspective has just been warped from too much moe?

I’d love to know people’s opinions on this. I like both series, so I find it all pretty interesting. Also, speaking of Shugo Chara!, I had purchased the first volume of the manga a while back, read it, decided it was too “young” for me to really get into as a series, and passed it on to the daughter of a co-worker. Now that we’re watching the anime, however, I’m finding it really charming, and I wonder about that decision. Can anyone tell me how different the anime is from the manga? Is it that I really do just enjoy the anime more (rare for me), or have my tastes broadened since I originally read the manga, which means I should probably start picking it up again? Thoughts?

Fruits Basket, Vol. 21

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Fruits Basket, Vol. 21
By Natsuki Takaya
Published byTokyopop
Rated Teen (13+)

With only two volumes yet to go, the English language release of Fruits Basket is nearing its close, and as the story races forward, emotions run high all around. At the end of volume 20, Tohru attempted to confess her love to Kyo, but was cut off by Kyo’s stunning confession that he felt responsible for the death of her mother. She finally gets to voice her feelings in the opening chapter of this volume, but not before Kyo finishes his own painful story, ultimately leaving her in tears. Things continue to go horribly wrong, leading to an ugly confrontation between Akito and Tohru, and another later between Yuki and Kyo.

If you’re like me, you’ll need a box of tissues handy to make it through the first few chapters, in which even a raving, knife-wielding Akito manages to somehow evoke sympathy. The most touching scene, though, may be in the final chapter when after all the noisy drama of the rest of the volume, Yuki finds a cozy resting spot on his own personal journey with quiet student council secretary Machi.

Mangaka Natsuki Takaya’s practice of using only the most subtle visual cues (if any) to indicate who is speaking can be irritating, but in this case, forcing the reader to deliberate carefully over each fragment of text only encourages a deeper read, allowing for greater absorption of this volume’s intense emotional content. Each panel is rich with complex history and feeling between characters, presented in the deceptively simple manner that characterizes this series overall.

As always, much of Takaya’s ability to make palatable the selfishness and cruelty her characters often display can be credited to the refreshingly genuine quality of her protagonist. Few of us can claim to see the world through eyes as open, joyful, and compassionate as Tohru Honda’s, but the great appeal of Fruits Basket is in that it manages to make us believe we can, at least for an hour or so.

Review originally published at PopCultureShock.

Time Stranger Kyoko 3 by Arina Tanemura: C

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From the back cover:
Kyoko Suomi is the princess of Earth in the 30th century. She lives among the commoners, unwilling to reveal her true identity and ascend the throne. The king will allow Kyoko to live as she pleases if she can revive her twin sister Ui, who has been trapped in time since birth.

Kyoko has found all but one telepath and is near awakening her sister. However, Hizuki can no longer hide his feelings for Kyoko and kisses her—a crime punishable by death. Now the only way to save his life is for Kyoko to accept him as her betrothed!

Review:
I only read this final volume for the sake of completeness, since the second volume got a C-, a rating equivalent to “Blech!” on my grading scale. Volume three is a little bit better, owing to some plot twists, but not much.

So, as she tells it in her sidebar columns, Arina Tanemura couldn’t decide where this story was actually supposed to go, so she asked her editors to be allowed to end it. And so, whereas it took the first two volumes to gather four Strangers, all of a sudden six of the remaining ones (bringing the total to eleven, counting Kyoko) are introduced on a single page, and then promptly neglected. There are actually a few translation errors on this page, as the Bird, Wind, and Snow Stranger guys are all mixed up.

The plot with Hizuki and his feelings for Kyoko is pretty stupid. First, he tricks her into saving his life by agreeing to marry him. Then he confesses to Sakataki that he was responsible for the destruction of their village and tries to get Sakataki to kill him. And then a few pages later everything’s fine and he’s all, “By the way, I’m the last Stranger.” And nobody is pissed about any of it.

The gathered Strangers then proceed to awaken Ui and plot twists occur. The secret of Kyoko’s identity is revealed, and I was kind of interested in the possibility that this manga would have a sad ending. But no, of course not. Mushy love must triumph. A completely stupid and kind of gross side story featuring the King’s pet cat android follows. It has no redeeming qualities whatsoever.

One problem I have with this series is that every time there’s a revelation, someone goes, “I always knew.” For example, Kyoko evidently knew all along that she wasn’t really Ui’s sister, Sakataki knew all along that Hizuki was responsible for the village’s destruction, and the King knew all along what the consequences of awakening Ui would be. It’s really annoying that no one’s ever, like, shocked by these developments!

Anyway, it’s over now. Hooray. Reading this series has made me kind of worried that I won’t like the manga of Kamikaze Kaitou Jeanne, which I own but have yet to read. I liked the anime, but maybe I just didn’t know any better at the time.

Review copy provided by the publisher.

Christmas manga!

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For a number of reasons, money is very tight these days in the household, allowing for very little (if any) to be spent on things like manga, so when folks came around asking about what to get me for Christmas, I asked only for manga. As a result, I now have quite a nice chunk of books to add to my collection! Some of these are bits of series I’ve already read (like Black Cat) but have been slowly collecting to own, and some are volumes I’ve been dying to read, either in series I’ve been reading already, or new ones I’ve hoped to begin. Complete rundown after the jump!

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Best of 2008! In a way.

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For the past couple of days, Comcast has been having one of its too-frequent periods in which its DNS do not know that our domains exist. It’s been difficult to develop the motivation to post, when I know that anyone using Comcast is unable to reach my blog (this includes my mother, how cruel is that?) but I hate to just ignore everyone else. So, those of you who are not Comcast subscribers (or are Comcast subscribers who use Open DNS, like we’re doing right now), this post is for you. ETA: DNS problem solved! Thanks, Comcast!

Lots of people have been posting “Best of” lists for 2008, and I’ve felt too embarrassed to participate much. Since I’m so new to everything, I spent much of 2008 playing catch-up on many great series that the rest of you have been reading all this time, and haven’t really made my way to much that was newly released in 2008. So what I thought I’d do here, is make a list of manga I loved that was new to me in 2008.

This list was interesting to assemble, as I realized that much of the manga I raved over this year, I’d actually begun reading last year (xxxHolic, Fullmetal Alchemist, and Banana Fish, for example), so with those eliminated, here are my Top Five “New to Me” Manga in 2008:

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Snow. Lots and lots of snow.

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Today started out in a bit of a whirlwind, as I got up early to get into work by 7:00 AM, so that I could finish up all my pre-vacation business before getting hit by the 6-12 inches of snow coming our way. I then raced home to beat the storm, and now here I am, hatches battened, watching the snow come down. *whew*

We have a new roundtable discussion posted over at Manga Recon, where we discuss the canceled/indefinitely postponed series we would most love to see rescued! My personal choices were Yotsuba&! and the Kino no Tabi light novels, but there are a lot of amazing titles mentioned.

Other than that, I expect I’ll be shoveling snow for the rest of my life, but my vacation has started, and I’m feeling quite giddy! Happy Holidays, everyone!

Post Captain by Patrick O’Brian: B+

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From the back cover:
“We’ve beat them before and we’ll beat them again.” In 1803 Napoleon smashes the Peace of Amiens, and Captain Jack Aubrey, R. N., taking refuge in France from his creditors, is interned. He escapes from France, from debtors’ prison, from a possible mutiny, and pursues his quarry straight into the mouth of a French-held harbor.

Review:
There were certain things about this book that I loved very much, but on the whole it was sprawling and went on a bit too long. In addition to the events listed above (note: Jack did not escape from debtors’ prison; he evaded those who wished to send him there) there were many more, including romance, jealousy between Stephen and Jack, an interval in which Jack is disguised as a dancing bear, a planned duel between the two protagonists, riveting navel battles, a promotion, and the appearance of approximately sixty thousand bees.

Probably the most significant thing that happened in Post Captain was the conflict between Stephen and Jack, arising partly over women and partly over Stephen’s secrets. When peace is initially declared, Stephen and Jack took a house in the country and there became acquainted with a family of eligible daughters (and a cousin). Jack was quite taken with the eldest daughter (Sophie) and Stephen with the cousin (Diana), though neither man had wealth enough to be considered a good prospect. After Jack’s prize agent skipped out with all of his money, he was so out of matrimonial contention that the girls’ mother whisked them off to Bath to get away from him and everyone discovered that they’d never liked Jack much anyway.

For the rest of the novel, the guys mooned about over their chosen women, though Jack also seemed to fancy Diana. After witnessing all sorts of hidden sides of Stephen (a capacity for “a hard ruthlessness,” a proficiency with weapons, general secrecy), Jack finally erupted and they got into a jealous quarrel, culminating in insulting accusations and plans for a duel. All of this conflict was extremely interesting, though it reflected well on neither of them. Jack could not make up his mind about the two women, and Stephen was fixated upon Diana, whom I just couldn’t like. I thoroughly understand a woman’s need to do as well for herself as possible, but she was very manipulative of the guys’ feelings and about as high maintenance as they come.

I liked better the funny bits between Jack and Stephen, during which there were many lines and scenes to crack me up. One of the best was the method by which they escaped from France, and how it took a few pages before one realized that the bear trainer and his furry charge were actually our two protagonists. There was also an absolutely wonderful bit where Jack pondered giving a sermon to the crew and Stephen erupted in uncontrollable, squeaky laughter.

Another big thing in Post Captain was the amount of development Stephen received. I’m not exactly sure when he began spying for the Admiralty, but he was doing it all over the place here, and displaying all sorts of hidden talents and such. In many ways, he and Jack are the perfect slashy couple. You have the open-hearted, robust one who follows his passions with little self-governance, and is hurt when he discovers facets of his friend that he hadn’t previously been aware of, since he himself has withheld nothing. Then you have the cold and logical one who nonetheless adores his friend and looks out for him and his happiness. It’s pretty squee-inducing.

Though I did enjoy this novel, it was, as I said, quite sprawling. I think I’ll take a little break before I continue on to the next installment.

Hitohira, and a little holiday joy!

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Before I forget to say anything about it, I have a new full-length review up at Manga Recon, for volume 1 of Idumi Kirihara’s Hitohira. I had mixed feelings about this manga, though I admit I’m considering buying the second volume, just to see if it gets any stronger. I’m hoping it does. Also, I think my reviews are getting more solid as I go, which makes me happy.

Life is a little crazy leading into the holidays, especially at work, so I’m trying to take time to enjoy the nice things as they come. This morning on my way to work, our local NPR station played Ralph Vaughan Williams’ Fantasia on Greensleeves, which my college orchestra played at our holiday concert my senior year. It really brought me back to that time, and I spent much of the day feeling nostalgic about that concert.

It also made me feel like sharing, so here’s a piece from the beginning of that concert, an arrangement (I’m embarrassed to say I don’t remember whose) of the Christmas Hymn, performed by the Carnegie Mellon Philharmonic and Choirs, conducted by Dr. Robert Page, December 1990. It’s a bit chaotic, I suppose. The holiday concert is traditionally performed in the foyer of the College of Fine Arts, which is a big, echo-y, marble place, and for this, the choirs were split up and placed on all sides (including up on the mezzanines), with the conductor in the middle. In a place like that, we really couldn’t trust our ears, so we had to go just by sight. I chose this song, because I figure it’s the one people are most likely to know out of all the pieces we sang on that program. Hope you’ll enjoy. :)

Now I must tackle the work I brought home with me. Goodnight!