Ash Brown

Manga the Week of 9/30

September 24, 2015 by Sean Gaffney, Ash Brown, Michelle Smith, Anna N and MJ 1 Comment

SEAN: It’s a somewhat busy 5th week this time around, with a lot of stuff from Kodansha.

After a brief delay, I believe we now are getting the final volume of Shigeru Mizuki’s epic biography/history Showa next week from Drawn & Quarterly, covering 1953-1989.

ASH: I am so glad this series was translated.

SEAN: Speaking of giant omnibuses, the second COLOSSAL EDITION of Attack on Titan comes out next week. Use it to beat titans to death!

My Little Monster is now in double digits with the 10th volume. I think it’s actually near an ending as well, so things might be slowly trudging towards resolution.

ASH: I still love that there’s a pet chicken. Nagoya should get a series.

MICHELLE: I would read it! But yes, this series sadly only has twelve volumes.

SEAN: The Seven Deadly Sins, which I admit I lost track of, has also reached double digits.

And there’s a third volume of A Silent Voice, which I think could go in any number of directions right now, all interesting.

ASH: A Silent Voice has been very well written so far. I’m curious to see where it goes.

SEAN: Vinland Saga puts out its 6th omnibus, and they have openly said that this is sales-dependent in order to continue. Go buy it.

ASH: Yes, please do! Vinland Saga is such a great series!

ANNA: I am going to buy it, and if I could clone myself and buy it again I would!

SEAN: Seven Seas gives us a 2nd omnibus of Freezing, which is a very very VERY Seven Seas title, for what it’s worth. Fans of those other Seven Seas titles should go buy it right now.

Vertical has another Attack on Titan light novel, with the 2nd volume of Harsh Mistress in the City.

And lastly, Vertical Comics has the 14th volume of Knights of Sidonia. It’s announced it’s ending in Japan soon, will we get a happy ending? Is that even possible for a title like this?

MICHELLE: *makes grabbyhands* Also, it’s ending?! Granted, I’ve not read anything since volume 12, but it didn’t seem like it was winding down at all. Now I am very fretful that everyone is suddenly going to die.

ANNA: That seems like a reasonable fear.

MJ: Oh, this series, this series… seconding Michelle’s grabbyhands.

SEAN: So what appeals to you as the leaves turn to brown?

The Dandelion Dynasty, Book 1: The Grace of Kings

September 23, 2015 by Ash Brown

Author: Ken Liu
Publisher: Simon & Schuster
ISBN: 9781481424271
Released: April 2015

Ken Liu is a multi-award-winning author and translator (in addition to being a lawyer and software programmer), probably best known for his short fiction. I was aware of Liu’s work for quite some time before I actually read any of it. His award-winning short story “Mono no Aware”—one of my favorite contributions in the anthology The Future Is Japanese—was my introduction to his fiction and Liu quickly became an author who I made a point to follow. And so I was very interested to learn about his debut novel The Grace of Kings. Published in 2015 by Simon & Schuster’s new speculative fiction imprint Saga Press, the novel is the first of three books planned for Liu’s series The Dandelion Dynasty. Often described as a silkpunk fantasy epic, the novels are heavily inspired by Chinese history and the historical legends surrounding the Han dynasty, such as the extremely influential Romance of the Three Kingdoms.

The islands of Dara were once made up of seven independent kingdoms which were constantly at war with one another. Generations passed before one of the kings was finally able to conquer the others, for the first time uniting the lands to form a single empire. The newly-coronated emperor intended to establish a lasting peace among the lands of Dara, but power has a way of corrupting its wielder and his vision was ultimately overshadowed by his ruthlessness. There were great undertakings made for the good of the empire, but there was also great suffering. As the emperor ages and approaches the end of his life, the stirrings of rebellion begin. Two very different men will be caught up in the resulting wars, becoming leaders in the conflicts as the empire disintegrates: Kuni Garu, a seemingly carefree, small-time gangster, and Mata Zyndu, the last in a long line of legendary warriors and generals. Whether through fate, luck, or the will of the gods, together the two of them are destined to help shape and reshape Dara as it enters into a new era.

Over the course of The Grace of Kings, Kuni Garu and Mata Zyndu emerge as two of the most pivotal characters in the unfolding epic, but they are really only a small part of a much greater whole. Much like the historical legends that influence the novel, there are dozens upon dozens of named characters who play a significant role and whose actions, even those that seem inconsequential, will have a tremendous impact on the way events develop. Liu has established a complex world filled with differing cultures and traditions which are in conflict with one another. Government administration, politics, economics, commerce, social structures, history, religion, mythology, geography, agriculture, philosophy, education, innovation, technology and so much more have all been taken into consideration in the creation of The Dandelion Dynasty. And none of it exists in a vacuum. The interplay and intricate connections among all of these different aspects of Dara has been captured remarkably well; a simple change in one that may initially appear to be insignificant can trigger a chain reaction which has unexpected and far-reaching ramifications in the others.

The Grace of Kings recounts over two decades of Dara’s history and legends, following the people involved in the wars resulting from the collapse of the empire and the attempts made to establish a new order among the chaos. The story is told in short chapters, many of which at first don’t seem to be directly related, but they slowly build upon each other as more and more connections form. The Grace of Kings becomes increasingly complex as it progresses but the novel is still easy to read and follow, showing how the actions of a single person can dramatically change the course of history. The world of The Grace of Kings is so incredibly well-realized that it can be imagined how events would have turned out if any particular person’s decisions were made differently. Very few of the characters act maliciously without good reason and none could be described as evil for evil’s sake; what they do they do because they believe it to be right. But even so, sometimes the consequences are heartbreakingly tragic. The Grace of Kings is the beginning of a spectacular epic; the magnificent worldbuilding and diverse cast of believably flawed characters greatly impressed me.

Pick of the Week: Digital Love

September 21, 2015 by Sean Gaffney, Michelle Smith, Ash Brown, MJ and Anna N Leave a Comment

SEAN: This week’s pick for me is the new Ryukishi07 adaptation, Rose Guns Days Season 1. This is *not* a When They Cry release, so there’s less emphasis on death and horror. It takes place in an AU 1947 Japan, where various disasters have led to most of Japan being occupied by America and China, with Japanese as second-class citizens. It’s also an excuse for a lot of punching and some fun dialogue.

MICHELLE: I think I’ll go for Chocolate Cosmos this time. It’s not that Cactus’s Secret was crazy amazing, but I don’t recall it being awful either. Plus, I’m generally up for new shoujo debuts!

ASH: The newest volume of My Neighbor Seki gets my pick this week, which seems appropriate as it’s school season here in the US. My Neighbor Seki is just such a delightful and charming manga. I’m glad that Vertical ultimately decided to release the entire series.

MJ: I don’t have an extremely solid pick this week, but I’ll tentatively join Michelle in looking towards Chocolate Cosmos. I’m always interested in new shoujo, and chocolate, even simply as a *word* holds magical power over my soul. So there you are.

ANNA: I’m going to join with MJand Michelle in picking Chocolate Cosmos. I’m always curious to check out a new shoujo series.

What looks good to you this week?

My Week in Manga: September 14-September 20, 2015

September 21, 2015 by Ash Brown

My News and Reviews

Two in-depth manga reviews were posted last week! As part of my monthly horror manga review project, I took a look at Yuki Urushibara’s Mushishi, Volume 5. I still love this series tremendously and wish it wasn’t out-of-print, but at least it’s available digitally from Kodansha Comics now. The second review last week was of Masayuki Ishikawa’s Maria the Virgin Witch: Exhibition, which is a collection of side stories, both prequels and sequels, focusing on the characters of Maria the Virgin Witch. For fans of the original series, it’s a very nice addition. The volume probably won’t appeal to or make much sense to anyone who hasn’t read the main manga, though.

There were a ton of interesting articles, reviews, and news announcements that I saw last week. Deb Aoki has been busy at Anime News Network with a two part interview with various Kodansha folk, mostly focusing on the Kodansha Advanced Media digital manga efforts, as well as an interview with those involved with the new Ultraman manga series, including the creators Eiichi Shimizu and Tomohiro Shimoguchi and Mike Montesa from Viz Media and Ai Shimizu from Hero’s Magazine. Over at Publishers Weekly, she takes a closer look at Tokyopop’s most recent efforts. Elsewhere, Kristin of Comic Attack interviewed Arina Tanemura at Anime Fest; AM Cosmos writes about the different perspectives of bullying found in A Silent Voice and Haven’t You Heard? I’m Sakamoto; and Organization Anti-Social Geniuses concludes its Advice on Manga series with advice on manga editing from manga editors.

In licensing news, the fine folk of MASSIVE will be working with Koyama Press to translate What Is Obscenity?, the comic memoir of sculptor and mangaka Megumi Igarashi (aka Rokudenashiko). In addition to the three original short manga, the English-language edition will have additional content, such as a new introduction by the artist and an interview between Rokudenashiko and Sion Sono. Yaoi Con was held over the weekend and there were some other licensing announcements made. SuBLime Manga picked up Rihito Takarai’s Ten Count, Bohra Naono’s Midnight Stranger, and Yonezou Nekota’s Don’t Be Cruel. (I’m especially looking forward to Ten Count, but am always happy to see more of Naono’s work translated.) As for Digital Manga, the Juné imprint is adding twenty-four new titles… except that they’re all digital, no print. (Interestingly, Project H’s recent license announcements were all digital-only as well, which really makes me wonder about DMP, especially as it’s starting to gear up for its next Tezuka Kickstarter.) And speaking of yaoi and BL, Kathryn Hemmann’s academic article “Queering the Media Mix: The Female Gaze in Japanese Fan Comics” takes a look at BL doujinshi based on CLAMP’s works.

Quick Takes

Devils and Realist, Volumes 3-4 written by Madoka Takadono and illustrated by Utako Yukihiro. Sometimes the two major aspects of Devils and Realist (it’s humor and it’s drama) mesh well and sometimes they make the manga seem like it’s trying to be two entirely different series. Despite the demons that have become students in order to be closer to him, William’s school life remains fairly mundane, though humorous. That part of the story isn’t so different from any other school-based manga. What makes the series more interesting is the drama, politics, and intrigue surrounding the selection of the next ruler of hell. Heaven is getting involved now, too. Not only does William have to deal with demons vying for his attention, and in some cases his life, angels are beginning to make their presence known, causing even more problems for him. Also, angels can be just as big of jerks as their fallen brethren. Although I’m not in a rush to find out what happens next, I am still enjoying Devils and Realist; the art and character designs are pretty and I generally find the series to be entertaining.

King City by Brandon Graham. The first half of King City was initially published by Tokyopop but the series, like so many of the publisher’s other original English comics, was left unfinished. However, unlike all but a very select few of the series that met that particular fate, King City found a new home and was able to be completed, in this case thanks to Image Comics. Although there are some dramatic battles and rescues in King City, there really isn’t much in the way of a plot. What there is a bizarre futuristic city filled with some very strange residents. The comic focuses on Joe, his friends and acquaintances, and Earthling, his extremely intelligent and multi-talented cat. Joe is a Catmaster—with a little help from an injection, Earthling can turn into or do anything. What I love most about King City, besides Earthling and the rest of the cats, is that it is absolutely crammed with wordplay and visual puns. It’s worth taking time to thoroughly examine every page because Graham has incorporated so much humor in the small, seemingly inconsequential details. King City is very strange, but it’s the kind of strange that I tend to enjoy.

Pandora Hearts, Volumes 1-3 by Jun Mochizuki. I know so many people who absolutely adore Pandora Hearts that I’ve been meaning to try the series for a while now. To be honest, After reading the first volume, I wasn’t so sure about the manga—I found it to be extremely chaotic and confusing, and almost nonsensical (maybe I just wasn’t reading closely enough)—but after the second volume it started to click for me and by the third I was completely hooked on the series. Mochizuki’s artwork is pretty great, too. I definitely plan on reading more of Pandora Hearts. I’ll admit, I’m still not entirely sure what’s going on yet, but that mystery is part of the point. Most of the characters don’t understand everything, either, and those who do know at least part of the truth aren’t necessarily sharing that information anyone else unless it serves their own purpose. Tragedy and psychological trauma are major components of Pandora Hearts. There is violence and horror, betrayals and lies, but also obsessive loyalty and kindness. The characters are struggling with loneliness and the intense desire and need to belong and feel wanted.

Maria the Virgin Witch: Exhibition

September 18, 2015 by Ash Brown

Creator: Masayuki Ishikawa
U.S. publisher: Kodansha
ISBN: 9781632361905
Released: August 2015
Original release: 2015

I rather enjoyed Masayuki Ishikawa’s short, three-volume manga series Maria the Virgin Witch. Although it was a bit uneven in places, possibly because the series ended sooner than was initially planned (granted, that is my own speculation rather than something that I know for a fact), I liked the series’ quirky characters, historical fantasy, and peculiar mix of humor and more serious philosophical and theological musings. Because Maria the Virgin Witch wrapped up so quickly and left many questions unanswered, I was happy to learn that Maria the Virgin Witch: Exhibition had also been licensed for an English-language release. Originally published in Japan in 2015, Exhibition is a collection of sides stories, a mix of prequels and sequels to the main series. Kodansha Comics released the English-language edition in 2015 as well. It is a relatively slim volume, but I was looking forward to spending a little more time with Maria the Virgin Witch and its characters.

Each of the short manga in Exhibition focuses on a different character of Maria the Virgin Witch: Viv, Maria, Joseph, and Ezekiel. Viv’s story is the only multi-chapter manga in the volume. It follows the English witch from when she first arrived on France’s shores, traveling on a ship filled with soldiers and other witches sent to reinforce England’ armies in the Hundred Years War. This is long before she befriends Maria, but Viv’s enthusiastic and reckless approach to battle, in addition to wreaking havoc, becomes a source of inspiration for Maria’s own efforts. The next story is just as much about Maria’s familiars as it is about Maria herself, taking place during the main series and showing a typical day away from the battlefield after Ezekiel joins their small group. Josephs’ story, like Viv’s, is a prequel to Maria the Virgin Witch, recounting Joseph and Maria’s first adorably awkward meeting as he seeks her aid for France’s war efforts. The volume ends with a story about Ezekiel, not as an angel, but as the human child of Maria and Joseph, providing a nice epilogue for the series as a whole.

The stories in Exhibition are obviously intended for readers who are already familiar with Maria the Virgin Witch and who have already read the entire series. Although the short manga in Exhibition aren’t necessarily directly connected to the main narrative of Maria the Virgin Witch, by their very nature there are some spoilers involved and the collection relies on the reader having previous knowledge of the series’ characters. Exhibition is less devoted to expanding the world and plot of Maria the Virgin Witch and more focused on further developing the manga’s characters and their personal stories. And by telling the stories of the individual characters in Exhibition, more about Maria herself is revealed. Even when she isn’t immediately involved or present, Maria plays an important role in all of the short manga. Exhibition shows many of her different sides: Maria the friend, Maria the master, Maria the lover, Maria the mother, and so on.

Whereas the main Maria the Virgin Witch series had a rather serious story that was accompanied and punctuated with humor, overall Exhibition consistently tends to be much more lighthearted and comedic in nature. It’s a fun collection for fans of the series even if the stories are generally fairly inconsequential. None of the hard questions raised by the main series or the lingering plot threads are really addressed. Maria’s lineage and backstory still remain obscure. (If anything, I’m left wondering even more about her origins and who she really is.) Not much in the way of additional worldbulding is present in the volume either. Instead, Exhibition offers readers the opportunity to enjoy a collection of stories that are charming, funny, and even a little touching as they celebrate the characters of Maria the Virgin Witch. And because the characters are such a large part of what makes Maria the Virgin Witch so appealing, Exhibition is a perfect send-off for the series.

Manga the Week of 9/23

September 18, 2015 by Sean Gaffney, Anna N, Ash Brown, Michelle Smith and MJ 1 Comment

SEAN: Did I mention Yen’s digital rollout makes next week even longer? 30 titles. 30. Let that roll around your head for a while.

Before we get to Yen, let’s talk Devil Survivor, a new Kodansha series based off of an RPG that’s apparently quite popular. Lots of demons here.

Seven Seas has a 12th volume of Haganai: I Don’t Have Many Friends, whose fandom I’ve heard has completely imploded with the latest LN revelations. Luckily, this is the manga, and we’re a number of volumes from that.

Vertical Comics has the penultimate 11th volume of Mobile Suit Gundam: The Origin. So happy this series came out over here.

ANNA: Yay for Gundam: The Origin! I need to go on a reading binge and get caught up on this series.

SEAN: And Vertical also has My Neighbor Seki 4, which is nothing like Gundam but also delights me.

ASH: As it should! My Neighbor Seki is wonderful.

SEAN: Viz Digital has a debut that I believe is another JManga rescue, though I’m not sure about that. Chocolate Cosmos is a Ribon series about a young girl looking for love, so it’s definitely for Beat fans. I think there was a translation competition that centered around it.

MICHELLE: Ooh, I didn’t know about this one! It’s by Nana Haruta, mangaka of Cactus’s Secret, which came out a few years ago.

ANNA: That sounds really interesting, I will have to check it out!

MJ: Same here!

SEAN: And now on to Yen Press. We’ll start with the Yen On line. Kagerou Daze’s first novel was rather diffuse and obtuse – somewhat deliberately – and I am both interested in the 2nd volume and hoping I get more of a handle on it.

Kingdom Hearts has a new novel as well, Chain of Memories. Are Mickey Mouse and company still in this series?

I don’t know if MJhas had the time to read Pandora Hearts: Caucus Race yet, but if not, she’s now even more behind, as the 2nd novel is out next week.

MJ: MJhas not, and she’s a little bit wary of a Pandora Hearts novel series, but she’ll most likely succumb.

SEAN: The debut novel this month is Strike the Blood, which is an action fantasy series with vampires, and thus perfect for Yen, really.

Yen Digital rolls out more debuts, most comedic. Demon King Ena-sama Goes to a Manga School seems a bit self-explanatory.

If the creepy humiliation vibe of Kakegurui – Compulsive Gambler didn’t put you off, a 3rd volume is here for you.

My Monster Girl’s Too Cool For You seeks to hit on a popular recent trend, and for once seems to begin with a rejection rather than a sudden love confession.

The Royal Tutor was slighter than I was expecting, but decent enough, and a 3rd volume of that is here as well.

ASH: Wow, I’m behind. I didn’t realize we were already up to volume three!

SEAN: And we get complete in 3 separate volumes a series called Shut-in Shoutarou Koninami Takes On The World, whose name alone makes one think of Scott Pilgrim.

Finally, we get Yen’s copious print volumes. A 2nd Big Hero 6, based on the American movie. (I always love seeing Japanese adaptations of Western media.)

Black Bullet gets a manga series to go with the light novel we saw last month. I expect the lolicon tendencies I saw in the novel would bother me more in the manga.

Bloody Cross has an 8th volume.

And there’s a 2nd volume of possibly too cliched for its own good fantasy series Chaika the Coffin Princess.

Demon From Afar is up to Volume 4, which means by now the entire cast must have all died at least three times, right?

After a couple of Final Fantasy Type-0 side stories, we now have the Type-0 manga proper.

Surprise hit (at least with me) He’s My Only Vampire gets a 4th volume.

And a 4th Love at Fourteen will continue to alternate between “they’re so adorable!” and “…are you really going there?”

MICHELLE: I’m going to be catching up on this series soon!

ASH: I need to catch up, too, but I did enjoy the first couple of volumes.

SEAN: Not everything is about Madoka Magica, but the new spinoff certainly is: Suzuna Magica begins next week.

After the relative popularity of Higurashi and Umineko, it’s time for another Ryukishi07 sound novel getting an adaptation, this one somewhat lighter in tone – at least at first. Rose Guns Days is an alternate universe action thriller with lots of fistfights and “ladies of the evening”, and should be a ton of fun.

Spice & Wolf gives us an 11th manga volume. Don’t get it mixed up with the light novels.

Sword Art Online Progressive’s manga also has a third volume, though it’s still adapting the first light novel. Expect underwear. Lots of underwear.

MJ: I wish I liked these manga adaptations better. Alas.

SEAN: Triage X has hit double digits, a feat that makes me want to cry blood, but hey.

And a third (fourth) omnibus of Ubel Blatt, whose Volume Zero still haunts the list-obsessed.

Umineko: When They Cry has a 2nd omnibus for its 5th arc. Dlanor A. Knox is on the cover. I love Dlanor. So much better than Erika, whose presence sadly continues to permeate this arc, infecting it with her detective skills.

Lastly (at long last), a 10th omnibus of Until Death Do Us Part. Still not quite caught up with Japan, in case you were wondering.

Does anything in this huge pile appeal to your inner soul?

Mushishi, Vol. 5

September 16, 2015 by Ash Brown

Creator: Yuki Urushibara
U.S. publisher: Del Rey
ISBN: 9780345501387
Released: August 2008
Original release: 2004
Awards: Japan Media Arts Award, Kodansha Manga Award

The manga series Mushishi was Yuki Urushibara’s professional debut as a mangaka. The manga began serialization in Japan in 1999, lasted for ten volumes, and was the basis for multiple anime adaptations and a live-action film in addition to other media. Over the course of its publication, Mushishi would earn Urushibara several awards and honors, including a Japan Media Arts Award in 2003 and a Kodansha Manga Award in 2006. Mushishi, Volume 5 was originally published in Japan in 2004. The English-language edition of the volume was initially released in print by Del Rey Manga in 2008 and then in an electronic format by Kodansha Comics in 2014. Mushishi is one of my favorite manga series and one of the first that I made a point to collect in its entirety. Fortunately, I discovered the series as it was first being published in English, so I was able to complete my set before the manga went out-of-print and became expensive to find. However, I am glad that the digital version is now available for readers who missed the series’ original run in English, though.

Mushishi, Volume 5 collects five stories which, as is usual for the series, largely stand on their own. Ginko’s doctor friend makes a brief reappearance and there are a few nods to some of the series’ previous chapters, such as those exploring Ginko’s past, but it’s not necessary to be familiar with those references to enjoy the stories in the fifth volume. In “The Sea Palace,” Ginko visits a remote island where it is rumored that people are reborn after they die, suspecting that mushi may involved. His search for unusual mushi continues in “Eye’s Fortune, Eye’s Misfortune” when he happens upon a clairvoyant traveling musician with quite a story to tell—blind as a child, she credits a mushi for giving her sight. “The Coat That Holds a Mountain” follows an aspiring artist who leaves his rural village to study in the city, his success coming with unanticipated consequences and costs. In “Flames of the Fields,” a village’s mushishi makes a drastic decision when an unknown, invasive grass threatens lives and livelihoods. Finally, in “The Snake of Dawn,” Ginko is asked to do what he can to help a young mother who is slowly losing all of her memories.

As a mushishi, Ginko travels across Japan striving to learn as much as he can about mushi. Some mushishi see the creatures as little more than dangerous pests that need to be eradicated. Ginko, however, approaches mushi more liberally, recognizing the need to treat them with caution but also advocating for the sanctity of all life and for the coexistence between humans and mushi whenever possible. Mushishi, Volume 5 presents several scenarios in which this harmony has actually been achieved: mushi that facilitate life, mushi that provide healing, mushi that grant health and strength. In some cases, though the results may still be tragic, what would normally be seen as an unwanted side-effect of interacting with a particular mushi can be used to a person’s advantage. But the fifth volume also shows that people must still continue to be vigilant and take great care when dealing with mushi and their powerful influences. This is a concept that of course extends beyond the mushi themselves; mushi are both representative of and a metaphor for those things which humans don’t fully understand or know.

I particularly enjoy the strong influence that Japanese folklore and legends have had on Mushishi. Some of the chapters take direct inspiration from existing stories while others easily fit in with those traditional tales. But there’s another aspect of Mushishi that I find especially interesting because in some way it runs counter to its seemingly supernatural elements—the actual study of mushi. In part, to be a mushishi is to be a scientist and a researcher, someone who pursues and gathers knowledge. Much of Mushishi, Volume 5 deals with rarer and unknown mushi. By investigating them, Ginko and other mushishi are in a better position to make more informed decisions in situations in which mushi are involved. Acting without complete understanding can be extremely dangerous, therefore knowledge is an incredibly powerful and valuable tool granting some amount of control over the world. Mushishi realize how important and vital the accumulation of knowledge truly is and they take their chose profession very seriously.

Pick of the Week: Astro-nomical!

September 14, 2015 by Michelle Smith, Sean Gaffney, Ash Brown, MJ and Anna N Leave a Comment

MICHELLE: While I’m really looking forward to getting caught up on Naoki Urasawa’s Master Keaton, I must cast my vote this week to the new Astro Boy omnibus, which includes the story “The Greatest Robot on Earth,” which is pretty much required reading and which gives its robot a surprisingly touching character arc.

SEAN: Absolutely Astro Boy for me as well. Some of the finest Tezuka.

ASH: I almost feel like picking something else just to be contrary, but the new edition of Astro Boy is probably the most alluring release for me this week, too.

MJ: I am a sheep. Astro Boy it is.

ANNA: I’m not going to be the one to break this trend. Astro Boy for everybody!!!!

MICHELLE: Baaaa. :)

What looks good to you this week?

My Week in Manga: September 7-September 13, 2015

September 14, 2015 by Ash Brown

My News and Reviews

I was on a much-needed vacation last week; the family spent a fair amount of time in northern Michigan enjoying nature and good food and drink. I got some extra sleep and caught up on some of my reading and writing, too. All in all, a lovely time was had. I wasn’t online much at all except to post a couple of reviews, so I’m sure that I’ve missed out on all sorts of things. (If you would, please do fill me in on anything that was particularly interesting!) The first review I posted was of the rather clever debut mystery novel The Decagon House Murders by Yukito Ayatsuji (who also happens to be the creator of the horror mystery Another and the husband of Fuyumi Ono). I also reviewed Hirohiko Araki’s JoJo’s Bizarre Adventure, Part 1: Phantom Blood, Volume 1 which continues to be marvelously strange and over-the-top.

Quick Takes

The Ancient Magus’ Bride, Volume 2 by Kore Yamazaki. The first volume of The Ancient Magus’ Bride was one of my favorite debuts of 2015 and I continue to thoroughly enjoy the series with the second volume. Although overall there is a disconcerting, dark, ominous, and creepy atmosphere to the manga, but there are also moments light; the horror and mystery are accompanied by touches of humor and hope that help keep the series from becoming too oppressive. Yamazaki also captures the capricious nature of the fae perfectly. I was rather pleased to see Titania and Oberon, the queen and king of the fairies, introduced in this volume as well. Although more is hinted about Elias’ past—he has connections to the fae, mages, and alchemists, but isn’t really accepted by any of them—he’s still reluctant to open up and talk about it. He largely remains shrouded in mystery, but it seems as though he may have more in common with Chise than would initially appear. Their relationship has a peculiar dynamic to it in addition to a significant imbalance of power, but I’m very curious to see how it develops; there may be healing involved for both of them.

Haven’t You Heard? I’m Sakamoto, Volume 1 by Nami Sano. The exceedingly odd Sakamoto doesn’t seem to care at all about what other people might think of him, making him immune to bullying and giving him the reputation of being the coolest student in school despite his weirdness. Somehow, he is able to take control of any situation and use it to his advantage; he always ends up looking good. The girls all love him and the guys, though they would like to hate him, can’t help but admire and respect him. And that’s what makes the manga so funny. So far, Haven’t You Heard? I’m Sakamoto is fairly episodic although there are some recurring characters and running jokes. Both the series and Sakamoto are admittedly strange, but the comedy is played seriously with an incredibly straight face. At the same time, Sano’s artwork highlights the drama and humor of the various situations. Haven’t You Heard? I’m Sakamoto is kind of absurd and yet highly entertaining. I’m not sure for how long Sano will be able to keep the gags fresh, but I’m looking forward to reading more of the series and finding out.

UQ Holder!, Volume 5 by Ken Akamatsu. Up until this point, my feelings toward UQ Holder! have been fairly lukewarm. I’ve enjoyed the wide variety of immortals and some of the action sequences can be highly entertaining, but the story and characters more often than not are frustratingly directionless and shallow. That being said, I was surprised by how much I actually liked the fifth volume of UQ Holder!. I didn’t have much hope for it at first as the opening battle ends up being extremely anticlimactic. I’m sure this was meant to be an amusing development, but Akamatsu’s sense of humor in the series doesn’t always work for me. But then four of the UQ Holder members are sent undercover as high school students to investigate a string of serial murders in which an immortal may be involved. Not unexpectedly, some silliness ensues alongside the seriousness of the killings. The murder case is interesting, though, even if its solution ultimately feels forced. And while I liked some of the newly-introduced characters, the lead’s oblivious optimism and aggressive friendliness continues to be both an asset and a detriment to the series.

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JoJo’s Bizarre Adventure, Part 1: Phantom Blood, Volume 2

September 11, 2015 by Ash Brown

Creator: Hirohiko Araki
U.S. publisher: Viz Media
ISBN: 9781421578804
Released: May 2015
Original release: 1988

For years the only part of Hirohiko Araki’s epic and fashionably strange shōnen manga series JoJo’s Bizarre Adventure that was available in English was the third story arc, Stardust Crusaders. A standalone side story, Rohan at the Louvre was released as well, but it wasn’t until 2015 that the very beginning of the series, Phantom Blood, was translated and released in print, and in a lovely hardcover edition, too. (I have a feeling that the popularity of the recent JoJo’s Bizarre Adventure anime adaptation probably had something to do with that.) Phantom Blood was originally published in five volumes in Japan between 1987 and 1988, but in 2002 the first story arc was re-released in three volumes. Viz Media’s English-language edition is based on that 2002 release. JoJo’s Bizarre Adventure, Part 1: Phantom Blood, Volume 2, published in 2015, collects part of the second volume, all of the third volume, and part of the fourth volume of the original Japanese release.

JoJo’s life isn’t exactly turning out the way that he would have hoped or expected. His father lays dying in his arms after having taken a fatal blow that was intended for him. Behind the knife that will end his father’s life is Dio, a man who was raised as his brother but who has turned against the Joestar family as was always his plan and intention. Not only that, Dio has gained untold powers from a mysterious and ancient stone mask. Now a vampire, Dio is nearly immortal and possesses great strength. Even he doesn’t know the full extent of his astonishing abilities, but he has already begun gathering followers who are drawn to his charisma and promises of power. With the help of a curious man named Baron Zeppeli, JoJo becomes one of the only people who might have a chance of defeating Dio. Zeppeli unlocks JoJo’s own latent talents, training him in Sendo and its use of Hamon energy, an impressive martial technique which when mastered may make it possible for JoJo to destroy Dio and save the world.

JoJo’s Bizarre Adventure is a very aptly named series. It is an exceedingly strange manga with nonstop, over-the-top action and drama. Nearly every phrase of narration and dialogue in Phantom Blood, Volume 2 is an exclamation. Even the few relatively quiet moments are fervently intense and the calm never lasts for very long. Most of the second volume of Phantom Blood consists of extended fight scenes and training sequences. Araki keeps Phantom Blood moving along at a breakneck pace which sometimes includes the actual breaking of necks. Blood, gore, dismembered body parts, splattered guts, eyeballs, and brain matter are all fairly common in the series. There is definitely a strong element of horror in the early part of JoJo’s Bizarre Adventure. While Araki’s artwork in Phantom Blood understandably doesn’t show the same refinement found in his later illustrations, it still has a sense of visceral dynamism and the occasional panel can actually be quite beautiful or striking.

JoJo’s Bizarre Adventure is a very odd manga. The story, artwork, and characters are all memorable if for no other reason than they are so over-the-top and strange. Additionally, Araki freely mixes historical events with historical fantasy in Phantom Blood. For example, Jack the Ripper becomes one of Dio’s earliest followers and England’s bloody dynastic struggles of the sixteenth century form a dramatic backstory for some of the other warriors that JoJo must face as he pursues his adoptive brother. Plenty of Phantom Blood is completely Araki’s own creation, though. And lest there be any confusion about all the weirdness, JoJo’s faithful and at times even useful companion Speedwagon is there to explain everything that’s going on, as well as to narrate the obvious. Speedwagon’s help isn’t needed to realize how much of a villain Dio is, though. Even before becoming a vampire Dio delighted in his own evil and the evil of others, but with his newfound powers he is in a better position than ever to make his malevolent schemes a reality. How successful he will actually be remains to be seen, but so far the results are marvelously terrifying and outrageous.

Manga the Week of 9/16

September 10, 2015 by Sean Gaffney, Ash Brown, MJ, Michelle Smith and Anna N 3 Comments

SEAN: If you like tiny weeks where you can take a break from reading all the manga in the world, this is the week for you.

ASH: No, no, Sean. It’s not a week for taking a break, it’s a week for catching up!

MJ: In fact, from the looks of things, that’s my task for the week as well!

SEAN: Dark Horse is re-releasing the Astro Boy volumes in giant 700-page omnibuses, not only larger in size and page count (this is 700 pages), but with added extras and gewgaws. The first is out next week (if you get it from Diamond).

MICHELLE: The original volume three (possibly included in this omnibus) has the story that inspired Naoki Urasawa’s Pluto. It’s really good!

SEAN: Seven Seas has a 2nd volume of quiet country life gag manga Non Non Biyori.

And a 3rd volume of action/thriller/comedy vampire manga Servamp.

Viz has a 4th volume of Master Keaton, which I am very fond of despite some problematic areas.

MICHELLE: And speaking of Urasawa! I am determined to get caught up on this title.

MJ: Hey, I should buy this so that I no longer have any excuse not to return the little volume Michelle loaned me! :D

ASH: I’ve been collecting since I’m an Urasawa completist, but I need to get caught up, too!

ANNA: Me too! I have the third volume stashed somewhere.

SEAN: And an 8th volume of Terra Formars, where there is far less fondness.

Anything here catch your eye?

The Decagon House Murders

September 9, 2015 by Ash Brown

Author: Yukito Ayatsuji
Translator: Ho-Ling Wong
U.S. publisher: Locked Room International
ISBN: 9781508503736
Released: June 2015
Original release: 1987

Originally published in 1987, Yukito Ayatsuji’s debut novel The Decagon House Murders is credited with sparking a renaissance in Japanese honkaku mystery fiction, a subgenre of classic detective fiction emphasizing logic and fair play. The novel was translated into English by Ho-Ling Wong (the text based off of the Japanese edition from 2007) and released in 2015 thanks to the efforts of Locked Room International, a group which works to publish translations of novels featuring locked room mysteries and impossible crimes. The English edition of The Decagon House Murders also includes an introduction written by Japanese mystery author Soji Shimada, which places the novel within the historical context of Japanese and world mystery fiction, as well as a brief essay by the translator. It was only after reading The Decagon House Murders that I realized why Ayatsuji’s name seemed so familiar to me—he wrote the horror mystery novel Another which was also recently translated and which received both a manga and an anime adaptation. Ayatsuji also happens to be the husband of Fuyumi Ono, the creator of The Twelve Kingdoms which I greatly enjoy.

Located on the currently uninhabited island of Tsunojima is the Decagon House, a peculiar building designed by the eccentric architect Seiji Nakamura, a man believed to have committed a series of murders on the island before taking his own life. The house, the island, and their history provides the perfect setting for some of the more accomplished members of a university mystery club to relax and find some inspiration for their writing during the break before classes resume. But what most of the group doesn’t realize is that Seiji Nakamura was the father of Chiori Nakamura, another club member who recently died as the result of one of their drinking parties. Chiori had a preexisting health condition, but at least one person feels that the club is responsible for her death. On the mainland members are receiving ominous and threatening letters signed with the name Seiji Nakamura and on the island one person after another dies under strange circumstances, and no one but the murderer knows killer’s identity.

The focus of The Decagon House Murders is definitely on its mystery. Character development in the novel is limited, enough to distinguish the individual players and to establish some of their back stories, but not so much that the reader really gets to know them as people. The murderer, whose motivations and meticulous schemes are eventually revealed, is the person who has the most depth as a character. Although there are twists to the story, Ayatsuji’s writing style is likewise straightforward and clean, lacking in heavy description or embellishments. Distraction is kept to a minimum as the facts of the case are laid out one after another, allowing readers the chance to pick up on clues and develop their own theories before everything is explained. At the same time, the members of the group trapped together on the island are themselves struggling to come up with their own solutions before they all end up dead. Ultimately, The Decagon House Murders is primarily about the murderous plot and it its execution.

Ayatsuji’s decision to make a large part of the cast of The Decagon House Murders members of a mystery club is a brilliant one. They are all well-versed in how similar crimes play out in fiction, but now they are faced with an increasingly deadly reality where those rules and expectations don’t necessarily apply; even though they know the possibilities, they can’t anticipate what will actually happen. I, too, am fairly familiar with many of the tropes and tricks used in mysteries about seemingly impossible crimes, however The Decagon House Murders still managed to surprise and satisfy me with its clever twists. I also particularly liked the narrative structure of the novel. At first the chapters alternate between the developing situation on the island and a related investigation occurring on the mainland, but eventually the two connected storylines merge together for the novel’s big reveal. The Decagon House Murders is apparently the first volume in a series of mysteries involving buildings designed by Seiji Nakamura. I have no idea if there are any plans to translate the others, but I would certainly be interested in reading them.

Pick of the Week: Rose King & Butler

September 7, 2015 by Sean Gaffney, Michelle Smith, Ash Brown, MJ and Anna N Leave a Comment

SEAN: There’s some interesting stuff going on this week, which I’m sure the rest of the team will talk about, so my pick is a title only I care about: the 26th Hayate the Combat Butler. It’s been pretty serious and plot-oriented the last three volumes or so – expect that to change back to its usual goofy fourth-wall breaking humor.

MICHELLE: It’s kind of odd that a VIZ shoujo title is coming out the second week of the month rather than the first, but I don’t mind, since that makes volume two of the versatile Aya Kanno’s Requiem of the Rose King an easy choice!

ASH: I’m with Michelle, Requiem of the Rose King is absolutely my pick this week. Although the first volume was a bit chaotic in places, I loved its drama and theatrics. The stage has been set, and I can’t wait to see what’s to come.

MJ: I’m also going to give my vote to Requiem of the Rose King. I haven’t caught up with the first volume yet, but this is easily the most enticing title on the list for me this week. I have a feeling I may even be happy in the end that I can read this two at a time!

ANNA: I’m also going to pick Requiem of the Rose King too. I loved the combination of history, anguish, and surreal visions in the first volume, and I’m excited to see where the story goes.

SEAN: Requiem of the Rose King is awesome, I will admit. But totally sticking with Hayate. Someone has to.

What looks good to you this week?

My Week in Manga: August 31-September 6, 2015

September 7, 2015 by Ash Brown

My News and Reviews

A few different things posted at Experiments in Manga last week. First up was the announcement of the Yumi Tamura Giveaway Winner which also includes a list of mangaka whose work the giveaway participants consistently enjoy and follow. For the second post last week, which also happens to be the first in-depth review of September, I took a look at Takeshi Matsu’s second English collection of erotic gay manga Dr. Makumakuran and Other Stories which I quite enjoyed. Overall, I think it may even be stronger than his first collection, More and More of You and Other Stories, which I also liked. Finally, over the weekend, I posted August’s Bookshelf Overload for those of you interested in what sorts of things I’ve picked up recently.

A little over a month ago I posted my responses to a game of manga tag. Well, that game is still making the rounds! Most recently, I discovered that Daiyamanga’s Krystallina took the opportunity to talk about her collection. Elsewhere online, Shojo Beat posted a brief interview with Kimi ni Todoke‘s creator Karuho Shiina. And in licensing news, Seven Seas has picked up three more manga: Nanatsuki Takafumi and Risumai’s I Was Abducted by an Elite All-Girls School as a Sample Commoner, Amemiya Yuki and Ichihara Yukino’s Battle Rabbits, and Takeoka Hazuki and Tiv’s Masamune-kun’s Revenge.

My News and Reviews

An Even More Beautiful Lie by Kei Kanai. It was the lovely, ethereal, and sensuous cover of An Even More Beautiful Lie that initially caught my eye and first brought the boys’ love one-shot to my attention. And, except for the creepy way that Kanai draws some of the characters’ eyes, I really liked the interior artwork as well with its strong inking and solid blacks. I enjoyed the basic premise and setup of the story, too, but ultimately I felt a little betrayed by the manga. Kurosu is a university student studying art. He’s particularly fond of the paintings by Yukari, a fellow student, genius artist, and something of a recluse. Yukari’s life is devoted to painting. Sometimes while in the grip of inspiration he’s so focused on creating that forgets to eat or even sleep. Which is why it’s fortunate that he left his umbrella on the train—returning it gives Kurosu the excuse he needed to talk to Yukari and the two grow close; Yukari now has someone who not only cares about his paintings, but cares about his well-being, too. I wish An Even More Beautiful Lie would have continued in that vein, but instead there’s an abrupt shift in the story’s tone that’s and a horrible, unnecessary rape scene. But at least it’s not between the two leads and their relationship remains intact.

Fairy Tail, Volume 49 by Hiro Mashima. The forty-ninth volume of Fairy Tail brings to an end the Tartaros story arc while beginning new one. Since Igneel dominates the cover, I was hoping for an epic showdown between dragons. There is a pretty good fight, but sadly it’s over fairly quickly. In fact, the whole Tartaros arc seemed to be wrapped up sooner than anticipated. And indeed, Mashima mentions in the afterword that it was cut short. Even so, it ends in a suitably dramatic fashion and the next arc promises to be very interesting. Of course, Mashima does have to retcon a few things to really pull it off well. That’s one of the things about Fairy Tail that I’m consistently frustrated by—although Mashima claims to have thought out the story well in advance, due to the lack of adequate foreshadowing and what seems like constant rewriting, I’m not convinced. And as the series continues to grow in length (I don’t see Fairy Tail ending any time soon), keeping internal consistency is going to become more and more of a challenge. Even though magic is obviously a major part of Fairy Tail, I think it’s been used one to many times to backtrack the narrative when Mashima has written himself into a corner; major plot and character developments lose their impact if they can so easily be waved away later on.

Prison School, Omnibus 1 by Akira Hiramoto. Some people, like me, may be familiar with Hiramoto as the creator of the acclaimed manga series Me and the Devil Blues, a supernaturally-tinged historical drama about a blues musician. Prison School is a completely different manga that, except for Hiramoto’s tremendous skill as an artist, has very little in common that earlier series. Prison School is an absurdly dramatic and over-the-top comedy. Even though the manga can hardly be taken seriously it will still likely be incredibly offensive and obscene to a large number of readers since the most powerful characters—the young women of Hachimitsu Private Academy’s shadow student council—are also the most sexualized and fetishized. The men in the series are all varying degrees of despicable, and they unapologetically revel in it. And yet, if one can stand the stunningly less-than-flattering portrayal of just about every character in the series, Prison School can be immensely entertaining and engaging. Considering all of the perversion, sadomasochism, nudity, and violence in Prison School, it’s certainly not a series that I would recommend to everyone, though. I expect that Prison School will be a divisive series, but I’m still intensely curious to see how the manga plays out.

Bookshelf Overload: August 2015

September 6, 2015 by Ash Brown

Along with August comes 801 Day, and along with 801 Day comes boys’ love sales, so in addition to usual slew of preorders last month, I replenished my supply of BL manga and novels. I even managed to snag a few that I believe are technically out of print. As for newly-released manga with queer themes, Takeshi Matsu’s second collection of erotic gay manga in English is now available: Dr. Makumakuran and Other Stories. (I reviewed the volume a couple of days ago; it’s pretty great.) There were plenty of other preorders that I was happy to see released in August, too, including but certainly not limited to the next installments in the lovely hardcover editions of Kaoru Mori’s Emma and Hirohiko Araki’s Phantom Blood. And as I feared and expected, my artbook collection continues to expand. Last month I picked up the two volumes of Takehiko Inoue’s gorgeous Vagabond illustrations, Sumi and Water. Outside of manga, I was very excited for Haikasoru’s re-release of Otsuichi’s award-winning light novel Goth since I thoroughly enjoyed Tokyopop’s edition of Goth back in the day. Haikasoru’s edition uses the same translation at Tokyopop’s, but it also includes the newly-translated novelette “Morino’s Souvenir Photo,” which I’m looking forward to reading. I also picked up the anthology Press Start to Play specifically because it includes the short story “Respawn” by Hiroshi Sakurazaka (the author of All You Need Is Kill and Slum Online), but I was happy to discover that a bunch of other great authors, including Ken Liu, contributed to the volume as well. And, after some delay, Yurei: The Japanese Ghost by Zack Davisson has finally been published!

Manga!
Another by Hiro Kiyohara
Citrus, Volume 3 by Saburouta
Crushing Love by Ritsu Natsumizu
Depression of the Anti-Romanticist, Volumes 1-2 written by Yasuna Suginuma, illustrated by Riyu Yamakami
Dorohedoro, Volume 16 by Q Hayashida
Dr. Makumakuran and Other Stories by Takeshi Matsu
Embracing Love, Omnibus 3 by Youka Nitta
Emma, Omnibus 2 by Kaoru Mori
The First Stage of Love by Kazuhiko Mishima
Food Wars!: Shokugeki no Soma, Volume 7 written by Yuto Tsukuda, illustrated by Shun Saeki
Inuyashiki, Volume 1 by Hiroya Oku
Itazura na Kiss, Omnibus 1 by Kaoru Tada
JoJo’s Bizarre Adventure, Part 1: Phantom Blood, Volume 3 by Hirohiko Araki
Love at Fourteen, Volume 3 by Fuka Mizutani
Love Bus Stop by Ritsu Natsumizu
Maria the Virgin Witch: Exhibition by Ishikawa Masayuki
Millennium Darling 2006 by Maki Naruto
My Hero Academia, Volume 1 by Kohei Horikoshi
Poison Cherry Drive by Motoni Modoru
Prison School, Omnibus 1 by Akira Hiramoto
Red by Sanae Rokuya
Sea View by Ayumi Kano
Tokyo Ghoul, Volume 2 by Sui Ishida
Ultraman, Volume 1 by Tomohiro Shimoguchi
Weekend Lovers by Kiriko Fuwa
Wolf Children: Ame & Yuki written by Mamoru Hosoda, illustrated by Yu

Comics!
The 6 Voyages of Lone Sloane by Philippe Druillet
Guardians of the Kingdom by Tom Gauld
Here by Richard McGuire
Hopeless Savages: Greatest Hits 2000-2010 written by Jen Van Meter
Lumberjanes, Volume 1: Beware the Kitten Holy created by Grace Ellis, Noelle Stevenson, and Shannon Watters
Pages to Pages by Lai Tat Tat Wing
This Tastes Funny by Suddenly Sentai
Thoughts From Iceland by Lonnie Mann
Wayward, Volume 2: Ties that Bind created by Jim Zub and Steve Cummings

Artbooks!
Sumi by Takehiko Inoue
Water by Takehiko Inoue

Light Novels!
Attack on Titan: The Harsh Mistress of the City, Part 1 written by Ryo Kawakami, illustrated by Range Murata
Don’t Worry Mama written by Narise Konohara, illustrated by Yuki Shimizu
Goth by Otsuichi
The Man Who Doesn’t Take Off His Clothes, Volumes 1-2 written by Narise Konohara, illustrated by Yuki SHimizu

Anthologies!
Press Start to Play edited by Daniel H. Wilson and John Joseph Adams

Nonfiction!
Global Manga : “Japanese” comics without Japan? edited by Casy Brienza
Yurei: The Japanese Ghost by Zack Davisson