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Sean Gaffney

Manga the Week of 8/23/17

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SEAN: I can’t. I just can’t. How on earth is this much stuff coming out?

MICHELLE: And still none of it is 7SEEDS or Silver Diamond!

ANNA: Or Demon Sacred!

SEAN: Dark Horse gives us the 26th volume of the Vampire Hunter D novels.

ASH: I somehow managed to forget that the novel series was still ongoing.

SEAN: J-Novel Club has a 2nd volume of adorable family series If It’s For My Daughter, I’d Even Defeat a Demon Lord. Oh please stay an adorable family series…

Yes, there’s still more Del Rey rescues, with Princess Resurrection 17.

Somehow there is a new Animal Land out, Vol. 12. Only 9 months after 11! Is the series back on track?

ASH: Maybe?! The ending seems so close and yet so far away.

SEAN: Kodansha gives us a 4th volume of Chihayafura digitally. Will our ragtag bunch of karuta misfits get it together?

MICHELLE: Yay!!!!

ANNA: So excited!

SEAN: And there’s a 4th manga volume of Clockwork Planet, whose novel I enjoyed more than I did the adaptation.

Domestic Girlfriend hits Vol. 5 digitally as well.

As does Fire Force, which is print, and still not as good as Soul Eater, IMO.

Inuyashiki 8 comes out in print as well. It’s ended in Japan recently.

And Land of the Lustrous hopes to make slightly more sense with Vol. 2, but it will look gorgeous no matter what.

ASH: I’m looking forward to the beautiful mess.

ANNA: Maybe I’ll check it out from the library just for the pretty….

SEAN: The first debut next week is Love & Lies, which North American readers may find slightly familiar if they read it on the Mangabox app. It’s also got an anime coming out. The premise involves a Japan where everyone automatically gets an arranged marriage at 16.

Kodansha has a 2nd volume of Real Girl, meaning I should read the first, but TOO MUCH MANGA.

MICHELLE: I missed the first one, as well.

SEAN: The second debut next week is another of THOSE isekai adaptations. That Time I Got Reincarnated As a Slime is based on a novel Yen will be starting this December, and Kodansha’s adaptation runs in Shonen Sirius. The premise is… what the plot says.

ANNA: We live in interesting times.

SEAN: Lastly (for Kodansha), we get a 2nd digital volume of Tzuredure Children.

On to Seven Seas, who blissfully only have two releases next week. A Centaur’s Life has its own anime adaptation going on, which seems to be adapting a lot more than I expected, including scenes I was sure it would cut. This is the 12th volume.

There’s also a 6th volume of yuri potboiler Citrus.

Vertical has reached a dozen volumes of What Did You Eat Yesterday?. Will there be egg dishes? (Do eggs come in dozens in Japan?)

MICHELLE: !!!!!! I love when there are surprise things that weren’t on my radar.

ASH: I’m always read for more What Did You Eat Yesterday!

ANNA: Woo hoo!

SEAN: The rest of the list is Yen. They have a bunch of light novels. The 4th Asterisk War may not be the best of them, but my guess is that it’s the shortest.

A Certain Magical Index’s 12th volume is a ‘downtime’ book, with much of it taken up by wacky shenanigans. I suspect the cliffhanger will be less wacky, though.

The Devil Is a Part-Timer! has an 8th volume, and may finally be returning to Enta Isla for a bit.

Goblin Slayer’s 3rd volume features goblins being slayed.

The Irregular at Magic High School has a 5th volume that I would also classify as ‘downtime’, but we do get a Beach Episode out of it.

KonoSuba’s 3rd volume will, one hopes, be completely ridiculous.

Rokka: Braves of the Six Flowers has a 2nd volume, where we see how long they can extend the “one of us is a traitor” plotline.

And Sword Art Online’s 11th volume shows the ongoing adventures of Kirito and Eugeo training to become knights, this time complete with cute squire girls.

Yen manga also has one or two or twenty titles. Anne Happy has a 6th volume, and may be caught up with Japan by now.

Aoharu x Machinegun also gives us a 6th print volume.

ASH: The first volume was fun and I’ve been meaning to read more, I just haven’t gotten around to it yet.

SEAN: We have reached the final Blood Lad! You can tell it’s the final one as it’s not an omnibus, ending with a single-sized 9th volume. I will miss this underrated series.

BTOOOM! has an 18th volume, and I haven’t missed it at all, but it’s not going anywhere yet.

Delicious in Dungeon’s first volume was enjoyable enough, though I worry it will leave me with very little to review. Definitely getting its 2nd volume, though.

MICHELLE: I kept meaning to read the first, but now I’ll just have to review the first two together.

ASH: I loved the first volume and am looking forward to the next a great deal.

SEAN: There is also a 3rd Demonizer Zilch, which I keep forgetting Yen puts out.

More series whose premise I just couldn’t get past, we have a 7th First Love Monster.

Girls’ Last Tour will have an adorable post-apocalypse in Volume 2.

ASH: I didn’t find the characters overly compelling, but I did really like world and environment of the series.

SEAN: High School DxD is not dead, it merely seems like it after this recent hiatus. It returns with Vol. 9.

Kiss and White Lily for My Dearest Girl has a 3rd volume of what will no doubt be adorable yuri stories.

Log Horizon: The West Wind Brigade does not have yuri, but it does have Soujiro, so there’s a tradeoff. This is Volume 6.

Murcielago’s 3rd volume will no doubt have yuri, but if you see “If you liked Murcielago, you may also like Kiss And White Lily for My Dearest Girl”, something is screwy with Amazon’s algorithms.

ASH: HA! Someone may be in for a surprise.

SEAN: Re: Zero’s 2nd arc has its 2nd manga volume, and no doubt features Subaru dying.

Rokka also has a manga adaptation, and it’s up to Vol. 3.

Vol. 3s are popular these days! We also have a 3rd Spirits & Cat Ears.

And double digits for Trinity Ten… um, I mean Seven.

Ubel Blatt also hits double digits with its 9th omnibus. If that makes no sense, you don’t know Ubel Blatt.

Lastly (thank GOD), a 6th omnibus for Yowamushi Pedal.

MICHELLE: Yay! This is a good week!

ASH: Yay, indeed! Yowamushi Pedal isn’t released nearly as often as I wish it was.

SEAN: You must be getting SOMETHING from this morass. What is it?

One Piece, Vol. 83

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By Eiichiro Oda. Released in Japan by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump. Released in North America by Viz. Translated by Stephen Paul.

One of the most obvious things that a reader will pick up on when reading any given volume of One Piece is how much fun Oda must have while creating it. Jump manga in general is very good at showing off the author’s joie de vivre, but Oda in particular makes you think of the title as a giant rollercoaster of pure wow. In particular in this volume, the scenes in the Seducing Woods are amazing, being a combination of childhood dreams of everything being alive and talking to you (including all the sweets you eat), and the horror of everything being alive and talking to you, INCLUDING THE SWEETS YOU EAT. The revelation of how the woods, animals, and everything in Big Mom’s world speak is mind-numbingly horrific, but Oda breezes right by it, content to give us more running around and punching things as a distraction. It works, but in lesser hands this would have been tonally deaf.

Luffy and company are still trying to rescue Sanji, of course, but the woods keep them busy most of the volume, so we’re not there yet. Sanji is not having a good time, though. The rest of his family has arrived, including his father, who is a nasty guy whose skills are also equal to his son, it would seem. Once again, you get the feeling that Sanji could really do some damage if he’d only take the limiters off himself – usually it’s “I won’t fight women”, but here it’s “I’ll never fight using my hands” that’s his handicap, and it’s why he now is wearing exploding handcuffs. There is genuine sadness here as well, though, as we see Sanji’s abusive childhood, and realize why he would much rather think of Zeff as his father figure than this guy who’s willing to barter his “useless” son for political gain.

As for the fights, well, Luffy gets most of the action, as usual, though Nami fares better than she normally has in recent times, using her new Climatact with gusto. The big trump card, though, turns out to be the vivre card she got from Lola back in the Thriller Bark arc – Lola, it turns out, being one of Big Mom’s endless children. I always love it when One Piece manages to tie in a plot point that happened years and years ago, though it does require the reader to be well versed in the lore. She and Luffy also bounce off each other very well – there’s no romance in One Piece, of course, but I can’t imagine LuNa shippers being too upset with what they get here. Carrot and Chopper fare less well, though there are hints that they will be more proactive in the next arc.

Wilol Luffy and company get to Sanji? Will they even meet up with Brook and Pedro, who were the advance guard? And what of Charlotte Pudding, Sanji’s bride, who likes him well enough but seems perfectly willing to let Luffy rescue him. And of course, given Big Mom is one of the Four Emperors, it’s not going to be all that simple, especially given that she can destroy whole towns when she gets hungry. My guess is this arc has a long way to go before it ends. Luckily, it’s One Piece, so we will always be entertained.

Bookshelf Briefs 8/15/17

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The not-so-brief edition!

Akuma no Riddle, Vol. 5 | By Yun Kouga and Sunao Minakata | Seven Seas – How much you enjoy this final volume of Akuma no Riddle may depend on how much you enjoy stories having a happy ending even if they have to pull the logic out of their asses somewhat. The anime finished long before this, but the beats are essentially the same, as is the result. That said, the manga is definitely making things a bit more “yuri,” and since that is the main audience for this series, I imagine fans will appreciate that if nothing else. Also, we have some really hot women in suits on the cover, and that’s worth the price of the book in and of itself. In the end, this is the lesser of the two “assassination classroom” titles, but that doesn’t mean I didn’t enjoy it—I had a lot of fun. – Sean Gaffney

Assassination Classroom, Vol. 17 | By Yusei Matsui | Viz Media – The first two-thirds of this is fantastic, as we see the class square off against each other to decide whether they will try to continue to kill Koro-sensei, or work on saving him. While lots of people get to show off their previously unseen chops, we’re all here for Nagisa and Karma, and we are not disappointed. There’s some backstory that mostly amounts to “we were good friends but grew apart,” but they also represent two very different kinds of assassins. As you may have guessed, Nagisa wins the day. The last third of the manga is a bit ridiculous, or as ridiculous as you can get in this essentially ridiculous series, but I’m prepared to shrug my shoulders and hum “Pigs in Space” while we power through it. Top-flight shonen. – Sean Gaffney

Food Wars!: Shokugeki no Soma, Vol. 19 | By Yuto Tsukuda and Shun Saeki | VIZ Media – Central continues its “mop-up” campaign against Totsuki’s various research societies, and the volume begins with the last one of the day, during which Ryo Kurokiba manages to provide the only win out of 33 challenges for our heroes. That battle is interesting, as always, though there seems to be a bit more fanservice than usual, but what’s really fascinating is the cliffhanger ending. After unwittingly helping in a Central-style lesson by serving as sous chef for Eishi Tsukasa (current first seat of the Council of Ten), Soma ends up impressing him so much that Eishi invites him to join Central. Of course that doesn’t go well, and the volume concludes with the challenge: if Yukihira loses, he has to join Central as Eishi’s right-hand man, but if he wins, he gets first seat. Either way, it’s quite a big deal! – Michelle Smith

In/Spectre, Vol. 5 | By Kyo Shirodaira and Chashiba Katase | Kodansha Comics – This is based off of a novel, and I’d be very interested to see what it was originally like. The manga does a very good job of managing to keep things interesting given that this is nothing but talk, talk talk the entire way through. The way this is done is by dramatizing the events that Kotoko is theorizing about as if they are happening (which leads to one of the few moments of humor in the book when Kotoko sets up Saki as the prime suspect) interspersed with Kuro fighting Steel Lady Nanase in the background, which is a well-choreographed if somewhat tedious fight—by its very nature it’s going to last the whole book. The next volume is the final one—will our trio pull it off? – Sean Gaffney

Kaze Hikaru, Vol. 25 | By Taeko Watanabe | VIZ Media – Every year, I am so happy when a new volume of Kaze Hikaru comes out and every year I get so annoyed with its main character. It’s to the point now where the series would genuinely be improved by her sudden demise. But yet, I do so love the deep feelings of love and loyalty between Hijikata, Okita, and Kondo, and those are enough to overlook Sei’s foolishness. She’s once again getting all bent-out-of-shape over bushi discipline which, again, she should’ve known to expect when she joined the troop. But she just can’t help making an undignified scene trying to spare an accountant guy his fate when money goes missing. At least in the end, she sees that Hijikata is not actually cruel, the accountant shouldn’t have been a bushi either, and the real culprit was a creep. If only it’d stick and she’d mature some. Oh well. I’ll still be eager next year, I’m sure. – Michelle Smith

Maid-sama!, Vols. 17-18 | By Hiro Fujiwara | Viz Media – As is appropriate for a two-volume omnibus, this is definitely divided into two halves. The first one shows us Misaki coming to Usui’s rescue, and it’s as ridiculous as you might have expected, complete with her trying to jump off a great height because she knows he would easily do it. (She sustains light injuries herself.) The second half shows us that after all this time the true antagonist is still Misaki herself, and her need to be respected warring with the fact that she works in a maid cafe. Once she gets over this and is able to tell everyone how proud she is to do that, there’s nowhere else for the series to go, so it ends with a wedding, albeit ten years in the future. Far more variable than expected, but overall I enjoyed it. – Sean Gaffney

Miss Kobayashi’s Dragon Maid, Vol. 4 | By coolkyousinnjya | Seven Seas – And this is where my enjoyment of the lead character and vague yuri is completely overshadowed by my dislike of stupid fanservice and annoying villains needing to be redeemed. Ilulu proved to be even more annoying than her introduction at the end of the last volume suggested, and I also groaned and slapped my head at the ‘let’s give Kobayashi a penis’ chapter. At times the series can still be intriguing, such as the chapter showing us how Kobayashi met Tohru on that drunken night, or the occasional depth Kobayashi receives. But it’s just not worth trawling through endless pages of ridiculous breasts and screaming lolis to get to it. Sorry, but this is the end for me. – Sean Gaffney

My Hero Academia, Vol. 9 | By Kohei Horikoshi | Viz Media – Over the past few months, it’s become clear that we have a new contender to take over the “Big Three” position now that both Naruto and Bleach have ended, and that contender is My Hero Academia, which has gotten staggeringly popular. And with good reason, as reading this volume shows us the author at the top of his game, with several villains infiltrating our heroes’ training camp and attempting to abscond with Bakugo. Things get very rough for a while, mostly as, being heroes, the kids need permission to fight back with all their strength. But once they do, great things happen, particularly with Midoriya, who remains the star of this ensemble. If you haven’t read this series yet, please start now. – Sean Gaffney

Nisekoi: False Love, Vol. 22 | By Naoshi Komi | Viz Media – As expected, Marika is written out, though in the end she’s not killed off OR married off—she’s sent to Pittsburgh, the only place that can cure the unnamed Love Story Disease she seems to have. But not before we get a thrilling rescue attempt with lots of wild fighting and far more helicopters than you’d really expect. Meanwhile, in terms of the only two girls who matter (sorry, Tsumugi), Onodera is still not QUITE ready to confess, but is trying to warm Raku up to it. I doubt that will go well. And Chitoge and Raku have another disaster of a date where she keeps completely misreading what he wants, which isn’t helped by his not really knowing. We’ve got three more volumes after this, so SOMEONE needs to get a clue soon. – Sean Gaffney

Scum’s Wish, Vol. 4 | By Mengo Yokoyari | Yen Press – We’re just about midway through this series, and I’m starting to wonder if it’s going to turn dark and tragic. Hanabi is travelling down a spiral that I’m not sure she’s able to control, and Minagawa is not helping there at all. Probably the most intriguing moment in the manga comes when Minagawa is bored out of her gourd on a date with Kanai… till he accidentally calls her Hana-chan, and it’s as if all of a sudden it matters to her. One thing that the author excels at is showing us the tempestuous fire of desire and sexual heat without ever, ever having it connect into anything resembling love. It’s so sordid, and again, I wonder how long things can go without someone snapping and a murder or suicide occurring. Addicting. – Sean Gaffney

UQ Holder, Vol. 11 | By Ken Akamatsu | Kodansha Comics – There’s a lot of stuff happening in this book. Yukihime rejects Touta as she still loves Negi, we find out Negi was possessed by the big bad from Negima! and has been suffering the last 20 years, Fate and Eva are trying to save and kill him respectively, both thinking they carry out his true wishes, and finally far more of the Negima! cast are still around than we’d previously thought—indeed, Zazie’s even turned into a shipper. But no, at the end of the day this is the volume that tells us that Karin was actually Judas Iscariot, her immortality a result of betraying Christ, who Touta, seeing Karin suffering because of that, offers to punch in the face the next time he sees Him. I… don’t know where to begin. What the what? – Sean Gaffney

In Another World with My Smartphone, Vol. 4

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By Patora Fuyuhara and Eiji Usatsuka. Released in Japan as “Isekai wa Smartphone to Tomo ni” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Andrew Hodgson.

Our little smartphone novel has grown up to a degree, and it’s something I view with very mixed feelings. Sure, we still have the occasional plotline that is just “Touya and friends lackadaisically do relaxing things’, but I can’t really call this a pure and innocent isekai anymore. It’s reached puberty and is trying to act up. Oh, rest assured, there’s no actual sex or anything. That would require losing an audience that the author is not prepared to lose. But Touya just seems a bit more cynical in his dealings with things, and he’s thinking about women a lot more than he did (though not quite to the extent of that short story in Vol. 2). On the bright side, the villains all still clearly delineate themselves into ‘evil’ and ‘SUPER evil’, so we don’t risk sympathizing with them at all then Touya destroys them. Rest assured, that will never change.

Yes, that’s right, there’s a new girl on the cover, and a new addition to the harem, though I’m amused that Touya describes his four fiancees as his “core team”. Lu is a princess of a neighboring kingdom, and personality-wise is very shy and blushy, similar to Shinobu from Love Hina. As we meet her, her kingdom is on the verge of a military takeover, with the general of the kingdom deposing the emperor and taking power with the help of a summoned demon adn some artifacts that make him almost invincible. That said, Touya barely reacts to this challenge, figuring out fairly quickly how to deal with him, though I’m not sure it’s a method he’ll ever use again. As a result the emperor is back on the throne, and Touya gets a very willing Lu as a reward, though he once again pleads for everyone to wait till he turns 18. (Yumina and Lu’s fathers plotting to use Touya politically is one of the best parts of the book, as Touya is always at his best when thrown off from his usual blandness.)

Elsewhere, Touya rescues a group of slaves and frees them up to become employees of the bookstore/cafe he creates, which ends up turning into a far-too-long joke about all the women in the entire kingdom being fujoshi (this was OK), and Touya thinking “no homo no homo!” about 865 times (this was not). We also resolve the ‘surely she’s a long lost noble’ plotline involving Renne, the runaway girl Touya took in as a maid in an earlier volume. Surprise! She’s a noble whose now-dead mother ran away from her family to marry an adventurer. This is also not as funny as the author would like, relying on a lot of jokes about Renne’s aunt Carol being a Christmas Cake. Oh yes, and the obnoxious nobles in Yumina’s own kingdom show up again, this time with a murder plot that will attempt to implicate Touya so that they can have their son marry and rape Yumina, possibly not in that order. When Touya hears about this, his response is… impressive, if a bit shocking. It seems out of character given he’s so mild-mannered, but given the circumstances I can’t blame him. Oh yes, and he’s awarded his own (tiny) kingdom, and builds a castle to go with it.

Overall this was a highly variable volume of Smartphone, which can’t simply rely on pure charm anymore and is therefore trying to decide what to do next. It works best when not crawling through the drudgery of anime cliches like “she’s angry people think she’s old” or “everything thinks he’s gay”. I’m still interested in the series, but honestly, I would not blame those who were having light, breezy fun with it for stopping here.

Also, he names his attack griffons John, Paul, George, and Ringo. Because of course he does.

Pick of the Week: Heroes and Villains

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KATE:: For most readers, this week’s pick is a no-brainer: it’s the final volume of Tokyo Ghoul, which reaches its gory climax with volume fourteen. I never got on the Tokyo Ghoul train myself, so I’m more inclined to pick the latest installment of I Am a Hero, an even gorier series that manages to breathe fresh life into an undead concept by putting an unreliable narrator in the center of the action. (For the curious, I reviewed volume one.)

SEAN: Well, I mean, Tokyo Ghoul: re starts in October, so… in any case, I’m going to pick the 5th and final volume of Akuma no Riddle, a yuri manga that takes place at a school but is not like the 80 other yuri manga being released that take place at schools. I enjoyed this more than I expected, and I think it will benefit from a mass reread.

MICHELLE: There isn’t a whole lot that appeals to me this week, I’m afraid. So, even though I haven’t started the series yet, I’ll pick the fifth volume of All-Rounder Meguro to show support for Kodansha’s digital sports manga offerings.

ASH: Although I haven’t actually played very much of any of the games in the franchise, the release that I’m probably most curious about this week is the Assassin’s Creed manga adaptation, largely because I’ve greatly enjoyed Oiwa’s past adaptations.

ANNA: There isn’t a whole lot out there that is appealing to me this week either, but I’m probably going to check out Cosplay Animal in the hopes that it is fun and trashy, so that’s my pick.

Attack on Titan, Vol. 22

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By Hajime Isayama. Released in Japan by Kodansha, serialization ongoing in the magazine Bessatsu Shonen Magazine. Released in North America by Kodansha Comics. Translated by Ko Ransom.

“Tragic backstory intensifies” would be a good description of this volume, for the most part. Eren continues to have dreams that flash back to his father’s life before he was born, showing us the fate of Grisha’s first wife (she appeared in the story earlier than we think, it turns out!) and what our kingdom really is – an island kingdom, with most of the world very much not dead on the other side of the ocean. We also, as predicted, see Eren and Mikasa in jail for the orders they disobeyed in the previous couple of books, though that doesn’t last, mostly due to how important Eren really is. Oh yes, and much to Mikasa’s horror, we get a time limit on the Titans’ lives – they only live for 13 years after being titan-ized, meaning that we also get another major character death, though this one is offscreen.

Yes, in fine lesbian character tradition, Ymir writes a farewell note to Historia that confirms that a) she wanted to live the rest of her life married to her, but b) she can’t as she’s soon going to be dead. After Eren’s revelations, it’s pretty clear that this is meant to be due to simply living out that 13 year span rather than due to being executed. Reiner, at least, lets her write said farewell letter, though I wish we’d been able to see more of Historia’s reaction. I suppose it was unbecoming of a queen. So no happy ending for Ymir, though at least she doesn’t seem to have been killed off just for being gay. As for Mikasa, I’ve pretty much written off any hope of her character revolving around anything other than Eren, so her stunned disbelief through most of this is unsurprising. Not sure if they’ll find a way to stop Eren and Armin from dying. I could see it going either way.

There’s also more arguing over whether it was the right thing to save Armin or not – I suspect this may have been an argument that Isayama and some of his editors may have had as well. I wish that it had been one of the regulars allowed to take an opposing side, rather than generic military police guy, who is there to remind Hitch that Marlowe likely died terrified and to yell at everyone else, so immediately turns into one of my least favorite characters. I think it would have had more impact if it was a more familiar face on the Erwin side, though. In any case, however, we jump forward a bit and see the Survey Corps confirming what they’d found out from Grisha – that this is an island, and that there is ocean at the end of it. This leads to possibly the only really heartwarming scene in the book, with the members of Levi’s unit cheerfully splashing in the surf (though not in swimsuits – we can’t rewrite reality that much).

I didn’t see an “End of Part Two” at the finale of this volume, but it certainly felt like it. We’ve gotten a lot of our answers, but what comes next? In any case, Titan fans should enjoy this volume, though likely they will get frustrated with it as well. But we should all be used to that.

Clockwork Planet, Vol. 1

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By Yuu Kamiya, Tsubaki Himana, and Sino. Released in Japan by Kodansha. Released in North America by J-Novel Club. Translated by fofi.

Ugh. I hate the (2) that’s sitting in the URL up there. Why couldn’t this book have had a subtitle like some other light novels? In any case, as the URL shows, I’ve reviewed Clockwork Planet before: the first manga volume, which Kodansha Comics put out back in March. And now we have the light novel it was based on. When I had only mild enjoyment of the manga volume, I was told a few times that the light novel is significantly better. And indeed those people were right, as my enjoyment of the novel was significantly better – especially in regards to Marie, whose inner workings (so to speak) are a lot more explicit and sympathetic than they were in the parts of the manga I read. That said, you can definitely tell that a lot of this is written by Yuu Kamiya, the creator of No Game No Life. It has the same… flavor, so to speak.

The premise is that a socially ostracized boy with a REALLY acute sense of hearing has an automaton crash into his apartment one evening. This isn’t as odd as it seems, because as the name might imply, the Earth now runs on clockwork in order to stop its death. This particular automaton, however, is one of a very special series, and had in fact been dormant for the last two hundred years. Fortunately, Naoto is able to “hear” where the problem is and fix it, and now he has his very own robot girl, RyuZU, who is devoted to keeping him safe and happy and abusing him verbally, not in that order. (This is where the NGNL author’s fetishes come into play, as I mentioned above.) The other half of the plot involves genius teenage engineer Marie and her calm bodyguard/babysitter Halter, who is mostly a cyborg himself. They’re trying to fix a gravitational error that might destroy all of Kyoto. And then we discover that this error is, in fact, bpart of a VAST MILITARY CONSPIRACY!

As you may have gathered, subtlety is not on the menu for this book, but it’s a decent thriller, and I enjoyed the characters while finding them somewhat exasperating. Because this is written for a male Japanese audience, there is of course a large color picture of a naked loli girl in it, so as always this isn’t recommended for casual fans. But for Kamiya fans, or those who like “steampunk” type stories, it’s a lot of fun. The second half is definitely better than the first, as things swing into high and we show off what all of our heroes can do. And there’s a setup for future books, which we actually see a bit of in the prologue, as well as another robot girl that needs to be rescued from the government/military complex. Unlike a lot of “first volume” light novels that may or may not become series, this looks like it was designed to have more to it. Good thing we’re getting more. Recomme3nded.

Manga the Week of 8/16/17

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SEAN: Next week is the closest we get to a small week these days. Revel in it.

Dark Horse gives us the 4th I Am A Hero omnibus. Zombies! Not quite as sexy and dangerous as vampires, but they try harder.

ASH: I Am a Hero is definitely one of the more interesting takes on the zombie subgenre that I’ve come across. But yeah, not especially sexy.

SEAN: J-Novel Club has two more volumes out next week. The 5th My Big Sister Lives in a Fantasy World is out, and will continue to compare itself to the Haruhi Suzumiya series.

And Playing to Win in a VRMMO has a 6th volume.

Most of the list is Kodansha, both print and digital. On the digital side we start with a 5th All-Rounder Meguru.

MICHELLE: This is one digital sports manga that I’ve yet to sample.

SEAN: Two new digital debuts next week. Beauty Bunny is from the author of Peach Heaven and is about a girl whose life is transformed by makeup and hot guys, perhaps not in that order. It’s 8 volumes, and ran in Dessert.

Cosplay Animal also ran in Dessert, but is about 10 years older than Beauty Bunny. A cosplayer meets her ideal guy whole cosplaying as a high school student. The trouble is her ideal guy IS a high school student. From what I’ve read this sounds like AMAZING complete trash. I am interested.

MICHELLE: I don’t think either of these is for me.

ANNA: I have to say I will at least try the first volume of Cosplay Animal, that sounds amusing.

Fairy Tail gives us a 4th monstrous volume of its Master’s Edition super-omnibus.

ASH: If someone hasn’t read Fairy Tail before, this edition is definitely the way to go.

SEAN: Kodansha Digital also has a 13th Fuuka, which continues to be written by Seo Kouji.

Hotaru’s Way also gets a 2nd volume digitally.

Back to print for the 8th Maga-Tsuki.

Peach Heaven has a 5th volume digitally, and I’m sorry this is so dull, but I haven’t read many of these.

MICHELLE: Although I love most of Kodansha’s digital offerings, Peach Heaven didn’t really appeal to me, I admit.

ANNA: I did not care for it.

SEAN: I have read the 22nd and final volume of School Rumble, though. It’s famous! Well, OK, infamous. The ending has to be seen to be disbelieved. There was a 1-volume continuation, School Rumble Z, that tried to fix things, but I don’t believe Kodansha has picked that up. In any case, bye, School Rumble! Flag or Riceball, you were great either way. Mostly.

Lastly for Kodansha, a 4th xxxHOLIC Rei has managed to edge its way out onto shelves, despite CLAMP’s busy schedule of delaying and cancelling other series.

ANNA: I’m still sad and angry about X/1999!!!

ASH: Yeah…

SEAN: Seven Seas gives us the 5th and final volume of Akuma no Riddle, which has combined yuri and assassins into quite an attractive package.

And a 6th Shomin Sample, whose package is less attractive.

Titan Books rarely makes appearances on here, but they do have the 1st volume of the Assassin’s Creed manga, which actually is adapting the Assassin’s Creed IV game. It ran in Jump Kai, and the author has also written some Naruto spinoff novels.

ASH: I’m picking this up mainly because of the involvement of Kendi/Kenji Oiwa, who also worked on the manga adaptations of Welcome to the NHK and Goth.

SEAN: Vertical has the 8th Devil’s Line.

Viz gives us two titles, the first being the 4th Mobile Suit Gundam Thunderbolt series. We now have two Gundam series coming out at the same time. How times have changed.

ANNA: This is amazing, and reminds me I need to actually read my stockpiled volumes of Gundam: The Origin.

ASH: I shamefully have a few volumes of that I still need to read, too…

SEAN: And lastly, there’s the 14th Tokyo Ghoul, which will interest casual readers more than any other title I mentioned on this list.

See? Next week is totally small and has nothing coming out! Aheh. What are you getting?

Invaders of the Rokujouma!?, Vol. 5

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By Takehaya and Poco. Released in Japan as “Rokujouma no Shinryakusha!?” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Warnis.

I’ve mentioned before that I enjoy Yurika’s role in the novels, being the constantly mocked and abused girl whose suffering is absolutely hilarious. That said, it’s not the sort of thing that you’re going to be able to drag out over 26+ volumes, not if you want to actually develop the characters enough to have people read 26+ volumes. So I was not particularly surprised that this volume of Rokujouma was going to try to give Yurika a bit more gravitas, or at least show us that as a magical girl she isn’t, in fact, as completely incompetent as her personality may imply. I wasn’t expecting this to turn into the best volume of the series to date, though, as Yurika’s frustrations in the first half of the book give way to a battle royale with her evil counterpart, and she finally gets her wish: her friends believe her.

And yes, I can see you raising an eyebrow at me. “Magical reset at the end?”, you say cynically. Yes, yes, magical reset at the end. But that’s not the point, the point is that Yurika is NOT affected by the magical reset, which means that the development she gets in this book will (hopefully, crosses fingers) remain going forward. A lot of Yurika’s issues are self-confidence related, which makes sense given her background which we get a bit more of here – she was an “ordinary girl” attacked for the large amount of mana she had, and her magical girl sempai pretty much sacrificed herself so that Yurika could continue to defend the world, etc. As a magical girl, Yurika is actually pretty damn powerful. It’s just the constant ridicule and denial by her friends that wear her down. But now she’s aware that, memory loss or no, in the end when her friends discover the truth they do support and defend her.

As for the harem, it’s interesting that Yurika does not particularly moon over Koutarou the way that the other girls do. There are a few hints she likes him, but for the most part she’s content to set up Harumi with him. Her attempts at helping that relationship along work much better than her attempts to get people to believe she’s a magical girl, honestly. As for Koutarou, his main issue is that he’s surrounded by a ghost, two aliens, and an “underground priestess”, and Yurika the “cosplayer” is the one normal girl in his life. Once he accepts that his harem are not going to abandon him, I think things can move forward. (As for Harumi, her main issue is that Koutarou puts distance between them that he doesn’t do with the others, and this is relatively straightforwardly fixed.) The other haremettes don’t get much to do, though the ending implies that the next book will feature Kiriha – which makes sense, she’s on the cover of this book. Gotta keep things consistent.

Rokujouma is never going to break any originality records, but it’s settled nicely into doing its thing, and the characters are growing with each book. Well worth a read for fans of battle harems.

Yona of the Dawn, Vol. 7

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By Mizuho Kusanagi. Released in Japan as “Akatsuki no Yona” by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz. Translated by JN Productions, Adapted by Ysabet Reinhardt MacFarlane.

Wrapping up the pirates arc, there’s a lot to love here for the Yona of the Dawn fan. Yona herself is at her most badass, saving Yun and setting off the flare, killing the main bad guy herself with an arrow, and of course getting Jaeha on their side through the sheer power of her determination and awesomeness. Yun is also very awesome, getting the crap kicked out of him and showing that he’s far more than just the party straight man. Jaeha kicks and kicks some more, and also manages to be charming and seductive in that “nothing will ever really come of it” sort of way. But I think I have to admit that after finishing the volume, there’s really just one scene that I want to read over and over again, and that’s when Yona, in the aftermath of the battle, runs into Su-Won, who is equally stunned to find that she’s not dead.

Su-Won is, of course, the villain of the piece, and it was his killing of Yona’s father that started the whole shebang. But there’s always been a sense that there’s more to him than that – he’s Yona’s childhood friend and crush, and we knew at some point he would start to show a different side. We get that here, as his amazement at Yona not being dead leads to his needing to protect her from his own aides, who would no doubt not take kindly to Yona bopping around the country with a bunch of superpowered hot guys. The series has always done a good job showing Yona the Princess contrasted with Yona the outcast and messiah, and briefly being that princess again and seeing Su-Won (and reaching for his sword to potentially kill him) sends her into a bit of a mental tailspin. Hak is, of course, there to help clean up, and there’s even some parts played for comedy (such as when she unthinkingly starts to strip), but mostly this emotional scene serves notice that we will be returning to Su-Won again, and find out why he needs to do all this.

Yona does recover, of course, and sets out again, because there is still journeying to be done. Naturally, Jaeha decides to go along with her, but I did love the goodbye that both he and Yona got from the grumpy get good-hearted pirate captain, who’s served as a mother figure for both of them. I also appreciated that the volume ended with a goofy comedy chapter – it wasn’t all that funny, being a variation on the :love potion makes you fall for whoever you see first” story, but it was just nice to see lighthearted fare again. We will no doubt begin a new arc next time, and I still maintain that this is one of the best Shojo Beat series you could be reading.

How a Realist Hero Rebuilt the Kingdom, Vol. 3

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By Dojyomaru and Fuyuyuki. Released in Japan by Overlap, Inc. Released in North America digitally by J-Novel Club. Translated by Sean McCann.

I will give credit to the author, he managed to hold my attention despite the fact that the entire content of this third volume of Realist Hero is setting up the board for future books. This despite the fact that it’s also dealing with the fallout from Book 2, i.e. the war with Amadonia. This world’s equivalent of the United States is dropping by to arbitrate, and by arbitrate I mean tell Souma and company to give Amidonia back to its rulers, even though the arbitration is done with reluctance. Souma has plans, though. He’s starting the equivalent of a Japanese variety show in order to show Amadonia what true freedom is like. He’s discovering Aisha’s previously unknown talent for tsukkomi. He’s dealing with the nobles who didn’t rebel against him but are still being evil, and does it using (sigh) the power of Machiavelli’s The Prince, which I am never going to enjoy. And if all else fails, he still has his Mr. Rogers cardigan to break out.

As you may have gathered, Aisha, Souma’s elf bodyguard, does get a bit more to do in this book, which is good, given that she’s also set to become Souma’s second ‘primary queen’. The difference between royalty and commoners is highlighted in the narrative, but also pretty much accepted as ‘well, that’s the way it is’, which is uncomfortable. Aisha is royalty by dint of being an elf princess. In any case, there’s also Juna, who gets to be the country’s first big idol singer – something which backfires on her when Souma points out he can’t announce he’s marrying her as well or there would be riots. She is first on his bucket list, though, which also has a few likely suspects that get hinted at here. Though not, refreshingly, the younger sister of the Gran Chaos Empire, Jeanne, who gets ship tease with the prime minister instead. It’s nice to see romance in the series that doesn’t involve Souma.

We also get our first slave, since slavery is legal here as well, because fantasy world. This is a way to reconcile the plot with Castor and Carla, who were on the bad side but weren’t “against the king” per se. Castor is basically stripped of everything but allowed to live because of his years of military experience. Carla doesn’t have that, but she’s Liscia’s friend, so she’s made into a maid for the household. I suppose it’s a better way to deal with her in this narrative than killing her off, but again, I wish this series kicked back a bit more against its cliches, particularly when they involve ‘these people are better than those people’. I may get my wish in future books; there’s a suggestion that Souma’s inability to tell “demons” and “monsters” apart, and everyone’s else’s shock at this, may factor in future books.

And so we end with Souma having to come to terms with the fact that he had a dozen people executed for the crime of ‘might plot against me in the future’, and the fact that this is, to a certain degree, monstrous. Fortunately, he gets some healing therapy in the form of two hot fiancees in bathrobes snuggling up against him. (Note: this therapy likely only works in isekai harems.) I have many issues with Realist Hero, and they keep stacking up like cordwood, but I can’t deny its compulsive readability.

Also, Souma and Aisha’s banter during the ‘variety show’ was A+, the book is worth the price just for that one scene.

Pick of the Week: Across the Spectrum

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SEAN: The title I find most intriguing this week is Nirvana, which is a reincarnated in another world title with a female lead (a rarity), and apparently borrows from both Hindu and Buddhist mythology. I’m in!

KATE: Hmmmm… If I were picking a manga on the strength of the title alone, Am I in Love Or Just Hungry would get my vote — we’ve all been there — but Sean makes Nirvana sound interesting, so I think I’ll follow his lead this week and choose Adventures in Reincarnation, too.

MICHELLE: There are a few titles that I’m somewhat interested in, but what I’m looking forward to the most is seeing whether the lead couple of The Full-Time Wife Escapist actually makes any progress. So, that’s my pick this week!

ASH: I’m a bit more curious about Nirvana now that I know a little more about it, but I must say that after three years since the last volume, it’s Drifters that really has my attention. It’s not a series that necessarily makes much sense, but it’s certainly bombastic with energetic action sequences and outrageous characters. (At least if I recall correctly; it’s been a while… )

ANNA: I’m intrigued by Nirvana after seeing everyone talk about it more, but the manga I’m probably most likely to get and read this week is Altair: A Record of Battles Volume 2, once I read volume 1 that is!

No Game No Life, Vol. 6

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By Yuu Kamiya. Released in Japan by Media Factory. Released in North America by Yen On. Translated by Daniel Komen.

The author says in this afterword that this 6th volume was very last minute, as the anime was coming out soon, they needed something quick, adn his editor suggested that he do this flashback explaining the past of Disboard that he had laid out for “some point in the future”. I applaud the editors, because it’s an excellent choice, and ends up giving us what is easily the best volume in the series to date. Told by the God Tet (in disguise) to Izuna (mostly so that she can break in and point out the obvious similarity between the stars in the past and our current stars), we get a “grim and gritty” backstory that actually works for more than just “being dark”, showing us the horror of the war-torn land and why it was worth sacrificing so much in order to ensure it became the game-ruled world it is today.

Of course, we’re not necessarily dealing with an entirely new cast – as Izuna testily points out, Riku and Schwi are clearly analogues for Sora and Shiro, and Couron is Steph’s distant ancestor and the founder of their kingdom. This allows readers to get a good visualization of them, even if the personalities don’t quite intersect – Schwi is pretty dead on for Shiro, but Riku is basically Sora if he’d been broken by reality even more. As for Couron, she’s Steph without the abuse, and therefore perfect. Indeed, a lot of the “ha ha the writer thinks this is funny” fanservice is absent from this book, as the war setting means that it’s hard to trot out the sexual perversions and humiliation of Steph. Yes, Riku is teased about being a lolicon, and there’s a few “dying a virgin” remarks that Sora would be proud of, but that’s about it. This book knows now is not the time.

We also, by the way, see Jibril, and in many ways she’s the villain of the book. We knew that her past life before the Games became the rule was filled with a lust for blood and carnage, and her fight with Schwi here shows off her impatience and tendency towards overreacting, even if it ends up doing her harm in the end. That said, we also see that she’s definitely different from the other Flugel, even if it will take Sora and Shiro to really drag her potential forward. Much of the book is Riku doing what Sora normally does, which is to say plan an elaborate series of moves that end up winning the game for humanity. Tet says Riku and Schwi are stronger than [ ], as their world didn’t have the “game rules”. Sadly, this also means that they’re not granted protagonist immunity, so be prepared for some tragedy as well.

This was an excellent book, and the big downside to it is that it shows off that the author can be really good when he wants to be, but frequently lets it get buried under a need for fanservicey jokes and stupid anime tropes. Book 7 (which is in December, NGNL has settled into twice a year now) returns us to Sora and Shiro, and it will be nice to see them again, but I hope we can keep some of the added depth and gravitas we saw here and not just have a series of jokes about Steph’s tits. If you want to test out the series, though, 6 is the way to start, oddly enough.

Manga the Week of 8/9/17

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SEAN: Stuff, stuff, stuff! So much stuff!

Dark Horse gives us a new volume of Drifters, the 4th. It comes out sporadically, so I will no doubt have to refresh my memory about what’s happening besides cool old famous people reincarnated and fighting each other. Actually, no, that should do it.

ASH: Let’s see, the last volume was released in English in… 2014. I didn’t expect that we’d ever see more of the series! I suspect that last year’s anime adaptation may have something to do with that.

SEAN: And there is a 4th omnibus of “Like Evangelion, only stupider” spinoff manga Shinji Ikari Raising Project.

J-Novel Club has a new debut, but it may seem familiar: Clockwork Planet, whose manga adaptation Kodansha has been releasing. This is their first Kodansha license, and will hopefully open the way for more in the future.

And we have the 4th In Another World With My Smartphone, which I hear is where the plot really kicks off.

Kodansha has titles both digital and print. Digitally we have the 2nd Altair: A Record of Battles, which is clearly not on the fastrack like some other digital titles.

ANNA: Good reminder for me to read the first one!

MICHELLE: Same!

SEAN: And the 2nd Aoba-kun’s Confessions as well.

I was unprepared for the Attack On Titan: Before the Fall adaptation to be this long, but here we are, Volume 11. Huh.

ASH: I’ve fallen behind, but I do largely like how the manga further develops and expands the story and characters from the original light novels.

SEAN: Back to digital with the 5th Full-Time Wife Escapist. Will these two poor communicators finally get together?

ANNA: I enjoy this series!

MICHELLE: Me, too. I’m always happy when I see a new installment on the schedule.

SEAN: And L♥DK has hit double digits, and presumably has not run out of ways to frustrate its heroine.

Seven Seas has the most titles out next week. There’s a lucky 13th volume of Devils and Realist.

And the 2nd print volume of the light (hah!) novel Grimgar of Fantasy and Ash.

Miss Kobayashi’s Dragon Maid will try to ride out the post-anime depression with its 4th volume.

The debut next week is Nirvana, an action fantasy with a “trapped in another world” veneer, the gimmick being the protagonist is female for once. It’s written by Jin, the creator of Kagerou Daze, and runs in Comic Gene.

Not Lives gives us a 6th volume. Has the cast diminished yet?

Also at double digits next week is Servamp. (poses) Vampires! (peers around, crickets chirp) Could it be the running gag has gone on too long?

ANNA: Maybe we need more mermaids or pirates.

SEAN: SuBLime has a digital-only release next week with Am I In Love Or Just Hungry, from popular author Akane Abe.

In print, they have the 2nd Deluxe Edition of Finder.

And the 5th volume of Ten Count, which has managed to irritate most of Manga Bookshelf by now.

ANNA: Yeargh.

ASH: I’m still reading it, though I completely understand why people dropped the series. The character’s relationship is far from healthy–right now to me it actually reads more like a horror manga and less like a romance.

SEAN: Viz has a 5th digital release of The Children Nowadays, whose existence I keep forgetting.

In print, they have the 21st volume of Itsuwaribito, which must be reaching a climax of some sort, I say as if I read past Vol. 1.

And a 2nd Legend of Zelda: Twilight Princess.

ASH: I’m enjoying this adaptation so far; I’m also glad that it doesn’t end with the second volume.

SEAN: Magi has reached 25 volumes! In Japan it’s wrapping up, here we still have a ways to go.

MICHELLE: I’m always kind of relieved to hear a series is ending. It’s probably the reassurance that I’ll actually get the complete story.

SEAN: Lastly, we have a 9th volume of Monster Hunter: Flash Hunter, which wars with Yu-Gi-Oh in how often it ends a Manga the Week of column and leaves me with nothing to say.

What do you say? Anything for you next week?

Twinkle Stars, Vol. 3

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By Natsuki Takaya. Released in Japan as two separate volumes by Hakusensha, serialized in the magazine Hana to Yume. Released in North America by Yen Press. Translated by Sheldon Drzka.

I laugh heartily at my comment in the last review that Hijiri was absolutely perfect. She’s still my favorite, but this omnibus seemed entirely designed to show off that no, Hijiri is not perfect, that she is arrogant and headstrong and coming from a definite position of privilege, and when combined with the genuine fear she has of seeing her best friend get hurt again, it naturally leads to a bad confrontation. Which does, at least, get us Chihiro’s backstory, and the girl that he was supposedly in love with, Sakura. The love that it was, though, was a deeply unhealthy one, something the reader is well aware of as it plays out. Takaya is always at her best when showing off emotional pain, and we get that in spades here – there’s a suicide attempt, mostly successful, and implications that Chihiro also has suicidal thoughts. Fortunately, Takaya also writes Pollyannas, and that’s exactly what’s needed from Sakuya here.

Back to talking about Hijiri, literally everyone in the book realizes that she is doing the wrong thing and calls her out on it. First Yuuri, then Saki… it’s something that only she can do, being rich enough to basically have Chihiro’s entire past investigated to make sure that he’s not going to be causing Sakuya pain. And then, when she finds out about Sakura, his old love, telling her about it. Then she compounds it by refusing to admit what she did was wrong. It takes everything tat we’ve loved about the character for the last two omnibuses and turns it on its head, showing off the unpleasant and negative sides that her personality can have. We also learn how she first met Sakuya, and how her curiosity about those who felt pain turned to guilt and horror as she realized what that really means. Oh yes, and thankfully the crush on the teacher is not going to happen.

As for Chihiro, he’s more of a Yuki than a Kyo, if you know what I mean. It’s always a challenge to see someone repressing all their past emotional wounds and scars and not have them turn out somewhat flat, and again, Takuya is a master of doing this the right way. His confrontation with Sakuya at the reservoir is the highlight of the book, as we see that his obsession with Sakura (even the names are similar – at least in romanji) to an eerie degree) can turn to hatred as much as it does to love. Sakura is also a lonely child with a tragic past of abuse, like half the cast here, but she’s not written in a sympathetic way. I’ve no doubt she’ll wake up at some point, and I do wonder if she and Sakuya will ever meet.

Twinkle Stars gives fans of this author exactly what they want – deep emotional heartache and catharsis, calling out abuse for what it is, and showing that just because someone has a tragic past does not mean that their current joy and happiness has to be faked. I can’t wait to see where this goes next.