KATE: This week’s manga haul has something for everyone: new installments of digital-only releases like Tokyo Tarareba Girls, new volumes of perennial favorites like Nichijou and Master Keaton, and a handful of debuts like Kiss Me at the Stroke of Midnight and Sweet Blue Flowers. And while I’m intrigued by Sweet Blue Flowers, my vote goes to volume nine of A Bride’s Story, Kaoru Mori’s gorgeously illustrated chronicle of life on the Silk Road. What say the rest of the MB gang?
MICHELLE: Despite the handful of Seven Seas titles that I’m genuinely looking forward to, I really can only choose Sweet Blue Flowers. I’ve been looking forced to reading this series in English for years! (I even bought the Japanese volumes for a while!) Thanks, VIZ!
SEAN: It’s light novel week, so you know I want to say Baccano!. And there’s a bunch of other titles I want in this monster week. But as with Michelle, my choice goes to Sweet Blue Flowers finally getting the treatment it deserves. Can’t wait.
ASH: Like Kate, I’m certainly looking forward to the next installment of A Bride’s Story, and there are plenty of other manga being released this week that I’ll definitely be picking up (such as Descending Stories), but I’ll be joining Michelle and Sean in choosing Sweet Blue Flowers as my official pick. Shimura’s Wandering Son was an incredibly important series for me personally, so I am thrilled that more of her work is be released in print.
ANNA: There are quite a few great series coming out this this week! I’m going to have to go with the last volume of Master Keaton. Urasawa is always at the top of his game, and I’m going to miss all the insurance investigation shenanigans.
MJ: I find myself echoing what others have said so far regarding Takako Shimura’s Sweet Blue Flowers. A real release of this series has been a long time coming, and I’m thrilled to see it finally hitting the shelves. I can’t wait to read it.







































It’s 2052 and Tokio Watarai, a dream pilot, is coming home to Japan for the first time in three years. Although his ex-wife and son are in Japan, he’s actually returning for a job involving a girl who’s been sleeping for seven years since being found with her parents’ hearts in her stomach. Her name is Aoba, and when Tokio enters her dream it’s all about an island called Barbara in which kids can fly and cannibalism factors in to funeral rites. Soon, he learns that his son, Kiriya, actually invented Barbara. So how is Aoba able to dream about it?
By the end of the first volume, so very many plot threads are in the air that I was not at all sure that Hagio-sensei would be able to make everything make sense in the end. To use just one example: If Barbara is just a dream—and, indeed, no such island actually exists—then how is it possible that the blood of its residents is used for anti-aging medicine? And yet we see evidence that such advances are already in the works. And because of all this plot stuff, there’s not a lot of time for building solid relationships. There is angst aplenty, especially courtesy of Kiriya, but the whole Marienbad/Tokio hookup, for example, is just extremely random. The strongest bond, though, is definitely the love Tokio feels for his son and his regret over having been a crappy father.


















