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Sean Gaffney

Manga the Week of 3/22/17

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SEAN: …eurgh.

Dark Horse has the 4th and final volume of Dangan Ronpa. Will anyone survive? And will any more manga spinoffs be licensed?

J-Novel Club debuts another series with a ludicrous-seeming premise, In Another World With My Smartphone. Still, they’ve won me over with ridiculous books before…

ASH: Though I’ve fallen way behind in my light novel reading, I do continue to be amused by the absurdity of some of these titles.

ANNA: That is sort of hilarious, but I’m just not a light novel reader. If only someone would bring back the 12 Kingdoms books…..

ASH: YES! I would love that so much.

MICHELLE: I was thinking about those books just the other day! I also would read the Saiunkoku light novels.

SEAN: Kodansha has a pile of stuff, including three more digital debuts. Altair: A Record of Battles is a long-running manga from Shonen Sirius, and it’s supposed to look fantastic. Also, more historical manga, yay! Basically, this is the sort of title the Off the Shelf column was made for.

ASH: I was not aware of this series at all! Definitely sounds like something that I’d be interested in reading.

MICHELLE: I don’t know much about it, but many of the covers are gorgeous, so that’s encouraging.

ANNA: Huh, this does sound intriguing.

MJ: Well, huh. I think you’re right!

SEAN: BLAME! Academy And So On is a spinoff of the main BLAME! manga that I think is similar to Spoof on Titan. It’s also digital only.

MICHELLE: I don’t know… I really loved BLAME!, perhaps to the point where I wouldn’t find a spoof amusing.

ANNA: I still need to read BLAME!.

SEAN: It’s not all digital. Clockwork Planet makes its print debut. It’s also Shonen Sirius, but seems to be more SF steampunk and fanservice.

And some series are ending, as we get the 7th and final volume of Forget Me Not.

The next digital debut next week is also a “Hey, Michelle and MJ!” sort of series. Hozuki’s Coolheadedness is a long-running series from Weekly Morning, about a deputy of the King of Hell and his daily life. It’s won awards.

ASH: I’ve seen a little bit of the anime adaptation and it was great fun. I suspect the manga is as well!

MICHELLE: Totally on my list!

MJ: Oh yeah, this, so much this.

SEAN: Kodansha has a 3rd volume of In/Spectre and its wonderfully annoying female lead, who I love.

Lastly (at least digitally) is Museum, which runs in Young Magazine and looks dark and depressing as hell.

MICHELLE: I don’t typically go for dark and depressing, but this one seems to be a mystery complete in three volumes, and that does have some appeal.

SEAN: And a 4th volume of That Wolf-Boy Is Mine.

MICHELLE: I’m looking forward to this, which I believe is also the final volume.

SEAN: UQ Holder has transitioned from weekly to monthly in Japan, and that seems to mean volumes are coming out slower here as well. Here’s the 10th volume.

Seven Seas has some stuff as well. A Centaur’s Life never fails to puzzle and confuse me with what demographic it’s actually aiming for, even at its 11th volume.

Lord Marksman and Vanadis has a 3rd volume of fantasy action.

And there’s a 6th Merman in My Tub, which I think may have caught up with Japan.

More BLAME!, as Vertical is releasing the 3rd of its giant omnibus editions.

MJ: These really look so nice.

SEAN: Viz has a 5th volume of peppy slice-of-life comedy Goodnight Punpun.

ASH: Goodnight Punpun continues to devastate me, but I still find it compelling.

ANNA: I don’t think I have the emotional fortitude to read it yet.

ASH: It does take a fair amount; I have to time my reading carefully.

MICHELLE: I feel much the same, Anna.

SEAN: As well as another volume of Master Keaton, now in double digits.

ANNA: I love this series.

SEAN: And there always seems to be more Terra Formars, with its 17th volume.

Hooray! That’s it… oh wait, Yen. In fact, we’re not even halfway there. (sobs)

Yen On has 4 books this month, i.e. it’s a very light month for them. First off, Accel World 9 finally finishes off its huge 4-book arc.

Durarara!! also wraps up another arc with its 6th volume. All I can say is: pen. DRRR fans will know what I mean.

Log Horizon’s 7th volume shows us what Shiroe and his group were doing while the events of Book 6 happened.

And Re: Zero shows us Subaru trying desperately not to get killed by his maids.

Oh yes, and for digital lovers, volumes 7-10 of Spice & Wolf’s novels are also out next week.

Now for all the manga they’re releasing. Accel World also has a manga release with its 7th volume.

There’s a 5th volume of the Akame Ga KILL! ZERO spinoff.

The Asterisk War gets a 3rd manga volume.

Always enjoyable Barakamon has lucky Vol. 13, and I find I no longer keep comparing it to Yotsuba&!.

MICHELLE: I still plan to get caught up on Barakamon soon. I have a huge pile.

SEAN: Blood Lad has an 8th omnibus, and is nearing the finale but is not quite there yet.

MICHELLE: Yay! I haven’t read this series in ages.

SEAN: There’s a 3rd volume of the Boy and the Beast manga adaptation.

As well as a 2nd Bungo Stray Dogs.

ASH: As someone who is somewhat well-versed in Japanese literature, I got a huge kick out of the first volume and plan on reading more. I’m not sure the series works as well for people who don’t catch most of the references, though.

MJ: I plan on checking this out.

SEAN: More manga adaptations of light novels! Here’s the second Death March to the Parallel World Rhapsody.

MORE manga adaptations of light novels! An 8th Devil Is a Part-Timer!.

Dragons Rioting has a 6th volume of what still appears to me to be mostly breasts.

Fruits Basket’s Collectors Edition has reached its penultimate volume, and features more angst than you can shake a stick at.

MICHELLE: Heh.

MJ: YES.

SEAN: There’s a 5th print volume of Handa-kun as well.

We have reached the last volume of He’s My Only Vampire, and while I enjoyed it, I am also very happy to see it’s ending.

MICHELLE: Same!

ANNA: One of the few vampire titles I haven’t read!!!

SEAN: The Honor Student at Magic High School continues to be irritatingly ahead of the light novel release with Vol. 6.

Kiniro Mosaic has a 2nd volume of cute girls being cute and maybe sort of yuri.

Then more yuri with the debut of Kiss and White Lily for My Dearest Girl, which may be from Comic Alive but is apparently on the ‘sweet and cute’ end of the yuri spectrum.

ASH: I plan on giving this one a look! The cover is adorable if nothing else.

MICHELLE: I’m looking forward to this one, too! My friend said, “It’s S. A with lesbians!”

MJ: Absolutely on my list!

SEAN: Love at Fourteen finally returns with a 6th volume, and let’s face it, these kids are fifteen now.

MICHELLE: Heh. Another series on the read-me-soon pile.

SEAN: EVEN MORE manga adaptations of light novels, with the 4th OreGairu manga, which it too long to type out.

Speaking of long titles, a 6th Of the Red, the Light and the Ayakashi.

ASH: I really need to catch up with this series! I enjoyed the early volumes, but have fallen behind.

SEAN: Return of the Son of manga adaptations of light novels, with the 6th Strike the Blood manga.

Manga Adaptations of Light Novels Must Be Destroyed with the 5th Sword Art Online: Progressive manga, which as always needs MORE ARGO.

A third print volume of Today’s Cerberus.

Twinkle Stars has a 2nd omnibus, and I suspect will continue to deal with not being Fruits Basket.

MICHELLE: But it’s so good!

MJ: I am behind on this, and can’t even quite believe I let that happen!

SEAN: And there’s an 8th (really 9th) Ubel Blatt omnibus.

So that’s 48 titles, and that’s not even counting the 2 that Yen delayed to the week after next just because. I think this is a new record. What say you?

Skip Beat!, Vol. 38

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By Yoshiki Nakamura. Released in Japan by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz. Translated by Tomo Kimura.

This volume has been a long time coming. 38 volumes, to be precise. And I’ve sort of known in the back of my head that we would eventually have to deal with it, and I’ve been half dreading and and… well, no, all dreading it. Because Kyoko is a child of abuse. Not physical abuse – as this volume takes pains to point out, by the way – but mental and emotional abuse. Along with Sho’s casual cruelty, it’s what has shaped Kyoko’s actions to this day. Her mother was cold, always regarded her with scorn, and later on insisted she had no child. Kyoko has had nervous breakdowns just thinking about her. And now we’re finally getting the backstory and explanation for what happened with Saena in the past and how, presumably, she came to have Kyoko. And of course it’s very well written, because Nakamura is excellent at this sort of thing. But I will stay worried till the 39th volume comes out. Thinking “will this be another easily forgiven abusive parent?”.

As I mentioned earlier, the writing in this volume is top notch. 38 volumes in, we know these characters better than almost any other translated shoujo manga out there, and we’re still getting new depth and layers. (Watch for Maria here, who I don’t think we’ve even seen in over a dozen volumes, being mature enough to realize that now is not the time to talk to Ren.) Oddly, it’s Ren who provides most of the lighthearted comedy in this otherwise serious volume, as his reactions to Kyoko’s moodswing flipouts are brilliant, and his teasing of Yashiro is also wonderful. But the volume is subsumed by the confrontation between Kyoko and her mother. Again, we get to see Kyoko’s growth and maturity in action – in fact, Nakamura lampshades it, showing that Kyoko is now able to look at Saena’s seemingly cold face filled with hatred and see nuance and layers that she had missed as a child. This comes from her observational skills as an actress, and I feel proud of her.

It just so happens that it was Kyoko running off to be with Sho at the start of the series that really set Saena off, as it reminded her of her own manipulation by a man in the past. (Speaking of which, Misonoi is a top tier smiling villain, and I hope he gets the shit kicked out of him in the next volume, though am realistic enough to know he likely gets away with everything.) Saena is really well done here, much as my teeth were grinding at times. “I was terrified that I would hurt you” made me want to reach out and slap a “YOU TRIED” sticker on her forehead. But of course, the main issue with this otherwise excellent volume is that we end mid-flashback, and I don’t know how things will ultimately be between Kyoko and Saena. And since we’re caught up with Japan, I have till September to cool my heels. But either way, this volume is a must read for any shoujo fan.

Spirits & Cat Ears, Vol. 1

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By Miyuki Nakayama. Released in Japan “Kudamimi no Neko” by Media Factory, serialization ongoing in the magazine Comic Alive. Released in North America by Yen Press. Translated by Leighann Harvey.

Sometimes, when you read a series, you are inevitably reminded of another earlier series, to the point where you can’t escape thinking about the similarities. Early volumes of Fairy Tail scream “this is One Piece, but at Kodansha”, for example. returning the favor, Black Clover’s early volumes have a very Fairy Tail quality to them. And this new series from Yen, Spirits & Cat Ears, has the same problem, as it’s hard to start reading it without thinking of another, recently completed series that Yen put out, Inu x Boku SS. In fact, given the really obvious similarities and the fate that the late Cocoa Fujiwara even has fanart at the end of the volume, I wonder if Nakayama-san is a former assistant of Fujiwara-san. That said, while there are obvious similarities, Spirits & Cat ears runs in Comic Alive, not Gangan Joker. And you know what that means: fanservice.

It’s actually rather surreal in many ways. Inu x Boku SS, like a lot of Gangan titles, had a large crossover female audience, and you can tell the series would not seem out of place in, say, Zero-Sum or Asuka. Spirits & Cat Ears has a similar premise – young people with powers paired up with attractive older men – but Comic Alive is decidedly a male-oriented magazine, and so… well, take a look at that cover. Neneko is also the “shy, constantly apologizing” sort of heroine, which unfortunately means she’s a pushover when she tries to stand up to her familiar, Shichikage. Ririchiyo could also be manipulated by her own lover/bodyguard, but at least she could not be described as a pushover. A lot of the plot to Spirits & Cat Ears revolves around “bring Neneko out of her shell”, which involves enforced socialization and annoying “punishment outfits”.

This is a ghosts and exorcism manga, and so you get the occasional tale of possession and the like, but the focus is firmly on Neneko rather than the situations she gets herself into. She’s joined by a seemingly sullen but really just shy fellow exorcist, and after the predictable misunderstanding the two become close fast. As for Shichikage, he too feels very much like the sort of guy you’d meet in a shoujo manga. Unfortunately, it’s more the Black Bird sort of shoujo manga hero. He’s right to think that Neneko firming her resolve and stating clearly what she needs him to do will increase her power (and his strength), but his sexualization and fetishization of her is just distasteful, especially as, thanks to the art style, she’s another girl who looks about nine but has a large bust and is really in high school.

This wasn’t completely terrible, but unfortunately the parts of it that were good are the sort of things I get in other, better manga series, and the parts that were bad seemed to stand out more. I’d recommend it to those who like nekomimis or series with a teasing sort-of boyfriend who likes dressing his girl in sexy outfits.

Bookshelf Briefs 3/13/17

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Haikyu!!, Vol. 9 | By Haruchi Furudate | VIZ Media – While the boys set their sights on the spring tournament and prepare for a field trip to Tokyo for practice games, Shimizu looks for someone who can take over as manager of the volleyball club after she retires. She ends up finding Hitoka Yachi, a girl in advanced classes (this comes in handy when several of the boys need help to pass finals before being allowed to go to Tokyo) who has never before felt needed, but who is impressed by the team’s passion. I like Yachi quite a bit, including how Furudate shows how smart she is without beating readers over the head with it. There’s also much talk about how Karasuno needs to evolve if they are going to have a chance at making it to nationals, and by the end of the volume, Hinata seems ready to do just that. Fun and addictive, as ever! – Michelle Smith

Interviews with Monster Girls, Vol. 3 | By Petos | Kodansha Comics – After talking about the lack of romance in my last brief, the author apparently heard me and decided to add some sparks. Thankfully it’s between the adults, as our still-a-virgin succubus seems to think she’s found the one guy who isn’t sexually excited by her in Takahashi. And when it’s pointed out he likely really is getting turned on and just is good at hiding it… well, that just makes her want him all the more. In the meantime, there’s more discussion of demis, as we hear about how to deal with molesters on the train when it’s a succubus, how people taste differently to a vampire, and the care and attention a dullahan needs to have to protect her head. Cute and fun. – Sean Gaffney

Kimi ni Todoke: From Me to You, Vol. 26 | By Karuho Shiina | VIZ Media – Seemingly even more so than usual, this volume of Kimi ni Todoke is cover-to-cover feelings. It’s especially gratifying that Sawako has finally gained enough confidence in her relationships that she’s able to speak freely and honestly without fear. Because of that, she’s able to explain herself clearly to Kazehaya, and they reconcile. The most riveting moment, however, comes during a sleepover with one-time rival Kurumi in which the latter reveals how absolutely horrible she feels about how she once treated Sawako, and how she doesn’t feel deserving to be called her friend, while Sawako attests that they are already friends. It’s very moving. And then, to top it all off, we get a chapter wherein Ayane seems to realize that she’s in love with Pin. I don’t think I’ve ever rooted for a student-teacher romance before, but this might be the exception! – Michelle Smith

Kimi ni Todoke: From Me to You, Vols. 26 | By Karuho Shiina | Viz Media – I will freely admit it—in the early days of this series, I totally shipped Ayane and Pin in a “this will never actually happen but I love their back-and-forth” sort of way. Then Kento arrived, and then Kento left (he’s not even in this volume), and Ayane is starting to realize that she is really, really falling for Pin, and I’m starting to worry, as it is a teacher/student thing. I’m fairly sure Pin won’t let this get anywhere, but in the meantime, at least we have some amusing faces from Ayane. We also get Kazehaya and Sawako fighting and making up, though I’m going to be honest most of the ship tease in this volume was between Sawako and Kurumi, who have a study sleepover and go over some extremely old and guilty memories. Very strong volume. – Sean Gaffney

Kiss Him, Not Me!, Vol. 9 | By Junko | Kodansha Comics – This series has a tendency to remind me of The Wallflower, and not just because of its reverse harem. Both authors seem far more comfortable and successful when they go for comedy. The first half of this book is absolutely hilarious, as Shinomiya is not only now on his own but also being stalked by a truly ridiculous number of people, and we also get the attempts to fulfill Kae’s ridiculous birthday wishes. The second half gets more serious, as an old upperclassman Igarashi liked shows up again and hears about the guys hanging around Kae, and urges her to make a decision. Which, spoiler, is not going to happen. This is a bit less fun, but does have some heartwarming mixed in among the comedy. Decent. – Sean Gaffney

Natsume’s Book of Friends, Vol. 20 | By Yuki Midorikawa | Viz Media – The author herself notes how much Natsume has changed over the course of the series, and it’s certainly true—he’s far more proactive and compassionate, even if he still occasionally tries to get away from obvious yokai with issues. This is most obvious in the first story, where a yokai “rewards” Natsume’s help by turning him back into a child—memories and all. Thankfully, Tanuma and Taki find him, and can be sensible about it. Seeing his somewhat stoic, untrusting self react to the obvious love and affection his two friends have for him is heartwarming. The series continues to be more episodic than anything else, but that’s fine—it plays to the author’s strong sense of character.-Sean Gaffney

Nichijou: My Ordinary Life, Vol. 7 | By Keiichi Arawi | Vertical Comics – Even for a volume of Nichijou this volume is really, really surreal. Some of the “jokes” are barely funny at all, seemingly designed to make the reader stare as blankly at the page as Sekiguchi stares at her manga. (That’s her on the cover with the rest of the Go Soccer Club, by the way.) The highlight may be Yukko and Mai’s long conversation on the hill, which was so popular the anime animated it very early, possibly as it has fake yuri confessions from Mai, who still takes honest joy in making Yukko freak out. Word of warning: those who dislike the Professor acting like a bratty child aren’t going to like this volume much. But for the rest of us, Nichijou remains a rewarding and very strange experience. – Sean Gaffney

One-Punch Man, Vol. 11 | By ONE and Yusuke Marata | Viz Media – I was worried that this volume would consist entirely of a tournament arc, but thankfully there’s only about 1/3 tournament. The rest is spent dealing with both the kidnapping monster from the last volume, which is battling Metal Bat, and Garo, who interrupts the fight because it’s all about him. We’re not meant to like Garo, and I don’t, but I especially dislike the way that he’s not particularly funny, and when the others are around him they get more serious as well, which can be deadly in a manga that relies so much on not taking itself seriously. Luckily, Saitama is always there for a deadpan one-liner. Also, Metal Bat’s little sister is adorable. Not as good as before, but still good. – Sean Gaffney

Skip Beat!, Vol. 38 | By Yoshiki Nakamura | VIZ Media – In this volume, bolstered by various good-luck charms given to her by Ren, Kyoko finally decides to confront her mother. Only, on the way there she learns some information that changes everything and goes a long way toward explaining her mother’s treatment of her. I honestly never thought I would feel even a little sympathetic towards Saena Mogami, but the entire second half of the volume is a flashback to Saena at age 28 and the circumstances under which she came to be pregnant with Kyoko, and it is very compelling. Alas, it all ends on another cliffhanger that we’ll have to wait six months to see resolved, but I’m very pleased that the truth ends up being more nuanced than I expected and yet still fascinating. I guess I should’ve known it’d be great. – Michelle Smith

Twinkle Stars, Vol. 2 | By Natsuki Takaya | Yen Press – For the most part, the focus in the second volume (comprising volumes three and four of the original release) is on the developing relationship between Sakuya and Chihiro—who initially ignores her pain, telling himself he can’t save her, only to have regrets that compel him to act at a crucial moment—and the stargazing club’s participation in summer camp, which concludes on a truly lovely moment orchestrated by Yuuri. There’s some interesting foreshadowing about Chihiro’s mysterious past, but the most powerful scenes are Sakuya’s present-day interaction with her terrible stepmother and the reveal of the circumstances that drove her from home. Her anguish is heartwrenching; it’s no wonder she feels like there’s a black hole inside her that sometimes threatens to swallow her. I hope for a nice story where she and Chihiro help heal each other, but I expect more darkness ahead. – Michelle Smith

Pick of the Week: Picks, Picks, Picks

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MICHELLE: I suppose Ace of the Diamond technically came out last week, but it didn’t feature in our week-of discussion ’til this week, so… I am totally picking the first volume. Shounen sports manga that’s already complete in Japan? Yes, please! (Also, because I am greedy, can we get Big Windup next?)

SEAN: “Complete” being an iffy term – remember Ace of the Diamond Act II is currently running in Japan. In any case, my pick of the week has to be the final omnibus re-release of Ranma 1/2. Re-reading the entire series has reminded me why I was so obsessed with it twenty years ago, as well as making me feel I had good reason to move on. I’ll still miss it. Also, Ryouga x Akari 5-evah.

MICHELLE: Oh, jeez. I was totally unaware.

KATE: I’ve been impressed with Kodansha’s digital manga initiative, so I’m planning to check out both volumes of House of the Sun this week. Like most of the MB gang, I’m also intrigued by Kodansha’s latest sports acquisitions, though a small and solipsistic part of me wishes these manga focused on the exciting worlds of (a) running (b) rowing or (c) golf. Now that would get me off the couch!

MICHELLE: I would definitely like to see those sports, too. And I hold out hope for Mitsuru Adachi’s Rough, too.

ASH: I’m not much of a digital reader, but I must admit Kodansha Comics’ recent offerings may very well end up changing that. I enjoyed the anime adaptation of Giant Killing immensely and I never expected All-Rounder Meguru licensed, so those two series have definitely caught my eye as picks (even if technically they were released last week). And since we’re talking about sports series we’d like to see, someone give me a competitive marching band manga!

ANNA: Complex Age 4 is the most interesting thing to me coming out this week, although I also happily celebrate greater sports manga availability.

Kase-san and Morning Glories

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By Hiromi Takashima. Released in Japan “Asagao to Kase-san” by Shinshokan, serialization ongoing in the magazine Hirari. Released in North America by Seven Seas. Translated by Jocelyne Allen, Adapted by Jenn Grunigen.

I’ve always said (perhaps a bit too often) that as long as something is well-written and enjoyable, it doesn’t matter that it’s a hoary old cliche. And likewise, with the yuri genre, just because something is as Story A as it gets does not mean its sweetness and cuteness are in any way diminished. This series is no exception, being light as air but ever so tasty. The girls are nice, their incipient romance is nice, and there is a shot of someone silhouetted against the setting sun, because if you’re going to throw in romantic tropes, you may as well use the kitchen sink as well. All of this adds up to a fun series that will make you smile.

As the author notes in the afterword, the magazine this series runs in is generally about yuri one-shots, and its very easy to tell this is a series of shorts about the same two people. (In fact, future volumes will be “Kase-san and _______” rather than a Vol. 2 or 3.) Kase-san is the tall sporty girl on the cover, a track star and school idol who also has some odd rumors hanging around her. The other girl is Yamada, who is shy and fretful and has a very low self-opinion of herself. You know the sort – there’s no way they could ever be interested in little old me. They bond over flowers, which Yamada is planting at the school, and then there are bike rides and shopping for shoes and blushing. So much blushing. Because, of course, these two girls are really into each other.

Most of the drama, such as it is, revolves around Yamada’s low self-esteem and how it leads her to almost sabotage her own friendship. Luckily, Kase-san is not as clueless as some of these archetypes can get, and so is able to, if not realize what is going on, at least rescue Yamada from being desperately sad. I liked the idea of the marathon, as it allows Yamada to work to improve herself, even though that gets torpedoed by a bunch of jerks running over first her flowers and then her. The volume is done from Yamada’s perspective, though I’m hoping a future volume may have a flasghback showing Kase’s own thoughts on their relationship. It all builts up to a confession and kiss in the nurse’s office, with Kase uncharacteristically unapologetic and Yamada crying in relief.

It’s safe to say that not much happens here – honestly, I’m having trouble filling out my word count. But I’m just so pleased to see Seven Seas putting out stories like these and Kindred Spirits on the Roof rather than “yuri for guys” like Netsuzou Trap. Cute girls meet and like each other. In the end, they kiss. Thankfully, this is not the end, as we’ll see Kase-san and Bento soon. for now, just revel in the adorable.

Manga the Week of 3/15/17

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SEAN: A relatively light week next week, relatively being the operative term. But first, let’s double back and look at titles out THIS week that weren’t announced till the weekend.

Remember how we used to say you couldn’t sell sports manga over here? Or 40+-volume series? Clearly digital-only is a good way to test the waters on flouting that rule. Case in point: The debut of Ace of the Diamond, a baseball manga that ran in Shonen Magazine from 2016-2015, and then, like many baseball manga, started up again with Season 2. It will be interesting reading a non-Adachi baseball series.

MICHELLE: !!!!!!!!!!!!! Yay!

ANNA: Interesting. I don’t know if I’m up for 40+ volumes but I will check it out.

SEAN: All-Rounder Meguru is a mixed martial arts manga from the creator of Eden: It’s An Endless World, though hopefully a bit less bleak. It ran for 19 volumes in Evening magazine.

And Giant Killing is another 40+ volume manga, this time about soccer, that runs in Weekly Morning. Naturally, being long-running sports manga, the primary audience in the West for these titles will be female BL fans.

MICHELLE: !!!!!!!!!!!!! Yay! I might even try All-Rounder Meguru, while I’m at it.

ASH: Wow! Kodansha is really killing it (sorry, I couldn’t help myself) with the recent digital releases! I’m very excited to see Giant Killing and All-Rounder Meguru being added to the mix.

MJ: I doubt I have the patience for either of the epic sports manga on this list, but I like watching Michelle’s squee.

MICHELLE: I will likely always have an abundance of squee for sports manga.

SEAN: Also, Persona 3’s 3rd volume from Udon moved up a week without me noticing. Whoops.

ASH: Can’t really blame you for that; sometimes I wonder if Udon even knows when it will be releasing something…

SEAN: Now onto titles actually out next week. J-Novel Club has some more volume twos, as we get another I Saved Too Many Girls and Caused the Apocalypse, which presumably adds more girls.

We also get the 2nd Mixed Bathing in Another Dimension, which is probably the biggest surprise of all J-Novel’s titles for me as I really enjoyed it.

Kodansha has a 4th Complex Age, which mixes cosplay and drama quite well.

ASH: I’ve been fairly consistently surprised and impressed by Complex Age.

SEAN: They also have the 2nd digital volume of House of the Sun, which seems to be on a much faster publishing schedule than the other new digital volumes.

MICHELLE: Ooh! I’ll definitely be checking out these two.

SEAN: One Peace has a 9th volume of not-really-yuri series Maria Holic.

Seven Seas has the debut of Hana & Hina After School, which is really yuri. It’s by Milk Morinaga, probably the most prolific yuri manga artist in terms of North American licenses.

They also have a 2nd Seven Princes of the Thousand Year Labyrinth, which hopefully continues to be, as I called it, “the most Comic Zero-Sum series ever”.

ASH: That really does seem to be an apt description.

SEAN: SuBLime gives us a new side story for Don’t Be Cruel, subtitled Akira Takanashi’s Story, though it’s unclear who this volume will focus on. (How’s my deadpan?)

MICHELLE: Heh.

SEAN: And they have the 8th volume of the Finder Deluxe Edition.

ASH: While this is the eighth volume, it’s the first one to be released since SuBLime took over the series. (Previously, it was released by Digital Manga.) The actually first volume in this edition will be released later this year; it’s nice that SuBLime isn’t making readers wait for the most recent content.

SEAN: Vertical has a 5th volume of Mysterious Girlfriend X, which I think is approaching its climax.

Viz not only has the 3rd Legendary Edition of The Legend of Zelda, which has both Majora’s Mask and A Link to the Past, but also the first volume of the latest in the series, Twilight Princess.

ASH: Unlike some of the other games (I’m a bad Zelda fan), I’ve actually played Twilight Princess. I’m looking forward to its adaptation.

SEAN: At last, the final omnibus of Viz’s re-release of Ranma 1/2! It even ends with a wedding! Don’t let that fool you, though, this is still Takahashi at her most Takahashi. Still well worth reading.

ASH: I’m still very happy that Viz found a way to keep Ranma 1/2 in print.

SEAN: And there’s a 23rd volume of Rin-Ne, which apparently will have a surprise announcement in Japan soon. New anime season? Spinoff? They found Sakura’s repressed rage?

As I said, light week is relative. What’ll you be getting next week?

Bakemonogatari: Monster Tale, Part 2

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By NISIOISIN. Released in Japan by Kodansha. Released in North America by Vertical, Inc. Translated by Ko Ransom.

One of the things I enjoy about the first few volumes of the Monogatari books is that each new story begins with the girl from the previous story having a long conversation with Araragi where they basically take on the role they’ll play in the books from this point forward. In the previous volume’s Mayoi Snail, Senjogahara showers Araragi with abuse and teasing affection. And here we have Suruga Money, in which Mayoi reappears and begins to function as Araragi’s sounding board and life advice coach, and Nadeko Snake, in which Kanbaru shows off that she was actually holding back in her own story, and becomes the only person in the cast who can be more perverse than he can. (This works in Japanese publication order, by the way, and continues at least through Nekomonogatari Black, which starts with a long scene with Araragi and his sister Tsukihi.) The first two books introduced Araragi and began to give him a “harem”, so to speak – this second book expands on that.

The stories in Bakemonogatari were originally written as short stories for a magazine, and it shows – each story has the introduction at some point of Araragi, Shinobu and Meme Oshino and explains his nature, for readers who had not read the previous stories. Not that Shinobu plays a part in this book – she’s still silent, apparently sulking as Oshino is stealing her Mister Donuts stash, and functions mostly as a maguffin to power up Araragi so he can battle oddities. For the most part, each story in this is devoted to showing us the new girl. This works quite well in Kanbaru’s case. Her overly solicitous politeness is perfectly translated, and you also see the frustration and rage she normally keeps well-hidden. She’s a good kid. She’s also a “pervert”, i.e. happy to talk about sexual matters with Araragi till she’s blue in the face. And she’s a lesbian, something she admits herself, though the text goes on to use the alternate term “sapphist”, which, as Araragi points out, is the same thing. (One could argue she flirts incessantly with Araragi in the following story, but I maintain that she mostly does this for appearance – much like many other characters in Monogatari, especially Araragi himself.) Her story is the strongest, flagging only when we have to read a very long battle scene from Araragi’s narrative POV – it gets tedious, and makes you realize why Nisioisin does so much dialogue – he’s better at it.

As for Nadeko… without spoiling anything about future volumes, we’re left with an okay story that works best when Nadeko isn’t in it. Araragi and Kanbaru’s banter at the start is probably the high point of the book. Nadeko herself is painted entirely as a shy, innocent victim, forever looking down or away from the two of them. Her “monster” problem is quite sexualized, which is uncomfortable given she’s only in junior high, but if that really makes you uncomfortable you’d better jump off now before we get to Nisemonogatari, as it will only get worse. In the context of future volumes, there’s lots of subtle clues and hints in here, a few of which I think are deliberate. But without that context, this story sometimes just lies there. It’s the weak link of the five.

The third volume will contain only one story, Tsubasa Cat, and you can probably guess who stars, though if you read these two volumes and think we’re finally getting a flashback to what happened during Golden Week, you’d be wrong. It also doesn’t have quite as much Kanbaru, which is a relief even though I love her. The translation is, on the whole, excellent throughout, but Vertical has decided not to have honorifics, and as such Kanbaru’s constant “Araragi-sempai” is turned into “My senior Araragi”, which is fine initially, but after the first hundred or so times you realize how OFTEN she uses his name, and it begins to wear. (Mayoi’s “Mister Araragi” works better.) I understand why they chose not to have the honorifics, but I suspect I might find it a bit more comfortable if Kanbaru’s use of -sempai was removed rather than adapted, even if that affected the politeness level. Other than that, though, this is good volume of Monogatari, if not quite as good as the other two.

Fate/Complete Material, Vol. 2: Character Material

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By Type Moon. Released in Japan by Enterbrain. Released in North America by Udon Entertainment. Translated by M. Kirie Hayashi.

I didn’t review the first of these artbooks when it came out three years ago for several good reasons. I wasn’t really into Fate then, I almost never buy artbooks in general, and I’m not sure exactly how I’d have reviewed it, except to point at it and say “Oooooh, pretty!”. The first volume is subtitled “Art Material”, and is what it says, showing off the big cutscenes and promotional materials for the visual novel. It’s gorgeous, and I recommend it, but you can’t talk about it for 500 words. That’s not a problem with the second artbook just released by Udon. This gets deeper into each of the characters in the original game, showing all their sprites, discussing their character with the writer and illustrator in great detail, talking about the weapons used in the VN, and also showing off the original character sketches and commenting on them. There’s a lot more text here.

For the most part, this book limits itself to the characters from the original Fate, though it does assume that the reader is at least aware of its sequel, Fate/Hollow Ataraxia, as Bazett comes up in the ‘character relationship’ charts and is mentioned once or twice. We get long sections devoted to each of the three heroines, reminding you just how many sprites there are of each of them. Shirou, obviously, gets far less page time, as being the player character his sprites were rarely seen. We discuss why everyone loves Saber and how on earth she does her hair up like that (they agree she uses magic to achieve it), how much the strength of Rin as a complete character took the creators by surprise, and also how difficult they found it to distinguish Sakura and not make her main design “too boring” (the dangers of being the good, sweet girl).

Other surprises that I found within were the fact that Taiga, one of the most comedic characters in the game, was originally going to be a mature “big sister” type – and also get killed off, potentially. Needless to say, when the Taiga we know came into being the death got deep-sixed, and instead we get things like the Tiger Dojo. If you look at the character sketch section, you can see Taiga’s original design, and in fact it’s Ayako – something the authors readily admit, the illustrator just repurposed the old Taiga sketches for Rin’s friend. I was also amused at the discussion of Rin’s other friends, who only appear in the opening prologue. You wonder why they bothered to have sprites at all, and the creators explain they were told to add some as it was felt there just weren’t enough characters.

There’s three more artbooks after this, though I don’t know if Udon has licensed them all. The third shows us backgrounds, Tiger Dojo stuff, and the new CG and sprites added for the PS2 version; the fourth goes into all the other Fate spinoffs that aren’t Ataraxia (at least, spinoffs at the time the book came out, which was six years ago), and the 5th is the Ataraxia-focused book. If they’re anything like the job Udon has done with this artbook, they’ll be a treat. Essential for Fate fans.

Pick of the Week: Shoujo and Nuclear Power

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SEAN: Lately it seems Pick of the Week is overflowing with choices, which is always a good thing. I’ll go with the debut of Anonymous Noise from Shojo Beat. For years I’ve been a fan of Hana to Yume series, and so I have high hopes for this new one. Plus that’s a fantastic cover.

MICHELLE: Oh, man. What a tough choice. I am looking forward to Anonymous Noise, and to another volume of Natsume’s Book of Friends, but I suspect that, when it makes its biannual appearances, it’ll be Skip Beat! that always ends up my official pick of the week.

KATE: I just ordered a copy of Ichi-F: A Worker’s Graphic Memoir of the Fukushima Nuclear Power Plant. If any medium seems well-suited to telling such a harrowing, personal story, it’s manga. I might need to read the first volume of Anonymous Noise as a chaser, though…

ASH: I’m definitely interested in Anonymous Noise, too, but I’m with Kate this week. Ichi-F is a fascinating, important, and personal work that gets my pick.

ANNA: I ordered Ichi F for my library, and I’m excited about Anonymous Noise as well. However, Skip Beat! is such a special series, I can’t imagine not picking it for Pick of the Week.

MJ: There are a number of potentially interesting titles on the list this week, but the one that sticks out for me most is definitely Anonymous Noise. I’ll admit I’m a sucker for music-themed manga, and this is no exception.

Bookshelf Briefs 3/6/17

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A Certain Scientific Accelerator, Vol. 5 | By Kazuma Kamachi and Arata Yamachi| Seven Seas – A lot of the Science side of the Index series involves trying to break past impossibilities, and death is always one of the biggest of those. We get some villain motive here with Hishigata, who is doing all this to make sure his dead little sister can return to life. Of course, as Estelle tries and fails to get across, that is NOT his dead sister but an evil force possessing her corpse (the reader knows this as she grins evilly when he’s not looking). As for Accelerator himself, he finally manages to save Misaka 10046 with only massive property damage in his wake, but we still have the final fight. Which Estelle will be joining as well. Excitement and adventure and really wild things, as always. – Sean Gaffney

Masamune-kun’s Revenge, Vol. 4 | By Hazuki Takeoka and Tiv | Seven Seas – Masamune makes great strides here, but a lot of it is by accident, and he’s got absolutely nothing on Neko when it comes to manipulation, mostly as despite his professed motive of horrible revenge on Aki, he’s still a nice guy for the most part who you know is never going to be able to go through with it. Indeed, he’s poking at Aki’s memories trying to see if she recalls “Pig-Legs,” though the cliffhanger suggests that will backfire on him spectacularly. The scene in Neko’s bedroom between her and Masamune is the best in the manga so far, and shows off the hero at his best. As for humor, there’s Aki’s foul-mouthed secretary and a hysterical test of courage gone wrong. Better than it looks. – Sean Gaffney

Miss Kobayashi’s Dragon Maid, Vol. 2 | By coolkyousinnjya | Seven Seas – It’s honestly hard to find much to say about this even in brief format, as it’s light as air. That’s not to say it’s not good—I actually enjoyed it quite a bit—but it wears its slice-of-life monster series agenda on its sleeve. We do get to hear a bit about how, even if this series does end up with a yuri relationship between Kobayashi and her dragon, it’s still only transitory, owing to the lifespan of dragons and humans. We’re also reminded that Tohru is not the typical dragon by the appearance of her father, which allows Kobayashi to actually take a stand and show some real emotion for a change. But for the most part we get equal amount of comedy, heartwarming, cute monsters, and yuri tease. For fans of those. – Sean Gaffney

Natsume’s Book of Friends, Vol. 20 | By Yuki Midorikawa | VIZ Media – I hope describing a manga as “lovely” doesn’t suggest that it is also dull, because this volume of Natsume’s Book of Friends is very much the former and not at all the latter. In this installment, Natsume and Nyanko-sensei (who is looking especially adorable!) help a yokai with a jar stuck on his head, find a lost hairpin for a heartbroken mountain god, protect a house from scarecrow yokai who want to make it their own, and beautify a tiny shrine to entice a traveling god to visit. I continue to love how sympathetic Natsume is to the plight of yokai—a trait that earns him the notice of a mysterious man Natori consults on the scarecrow case—as well as how he’s still so grateful to have friends who know his secret and help him out. I hope we don’t have to wait another year for the next volume! – Michelle Smith

The Prince in His Dark Days, Vol. 3 | By Hico Yamanaka | Kodansha Comics – After spending some time with Itaru in volume two, volume three brings us back to Atsuko’s point of view. After learning her secret, a rich guy named Daigo demands that Ryo let him have her for the night. Ryo agrees, but luckily Daigo is only trying to be a rich jerk, and is utterly undone by Atsuko’s tears. Ryo, meanwhile, is obviously being changed by his association with Atsuko, for even though he still puts Itaru first and foremost—as demonstrated by his zeal in tracking down the parties responsible for spreading vicious rumors about Itaru online—he still feels an impulsive need to rescue her that he ultimately heeds. I can only assume they will end up a couple, since the next volume is also the last, but covering that much ground in one volume will probably be tricky. We shall see! – Michelle Smith

Rose Guns Days Season Two, Vol. 2 | By Ryukishi07 and Nana Natsunishi | Yen Press – We continue to deal with the fallout from Season One, as it becomes clear that the Chinese are moving in on Rose and company, even if it means going against Lee. And what’s more, they have a pawn in Rapunzel, who has regained her memories after a traumatic incident, though she’s keeping that from the rest of our gang of Roaming Wolves. Of course, that doesn’t mean that she’s suddenly turned evil, and in any case Rose’s empathy means that any attempted assassinations are not going to be happening regardless. I suspect the next volume will involve a lot more violence and more things going wrong, and it’s questionable if our new protagonists will even survive. Gripping at times, but very variable. – Sean Gaffney

Sweetness & Lightning, Vol. 4 | By Gido Amagakure | Kodansha Comics – The approachable-yet-delicious fare featured in this volume includes pork shougayaki (which looks amazing), sweet potato crepes, kinpira gobou, okonomiyaki, and beef stew. I like how, almost in the background, we see Kotori making friends at school, as they’ve noticed her love of food and ask her to help with their festival booth. Tsumugi, too, navigates some pre-school friendship drama, and I predict that one grumpy-looking little boy will be cheered by food in the next volume. What I love best, though, is how conscientiously Inuzuka-sensei takes his role as father, carefully demonstrating for Tsumugi that you don’t give up when things are hard, and always explaining why she’s being scolded. Another lovely title for me this week! – Michelle Smith

How a Realist Hero Rebuilt the Kingdom, Vol. 1

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By Dojyomaru and Fuyuyuki. Released in Japan by Overlap, Inc. Released in North America digitally by J-Novel Club. Translated by Sean McCann.

There is a certain variety of story that has been seen more and more often lately. It usually is fanfiction, but as we’ll see, doesn’t always have to be. It usually involves the author (almost always a young male in their late teens or early 20s) reading a work and liking the general idea, but feeling the execution just wasn’t… badass enough. Or the main character was friends with the wrong people. Or the world was run in a nonsensical way, and things would be far better if everyone just had more common sense and thought things through. (These stories also usually involves a large number of heroines deciding they’re OK with sharing the love of the hero in happy polyamory, possibly as they were mostly written by late teen-early 20s boys.) The most famous example is probably Harry Potter and the Methods of Rationality, but if you’re looking for something along those lines but in an original work, Realist Hero may be right up your alley.

“But wait,” you say, “I thought you said this wasn’t fanfiction!” Indeed, it’s an original story in the isekai genre, of a young man summoned to another world to defeat a demon king, but who instead puts his college learning to good use teaching modern politics, economic theory, and the essentials of running a city to good use, becoming the king and ending up engaged to the crown princess seen in the cover. “But… that’s Saber, right? Saber Red, to be precise.” Don’t be silly, that is not Saber Red. It merely looks just like her. Not a surprise, as the illustrator’s pixiv page basically contains the cover for Realist Hero 1 and a ton of Fate/GO art. That is Princess Liscia, who warms to our hero over the course of the book, acts as a student for all the modern ways he’s teaching them, and in return teaches him about the little known facts of their fantasy kingdom, like the polyamory. Which is probably fortunate as he also gets a hot elf bodyguard and singer/temptress/big sister figure to fall for him (I’m ignoring the loli for the moment), and seems to be adding a feisty young dragonet noble, manipulative princess of the country next door, and tsundere thief to the mix in future books.

I’ve been fairly glib in this review, but I will happily admit the book is something of a hoot to read. It wears its heart on its sleeve, and while I wish it would tone down the Machiavelli (using The Prince as a guidebook on how to run a country is never, IMO, a good idea, especially as some scholars think The Prince was meant to be satire), the lead is actually likeable and not the massive jerk you sometimes see in these sorts of stories. His suggestions are sensible, but don’t always work out perfectly, and I like the fact that we move forward over several months as the book progresses. (There’s also a narrative device where sometimes we hear “little did they know that in thirty years time, this would become etcetcetc.”, which I also liked.) If you’re looking for an isekai that’s light, breezy fun (though the second volume implies there may be war on the horizon), this should fit the bill nicely.

Erased, Vol. 1

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By Kei Sanbe. Released in Japan in two separate volumes as “Boku Dake ga Inai Machi” by Kadokawa Shoten, serialized in the magazine Young Ace. Released in North America by Yen Press. Translated by Sheldon Drzka.

I didn’t really know much about this going into it at all. The author is known for dark psychological stuff, and this title certainly qualifies. It also had an anime, which I also haven’t seen. I was thus unprepared for what a good, solid mystery series this would be, with several surprising fake-outs, both plot and character based, and a likeable but very flawed lead hero. It also seems to be examining child abuse, something I’m always pleased to see in Japanese manga, though sometimes I feel it only glosses over the root issues. That doesn’t seem to be the case here, though, and Erased is not only well-written but emotionally raw – it took me a while to finish the volume as it was hard to read in one sitting.

Our hero is Satoru, a wannabe manga artist who unfortunately is somewhat withdrawn and reserved – his manga fails because he doesn’t put enough of himself into his work. We gradually discover this is partly due to a tragedy that happened to him as a child, which he has been repressing memories of. His non-manga job is pizza delivery boy, where he has somewhat stilted conversations with his cute co-worker, who he feels is too young for him and in any case isn’t interested in him anyway. He also has a strange ability to “fix” things that are about to happen, which may or may not be tied into the past tragedy he had. When a tragedy is about to occur, he times loops for a few minutes till he can identify and fix what’s going to happen. Of course, sometimes he’s not there to fix things. And when his mother is murdered, partly as a result of something he thought he’d fixed, he collapses and finds himself back in elementary school, reliving his childhood to try to erase the original tragedy.

Satoru is not all that likeable a hero, but in a character development sort of way rather than an aggravating way. He’s our POV character, so for a time we tend to agree with him – in the early pages, his mother comes across as rather pushy and annoying, and it’s only as the series goes on that we see how smart and together she really is. As a kid he still has the memories of his 29-year-old self, but manages to act like a child most of the time anyway – I particularly liked his thinking something blunt and saying it aloud without realizing it at the same time. We also meet the truculent and reserved Kayo, who was the girl whose murder was the start of the tragedy he’s now trying to prevent. His attempts to stop the murder, save her from an abusive household and bring her out of her shell are awkward yet heartfelt, and seem true to life – or at least as true to life as a Peggy Sue time travel mystery can be.

This is being released here, I believe, in four omnibuses, and I’ll definitely be picking up the second one. It makes for unnerving and difficult reading at times, but it does what you want a new series to do – it makes me want to read on to find out what’s happening next.

Grimgar of Fantasy and Ash, Vol. 2

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By Ao Jyumonji and Eiri Shirai. Released in Japan by Overlap, Inc. Released in North America digitally by J-Novel Club. Translated by Sean McCann.

As I have observed many times in the past in my reviews, I am not all that much of a gamer. Sometimes this makes it hard to follow various aspects of Japanese light novels, many of which depend on knowledge of how RPG systems work. But it also means that I may not have the patience for the sort of level-raising behavior that these games, and subsequently these light novels, involve. This second volume does a lot of character building work, and by “a lot” I mean that Haruhiro, Ranta, and to a lesser extent Merry get more development. It’s good development too, as this series has a lot of reflection on the best way to act like a leader or a team player. This does not obscure the fact, however, that the plot of this second volume involves “kill things” for the entire length of the book.

For all that I complain about Ranta, sometimes Haruhiro can also be annoying fro different reasons. He’s never really had to lead before, and has no idea how the mindset of a leader works, and so is constantly doubting himself and criticizing his decisions when things go wrong. He seems to think that this is just him rather than the norm, but I think the problem may simply be that “leader” types never get the inner monologue that we get from him here, and in fact also think about these things all the time. Stepping back and looking at things from an outside perspective, we see he is getting better at making decisions, takes responsibility, and his battle skills are also improving. I think Merry can see this best (I don’t see this series as having much romance, but if it did, they’re the obvious pair).

Speaking of Merry, she’s able to put a few of her own demons to rest in this book, though she notably does not get an inner monologue. Ranta does, though, which confirms a lot of what we already know about him. He’s hotheaded and stubborn, but also tends to act this way as a pose half the time, and is frustrated that the rest of the group doesn’t understand him better – especially as Haruhiro seems to understand the other party members fine. But Haruhiro and Ranta have a complex relationship, more than just boke and tsukkomi, and only time is going to fix that. Luckily, the near loss of Ranta at the climax of the book seems to have united them a bit more closely (if he gets paired with anyone, it’ll be Yume, who’s already sparring with him in best Ranma and Akane tradition).

So good characterization, and the fights are pretty good. That said, if we don’t get something actually happening in the third book besides “kill things, level up”, I may let this series go. It’s a good examination of how “trapped in an RPG world” would go if it were realistic, but it’s sometimes simply too realistic, i.e. it’s a slog.

The Full-Time Wife Escapist, Vol. 1

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By Tsunami Umino. Released in Japan as “Nigeru wa Haji da ga Yaku ni Tatsu” by Kodansha, serialization ongoing in the magazine Kiss. Released in North America digitally by Kodansha Comics. Translated by Rose Padgett.

It is a rare series that can immediately win me over within the first five pages. In fact, I’ve long been an advocate of giving series a chance beyond one volume, especially if they are of the “horrible person is changed by the plotline of the manga” type stories. But sometimes I start a manga and I know immediately I’m going to fall in love with it. This is that sort of manga – when I saw Mikuri being “interviewed” about the difficulties she’s having with her life, and realized that she was imagining this in her head, I grinned. And when I saw this would actually be a recurring thing, I cheered. Not only are these segments some of the funniest in the volume, but they also serve to help deepen the characterization of the main heroine, who is otherwise very matter-of-fact and calm. It’s a great device.

The premise is laid out right at the start. Mikuri kept doing college because it was hard to find a job, but now she’s post-grad and still can’t find work, and even temp agencies aren’t working out. She’s living with her parents as well, which proves to be problematic when they decide to retire to the country, meaning she needs work and a place to stay NOW. Luckily, she’s been doing a part-time job cleaning house and basically functioning as a wife-figure for Tsuzaki, an introverted guy who tends to say what he thinks and has minimal social skills. They get on fairly well (it helps that Mikuri’s degree is in psychology, so she’s much better at reading people than the average manga protagonist), and suddenly it becomes apparent that this is a solution to her problems. They could marry on paper, and she could function as a full-time wife (minus wifely duties, so to speak) and get health benefits and the like.

In case you hadn’t already guessed, this is a josei series. It is, in fact, the sort of josei we don’t usually see brought over here – a lot of the josei we’ve seen in the past few years I’ve defined as “shoujo with adults”, as you find the same love misunderstandings, fretting, and breakups that you would in a high school shoujo magazine. This seems more grounded in the real world – indeed, a big surprise for me is how little romance there is in this first volume. Clearly the endgame will be getting these two quirky kids together for real, but I like how it’s a slow burn, and that we’re starting to see it on his end but not on hers. In fact, it’s even bluntly laid out in their agreement that they can see other people as long as they’re discreet. That may be tested soon, as it appears that Tsuzaki’s co-worker may be starting to fall for Mikuri, and his other co-worker seems to have realized their marriage is not a genuine one.

The supporting cast is also good – I particularly liked Mikuri’s aunt, who shows that you can regret not having a romance when you’re in your fifties but still have a happy and fulfilling life. Tsuzaki’s friend Numata is also gay, and occasionally acts the stereotype, but even this is subtler than I was expecting. What I’m left with is a good story with great characters and an interesting style, one that I really want to see play out in future volumes. It also has a live-action series under its belt, so apparently did pretty well in Japan as well. Read this, you’ll love it.