Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Sean Gaffney

I Saved Too Many Girls and Caused the Apocalypse, Vol. 6

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By Namekojirushi and Nao Watanuki. Released in Japan as “Ore ga Heroine o Tasukesugite Sekai ga Little Mokushiroku!?” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Adam Lensenmayer.

Despite the occasional attempt to tie things together between sections, this is what we always knew was coming in a series this large: a short story collection. The good thing about this is that everything takes place around Rekka’s school and neighborhood, so we get to relax a bit after the high stakes of the last volume. The bad thing, of course, is that low stakes events sometimes don’t equal high impact. The first story in this volume deals with Lea, the human-looking leviathan from Volume 2, and her attempts to actually hold down a job and earn money so she does not have to rely on “nice young men” buying her meals. Lea’s ‘clueless yet strong’ character is not really top tier among the heroines, and the addition of a terrible gay stereotype (which I was going to give a pass until he took the perverted customer into the back room for punishment – yes, the guy was a lech, but no. don’t do that) did not help matters. Thankfully, things pick up a bit after that.

Only two heroines on the cover and added to the pile (that’s a total of 15 now, if you’re counting), but both of them are solid additions. Little Apocalypse sometimes tends to forget it’s meant to be a parody, but it’s a bit better on that front this time around – Rekka has never been more clueless about the fact that all these girls are in love with him. Given that, if you’re going to add memorable new heroines you need to make them ‘types’ so they stand out. Thus we have the teasing, large-breasted literature club girl, Midori, who is thought to be a ghost but in reality is simply quiet and weird – except around Rekka, whom she loves to hug from behind because, well, did I mention the large breasts? Despite the stereotype, she’s a lot of fun – it makes you realize we never really had a ‘tease’ among the heroines till now, and it gives a nice dynamic. The other heroine is Momone, who is not only Student Council President but also a Shrine Maiden and Demon Hunter. Honestly, you could fit three heroines in that description, but she does it all herself. Her blunt forcefulness is also something new added to the heroine lineup.

Neither one of these girls needs saving by Rekka, as R notes – they aren’t “traditional” heroines the way the rest of the group has been, they’re more like Hibiki (who gets a short story at the end dealing with a vengeful ghost, which reads like an episode of Urusei Yatsura so much that I’m going to check my DVDs to see if they actually did that one). That said, it’s fairly clear by the end of the book that they both like Rekka just as much as the rest of them. The final story here is R reporting to her superiors on her progress, which is pretty much near zero. It does have R serving to remind us that this is technically HER story – the story of how she’s stopping the Apocalypse by going back in time and helping Rekka. Which so far seems to involve dragging him around then house as he sleeps so that she can watch TV late at night.

So overall a decent addition to the series, and these books are always so short that they’re a light, snack-like read as you wait for the next Arifuerta or something similar to come down the pike.

Manga the week of 12/13/17

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SEAN: A relatively light week next week, possibly as all the titles were pulled into the black hole that is the week after next, which crushes all in its path.

J-Novel Club has a new debut, Walking My Second Path in Life. It sounds really great, being about a princess who’s tired of being used and then forgotten about so decides to masquerade as a male squire and try to become a knight. It’s also written by someone with the penname “Otaku de Neet”, so there’s that. I am thus cautiously optimistic?

Kodansha’s digital releases now outstrip their print by about 5 to 1. On the print side, there’s a 4th Aho-Girl, a 6th Clockwork Planet, a 3rd Kigurumi Guardians, and a 7th Princess Jellyfish, which I’m finally falling behind on (and feeling guilty).

MICHELLE: I always delight in a new Princess Jellyfish!

ASH: Indeed! I’m still incredibly happy that the series is being released in print. (And that we’ll be getting Tokyo Tarareba Girls, too!)

ANNA: Good stuff!

SEAN: In ongoing digital titles, we have, and try to say this all in one breath: Aoba-kun’s Confessions 5, Black Panther and Sweet 16 5, Chihayafuru 7, Domestic Girlfriend 12, Drowning Love 6, Grand Blue Dreaming 4 (that’s getting print later next year), House of the Sun 12, Kokkaku: Moment by Moment 3, and PTSD Radio 2. Eeesh. Chihayafuru is my pick from that pile.

MICHELLE: Mine, too, but I do still intend to check out Drowning Love and a couple others.

SEAN: Seven Seas has Vol. 13 of A Centaur’s Life, which continues to be the most deeply random ongoing series I’ve ever read.

ASH: I’ve definitely fallen behind, but the manga can be really interesting even if its tone and direction can be somewhat erratic.

SEAN: They also have a 7th Dance in the Vampire Bund omnibus, which I think takes in some of the sequels and side-stories.

And the print edition of the 4th Grimgar of Fantasy and Ash light novel.

SuBLime has two titles next week, with a 6th Don’t Be Cruel (still putting Elvis in my head every time I see it) and a 4th Deluxe Edition for Finder.

ASH: The deluxe edition is really nice, especially for fans who haven’t already invested in the series. (And it includes additional content to entice those who already have.)

SEAN: Vertical has a 6th massive volume for BLAME!, which I discovered at Anime NYC I’ve been mispronouncing all this time.

MICHELLE: It’s, like, bu-rah-mu or something, isn’t it?

SEAN: It’s apparently BLAM, as if written without the E.

We are almost finished with Itsuwaribito, though I could be lying. Sure seems that Vol. 22 is the second to last, though.

ASH: Ha!

SEAN: And Magi has a 27th volume, and may be killing off one of its main characters? Though somehow I doubt that.

MICHELLE: Volume 26 ended on quite the cliffhanger, so I’m definitely looking forward to this.

ANNA: Soooo far behind with this series. One day!

SEAN: Lastly, we see the debut of Splatoon. This series, based on the third person shooter game, is actually one of several manga that have come out. This one is Shogakukan’s title from CoroCoro Comic Special. Given it ran in CoroCoro, I expect it is geared for younger readers.

Are you getting anything next week, or saving up for the hell that is bearing down on us?

The Promised Neverland, Vol. 1

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By Kaiu Shirai and Posuka Demizu. Released in Japan as “Yakusoku no Neverland” by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump. Released in North America by Viz Media. Translated by Satsuki Yamashita.

This review, out of necessity, talks about the first volume of The Promised Neverland. If you want to be unspoiled, go read it first.

Holy Mother of God. It’s been a long, long time since I’ve had a manga, particularly a Jump manga (which tend to be slow starters), make my jaw drop quite as much as The Promised Neverland did. Everything seemingly comes together in this. The art style fits with the writer perfectly, there are many, many page turn reveals and amazing facial expressions. The three leads are likeable, whip-smart and yet not perfect, and you really, really want them to win out. There’s also a love of friendships and family that I will always adore when it’s handled this well. And yes, let’s just get it out of the way, there is some amazing horrific stuff here, with most of the book being a tense, nail-biting thriller but occasionally dipping its toe very effectively into pure horror. The Promised Neverland is RIVETING.

The cover and first couple of pages might lead you to believe that we’re going to be seeing some sort of warm, fluffy, Anne of Green Gables style story. We meet Emma and get her POV of the orphanage she’s spent most of her life in. Sure, the title page may look a little grim and ominous, but let’s disregard it for now as she seems so happy! Emma is one of the oldest in the orphanage, and along with her best friends Norman and Ray she spends the day herding the younger kids, having immense amounts of fun, and taking the DAILY TEST, the first of those page-turning reveals I mentioned above. At this point, the reader knows something grim is coming. Still, it’s not until we hear that one of the youngest kids is leaving that day that we think “uh oh”. And sure enough, soon we’re up to our neck in mysteries, from “what’s outside the orphanage?” to “why did that happen to Conny?” to “why are we still here even though we’re all 11 years old?”. Now Emma, Norman and Ray have to outsmart the adults – something easier said than done.

I feel like going on and on about the things I loved in this. Ray’s cynical intelligence and Emma’s boundless emotional enthusiasm are balanced nicely in the middle by Norman, and honestly I’m glad Emma is not beaten down by this (yet), as without her the title would be even grimmer than it already is. I also love the fact that Emma refuses to simply try to run away with just Ray and Norman – she absolutely won’t save herself at the expense of all the younger orphans. Again, there are some nice themes of family throughout this volume, and I appreciate that Emma’s viewpoint was allowed to carry the day. We hear that the three kids are incredibly intelligent, and see this displayed throughout the book… except they’re also outsmarted quite a bit by adults with more experience than they have.

Flaws? Well, Krone skirts the edge of being a racial stereotype, but part of that may be simply due to the fact that she’s meant to be a villain, and honestly compared to some other ways Jump has treated black people I’m willing to let it pass for now, especially as I enjoyed the way the cast is multiethnic. Mostly, though, The Promised Neverland hits it out of the park. I want it to be February already so that I can read more. Highly recommended (unless you really hate horror-based stories – it’s pretty damn dark, trust me).

your name. Another Side: Earthbound

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By Arata Kanoh, Makoto Shinkai and Hiyori Ashikawa. Released in Japan by Kadokawa Shoten. Released in North America by Yen On. Translated by Taylor Engel.

your name was an astonishingly popular movie (and I assume did OK as a novel), so it’s no surprise that there would be a desire to see more of the world. It’s also no surprise that any side stories are not going to be written by Makoto Shinkai, who has no doubt already moved on to his next great work. Instead, this collection is by Arata Kanoh, who has done this sort of thing before – he has a 5 Centimeters Per second novel out in Japan, and seems to specialize in these sorts of books. What we get here is a collection of four short stories set in the world of your name (all on the Mitsuha side of the swap – sorry, Tokyo, no one cares about your end) and expanding on the points of view of three of the side characters (in case you’re wondering, the first story is more about Taki being not very Mitsuha-ish and making people “see another side” of her with his threatening bullies and doing Michael Jackson Smooth Criminal dances while in her body). As with many side story collections, it’s a mixed bag.

The second story focuses on Teshigawara, one of Mitsuha’s friends, and his POV on what’s been going on. One of the running gags through this volume is how horrible Taki and Mitsuha are at this bodyswapping, as absolutely everyone can see something is going on but can’t figure out what. It’s put down to stress, or possession by a fox spirit, etc. We get a few of the scenes in the original novel on his end, and see his frustration at the two girls talking about leaving this dead-end village when they graduate. He’s in a family business, expected to take it over, and rather frustrated about the whole thing, and therefore hearing them going on about how boring it is there is making his teeth grind.

The best story in the collection deals with Yotsuha, Mitsuha’s younger sister who spent most of the original novel staring suspiciously at her sister groping herself. Again, she knows something’s up with her sister, but can’t quite pin it down, and is casting around for reasons for the personality change. It’s a good look at events from the persopective of a 10 to 11-year-old tomboy, and we see the love that Yotsuha has for her sister, even if it doesn’t necessarily come out the way she wants. She also gets to experience what Mitsuha’s going through in another, more mystical way.

The final story was my least favorite, though that’s not the fault of the book – I just can’t bring myself to like Toshiki, Mitsuha’s father, and this story is an effort to give us backstory and show us how he turned into such an ass, as well as expand on Mitsuha’s mother. It didn’t help that we get a terrifying amount of cultural history regarding the past of the village’s rituals and how it got wiped out, which is meant to be interesting but I found a bit exhausting. I’m not sure I buy the “perhaps it was fate’s plan that I turn into a jerk and become Mayor” idea either.

That said, if you enjoyed your name, this is a pretty good followup to it. It’s not essential, but allows you to enter into that world one more time, which is just the sort of thing some readers love.

Bookshelf Briefs 12/5/17

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Son of Cornucopia of Briefs!

Akashic Records of Bastard Magica Instructor, Vol. 2 | By Hitsuji Tarou, Tsunemi Aosa and Kurone Mishima | Seven Seas – Last time I said Glenn was too irritating, this time the opposite may be the case. Part of that is due to the fact that this is mostly just a big battle, as Rumia has been kidnapped and Sistine and Glenn have to rescue her. This involves a pile of fights, some of which are more exciting than others. The final fight is an anticlimax, partly as the villain is dull and gives up very easily, and partly as Rumia, in order to contrast with Sistine, is also quite dull. The best part was Glenn pushing Sistine out of the building, frankly. This is an OK series if you like magical high schools, but there’s honestly better ones out there. – Sean Gaffney

Anonymous Noise, Vol. 5 | By Ryoko Fukuyama | Viz Media – As I’ve said before, the quality of this series is dependent on the amount of music depicted in it, and this volume has a LOT of music, making it easily the best volume to date. Nino can be good at playing and singing, or she can blow everyone away with her voice and emotions, but she cannot, seemingly, do both at the same time. The result is a concert that looms towards trainwreck the entire time but never quite gets there, riding entirely on the skill of the band and Nino’s desperate cries of the heart. The art here is stunning, and remains the best reason to read it. The romance, honestly, is the weak link, and you’d really like it to resolve itself but know that it won’t. Get this for the band. – Sean Gaffney

Everyone’s Getting Married, Vol. 7 | By Izumi Miyazono | VIZ Media – The more things change, the more they stay the same. Ryu has been offered a promotion to the Washington, DC branch of his news organization, and, with encouragement from Asuka, decides to accept. They attempt to make the most of the months they have left, including a few fun dates and an outing in which Ryu introduces Asuka to his brother. He even proposes, sort of. “In spirit,” he says. But still, once he’s gone, we get essentially the same stuff as before. Vague glimpses at Asuka’s job, her brother showing up to poke his nose into her business, and, most significantly, yet more of Kamiya and his persistent angling for Asuka’s affections. It’s not bad, but it’s a dynamic that I’m pretty tired of. Still, it’s a quick, light read, so I’ll probably keep following it. – Michelle Smith

Frau Faust, Vol. 2| By Kore Yamazaki | Kodansha Comics – I must admit, I was very disappointed at the big plot twist of Frau Faust‘s second volume. I really liked the badass adult heroine, so seeing her, though the bargain she has with her demon, have her body stripped away so she looks younger and cuter strikes me as not the best bargain I’ve ever had. That said, her personality remains the same, and it wouldn’t matter if she was young or old, nothing was going to be able to stop Marion getting himself into trouble, as he possesses a thirst for knowledge second only to her own. And most of the horror in this book is given over to a creepy church with an evil priest and nun, always popular with readers. Despite the age regression, I’m still enjoying Frau Faust. – Sean Gaffney

The Full-Time Wife Escapist, Vol. 6 | By Tsunami Umino | Kodansha Comics – I expected to be happy and relieved when these two awkward failboats finally got it together, confessed they liked each other, and had their first time. And I was. The good news is that it does not in any way detract from the fact that they are still two really awkward massive failboats, even as they deepen their relationship. Because they still can’t think of it as a relationship—in particular, Mikuri is panicking at the fact that being his real wife means giving up on the income she’s been getting. Which you could argue is meant to be a comment on the sheer amount of unpaid work the average wife goes through, but I think is more meant to show that Mikuri has serious compartmentalization issues. I love this series. – Sean Gaffney

Idol Dreams, Vol. 4 | By Arina Tanemura | Viz Media – Idol Dreams has always been “problematic but readable,” and both qualities amp up in this fourth volume, as Chikage deals with her decision to date Ru as a 15-year-old. She thinks of things as an adult, so can’t really understand a teenage boy’s drives and desires, which almost leads to tragedy, and does lead to her doing something very cruel in order to “fix” things. The other problem is Chikage’s complete and total lack of self-worth. This is, after all, a woman who tried to kill herself near the start of the series. It’s so bad that she even gets “confidence” lessons from the other girls in the office. Tanemura is always readable, but I still can’t see this ending in any way other than everyone being very, very unhappy. – Sean Gaffney

Kiss Me at the Stroke of Midnight, Vol. 2 | By Rin Mikimoto | Kodansha Comics – Despite still having issues deciding how much of a comedy it’s supposed to be, this is a better volume than the first. Our heroes have gotten together, though of course given Kaede’s idol status it’s a big secret—if found out, Hinana could be in big trouble. I liked the added depth we got from Hinana here—she does initially have confidence in her relationship with Kaede, but is still a teenage girl, so lies can persuade her. She also reveals that she’s adopted, which means she feels the need to excel in school, and being around Kaede all the time is not helping, especially when he keeps trying to distract her. (The sniffing scene was a highlight). I’m having sufficient fun to continue. – Sean Gaffney

Ooku: The Inner Chambers, Vol. 13 | By Fumi Yoshinaga | VIZ Media – As ever with Ooku, time moves on, and when I first started reading this volume, I missed the beloved group of characters involved with eradicating the redface pox. Soon, though, I realized that Iesada, the first female shogun in over sixty years, is awesome, and that Takiyama, her new senior chamberlain, is likewise awesome. Moreover, her female senior councilor (becoming more of a rarity as the male population recovers) Abe Masahiro is seriously awesome. Now they (especially Takiyama and Masahiro) are as beloved to me as the other group! The moral of the story is: never doubt Yoshinaga. She even knows how to give a reader goosebumps via a dramatic reappearance of a symbolic kimono design! I’m so happy there are at least two more volumes of this. – Michelle Smith

A Polar Bear in Love, Vol. 1 | By Koromo | Yen Press – This is a cute and seemingly heartwarming manga, but its relationship between predator and prey makes me a bit uncomfortable. I think the manga artist is aware of this—we get constant reassurance from the polar bear that he does not, in fact, want to eat the seal but has fallen in love with him instead. And the fact that they’re both male is also not overlooked. There’s a lot more going on here than you’d expect in a series that’s meant to run on “ooooh, adorable animals!” Still, there’s no denying that the seal is terrified the entire time and unable to really escape for a while, and the fact that he’s slowly starting to fall for the polar bear does not really quiet my misgivings. Warily recommended. – Sean Gaffney

Requiem of the Rose King, Vol. 7 | By Aya Kanno | Viz Media – Say what you will about Kanno, she really knows how to drag out the canon scenes to serve her own interests. And serve them very well, as this is another volume of Rose King that you absolutely can’t put down once you start reading it. Margaret’s downfall will be very familiar to readers of the Henry VI plays, but that doesn’t make it less tragic. As for Richard and Henry, Richard seems to be descending closer and closer to madness, and he doesn’t even need Joan of Arc’s ghost this time around—his mother fills in nicely. Add to this Anne being ABSOLUTELY BADASS, and you have another volume of what may be the best Shojo Beat series out there that isn’t Shojo Beat. You need to be reading this. – Sean Gaffney

Sword Art Online: abec Artworks | By abec | Yen Press – It’s always nice to see a series do well enough to justify licensing the artbook, and I’ve always liked abec’s work. We get some gorgeous art here, of course, along with some insight into the process (such as Kirito being added to the cover of book seven by editorial fiat). There’s also a short story at the end by Reki Kawahara, which involves an artist who’s trying to figure out a way to paint in Aincrad, whose game nature does not make it easy on artists requiring a large canvas. There are also lots of pieces unseen by North American fans, as we get art for promos and magazines. Basically, anyone who is a fan of Sword Art Online should be getting this. It’s also out digitally, but that may not do it justice—go for the bigger print book. – Sean Gaffney

Tokyo Tarareba Girls, Vol. 9 | By Akiko Higashimura | Kodansha Comics (digital only for the moment) – I was equal parts anticipating and dreading this final volume of Tokyo Tarareba Girls, because I wanted a happy ending for Rinko and Key and Mr. Hayasaka, which was going to be impossible. That said, I’m quite satisfied with how things turned out. I won’t give away any plot details, but I loved how Rinko both changed and did not change, in that instead of saying “what if” and regretting the state of things, she’s now determined to say “because” and be grateful for events and people who have helped her grow as a person. She’s now more honest with herself and with others, and yet she’s still the Rinko who periodically gets sloppy drunk with her friends. This is a really strong conclusion that even made me a little sniffly! – Michelle Smith

Astra: Lost in Space, Vol. 1

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By Kenta Shinohara. Released in Japan as “Kanata no Astra” by Shueisha, serialized in the magazine Shonen Jump +. Released in North America by Viz Media. Translated by Adrienne Beck.

As fans of Weekly Shonen Jump know, not every series that comes out in Japan, or even is a hit in Japan, gets licensed here in North America. And in the modern digital age, it has become much easier to follow the Japanese publication and theorize about the next pickup, or whine about why such and such a title is still not licensed despite being up to Vol. 22 or so. The mid to late 00s, in fact, had a bunch of those “not quite” titles, including my pet favorite Medaka Box, as well as Beelzebub and Supernatural Detective Neuro. And there was also Sket Dance, a very popular comedy that ran for over thirty volumes in Japan, but I think suffered from comparisons to Gintama (comedy about a group that theoretically helps people, any romance is played for laughs, cast full of weirdos), no “supernatural” elements, and lack of a real plot. I mention all this because the author’s new series which has been licensed, Astra, has improved on much of this. It’s got fantastic elements, it has an overarching plot, and it’s five volumes long rather than 32.

The premise is that sometime in the future a group of teens go on a survival camp to another planet, where they are supposed to have fun and do cool camping things. It’s all perfectly controlled and safe. They even brought along one character’s little sister to take care of. Unfortunately, the moment they arrive, they are all sucked into a mysterious orb and deposited in the middle of deep space some five thousand light years from home. Even the Rolling Stones weren’t that far away. They manage to board an abandoned ship… but find it needs repair, and they need food and water or they will die. So they land on a nearby planet, and proceed to forage. Naturally, this involves dealing with various alien plants and animals, ranging from hilarious to terrifying. And learning a bit about each other along the way.

The cast is not particularly original here, ranging from the overenthusiastic hero and heroine to the stoic smart guy to the haughty rich girl who secretly just wants to have friends. If Shonen Jump ever had a casting call for a generic shonen series, these are the people who would turn up. That said, they bounce well off each other, and none of them (not even the haughty girl) are overly irritating. There are also a number of amusing moments, despite the rather serious-sounding plot. You can tell the author is more experienced with comedy, particularly tsukkomi – a number of scenes are along the lines of “character says something dumb, the others respond with retorts”. The drama is also done well, though, with tragic pasts deployed at just the right moment to be relevant, and not overstaying their welcome.

This is the very definition of a good, solid Jump title. It’s the sort of thing you’d probably drop if it ran on over 20 volumes, but since it’s not going to I’m happy to see what happens next. And who knows, if it sells well maybe we’ll get Sket Dance too.

Pick of the Week: Neverland

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SEAN: There are a few intriguing volumes out this week, and I’d argue Wake Up, Sleeping Beauty is my clear runner-up, but there has been SO much good buzz about The Promised Neverland that I simply can’t resist making it my pick of the week. I want to see what the fuss is about.

KATE: This week, I’m all in for The Promised Neverland. After seeing so many people praising it, I decided to check it out for myself and boy howdy — it’s a nail-biter! If you need more persuading, I’ve offered a more thoughtful explanation of why you should be reading Neverland here.

MICHELLE: This wasn’t on my radar until Ash posted the link to Kate’s review, and now I’m going to be picking it like everyone else! Wake Up, Sleeping Beauty and Drifting Dragons are debuts I plan to check out, as well.

ASH: Perhaps unsurprisingly, I’m in agreement with everyone else here! While there are a few things that I’m interested in this week, my pick absolutely goes to The Promised Neverland.

ANNA: I’m not going to break this pattern! The Promised Neverland looks very interesting, that’s my pick too!

Re: ZERO -Starting Life in Another World – Ex, Vol. 1

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By Tappei Nagatsuki and Shinichirou Otsuka. Released in Japan by Media Factory. Released in North America by Yen On. Translated by Kevin Steinbach.

We’ve already seen DanMachi get a side story novel series licensed, but much as Aiz is theoretically the star of the novels, Bell Cranel is always lurking just around the corner. This side series for Re: ZERO is a different kettle of fish, taking place before Subaru’s arrival in Lugnica, with each volume (there are only two to date) focusing on a different side character with no chance of Subaru appearing. Given that my main issue with Re: ZERO is Subaru himself, I welcome this development with open arms. Instead we get the backstory for Crusch and Ferris, showing how they grew up together, along with a third member of their group who had just as big an impact – Fourier, a Prince of the Kingdom who has a crush on Crusch that is clearly visible from space, but hasn’t actually done about it. Of course, Re: ZERO readers know what happened to the entire royal family from the main series. Uh oh.

That said, the first half of this novel is relaxing and fun. Fourier reminds me a lot of Tamaki from Ouran High School Host Club, both in appearance and personality, and he makes a perfect third in the friendship with the emotionally reserved Crusch and the snarky tease Ferris. Also like Tamaki from Ouran, we see that when he gets serious he can move mountains, which helps immensely as the book eventually does turn deadly serious. The narrative implies that he has a special power that comes out in a crisis; unfortunately, as the entire Royal Family ends the novel dead (this can’t really be a spoiler, right? We already know it from the main series), we will likely never know what that power is. The final scenes of the novel are still heartbreaking even if you do know it’s coming, with excellent writing and one of the most tear-jerking “out of context” color pages I’ve ever seen.

Of course, Crusch and Ferris are the characters we know from the main series, and they’re good too. Ferris gets an abusive childhood that makes sense in terms of the plot but is still wretched, and his father is really a nasty piece of work. There’s also a plot twist I won’t spoil, which if nothing else shows you how abusers can justify their abuse even when covering up its true intentions. Crusch is, unsurprisingly, badass throughout, but the ability to see her inner monologue at times is very helpful, and obviously we now know what’s really driving her in her campaign for the Kingdom. There’s also some good development here for Julius, the knight mostly known in the main series for getting into nasty fights with Subaru. Here we see him get a sense of what being a Royal Knight really means, as well as seeing how clever people can sometimes hide behind “acting the fool” in order to not attract attention.

Basically, this is a must-read for any Re: ZERO fan. The second volume will feature Wilhelm and his own tragic past, and I cannot wait.

SP Baby, Vol. 1

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By Maki Enjoji. Released in Japan as “SP x Baby” by Shogakukan, serialized in the magazine Petit Comic. Released in North America by Viz Media. Translated by JN Productions.

The cover for SP Baby (the ‘x’ has been removed from the North American title, for reasons that are unclear, particularly as the SP is not particularly obvious – I think it stands for Security Police) is meant to be viewed horizontally, I think. with the front and back together showing us the lead couple. It’s a good summary of the power dynamics of the couple itself, like many manga romance covers. Tamaki is the heroine, and she has her hand extended to stop some unseen person from coming closer, while the other is shoved up against the wall. Her face doesn’t make it clear if she’s guarding her charge from an attack or trying to stop anyone seeing him with his arm around her. Meanwhile, Kagetora is the hero, and is a ninja who… wait, he’s not a ninja? Nonsense, he’s named Kagetora. All manga characters named Kagetora are ninjas, it’s a rule. In any case, he’s standing there with one arm around Tamaki’s waist and the other posed artfully in the air, staring at the reader with a smirk that makes me worry he’s going to say something like “My bodyguard – I think I’ll keep her”. It is a great cover for showing exactly what you get in the manga itself.

Despite the occasional snark in the above paragraph, I found SP Baby enjoyable more than I expected. Tamaki is fairly hapless, but it’s in a likeable, realistic way. She’s looking for work but has an extreme case of bad luck, and it has a tendency to get others hurt. Her only close people seem to be her younger brother (who’s a non-entity) and her childhood friend Natsu, who is tall, good-looking, likes the heroine but seems to be unaware that she is into him. He’s also a blond in a josei series, never a good sign. One day while looking for work, she spots a man being chased and attempts to stop his attacker… who it turns out is actually the man’s bodyguard, trying to get him to do some unpleasant task. Turns out Kagetora is the nephew of the prime minister, so has a lot of people after him for various reasons. And whatever bad luck Tamaki may have, she can also kick. So Kagetora hires her to be another bodyguard for him. But is this really the first time they’ve met?

The author previously did Happy Marriage?!, and I get the sense that if you enjoyed that you’ll like this, and if you didn’t it’s probably not your thing. That said, I did enjoy Happy Marriage?!, and I liked this as well, forced kisses aside. For one, I liked the fact that the forced kiss was immediately called out. I also enjoyed the various bits of bodyguard training we saw – Tamaki can kick, but she needs to learn more if she’s going to be able to protect anyone. And the couple is cute. You hope they get together. In fact, they’d better get together soon, the second volume is the last. Josei fans should have fun with this.

Also, if Kagetora is revealed to be a ninja in Vol. 2 I will laugh and laugh.

Legend of the Galactic Heroes: Mobilization

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By Yoshiki Tanaka. Released in Japan as “Ginga Eiyū Densetsu” by Tokuma Shoten. Released in North America by Haikasoru. Translated by Tyran Grillo.

These novels seem to have been alternating between political intrigue and space battles, and as you might guess that means the majority of this volume is the latter. And some fantastic space battles they are, showing off good strategies, the horrors of war (one of Those Two Guys is even killed off), and a battle of wits between Yang and Reinhard. As for who wins, well, as you can imagine, it’s not as clear cut as all that. There is a decisive winner of the war, though, and that leads to the scene that everyone has been waiting five books for, which is Reinhard and Yang meeting face to face. It’s not a very long scene at all, and the two respect each other but don’t really change their mind about much of anything. Still, it’s iconic, and I imagine must be one of the highlights of the anime series. Of course, there’s still five books to go in the main series, so the question is where does LoGH go from here?

Perhaps a romantic comedy? Unlikely, but it’s not an accident that each main character has a capable and beautiful young assistant. That said, Frederica’s feelings for Yang have been far more noticeable, whereas it’s harder to get a read on Hilda (as the two generals mirror each other, so do their aides). Given that, it’s unsurprising that Yang takes the plunge here, with perhaps one of the most awkward proposals ever recorded on paper. It’s still nice to see, and combined with the war being over you sort of hope that Yang gets his wish to settle down, retire, and become a historian as he’s always wanted. That is highly unlikely to happen, sadly. As for Hilda, she’s far more active in the plot, but any potential romance (which, given the differences between the Empire and the Alliance, I expect would be more a political than romantic arrangement) is scuppered by her actions here to ensure Reinhard’s safety, which are very clever, work 100%, and absolutely infuriate him. Reinhard has never grown up in many ways, and it’s never more clear than in the scenes at the close of the battle, where he can’t accept what’s actually happened.

As always with LOGH, there’s about twenty other things also happening. Much to my surprise, the bratty child Emperor has not yet been terminated with extreme prejudice, but he has been made completely irrelevant, which works just as well. Julian is back with Yang, though that also means he has to deal with Yang and Frederica getting together, which (as a teenager with a crush on Frederica himself) is vexing. And there is still politics and intrigue, mostly on the Alliance side – in fact, given this is the midpoint of the series, it seems appropriate that a decisive and crushing final victory… is completely averted, leaving everyone pretty unhappy.

As you may notice, I’ve been trying to be less spoilery than usual, because the joy of this volume really is trying to guess what’s going to happen. Of course, the amusing thing is that the main audience for these novels may be fans who have already seen the anime. That said, if you’re on the fence and you like dense, verbose space opera, you absolutely have to be reading this.

Forbidden Scrollery, Vol. 1

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By ZUN and Moe Harukawa. Released in Japan as “Touhou Suzunaan ~ Forbidden Scrollery” by Kadokawa Shoten, serialized in the magazine Comp Ace. Released in North America by Yen Press. Translated by ZephyrRZ.

Seemingly this manga is simply another in a long, long line of titles that can be summed up as “supernatural experts deal with the yokai problem of the week”. The star of the show, or at least the character who the events revolve around, is Kosuzu, a perky and slightly ditzy seller of rare books. The land she (and the rest of the cast) live in, Gensokyo, seems to exist somewhere in yokai land, and finding books that actually exist “in the human world” is a big deal. Of course, just because the books may have existed in the human world doesn’t mean they can’t be big trouble. There’s letter-eating bugs, and sentient smoke, and all sorts of yokai that are not precisely evil but are definitely troublesome. Fortunately, Kosuzu has a group of friends to help her out whenever things get too out of control. In fact, at times it feels as if the friends are the real stars that the reader paid to see…

Yes, as most readers are no doubt aware, this is not merely another generic youkai manga, but in fact that first manga licensed here in the West based on the hideously popular bullet hell game Touhou Project. And the reason that so much attention is devoted to Reimu and Marisa is that they are the overall stars of the franchise – Kosuzu was created specially for this title. There are, thankfully, some explanatory endnotes detailing who’s who of the major characters. Sometimes this isn’t needed – the vaguely antagonistic friendship/rivalry between Reimu and Marisa is pretty self-evident from the text, but sometimes things can be a bit confusing. When Reimu meets Mamizou, the unsettling supernatural tanuki girl, it’s clear they have a past history, but that is presumably part of another piece of Touhou lore.

So the question remains, is this readable and enjoyable to someone unfamiliar with the Touhou franchise? I think so. Pretty much all I know about Touhou can be summed up as “Cirno’s Perfect Math Class”, but I was able to move along here, mostly as I have considerable experience reading youkai manga. The cast are new to me, but their character tics are pretty well established – Reimu seems very lazy, for example. That said, I think I found Kosuzu the most interesting character – which makes sense, since this series is supposedly about her. It’s unclear how aware she is of the dangerous qualities of her books – certainly she seems to be hypersensitive to anyone damaging then, but that reads as “obsessive book lover” more than anything else. I want to see more of her.

I think Yen Press seems to agree with me that the series can be appreciated without any previous knowledge, as the Touhou references are limited to the endnotes – not even a “based on the hit game Touhou Project!” on the back cover. It’s supposed to succeed or fail on its own. There seem to be about 7 volumes, and I’ll certainly see how the next one is. For Touhou fans, obviously, but also yokai fans and fans of cute girls.

Manga the Week of 12/6/17

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SEAN: The first week of December seems like a cakewalk compared to the third, but that’s only a matter of degrees. Let’s see what we’ve got.

Dark Horse has an 8th volume of Blood Blockade Battlefront, whose 7th volume came out sometime in the 17th century, I believe.

ASH: That does sound about right.

SEAN: Ghost Ship is the new imprint for Seven Seas’ more racy titles, though honestly I’m not sure how they’re different from a lot of Seven Seas’ other racy titles. They begin with two Shonen Jump titles that Viz never bothered to pick up: To-Love-Ru, a sweet yet ecchi romantic comedy, and To-Love-Ru Darkness, its much racier sequel that verges on hentai at times. We get an omnibus of the first two volumes of the first series, and the first volume of its sequel.

ASH: I’m curious to see how this imprint develops. It’s also incredibly interesting to see Shonen Jump titles from a publisher other than Viz!

SEAN: J-Novel Club has another debut, this one called How NOT To Summon a Demon Lord. I believe the Japanese title mentioned slave magic, so I will withhold my thoughts till I see how it handles it.

ASH: I wonder if Seven Seas might eventually team up with J-Novel Club to print this series, too, since the manga adaptation has also been licensed.

SEAN: There’s also a 5th Mixed Bathing in Another Dimension, which has caught up with Japan so has longer wait times.

Kodansha has STUFF. The first digital debut is Drifting Dragons, which seems to combine dragons and cooking. It runs in good! Afternoon.

MICHELLE: Oooh! And next year we’re getting househunting dragons, too.

ANNA: That sounds fun!

ASH: I would totally read that.

SEAN: The other debut digitally is Ayanashi, a fantasy drama from Shonen Magazine R. World overtaken by monsters, our hero bent on revenge, can he open up to others?

Also out digitally we have Pumpkin Scissors 16 (the Del Rey rescue) Yozakura Quartet 19 (ditto), Altair: A Record of Battles 6, The Full-Time Wife Escapist 7, Hozuki’s Coolheadedness 3, and Real Girl 8. I haven’t even reviewed Wife Escapist 6 yet…

MICHELLE: It’s good!

ANNA: So far behind with Wife Escapist, but I still like it!

SEAN: Kodansha’s print debut is Wake Up, Sleeping Beauty, which is another shoujo title from Dessert but whose premise intrigues me.

MICHELLE: I am always willing to at least try Dessert titles, having liked a lot of them.

ANNA: Me too!

ASH: I am also rather intrigued.

SEAN: If you wanted to pick up the Attack on Titan: No Regrets series but decided to wait till it came out in a Complete Color Edition, have I got good news for you!

ASH: I’m not such devotee that I’ll be double-dipping, but I did like this (shoujo!) spinoff. This will probably be the definitive edition, though.

SEAN: And there’s a 7th Fire Force, which continues to not be Soul Eater.

Seven Seas has 2nd volumes for Akashic Records of Bastard Magical Instructor and Captain Harlock: Dimensional Voyage, two series nothing like each other. We also get a 13th Dragonar Academy and an 8th Magika Swordsman and Summoner.

ANNA: CAPTAIN HARLOCK!

ASH: I liked the first volume! I will read more!

SEAN: Vertical has the 2nd and final Helvetica Standard volume, subtitled Italic.

And it’s the first week of the month, so there must be a ton of Viz. Two debuts. The first is Astra: Lost in Space, a Shonen Jump + series by the author of Sket Dance that looks to be a lot more serious than that title ever was.

The other debut is The Promised Neverland, a Weekly Shonen Jump series that I know little about except it’s become quite popular in Japan. Is it the new My Hero Academia?

ASH: I’m interested in both of these, but Kate recently posted a great review of The Promised Neverland, so I know which one I’ll be starting with.

SEAN: Shonen ongoing series! Assassination Classroom 19, Dragon Ball Super 2, Food Wars! 21, Haikyu!! 18, Kuroko’s Basketball 17-18, a 22nd One Piece 3-in-1, and the 4th Platinum End.

MICHELLE: Yay for food and sports!

ANNA: Indeed!

ASH: That is a pretty great combination, actually.

SEAN: Shoujo ongoing series! The 9th Bloody Mary, a 7th Everyone’s Getting Married (OK, that’s josei), and a 2nd Queen’s Quality.

ANNA: Excited for both Everyone’s Getting Married and Queen’s Quality!

ASH: Same! (Even though I’ve fallen behind…)

SEAN: It’s a mangatopia! What are you interested in?

So I’m a Spider, So What?, Vol. 1

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By Okina Baba and Tsukasa Kiryu. Released in Japan as “Kumo Desu ga, Nani ka?” by Fujimi Shobo. Released in North America by Yen On. Translated by Jenny McKeon.

The entire genre of ‘transported to another world’ (isekai) has grown massive and huge. Be it via dimensional portal, game gone wrong, or simply death and reincarnation, Japanese teens and young adults keep finding ways to enter a new world, pick up a sword, and start grinding like it’s 1999. And as you can imagine, it’s becoming harder and harder to stand out from the crowd, to have a premise that does not make the average reader go “oh, this again”. And thus we have the influx of being reborn in another world as something weird. Next month we’ll get slime monsters, and in April we may hit peak ridiculousness with vending machines, but for the moment we have spiders, as our vaguely named heroine (we hear about a mean nickname, but her actual name seems deliberately vague) wakes up after an explosion seemingly destroys her classroom to find… she’s a spider. A tiny, weak spider, the sort you kill in Level 1 of your new game. Now what?

To be honest, the other light novel title I kept comparing this to as I read it is Arifureta. The bulk of the book is similar to the middle of that series, with the spider getting into tricky situations, figuring out how to survive them, and getting increasingly strong, even if she may not realize it. Contrasting this we cut back to her other classmates, who have also been reincarnated in the same fantasy world. Some get off well – Shun is a prince with high magical talent, though he’s still a newbie to actually using it. His (male) best friend from their previous world is reincarnated as a (female) noble, though (s)he seems to take it in stride. And one of the “queen bee” types from their class is a dragon, and Shun’s familiar. We even get the cute but immature young teacher who’s there to help find the rest of her class so that she can show them the right path, which is pretty much exactly like Arifureta.

Whether you like Spider So What (which is what I’ve started to call it) depends on how much you can deal with the spider’s narration, which I would describe as first-person hyperactive teenager. In her previous human life, our heroine was apparently a quiet girl, more comfortable gaming at home than interacting with others. Which is fine, but it doesn’t quite mesh with her personality as a spider, which feels like one two hundred page run-on sentence. The plot is simple – watch her kill and eat things (even if it’s a bad idea), gain more experience and levels (which she (and we) can see, in a manner similar to the Death March books), and gradually get into some pretty badass battles – the fight against the bees near the end was probably the best scene in the book, and shows off how far she’s come. Aside from a “it was me all along” moment when we realize the egg she couldn’t open was actually the dragon egg that housed another reincarnated student, she never meets the rest of the class – their narratives are mostly separate. I’m not sure how long that will go on, though.

So I’m a Spider, So What? is not quite as goofy as I’d expected, and when you remove the veneer it’s actually pretty similar to other titles in this genre. But the fact that the lead is a teenage girl, even if she’s a spider, is refreshing, and she’s certainly plucky. I found this pretty decent, and I’ll read more to see where it goes.

Arakawa Under the Bridge, Vol. 1

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By Hikaru Nakamura. Released in Japan in two separate volumes by Square Enix, serialized in the magazine Young Gangan. Released in North America by Vertical Comics. Translated by Andrew Cunningham.

Some series work better in collected in volumes, and some work better in a magazine next to other titles that aren’t very much like it. I’m pretty sure that Arakawa Under the Bridge is one of the latter. Of course, since we don’t have too much opportunity to read Young Gangan over here, we’re only getting the volumes – and even worse, this is an omnibus edition, collecting two of them at once. I say “even worse” even though I did enjoy Arakawa a great deal, but it is, at heart, a gag comic, with its chapters being approximately 6-8 pages, and such series always have to deal with the question of “can this hold up when we get to Vol. 7 or 8?”. Even Nakamura’s other famous (and unlicensed) series, Saint Young Men, deals with this, as despite its fantastic and slightly blasphemous premise, it’s much the same – it rides on its weird humor. So far, though, Arakawa is worth the read.

The premise is paper-thin. Our hero is a successful, rich young man who lives his life (thanks to his somewhat abusive father) with the philosophy “never be in debt to anyone”. Then, through a series of ridiculous circumstances, he gets his life saved by Nino, a self-proclaimed Venusian woman who lives under one of the city bridges of the Arakawa river (so no, she is not the Arakawa under the bridge). He is thus forced to try to repay her so that he can move on with his life… which proves impossible, and he soon finds himself inveigled in her world as part-boyfriend, part-tsukkomi, meeting a series of increasingly ridiculous people who also live under the bridge. Despite apparently being a young heir with an important job in a highrise, no one from his family or friends ever comes looking for him. The outside world is not important in this. It’s about the weirdos.

Supposedly, Nino is the first of the weirdos that we meet, but she proves to be the calm, stable center of the series, her deadpan earnestness giving it grounding. It also allows the reader to make an emotional connection between her and “Recruit” (their nickname for our hero, which I tend to think of him as because his last name is too long), and I was surprised and pleased to find a few heartwarming, sweet moments scattered in among the zaniness. You actually want to see if they can form a real relationship. Might be a bit difficult, though, given the other cast members, which include a man who dresses as a kappa, a guy with a star for a head, a male nun who looks like he stepped out of the pages of Black Lagoon, a young yakuza wannabe girl, and a farm woman who confuses ‘teasing’ with abusive language.

As you might imagine, this series is for people who enjoy amusing, strange characters interacting. If you want narrative or character development, I’d look elsewhere. But Arakawa made me laugh, and by the end I wanted to see more of them. That’s the important thing.

Bookshelf Briefs 11/28/17

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It’s a cornucopia of briefs!

Ace of the Diamond, Vol. 6 | By Yuji Terjima | Kodansha Comics (digital only) – Training camp continues, and the coach has arranged for some practice games right afterwards, the better to gauge how well the first years play when exhausted. For Furuya, the answer is initially “not well,” but he never loses his determination, and once he swallows his pride and asks Miyuki for advice, he finally internalizes the truth that, at Seido, he’s got teammates who are going to back him up, even if the batter does manage to get a hit. Eijun’s fun and everything, but Furuya is not your typical shounen protagonist, and I’m pleased that he’s getting his share of attention. I also liked that the boys hang out some with varsity teammates we’ve barely glimpsed before now, and we learn how awesome the captain is. I am already relishing the thought of future marathon rereads of this series. It’s a keeper for sure. – Michelle Smith

Cells at Work!, Vol. 5 | By Akane Shimizu | Kodansha Comics – Once again, Red Blood Cell is absent from this volume except a brief cameo. This allows us to focus our attention on the ‘normal cell’ from prior volumes, who still has a tendency to do dumb things on impulse. Fortunately, the cute adorable bacteria he’s harboring in his room are the GOOD kind of bacteria. Unfortunately, his attempt to get them to where they can do good is thwarted by a host of crises from which White Blood Cell and company must rescue him, most notably the return of Cancer Cell, who brings back the ethical ambiguity to the series as he asks essentially “are the needs of the many less important than the needs of the one?” The one being the body. This was a lot of fun. – Sean Gaffney

Delicious in Dungeon, Vol. 3 | By Ryoko Kui| Yen Press – The cast expands a bit in this third volume. We see one of our team’s old comrades, who left them due to actually wanting to get paid, and the complicated relationship she has with them, particularly Marcille, and it’s made clear she’s not a bad guy—everyone has their own needs and drives. As for Marcille, we also get a flashback to her school days, which shows how she met Laios’ sister (still being digested by a dragon, if you recall), which is rather cute. And of course more ridiculously gross yet amusing monster recipes. And plenty of humor, as it turns out tentacles can be peeled sort of like bananas. Still good, though I’d like to get the sister rescued or declare her dead. – Sean Gaffney

The Full-Time Wife Escapist, Vol. 6 | By Tsunami Umino | Kodansha Comics (digital only) – It was inevitable that Mikuri and Hiramasa would discover that they are in love with each other, but I am still kind of surprised that it actually happened. It’s lovely to see him grinning like a doofus at the office after an evening of fooling around, but I appreciate that the transition into a real marriage isn’t exactly going to be smooth. Mikuri is worried, for example, that she’ll be expected to do the same amount of work for free, while Hiramasa worries about his waning sex drive. Somehow I doubt we’ll ever see the latter issue addressed Everyone’s Getting Married! I also really enjoyed the scenes where Mikuri’s aunt and Kazami get to know each other better—I wholeheartedly approve of them hooking up! – Michelle Smith

Haikyu!!, Vol. 17 | By Haruichi Furudate | Viz Media – And so our heroes pull it off, and get to advance, while Aoba Johsai has to suffer an ignominious defeat. This is done in the best possible shonen way, with lots of noble tears and resolve to get even stronger. The cliches don’t FEEL like cliches—the author is adept at making this feel fresh even when you know where every plot beat is going to be. And so it’s on to the finals, and I suspect this game may drag on a while, as it’s a best 3-sets-of-5 game. Their opponent is Shiratorizawa, who I’m sure we’ll find out more about as we move on, but who clearly have one player who’s REALLY good, and the volume ends with our heroes down by quite a bit. I think they’ll come back, though. Just a hunch. – Sean Gaffney

Hana & Hina After School, Vol. 3 | By Milk Morinaga | Seven Seas – This turns out to be the final volume, and honestly you get the sense it was cut a bit short—the last half feels rushed. Of course, considering all we were getting before that was a slow-burning pile of angst, it might be best that it got the push. Morinaga Milk has always been better at fluffy than angsty, so it comes as something of a relief when our two heroines finally get over the whole “is it just me? Did she mean it when she said she’s not that way?” drama and get together (in all respects—as with previous MM titles, there’s a brief, not-that-explicit sex scene here). In the end, this was a cute read, but I’ve seen better yuri from this author. – Sean Gaffney

Horimiya, Vol. 9 | By Hero and Daisuke Hagiwara | Yen Press – Horimiya has always tried to be at least slightly more realistic than a lot of romance manga, and thus watching Yuki’s ongoing angst regarding her lies and deceit and how it’s impacting other people is particularly painful. I’m not really all that sure I want her to win here, even though the alternative will also suck. On the bright side, Hori and Morimiya are doing better than ever, and as Hori is forced to think about her future—something which she seemed to have given not a single thought to—but she realizes here that no matter what she does, she wants to be with Miyamura. This leads to a sort of adorable reverse proposal, which fits the general characterization. Still good, but I hope it’s wrapping up soon. – Sean Gaffney

JoJo’s Bizarre Adventure: Stardust Crusaders, Vol. 5 | By Hirohiko Araki | Viz Media And so, finally, JoJo’s has run up against my ability to get 500+ words out of each volume. Yes, this is the first volume to get a Brief rather than a full review, and I put the blame entirely on the rambling Road To Cairo plot that Araki has chosen to use this time around. Individual moments are as striking as ever—I felt the killer baby was more interesting as a killer within dreams than in the real world, and the surprise non-death of a character feels a bit cheap. But JoJo’s still has its bizarre visuals and grotesque violence, and as long as it keeps that up it should stay interesting, even if Jotaru continues to be the dullest Jo we’ve had to date. – Sean Gaffney

Kiss & White Lily for My Dearest Girl, Vol. 4 | By Canno | Yen Press – Most sports manga fail to show the heroes moving on to a professional career, with a few exceptions like Captain Tsubasa. In reality, a lot of sports careers end just the way we see Mizuki’s end here—she comes close to the Nationals, but doesn’t make it, and realizes that this is it, she has to stop doing track and decide on an actual career. There’s also her relationship with Moe, which may actually be hindering her for a spell—it’s gotten to the point where she forgets running was fun—but eventually proves stronger than both thought, and we get a proposal (of sorts) and a kiss. This is a bit stronger than Hana & Hina, even if it’s just as fluffy, and I’m pleased to see it continue. – Sean Gaffney

Log Horizon: The West Wind Brigade, Vol. 7 | By Koyuki and Mamare Touno | Yen Press – The comedy is kept to a minimum here, as we get the more dramatic parts of the third and fourth novel, intermixed with how it’s affecting the West Wind Brigade. Kawara’s on the cover, and we get a bit more insight into her character—basically, she’s an instinctual fighter but a bit of an idiot who got into the game because she wanted to be a shonen hero, and the West Wind Brigade was the only one that would take her in. It does also show off her strengths as well, though. That said, easily the most interesting part is the ending, where we get a surprise appearance by a seemingly insane Nureha, who’s met by a battle-crazy Soujiro. I want to see how this battle turns out. – Sean Gaffney

My Hero Academia, Vol. 10 | By Kohei Horikoshi | Viz Media – I appreciate that Horikoshi is willing to let Bakugo be a completely unlikable jerk, driven by rage and jealousy and every single negative emotion, and yet still show that he realizes the difference between good and evil—that he’s decided that he wants to be a HERO rather than a villain, even if that means going against what comes more naturally. It’s a terrific scene that really made me like him. On the flip side, the disguises used to infiltrate Evil HQ are hilarious, particularly Deku and Momo. The humor is needed, as this is something of a grim arc, especially with the arrival of a Bigger Bad towards the end. This volume shows off everything that has made this the hot new Jump title. – Sean Gaffney

Nisekoi: False Love, Vol. 24 | By Naoshi Komi | Viz Media – Even though it’s obvious Onodera’s going to lose, give credit to the author for not making it easy. She and Raku have really developed a close relationship, and even if it’s not romantic I hope they can stay friends. More to the point, the fact that Onodera is willing to help Raku track down Chitoge by FLYING TO AMERICA with him (because Chitoge has, like many tsundere heroines in denial, literally run halfway across the Earth to escape her love issues) shows off her truly ridiculous kindness. There’s the last popularity poll in this book, and Chitoge and Onodera are separated by barely 100 votes. That’s impressive for a harem title. In any case, it wraps up next time, so keep reading. – Sean Gaffney

One Piece, Vol. 84 | By Eiichiro Oda | VIZ Media – It’s been a while since we had a volume that focused on further sad backstory for one of the Straw Hat crew, but that’s what we get here, with many hard-to-read scenes about Sanji’s abuse at the hands of his family, intercut with a silly fight in which Luffy defeats a bunch of cracker soldiers by eating them. Because Big Mom is threatening to kill Chef Zeff if he doesn’t comply, Sanji is forced to both insult and attack Luffy in an attempt to get him to abort the rescue, but of course this doesn’t work. In addition to this riveting drama, there’s also the question of whether Pudding (Sanji’s seemingly sympathetic bride-to-be) can actually be trusted, more information about the ponegliffs (yay!), and a glimpse at the unintended consequences of toppling Doflamingo. Plus, Brook actually gets something important to do! This series is still excellent. – Michelle Smith