Ash Brown

After School Nightmare, Vol. 5

August 14, 2015 by Ash Brown

Creator: Setona Mizushiro
U.S. publisher: Go! Comi
ISBN: 9781933617473
Released: October 2007
Original release: 2006

After School Nightmare by Setona Mizushiro is a manga series that I honestly find disconcerting, so much so that even though I also find it compelling, I could never bring myself to read past the first few volumes until recently. The manga is a dark and intense psychological drama dealing with issues of abuse, gender, and personal identity. Despite being a series that is quite obviously fantasy-horror, some of the themes actually hit fairly close to home for me. Mizushiro has skillfully crafted a chilling setting and ominous atmosphere for After School Nightmare in which to explore both nightmares and reality. The ten-volume series was published in English by the now defunct Go! Comi and so is sadly out-of-print, but it seems to still be fairly easy to find. After School Nightmare, Volume 5 was first published in Japan in 2006 while the English translation was released in 2007. The series reaches its halfway point with this volume, but the intensity of the drama and psychological horror shows no sign of letting up anytime soon.

After having let his feelings be pulled one way and then another, Mashiro has made his decision: In order to live as a man he has rejected Sou and his aggressive advances in favor of his girlfriend Kureha. Mashiro tells himself that it’s because Kureha is the one who needs him the most, never considering that Sou might need him, too. Ultimately though, Mashiro’s decision is a selfish one and not nearly as gallant as he would like to believe or portray. Although he has been living as a boy for most of his life, he is still incredibly insecure in his gender identity, mostly due to the fact that his body has both male and female characteristics. By dating Kureha and by becoming her self-proclaimed guardian and protector, Mashiro hopes to unequivocally establish his masculinity for himself and for others, something he doesn’t believe would be possible if he recognized having feelings for another guy. But even though Mashiro has made his decision, he still has lingering doubts.

Many of the characters in After School Nightmare are broken, damaged, or incomplete individuals who are attempting to put the pieces of their lives together to form, or reform, some sort of whole. That is part of the purpose of the titular after school nightmare—a special class that, through shared dreams, forces them to confront their greatest fears and in the process reveal them to the other students as they all try to determine who they really are as people. It can actually be quite painful and heart-wrenching to witness the events unfold both within the nightmares and outside of them; truly terrible and horrifying things occur that strongly influence the characters’ physical, mental, and emotional well-being. At this point in the series Mashiro’s personal struggles and torments are the ones about which the most is known, but After School Nightmare, Volume 5 begins to reveal more about Sou’s tragedies which previously had largely only been hinted at.

From the beginning of After School Nightmare, Sou has been shown to be one of the strongest and most assertive characters in the series which is why seeing him in such a vulnerable state in the fifth volume is especially distressing. Sou is an unlikeable person in many ways—among other things showing a shocking lack of respect for Mashiro, the person he supposedly loves—but I can’t help but feel some empathy for him as he is caught up in multiple extremely unhealthy and manipulative relationships. And he’s not always the one doing the manipulating; his relationship with his sister and the control she seem to have over him is particularly troubling. Mashiro’s rejection hits Sou hard, too, certainly much harder than either of them really expected. At first Sou reacts in anger, but ultimately he tries to lives in forced denial of his feelings. Considering how the rest of After School Nightmare has progressed so far, I don’t anticipate that this method of coping will turn out well for any of the people involved.

Manga the Week of 8/19

August 13, 2015 by Sean Gaffney, Ash Brown, Michelle Smith and Anna N 5 Comments

SEAN: (flat stare) OK, I have not seen this much manga coming out in one week in about 7-8 years. This is getting completely ridiculous.

If you somehow have missed bloggers banging the drum for the Kurosagi Corpse Delivery Service over the last several years, there is a good chance to catch up now, as an omnibus of the first 3 volumes is out next week from Dark Horse. Seriously, this series is ridiculously good, y’all. (note: this may not be out everywhere next week, check your Diamond listings)

ASH: I’m glad to see this series getting some more love from Dark Horse again.

SEAN: Kodansha has an 18th volume of Cage of Eden, coming ever closer to the end of the series, where surely it will answer all the questions we have so far! (cough)

And there’s a 6th volume of the increasingly popular series Noragami.

ASH: There was quite a cliffhanger at the end of the fifth volume, so the sixth is on my reading list.

SEAN: Lastly, the penultimate 35th volume of The Wallflower, a series that many thought would never end! Will it romantically resolve anything? Don’t hold your breath. I wouldn’t hold your breath in Vol. 36 either.

MICHELLE: I certainly thought it would never end!

ANNA: I am amazed.

SEAN: One Peace Books has a 3rd volume of Aquarion Evol.

And also a light novel, which I think might have an associated manga later, though I’m unsure. It’s called The Rising of the Shield Hero, and as you can guess, is fantasy-based.

ASH: Yup. One Peace Books is planning to release the manga as well.

SEAN: Seven Seas gives us a 3rd volume of yuri potboiler Citrus.

And a 2nd of Clay Lord: Master of Golems, which I found more interesting than I’d expected.

Vertical has a 6th volume of popular fantasy series Witchcraft Works.

Viz gives us new Dorohedoro, which always makes me happy, and always makes me want to do a giant reread. This is the 16th volume, meaning it easily wins the SigIkki wars for supremacy.

ASH: Dorohedoro! I’m long overdue for another binge read.

SEAN: And if you prefer zombies to… well, I guess Dorohedoro has zombies as well, sort of, but if you prefer more traditional zombies, there’s a second Tokyo Ghoul.

ASH: I haven’t read any of Tokyo Ghoul yet, but the series seems to be doing quite well for Viz.

SEAN: The new manga reboot of Ultraman is so amazing that it actually runs in a magazine called “Monthly Hero’s”. You may expect… Tokusatsu shenanigans, I would expect.

MICHELLE: Ugh, that apostrophe bugs me.

SEAN: Yen On has a whopping six new titles for us, including the debut of Black Bullet, a future dystopia series. If you enjoyed the ‘young man with loli not-quite-sister’ aspect of No Game No Life but wished it were more depressing, this may be for you.

The fourth volume of A Certain Magical Index reintroduces us to Kaori Kanzaki, the girl with huge sword from the first volume, and also shows us Touma’s parents for the first time… sort of.

The Devil Is A Part-Timer! has Volume 2, as we start to see where we go now that the forces of good and evil are pretty much settled on Earth and dedicated to minor squabbles.

ASH: This series amuses me greatly.

SEAN: Is It Wrong To Try To Pick Up Girls In A Dungeon? has a 3rd volume, and the anime has now passed it, so we get to see what was left out of the adaptation.

Spice & Wolf has ended in Japan, I think, apart from side stories. But it’s still chugging away here in North America with its 15th volume.

And Sword Art Online has a 5th volume. Now that everyone is finally free from the game of death and their lives are back to normal, surely they’ll never play another MMORPG again, right? Hah.

Yen Press has several digital-only releases coming out as well. The 3rd Handa-kun continues to elaborate on the high school years of the Barakamon protagonist.

We get the first two volumes of Kakegurui – Compulsive Gambler, a Gangan Joker series about a school whose student council base everything around, well, gambling. I know next to nothing about it, so am intrigued.

And the first two volumes of The Royal Tutor, a GFantasy series that has, well, royalty and a tutor for same. It seems to be more lighthearted than serious, and may have BL overtones, given the magazine it’s in and the author’s prior works.

ANNA: Hmmmmmm….

SEAN: And Today’s Cerberus has volumes 3 and 4. Despite having dog girls, cat girls, and wolf girls, I found it more enjoyable than you’d expect.

So, that’s Yen On and Yen Digital sorted out, now for Yen Press proper. We’re about halfway through Ani-Imo with the 4th volume. Is it any less creepy?

Despite Handa returning to the city at the end of the last Barakamon, the series continues on with its 6th volume.

It’s been 11 volumes of BTOOOM!. Can you believe it? 11 volumes.

MICHELLE: Siiiiiiiiiiiiiigh.

SEAN: The Devil Is A Part-Timer! High School!! is an alternate universe spinoff of the main series which… well, I’m sure you can guess.

Emma has a 2nd omnibus. What will happen to our heroine now that she’s left to go north? And can William ever find her? And can everyone continue to be repressed?

ANNA: Cheers to Emma being back in print, it is such a special series.

ASH: Cheers, indeed!

SEAN: Our long national nightmare is over with the 4th and final volume of Gou-dere Sora Nagihara.

High School DxD shows us we must stay ever vigilant, however, with a 6th volume and no end in sight.

The 2nd Is It Wrong To Try To Pick Up Girls In A Dungeon? manga volume continues to confuse Amazon’s systems and these lists.

Has Madoka Magica been getting you down? Does your favorite girl keep dying? Try Puella Magi Homura Tamura, a wacky 4-koma version of the series that will probably not remind you of Sunshine Sketch too much.

RustBlaster (no space) is a one-volume manga from the creator of Black Butler, featuring vampires. It may therefore take the new crown of ‘most obvious license ever’.

Lastly, a second volume of Trinity Seven, with slightly less “look, breasts!” on the cover than the first.

I… wow. If you’re not getting SOMETHING next week, we may have to check your pulse.

MICHELLE: I think I may not be getting anything! But mostly ‘cos I already own Emma and Kurosagi Corpse Delivery Service.

ANNA: I’m not getting anything either! I need to whittle down all the stacks of unread manga I already have.

ASH: I… most definitely have a pulse. (And soon to be even more overloaded bookshelves.)

Maid-sama!, Omnibus 1

August 12, 2015 by Ash Brown

Creator: Hiro Fujiwara
U.S. publisher: Viz Media
ISBN: 9781421581309
Released: August 2015
Original release: 2006-2007

Maid-sama! is an eighteen-volume manga series created by Hiro Fujiwara. The series was initially licensed for English translation by Tokyopop, which released the first eight volumes of the manga between 2009 and 2011. More recently, Maid-sama! was rescued by Viz Media. The manga is being released under the Shojo Beat imprint in an omnibus edition, each English-language omnibus collecting two volumes of the series’ original Japanese release. The first Maid-sama! omnibus was published in 2015 and includes the first and second volumes of the manga published in 2006 and 2007 respectively. (The first volume also contains Fujiwara’s earlier short manga “A Transparent World.”) Maid-sama! was Fujiwara’s first major success as a mangaka. However, it wasn’t until Viz’s release of Maid-sama! that the series came to my attention when I noted the enthusiastic response of fans surrounding its return. I was therefore very happy to have the chance to read a review copy of the first omnibus in order to see what the excitement was all about.

Seika High School, previously an all-boys’ school, has only been co-ed for a couple of years. The student population is still largely male—the boys outnumbering the girls four to one—and Seika High still has a bad reputation. And so Misaki Ayuzawa has decided to take things into her own hands, becoming Seika’s first female student council president in order to clean up the school’s act, improve it standing, and create a more welcoming environment for young women. Misaki rules over Seika with an iron fist, though not everyone appreciates her strength and intelligence or the changes she’s making. Because of that, she’s particularly careful to keep the fact that she works part-time at a maid cafe a secret; she doesn’t want to ruin her image or risk losing what little authority she has. But then her classmate Takumi Usui discovers how she’s spending her time after school. Misaki has caught his attention and interest, perhaps even romantically, though understandably she’s not very happy about the awkward turn of events.

I absolutely adore Misaki. She’s a smart, strong, motivated, hard-working, competent, capable, and highly accomplished individual. She’s not perfect though. Her drive to overachieve and handle everything by herself along with her reluctance to rely on the help of others means that she frequently overextends herself, wearing herself down. Misaki could stand to relax a little, but the believable combination of her strengths and weaknesses make her the most well-developed character in the series. While I love Misaki, I am significantly less enamored with Takumi. Sometimes he can be a great guy, but on occasion he can be an utter creep. His skills and talents match and even surpass those of Misaki, often in superbly ridiculous ways which are admittedly amusing, but he seems to frequently be emphasizing that she’s a girl as if that somehow makes her inferior. I want to see the Takumi who supports Misaki for who she is and who doesn’t feel the need to dominate her. Early on in Maid-sama! it seems this would be a possibility, but the more of the omnibus I read the less likely it appeared that the series would be going in that direction.

Although in part Maid-sama! is a romance, ultimately that particular plot line in the manga is the one that interests me the least. (If I actually liked Takumi more than I currently do, I would probably feel differently.) I enjoy the series most when it focuses on Misaki as she grows as a person. I like seeing her become less of a tyrant as the president as she learns to consider other people and their needs instead of completely overruling them without making an effort to hear their concerns. At first she is disliked by almost all of the students, but as time passes more and more of them, male and female alike, come to admire, trust, and appreciate her and where she is leading Seika High. Although there are certain things about Maid-sama! that bother me—most notably the distinct possibility of Takumi being idealized as a romantic lead—overall I did find the beginning of the series to be entertaining and a lot of fun. And since I do like Misaki so incredibly well, at this point I definitely plan on reading more of Maid-sama!.

Thank you to Viz Media for providing a copy of Maid-sama!, Omnibus 1 for review.

Pick of the Week: Nearly United

August 10, 2015 by Michelle Smith, Sean Gaffney, Anna N and Ash Brown Leave a Comment

MICHELLE: I know I’ve picked Magi at least a half dozen times before, but really it’s just that good. It’s fun, in the way that one expects a shounen adventure to be, but it also prioritizes character growth and world-building. I am really, really enjoying it.

SEAN: Yeah, I’m going to go with Magi as well, which is doing some really great worldbuilding and has some nice smug villains.

ANNA: I will pick Magi too, even though I’m not that far along in reading the series.

ASH: Wow, well, I apparently need to get around to reading Magi at some point! But as for my pick this week, I’m going to go with the third omnibus of Embracing Love. It’s been a while since I’ve read the series, but I’m glad that it was rescued.

What looks good to you this week?

My Week in Manga: August 3-August 9, 2015

August 10, 2015 by Ash Brown

My News and Reviews

Okay! In addition to the usual My Week in Manga feature, I managed to post three other things last week. First up was the announcement of the Sparkler Monthly Giveaway Winner, which also includes a list of the current, ongoing series being released in Sparkler Monthly (which is only a fraction of the total content). The other two posts were in-depth manga reviews; I took a look at a couple of Kodansha Comics’ recent releases. The first in-depth review of the month went to Naoshi Arakawa’s Your Lie in April, Volume 2, which I enjoyed. But then again, it’s a music manga, so it’s not too surprising that I like it. I also reviewed Masayuki Ishikawa’s Maria the Virgin Witch, Volume 3. It’s the last volume of the series, although the seque Exhibition is scheduled to be released in English later this year. Maria the Virgin Witch is somewhat uneven, but I still found it to be both intriguing and engaging.

As seems to always be the case nowadays, life was keeping me very busy last week, but I still came across some interesting things elsewhere online. A translation of an interview of Daisuke Igarashi, for example. Last week also marked the seventieth anniversary of the dropping of the atomic bombs on Hiroshima and Nagasaki by the United States. It’s quite timely then that Last Gasp launched a Kickstarter project to create a hardcover edition of Keiji Nakazawa’s Barefoot Gen with schools and libraries specifically in mind. To coincide with this, Paul Gravett reposted his article “Keiji Nakazawa: Barefoot in Hiroshima”. Barefoot Gen is a tremendous work. One of the Manga Moveable Feasts was even devoted to it back in the day. If anyone is interested in learning more about Nakazawa himself as well as some of the historical context surrounding Barefoot Gen, his autobiography was translated into English several years ago.

Quick Takes

Prophecy, Volume 3 by Tetsuya Tsutsui. The first volume of Prophecy is the one that left the greatest impression on me, but in general it’s a very strong series. I didn’t find the second volume to be quite as compelling as the first, but the third provides a mostly satisfying conclusion to the series even though in some ways it felt a little anticlimactic. One of the members of Paperboy tips off the police and soon the Cyber Crimes Division has been able to identify the four terrorists. As the investigators draw closer and closer to capturing the men, they begin to notice what at first seem to be mistakes, slip ups, and inconsistencies in the group’s behavior. However, everything falls into place once Paperboy’s true motivations for committing all of the crimes are revealed. Prophecy is a realistic, smart, and engaging series with the added bite of social commentary. There’s apparently also a Prophecy spin-off series. I don’t think that it has been licensed, or that there are any current plans to do so, but I’d certainly be interested in reading it.

xxxHolic, Omnibus 6 (equivalent to Volumes 16-17) by CLAMP. For the most part I have been enjoying xxxHolic since the beginning of the series, but I think this omnibus has been my favorite so far. I really liked its brooding, ominous atmosphere. The humor that was so prevalent earlier in the series is actually almost entirely gone. The comedy in xxxHolic could be fun, but I have a particular penchant for the series’ supernatural angst, and that’s definitely taken the forefront in the last few volumes. I also initially found the crossover between Tsubasa: Reservoir Chronicle and xxxHolic to be intriguing, but I’ll admit that I was happy to see that the other series didn’t intrude too much in this omnibus. Instead, xxxHolic is focusing on how Watanuki and the others are coping now that Yuko is gone. Watanuki takes it especially hard and his tendency to slip in and out of dreams is becoming increasingly dangerous. There’s not much that the people who care about him can actually do except to watch over and support him as best as they can.

Yamada-kun and the Seven Witches, Volume 3 by Miki Yoshikawa. There really are witches in this series! With its good-natured comedy and gender play, I’ve liked Yamada-kun and the Seven Witches a great deal from the very start. But with the third volume, Yoshikawa has started to really develop the series’ worldbuilding and is diving even further into the details of how the magic works. The relationships between the characters are also becoming more fleshed-out and complicated, which I’m enjoying as well. One of the things that I particularly appreciate about the series is that it seems perfectly okay for a guy to be crushing on another guy. Yes, it’s because there are some strange supernatural powers at work, but it’s also not treated like something gross. The setup also allows kissing to freely occur regardless of gender, which is fun. There’s still plenty of fanservice in Yamada-kun and the Seven Witches, as one would probably expect from a shounen series full of gender- and body-swapping, but I generally find it to be tastefully done.

Maria the Virgin Witch, Vol. 3

August 9, 2015 by Ash Brown

Creator: Masayuki Ishikawa
U.S. publisher: Kodansha
ISBN: 9781632360823
Released: June 2015
Original release: 2013

Maria the Virgin Witch is a three-volume manga series (four volumes if counting the sequel Exhibition) created by Masayuki Ishikawa. It was actually because the series was by Ishikawa, who is also the creator of Moyasimon (which I enjoy), that it first came to my attention. The first volume of Maria the Virgin Witch intrigued me, and the second ends with the heroine in a rather dire-looking situation, so I was very curious to see how the story would continue to play out in the third. Happily, Kodansha Comics was kind enough to send a review copy along to me. Maria the Virgin Witch, Volume 3 was originally published in Japan in 2013. Kodansha’s English-language edition of the volume was released in 2015. Despite being a short series, the narrative of Maria the Virgin Witch has the tendency to be a little unfocused, but I still find the manga to be consistently engaging. I especially appreciate the quirkiness of the series in general as well as the quirkiness of its characters specifically.

Maria had been warned by the Archangel Michael: If the young witch continued to interfere with the natural order of the world she would be struck down. However, so devoted to ending the long-lasting war between France and England, Maria continued to flaunt her powers, even while in the presence of Michael’s messenger Ezekiel. Now the time has come for her to face the consequences of her actions. She was, however, somehow able to survive what was intended to be a fatal blow from Michael’s spear. But she’s still vulnerable and must rely on the protection of her two owl familiars and the kindness of her fellow witches who don’t necessarily approve of her efforts to force a peace. Maria was at one point alone in the world—the Heavens, other witches, and even some of the humans she was trying to save all standing against her—but over time her earnestness and innocence has earned her some friends, a few of whom could have at one time been counted among her enemies. But even with their support Maria is beginning to lose her naiveté, realizing that bringing happiness to humanity may be more complicated than she initially considered.

Maria the Virgin Witch has always been a peculiar mix of quirky humor and more serious philosophical and theological reflection. There are a lot of ideas that Ishikawa was able to work into such a short series, although at the same time it’s difficult to thoroughly explore all of them in only three volumes. (It actually makes me wonder if Maria the Virgin Witch was originally intended to be a longer story.) The third volume brings up questions about Maria’s family and backstory without really answering them. Also, apparently many if not all witches are loners, something that wasn’t clearly established until now. Maria’s close friendship with the English witch Viv develops suddenly, and their discussions about the true meaning of happiness and love come across as a little forced. It was as if Ishikawa needed to rush in order to make sure that the heart of the series was addressed and made absolutely clear, paring down the seemingly extraneous elements introduced earlier in the manga.

Although overall the narrative of Maria the Virgin With is somewhat uneven, in the end I did largely enjoy the series and I would like to read Exhibition as well. Since the very beginning of the manga, I’ve been particularly fond of Maria herself. While she and the other witches feel more contemporary in thought and appearance than the rest of the series’ setting, I do appreciated her struggle to come to terms with not only her own position in the world, but also the role of the higher powers of Heaven. It’s a debate that humankind has been wrestling with for ages and is one more link between the manga’s historical backdrop and the present day. Ishikawa explores the answer to this timeless question through Maria’s growth as a character. She begins as a young, determined woman seeking to right the wrongs of the world, becoming wiser and more mature as she is confronted with the often brutal realities of life. But importantly, Maria never loses her ideals or succumbs to despair, which is why so many people come to love her so dearly.

Thank you to Kodansha for providing a copy of Maria the Virgin Witch, Volume 3 for review.

Your Lie in April, Vol. 2

August 7, 2015 by Ash Brown

Creator: Naoshi Arakawa
U.S. publisher: Kodansha
ISBN: 9781632361721
Released: June 2015
Original release: 2012
Awards: Kodansha Manga Award

Your Lie in April is an eleven-volume manga series created by Naoshi Arakawa that began serialization in Japan in 2011. The manga is one of Arakawa’s earliest professional works. Even so, Your Lie in April would go on to win a Kodansha Manga Award in 2013 and in 2014 the series’ anime adaptation debuted. Although I haven’t actually seen it yet, it was the anime that first brought Your Lie in April to my attention. As a lover of both manga and music (in addition to being a musician myself), the basic premise of Your Lie in April appealed to me a great deal. I was glad that Kodansha Comics licensed the series since I’m always excited to see more music manga released in English. I largely enjoyed the first volume of Your Lie in April and so was happy to receive a review copy of the second as well. Your Lie in April, Volume 2 was originally published in Japan in 2012 while the English translation was released in 2015.

Kosei hasn’t played the piano publicly for years, having tried to give it up after the death of his mother and a disastrous performance in competition. He has become so psychologically distraught that he literally can no longer his own music; the sound seems to disappear when he begins to seriously play. Very few people actually know why Kosei no longer performs or competes, and his closest friends continue to encourage him to play despite his reluctance. Somehow Kaori manages to bully him into serving as her accompanist in the second round of her violin competition at the last minute. She’s a passionate and headstrong musician who other pianists find difficult work with, sometimes even refusing to accompany her. But Kaori wants to be remembered by her audiences and she is convinced that Kosei, who was once well-known as a child prodigy, can help her do that. Except that he’s never been an accompanist before, they’ve never practiced together, and he hasn’t even had the change to study the score.

Though Your Lie in April can be somewhat melodramatic at times, I appreciate that Arakawa is leveraging the psychological states of the series’ characters in order to further the story. Kosei being thrust into the spotlight and once again experiencing the thrill of performance doesn’t simply make everything all right or solve his problems. If anything, it actually makes matters more complicated. He continues to be torn between wanting to play and never wanting to touch the piano again. Hovering over Kosei is the shadow of his dead mother, an abusive woman who demanded perfection from him and his playing. But she was also the person who first taught him to love music. By the end of her life she had become cruel, but Your Lie in April, Volume 2 reveals that before she became ill she was much kinder and gentler person. It doesn’t excuse how she eventually treated her son, though it does help to explain in part why Kosei remained and continues to be devoted to her throughout the pain and suffering that was inflicted upon him.

What little is known about Kosei’s mother so far in Your Lie in April provides an interesting counterpoint to what little is known about Kaori. They are both musicians, they both are partly responsible for drawing Kosei into the world of music and, as the second volume of the series shows, they both struggle with physical illness. However, whereas Kosei’s mother became cruel, Kaori’s illness has caused her to devote herself to her music, striving to leave a lasting impression on those around her. No matter what happens in the future, Kosei’s relationship with Kaori, like the one with his mother, will be a formative one. He, at least, will never be able to forget her. She is an inspiration dragging him out of his personal darkness. This is something that is visually reinforced in the manga as well. Kaori is almost always shown in the light, sometimes she even seems to be the source of light, while Kosei is frequently seen in shadow, especially when he is playing. But Kaori is challenging and changing him. The time may come when Kosei will be able to freely stand in the light, too.

Thank you to Kodansha for providing a copy of Your Lie in April, Volume 2 for review.

Manga the Week of 8/12

August 6, 2015 by Sean Gaffney, Anna N, Ash Brown, Michelle Smith and MJ Leave a Comment

SEAN: If you want a quiet week with not much manga, next week is pretty much the only week in August you’ll get it, so enjoy.

Kodansha has its 5th Tsubasa Reservoir Chronicle omnibus, which I think is busying itself by walking around the X continuity.

ANNA: You know what would be nice? If X/1999 walked around its own continuity and actually had an end to the series. That would be nice!!!!!

ASH: YES.

SEAN: X Vol. 19: everyone mysteriously vanishes into a hole in the plot except Nokoru, Suoh and Akira, and the series reboots itself as CLAMP Detectives: The Adult Years. With plenty of Utako as well. …OK, perhaps that’s only *my* version of X.

MICHELLE: I fully support this version. My life needs more grown-up Suoh in it.

MJ: I am probably a rare CLAMP fan in that I’m not super-anxious for them to finish X, but I’m not opposed to Sean’s ending here. :D

SEAN: Seven Seas gives us a 2nd volume of angsty coming-of-age story Evergreen, from the Toradora! author.

And a 7th volume of bestselling, anime-producing monster fetish manga Monster Musume. Watch out for snakes.

Sublime hopes you are still embracing the 3rd omnibus of Embracing Love.

ASH: I certainly am! This omnibus includes part of the series that wasn’t previously released in English.

SEAN: Viz gives us the 10th volume of Deadman Wonderland – are they out of prison yet?

And a 15th Itsuwaribito, which is part of the Shonen Sunday imprint! As is…

Magi, which has its lucky 13th volume. Shonen Sunday! It’s an imprint too! You can see it, next to the Jump and Beat titles. Well, sort of next to them. Down the hall. And a stairway. Next to the boiler room. (Buy Sunday titles.)

ANNA: I need to fill in my collection and read more of this series!

MICHELLE: Yay, Magi! And I concur; the Shonen Sunday imprint has a lot of good stuff, like Kekkaishi, Cross Game, and all of the Rumiko Takahashi!

SEAN: Does anything here tickle your fancy?

Giveaway: Sparkler Monthly Giveaway Winner

August 5, 2015 by Ash Brown

And the winner of the Sparkler Monthly Giveaway is… AshLynx!

As the winner, AshLynx will get to choose one item from the Sparkler Online Shop in addition to receiving a copy of Tokyo Demons, Book 2: Add a Little Chaos written by Lianne Sentar and illustrated by Rem. I coordinated the giveaway to draw more attention to the Sparkler Monthly Year 3 Kickstarter campaign which I’m very happy to say was successful! I absolutely love the work being done at Chromatic Press and Sparkler Monthly, so I’m glad those efforts will be able to continue for at least another year. For the giveaway, I asked participants to tell me about some of their favorite Sparkler stories. Be sure to check out the Sparkler Monthly Giveaway comments for the detailed responses!

Finally, here’s the list of current ongoing series at Sparkler Monthly that will be able to continue thanks to the campaign’s success:

The Cat Lover’s Circumstances by LAMP and Aiwa
(Geeky Modern Comedy Audio Drama)

Gatesmith by Jen Lee Quick
(Dark Fantasy Western Comic)

Knights-Errant by Jennifer Doyle
(LGBT Historical Drama Comic)

Lettera by Studio Kosen
(Comedy Fantasy Adventure Comic)

Orange Junk by Heldrad
(Shoujo Romantic Comedy Comic)

Skyglass by Jenn Grunigen and Mookie
(Sci-Fi Musician Drama Prose)

Tokyo Demons by Lianne Sentar, Rebecca Scoble, Rem, and Romy-chan
(Urban Fantasy Adventure Drama Prose)

Windrose by Studio Kosen
(Historical Adventure Comic)

Witch’s Quarry by Jen Lee Quick
(LGBT Fantasy Adventure Comic)

The above list is only a selection of Sparkler Monthly‘s total output. It doesn’t include any of the stories that have already been completed or any of the new stories that will be added throughout the coming year. Thank you to everyone who shared their favorite Sparkler stories with me. (Sparkler fans are the best fans!) And if you don’t have a favorite yet, start exploring! With the range of formats, genres, characters, and stories, there’s bound to be something that you’ll find appealing. (And most of it’s free!) Personally, I haven’t been disappointed with anything from Sparkler Monthly and am thrilled that there will be even more content in the future.

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Pick of the Week: Sparkling Series

August 4, 2015 by Sean Gaffney, Michelle Smith, Ash Brown, MJ and Anna N Leave a Comment

SEAN: I was originally going to pick Showa here, but Amazon helpfully moved it to late September at the very last minute. So instead I will pick Haven’t You Heard? I’m Sakamoto, Seven Seas’ new series about the coolest high school student around, and how no one else can hold a candle to him. It’s completely hilarious and I want more immediately.

MICHELLE: Voice Over!: Seiyu Academy may not be a classic, but I have grown to like it very much over its run, and so must pick the twelfth and final volume while I can. I hope for a sugary sweet ending with kitties.

ASH: I was all set to choose Haven’t You Heard? I’m Sakamoto, but then the Sparkler Monthly Kickstarter reached its goal over the weekend. I’m so excited that we’ll be seeing another year of fantastic content, beginning this month!

MJ: I’m pretty much MIA due to my teen opera production which goes up next week, but I had to jump in to add to Ash’s excitement. Yay, Sparkler!! We’re so lucky to be getting more of this magazine!

ANNA: I will go with the third volume of JoJo’s Bizarre Adventure: Phantom Blood. So weird! So manly!

What looks good to you this week?

My Week in Manga: July 27-August 2, 2015

August 3, 2015 by Ash Brown

My News and Reviews

The Sparkler Monthly Year 3 Kickstarter campaign ends tonight, so this is one of my last opportunities to give it a shout-out! I actually spent a lot of last week trying to draw attention to the project and the spectacular work being done by the staff and creators of Sparkler Monthly. For example, my most recent giveaway, which is currently underway, is for the second book in Tokyo Demons (one of my favorite series ever, not just one of my favorite Sparkler series) as well as one additional Sparkler goody of the winner’s choice. And for my final in-depth review for the month of July, I featured Heldrad’s delightful Orange Junk, Volume 1, a romantic comedy strongly influenced by shoujo manga. I also posted July’s Bookshelf Overload over the weekend, which I also managed to briefly tie into Sparkler Monthly.

In publishing news, Bruno Gmünder is adding two more volumes of gay manga to its catalog for the 2015 Fall/Winter season—Takeshi Matsu’s Dr. Makumakuran and Other Stories and Gengoroh Tagame’s The Contracts of the Fall—and Breakdown Press will be releasing Ding Dong Circus and Other Stories, 1967-1974 by alt-mangaka Sasaki Maki. Ryan Holmberg, the collection’s translator and editor, recently wrote about Sasaki Maki for The Comics Journal. Also of note, Kodansha has plans to expand its digital distribution. There were also a couple of interesting interviews posted last week: over at Anime News Network Deb Aoki talked with mangaka Miki Yoshikawa in addition to one of Yoshikawa’s editors, and Organization Anti-Social Geniuses spoke with Marlene First, one of the manga editors at Viz.

Quick Takes

Akame ga Kill!, Volume 1 written by Takahiro and illustrated by Tetsuya Tashiro. It seems as though every dark fantasy manga that has been released in English recently has a similar plot—the current ruling government and upper classes of society are staggeringly corrupt and a small group of exceptionally skilled fighters are battling against them. In many of the stories, the twist is that the “bad guys” are really the “good guys,” though it’s not much of a twist anymore since it’s becoming increasingly common. In Akame ga Kill!, that group is a team of assassins who target high-profile nobles and government officials. It’s a decent premise, but I’m not entirely convinced by Akame ga Kill!. Plot developments seem to occur more out of convenience than anything else, and despite delving into their various backstories the characters don’t yet have much depth to them. Takahiro mentions in the postscript that he finds Tashiro’s action scenes particularly eye-catching. I’m not familiar with Tashiro’s other manga, but when comes to Akame ga Kill! I was actually a little disappointed with the fight sequences. Battles happen so quickly that it appears as though nothing happens at all, and on occasion the action is skipped over completely. This conveys impressive speed, but I’d like to actually see the fights.

Let’s Dance a Waltz, Volume 2 by Natsumi Ando. If it wasn’t for the series’ unfortunate focus on Himé’s weight loss, I would be really enjoying Let’s Dance a Waltz. The first volume ends with her losing more than forty pounds after two weeks of intensive dance study. I would be willing to begrudgingly move on from this, except that the second volume never lets the reader forget about it. The manga seems to constantly emphasize that someone has to be slim to be of worth. It really is a shame, because I like so many of the other elements of Let’s Dance a Waltz. I love the dancing in the series and Himé’s developing passion for it as a sport. The second volume includes her first contest, which is partly an effort to compel Tango to compete once again. And I love the delicious melodrama surrounding the competitors and the dynamics of their tangled personal relationships. Yūsei cares tremendously for his dance partner Sumiré, but she seems to have feelings for Tango. They both want to see Tango return dance, but that also means that he will become their opponent in the ballroom. Himé is in love with Tango, too, which introduces tension into her friendships with all three of them. There’s so much to like about Let’s Dance a Waltz, but the handling of the weight issues in the series honestly bothers me.

Bookshelf Overload: July 2015

August 2, 2015 by Ash Brown

Well, it didn’t take me very long at all to get back into the habit of bringing a ridiculous number of books into the house. On top of that, I think I’ve discovered a new addiction: artbooks. I picked up two in July—A Sky Longing for Memories: The Art of Makoto Shinkai (which I reviewed not too long ago) and Yuki Urushibara’s Mushishi artbook (which was recently published in Japan)—and I have an increasingly lengthy list of others that I’m eying. Matthew Meyer’s new yokai guide/artbook The Hour of Meeting Evil Spirits: An Encyclopedia of Mononoke and Magic is now available, which I’m very excited about. (His earlier book The Night Parade of One Hundred Demons was great.) July also saw me finally get my hands on the fifth and final volume of The Summit of the Gods by Baku Yumemakura and Jiro Taniguchi which I’ve been looking forward to a great deal. Another release that I was happy to see in July was the most recent paperback from Chromatic Press/Sparkler Monthly: Heldrad’s delightful Orange Junk, Volume 1, which I made a point to review. And since I just happened to mention Sparkler Monthly, I’d of course like to take a moment to give a shout-out to the Sparkler Monthly: Year 3 Kickstarter as it enters its final day!

Manga!
Aquarion Evol, Volume 3 written by Shoji Kawamori, illustrated by Aogiri.
Black Rose Alice, Volume 5 by Setona Mizushiro
The Color Of Love by Kiyo Ueda
Cross Game, Omnibuses 2-8 by Mitsuri Adachi
The Demon Prince of Momochi House, Volume 1 by Aya Shouoto
Fairy Tail, Volume 49 by Hiro Mashima
Let’s Dance a Waltz, Volume 2 by Natsumi Ando
A Liar in Love by Kiyo Ueda
Love Stage!!, Volume 2 by Eiki Eiki
Ludwig B, Volumes 1-2 by Osamu Tezuka
Maid-sama!, Omnibus 1 by Hiro Fujiwara
Maria the Virgin Witch, Volume 3 by Ishikawa Masayuki
My Little Monster, Volume 9 by Robico
My Love Story!!, Volume 5 written by Kazune Kawahara, illustrated by Aruko
Ninja Slayer Kills, Volume 1 by Kotaro Sekine
Noragami: Stray God, Volume 5 by Adachitoka
Say I Love You, Volume 8 by Kanae Hazuki
A Silent Voice, Volume 2 by Yoshitoki Oima
The Summit of the Gods, Volume 5 written by Baku Yumemakura Baku, illustrated by Jiro Taniguchi
Sunny, Volume 5 by Taiyo Matsumoto
Terra Formars, 7 written by Yu Sasuga, illustrated by Ken-ichi Tachibana
UQ Holder, Volume 5 by Ken Akamatsu
What Did You Eat Yesterday?, Volume 9 by Fumi Yoshinaga
xxxHolic, Omnibus 6 by CLAMP
Yamada-kun and the Seven Witches, Volume 3 by Miki Yoshikawa
Your Lie in April, Volume 2 by Naoshi Arakawa

Manhwa!
Behind Story, Volume 1 by Narae Ahn
Core Scramble, Volume 1 by Euho Jun
Give to the Heart, Volume 4 by Wann

Comics!
Adventures of a Japanese Businessman by José Domingo
Beautiful Darkness by Fabien Vehlmann, Kerascoët
Corto Maltese: Beyond The Windy Isles by Hugo Pratt
The Divine by Asaf Hanuka, Tomer Hanuka, and Boaz Lavie
Fantasy Sports, Volume 1 by Sam Bosma
High Crimes written by Christopher Sebela, illustrated by Ibrahim Moustafa
The Hourglass written by Itoshi, illustrated by Aldaria
Lost in the Snow, Volume 1 by Velvet Toucher
Orange Junk, Volume 1 by Heldrad
SuperMutant Magic Academy by Jillian Tamaki

Artbooks!
Mushishi Artbook by Yuki Urushibara
A Sky Longing for Memories: The Art of Makoto Shinkai

Novels!
The Decagon House Murders by Yukito Ayatsuji

Anthologies!
The Book of Tokyo: A City in Short Fiction edited by Michael Emmerich, Jim Hinks, Masashi Matsuie
Folk Legends from Tono: Japan’s Spirits, Deities, and Phantastic Creatures edited by Ronald A. Morse
Monkey Business International, Volume 5 edited by Motoyuki Shibata and Ted Goossen

Nonfiction!
The Hour of Meeting Evil Spirits: An Encyclopedia of Mononoke and Magic by Matthew Meyer
The Science of Attack on Titan by Rikao Yanagita

Anime!
Children Who Chase Lost Voices directed by Makoto Shinkai

Video Games!
Hakuoki: Demon of the Fleeting Blossom

Orange Junk, Vol. 1

July 31, 2015 by Ash Brown

Creator: Heldrad
Publisher: Chromatic Press
ISBN: 9781987988031
Released: July 2015

Orange Junk, created by Mexican artist (and architecture student) Heldrad, is an ongoing comic series strongly influenced by shoujo manga. The series had its beginnings back in 2010 and eventually became one of the most well-loved comics hosted online at Inkblazers (previously known as Manga Magazine). Sadly, Inkblazers closed in early 2015. Happily, Orange Junk was quickly picked up by the publisher Chromatic Press to be featured in its online multimedia magazine Sparkler Monthly. And now, less than a year later, the first volume of Orange Junk has been collected and released both digitally and in print. While I was vaguely aware of Orange Junk before its debut in Sparkler Monthly, I didn’t have any extensive knowledge about its plot or characters. (Really, I recognized it more by name than anything else.) However, the release of the collection of the first four chapters and additional bonus content provided the perfect opportunity to be introduced to the unabashed shoujo delight that is Orange Junk.

Louise Barton is the oldest child of a family that at one point was very wealthy. She lived in comfort, had plenty of time and opportunity to pursue her hobbies, and was generally happy and content with her lot in life. But then her father’s company went bankrupt and her family is now struggling to pay back the debt and make ends meet. Louise, her younger brother, and both of their parents are still adjusting to their new circumstances. One of the greatest challenges for Louise is that she must attend a public school for the first time. Starting over as a transfer student, she has no friends and an unfortunate lack of academic aptitude. Not to mention that she’s also already managed to get on the bad side of Bruce Daniels, a classmate notorious for his temper and getting into fights. But not everything is bad in the eleventh grade. Andrew Grey, another transfer student and one of the cutest guys in the school, is in her class, too. And when the three of them get thrown together, things take an unexpected turn or two.

Out of all of the stories that have so far appeared in Sparkler Monthly, Orange Junk is the one that is probably the most stereotypically “shoujo,” except that in most cases Heldrad has deliberately taken frequently found tropes and stereotypes and given them a bit of twist. This is especially apparent in the characterizations of the series’ lead trio. Bruce is athletic and constantly getting into fights, but he’s also the smartest student in class. Drew may have the looks that make many of the girls swoon, but he’s also a complete airhead (with occasional moments of wisdom) and an otaku to boot. Almost everyone assumes that Louise has great connections and great grades, but her social life is lacking and she’s absolutely terrible at math. Even the underlying drama of the comic—Louise’s family losing their wealth and status—seems to be less commonly seen than a downtrodden heroine suddenly coming into a fortune of some sort. Orange Junk isn’t necessarily a shoujo manga parody, but it does approach being one at times. Either way though, the comic is very funny.

In the author’s notes, Heldrad explains why the series is named Orange Junk. “Orange” because it conveys a sense of energy and “junk” because the comic is akin to junk food. It’s a title that actually fits the series quite well. Orange Junk is fantastically energetic and the chemistry between its characters is great. Louise and Bruce’s interactions are particularly entertaining to watch. They both have strong personalities that frequently clash with each other—Louise is one of the few people who can actually stand up to Bruce—but they begin to establish an awkward sort of friendship over the course of the comic that is absolutely adorable. Ultimately, Orange Junk is a romantic comedy that’s not to be taken too seriously. Although many of the relationships evolve naturally, the comic has its fair share of silliness and melodrama, and there are plenty of developments that inspire incredulity. But that’s really all part of Orange Junk‘s charm. If the first volume is any indication, the rest of the series should be a tremendous amount of fun.

Manga the Week of 8/5

July 30, 2015 by Sean Gaffney, Ash Brown, Michelle Smith and Anna N 2 Comments

SEAN: As the thermometer creeps towards triple digits, we can turn only to manga for comfort. Luckily, there’s a pile of it next week.

I think I mentioned this title before, as it’s gotten moved back a few times, but Bruno Gmuender has a new gay manga volume coming out, Dr. Makumakuran and Other Stories.

ASH: You have mentioned it before, but I think it’s really coming out this time!

SEAN: Dark Horse has an artbook, which I normally don’t cover, but this is The Art of Satoshi Kon, so yeah, let’s mention that.

Drawn and Quarterly’s amazing series Showa by Shigeru Mizuki comes to a close with the final omnibus, covering the years 1953-1989. This series has just been jaw-dropping, and everyone who loves manga at all – or even wants to know Japanese history – should be reading it.

MICHELLE: I has a shame.

ANNA: Me too.

SEAN: Kodansha gives us a 9th volume of The Seven Deadly Sins.

Seven Seas has a new Devils and Realist, the 6th volume. It also has a 7th volume of Dragonar Academy.

But I don’t care about either of those, because YAY! I always love it when a license request of mine is picked out, and this one is particularly awesome. Haven’t You Heard? I’m Sakamoto is a trippy comedy that fans of My Neighbor Seki will thoroughly understand, about a high school student who is super cool in everything he does – preternaturally so. I will be hammering on folks to read this.

ASH: I’m really looking forward to giving this one a read!

ANNA: This does sound funny.

SEAN: Viz has its usual giant pile of Jump and Beat stuff. Assassination Classroom has hit five volumes, and he’s not dead yet. Thank goodness.

ANNA: I can’t believe I am so far behind on this series. It needs to stop coming out so fast.

SEAN: Black Rose Alice also has its fifth volume, though be warned, we’re coming up on the series’ hiatus in Japan. Perhaps the author ran out of spiders?

MICHELLE: This is one of those cases where I’m both happy and sad to see a new volume.

ASH: Same.

ANNA: This is such a great, surreal series. Totally worth reading even if it is on hiatus.

SEAN: Bleach is in no danger of running out of volumes with its twelfth 3-in-1.

Food Wars! has a 7th volume. Will the demand for amazing curry take out half the class? I’m hoping at least Soma and Megumi make it past the first round.

JoJo’s Bizarre Adventure brings its first arc to a close with the 3rd omnibus of Phantom Blood. Happy ending? Sad ending? I can’t say, but I can guarantee it will be over the top.

ASH: Guaranteed.

ANNA: This series is so weirdly wonderful.

SEAN: It’s August, and you know what that means! It’s time for our yearly release of Kaze Hikaru, with Vol. 23. I am delighted that Viz has not given up on this shoujo title.

ANNA: If there was justice in the world, this would rocket up the manga best seller lists. Just a great, thoroughly researched gender bending romance series.

SEAN: Maid-sama! was a very popular series with Tokyopop back in the day – popular enough to get a license rescue, as the first two volumes come out (with brand new translation) as an omnibus from Viz. I do have vague worry, though – I suspect Usui’s behavior will go over a lot less well than it did in 2009.

MICHELLE: Yeah, I wonder how I’ll react to Maid-sama! this time around. It took a few volumes for me to warm up to it before, and even that was fairly begrudging, since it’s one of those shoujo that features random beach volleyball tournament chapters. Now I am even older and more crotchety.

ASH: I never read it the first time around, but I know quite a few people who were happy about its rescue.

ANNA: I read the first several volumes of the old release and it’ll be interesting to revisit it.

SEAN: The big Shonen Jump debut this week is My Hero Academia. In a world where the majority of people have superpowers, how does someone who doesn’t have any fit in? If your answer is ‘bullied’, congrats, you know your manga.

Naruto is almost over! Except for the sequel manga and the countless spinoff novels. But here’s Vol. 71, which is just straight-up Naruto.

One Piece is at Vol. 75, but is not even close to being over.

MICHELLE: Thank goodness!

SEAN: So Cute It Hurts!! has a second volume. Will her story become as exciting as his story? Or is it the other way around?

ANNA: I just read this and it does focus more on her story, which is what I was hoping after reading the first volume. Also, wacky hijinks.

SEAN: Spell of Desire comes to an end with its fifth volume. I admit I didn’t find this as compelling as Midnight Secretary, but I know Anna liked it.

ANNA: I did like it! But I think I will generally like any josei disguised as shoujo, because that’s how I roll.

SEAN: Toriko’s 29th volume will I suspect bring an end to this particular round of fights, but likely not an end to the current battle.

Voice Over! Seiyu Academy comes to an end with its 12th volume, but fear not, a new Maki Minami series debuts next month.

MICHELLE: I have been hoarding volume 11 of Voice Over! so I could read it and the final volume back-to-back. I hope there are kitties and a happy ending, and suspect that isn’t too far off-base.

SEAN: And there’s a 3rd omnibus of the original Yu-Gi-Oh!.

There has to be something here for everyone. What about you?

Giveaway: Sparkler Monthly Giveaway

July 29, 2015 by Ash Brown

The end of July quickly approaches, as does the end of the Sparkler Monthly: Year 3 Kickstarter. The campaign hasn’t quite reached its goal yet, but I desperately want it to succeed. With that in mind, hoping to draw more attention to the project, this month’s giveaway will be a little different than usual. I happen to have an extra copy of Tokyo Demons, Book 2 to give away, but that’s not all I’m offering. The winner of the contest will also be able to choose one item (physical/print or digital) from the Sparkler Online Shop! (Yes, a Year+ gift subscription to the magazine, which also includes a free ebook, is a completely valid option.) As always, the giveaway is open worldwide!

It’s no secret that I’m a huge fan of Sparkler Monthly and Chromatic Press. I’m fairly obsessed with Tokyo Demons and I adore Off*Beat, and so when those two series became the flagship titles for the newly established publisher in 2013, I knew it was time to pay attention. It was the right decision. I honestly haven’t been disappointed by a single thing that I’ve read (or listened to) that has been released in Sparkler Monthly. (Just take a look at the Chromatic Press tag for my in-depth reviews and features of a small selection of the content.) Sparkler Monthly is a multimedia magazine that includes prose, comics, and audio, and I devour it all. I love the range of formats and genres, the diverse stories and characters; the variety found in Sparkler Monthly is one of its greatest strengths, and more is constantly being added.

The work the creators and staff are doing through Sparkler Monthly is phenomenal. It would be tragic if they can’t garner the support to continue. So please, if you haven’t already, give the fantastic stories of Sparkler Monthly a try. Almost everything is available online for free, so there’s no excuse! And if you like what you see and/or hear, please consider donating to the Kickstarter campaign, too.

So, you may be wondering, how can you win a copy of Tokyo Demons, Book 2 AND one other Sparkler goody of your choice?

1) In the comments below, name one of your favorite Sparkler Monthly stories and write a little about why you like it. (Never experienced Sparkler? Now’s the time to check it out!)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

That’s all there is to it! Each person can earn up to two entries for this giveaway and has one week to submit comments. Entries can also be sent to me via email at phoenixterran(at)gmail(dot)com if you have trouble with the comment form or if you would prefer. I will then post the comments here in your name. The giveaway winner will be randomly selected and announced on August 5, 2015. Good luck and happy reading!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Giveaway: Sparkler Monthly Giveaway Winner

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