Michelle Smith

Absolute Duo, Vol. 2 | By Shinichirou Nariie, Takumi Hiragiboshi, and You Asaba | Seven Seas – I gave this one more volume, but last time I said that if you didn’t realize there was another released you’d barely care, and if anything I was understating it. Most of the volume consists of the class fighting against each other, showing off their various cool moves. Of course, it all ends up with the characters we’re familiar with facing each other, and the introverted busty girl turns out to have a sword as large as her chest. The trouble is that there are so many other series coming out with magical schools, including many with only one major male character, and this does not have anything that lets it stand out above the pack. The definition of ‘meh.’ – Sean Gaffney

Arpeggio of Blue Steel, Vol. 12 | By Ark Performance | Seven Seas – Most of this volume is dedicated to trying to take out Kongou, the arrogant blonde warship on the cover who sees herself as invincible and whose fate is therefore almost pre-determined. Again, we see the value in not only treating the mental models as real beings with values and feelings, but also trusting others—Iona wins as she trusts the humans on her crew to do things for her so that she can concentrate on this. Even the two chibis who were captured last time, whose names I still can’t really remember, are able to see this and compare it to their own side. That said, Iona does make them wear tracksuits as punishment, so it’s clear that the good guys torture too. An excellent mecha series. – Sean Gaffney

Flying Witch, Vol. 4 | By Chihiro Ishizuka | Vertical Comics – Um… cute! Fluffy! More cute! Seriously, some series I don’t have enough to say about for full reviews, but Flying Witch may be the first series that I genuinely enjoy but don’t even have enough to say for a Bookshelf Brief. Sometimes the focus is magical, as when Makoto meets up with her bike-riding senpai for a status report, or befriends a pokemon-like creature on the beach. And sometimes it’s pure high school slice-of-life, as when they all make lunch in home ec class… and forget to cook the rice. My favorite chapter may have been the apple-picking, which was filled with amusing sight gags and lots of cuteness. There is no plot and no character development, but Flying Witch remains light fun. Very light. – Sean Gaffney

Golden Kamuy, Vol. 3| By Satoru Noda | Viz Media – Everything I said about the second volume applies here. There’s quite a bit of nasty gore, including intestines being used in ways they probably shouldn’t be, much killing of animals, a whole lot of urine and feces, etc. There is also a large amount of what amounts to early 20th century Ainu recipes, as we learn the finer arts of how to kill and eat various animals in the wild. Fortunately, there is also some light relief this time around, coming from some very eccentric side characters, as well as our heroes getting drunk on sake, with all that that entails. I’m still not sure where Golden Kamuy is going with its treasure map, but as long as it has fun characters and delicious (if sometimes gross) food, I’ll keep reading. – Sean Gaffney

Magi: The Labyrinth of Magic, Vol. 27 | By Shinobu Ohtaka | Viz Media – So for about two-thirds of the volume, I wondered if Ohtaka was really going to pretend that she had killed off Alibaba after all, as well as sent Judar! Into! Spaaaaaaaace! But not quite, as we now have the separate adventures of Judar and a sort of… Alibaba toy… fighting aliens on another planet. Which is probably for the best, as it puts them away from the war that begins in this volume. The best part of the book is the growth, painful though it is, of Aladdin, who has to come to terms with the fact that Hakuryu is likely correct. “I may be unhappy… but I don’t want YOU to decide how I live.” The fact that it’s done sympathetically makes it even worse, and Aladdin has a lot to think about. Next time: war! – Sean Gaffney

Magi: The Labyrinth of Magic, Vol. 27 | By Shinobu Ohtaka | VIZ Media – Despite appearances from last volume’s cliffhanger, Hakuryu actually won his duel with Alibaba, as the latter has had his soul banished to another dimension by Hakuryu’s new djinn. That’s certainly dramatic enough, but Aladdin’s victory over Judar is even more chilling—he casts a permanent spell on him that causes him to continue moving in the same direction forever, “no matter what objects he strikes or what damage he takes.” Cool! Part of me sincerely wishes both of these deeds were allowed to stick, but oh well. I can’t say I am sad to see Alibaba’s spirit and Judar reunited on an alien world. Meanwhile, war is brewing and it’s looking mighty intense. I am already looking forward to one day undertaking a marathon reread of Magi. I suspect it’ll be even more potent when consumed without interruption. – Michelle Smith

Re:Monster, Vol. 3 | By Kogitsune Kanekiru and Haruyoshi Kobayakawa| Seven Seas – I suspect that the readers of Re: Monster fall into two categories: young teenage boys who want masturbation fodder, and older boys (at least at heart) who want to laugh out loud at the pure ridiculousness of this power fantasy. Everything in this volume is the same as the last two, only MORE. Mi becomes a hot dhampir (complete with spectacles, to make her even more of a Rider ripoff), Kichi and E hook up in the most muscley romance ever, the redheaded swordsman eats monster meat and thus also starts gaining weird abilities (and oral skills), and this remains the most hilariously NOT T-for-Teen series Seven Seas has ever released. Recommended if you’re shameless or a young teenage boy. – Sean Gaffney

Say “I Love You,” Vol. 18 | By Kanae Hazuki | Kodansha Comics – Sometimes shoujo series end by simply connecting all the dots, and that’s what happens in this final volume. The hooked up couples get married or have kids (or both), Megumi finally returns to Japan and gets decent work again (and a boyfriend, possibly, though that’s going to take a lot longer than just a pat ending can deliver), and everyone is happy and content. I’ll admit it, it seemed a bit too pat for me at times, but after eighteen volumes of a whole lot of angst, I am willing to see everyone here smiling and married off. This was one of the first Dessert series to be licensed, along with My Little Monster, and we now have a flood of titles from that magazine, so it was a trailbalazer. I’ll miss it. – Sean Gaffney

Yowamushi Pedal, Vol. 7 | By Wataru Watanabe | Yen Press – The end of day one of the Inter-High is in sight! With only two kilometers to go, Imaizumi must help propel Kinjou to the finish line, and struggles mightily to stay even with his counterpart from Hakone. But just as the two aces make their break, who should appear (in a very effective two-page spread) but super-creepy Midousuji, who has saved his energy for this moment! What ensues is a three-way battle for first place, in which you get sequential panels with dialogue like, “Haauuughh!!,” “Rarrrrgh!!,” and “Haaargh!!” All of the racing stuff is exciting, of course, but my favorite moments were Hakone’s Toudou being really complimentary to Onoda, Makishima worrying about his teammates, and Onoda’s insistence on day two that he is not going to leave a struggling Tadokoro behind. I’m sad I have to wait until April for more! – Michelle Smith

Assassination Classroom, Vol. 19 | By Yusei Matsui | Viz Media – The first half of this book shows us that our heroes are still high school students, and thus powerless to a degree—they’re captured with astonishing ease. Of course, once we get them out of holding and back on the mountain (kudos to Irina, who shows off a few things I’m surprised Jump let her get away with—not least of which wanting to do Karasuma ten times a day) they’re in their element, and even the hardened trained assassins find that environment plays a key role. As for Koro-sensei, well, he’s trapped, and time is running out. The book makes it very clear that saving Koro-sensei is not going to fly with the general public. So what happens next? Can’t wait to find out. – Sean Gaffney

Captive Hearts of Oz, Vol. 3 | By Ryo Maruya and Mamenosuke Fujimaru | Seven Seas – As with its spiritual predecessor, Alice in the Country of Hearts, the goal of this series is to find out what the world is actually supposed to be. After reading this volume, it may be even less clear. I am grateful that, because this isn’t based on an otome game, there’s no real romance being played out here. (Romance could be some of the shadiest elements of the Alice series.) However, I’d like things to be just a little bit clearer, to be honest. I probably should have reread the first two books, as it’s been a while. That said, the general TONE of the book is fine, and it pushes all the right buttons that fans of this sort of series will want pushed. It’s just… HUH? – Sean Gaffney

Chihayafuru, Vol. 7 | By Yuki Suetsugu | Kodansha Comics (digital only) – Chihaya should be studying for exams, but she ditches a session with Desk-kun to see how Taichi’s doing in a tournament. It’s there she learns that Arata has resumed competing, and I so love Taichi’s reaction to this news. It’s obvious that he’s jealous, but seeing Chihaya so happy causes him to admit to himself that part of him is happy, too. Then, after some nice chapters in which the more lowly members of the Mizusawa karuta club offer sage advice to Taichi and Chihaya, we progress to the East Japan qualification tournament to decide challengers for the ranks of master and queen. Chihaya’s mastery of the game has improved, and it’s great to see her take on formidable opponents without making mistakes. It’s probably too early in the series for her to actually beat Shinobu, but I am in no rush. Every volume is a joy. – Michelle Smith

Everyone’s Getting Married, Vol. 7 | By Izumi Miyazono | Viz Media – Oh, long-distance relationships. Everyone goes into them filled with good intentions, but it never quite works out the way you want. Asuka and Ryo are certainly finding that out. She’s being strong and totally OK with him doing this, which makes sense for him, but… you can tell that she hates it, and that’s not being communicated. As such, even though everything is being done properly, it’s hard to not get that sense of impending doom, especially as everyone else is telling Asuka this as well. We also meet Ryu’s brother, who is the classic “I look totally scary but am really just overprotective” sort. We still have a couple of volumes to go… how is this going to sort itself out? – Sean Gaffney

Kuroko’s Basketball, Vols. 17-18 | By Tadatoshi Fujimaki | VIZ Media – Seirin has made it to the quarterfinals of the Winter Cup where they must face Yosen, a team that not only includes Kagami’s childhood friend/rival but also Murasakibara, an (enormous) member of the Miracle Generation. Kuroko debuts his new shooting skills (essentially, he adapts his passing technique instead of using proper form) and the various members of Seirin get their moment in the sun, especially Hyuga and Kiyoshi. And, of course, there’s a lesson, as Murasakibara’s approach has been that big people are always going to win at basketball, so there’s no use in anyone else trying. I must note that this series has just about reached The Prince of Tennis levels of implausibility involving some characters’ abilities, including a peanut gallery that calls out the names of moves, but I am still enjoying it immensely. – Michelle Smith

Of the Red, the Light, and the Ayakashi, Vol. 9 | By nanao and HaccaWorks* | Yen Press – So I will admit that throughout this series I’ve found the plot difficult to follow at the best of times, but for all that I appreciated this volume trying to lay things out for us. We get even more clarification about what ‘taking a meal’ entails, and also why Akane did what she did. Yue’s decision feels very much in character, and I suppose it could have been worse—the characters who were “eaten” don’t come back, but most of the Ayakashi are at least seen as around. As for Tougo, he is very unhappy with part of Yue’s decision, and takes it upon himself to try to fix it—also in character for him. Main series is over, time for extras! Will there be an epilogue? – Sean Gaffney

Princess Jellyfish, Vol. 7 | By Akiko Higashimura | Kodansha Comics – At one point while reading this, I had to step back a moment to just appreciate what an unexpected turn this story has taken. It’s not about saving the Amamizukan from destruction anymore. It’s about Tsukimi getting on a plane for the first time and flying to Singapore, Kuranosuke’s determination to get her back, Shu’s apparent willingness to let her go, and Hanamori’s promises to make enough money gambling to buy the Amars’ residence back from Kai, the fashion mogul who has whisked Tsukimi away on a new life. But, y’know, I’m not sure Tsukimi really wants to go back, and that’s what makes this series great. I think we could get a happy ending that preserves the status quo for most of the Amars while allowing Tsukimi to become something she never imagined. I am so eager to experience the final volumes! – Michelle Smith

Welcome to the Ballroom, Vol. 8 | By Tomo Takeuchi | Kodansha Comics – Well, I was wrong in my review of the last volume, where I said we would have an amazing breakthrough this time. Instead, we get more pain, angst, and torment from our lead couple, and everyone around Tatara yelling at him to figure things out or else stop this. They’re not going to tell him what the issue is, mostly as it can’t be conveyed well with words. And you get the sense by the end of the volume that he might be getting it. But I said that last time, and I’m not really sure that it’s worth crawling through broken glass every volume just to get to a bit of catharsis. Is this trip really necessary? – Sean Gaffney

Captain Harlock: Dimensional Voyage, Vol. 2 | By Leiji Matsumoto and Kouiti Shimaboshi | Seven Seas – Harlock has a scar. This is useful information in this volume, as in some panels it’s the only way to tell that you’re looking at him and not Tadashi, who has that same hair that seems to be blowing in the wind even in the corridors of a spaceship. The highlight of this second volume, though, may be the flashback to the first meeting of Harlock and Tochiro, which we’ve seen before in other adaptations and no doubt will again, but is always fun to show off what a badass Tochiro is despite looking like a short creepy guy. There’s also more drama from the Mazon, who now have a bounty out on Harlock. Dimensional Voyage continues to be a decent adaptation in any case. – Sean Gaffney

Cells at Work!, Vol. 5 | By Akane Shimizu | Kodansha Comics – We reunite with a cell with a history of befriending germs. He’s feeling lonely and bored, and wishes he could save someone and earn their gratitude. The chance presents itself and he ends up saving… some cute bacteria. Turns out, they’re good bacteria, and the whole volume consists of White Blood Cell giving the cell a tour of the digestive system, during which each variety of good bacteria finds its specialty and ends up saving the day. The cell bravely protects the bacteria throughout, and meanwhile we get an actually fairly dramatic return of Cancer Cell who is being protected by a regulatory cell, and who pitches his version of utopia in which the body’s cells revolt and refuse to kill each other for the body’s sake. There was almost some kind of plot there for a second! All in all, this was a pretty fun volume. – Michelle Smith

A Centaur’s Life, Vol. 13 | By Kei Murayama | Seven Seas – You never quite know from chapter to chapter what kind of Centaur’s Life you’ll get. Sometimes the “wtf” comes from the historical or political chapters, such as the retelling of the movie The Thing with snakes, or the ongoing war with the frogs (and their human advisor). But oftentimes it’s also with our main cast. We get another chapter devoted to Michi and Mitsu, the lesbian couple in the series, which shows us that one is the heir to a yakuza family, complete with assassination attempts. And sometimes there’s bizarre dream sequences, like Suu and Hime setting fire to the creepiest “factory” you’ve ever seen. Sure, sometimes we get adorable toddler sequences, but they’re fewer and fewer in number. The author has dreams, that’s for sure. – Sean Gaffney

Food Wars!: Shokugeki no Soma, Vol. 21 | By Yuto Tsukuda and Shun Saeki | Viz Media – More exams, and much as I’m enjoying these chapters the arc is already feeling dragged out. Turns out that when you actively try to suppress the resisters by cheating, it doesn’t work, as they’re clever enough—and good enough chefs—to get around such petty tricks. Which leaves more time for sightseeing in Hokkaido and bonding with unusual pairings—I was amused at seeing Ikumi, Isami, Erina and Megumi walking around town and thinking it’s an unusual group, only for Isami to say the exact same thing. Things may get harder soon, though, as now Soma has to fight Hayama, and the ingredient is absolutely stacked in his favor. Is this the end for our hero? Well, no. But find out why next time. – Sean Gaffney

Giant Killing, Vol. 8 | By Masaya Tsunamoto and Tsujitomo | Kodansha Comics (digital only) – ETU’s game against Osaka continues, though it’s not going well, as the first half ends with the score 2-0. And yet Tatsumi smirks, sure that his counterattack is going to be effective. Soon, though, it becomes clear that he had misjudged Natsuki’s confidence, as the latter fumbles chance after chance that his teammates worked their butts off to create. Seeing the continued growth of ETU members is great, but I also really liked getting a glimpse inside the mind of Kubota, one of the Osaka forwards, who looks plain and unassuming, but who makes great split-second decisions (wholly unlike Natsuki) and who spurs Tsubaki to greatness. I kind of want him to join ETU, in fact, though that seems unlikely. The volume concludes before the match does, so I am definitely looking forward to volume nine! – Michelle Smith

Haikyu!!, Vol. 18 | By Haruichi Furudate | VIZ Media – Karasuno has made it to the finals of the qualifying round, where they’re up against the prefectural favorite, Shiratorizawa. They lost the first set, but in the second they’re starting to get a hang for how to combat their powerhouse rival. Surprisingly, Tsukishima is utterly key to this, as he’s the one who figures out some of their patterns and timing, and starts blocking them in such a way that allows Nishinoya to do his thing. Somehow, Tsukishima has really endeared himself to me lately, and I love seeing him actually get fired up and relentless about something in his own way. (I also adored the Potteresque poster at the end featuring him!) The volume ends with each team struggling to make two consecutive points and take the second set. How does this series manage to become even more nail-bitey each time?! Not that I’m complaining. – Michelle Smith

Haikyu!!, Vol. 18 | By Haruichi Furudate | Viz Media – The evolution of Tsukishima from “tall grumpy asshole” to “CLEVER tall grumpy asshole” has been highly rewarding, and this volume shows off his maturation to excellent effect, to the point where he actually leads some of the strategy. He’d do well in JoJo’s Bizarre Adventure, I think. Nishinoya is also impressive throughout, and there are the occasional moments for our two leads. It’s still a tight game, though, and we get a lot of chapters devoted to showing us that while they have one really talented guy, that’s not quite all they have. The cliffhanger shows us veering back and forth between set points, but this is best 3-of-5, so I’m sure we have a ways to go. Excellent sports manga. – Sean Gaffney

Helvetica Standard: Italic | By Keiichi Arawi | Vertical Comics – As with the first volume, we start with the Helvetica Standard 4-komas. They have the strange sense of humor we know and love from Arawi, but do suffer a bit from lacking a lovable main cast—there are some recurring roles, but it’s even more random than Nichijou was. After this we get the original art that was used for the DVD/Blu-Ray covers, and again I like the way he works surreal art styles into them. He enjoys playing with the space given to him, sometimes in a very Escher way, and dislikes leaving blank space when he can fill it with something else. This is inessential, but I was pleased to see it anyway, and it’s whetted my appetite for the new series City in the spring. -Sean Gaffney

Kuroko’s Basketball, Vol. 17-18 | By Tadatoshi Fujimaki | Viz Media – As you’d expect, Seirin have managed to score some points by the end of this omnibus, so they aren’t shut out. Things still aren’t looking good, though, despite their amazing secret weapon—Kuroko actually shooting and scoring! He’s sort of hit-and-miss, but it’s another unpredictable aspect to his game. Things aren’t going nearly as well for Kagami, who’s finding it very hard to get past the huge and somewhat arrogant Murasakibara on the other team. He wants to get back in ‘the zone,’ but easier said than done. As for Kiyoshi, well, he’s still injured, and thus can’t contribute the way he wants. Though hopefully Riko beating the injury out of him offscreen may help. Exciting stuff. – Sean Gaffney

Queen’s Quality, Vol. 2 | By Kyousuke Motomi | Viz Media – After some terrifying sequences last time, we’re dealing with the aftermath—a lot of the students that Ms. Hayashi had been “dealing with” are also infested with bugs. As for Ms. Hayashi herself, she’s dying—and only Fumi seems to want to try to take the “save her” option. Of course, saving her might involve becoming the Black Queen again, but Fumi is able to move past that and become… possibly Fuyu? Whoever it is that takes over Fumi, she brings a memory of the traumatic death of her mother with her. But it’s not all drama and thrilling tension—Fumi’s choice of a weapon to fight with is a gag that will make you laugh hysterically, something Motomi excels at. Definitely recommended for shoujo fans. – Sean Gaffney

Waiting for Spring, Vol. 3 | By Anashin | Kodansha Comics – This third volume shows off more of the love triangle between Mitsuki, Towa and Aya, but two of those three are just so awkward that there’s not really any danger of sparks flying—even the one-on-one basketball game between the two guys is cut short by Mitsuki, who has a sneaking suspicion it would go badly for Towa. We also get the addition of another female friend, not always something that happens in a shoujo series. She’s shy but also straightforward, and has a pretty obvious crush, so I hope their friendship can survive things. This isn’t top-drawer shoujo, but it’s pleasant enough, and the lead girl is indecisive but not dragged around by the plot as much as some. – Sean Gaffney

Welcome to the Ballroom, Vol. 8 | By Tomo Takeuchi | Kodansha Comics – It’s not that this volume of Welcome to the Ballroom is bad by any stretch, but for 99% of it, Tatara and Chinatsu are failing to communicate as partners, and it’s a bit excruciating. I suppose enduring this does make it all the sweeter when they finally achieve a few measures of harmony whilst competing in the Metropolitan Tournament, though. I did enjoy seeing Tatara briefly looking manly, and it seems like he’s on the verge of overcoming his timid personality. There are a couple of brief panels that look like Tatara’s mother abandoning the family when Tatara was a kid, which suggests he’s afraid to drive people away by really expressing himself, but Chinatsu is just the one to demand that from him. After all of their struggles, it sure will be gratifying to see them get it together. – Michelle Smith

Son of Cornucopia of Briefs!

Akashic Records of Bastard Magica Instructor, Vol. 2 | By Hitsuji Tarou, Tsunemi Aosa and Kurone Mishima | Seven Seas – Last time I said Glenn was too irritating, this time the opposite may be the case. Part of that is due to the fact that this is mostly just a big battle, as Rumia has been kidnapped and Sistine and Glenn have to rescue her. This involves a pile of fights, some of which are more exciting than others. The final fight is an anticlimax, partly as the villain is dull and gives up very easily, and partly as Rumia, in order to contrast with Sistine, is also quite dull. The best part was Glenn pushing Sistine out of the building, frankly. This is an OK series if you like magical high schools, but there’s honestly better ones out there. – Sean Gaffney

Anonymous Noise, Vol. 5 | By Ryoko Fukuyama | Viz Media – As I’ve said before, the quality of this series is dependent on the amount of music depicted in it, and this volume has a LOT of music, making it easily the best volume to date. Nino can be good at playing and singing, or she can blow everyone away with her voice and emotions, but she cannot, seemingly, do both at the same time. The result is a concert that looms towards trainwreck the entire time but never quite gets there, riding entirely on the skill of the band and Nino’s desperate cries of the heart. The art here is stunning, and remains the best reason to read it. The romance, honestly, is the weak link, and you’d really like it to resolve itself but know that it won’t. Get this for the band. – Sean Gaffney

Everyone’s Getting Married, Vol. 7 | By Izumi Miyazono | VIZ Media – The more things change, the more they stay the same. Ryu has been offered a promotion to the Washington, DC branch of his news organization, and, with encouragement from Asuka, decides to accept. They attempt to make the most of the months they have left, including a few fun dates and an outing in which Ryu introduces Asuka to his brother. He even proposes, sort of. “In spirit,” he says. But still, once he’s gone, we get essentially the same stuff as before. Vague glimpses at Asuka’s job, her brother showing up to poke his nose into her business, and, most significantly, yet more of Kamiya and his persistent angling for Asuka’s affections. It’s not bad, but it’s a dynamic that I’m pretty tired of. Still, it’s a quick, light read, so I’ll probably keep following it. – Michelle Smith

Frau Faust, Vol. 2| By Kore Yamazaki | Kodansha Comics – I must admit, I was very disappointed at the big plot twist of Frau Faust‘s second volume. I really liked the badass adult heroine, so seeing her, though the bargain she has with her demon, have her body stripped away so she looks younger and cuter strikes me as not the best bargain I’ve ever had. That said, her personality remains the same, and it wouldn’t matter if she was young or old, nothing was going to be able to stop Marion getting himself into trouble, as he possesses a thirst for knowledge second only to her own. And most of the horror in this book is given over to a creepy church with an evil priest and nun, always popular with readers. Despite the age regression, I’m still enjoying Frau Faust. – Sean Gaffney

The Full-Time Wife Escapist, Vol. 6 | By Tsunami Umino | Kodansha Comics – I expected to be happy and relieved when these two awkward failboats finally got it together, confessed they liked each other, and had their first time. And I was. The good news is that it does not in any way detract from the fact that they are still two really awkward massive failboats, even as they deepen their relationship. Because they still can’t think of it as a relationship—in particular, Mikuri is panicking at the fact that being his real wife means giving up on the income she’s been getting. Which you could argue is meant to be a comment on the sheer amount of unpaid work the average wife goes through, but I think is more meant to show that Mikuri has serious compartmentalization issues. I love this series. – Sean Gaffney

Idol Dreams, Vol. 4 | By Arina Tanemura | Viz Media – Idol Dreams has always been “problematic but readable,” and both qualities amp up in this fourth volume, as Chikage deals with her decision to date Ru as a 15-year-old. She thinks of things as an adult, so can’t really understand a teenage boy’s drives and desires, which almost leads to tragedy, and does lead to her doing something very cruel in order to “fix” things. The other problem is Chikage’s complete and total lack of self-worth. This is, after all, a woman who tried to kill herself near the start of the series. It’s so bad that she even gets “confidence” lessons from the other girls in the office. Tanemura is always readable, but I still can’t see this ending in any way other than everyone being very, very unhappy. – Sean Gaffney

Kiss Me at the Stroke of Midnight, Vol. 2 | By Rin Mikimoto | Kodansha Comics – Despite still having issues deciding how much of a comedy it’s supposed to be, this is a better volume than the first. Our heroes have gotten together, though of course given Kaede’s idol status it’s a big secret—if found out, Hinana could be in big trouble. I liked the added depth we got from Hinana here—she does initially have confidence in her relationship with Kaede, but is still a teenage girl, so lies can persuade her. She also reveals that she’s adopted, which means she feels the need to excel in school, and being around Kaede all the time is not helping, especially when he keeps trying to distract her. (The sniffing scene was a highlight). I’m having sufficient fun to continue. – Sean Gaffney

Ooku: The Inner Chambers, Vol. 13 | By Fumi Yoshinaga | VIZ Media – As ever with Ooku, time moves on, and when I first started reading this volume, I missed the beloved group of characters involved with eradicating the redface pox. Soon, though, I realized that Iesada, the first female shogun in over sixty years, is awesome, and that Takiyama, her new senior chamberlain, is likewise awesome. Moreover, her female senior councilor (becoming more of a rarity as the male population recovers) Abe Masahiro is seriously awesome. Now they (especially Takiyama and Masahiro) are as beloved to me as the other group! The moral of the story is: never doubt Yoshinaga. She even knows how to give a reader goosebumps via a dramatic reappearance of a symbolic kimono design! I’m so happy there are at least two more volumes of this. – Michelle Smith

A Polar Bear in Love, Vol. 1 | By Koromo | Yen Press – This is a cute and seemingly heartwarming manga, but its relationship between predator and prey makes me a bit uncomfortable. I think the manga artist is aware of this—we get constant reassurance from the polar bear that he does not, in fact, want to eat the seal but has fallen in love with him instead. And the fact that they’re both male is also not overlooked. There’s a lot more going on here than you’d expect in a series that’s meant to run on “ooooh, adorable animals!” Still, there’s no denying that the seal is terrified the entire time and unable to really escape for a while, and the fact that he’s slowly starting to fall for the polar bear does not really quiet my misgivings. Warily recommended. – Sean Gaffney

Requiem of the Rose King, Vol. 7 | By Aya Kanno | Viz Media – Say what you will about Kanno, she really knows how to drag out the canon scenes to serve her own interests. And serve them very well, as this is another volume of Rose King that you absolutely can’t put down once you start reading it. Margaret’s downfall will be very familiar to readers of the Henry VI plays, but that doesn’t make it less tragic. As for Richard and Henry, Richard seems to be descending closer and closer to madness, and he doesn’t even need Joan of Arc’s ghost this time around—his mother fills in nicely. Add to this Anne being ABSOLUTELY BADASS, and you have another volume of what may be the best Shojo Beat series out there that isn’t Shojo Beat. You need to be reading this. – Sean Gaffney

Sword Art Online: abec Artworks | By abec | Yen Press – It’s always nice to see a series do well enough to justify licensing the artbook, and I’ve always liked abec’s work. We get some gorgeous art here, of course, along with some insight into the process (such as Kirito being added to the cover of book seven by editorial fiat). There’s also a short story at the end by Reki Kawahara, which involves an artist who’s trying to figure out a way to paint in Aincrad, whose game nature does not make it easy on artists requiring a large canvas. There are also lots of pieces unseen by North American fans, as we get art for promos and magazines. Basically, anyone who is a fan of Sword Art Online should be getting this. It’s also out digitally, but that may not do it justice—go for the bigger print book. – Sean Gaffney

Tokyo Tarareba Girls, Vol. 9 | By Akiko Higashimura | Kodansha Comics (digital only for the moment) – I was equal parts anticipating and dreading this final volume of Tokyo Tarareba Girls, because I wanted a happy ending for Rinko and Key and Mr. Hayasaka, which was going to be impossible. That said, I’m quite satisfied with how things turned out. I won’t give away any plot details, but I loved how Rinko both changed and did not change, in that instead of saying “what if” and regretting the state of things, she’s now determined to say “because” and be grateful for events and people who have helped her grow as a person. She’s now more honest with herself and with others, and yet she’s still the Rinko who periodically gets sloppy drunk with her friends. This is a really strong conclusion that even made me a little sniffly! – Michelle Smith