Ash Brown

Pick of the Week: Love & War

April 4, 2016 by Michelle Smith, Sean Gaffney, Anna N and Ash Brown 1 Comment

MICHELLE: Having a series finale in the mix makes my pick so much easier! I am eager for more Food Wars! and Honey So Sweet especially, but the one can’t-delay title for me this week is volume 15 of Library Wars. It has occasionally been a bit frustrating, but its charms have kept me hooked ’til the end.

SEAN: It is absolutely Library Wars for me. It has romance, it has action, it has resolution, it has epilogues, it has character growth, and it has amusing facial expressions. Who could ask for anything more?

ANNA: I have to agree, I love Library Wars in general for being a series that is so much better than its premise about librarians fighting censorship with guns, but I also love it as a librarian. Never has my profession been so cool in popular culture.

ASH: Likewise, I’m all about Library Wars this week! The series can at times be somewhat ridiculous, but as another librarian and as a fan, I enjoy its action, comedy, and romance tremendously.

My Week in Manga: March 28-April 3, 2016

April 4, 2016 by Ash Brown

My News and Reviews

A couple of different things were posted at Experiments in Manga last week. For starters, since it’s the end of one month and the beginning of another, it’s time for another manga giveaway! There’s still an opportunity to enter for chance to win the first omnibus of Akiko Higashimura’s wonderful Princess Jellyfish. I also posted an in-depth review last week of The Autobiography of Yukichi Fukuzawa, which is an engaging work in addition to being surprisingly entertaining and humorous. Fukuzawa helped to shape modern-day Japan; I was inspired to pick up his autobiography after reading Minae Mizumura’s The Fall of Language in the Age of English.

Quite a few Kickstarter projects have caught my attention over the last week or so. I’m especially excited to see that Sparkler Monthly has launched a campaign to release the first volume of Jenn Doyle’s Knights-Errant in print. The Comic Book Legal Defense Fund launched a project for She Changed Comics, a book that will profile women comics creators from around the world, including Moto Hagio, Machiko Hasegawa, Rumiko Takahashi, the Year 24 Group, and others. There’s an illustration zine inspired by and dedicated to gay manga called Burl & Fur that looks like it will be amazing. As promised, Digital Manga’s most recent classic manga Kickstarter is for a non-Tezuka title—Izumi Matsumoto’s Kimagure Orange Road. Finally, I wanted to take the opportunity to mention the campaign for the North American release of the Skip Beat! anime again. The series needs financial support in order to be dubbed, which is a requirement by the licensor for its release.

Quick Takes

Caramel by Puku Okuyama. The cover art of Caramel makes it look like a cute and sweet boys’ love one-shot, and at times that’s exactly what it is, but there’s enough about the story and the leads’ relationship that’s dubious and questionable that overall I can’t say that I really enjoyed it all that much. Part of the point of Caramel is the contrast between the two main characters, Roku and Iori, each of whom is childish in his own way. Roku is a successful businessman who is afraid of the dark and picky about his food. Iori has just moved to Tokyo to begin his first year of university, and being younger has had less experience in life and love. I think most of my annoyance with Caramel stems from Roku—I have little patience for and a difficult time sympathizing with adults who exhibit such an astounding lack of self-responsibility, not to mention that he’s an utter creep at first. I have no idea how he even survived before Iori became his roommate and eventual lover. Iori, on the other hand, I found to be much more likeable. He’s the oldest of four siblings and so has developed into a very responsible young adult. Iori also loves to cook and I liked how food was incorporated into Caramel.

Livingstone, Volume 1-2 written by Tomohiro Maekawa and illustrated by Jinsei Kataoka. I’m not especially familiar with Maekawa, a respected playwright and director, but I recognized Kataoka as one of the creators of the manga series Deadman Wonderland. One of Maekawa’s short plays provides the inspiration for Livingstone, a largely episodic manga exploring themes of life, death, and the human soul. The series follows Sakurai and Amano who help to collect and preserve psycholiths, stones that are the physical manifestations of human souls after they have left their respective bodies. Though at this point frustratingly incomplete, I find the worldbuilding in Livingstone to be one of the most fascinating aspects of the manga, especially in regards to souls. There are a limited number of souls and the world is beginning to run out so that some people, like Amano, are born without them, which is one reason that the work of psycholith collectors is so important. Additionally, souls that are irrevocably damaged at the end of a person’s life will shatter, leaving behind psychic stains that will continue to contaminate others unless the cycle can be stopped.

Lucifer and the Biscuit Hammer, Omnibuses 3-4 (equivalent to Volumes 5-8) by Satoshi Mizukami. I’m definitely behind in reading Lucifer and the Biscuit Hammer but I do enjoy the manga. It’s a rather peculiar series with oddball characters who are in the position to either save the world or destroy it—the line between heros and villains can be very thin. Most of the characters have something dark or tragic about their pasts, so their feelings about the world and the other people in it are understandably conflicted. Tragedy isn’t limited to their pasts, either. These two omnibuses include multiple deaths that have great impact, as well as other moments of pain and devastation. But the characters also grow and overcome many of these challenges, becoming stronger mentally and emotionally as well as physically. There are betrayals, both real and imagined, as well as love confessions as friendships and relationships change, some characters drifting apart while others are realizing that people might not be so bad after all. All of this interpersonal drama plays out against the backdrop of a literal battle against monsters as the series ramps up the danger in preparation for its finale.

The Autobiography of Yukichi Fukuzawa

April 1, 2016 by Ash Brown

Author: Yukichi Fukuzawa
Translator: Eiichi Kiyooka
U.S. publisher: Columbia University Press
ISBN: 9780231139878
Released: January 2007
Original release: 1897

Yukichi Fukuzawa—scholar, translator, author, and educator, among many other things—is one of Japan’s most influential historical figures of the modern era, helping to shape the country as it is known today. As the founder of Keio University whose writings continue to be taught and whose likeness appears on the 10,000 yen banknote, there are very few Japanese to whom Fukuzawa is entirely unknown. Fukuzawa’s life was recently brought to my attention while reading Minae Mizumura’s The Fall of Language in the Age of English which discussed some of his influence and included excerpts of his autobiography. Intrigued by this, I decided to read the work in its entirety. The Autobiography of Yukichi Fukuzawa was originally dictated by Fukuzawa in 1897. The first English translation by Eiichi Kiyooka, Fukuzawa’s grandson, appeared in 1934 and was later revised in 1960. Many editions of The Autobiography of Yukichi Fukuzawa have been released in English, but the most recent was published in 2007 by Columbia University Press.

The Autobiography of Yukichi Fukuzawa originated from a request by a foreigner interested in Fukuzawa’s account of the time period leading up to and surrounding the Meiji Restoration in 1868. Fukuzawa narrated the story of his life fairly informally in 1897 and soon after edited, annotated, and published the transcribed manuscript. He intended to write a more formal and comprehensive companion volume, but he died in 1901 before it was completed. The Autobiography of Yukichi Fukuzawa begins with Fukuzawa’s childhood and follows his life into his old age. Fukuzawa was born in 1835 in Osaka into a samurai family originally from Nakatsu, where he grew up. From an early age, Fukuzawa showed interest in Western learning, first studying Dutch (at the time the only foreign influence permitted within Japan) and the eventually English. He was very passionate about language as a tool to access new knowledge and understanding, and he served on multiple missions to America and Europe as an interpreter and translator. But his interest in the West also put him in danger during a time when anti-foreign sentiment was rampant in Japan.

The various editions of The Autobiography of Yukichi Fukuzawa available in English are primarily distinguished by the accompanying materials included to supplement Fukuzawa’s main text. The most recent release from Columbia University Press offers several useful additions, some of which were available in previous editions or which were published elsewhere. Albert Craig, an academic and historian whose work focuses on Japan, provides the volume’s foreword as well as its lengthy afterword “Fukuzawa Yukichi: The Philosophical Foundations of Meiji Nationalism.” Originally published in 1968 in the the volume Political Development in Modern Japan, the afterword places Fukuzawa and his ideals into greater historical and political context. Also included in Columbia’s recent edition of The Autobiography of Yukichi Fukuzawa are two appendices—a chronological table outlining the events in Fukuzawa’s life and in world history and a translation of Fukuzawa’s influential essay “Encouragement of Learning”—as well as copious notes and an index.

The Autobiography of Yukichi Fukuzawa is a surprisingly engaging, entertaining, and even humorous work. In his autobiography, Fukuzawa comes across as very amicable, down-to-earth, and forward-thinking. I particularly enjoyed Fukuzawa’s invigorating account of his experiences as a young man who was devoted to his studies, but who would also willingly participate in the revelry, antics, and pranks of his fellow students. Speaking of how drunken “nudeness brings many adventures” and such other things greatly humanizes a person primarily known for his impressive accomplishments. As Fukuzawa matured, he played a pivotal role in the development of the Japanese education system. While he introduced many Western concept and ideas in his pursuit of knowledge, at heart Fukuzawa was a nationalist who abhorred the violent methods of many of his contemporaries. The Autobiography of Yukichi Fukuzawa provides not only a fascinating look into the life of Fukuzawa, it provides a glimpse into a particularly tumultuous and transformative period of time in Japan’s history.

Manga the Week of 4/6

March 31, 2016 by Sean Gaffney, Ash Brown, Michelle Smith, Anna N and MJ Leave a Comment

SEAN: This is it, folks. We’ve hit peak manga boom. Every week of next month has at least 15 titles out. All you can do is whimper, really. What’s out next week? Well…

Kodansha gives us an 18th volume of Attack on Titan, which is such an obscure title with very few readers. To try to pump up that readership, there’s also a limited edition with a DVD!

And there’s a 4th volume of oddball shoujo romance Kiss Him, Not Me!.

ASH: I’ve already fallen behind, but I do enjoy oddball shoujo!

SEAN: Seven Seas gives us a third volume of Ten Little Lesbians sitting down to dine, aka Akuma No Riddle.

Haganai: I Don’t Have Many Friends has an unlucky 13th volume. We left off with Kadota and Sena engaged. I suspect that won’t last.

Seven Seas is debuting a zombie title, Hour of the Zombie. This runs in Comic Ryu, and is apparently a pure horror series.

Udon has a 2nd volume of clothes and fanservice battle manga Kill La Kill.

And Vertical gives us a 4th omnibus of Tokyo ESP.

MICHELLE: Yay! I enjoyed part one of the series quite a lot and am looking forward to more of the story.

SEAN: Viz, believe it or not, has no debut titles this month. But that doesn’t stop them from giving us many, many volumes of its ongoing series, like the 9th Assassination Classroom.

The Demon Prince of Momochi House gives you more Aya Shouoto with a 4th volume.

ANNA: I enjoy this series, as you might expect.

SEAN: And Food Wars! is still having intense food competitions in Vol. 11.

MICHELLE: I delayed on reading volume 10 just so I could enjoy a two-volume binge. Looking forward to it!

SEAN: Honey So Sweet has a 2nd volume. How sweet is it? You’ll just have to read.

ANNA: Pretty darn sweet!

SEAN: The 15th volume of Library Wars: Love & War wraps up the story, despite hints of some side-story volumes that don’t appear to have materialized. Luckily, the final volume is immensely satisfying, and will make fans very happy.

MICHELLE: I’m looking forward to this, too!

ASH: As am I!

ANNA: Me too, although I have an odd habit of postponing reading the final volumes of series I really like, so I can lie to myself that the series hasn’t actually ended.

SEAN: Speaking of immensely satisfying, that’s how you can describe every volume of My Love Story!! really, and I suspect the 8th is no different.

ANNA: Yes! I always read this right away when a new volume shows up at my house.

ASH: My Love Story!! is the best.

MJ: Yes!!

SEAN: Naruto has a 14th 3-in-1, meaning it’s still nowhere near done.

Nisekoi Vol. 14 does what ever fan of harem manga hates – introduces a new main candidate late in the series.

School Judgment has a 2nd volume of chibi-Ace Attorney antics, and hopefully will continue to be slightly ridiculous.

And I have no doubts as to the ridiculousness of So Cute It Hurts!! 6, though I fear I must give up my vow of adding exclamation points with each book.

Toriko is up to Vol. 33, and I am starting to hear mutterings of people who wish it would be more about food and less about battles, to which I remind them this runs in Shonen Jump, concurrently with Food Wars!, which IS more about food than battles.

Twin Star Exorcists is getting an anime very soon, so it’s a perfect time for its 4th volume.

Lastly, Yu-Gi-Oh 5D’s 9 continues to look like some sort of World War II secret code.

Are you prepared for SO MUCH MANGA? No? Well, tough.

MICHELLE: No. However, I must say it’s lovely to see all of this activity in a once-troubled publishing sector.

ASH: True that!

Manga Giveaway: Princess Jellyfish Giveaway

March 30, 2016 by Ash Brown

The end of March is drawing near, which means it’s time for another manga giveaway here at Experiments in Manga! Thanks to the fine folks at Kodansha Comics who provided the manga for this month’s giveaway, you all have a chance to win the first omnibus of Akiko Higashimura’s manga series Princess Jellyfish. And, as always, the giveaway is open worldwide!

As a fan of manga, I’m constantly looking out for new releases and license announcements. While I will happily read older titles, and find great joy in tracking down out-of-print gems, I eagerly await news of what’s to come in the future. Akiko Higashimura’s Princess Jellyfish, which hit the shelves just last week, was one of my most highly anticipated releases for 2016. I watched and loved the anime series, but it only adapted a small portion of the manga, so I was left wanting more. For years, fans wished for the original Princess Jellyfish to be licensed in English. Sadly, josei hasn’t always done particularly well in North America, so for a very long time it looked as though a license would never materialize. I was absolutely thrilled when Kodansha Comics announced that the Princess Jellyfish manga would finally be getting an English-language release, and I preordered it as soon as I was able to.

So, you may be wondering, how can you win Princess Jellyfish, Omnibus 1?

1) In the comments below, tell me a little about a upcoming manga release that you’re excited about. (If you don’t have anything in particular in mind, or don’t know what’s coming out, simply mention that.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

There you go! For this giveaway, each person participating can earn up to two entries and has one week to submit comments. If preferred, or if you have trouble using the comment form, entries can also be emailed to me directly at phoenixterran(at)gmail(dot)com. I will then post the comments here in your name. The giveaway winner will be randomly selected and announced on April 6, 2015. Best of luck!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Princess Jellyfish Giveaway Winner

Pick of the Week: A Broad Choice

March 28, 2016 by Sean Gaffney, Michelle Smith, Ash Brown, Anna N and MJ Leave a Comment

SEAN: The Pick of the Week is obviously the title I’ve been anticipating the longest – Nichijou. While most slice-of-life comedies use weirdness in order to advance the humor of the situation, Nichijou at times does the opposite, sometimes not even bothering to have a proper punchline but just reveling in being strange. Loved the anime, can’t wait for the original.

MICHELLE: I definitely intend to check out Nichijou, but since it’s my last opportunity to pick My Little Monster, I can’t let it go to waste, especially since volume 13 hopefully features more glimpses of these beloved characters as adults. I can definitely see myself rereading this series in the future!

ASH: Likewise, I’m very interested in reading Nichijou, but my pick lies elsewhere: The Passion of Gengoroh Tagame is definitely not something for everyone, though. However, I am glad to see this important collection return to print. The original release was by PictureBox back in 2013 (which I reviewed), but Bruno Gmünder’s revised and expanded hardcover edition includes additional material, so I’ll be happily picking up the volume again.

ANNA: There’s a ton coming out this week, but as a die-hard shoujo fan, I could only pick Boys Over Flowers Season Two. When I read the first few chapters I was a little worried it would be a bad sequel, but Yoko Kamio’s great storytelling skills totally drew me in.

MJ: I don’t have a strong pick this week, but I do intend to check out Nichijou, so I’ll bring things full circle here and join Sean on that.

My Week in Manga: March 21-March 27, 2016

March 28, 2016 by Ash Brown

My News and Reviews

I only posted one in-depth manga review at Experiments in Manga last week, taking a look at Of the Red, the Light, and the Ayakashi, Volume 1 by Nanao, which is an adaptation of a visual novel by the doujin group HaccaWorks*. I was actually a little surprised by how much I enjoyed the manga. Though I can imagine the series getting tiresome if at least some answers to story’s many mysteries aren’t given soon, at the moment I’m intensely intrigued. I think I’m finally starting to come to terms with the fact that much of the time I can only manage one review per week right now, though I’d honestly love to do more reading and writing. I also want to quickly follow-up on a statement that I made in the Bookshelf Overload for February—I mentioned that I wasn’t sure if Keigo Higashino’s novel Under the Midnight Sun would be released in the United States or not, but it turns out that it will be! The United Kingdom simply got it first, which is sometimes what happens with works in translation.

In other licensing news, several manga publishers made announcements over the course of last week and the weekend. Kodansha Comics will be releasing twelve new titles in print, some of which I find to be particularly exciting or intriguing (the Parasyte shoujo anthology, shounen ballroom dancing, single fathers learning to cook, and more!). Among other things Viz Media will be publishing a new deluxe edition of Junji Ito’s Tomie (which has gone out of print at least twice before from two other publishers) and will continue releasing more of the fancy JoJo’s Bizarre Adventure hardcovers. Yen Press announce seven print manga licenses, two of which were previously part of its digital manga catalog. (This gives me hope that one day, however unlikely, it could be possible to see Saki in print.) Finally, Sekai Project, is expanding its manga efforts by licensing Suzunone Rena’s Sakura Spirit manga adaptation. (Also, the first two volumes of the publisher’s debut manga, Gate, are now available for preorder.) I also came across a couple of interviews last week that were interesting: the Shojo Beat tumblr posted the second part of its interview with Arina Tanemura and Anime News Network has an interview with Inio Asano.

Quick Takes

Alice in the Country of Clover: Cheshire Cat Waltz, Volumes 5-7 by Mamenosuke Fujimaru. Overall, I must say that I rather enjoyed Cheshire Cat Waltz. It’s only the second followup to the original Alice in the Country of Hearts manga that I’ve read, but I liked how it expanded the story, characters, and world of the franchise. Cheshire Cat Waltz features two tangentially related storylines. The first is the romance between Alice and Boris which by now is well established even though she’s still working through some self-doubt. Their relationship actually ends up being rather sweet. One of the running themes in the various Alice in the Country of manga is that Alice’s very presence changes the others in Wonderland; Boris certainly has become a better person over time. The second major storyline in Cheshire Cat Waltz has to do with the mob war in which Alice unwittingly becomes embroiled in due to her association with the Hatter’s mafia family. These last few volumes of Cheshire Cat Waltz also include an Alice in the Country of Hearts story which features Boris as Alice’s romantic interest as well.

Ichigenme… The First Class is Civil Law, Volumes 1-2 by Fumi Yoshinaga. Out of all of Yoshinaga’s boys’ love manga that have been released in English, I believe that Ichigenme may very well be one of the most explicit. Like many of her other two-volume series, it does take its time getting there, though. The first volume of Ichigenme is mostly focused on introducing the various characters and their evolving relationships. The leads of the manga are two law students who happen to join the same seminar—the particularly bright and honest Tamiya, who’s in the process of coming to terms with his homosexuality, and the openly gay Tohdou, a seemingly carefree son of a politician. The second volume, which is actually set seven years later after the first, more fully explores the developments in their physical relationship. What I particularly appreciate about all of the sex in Ichigenme is that it isn’t just sex for sex’s sake—Yoshinaga uses it to delve into the character’s themselves, revealing parts of their thoughts, feelings, and personalities through their intimacy with each other.

Tomodachi x Monster, Volume 1 by Yoshihiko Inui. I’ve heard Tomodachi x Monster described as a dark parody, but after reading the first volume, I’m not sure how accurate that really is. The humor that I would expect seems to be missing (granted, parody doesn’t necessarily mean comedy), but the darkness is certainly there—Tomodachi x Monster is what you get when you take a series like Pokémon and turn it into a bizarre horror manga accompanied by heavy doses of violence and gore. Confrontations between middle school students become much more dangerous and deadly when their little monster pals inflict extraordinary amounts of damage and pain. Characters start dying off surprisingly quickly in Tomodachi x Monster, generally in some sort of gruesome fashion. The series can be pretty ridiculous and over-the-top with its violence. While the art style tends towards creepy-cute designs, some of the most effective imagery in the manga is legitimately disturbing. The mental states of most of the characters are perhaps even more terrifying, though.

Of the Red, the Light, and the Ayakashi, Vol. 1

March 24, 2016 by Ash Brown

Creator: Nanao
Original story: HaccaWorks*
U.S. publisher: Yen Press
ISBN: 9780316351966
Released: December 2015
Original release: 2012

Of the Red, the Light, and the Ayakashi was originally a visual novel developed and created by the doujin group HaccaWorks* that was released in 2011. The manga adaptation by another doujin creator, Nanao, began serialization in Japan in 2012. The first volume of the manga was also collected and released later that year. In English, the Of the Red, the Light, and the Ayakashi manga is being released by Yen Press and debuted in late 2015. I haven’t actually played the original Of the Red, the Light, and the Ayakashi, though I’m fairly certain it would be something that I would enjoy. In fact, I didn’t even known that the manga was based on a game when I first picked it up. Nor was I previously familiar with any of the creators involved which probably isn’t too surprising—I believe that Of the Red, the Light, and the Ayakashi may very well be Nanao’s first professional work as a mangaka. But, due to the evocative and vaguely ominous cover art and title as well as the promise of the involvement of yokai, the series still caught my attention.

For as long as he can remember, Yue has lived at the mountain shrine associated with the town of Utsuwa where he has been taken care of by the local fox spirits and their attendants. Despite being told not to leave the mountain, Yue and Kurogitsune, one of his fox companions, sneak out of the shrine to attend the town’s festival. The new experience, although exciting, is somewhat overwhelming for Yue. But while at the festival, he encounters two young men who stand out to him more than anyone else—whereas most people appear as shadowy, indistinguishable figures to Yue, Tsubaki and Akiyoshi are distinctive and unique presences. Upon his return to the shrine Yue is duly scolded for breaking the rules but when the master learns about Akiyoshi and Tsubaki she encourages him to meet them again. The fate of all three boys are now intertwined. Because Yue finds himself so irresistibly drawn to Tsubaki and Akiyoshi, he is told that he will one day have to choose one of them to become his “meal,” necessary for sustaining his very existence.

I was pleasantly surprised by how much I enjoyed the first volume of Of the Red, the Light, and the Ayakashi. The manga combines elements of folklore, horror, and mystery in a very satisfying way. Granted, after the first volume, readers are left with more questions than answers. Much about the series’ story, setting, and characters remain unclear at this point, but what is possibly implied is tantalizing. At times Of the Red, the Light, and the Ayakashi can be unnecessarily cryptic—entire conversations are held in which the characters obviously know what they are talking about but readers aren’t given enough information or context to really understand or follow—which is more frustrating than mysterious, but this still sparks curiosity. I am genuinely intrigued by the series; I want to know more about the ominous events and strange disappearances occurring in Utsuwa, a place inhabited by both humans and spirits which seems to be some sort of threshold between worlds.

Utsuwa isn’t the only thing peculiar that’s peculiar in Of the Red, the Light, and the Ayakashi. The characters, too, are all a bit odd. Yue goes through life in an almost dreamlike, innocent state, his real identity not only obscured to readers but to himself as well. Akiyoshi, with his eccentric behavior and flair for the dramatic, comes across as conspiracy theorist except that he actually has evidence and legitimate reasons to be concerned. Tsubaki would initially appear to be a fairly normal if somewhat moody young man if it wasn’t for the fact that humans and spirits alike frequently find themselves obsessed or enamored with him. The three form an curious bond as they begin to investigate the unusual happenings in Utsuwa. They’re not exactly friends but are far more than mere acquaintances. Supported by Nanao’s attractive (if occasionally cluttered) artwork, intriguing characters, and an effective sense of mystery and impending misfortune, Of the Red, the Light, and the Ayakashi has a dark, otherworldly atmosphere which I’m really enjoying.

My Week in Manga: March 14-March 20, 2016

March 21, 2016 by Ash Brown

My News and Reviews

I managed to post two in-depth manga reviews at Experiments in Manga last week, though it looks like I’ll only be posting one this coming week since taiko will be keeping me pretty busy with a number of different performances and related events. Inio Asano’s A Girl on the Shore was the first manga that I reviewed last week. Like the rest of Asano’s work that I’ve read, it can be emotionally intense and hard-hitting at times, but it’s very well done. As part of my monthly horror manga review project, last week I also took a look Mushishi, Volumes 8, 9, and 10, the final installment in the English-language release of Yuki Urushibara’s award-winning debut. Although I’ve reached the end of the series proper, I’m planning on at least more Mushishi-related post before I’m through.

Elsewhere online: The BBC has an interesting piece on Keiko Takemiya—The godmother of manga sex in Japan. Rokudenashiko was interviewed by the Anne Ishii of MASSIVE about controversial art and free speech. Otaku USA posted an interview with translator and scholar Frederik L. Schodt about his work and Osamu Tezuka. An interview with Steve Oliff, the colorist who worked on Marvel’s release of Katsuhiro Otomo’s Akira, was posted at Anime News Network. In licensing news, Dark Horse has picked up the Psycho-Pass: Inspector Shinya Kogami manga written by Midori Goto and illustrated by Natsuo Sai. Finally, the Skip Beat! crowdfunding effort that I mentioned a couple weeks ago has moved from Indiegogo to Kickstarter.

Quick Takes

Dream Fossil: The Complete Stories of Satoshi Kon by Satoshi Kon. Compiling fifteen of Kon’s short manga from between 1984 and 1989, as well as an essay by Susumu Hirasawa (which was a pleasant surprise), Dream Fossil is a somewhat peculiar volume which will probably be of most interest to Kon enthusiasts although other readers may find parts of it appealing as well. As is the case with so many collections, some stories are much stronger than others. Some of the unevenness can likely be attributed to the fact that Dream Fossil consists of Kon’s early works in which his narrative techniques were still being refined and developed. I actually found myself frustrated with some of the stories because they read less like manga and more like a storyboard or broad outline for a more involved work; some of the stories and ideas seem like they would have been better conveyed through animation rather than sequential art. Even so, as a whole I did enjoy Dream Fossil. While the storytelling itself was sometimes weak, the underlying concepts and imagery were great.

Master Keaton, Volumes 2-4 written by Hokusei Katsushika and Takashi Nagasaki and illustrated by Naoki Urasawa. It’s been some time since I read the first volume of Master Keaton, but being a fairly episodic series without much of an overarching story it wasn’t at all difficult to fall right back into the manga. I first picked up Master Keaton because of Urasawa’s involvement with the manga. This is still a major draw for me, but I continue to read the series because I genuinely enjoy the stories and characters. Keaton is sent all over the world to investigate a wide range of cases, so there’s plenty of variety in the manga’s stories as well. Although the series’ drama, action and adventure is certainly engaging, I especially like the chapters that take advantage of Keaton’s archaeological and academic interests. Master Keaton, while fictionalized, makes use of actual people, places, and events, which I like. (I’ve even learned a few factual tidbits from the manga.) Occasionally the series does get bogged down in historical details that don’t necessarily further the story, though.

The Tipping Point edited by Alex Donoghue and Tim Pilcher. Published as part of the fortieth anniversary celebrations of the comics publisher Humanoids, The Tipping Point collects thirteen short works from creators influenced by Japanese, Franco-Belgian, and American comics traditions. The anthology specifically caught my attention due to the mangaka involved—Taiyo Matsumoto, Atsushi Kaneko, Naoki Urasawa, Keiichi Koike, and Katsuya Terada—although the European and American creators are notable in their own right. (Sadly, though the collection touts its own innovation and diversity, only male creators are represented, something that is quickly glossed over in the introduction.) I greatly enjoyed the individual comics which range in subject, genre, and tone, but as a collection The Tipping Point seems to be missing a sense of cohesiveness and context. In the end, I was left wondering why these particular creators and why these particular works were selected to be brought together. Perhaps the theme of a “tipping point” was simply too vague or broad.

Pick of the Week: Jellyfish Princesses

March 21, 2016 by Michelle Smith, MJ, Sean Gaffney, Anna N and Ash Brown Leave a Comment

MICHELLE: It’s almost here! It’s almost here! How could I be anything but asquee about Princess Jellyfish being almost here?!

MJ: This! This! So much this! And yet… I just have to be the one person here who will give my pick to the final (final, I said, FINAL) volume of my beloved Pandora Hearts. I’m sorry, I just gotta. Sweet Pandora Hearts, I will miss you.

SEAN: There is far too much coming out this week, and normally I’d be picking Shoulder-a-Coffin Kuro easily. But yeah, the need to pick Princess Jellyfish cannot be denied – it’s such an obvious Pick this week. So I will pick it.

ANNA: I feel like we’ve been waiting for Princess Jellyfish forever! I am so excited it is finally coming out. If I could double or triple pick one title for pick of the week, this would be it!

ASH: I’m not at all sorry to say that Princess Jellyfish is my pick, too! I really enjoyed the anime adaptation and am looking forward to reading the original manga series a great deal.

Mushishi, Vol. 8, 9, and 10

March 18, 2016 by Ash Brown

Creator: Yuki Urushibara
U.S. publisher: Del Rey
ISBN: 9780345505606
Released: July 2010
Original release: 2007-2008
Awards: Japan Media Arts Award, Kodansha Manga Award

Every once in a while I come across a work that stays with me long after I first finish reading it and that I find myself revisiting time and again. Yuki Urushibara’s ten-volume debut manga series Mushishi is one such work. Heavily influenced by traditional Japanese folklore but retaining modern sensibilities, Mushishi is a nuanced and layered manga which can either be simply enjoyed as a collection of atmospheric and subtly unsettling stories or more deeply appreciated for its complex underlying themes and philosophies. Mushishi quickly became and remains one of my favorite manga. The series has been received positively by fans and critics alike, earning Urushibara several awards and recognitions including a Japan Media Arts Award and a Kodansha Manga Award. Mushishi has also been the basis for multiple anime among other media adaptations. In English, the series was first published in print by Del Rey Manga and was later released digitally by Kodansha Comics.

The final volume of the English-langauge edition of Mushishi, first printed in 2010 and released digitally in 2014, is equivalent to the eighth, ninth, and tenth volumes of the series’ original Japanese release published between 2007 and 2008. Keeping with the episodic nature of Mushishi, the volume collects fourteen stories that for the most part aren’t directly tied to one another or to earlier chapters, but which share similar ideas and themes with the rest of the series. Family relationships are very important in Mushishi as a whole, but stories like “The Milk of the Valley,” “The Hidden Channel,” “Aquamarine,” and “The Thread of Life” in particular explore the deep bonds between mothers, including surrogate mothers, and their children. Other stories, like “The Final Bit of Crimson,” “Stars in the Jar of the Sky,” and “The Scented Darkness,” are about other realities and worlds, or at least about aspects of the natural world that aren’t fully understood by humankind. On the other hand, “Sunshowers,” “The Mud Weeds,” “The Whirlwind,” and “The Eternal Tree” are stories which show that when dealing with possession by or control of mushi, greater understanding can be both a curse and a blessing.

The remaining three stories collected in the volume, including the series’ two-part finale, specifically involve Ginko (the manga’s protagonist and linking character), his personal relationship to mushi (primordial creatures that are closest to the original form of life), and what are known as “masters” in the world of Mushishi. Each master is associated with a specific geographic area and are responsible for maintaining the connection and balance between the natural world and all of the beings found within it. They are described as the living embodiment of the promise and rule of life. Although each of the three stories are technically found in different volumes of the series, taken together they form a particularly interesting narrative and are very illuminating when it comes to Ginko’s character. “The Bed of Grass” returns to Ginko’s past, firmly establishing why he is who he is and revealing the origin of his deep connection to and somewhat unusual attitude towards mushi. That connection is extremely critical to and further developed in “The Bottom of Winter” and in the series’ conclusion “Drops of Bells.”

Ginko’s devotion to life, whether it be human, mushi, or some other form, is perhaps the most prominent narrative driving force behind the entirety of Mushishi. At the same time, Ginko is also very aware that sometimes life cannot and should not always be preserved and that coexistence isn’t always an option. The intent is to find an appropriate balance, but what that balance should be is often debatable and mistakes are made. Ginko frequently acts in a role akin to that of a master and on several occasions throughout the series even considers taking the responsibilities of master upon himself. The decisions that he makes as he considers all of this in the final volumes of Mushishi are especially poignant. Mushishi is a manga series about many things, but at its very heart it’s an exploration of relationships, not only between humans and the natural world of which they are only one, inextricable part, but between people as individuals and as members of larger social groups. Mushi provide a seemingly supernatural element to the series, but ultimately the focus of Mushishi is on the very real, varied, and changing struggles of individuals living in an evolving world that they cannot completely control or understand.

Manga the Week of 3/23

March 17, 2016 by Sean Gaffney, Michelle Smith, Ash Brown, MJ and Anna N Leave a Comment

SEAN: It is somewhat sad that with the huge number of manga out towards the end of every month, I can be relieved that there are “only” 33 titles out next week. Let’s plow through them.

Dark Horse has a 3rd Astro Boy omnibus.

Kodansha has an awful lot of stuff. There’s a 4th volume of that pesky Devil Survivor.

And Noragami is still sped up with its 12th release.

If you prefer 4 to 3, then the debut of Persona Q: Shadow of the Labyrinth Side P4 will delight you. I’ll be in the corner looking baffled.

At long last, North America sees the debut of possibly the most anticipated josei title ever: Princess Jellyfish, which runs in Kiss magazine, gets an omnibus release, and it is fantastic. The Manga Bookshelf team would normally all pick it as Pick of the Week automatically, but see below. (FYI: PJ’s creator, Akiko Higashimura, has a younger brother, who happens to draw My Neighbor Seki.)

MICHELLE: I feel like I have been waiting for this for ages and ages. So excited!

ASH: Same here! (Also, I had no idea Akiko Higashimura and Takuma Morishige were related!)

MJ: So ready for this!

ANNA: I feel like I’ve been waiting for this FOREVER! Very much looking forward to reading this.

SEAN: Also debuting is Real Account, which is a survival game manga, and zzzzzzzzzzzzzzzzzzsnooooore – sorry, fell asleep there. Moving on.

MICHELLE: It can’t be worse than BTOOOM!, can it?

MJ: We shouldn’t underestimate it, Michelle. We should give it a chance to prove that it’s worse. It’s only fair.

SEAN: And a 7th volume of Yamada-kun and the Seven Witches. One volume per witch!

Seven Seas gives us a 5th volume of Servamp, which I believe still has vampires.

And Vertical has a 7th volume of Ajin, a series I know many people are excited about.

ASH: Especially now that there’s an anime series.

SEAN: Viz finally debuts the new shoujo title from the Vampire Knight creator, who has switched from Vampires to Ninjas with Shuriken and Pleats.

MICHELLE: I didn’t love Vampire Knight, but I’m still looking forward to checking this out.

MJ: Same.

ANNA: I will read this!

SEAN: And now it’s Yen time, starting with the Yen On light novel imprint. Accel World gets a 6th volume, as we try to figure out if our hero is going to turn possessed and evil or not.

The third Durarara!!, meanwhile, focuses on Masaomi, the third member of our high school power trio.

Log Horizon has a 4th volume, resolving the cliffhanger from the third, and possibly featuring Shiroe pushing his glasses up his face a few more times.

And there’s a 4th No Game No Life, which I wasn’t as pleased with as usual. I reviewed it here.

Akame Ga KILL! ZERO is the new spinoff series of the week, a prequel taking place a few years before the main series and focusing, appropriately enough, on Akame.

There’s a third Black Bullet manga, with plenty of disturbing yet well choreographed loli assassin action for you.

Bloody Cross nears its end, but isn’t there yet, even as we hit double digits with Volume 10.

And we get the 2nd to last volume of Chaika the Coffin Princess as well, which is sadly far below the most important coffin carrying manga this week. More later.

Demon from Afar must have run out of cast members, as the 6th volume is its last.

So The Disappearance of Nagato Yuki-chan has resolved its main romance, and has finished promoting its anime. It has to wrap up soon. Right? Right?

He’s My Only Vampire is only half finished, but I’m enjoying it more than Shouoto’s other titles, and so I look forward to Vol. 6.

MICHELLE: Same here, though Demon Prince of Momochi House is pretty pleasant, too.

SEAN: The second The Honor Student at Magic High School continues to tell an alternate viewpoint of the novel we haven’t quite gotten to yet.

There’s also a 4th omnibus of Karneval’s circus mysteries.

And if you enjoy seeing a girl attempt to do life correctly and fail constantly, you no doubt are already aware that No Matter How You Look At It, It’s You Guys’ Fault That I’m Not Popular!! has an 8th volume next week.

And if you enjoy pretty supernatural people, have a 2nd Of The Red, the Light, and the Ayakashi.

MICHELLE: Yay! Volume one was a surprise delight!

ASH: I actually just finished reading the first volume; I’m intrigued and look forward to more.

MJ: Hm, I guess I should check out that first volume!

SEAN: Poor Princess Jellyfish! An obvious Pick of the Week… except oh look, here’s the final Pandora Hearts volume! Michelle, MJ, you aren’t allowed to pick both this time. (evil grin)

MICHELLE: Oh, man. Well, I’m pretty sure where MJ’s heart lies, but I am less committed.

MJ: Oh, the final one. Oh. Oh.

SEAN: And a third Prison School volume, which I think will give readers all the excess bodily fluids they could possibly want.

ASH: And then some, most likely.

SEAN: Rose Guns Days has a third volume of its Season 1 arc.

The only coffin manga that matters next week, we finally see a 5th volume of Shoulder-a-Coffin Kuro. Yay!

Spice & Wolf has a 12th manga volume, and for those who want to catch up with the series, 1-12 will also now be available digitally starting next week.

Sword Art Online begins the Mother’s Rosary arc, despite having just started the Phantom Bullet arc as well. The series ran at the same time in Japan, and will do so here as well.

Lastly, there’s a 4th volume of Sword Art Online Progressive’s manga, featuring Argo!, and also those other two I guess.

Even if you don’t get a lot of manga, there’s STILL a lot to get next week. Can you keep up?

MICHELLE: Not really, no!

A Girl on the Shore

March 16, 2016 by Ash Brown

Creator: Inio Asano
U.S. publisher: Vertical
ISBN: 9781941220856
Released: January 2016
Original release: 2011-2013

Several of Inio Asano’s manga have been released in English in the past—Solanin, What A Wonderful World!, and Nijigahara Holograph—and I’ve read every one. While they all left a significant impression on me and can be difficult works, Nijigahara Holograph in particular floored me, further convincing me to seek out more of Asano’s manga. Vertical Comics published one of Asano’s more recent manga series A Girl on the Shore in early 2016. While the English-language edition of A Girl on the Shore is complete in a single omnibus, in Japan the series was originally released in two volumes which were published in 2011 and 2013. I didn’t actually know much about A Girl on the Shore before picking it up beyond the fact it was by Asano, but I rightfully anticipated that it would be a fairly challenging read in addition to being beautifully drawn.

Junior high can be a trying time for anyone as students become more aware of themselves and each other while hormones and the intense desire to belong complicate relationships and they make decisions that will greatly influence their futures. Koume has a crush on her upperclassman Misaki, but he turns out to be something of a playboy, taking advantage of her interest by receiving sexual favors with no intention of returning her feelings. In order to cope, Koume turns around and does the same thing to her classmate Keisuke who she had previously rejected after he confessed that he liked her. Keisuke and Koume both know that they’re manipulating and using each other, but that doesn’t stop their increasingly intimate relationship from evolving and their feelings from changing. Both of them are searching for some deeper connection and meaning in their lives. For a time, having sex together seems to satisfy that need, but in the end the physical relationship only obscures their underlying emotional crises.

A Girl on the Shore contains numerous and frank depictions of teenage sex. However, the sexual content of the volume is integral to the story that Asano is telling and carries meaning beyond titillation. In fact, A Girl on the Shore provides a deliberately uncomfortable and voyeuristic reading experience, often showing events and personal encounters unfolding directly from the characters’ perspectives. Sex isn’t romanticized or idealized in the manga and carries with it significant repercussions. Koume and Keisuke’s relationship has consequences not only for them both, but for the others around them as well. Physically the two are intimate and daring, but there continues to be a separation between them and they remain emotionally distant. Their relationship is an incredibly important one and their feelings and needs become progressively intertwined, but they are never quite able to completely and truly connect with each other.

Asano’s works tend to be emotionally intense and A Girl on the Shore is no exception. The manga is filled with discontent and sadness that occasionally erupts in physical or psychological violence. A Girl on the Shore is coming-of-age story that can be brutally unsettling and hard-hitting. Koume finds herself drawn more and more towards Keisuke and the complicated power dynamics of their intimacy, seemingly oblivious of the toll that the relationship is taking on them both. Independent of that, Keisuke is also dealing with some heavy family matters and emotional issues of his own. Ultimately, one of the most prominent themes of A Girl on the Shore is loneliness and isolation even in the midst of a relationship. This is beautifully emphasized by Asano’s artwork in which detailed backgrounds, dramatic perspectives, layout and use of space form settings in which people seem set apart not only from others but the world around them as well. At times A Girl on the Shore can tend to be overwhelmingly bleak and tragic, but there is a deliberate narrative purpose and intent behind the pain and pessimism.

Pick of the Week: Real or Surreal?

March 14, 2016 by Sean Gaffney, Michelle Smith, Ash Brown, MJ and Anna N 3 Comments

SEAN: Though I sometimes regard reading Inio Asano as being like that required 19th century literature book in 8th grade – you know it’s worthy, but you’d rather something slightly less bleak – I have to admit that Goodnight Punpun has me intrigued, as even for Asano fans this one has more buzz than usual. And it’s a big omnibus, so good value for money.

MICHELLE: It’ll be a while before I am ready for more Asano — which is a compliment, really, given the impact A Girl on the Shore left with me, so I’m looking elsewhere. I’ll be picking up Paradise Residence, I think, but probably it’s no surprise that my real squee lies with volume 14 of Takehiko Inoue’s Real.

ASH: One way or another, it’s Viz that’s getting my pick this week. Like Sean, I am intrigued by the debut of Goodnight Punpun, and like Michelle, I am very excited for the most recent volume of Real. I don’t think I can bring myself to pick just one!

MJ: I’m pretty much where everyone else is this week! I can’t possibly turn down more Asano, so I’m definitely going for Goodnight Punpun, but a new volume of Real? That’s such a gift! I gotta get both.

ANNA: Goodnight Punpun and Real coming out in the same week is an embarrassment of riches. I can’t pick just one either!

My Week in Manga: March 7-March 13, 2016

March 14, 2016 by Ash Brown

My News and Reviews

I was finally able to post February’s Bookshelf Overload at Experiments in Manga last week, a few days later than I originally intended, but at least it’s up. I’ve been intentionally decreasing the number of new manga and other things that I’m buying at the moment, which means that I’ll be happily digging into my backlog and catching up on older series. I also posted an in-depth review last week, though perhaps it’s more of a summary. Either way, Mechademia, Volume 10: World Renewal contains some interesting material for those looking for a more scholarly approach to the study of manga, anime, and other Japanese popular culture. The volume also includes “Nanohana,” a short manga by Moto Hagio, and a story by Tomoyuki Hoshino called “Good Morning.” I am very fond of both creators’ work, so that made me especially happy to see.

Interesting things found online last week: Viz Media will apparently be releasing a new volume of Haikyu every month after it’s debut in July until the English edition catches up with the Japan’s releases, which is rather impressive. Yokai scholar and manga translator Zack Davisson wrote a great piece for The Comics Journal called Confessions of a Manga Translator. (Some of the comments are worth reading, too.) VICE has an interview with Gengoroh Tagame, who will also be participating in the Queer Japan documentary. (The Kickstarter campaign for the project ends very soon and could use some additional support; if it at all interests you, please consider contributing!) Graham Kolbeins, the filmmaker behind the documentary was recently interviewed as well.

Quick Takes

Alice in the Country of Clover: Cheshire Cat Waltz, Volumes 1-4 by Mamenosuke Fujimaru. With the extraordinary number of retellings, spinoffs, and sequels to Alice in the Country of Hearts, it can be somewhat daunting to know where to start. Fortunately, I have people looking out for me; Cheshire Cat Waltz was one of the series that was repeatedly recommended by multiple individuals. Although it still has the same vaguely ominous atmosphere (which I like), the Country of Clover is actually a slightly different setting than the Country of Hearts. Even the personalities of the characters that are shared between the two are somewhat changed as they adapt to their modified roles. I found Boris, the Cheshire Cat, an especially interesting character in the first manga series, so it probably makes sense that I would enjoy a series where he plays a leading role. Admittedly, the pairings in the various Alice in the Country of manga that I’ve read certainly shouldn’t be lauded as examples of healthy relationships. Boris, as sweet and considerate as he can sometimes be, is also very possessive. The story is engaging, though, and Cheshire Cat Waltz is surprisingly steamy as well.

Behind Story, Volumes 2-3 by Narae Ahn. I enjoyed the first volume of Behind Story more than I thought I would, so I wanted to be sure to read more of the boys’ love manhwa. At the time, I didn’t even know how long the series was, and I wasn’t able to find out much about the creator, either. It turns out Behind Story is only three volumes, was Ahn’s debut series, and was originally published online. The final two volumes of Behind Story take place three years after the first. Johann has survived his teacher’s attempted murder-suicide, but his life is still a complicated mess; he’s more or less forced transfer out of school, leaving Taehee—one of the very few people who legitimately cared for him and his well-being—behind with no way to contact him. Eventually the two of them do reunite, but they’ve both changed over the years and neither are sure what direction their relationship will take in the future. Behind Story is a fairly solid debut with interesting characters and a story that, for the most part, moves beyond the genre’s standard tropes. The series’ ending does perhaps wrap up a little too quickly and nicely and could have used a little more development, but overall the manhwa is enjoyable.

Monthly Girls’ Nozaki-kun, Volume 1 by Izumi Tsubaki. I absolutely loved the anime adaptation of Monthly Girls’ Nozaki-kun, so I was very happy when Yen Press announced that it would be releasing the original manga series. The success of four-panel manga can be rather hit-or-miss in the North American market as their comedy is often firmly situated within a Japanese sense of humor and context. A few of the jokes in the first volume of Monthly Girls’ Nozaki-kun I may not have immediately understood if I hadn’t already seen the anime (which was able to more fully expound on things due to its format) but overall the manga and its gags are largely accessible and very funny. The series revolves around Nozaki—a relatively successful shoujo mangaka who has a difficult time convincing many of his high school classmates of that fact due to his large stature and seemingly stoic nature—and the various students who become his assistants or the inspiration for his characters. The manga is good-natured fun, much of the humor the result of the differences between the characters’ personalities and how most other people actually perceive them. I especially appreciate the series’ willingness to play with gender roles and expectations.