Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Sean Gaffney

My Youth Romantic Comedy Is Wrong As I Expected, Vol. 3

by

By Wataru Watari and Ponkan 8. Released in Japan as “Yahari Ore no Seishun Rabukome wa Machigatte Iru” by Shogakukan. Released in North America by Yen On. Translated by Jennifer Ward.

In many ways this third volume of OreGairu actually moves backwards: having seen Hachiman seemingly blow up his burgeoning friendship with Yui in the second book, much of this third one consists of he and Yukino trying to get Yui to return to the Service Club, if only as the teacher demands a certain number of people in the club. They are impeded by Yui’s hurt awkwardness, Yukino’s inability to really interact with people normally, and above all Hachiman being who he is. The point of this series to a degree is amusing the reader with Hachiman’s narration and analysis of himself and others, and I am frequently amused. But I do hope that eventually we get some sort of deconstruction of this mindset or attempt to take it apart, because it also reminds you how incredibly annoying this kind of guy really is. For someone in their late teens, Hachiman must seem awesome. He frequently exhausts me.

Yukino, on the other hand, does get quite a bit of attention devoted to her as well, and we start to see a few reasons why she is the way she is, first and foremost being the appearance of her older sister. Haruno is bright, vivacious, communicative, and seemingly nothing whatsoever like Yukino… except Hachiman, who is quite clever in ways that don’t involve himself, realizes is a false front. I’m not sure if Haruno is meant to be a villainous character here – she doesn’t actually seem to be secretly needling Yukino as you’d expect if she were, and the delight over Yukino having a boyfriend seems genuine, false front or no. Yukino is also more apparently making an effort to get closer to Hachiman, though because of who he is and who she is, this doesn’t go far at all, even with Hachiman’s sister trying to set them up.

The book ends with a “bonus chapter” that is the novelization of a drama CD included with the volume, but you get the sense that if it hadn’t come with a drama CD the author would have included it anyway, as it’s in no way irrelevant. By the end of the story Hachiman and Yui have made up and gone back to baseline, they’ve all had a cute birthday party at a karaoke place, and Hachiman has had romantic thoughts about his cute male friend Saika about 80,000 times, which has gotten less amusing as the book go on, and I wasn’t all that amused by it to start with. That said, there are also some very funny jokes here as well – I loved Yui completely misreading Hachiman’s present to her, as well as the brief narrative from Shizuka’s POV, showing that the teacher is every bit as bad as the students who she’s trying to rehabilitate.

The main reason to read this is still Hachiman’s first person snark and the jokes. But so far if I wanted to read a series about a quirky cynical narrator and a frosty socially awkward brunette beauty, I have the Monogatari Series. I’m hoping that in the next book we try to do a bit more with these people than just circling each other warily and grudgingly getting along.

Bookshelf Briefs 9/25/17

by and Leave a Comment

Arpeggio of Blue Steel, Vol. 11 | By Ark Performance | Seven Seas – One of the good things about this series is the way that not all of the ‘traitor’ mental models are changing sides due to love on Gunzou—in fact, almost none of them are. We’re gradually seeing that the mental models, as they gain more experience, are becoming more and more like humans. Which means they can screw up—I laughed out loud at Haruna’s “fake name.” But it also means they can bond with other humans, like Iona and her crew, or save other humans when it doesn’t gain them anything, like the two chibis who help Iori to not die in the engine room. As you can see, I may be very bad at names in this series, but that doesn’t mean I don’t enjoy it every time. – Sean Gaffney

Barakamon, Vol. 14 | By Satsuki Yoshino | Yen Press – We’re back on the island for this volume, as Handa goes forward with his decision to start a calligraphy school rather than try to follow in his father’s footsteps. That said, trying to make a real living at a school on an island where no one wants to pay that much money is going to be tough. Meanwhile, Miwa’s family is also having issues with finances, as her father decides to close the liquor store as he’s losing to the larger chain. Miwa’s frustration and indecisiveness is quite realistically shown—she doesn’t just go “I’ll take over for you, Dad” but has to be led there slowly because her future hasn’t really occurred to her. And the best news of all, Kanzaki goes back to Tokyo, and will not hopefully irritate future volumes with his presence. – Sean Gaffney

Dreamin’ Sun, Vol. 3 | By Ichigo Takano | Seven Seas – After Zen infuriating me in the second volume, I’m pleased to state that he’s much more tolerable here, possibly as I’m now sure that he’s not going to be endgame. That said, I do now suspect that endgame is going to be her landlord, which… well, on the bright side, he’s not her teacher. Much of this volume follows a theme of ‘dramatic shoujo,’ with the desire to chase your dreams warring with the reality of needing to actually deal with life crises, which may mean abandoning those dreams. Zen works much better in this plot than he did getting really angry at Shimana because he had no idea how to deal with love. This isn’t my favorite series by this author (I prefer orange), but it’s nice and solid shoujo. – Sean Gaffney

Everyone’s Getting Married, Vol. 6 | By Izumi Miyazono | Viz Media – While I’d appreciate this even more if Kamiya weren’t a creep and stalker, I do like the fact that the author is well aware of it and not really playing it as oh-so-sexy. In fact, sometimes it manages to be funny. A large part of this book involves Asuka and Ryu, still not getting married, deciding to get an apartment together—and naturally guess who their neighbor is. I also really enjoyed Asuka’s family, as her mom explains the reasoning behind why she got married, and her brother manages to be protective but not a brat. More to the point, I just really love Asuka and Ryu as a couple, married or not. The cliffhanger implies fresh disasters, but that’s OK. This series has really leveled up. – Sean Gaffney

Honey So Sweet, Vol. 8 | By Amu Meguro | VIZ Media – It feels like so many shoujo series have ended recently, and here’s one more. It doesn’t quite take the pair-the-spares approach, as one guy in the group remains single, but I do admit the sudden love interest for Sou is out of left field. However, seeing Yashiro and Misaki finally get together was freakin’ adorable, as is Onise’s crying when he realizes how much Sou loves Nao, followed by Sou actually laughing at Onise’s blinding honestly. A brief glimpse at the future six years hence is followed by the original short story that was the basis for the series. It’s cute, it’s frothy, and I’m totally okay with that. – Michelle Smith

Kiss Him, Not Me!, Vol. 12 | By Junko | Kodansha Comics – On the bright side, the couple I wanted to get together actually got together, and the author’s notes implied this was something she actually planned in advance (never a guarantee with this series). On the other hand, I’m always wary in a reverse harem (or indeed a regular harem) when the couple gets together and the series is still ongoing. Is this really going to last? It also doesn’t help that we get a lot of backstory of how they got to know each other in a flashback after the fact. Still, it’s sweet enough, The comedy comes from them behaving like a newlywed couple in class, much to the frustration of nearly everyone. As for the drama, god help us, we have another pissed off third party breaking things up. Variable even when it’s good. – Sean Gaffney

Nisekoi: False Love, Vol. 23 | By Naoshi Komi | Viz Media – Well, it’s finally become clear what the endgame is, as Raku realizes what his feelings really are. That said, we’ve got two more volumes after this, and he isn’t sure if his love for Chitoge is greater than his love for Onodera, even if the audience is. And so all the heroines who are still in Japan get one last lap around the track so show off why they would also be an awesome choice for any guy reading this series. What interested me most was 1) Fu-chan, Haru’s friend, who is as close to a girl in love with her female best friend as you can get in a Jump series, and 2) the ongoing beta pairing, which seems to get closer and closer to reality the more violent Ruri gets. (She’s not a lead girl, so isn’t attacked for violence, I guess.) Good but dragging on. – Sean Gaffney

Of the Red, the Light, and the Ayakashi, Vol. 8 | By nanao and HaccaWorks* | Yen Press – I’ve grown increasingly frustrated with the euphemisms “eating” and “taking a meal” in this series, so it’s nice to see that it’s made more explicit here—no, they don’t say “kill,” but you literally see the endgame happening on a pile of corpses that are the previous “meals.” We also see Tougo getting guilt-tripped into accepting his own sacrifice, showing him flashbacks that give us a lot more context regarding Akane’s disappearance. Combine that with the role his younger sister played now being complete, and what can he do except be eaten? That said, we have two more volumes to go after this, so I’m fairly confident that this isn’t the endgame. How do we avoid the meal, though? – Sean Gaffney

Sweetness & Lightning, Vol. 8 | By Gido Amagakure | Kodansha Comics – Tsumugi has started elementary school, which means tasty school lunches that she and her father replicate at home and a field day for which Tsumugi powers up by eating tonkatsu (lucky!) the night before and during which she runs with such determination that it actually made me cry. Meanwhile, Kotori has managed to convince her parents that she’s serious about taking over the restaurant. It looks like the series might be doing something new going forward—now that Inuzuka has enough skill to tackle new things on his own, he might be doing that while Kotori trains with her mother. That’d be interesting, too! Also, I am seriously considering attempting to make my own tonkatsu! – Michelle Smith

Pick of the Week: Girl Fight Tonight!

by , , , and Leave a Comment

SEAN: Until a couple of days ago, this was an easy pick, as Frau Faust was greatly enjoyable. But a rival appears, and I’m afraid that it’s won me over… or should, I haven’t read it yet. Yes, my pick of the week is Shojo Fight!, which I’ve wanted licensed here for a while now. It’s digital only, but we can’t have everything. Also, potential Haikyu!! crossover fics?

KATE: I second Sean’s pick: more volleyball manga is a good thing, especially since Crimson Hero is out of print. I’m also curious about All Out!!, another digital-only sports title from Kodansha. I can’t claim to be a rugby fan, but my younger sister played on the Stanford women’s team and has fond memories of — and a few scars from — the experience. So as an act of sisterly loyalty, I’m also casting a vote for All-Out!!.

MICHELLE: Yep, it’s gotta be Shojo Fight! for me, too, though I am definitely looking forward to All-Out!! as well.

ANNA: Shojo Fight! is also my pick. Have we had an all sports manga pick of the week recently? It certainly sounds like an excuse to celebrate!

ASH: Well, were I a digital reader, I’m sure I would be joining you all in picking Shojo Fight!. Alas, I am still devoted to my print volumes. Happily, though this week is relatively light on physical releases, there is one manga in particular that has caught my eye–the debut of Frau Faust.

A Bride’s Story, Vol. 9

by

By Kaoru Mori. Released in Japan as “Otoyomegatari” by Enterbrain, serialization ongoing in the magazine fellows!. Released in North America by Yen Press. Translated by William Flanagan.

Pariya gets a second cover in a row, which makes perfect sense because this book is still all about her attempts to recover from the fire that devastated her dowry, try to get closer to her possible fiance, and make readers think of her as someone other than “the tsundere somehow trapped in the nineteenth century. That she succeeds admirably is a tribute to Kaoru Mori’s writing, which continues to be excellent. In particular, Mori has a talent for wedding her story and art in a way that few manga artists these days do, something that is especially gratifying given that Pariya’s specialty is that her emotions are showing all over her face. Which makes it even more amusing that everyone seems to be misreading her, particularly Umar, her intended.

The dowry continues to be the big issue. The devastating fire from last volume really sent Pariya back to square one, which is very concerning for her family because, well, Pariya is seen as someone not all that easy to marry off. She’s loud, she’s abrasive, and she seems to spend her days in a state of perpetual rage. The well-seasoned manga reader, of course, knows that the anger is to hide her shyness and embarrassment, but I like the fact that most of the village does NOT get this immediately, not even Umar, and Pariya really has to work hard to make herself clear. There’s no revelatory moment where people work out “this is how she is”, just a series of chapters that show Pariya gritting her teeth and watching others to see if she can work out what this strange Earth concept called conversation is. A good chunk of the volume has her and Umar go on a day journey to get supplies, which ends up getting extended when they stop to help an ill woman, then suffer a broken axle. But it also helps Umar see how awesome Pariya can really be.

The rest of the cast get something to do, though obviously except for Amir and Karluk it’s a very brief something to do. There’s a series of 4-koma at the start that check in on the rest of the cast we’ve seen to date, who are mostly getting on well, aside from Mr. Smith, who’s having bandit trouble, and the girl who he had a brief liaison with, who is still alone. As for Amir, her perfection has a tendency to become her character at times (I had trouble warming up to her), but we see a few flaws here, as she makes a bow so that her husband can learn archery, but makes it for the strength of a full-grown male, not the young boy that he still is. Karluk, of course, is determined to get the arm strength to learn it anyway. These two are cute, and I’m OK with having them be the return point for the series in general.

We apparently kick off a new arc next time, which will no doubt be next year, as A Bride’s Story does not come out all that frequently. When it does, though, the reader is always in for a treat. Curl up in a comfy chair and immerse yourself in this volume.

Strike the Blood, Vol. 7

by

By Gakuto Mikumo and Manyako. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Jeremiah Bourque.

Let the drums roll out and the trumpets call, strike up the band as well as the blood because I am here to tell you that this is easily the best Strike the Blood to date. It has finally moved above its decent but uninspiring attempts at makework writing and had me say, after finishing this book, “yeah, that was pretty decent”. And it should come as no surprise to find that the main reason for this, in my opinion, is because it doesn’t abide by the formula of the first six books. Oh, yes, the middle section may make an awkward attempt at it, and indeed the section in the classroom was my least favorite in the book. But overall we get backstory revelations, setup for future books, a reasonable amount of character development… it makes me cry that we haven’t bothered to have this before now, but I’ll take it.

Now, don’t get me wrong, I don’t want to overhype this too much: this is rising to the level of ‘pretty good’, but that’s all it’s doing. I would not recommend reading through the previous six books to get to this point. That said, the first third of the book, which is a flashback to when Kojou and his sister meet the Fourth Primogenitor, is well-handled, and exists pretty much to tell us that what little we’d heard to date, including Kojou’s own memories, was pretty trustworthy. We also meet his father, who seems an Indiana Jones sort, and while he’s a pretty cool guy it’s not hard to see why he is divorced from Kojou’s mother. The last quarter or so of the book also does another “finally” and focuses on Yaze, who has occasionally helped out (and gotten beat up a lot) but whose thoughts we rarely get much beyond surface. He gets his own backstory here, and shows us he’s not merely someone who is Kojou’s friend because he has to be.

As I said earlier, I was annoyed at the wacky comedy in the classroom with Vattler’s minions, mostly as it once again felt cookie cutter, Strike the Blood’s worst fault – you have a feeling his editor had a line [INSERT COMEDY HERE] at the first pass. Once Natsuki passes out and the drama starts up again, though, it’s reasonably gripping and entertaining. Despite its lack of risk-taking, the series does fights well, and that’s true here too. The villain (if she is one) is a reasonably clever fake-out, which makes you wonder if the series is going to be turned completely on its ear. It’s not, but it does come with one big benefit – Asagi is present to see both Yukina and Kojou whip out their powers, and does not lose her memory, get knocked out, or otherwise forget afterwards. I’ve wanted her to find out the truth for 7 books now. Her reaction (as Yukina observes) is understated, but she explains why that makes sense. More to the point, setup for the next big arc hints that Asagi’s secrets are about to become big news. Will she learn about her own supernatural abilities?

This isn’t going to pick up any new readers, and old readers will be continuing the series anyway. But as for me, I’m just happy not to have to end a review with “well, yeah, it’s Strike the Blood, whatever”. This was solidly pretty good. 7 out of 10, maybe? Oh yes, and it gets bonus points for Kojou saying “this is my fight” at one point and Yukina not actually responding “No, sempai, this is OUR fight”, even if it feels like it’s only not there as the author forgot.

Baccano!: 2001 The Children of Bottle

by

By Ryohgo Narita and Katsumi Enami. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Taylor Engel.

This must have been quite startling to readers at the time, and it’s still pretty startling. The first four books in this series all took place around the same two year period, and there was no reason to expect anything else. Thus suddenly jumping forward to 2001 is jarring, even if you do know intellectually that a large number of the cast are Immortals. Furthermore, Isaac and Miria, bar a cameo at the start (which ended up being used in the anime) and the end, are absent from this book. But that’s OK, because we are introduced in this book to Elmer C. Albatross, a man with so much sheer force of personality that he tends to overwhelm the narrative when he’s in it. Having him interact with Isaac and Miria would be like eating something too sweet. Best to have moderation. That said, this is still an excellent volume of Baccano!.

The girl on the cover is Fil, and she is essentially the heart of this book. (To avoid too many spoilers, I will try not to refer to her as Fil and the Filtones.) The basic premise has Maiza and Czeslaw, who we’re familiar with from previous books, searching the world for the remaining immortals from the 1711 ship journey where they gained said immortality. The goal is to tell said immortals they can stop hiding, as Szilard is now dead. They pick up two more for this journey: Sylvie, a gorgeous women who was hell-bent on nothing but revenge on Szilard and has to figure out what to do now that someone else got there first; and Nile, a large North African man who has spent his immortality fighting in wars and wears a mask because his face no longer shows emotions when doing things like killing people. They are now all arriving at a tiny village in the middle of nowhere in Europe, where Maiza has been told he may find Elmer. He does find Elmer, but also finds what Elmer’s been doing for the last few years: trying to make everyone smile.

Elmer is one of the most awaited introductions for longtime Baccano! fans, and he doesn’t disappoint. As I said earlier, on the surface he might seem a bit like Isaac and Miria, but that’s just the surface. Elmer is a bit broken, and his quest for smiles at any cost, no matter how inappropriate the time, no matter if he’s talking about a killer, no matter if it involves selling everyone’s soul – it’s just disturbing when you dig down into it. He’s doing the right thing here, but it’s not really for the right reason, and yet in the end you can’t help but love Elmer, even as you find him vaguely disquieting – I suspect if I met him in real life he’d be unbearable. (I suspect that about a lot of Baccano! characters.) The rest of the cast also get stuff to do – Czes shows that years and years of physical, mental and emotional abuse can still affect you even almost a hundred years later, Sylvie gets to be sympathetic and sweet (mostly; she’s noticeably different when only around the other immortals), and Nile at first seems to be comic relief till an absolutely stunning speech that rips into a character’s desire to end their life with beautiful precision.

Speaking of Nile, let’s talk translation. Baccano! has a large fan community who translated many of the books before they were officially licensed. That hasn’t been an issue before this, as the first four books had fan translations ranging from adequate to awful. 2001, though, had a really good translation, so I was concerned fans would be wedded to that and object to anything different. That said, having finished the book, I think we’re good. The main concern is Nile’s way of speaking. He has a habit of prefacing his sentences with “Let me just say this:” and variations, which emphasizes his declamatory language and also shows a bit that he’s constantly asking permission to speak, something Maiza calls him out on. The fan translation had “I say this:” which is more literal but not as smooth. I think Taylor Engel does a very good job of making each character’s speech pattern distinct, which is important, as not everyone’s dialogue is as eccentric as Nile’s.

I haven’t talked much about the actual plot of the book, but that’s because it’s one of those books where I don’t want to give away the surprises too much. Suffice it to say I found it very enjoyable, and think you will as well. And if you’re annoyed that we don’t get more of Firo, or Isaac and Miria, or Jacuzzi and Nice, well, we’re back to the 1930s with the next five books.

Oh yes, and ‘Children of Bodom’ is the title reference, a Finnish metal band.

Manga the Week of 9/27/17

by , , , and 3 Comments

SEAN: Another final week of the month with far more than we’d come to expect for a final week of the month. Mainly thanks to our friends at Kodansha (yeah, sorry Ash, it’s all digital again).

ASH: They may be digital, but at least there’s some really great manga being released!

ANNA: It is true, but it also makes me a little wary, having seen plenty of digital manga efforts go under in the past.

SEAN: Starting with their weekly Del Rey rescue, Princess Resurrection 18.

The first digital debut this week is All-Out!, which is a rugby manga. I’ll repeat that: a rugby manga has been licensed for North America. It runs in Kodansha’s experimental seinen magazine Morning Two, and is, I’ll repeat once more, a RUGBY MANGA. Must buy.

MICHELLE: Ooooooh. I have really appreciated the seinen difference in Giant Killing, so I’m obviously all over this one.

ASH: Yup. This one has caught my eye, too.

ANNA: This sounds interesting.

SEAN: Altair: A Record of Battles has a 4th volume digitally.

And there’s a 2nd Black Panther and Sweet 16, for shoujo fans. Also digital.

DAYS 5 reminds you that it’s not just rugby manga out there this week.

MICHELLE: Woot.

SEAN: DEATHTOPIA has a 4th volume as well.

Elegant Yokai Apartment Life has a 2nd volume of, my guess is, yokai living in apartments. Elegantly. (Though not as elegantly as Michiru Kaioh.)

MICHELLE: No one could ever be as elegant.

MJ: I am intrigued by the title alone.

SEAN: Print at last, and the debut of Frau Faust, a josei (ish) title that runs in Itan, from the creator of The Ancient Magus’ Bride. It’s a genderbent take on the classic tale, and I greatly enjoyed the first volume.

MICHELLE: I’m looking forward to this one!

ASH: I’m very excited for this release, too! I’m really enjoying The Ancient Magus’ Bride and, well, Faust is another tale I’m quite familiar with.

MJ: This sounds great!

ANNA: I didn’t totally connect with The Ancient Magus’ Bride but I am intrigued.

SEAN: Genshiken 2nd Season has its 11th volume – we’re almost near the end, but not quite there yet. Expect more Madarame stuff.

ASH: I happen to like Madarame, but I wasn’t expecting the series to end up focusing on him as much as it does.

SEAN: Giant Killing says that it too is a digital sports manga with its 6th volume.

MICHELLE: And this!

SEAN: In/Spectre comes to an end with its 6th volume. I will miss its heroine especially. and hope things end well.

Princess Jellyfish has a 6th omnibus, and it too is apparently nearing its climax. Will the apartments be saved?

MICHELLE: I love this series so much. I love the realism as they come to appreciate the enormity of what they’re attempting, but gosh darnit, I want them to succeed!

ASH: I’m so happy this series is being released! The anime adaptation was delightful, but I’m glad to finally be able to get the entire story.

ANNA: Me too! I need to go on a Jellyfish binge.

SEAN: Real Girl has a 3rd volume, and I keep meaning to catch up with it but haven’t yet.

Shojo Fight is the other big digital debut that I can’t quite believe is out over here. Women’s volleyball! It runs in Evening magazine, and is filled with kickass women. Buy this AND the rugby manga. Splurge.

MICHELLE: I literally have geekbumps right now.

ANNA: Sounds good! Crimson Hero was not enough volleyball manga!

MICHELLE: And those final six volumes will probably never be released here. :(

SEAN: Lastly for Kodansha, we have a 3rd Tsuredure Children, whose anime just wrapped up.

SEAN: One Peace has an 11th volume of Maria Holic, which I still dislike but its fans are happy.

Seven Seas has several titles, starting with a 5th 12 Beast.

Otome Mania!! has its 2nd and final volume, as we see if this game can get released.

Re: Monster has a 3rd volume of male power fantasy.

And Species Domain has a 3rd volume of quirky fantasy slice-of-life school manga.

Lastly, just when you thought the fanservice was gone, it’s back bigger than ever: The Testament of Sister New Devil STORM! debuts.

ASH: Hmmm, usually there’s at least one Seven Seas release I’m reading, but haven’t been following any of these.

SEAN: Udon has a debut as well with Infini-T Force, a Shogakukan title from Hero’s magazine (yes, that’s how they spell it) that’s essentially a giant superhero crossover.

Vertical has a 3rd Flying Witch, which continued to be cute and weird, in that order.

MICHELLE: It’s a low-key charmer.

SEAN: And we have some Yen runoff, starting with their digital titles, new 12th volumes for Aphorism, Crimson Prince and Sekirei.

In print, we have the 7th How to Raise a Boring Girlfriend.

And the 8th Of the Red, the Light, and the Ayakashi, which will no doubt entertain and confuse me, not in that order.

ASH: I need to catch up on this series, but I’ve been liking it!

SEAN: It’s a digital world, folks. Sorry again, Ash. What are you getting this week?

ASH: It’s okay, at least there’s some great print releases, too!

Nichijou, Vol. 10

by

By Keiichi Arawi. Released in Japan by Kadokawa Shoten, serialized in the magazine Shonen Ace. Released in North America by Vertical Comics. Translated by Jenny McKeon.

I haven’t reviewed Nichijou in full since its first volume, it not being the sort of series that lends itself to deep discussion. This is the final volume, though, and I think that it’s worth looking at to see how far the series has come and how abstract it is now. The creator almost seems to be hiding it with the final cover, which features the cast in class paying attention stoically, but it’s meant to contrast with the first volume, which had a random deer on Yukko’s desk. The cast does still feature, and there is, believe it or not, character development of a sort, particularly in the ‘flashforward’ chapters, but for the most part Arawi has honed his surrealist art skills here, and knows what his audience wants: randomness and reaction shots from Mio. We get those in abundance in this volume.

Let’s look at that character development. Some of it can be seen at the start, where Mai and Yukko team up to prank Mio over and over again in a game of musical chairs. But then this is followed by a chapter, seemingly set moments later, which features Yukko rapping for pages on end and embarrassing her friends. Nichijou is not a title you want to read if you get frustrated by randomness – it never stays in one place too lo0ng, it’s quite happy to toss aside reality when it wants to, and in the ‘short panel collection’, sometimes the stories are only a panel or two long. The flashforwards, however, are a bit more developed. We saw one of them in the prior volume, showing a Professor who’s actually attending school, and Yukko apparently returning from America. Here we see more, as we have Mio as an actual manga artist, with an overworked assistant, begging for last-minute help from Mai, who now teaches preschool. This is mostly fascinating because of Mai, who has always been the quiet stoic “troll”. She’s still quiet here, but seeing her smiling and showing genuine emotions is both startling and heartwarming.

In the ads afterwords, Vertical mentions Helvetica Standard, the two-volume series coming out in the fall that’s connected to Nichijou (it’s the manga Yuna is reading all the time), but it’s apparently more of an artbook with occasional comics and diaries. The “successor” to Nichijou is Arawi’s current work City, which Vertical has also licensed. What these licenses tell me, besides the fact that Nichijou must have sold better than I expected, is that it’s Arawi’s art that seems to be the big pull. There are some startling frames in this volume, particularly in the aforementioned “Mio reaction shots”, where he really goes the extra mile in making things weird yet fascinating. In the end, Nichijou oddly reminds me of Short Cuts, the old manga series by Usamaru that Viz released back in the day. The characters are fascinating, and we like them, but in the end you tend to read Nichijou for the art and the really, really weird humor. It’s been an experience.

Accel World: The Carbide Wolf

by

By Reki Kawahara and Hima. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Jocelyne Allen.

After last volume’s short story collection, we’re back to the main plotline, as Silver Crow is (finally) cleared of the accusation of hosting the Chrome Disaster. Of course, now that they know he’s not evil, the leaders all get together to try to use Silver Crow for their own purposes. It’s a very Haruyuki-centric book as he tries to gain a new ability, learns his companion’s tragic backstory, prepares for the upcoming culture festival at school (yes, Accel World has a real life aspect as well), and worst of all, deals with getting utterly humiliated in a duel against a Level 1 who has super strength hard armor. This lets all his previous doubts and self-hatred come to the fore, though thankfully he has allies now who won’t let him slip too far into that. Essentially, it’s a good, solid volume of Accel World.

Kawahara does apologize in the afterword for Haruyuki getting all the character development so far in this series, and promises to work on developing the others soon. It’s a fair point – even Sword Art Online paid more attention to its other cast members than Accel World does at times. We do get to learn more about Utai here, and as a drama major, I appreciated the fact that she came from a family of Noh theatre performers – though that also meant that I could guess why she was so upset as a child, Japanese theatre being very male exclusive. The death of her brother is one of those freak accidents that sounds a bit more ridiculous than it probably was, but once you learn about him, the way he died, and the life she grew up with, almost everything about Ardor Maiden comes into clear focus. If this is the sort of character development we’ll get in the future, I’m looking forward to it.

And then we have the titular Carbide Wolf, aka Wolfram Cerberus. No, he’s not related to Wolfram and Hart from Angel, but he does seem to be related to Accel World’s big bads, the Accelerated Research Society. I enjoy the themes between personality and armor that Kawahara gives us – the name is wolf-themed, the armor has a wolf’s head… and the actual player sounds like a big friendly puppy when he’s dueling other people, or rather when he’d kicking other people’s asses. It’s hard to fight against something when you can’t do damage to it, and that also gives us the opportunity to dwell on various metals – this had also come up earlier, when Haruyuki was being asked to learn about mirrors in order to master a new ability. Haruyuki being who he is, of course, he grows and learns, with the help of some harsh training, and the rematch, though it ends in a cliffhanger, is another solid fight scene.

Accel World has always been the more consistently written of Kawahara’s two series, and that remains the case here. There’s occasionally some tortured exposition (the animal club member teaching Haruyuki about the different kinds of reflective mirrors really seemed like a reach to me), and Haruyuki’s self-deprecation can wear on the anime fan who wants all cool all the time, but overall this is another very good entry in the series.

Hayate the Combat Butler, Vol. 30

by

By Kenjiro Hata. Released in Japan as “Hayate no Gotoku!” by Shogakukan, serialized in the magazine Shonen Sunday. Released in North America by Viz. Translated by John Werry.

This is the first volume of Hayate the Combat Butler to be released in North America after the manga has already ended in Japan, and it will be interesting to see how it does going forward. (ominous thunder rumbles in distance) We are, of course, nowhere near finished here in North America, where Hayate is not quite Kaze Hikaru, but pretty close. Last time we were discussing how long Hata would drag things out before Hayate’s true gender was finally revealed to Ruka, and we get an answer here. It’s actually a good question when you’re dealing with Hata, who is a master – for good and ill – at dragging things out long past when you’d expect the punchline or point to be. Sometimes this works well for comedic effect, sometimes it feels like his editors are forcing him to extend things forever, and sometimes you sense he’s a bit of a troll.

The missing suitcase of money is dealt with fairly quickly at the start (and does a good job of inserting Fumi and Sharna, everyone’s favorite characters (it’s a shame sarcasm is hard to show in text), into the narrative. The majority of the volume, though, continues the interlocking narrative of Nagi and Ruka’s doujinshi competition. Ruka gets the benefit of a stern critic in Hina, who not only gives her honest opinion about what’s wrong, but goes on to do research into popular kinds of manga so that she can give better advice. Hina is a good, honest girl who I sometimes feel deserves better than this comedy harem manga. Speaking of girls who deserve better than this, Nagi has Ayumu giving advice, and while it’s not nearly as good, it does seem to inspire her. Whether this will actually lead to good manga remains to be seen.

And yes, Ruka does eventually find out that Hayate is a guy. The reaction is more low-key than I was expecting, but then Ruka in general tends to be more low-key than I’d expect. As a late arrival harem girl, you can’t avoid the sense that she’s being added to the narrative because the series is too popular to wrap up this quickly – Hayate may be a twice-a-year series here, but it did really well in Japan, and there are references in the volume to the movie Heaven Is a Place on Earth, which was due out in 2011 when this volume came out. (Yes, we are now six years behind.) I like Ruka, but there’s not really much she adds as a romantic lead that Hayate could not also get from Hina, or Ayumu, or Maria, or Athena. Or Nagi, I will reluctantly add, but we’ll get to that 20 volumes down the road.

And so Hayate the Combat Butler’s strengths remain its humor, and its romance can be a strength or a weakness depending on Hata’s writing. We get a bit of both in this volume, making it a fairly average volume in the series. See you in the winter for Vol. 31.

Also, the back cover says that Ruka is ‘plumb worn out’, and I feel sad that they didn’t go whole hog and say ‘plumb tuckered out’.

Bookshelf Briefs 9/18/17

by and Leave a Comment

Akashic Records of Bastard Magica Instructor, Vol. 1 | By Hitsuji Tarou, Tsunemi Aosa and Kurone Mishima | Seven Seas – Combining a magical academy story with the ‘eccentric guy who ends up being a good teacher’ story that manga likes so much isn’t a bad idea, and Akashic Records does a decent job of it, though it gets off to a sluggish start. Frankly, Glenn is far too irritating to bear, and this one of the rare times where you are 100% behind the angry tsundere from the start. Of course, what he really needed was something to snap him out of his funk, and once he decides to actually turn on his brain and start teaching, things get exponentially better. It’s still a standard light novel adaptation, but I’m interested in seeing where it goes next. – Sean Gaffney

Anonymous Noise, Vol. 4 | By Ryoko Fukuyama | Viz Media – A good deal of this volume is devoted to a flashback showing us how the band In No Hurry came to be, and while a lot of the narrative points I was expecting were absent (why were they all hospitalized long-term?), the emotional beats were there. Certainly it was more entertaining than the love triangle we’re getting here. Not that it’s not well-written—in fact, the reverse may be the case. I’d rather go back to the standard shoujo cliche of having one person have it all together while the others flail. Seeing all three characters do stupid things and then immediately castigate themselves can be exhausting. On the bright side, we get more of Nino screaming, which remains the book’s high point. – Sean Gaffney

Anonymous Noise, Vol. 4 | By Ryoko Fukuyama | VIZ Media – I think I may only enjoy this series when Nino is performing, because the best moment in this volume is the brief one in which she accompanies herself on Momo’s guitar. The rest of it involves romantic angst from the two boys who have appropriated Nino’s voice as their personal property, unsuccessful attempts at comedy, and some (vague and improbable) backstory about how the band came to be. I did appreciate that Nino comes to see herself as a caretaker of her bandmates’ dream, and the parallel that while Nino has been hoping that her singing would bring Momo back to her, Yuzu has been hoping that his music would do the same with her. While this volume was a little on the meh side, I do look forward to the rock festival performance coming up in volume five. – Michelle Smith

Bloom Into You, Vol. 3 | By Nakatani Nio | Seven Seas – The first half of this volume is far more light-hearted than the rest of the series to date, which is fun but may be to its detriment. When it’s relaxing and showing the characters being happy, Bloom into You is like any other yuri series. But when Touko is being so aggressively forward that you want to slug her, or when Yuu is once again reminding us that she may very well be asexual (though that does not stop her from being lonely, as someone else pointedly notes), the series takes it to the next level, albeit a very uncomfortable one. There’s also another pairing casually introduced here that startled me, but I suspect the reason for it was more to have more adult ‘mentors’ the kids can ask for advice. Good stuff. – Sean Gaffney

Complex Age, Vol. 6 | By Yui Sakuma | Kodansha Comics – Complex Age has been pretty upsetting at times, so I confess that I totally looked at the last page to make sure Nagisa looked happy before I committed to reading this final volume. Its pace is somewhat accelerated, covering about a year after Nagisa’s meeting with her mother’s loli-loving friend as she tries to figure out what it is she loves best about cosplay and what kind of new shape it might become in her life. True, her conclusion is somewhat bittersweet, but it’s hopeful too, and I think that’s just the right combination for this series. If you were put off by the rough going in the middle volumes, take heart that this final installment remains realistic, but isn’t gloomy. I’ve really enjoyed this series. – Michelle Smith

Demon King Daimaou, Vol. 2 | By Shoutaro Mizuki and Souichi Itou | J-Novel Club – It’s finally happened: I’ve come across a light novel with so little to say about it that it’s only getting a brief. The light novel world is not exactly littered with deep, meaningful stories, but even among the fluff Demon King Daimaou is still pretty throwaway. That said, it’s not actively bad, and reads quickly—I don’t feel a need to drop it, I just feel no need to worry about what happens next. It’s at its best when at its least serious, such as Akuto’s constant desire to not seem like a villain, and the fact that he always does. (He’s desecrating hundreds of hero’s graves… but for good reasons!) As for the girls, we get a new one here, whose first scene amused me, but they’re as forgettable as anything. Only if you really liked the anime. – Sean Gaffney

Everyone’s Getting Married, Vol. 6 | By Izumi Miyazono | VIZ Media – This series is in somewhat of a holding pattern, despite a few changes. Asuka keeps coming into contact with Kamiya, who keeps trying to wear her down on marrying him despite the fact that she’s told him in no uncertain terms to back off and that she isn’t interested, and Ryu continues to be troubled by this. There are a few new elements in this volume with the introduction of Asuka’s protective 18-year-old brother Kanade and the fact that she and Ryu officially move in together, but since a) Kanade puts forth Kamiya as an alternate candidate and b) oopsies, they moved into Kamiya’s building, it’s really just more of the same. Everyone’s Getting Married is still fairly entertaining, but it’s not at all surprising or exciting, even with the possibility that Ryu will be transferred overseas. – Michelle Smith

Golden Time, Vol. 8 | By Yuyuko Takemiya and Umechazuke | Seven Seas – Linda returns in this volume… though it’s more about Banri returning, as he goes with her to a class reunion. The reunion itself goes off fairly well, and doesn’t really bring back too much. Unfortunately, he does have a bit of a breakdown later on in the middle of a festival dance, which leads to disaster. (And holy crap, that festival guy yelling at the cast was appalling. I really really hated him.) As for Banri and Kouko, it seems they’re doing very well, though I suspect both are trying just a little too hard—I have a nasty suspicion the next volume will be even more dramatic, especially after the medication discovery. Golden Time is heavy-duty romantic drama, but worth the slog. – Sean Gaffney

Haikyu!!, Vol. 15 | By Haruichi Furudate | Viz Media – Answering the cliffhanger from last volume, we get a few chapters showing us who Karasuno will be facing in the semifinals. The actual winner is not a surprise, but the author does a good job at keeping things tense anyway. As for the main event, it’s what you’d expect from a sports manga. Our heroes have shown off that they’re not the team they were before, but their opponent also has a few tricks up their sleeves, and so things could go either way. I like the constant emphasis on how important momentum is to a game. And of course things end with Yamaguchi, on the sidelines, desperate to make up for his earlier play. Classic Jump sports manga, and you should be reading it. – Sean Gaffney

Kimi ni Todoke: From Me to You, Vol. 27 | By Karuho Shiina | Viz Media – Credit to Pin, he is doing his best to make sure the ship with Ayano does not get further—something Ayano is tearfully aware of as well, though at least she’s started to openly admit her feelings. That said, Pin is up against the author here, and so I’m not sure how things will go. I’m not… TOTALLY against the ship, but I want it to wait till he’s not her teacher in any case. The other big news is that Kazehaya finally confronts his father, and the two learn a lot more about their similarities. They both communicate poorly, though Kazehaya has gotten better now that he’s dating Sawako. As for Sawako, after a long sweet date she admits she’s applying to the educational university, and he can how happily cheer her on. Sweet stuff. – Sean Gaffney

No Game No Life, Please!, Vol. 2 | By Kazuya Yuizaki and Yuu Kamiya | Yen Press – This is pretty much exactly what hardcore NGNL fans would want out of a spinoff manga, which means about half of it is not my cup of tea, because heavy fanservice and fetishes just don’t do much for me. I’m also not fond of the suggestion that Fi and Chlammy is a yuri pairing, and this book really loves to suggest it in unsubtle ways. It’s at its best when developing the characters, be it Steph thinking on her feet (or with her bladder) to escape a dungeon that Jibril has created, or Izuna continuing to learn from the masters—our sibling heroes—on how to both improve her gaming skills and also have more fun. Lacking a proper manga version, this is a decent alternative for those who want pictures. – Sean Gaffney

One-Punch Man, Vol. 12 | By ONE and Yusuke Marata | Viz Media – The tournament is perhaps the least interesting part of this volume. In that, it’s not dissimilar to many other tournament battle manga, though those lack the deadpan blaseness of our hero. Fortunately, there’s also a slew of monsters and villains attacking outside the arena, which allows Genos to remind us he’s still really tough despite being Saitama’s self-appointed lackey. The best scenes, though, involved Blizzard and her sister Tornado, whose family issues certainly seem to be deeply seated—Blizzard’s almost jaded “don’t worry, she’ll be coming to save me anyway” is well done, and you really sympathize with her here, especially with Tornado at her most arrogant. Essential, despite the tournament. – Sean Gaffney

Pick of the Week: Flower Girls

by , , , , and Leave a Comment

KATE: This week’s manga haul has something for everyone: new installments of digital-only releases like Tokyo Tarareba Girls, new volumes of perennial favorites like Nichijou and Master Keaton, and a handful of debuts like Kiss Me at the Stroke of Midnight and Sweet Blue Flowers. And while I’m intrigued by Sweet Blue Flowers, my vote goes to volume nine of A Bride’s Story, Kaoru Mori’s gorgeously illustrated chronicle of life on the Silk Road. What say the rest of the MB gang?

MICHELLE: Despite the handful of Seven Seas titles that I’m genuinely looking forward to, I really can only choose Sweet Blue Flowers. I’ve been looking forced to reading this series in English for years! (I even bought the Japanese volumes for a while!) Thanks, VIZ!

SEAN: It’s light novel week, so you know I want to say Baccano!. And there’s a bunch of other titles I want in this monster week. But as with Michelle, my choice goes to Sweet Blue Flowers finally getting the treatment it deserves. Can’t wait.

ASH: Like Kate, I’m certainly looking forward to the next installment of A Bride’s Story, and there are plenty of other manga being released this week that I’ll definitely be picking up (such as Descending Stories), but I’ll be joining Michelle and Sean in choosing Sweet Blue Flowers as my official pick. Shimura’s Wandering Son was an incredibly important series for me personally, so I am thrilled that more of her work is be released in print.

ANNA: There are quite a few great series coming out this this week! I’m going to have to go with the last volume of Master Keaton. Urasawa is always at the top of his game, and I’m going to miss all the insurance investigation shenanigans.

MJ: I find myself echoing what others have said so far regarding Takako Shimura’s Sweet Blue Flowers. A real release of this series has been a long time coming, and I’m thrilled to see it finally hitting the shelves. I can’t wait to read it.

Invaders of the Rokujouma!?, Vol. 6

by

By Takehaya and Poco. Released in Japan as “Rokujouma no Shinryakusha!?” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Warnis.

First off, going back to my worries from the last review, I am delighted to see that Yurika’s character development from the previous book is not only kept but noticed by others. Yes, she is still sometimes the butt of the joke – this is a comedy, after all – but she’s far more content with her lot in life now, talking easily with Koutarou and realizing that using her abilities secretly so that no one knows about it may actually be the best thing she can do right now. The other cast members are also keeping their growth – Koutarou is noticeably less formal with Harumi here, and the cast is all starting to realize they’re in love with Koutarou without having it become their defining trait, always a worry in harem titles. Rokujouma may be light as air at times, but there’s more depth here than I was expecting.

Of course, sticking with the ‘heroine is the cover girl of the previous book’ rule, the main focus here is on Kiriha, the last of the ‘main girls’ in the room to be fleshed out, provided you’re not counting Harumi, who’s sort of the plus one in this situation. (I’m not sure if Shizuka is going to do anything but be the landlord who knows lots of martial arts – she certainly gets more do do in this book than usual, but her feelings for Koutarou are not brought up.) Kiriha has been the teasing older woman sort in the series, but naturally we discover that this is mostly a front to disguise her true motives, which are actually pretty pure and noble given she was supposed to be a vanguard for a race trying to invade the Earth’s surface. In reality, what she has in mind is more like immigration than anything else, and Koutarou is relieved to discover this.

She also has a childhood dream she wants to fulfill, as when she was a kid she ran away to the surface and met a young man who she immediately fell in love with. Now, I have been saying how much I enjoy Rokujouma here, but it does have a few downsides, and the biggest one is that it’s about as subtle as a brick to the head. Time travel has not really come up yet in the series, though given the amount of weird tech we’ve seen so far it would be no surprise. Also no surprise is the fact that the boy Kiriha fell for all those years ago is clearly ‘our’ Koutarou, who no doubt will find a way to slip back in time in some future book. Then again, I’m not sure that subtlety and mysteries are what the author is going for here. I think we’re meant to be winking along with the narrative.

Of all the ‘light, fluffy romance series with no real point’ I’ve been reading in light novel form, Rokujouma is probably my favorite. It’s always a relaxed, easy read, and some of its jokes made me laugh out loud this time (particularly Koutarou’s reaction to the five-team sentai squad when they first show up). If you don’t mind harems, it’s an excellent light novel starting point.

Queen’s Quality, Vol. 1

by

By Kyousuke Motomi. Released in Japan by Shogakukan, serialization ongoing in the magazine Bessatsu Comic (“Betsucomi”). Released in North America by Viz. Translated by JN Productions, Adapted by Ysabet Reinhardt MacFarlane.

This is, of course, not so much Vol. 1 of a new series as a reboot of an old one, which is why I’ll continue to use the QQ Sweeper tag for it. Just looking at the covers might show a difference, though – the first QQ Sweeper volume had Kyutaro front and center, with Fumi getting less attention. But now the Q in the title has changed to refer to Fumi herself, and she is front and center. It’s also a more dramatic, serious cover, which is appropriate, as while there are still many lighthearted moments in the book, the overall mood is darker, particularly towards the end. The series examines the popular idea of negative emotions manifesting themselves and how to fight that. And, also a popular idea, the answer is to get in touch with the darkness in your soul without letting it overwhelm you.

While the essential plot is much the same – under the guise of cleaning around the school and residence, Fumi and Kyutaro seek out bug infestations, and work out where they may have come from. But Fumi’s true nature is revealed now, making her more self-conscious, but not nearly as badly as it affects Kyutaro, who has no idea how to act around her anymore, especially given their past together – a past he’s not allowed to talk to her about. Sometimes it’s best not to rip the band-aid off all at once. They even bring in an expert to test Fumi’s ability, though I wasn’t too fond of him – but that’s mostly because I just don’t like his type. That said, they do grow closer, especially in the shopping sequence, the most fun adn heartwarming part of the volume, where we discover Fumi’s dreadful fashion sense.

Things get dark fast, though, and the last chapter is showing us just how terrifying the Black Queen can be when she’s active. And active she has to be, as Fumi can’t learn how to control her dark side without knowing what it is and how it can take over. The scene of her gleefully torturing her teacher – who is, to be fair, a nasty piece of work – and ordering her to never close her eyes again for the rest of her life is chilling, reminding me a bit of Delirium at her worst in the Sandman comics. Fortunately, Kyutaro reminds us that he’s not just there to be a potential romantic lead, he’s also got the experience and determination to bring Fumi back from this, even if afterwards she’s terrified.

And so we get what will likely be the plot going forward: teaching Fumi to use her powers for niceness instead of evil, with the villains (who pop up here and are somewhat generic, though there’s a hint they’re not truly black-and-white evil) trying to corrupt her over to their side. Balancing this sort of serious drama with cute romance is what Motomi does best, of course, as readers of Dengeki Daisy will no doubt remember. I’m not quite sure why the series rebooted itself, but I am happy to see it back, and look forward to more volumes.

Rokka: Braves of the Six Flowers, Vol. 2

by

By Ishio Yamagata and Miyagi. Released in Japan by Shueisha. Released in North America by Yen Press. Translated by Jennifer Ward.

(Despite the fact that this isn’t a whodunnit beyond page 1, I won’t reveal the culprit’s name in the first paragraph of the review. After that, though, I will. FYI.)

The first volume of this series was strongly concerned with the ‘whodunnit’, and did a decent job, but also left us with a cliffhanger that made me worry we’d have to go through the whole thing again. Sensibly, the second book dispenses with the ‘who is the traitor’ question right off the bat, for the most part (there are still hints there’s yet ANOTHER traitor, but I’ll leave that for now) and tells us on the very first page. And then we get a flashback as to how we got to that situation, though there’s no record scratch noise, nor does the guilty party look towards the camera. So instead of whodunnit, or why did they do it, we have a sort of ‘how are they gonna get out of it?’ situation, as a very nice person has been personally put through the wringer the past three years and may have to commit the worst act to save those they hold dear.

Mora was presented to us in the first book as an overly serious woman, perhaps a bit stubborn, but determined to fill her role as a Brave and defeat the Evil God. And to be fair, she really IS a Brave, rather than a fake. That said, she’s being blackmailed, and being (I think) the oldest of the Braves, she has to deal with a very old and familiar form of blackmail. Do what the villain says or your daughter will die horribly. The strongest part of the book is taking us into her head and her tortured motivations for doing exactly what she has to do to save her family and yet also try not to take a life. Tellingly, the book still keeps some information secret from us, but it’s obvious why, and I don’t blame it a bit, as suspense novels need, well, suspense.

As for the rest of the book, there is still a ‘who is it?’ aspect to the book, and lots of debate about same, but as with the first book, the debates are interspersed with enough action so as not to be tedious. Also, unlike the first book, we get a great number of scenes of our heroes fighting demons… though they don’t do as well as they could, given that they still suspect each other of being a traitor. Adlet remains the ‘hero’ type character, but is a bit more likeable here, possibly as he refers to himself as the Strongest Man in the World slightly less. I did have one egregious moment of “OK, I call no way” involving searching for a ludicrously tiny thing across the ruins of a battlefield, but every book leads at least one time when the disbelief suspension bridge breaks and you plummet to your death.

The main reason I’m still interested in reading this is that it’s not very much like a lot of the other light novels we’re getting these days. Yes, it’s a fantasy with fiends, magic, etc. but style-wise we’re a long way removed from ‘I am in another world and dungeon crawling’. That said, I do wonder how many volumes it will drag out “one of us is a traitor”. But overall, well worth your time, and if you missed the insane bunny girl, there’s a cliffhanger here with your name on it.