Ash Brown

Pick of the Week: Potpourri

June 13, 2016 by Sean Gaffney, Ash Brown, Michelle Smith and Anna N Leave a Comment

SEAN: Tempted as I am to go with Magi, which is a wonderful default, I will throw my Pick of the Week over to the last omnibus of Neon Genesis Evangelion. A series that seemed for years like it would never end finally has, and as readers of the individual volumes know, this is an excellent conclusion. Go buy it, there’s color pages!

ASH: Though there are plenty of manga being released this week that I’m interested in, I’m actually going to go off list for my pick. Breakdown Press, a small comics publisher in the UK, recently published Red Red Rock and Other Stories, a collection of over a dozen short manga spanning the career of alternative manga creator Seiichi Hayashi. I just got my hands on a copy of the volume and am looking forward to reading it a great deal.

MICHELLE: I, too, am giving Magi a break this time and going with something else. I really enjoyed the first few volumes of Tokyo ESP, and now we’re starting up a new phase of the story. I’m interested to see what happens!

ANNA: If everyone else is giving Magi a break, I feel compelled to pick it, even though I am a gazillion volume behind in this series.

My Week in Manga: June 6-June 12, 2016

June 13, 2016 by Ash Brown

My News and Reviews

Last week at Experiments in Manga I posted May’s Bookshelf Overload. Largely in part due to my trip to TCAF and the generosity of Kodansha Comics, I ended up with a lot of comics and manga to add to my shelves in May. I was actually out of the state traveling for work for most of the week, but while I was gone I did manage to post an in-depth review of Yui Sakuma’s Complex Age, Volume 1 which is scheduled to be released later this month. I was completely taken by surprise by how strongly the manga resonated with me.

As for some of the interesting reading that I came across online last week: Kodansha Comics’ most recent creator spotlight, which includes links to interviews, videos, and more, focuses on Yoshitoki Oima. ICv2 interviewed Stu Levy about Tokyopop’s return to print publishing. At The OASG, Jenny McKeon shared part of her story about becoming a manga translator in comic form. Also, the most recent installment of The Sparkling World of 1970s Shojo Manga highlights Keiko Takemiya and her work.

Quick Takes

Kiss Him, Not Me!, Volumes 3-4 by Junko. I can’t help it. I do have some reservations about the occasional emphasis placed on Serinuma’s weight (although it does reflect more poorly on the other characters than it does on Serinuma herself), but Kiss Him, Not Me! honestly makes me grin. The story is ridiculous and over-the-top, as are Junko’s illustrations. The characters’ facial expressions and extreme reactions can be pretty spectacular. But there’s also some legitimate character development in the series to go along with the comedy. At times it can even be quite touching. One of the things that makes Kiss Him, Not Me! particularly refreshing is that although Serinuma is basically dealing with a reverse-harem situation, she doesn’t really have any sort of romantic interest in any of the other characters. Like the title suggests, she’d much rather her fujoshi fantasies be indulged. But at this point she does care a great deal about them all as friends, and she makes a great friend even if her suitors would like something more. The four boys and now also the one girl (who is a fantastic addition to the series) are slowly changing for the better and are becoming better people simply by knowing her.

Orange, Omnibus 2 by Ichigo Takano. The first manga to really floor me this year was the debut of Orange. I was a little worried how the second half of the series would turn out, but Takano handles the story very well, finding a good balance between hopefulness and bittersweetness. Orange is a series that deals very frankly, realistically, and powerfully with heavy subject matter like depression and suicide. Takano captures extraordinarily well what it can be like to have depression and how extremely difficult it can be not only for that person but for their loved ones as well. Orange recognizes that issues surrounding mental health are complicated and simple fixes don’t really exist. The manga is not always an easy read—honestly, it can be devastating and I’ll admit to reading through tears on multiple occasions—but it most definitely is a worthwhile series. The second omnibus is filled out by one of Takano’s earlier manga Haruiro Astronaut, a romantic comedy which plays around with shoujo tropes. After the hard-hitting emotional drama of Orange, Haruiro Astronaut comes across as a little frivolous, but it’s enjoyable and in the end I rather liked it’s goofiness.

Paradise Residence, Volume 2 by Kosuke Fujishima. I’m a little surprised by how much I’m enjoying Paradise Residence. Perhaps it’s because the series reminds me of some of the better parts of living in a dormitory and leaves me feeling a bit nostalgic for my college days. (Paradise Residence is about an all-girls high school, though, so the experience isn’t quite the same.) I was particularly fond of the chapter in the second volume in which everyone shows off their culinary skills and creations using low-budget ingredients and super-simple cooking techniques. (Actual recipes are included in the volume as well, which is a nice touch.) Paradise Residence is a fairly low-key comedy that relies more on the charming nature of its cast rather than on over-the-top humor, although sometimes the manga can be pretty ridiculous. The characters are generally likeable and their interactions are entertaining, providing much of the series’ appeal. However, their characterization does come across as somewhat shallow; some of the girls seem to be little more than a “type” or are stuck with a single gag instead being allowed to be fully-realized characters.

Complex Age, Vol. 1

June 10, 2016 by Ash Brown

Creator: Yui Sakuma
U.S. publisher: Kodansha Comics
ISBN: 9781632362483
Released: June 2016
Original release: 2014
Awards: Tetsuya Chiba Award

I almost passed over the English-language debut of Yui Sakuma’s Complex Age, but I’m very glad that I took the opportunity I had to read it. Complex Age, Volume 1 was first released in Japan in 2014 while the English-language edition of the volume was released in 2016 by Kodansha Comics. I believe that Complex Age is currently the first and only professional work by Sakuma to have been released. The manga began in 2013 as a one-shot which won the Tetsuya Chiba Award. (That one-shot is also included in the first volume of Complex Age.) Then, in 2014, Complex Age was relaunched as a series. While the original one-shot and the longer series don’t appear to be directly related when it comes to characters and plot, they do share a similar basic premise—an adult woman who is growing older and coming to terms with what that means for her hobbies and interests. I actually didn’t know that was what Complex Age was really about before reading the first volume. I thought it was simply about cosplay and since cosplay—the passion of the series’ main character—isn’t a particular interest of mine, I wasn’t anticipating that the manga would be story that I would end up so closely identifying with.

Nagisa Kataura is twenty-six years old, lives with her parents, and works as a temp worker for a tutoring agency, but in her spare time she is an accomplished and admired cosplayer. Her favorite character to cosplay is Ururu from the anime Magical Riding Hood Ururu who represents everything she wants to be as a person. Nagisa pours herself into her creations and is known for her attention to detail and high-quality work. She does all that she can to achieve perfection and to completely embody a character. However, despite cosplay being such a huge part of her life, she keeps her hobby a secret from her family and coworkers. Now that she’s an adult it’s become even more difficult for Nagisa to share her passion with people who aren’t already accepting of cosplay; it’s considered by many to be a frivolous hobby more suited for much younger fans. As she ages, Nagisa becomes more and more self-conscious about her cosplaying and the criticism that she receives becomes harder and harder for her to take. And yet Nagisa still loves what she does and cosplay is a very important part of who she is.

At first, I wasn’t sure that I really liked Nagisa. The opening chapter begins with her preparing for an event at which she will be cosplaying Ururu, putting an incredible amount of effort into making sure that everything is just right. But while she is at the event she is exceptionally rude and judgemental of the other people there, her behavior culminating in an outburst in which she harshly and publicly criticizes another cosplayer for not respecting the hobby and for not taking it seriously enough. However, as Complex Age progresses, Nagisa becomes a much more sympathetic, or at least understandable, character. The reason she is so sensitive is that her confidence, self-worth, and personal identity are almost irrevocably intertwined with her cosplaying. And so what Nagisa perceives as an insult to the hobby becomes an insult to her personally; when someone else is more talented or more physically suited to portray her favorite characters, she can only see her own faults and limitations being emphasized in comparison. She’s genuinely afraid that she is getting too old for cosplay and that voluntarily giving it up or being rejected by others because of her looks or age would result in her losing a large part of herself.

Before reading Complex Age I didn’t know much at all about the behind-the-scenes work that goes into cosplay, but the manga generally incorporates those sorts of interesting details quite nicely into the story. I’m still not particularly interested in or personally invested in cosplay myself, but Complex Age still resonated with me a great deal. Like Nagisa, I’m an adult interested in media and hobbies that many people look down upon or generally associate with a younger age group (in my case, manga and comics among other things). I also know quite well and understand the dangers of allowing a passion to define one’s self or to impact one’s self-esteem. I have dealt with and, if I’m completely honest, continue to deal with many of the same uncertainties, insecurities, and struggles that Nagisa faces in Complex Age. While so far I do like the series, I think that the Complex Age one-shot about Sawako, a thirty-four-year-old woman letting go of her passion for dressing in Gothic Lolita fashion, made an even greater impression on me. (Also, Sawako’s husband is pretty great.) I’m very curious to see if Sakuma will take Nagisa’s story in a similar direction or if ultimately the Complex Age series will be a little less bittersweet than its predecessor.

Thank you to Kodansha Comics for providing a copy of Complex Age, Volume 1 for review.

Manga the Week of 6/15

June 9, 2016 by Sean Gaffney, Michelle Smith, Ash Brown, MJ and Anna N Leave a Comment

SEAN: Ah, the 2nd week of the month, the most common week for the Manga Bookshelf team to look over the releases and think “Wow, am I picking Magi as Pick of the Week again?”

MICHELLE: Heh.

SEAN: Dark Horse has a 2nd volume of Fate/Zero, sure to give us many more heartwarming moments so that it can crush them to bits in later volumes.

Kodansha Comics is likely counting down the days till Air Gear finishes, and they’re close with Vol. 35, but not yet.

And there’s a 5th volume of L♥DK, and I’m sure all is sweetness and light.

ASH: I know people who like the series, but personally I find it infuriating.

MICHELLE: I never went back after volume one.

SEAN: Paradise Residence has a 2nd volume, which is NOT an omnibus, so don’t be surprised at its slim size. There’s also a souped-up car, because Fujishima.

ASH: I’m enjoying Paradise Residence much more than I thought I would!

SEAN: And Kodansha also has a 2nd volume of their Persona Q spinoff, this one on the P4 side.

Seven Seas has a new debut, which seems to be a romantic comedy of sorts? Masamune-kun’s Revenge runs in Comic Ryu, and the premise sounds like it could be a disaster (guy becomes handsome to get revenge on ice queen who rejected him). I guess we will see how much it subverts its premise.

ASH: Hmmm.

SEAN: There’s also a 6th volume of Servamp, which has vamp… yeah, OK, the running gag is old. I will stop.

SubLime gives us a 2nd 2-in-1 omnibus of Don’t Be Cruel. But are their hearts true?

ASH: I haven’t heard much about Don’t Be Cruel, but enough to be curious about the manga.

MJ: I’m a bit curious as well.

MICHELLE: The blackmail plot doesn’t thrill me, but I can’t help but be amused by the fact that the volume numbers appear on tighty whities.

SEAN: And His Favorite has reached Volume 9, and the cover art is still amazing.

ASH: Uh oh! I’m apparently a couple volumes behind.

SEAN: Vertical gives us a 5th omnibus of Tokyo ESP.

MICHELLE: Yay! I believe this is launching a new arc.

SEAN: And yay, it’s a new volume of Magi! 18 volumes from Viz, and we’re still not tired of it.

MICHELLE: Nope!

ANNA: YAY MORE MAGI!!!!!!

SEAN: Viz also has a 2nd volume of Monster Hunter: Flash Hunter. Would a Flash hunter be against every one of us? (Wow, that was obscure.)

MICHELLE: I admit I didn’t get it, but my brain did think the sequel could perhaps be ‘QuickTime Hunter.’

SEAN: Lastly, the re-release of the Evangelion manga comes to an end with the 5th omnibus, containing the last two volumes. I actually quite liked this ending. It’s worth picking up.

Does something this week cry out to you?

Bookshelf Overload: May 2016

June 8, 2016 by Ash Brown

I will be the first to admit that the amount of manga, comics, and other delights I acquired in May was kind of ridiculous, especially when compared to recent months in which I’ve deliberately tried to curb my spending. However, I expected and planned for a bump in May, mainly because the month includes my annual trip to TCAF. I picked up so many independent comics and zines while in Canada! And it made me very happy. I was also pleasantly surprised to receive an enormous box of review copies from Kodansha Comics at my new address. I really wasn’t expecting to see one so soon after the last box that arrived. (But thank you!) All that combined with a few preorders and other bargains meant that May was a big month for me.

As for some of the highlights from May: Kazuo Umezu’s manga series The Drifting Classroom appears as though it may be going out of print. Volume 11 is becoming particularly difficult (and expensive) to find, but I was able to nab a stray Canadian copy. After a several-year delay, Masahiko Matsumoto’s Cigarette Girl was finally released by Top Shelf last month. Likewise, it’s been a few years since Drawn & Quarterly published its initial collection of Shigeru Mizuki’s Kitaro, but now there’s The Birth of Kitaro which I loved. There are several other May release which I’m excited about and hope to review in the future, too, including Lianne Sentar and dee Juusan’s short comic Shut In Shut Out from Chromatic Press/Sparkler Monthly, Requiem of the Rose King, Volume 4 by Aya Kanno from Viz Media, and Another: Episode S/0 from Yen On which contains both Yukito Ayatsuji’s novel and Hiro Kiyohara’s manga. My in-depth review of Yui Sakuma’s Complex Age, Volume 1 should be posted later this week as well; I didn’t anticipate that it would resonate with me as much as it did. Oh, and the Dororo anime is now available, too!

Manga!
As Many As There Are Stars by Miecohouse Matsumoto
Attack on Titan, Volume 16 by Hajime Isayama
Bakuman, Volumes 3-5 written by Tsugumi Ohba, illustrated by Takeshi Obata
Bleach, Volume 1 by Tite Kubo
Cigarette Girl by Masahiko Matsumoto
Complex Age, Volume 1 by Yui Sakuma
The Drifting Classroom, Volume 11 by Kazuo Umezu
Fairy Tail, Omnibus 2 by Hiro Mashima
Fairy Tail, Volumes 52-54 by Hiro Mashima
Forget Me Not, Volume 2 written by Mag Hsu, illustrated by Nao Emoto
Genshiken: Second Season, Volume 8 by Himoku Kio
Inuyashiki, Volume 3 by Hiroya Oku
JoJo’s Bizarre Adventure, Part 2: Battle Tendency, Volume 3 by Hirohiko Araki
Kiss Him, Not Me, Volumes 3-4 by Junko
Kitaro, Volume 1: The Birth of Kitaro by Shigeru Mizuki
My Little Monster, Volume 13 by Robico
Noragami: Stray God, Volumes 10-14 by Adachitoka
Ouran High School Host Club, Volumes 4-16 by Bisco Hatori
Paradise Residence, Volume 2 by Kosuke Fujishima
Persona Q: Shadow of the Labyrinth, Side: P3, Volume 2 by So Tobita
Persona Q: Shadow of the Labyrinth, Side: P4, Volumes 1-2 by Mizunomoto
Planetes, Omnibus 2 by Makoto Yukimura
Real Account, Volume 2 written by Okushou, illustrated by Shizumu Watanabe
Requiem of the Rose King, Volume 4 by Aya Kanno
Say I Love You, Volumes 12-13 by Kanae Hazuki
The Seven Deadly Sins, Volumes 12-14 by Nakaba Suzuki
A Silent Voice, Volume 7 by Yoshitoki Oima
Tract by Shintaro Kago
UQ Holder, Volume 7 by Ken Akamatsu
What Did You Eat Yesterday?, Volume 10 by Fumi Yoshinaga
Yamada-kun and the Seven Witches, Volumes 7-8 by Miki Yoshikawa
Your Lie in April, Volumes 6-7 by Naoshi Arakawa
Ze, Volume 11 by Yuki Shimizu

Comics!
Always Raining Here, Volume 1 by Hazel and Bell
Avialae, Chapter 1 by Lucid
Bad Company, Part 2 by Guilt | Pleasure
Before the Snows Come by Kat Verhoeven
Cautionary Fables and Fairy Tales: Asia Edition edited by Kel McDonald and Kate Ashwin
Foundations of Chinese Civilization: The Yellow Emperor to the Han Dynasty by Jing Liu
Foxfire by Carolyn Gan
GQutie, Issue 1 by Ronnie Ritchie
Human Plantation by Various
If There Be Magic by Kez
Is This a Fetish?: A Weird Aesthetic Zine by Sfé R. Monster
Leveret written by Andrew Wheeler and illustrated by Tory Woollcott
Life on the Hill 5 by Love Love Hill
Magical Beatdown, Volume 2 by Jenn Woodall
Muddlers Beat, Volume 1: Literally Everything Is Outside My Comfort Zone by Tony Breed
Nameless & the Scientist, Volumes 1-2 by Amei Zhao
Portals, Chapter 1: Twenty Minutes by Kori Michele Handwerker
The Prince and the Swan, Volumes 1-2 by April Pierce and Gareth Cj. Wee
Pupa: A Bug Anthology edited by Lawn and Saicoink
Romeo X Julien, Act 1: The Family by Marina
Shitty Horoscopes: The Anthology by Amrit Brar
Shut In Shut Out written by Lianne Sentar, illustrated by dee Juusan
This Will Be Worth It by Sfé R. Monster
Those Spaces Between by Kez
Up Until Now by Akimiya Jun
Valley of the Silk Sky, Part 1: The Long Run by Dylan Edwards
Wayward, Volume 3: Out From the Shadows created by Jim Zub and Steve Cummings

Artbooks!
Samurai 2.0: A Tribute to Men by Various
Take My Revolution!: A Revolutionary Girl Utena Fanzine by Various
Yuko Shimizu by Yuko Shimizu

Novels!
Another: Episode S/0 by Yukito Ayatsuji
Horses, Horses, in the End the Light Remains Pure by Hideo Furukawa
The Secret Biwa Music That Caused the Yurei to Lament by Isseki Sanjin

Anime!
Dororo directed by Gisaburō Sugii

Pick of the Week: Sweepers, Corpses, and Josei Debuts

June 6, 2016 by Michelle Smith, Sean Gaffney, Ash Brown, MJ and Anna N Leave a Comment

MICHELLE: There are quite a few titles that I will be picking up this week, but I shall award my pick to the third and final volume of QQ Sweeper. I’ve enjoyed this series a lot so far and I hope VIZ licenses the sequel!

SEAN: I have a love/hate relationship with Viz’s josei titles, as I love the fact that they deal with adults having adult issues, but frequently find that they tend towards the same “bastard boyfriend” tropes that also plague some of Viz’s shoujo titles. But I keep coming back for more, and that’s why the title I most want to see this week is Everyone’s Getting Married, another Petit Comic extravaganza.

ASH: With so many manga releases this week I’m having a little trouble narrowing it down to just one title, but in the end I would like to draw attention to the latest omnibus of Kurosagi Corpse Delivery Service. It’s such a great series, mixing humor and horror in surprisingly effective ways. I’m glad that Dark Horse is giving the manga a new life in English!

MJ: I’m with Michelle, this week. Though there are a number of titles I’m interested in this week, the one dearest to my heart is the third volume of QQ Sweeper. This series is so perfectly my cup of tea. I was terribly sad to learn that this is the end, and echo Michelle’s hopes that Viz will be offering us its sequel!

ANNA: I love QQ Sweeper! But I’m very easily distracted by new series. So for that reason, I’m going to have to go with the new josei series Everyone’s Getting Married. Yay for more josei!

My Week in Manga: May 30-June 3, 2016

June 6, 2016 by Ash Brown

My News and Reviews

Since it was the end of one month and the beginning of another, there were a couple of different things posted at Experiments in Manga in addition to the usual My Week in Manga feature. First of all, the Paradise Residence Giveaway Winner was announced along with a list of some manga licensed in English that feature boarding schools, dormitories, or other communal living arrangements. As for the first in-depth manga review of the month, I was absolutely thrilled to write about Shigeru Mizuki’s The Birth of Kitaro, the first volume of Drawn & Quarterly’s new Kitaro series designed to appeal to readers of all ages. I am so incredibly happy that more Kitaro manga is being released in English. I loved Drawn & Quarterly’s original Kitaro collection from back in 2013 (it was one of my most notable releases of the year), but if The Birth of Kitaro is any indication, I’m going to love this series even more.

I’m still keeping plenty busy at home and at work, but there were I couple things in particular that caught my eye online last week. For one, the fourth part of “The Sparkling World of 1970s Shojo Manga,” focusing on Moto Hagio, was posted at The Lobster Dance. Also, Seven Seas made a slew of new licensing announcements over the course of the week. The one that I’m most excited for is The Girl From the Other Side: Siúil, a Rún by Nagabe (coincidentally, Jocelyne Allen recently reviewed the first volume at Brain vs Book and it sounds fantastic), but Seven Seas has also picked up four more yuri manga—Milk Morinaga’s Secret of the Princess and Hana & Hina After School, Hiromi Takashima’s Kase-san and…, and Hachi Ito’s Kindred Spirits on the Roof—as well as Seiju Natsumegu’s Ghost Diary, Tsukasa Saimura’s Tokyo Undead, Kawakami Masaki and Hato’s There’s A Demon Lord on the Floor, and a collaboration with Mamenosuke Fujimaru to create an English-first manga, Captive Hearts of Oz.

Quick Takes

Attack on Titan, Volumes 16-18 by Hajime Isayama. It’s been a little while since I’ve read Attack on Titan proper as opposed to one of the spinoff manga or novels. Granted, part of that is because the North American release of the manga has more or less caught up with the Japanese release; with number twists and turns in the series’ plot, I find that Attack on Titan generally works better for me if I can read several volumes at once. These three volumes delve into the backstories of several of the characters including Levi and, probably more importantly, Historia. There are also several important reveals regarding the nature of the world and of the Titans. Overall, an exciting few volumes with some legitimately interesting developments. Although the series is still ongoing, it feels as though Isayama is beginning to set up the series’ finale. I’m hoping for a satisfying conclusion, and I’m starting to believe that Isayama might actually be able to pull one off. With the sixteenth volume, Kodansha Comics has also started releasing special editions which are packaged with other merchandise. Some of the extras, like playing cards, I’m not personally interested in but others, like the No Regrets anime, I’m definitely glad to have.

Fairy Tail: Blue Mistral, Volume 2 by Rui Watanabe. Recently, I’ve been sampling quite a few of Fairy Tail‘s spinoff manga being released in English. Some I’ve actually liked while others I’ve merely tolerated, so it was anyone’s guess as to whether or not I’d appreciate the franchise’s shoujo offering, Blue Mistral. I’m happy to say that, for the most part, it’s not a bad series at all. The plot of Blue Mistral, Volume 2 may seem to oversimplify what is really a rather complicated situation and some of story’s resolutions feel like they come a little too easily, but considering that the series original intended audience was preteens and early teens I don’t necessarily consider that to be a true fault. Actually, it’s kind of refreshing to read such a sweet, cheery, and bright version of the world and characters of Fairy Tail. Blue Mistral follows the adventures of Wendy Marvell, an impressively skilled twelve-year-old sky-dragon slayer magic user. She’s a likeable and earnest protagonist who believes in friendship and in helping others whenever she is able. Perhaps unsurprisingly, Blue Mistral‘s shoujo version of Wendy may be even more adorable than Fairy Tail‘s shounen version, in part because Watanabe’s artwork tends to be fairly cute.

Wild Butterfly by Hiroki Kusumoto. It wasn’t until I was about halfway through reading Wild Butterfly that I realized that I had previously read another of Kusumoto’s manga, the first volume of Vampire’s Portrait. I didn’t especially like Vampire’s Portrait (I never got around to reading the second and final volume), but it did have one thing in common with Wild Butterfly—when called upon, Kusumoto can draw some fantastically frightening scenes with shocking reveals. Wild Butterfly is a collection of five unrelated short manga. Despite the fact that, because the volume was released under Digital Manga’s June imprint, “yaoi manga” is emblazoned on the front cover, only one of the five stories could even arguably be considered boys’ love. Most of the stories have a bit of horror or some supernatural elements, although the titular “Wild Butterfly” is more of a period piece about the tragedy of war. There aren’t really any overarching themes in Wild Butterfly, but the stories do tend to be fairly melancholic and somber. The collection isn’t outstanding or particularly refined, but there are some interesting aspects to the stories. I did at least enjoy Wild Butterfly much more than I did the beginning of Vampire’s Portrait.

Kitaro, Vol. 1: The Birth of Kitaro

June 3, 2016 by Ash Brown

Creator: Shigeru Mizuki
U.S. publisher: Drawn & Quarterly
ISBN: 9781770462281
Released: May 2016
Original release: 1966-1968

In 2013, comics publisher Drawn & Quarterly released Kitaro a volume collecting stories from Shigeru Mizuki’s most well-known and beloved manga series GeGeGe no Kitaro. I absolutely loved the collection and so I was thrilled when Drawn & Quarterly announced that it would be publishing more of Mizuki’s GeGeGe no Kitaro in English as part of its Enfant line of kids comics. The Birth of Kitaro, released in 2016, is the first of seven planned Kitaro volumes with stories selected, with input from Mizuki, by the manga’s translator and yokai scholar Zack Davisson. The Birth of Kitaro collects seven stories originally published in Japan between 1966 and 1968, an essay about the history of Kitaro as well as an additional guide to yokai written by Davisson, and an utterly delightful section devoted to yokai-themed activities such as a word search, a maze, and several matching games among other fun challenges.

The tales in The Birth of Kitaro begin with the origin story of Kitaro, a powerful and mostly benevolent yokai boy. (“The Birth of Kitaro” also explains why his father, Medama Oyaji, is a disembodied/embodied eyeball.) The chapter was first published in the influential alternative manga magazine Garo. The other six stories chosen for the collection were created with a slightly younger audience in mind and were serialized in Shonen Weekly and as well as the magazine’s special edition. The second chapter, “Nezumi Otoko versus Neko Musume,” introduces one of the series’ primary recurring characters. Nezumi Otoko, one of Kitaro’s yokai friends even though he is a bit of jerk, tends to either cause trouble or get himself into trouble, needing to be chastised or rescued by Kitaro depending on the circumstances. The other stories included in The Birth of Kitaro are “Nopperabo,” “Gyuki,” “Yokai of the Mountain Pass,” “Makura Gaeshi,” and “Hideri Gami.”

As much as I loved Drawn & Quarterly’s original Kitaro collection, I think that I may love The Birth of Kitaro even more. All of the stories selected for the volume are a little bit creepy, a little bit scary, and a little bit gross, but they are also a great deal of fun and can be rather funny, too. I had actually forgotten just how amusing Mizuki’s Kitaro manga could be; the mix of scariness and silliness in the series is marvelous. Mizuki has a terrific sense of humor and comedic timing, perfectly balancing the chuckles with the chills and thrills in the manga collected in The Birth of Kitaro. The horror and the humor work together to create an incredibly enjoyable read. It also doesn’t hurt that Kitaro is a likeable lead to begin with, and that the supporting characters like Nezumi Otoko and Medama Oyaji, with their distinctive personalities and entertaining interactions, add a tremendous amount to enjoy in the series as well.

Mizuki’s Kitaro manga is steeped in yokai lore which I love. Other readers picking up The Birth of Kitaro may not be as familiar with Japan’s mysterious monsters and phenomena, but the volume is still very approachable and accessible. The stories themselves provide an entertaining introduction to yokai (from time to time even Kitaro must do a bit of research in order to effectively confront and deal with troublesome spirits) and for readers who are curious to learn more, Davisson’s “Yokai Files” are an informative addition to the volume. The Birth of Kitaro is an excellent all-ages manga, suitable for younger readers who enjoy a bit of a scare and supernatural excitement while still being entertaining and appealing for adults. It’s also a wonderful overall package, with fun and games, the manga itself, and background information all together in one place. The new Kitaro series in English is off to a fantastic start with The Birth of Kitaro; I can’t wait for the next volume to be released.

Thank you to Drawn & Quarterly for providing a copy of The Birth of Kitaro for review.

Manga the Week of 6/8

June 2, 2016 by Sean Gaffney, Ash Brown, Michelle Smith, Anna N and MJ 1 Comment

SEAN: June is busting out all over, especially in terms of sheer manga volume – this month will be punishing, starting with 25 books out next week.

Dark Horse gives us the 4th – and presumably last for now – omnibus of The Kurosagi Corpse Delivery Service. Go get it if you haven’t already.

ASH: I’m really glad this series is getting a second chance. Apparently the omnibuses are doing better than the single volumes did.

SEAN: And the Evangelion spinoff Shinji Ikari Raising Project may be over in Japan, but we still have a couple volumes to go. Here’s Vol. 16.

And a 9th New Lone Wolf and Cub.

This isn’t on Amazon yet, but Diamond has a couple of DMP books out, so let’s list them as well. (Yes, DMP still does print books. On occasion.) Does the Flower Blossom? gets a 2nd volume.

MICHELLE: I’m still holding out hope for volume eleven of Itazura na Kiss!

SEAN: And we also get the 9th volume of The Tyrant Falls in Love.

ASH: The eighth volume made for a pretty solid conclusion to the series, so I’m curious to see where this one goes.

SEAN: Kodansha has a 5th volume of shoujo reverse harem series Kiss Him, Not Me!.

ASH: I find that I am rather enjoying this series.

SEAN: And Say “I Love You” has gotten to Volume 14, and I still insist on using those quotes, because I’m stubborn like that.

MICHELLE: Yay!

ANNA: So far behind on this series, maybe I can do a reading binge over the summer.

SEAN: Seven Seas has the third Mayo Chiki omnibus. Does this finish that up? (Or off?)

And Mushoku Tensei: Jobless Reincarnation’s third volume continues to prove that sometimes to get sales you have to license the title people already call it.

Seven Seas’ debut is The Other Side of Secret, which is from Media Factory’s Comic Alive, and I suspect will involve harem romance and possibly large breasts.

And now we have Viz, starting with Assassination Classroom getting to double digits.

Viz debuts a new Jump series, Black Clover. The premise looks to me like One Piece only with magic instead of pirates, but we’ll see how fun it is.

And there’s a 3rd Bloody Mary volume. Vampires!

ANNA: Yay! This series is goofy, but I enjoy all the angst.

SEAN: Dragon Ball’s 3-in-1 has hit lucky Vol. 13.

Yay, another Josei Beat series debuts! Everyone’s Getting Married comes from the pages of Petit Comic, and I’ve generally been very fond of these types of series. Romance between non-high schoolers!

MICHELLE: I am looking forward to this debut!

ASH: As am I!

ANNA: I’m EXTRA looking forward to it!

MJ: I’m… skeptical, but hopeful? Viz’s josei series tend to be full of landmines for me.

SEAN: Food Wars! has a dozen volumes now, and it still makes me hungry.

Kamisama Kiss is up to Vol. 21, and the romance seems to finally be heating up, maybe? As much as Hana to Yume romance ever does?

Komomo Confiserie’s 4th volume continues to try to charm me despite its lack of loud, dense heroines.

MICHELLE: I continue to follow all of these.

ANNA: They are all good series, but Kamisama Kiss is a standout.

SEAN: One Piece has its 16th 3-in-1, which I think begins Thriller Bark?

QQ Sweeper doesn’t come out often enough for my tastes, but I am very happy Volume 3 is here.

MICHELLE: Me, too, though this is the end. Unless VIZ has also licensed the sequel!

ANNA: Aieee, I didn’t realize it was so short. I will cherish the three volumes even more.

MJ: This, this, this!! But is it really the end? Nooooo.

SEAN: And School Judgment ends with its third volume.

MJ: I with I’d liked this more.

MICHELLE: Me, too.

SEAN: Seraph of the End reaches Volume 9. Vampires!

So Cute It Hurts!! has Volume 7, and I will assume has kept its cuteness promises to the reader.

MICHELLE: I have never found it cute, to be honest.

ANNA: I have found it somewhat cute, but I enjoy eye patches and cross dressing in manga.

SEAN: It’s been nine months since a Tegami Bachi volume, so Vol. 19 is heavily anticipated by the fandom.

Lastly, we have a 34th volume of Toriko, which doesn’t make me as hungry as Food Wars!, but has more punching.

ASH: True!

SEAN: Are you picking up any of this deluge?

Manga Giveaway: Paradise Residence Giveaway Winner

June 1, 2016 by Ash Brown

And the winner of the Paradise Residence manga giveaway is… Chris Lawton!

As the winner, Chris will be receiving a copy of Kosuke Fujishima’s Paradise Residence, Volume 1 as published in English by Kodansha Comics. I’m currently in the process of moving, so I’ve recently been thinking about the different ways that people live together a fair amount. And so for the Paradise Residence giveaway, I was interested in learning about some of the manga that the participants enjoyed which involve communal living, whether it be boarding schools, dormitories, or something else entirely. Be sure to check out the giveaway comments for everyone’s detailed responses!

Some of the manga in English with communal living arrangements:
After School Nightmare by Setona Mizushiro
Akuma no Riddle written by Yun Kouga, illustrated by Sunao Minakata
Beauty Is the Beast by Tomo Matsumoto
Blue Exorcist by Kazue Kato
Dokkoida?! written by Taro Achi, illustrated by Yu Yagami
Hana-Kimi by Hisaya Nakajo
Hayate X Blade by Shizuru Hayashiya
The Heart of Thomas by Moto Hagio
Here Is Greenwood by Yukie Nasu
Maison Ikkoku by Rumiko Takahashi
Love Hina by Ken Akamatsu
Oh My Goddess! by Kosuke Fujishima
Paradise Residence by Kosuke Fujishima
Persona 3 by Shuji Sogabe
Princess Jellyfish by Akiko Higashimura
Prison School by Akira Hiramoto
Revolutionary Girl Utena by Chiho Saito
Seihou Boys’ High School by Kaneyoshi Izumi
Strawberry-chan by Ai Morinaga
Sunshine Sketch by Ume Aoki
Tenshi Ja Nai!! by Takako Shigematsu.
Vampire Knight by Matsuri Hino
Venus in Love by Yuki Nakaji
Yu-Gi-Oh! GX by Naoyuki Kageyama

The above list is by no means exhaustive, but it does include the favorites that were mentioned as well as some more well-known examples. (And some lesser-known examples, too.) I tried, I think successfully, to show a range of different genres and types of stories, so there should hopefully be a little bit of something for everyone. Thank you to all of the participants in the giveaway who shared some of your favorite manga with me! I hope to see you all again for the next one.

My Week in Manga: May 23-May 29, 2016

May 30, 2016 by Ash Brown

My News and Reviews

Last week, I was rather preoccupied with my move. The rest of the family and I are now successfully living in the new house, but we aren’t through with moving and there’s still plenty left to do. However, amidst all of the chaos, I was able to post this month’s manga giveaway and there’s still time to enter for a chance to win a copy of Paradise Residence, Volume 1 by Kosuke Fujishima. (The winner will be announced on Wednesday.) Although I wasn’t online much at all last week, there were still a few things that I heard about. Digital Manga announced a new imprint, PeCChi, which will focus on ecchi manga of various types, starting with The Secret Devil-chan by Emu as well as Me and the Impish Devil by Hideaki Yoshikawa. Digital Manga’s most recent Kickstarter project will be released under the Pecchi imprint if it succeeds—Kaworu Watashiya’s controversial Kodomo no Jikan which was previously licensed by Seven Seas but never published. And, completely unrelated, the third part of “The Sparkling World of Shojo Manga,” which focuses on Riyoko Ikeda and The Rose of Versailles Manga, was recently posted at The Lobster Dance.

Quick Takes

Fairy Girls, Volume 1 by Boku. Hiro Mashima’s Fairy Tail has inspired a fair number of spinoff manga and adaptations, several of which have been released in English relatively recently. Fairy Girls, featuring four of the most popular female characters from the Fairy Tail guild—Erza, Juvia, Lucy, and Wendy—is one such spinoff. The series takes place immediately following the Grand Magic Games arc in the original series, but for the most part doesn’t actually require the reader to know much at all about Fairy Tail to follow along. Actually, those who are familiar with Fairy Tail and love these characters might end up more frustrated than not with Boku’s version. Fairy Girls almost reads like an unfunny parody, but I don’t think that was at all the intention. I wanted to like the manga much more than I actually did seeing as the basic premise had such promise. Many of the women in Fairy Tail are great characters, but in Fairy Girls they come across as extremely shallow versions of their true selves. The fanservice in Fairy Girls is somewhat odd, too. Without going back to check the entire volume page-by-page, I believe Boku has managed to completely avoid any panty shots (almost conspicuously so) but the manga does frequently seem to be fairly boob-focused.

LDK, Volume 2 by Ayu Watanabe. I know a few people who really enjoy LDK and so I want to like it, too, but at this point in the series I find it to be more infuriating than anything else. Maybe the manga gets better as it goes along, but I can’t say that I’m particularly interested in finding out since there is very little about the first two volumes that I actually enjoyed. Probably my biggest issue with LDK is that the series’ leading man, Shusei, shows absolutely no respect for Aoi, the series’ heroine, despite supposedly having feelings for her. The second volume of LDK introduces a romantic rival who, likewise, doesn’t actually seem to care about Aoi’s feelings. And I still remain unconvinced that any of the people involved legitimately love or even like any of the others. I believe LDK is intended to be a romantic comedy, but it just doesn’t seem to work as one for me, probably because the characters have failed to win me over. Even though some of the scenarios and situations in LDK are admittedly ridiculous and over-the-top (though not especially original), for whatever reason the humor just isn’t very funny as a whole and the balance between it and the manga’s more serious aspects is off.

Tramps Like Us, Volumes 6-9 by Yayoi Ogawa. As the series progresses, the basic premise of Tramps Like Us doesn’t really become any easier to explain without making it sound stranger than it is. Takeshi Gouda is a brilliant dancer trained in classical ballet who is trying to break into modern dance, but he is also Momo, the pet of Sumire Iwaya, a successful journalist who is under a lot of stress in both her love life and career. Their relationship is a very complicated and curious one but it’s very important to them both, which is why it’s concerning for them when it begins to change and they slowly begin to realize that their feelings for each other are less platonic and more romantic. Occasionally Tramps Like Us does feel a little directionless in these particular volumes, as though Ogawa is starting to lose narrative focus or trying to stretch the series longer than it necessarily needs to be. Some of the more stand-alone chapters, while still enjoyable, tend to come across as filler or bonus manga rather than being crucial to the story proper. Even so, I love the characters of Tramps Like Us (Sumire, Iwaya, and all the others) so am glad to be able to spend as much time as I can with them. I am enjoying Tramps Like Us immensely and look forward to reading the final third of the series.

Pick of the Week: Orange Supreme

May 30, 2016 by Sean Gaffney, Michelle Smith, Ash Brown, Anna N and MJ Leave a Comment

SEAN: Amidst what I suspect will be a sea of orange, I’m going to once again praise Shigeru Mizuki and recommend The Birth of Kitaro as my pick of the week. Like most Kitaro readers, I read this for Nezumi Otoko, who is amazingly awful in the best way. You too will believe a smelly yokai in a cloak will bilk rich frail men out of their life savings.

MICHELLE: I’m super grateful for the Kitaro, but honestly, my heart belongs to orange all the way. I’ve been waiting for this volume fairly desperately.

ASH: Wow, this is a tough week for me to choose just one release! The two manga I’ve narrowed it down to have both already been mentioned, as well—The Birth of Kitaro and orange. In the end, though, I think I’m going to have to go with Sean and pick the debut of the new Kitaro series in English. I was impressed by the first orange omnibus but am uncertain which direction the rest of the series might take while I already know that I love Kitaro.

ANNA: I’m going to go with orange too, even though I haven’t read the first volume yet, I’m sure future me would travel back in time to tell me to go with the second volume for pick of the week.

MJ: Like Anna, though I haven’t yet read the first volume of orange, I feel confident, based on the amount of chiding I’ve received for this failure, that it would absolutely be my pick. So I’m going with it.

Manga the Week of 6/1

May 26, 2016 by Sean Gaffney, Michelle Smith, Ash Brown, Anna N and MJ 1 Comment

SEAN: It’s a 5th week in may this June 1st, but unlike most 5th weeks there’s a lot coming out.

Drawn and Quarterly begins its series devoted to Shigeru Mizuki’s most iconic creation, Kitaro. They released a sampler a few years back, but this is a new multi-volume series that gives us the best Kitaro stories ever, as chosen by D&Q and approved by Mizuki himself before his death. I’ve reviewed it already, and it’s a must-read. Kid-friendly too, provided they’re OK with horror.

MICHELLE: Hmm…

ASH: I am thrilled we are getting more of Kitaro! The yokai activities in the back of the book are great, too.

SEAN: Two series from Kodansha wrap up. The first is the busily titled Persona Q: Shadow of the Labyrinth Side P3, with its 2nd and final volume.

The second is one I care about more, the 7th and final volume of A Silent Voice. Will our two leads reconcile with their friends? Will there finally be romance, or does that even matter? And how do you live on after seemingly destroying everything? Find out here.

ASH: This series has impressed me from the very beginning, I’m very curious to see how it ends.

SEAN: Yamada-kun and the Seven Witches now has more volumes than witches with Vol. 8.

Seven Seas has several new releases, starting with the third volume of A Certain Scientific Accelerator, which has another Misaka clone needing to be rescued. They tend to get kidnapped a lot.

Franken Fran has its 2nd omnibus, featuring more humor, more horror, and more skeevy covers putting off North American readers from enjoying the humor and horror. But honestly, doing new covers and upsetting the hardcore otaku would also put readers off. No win?

MICHELLE: You know you’ve been thinking too much about Neko Atsume when you accidentally read this title as ‘Sassy Fran.’

SEAN: Non Non Biyori’s 4th volume continues to show us how, in a small country village, nothing ever, ever happens.

And we get the 2nd and final volume of orange, whose adaptation starts this summer I greatly enjoyed the first volume, and can’t wait to see how it turns out. Will history be changed?

MICHELLE: I have been waiting for this for so long!

ASH: As have I! The first orange omnibus is one of my favorite releases of the year, I’m hoping the second won’t disappoint.

ANNA: I can see I should actually read the first volume of orange!

MJ: I have heard from everyone that I need to be reading this. So I need to be reading this.

MICHELLE: Forsooth!

SEAN: Vertical has the 2nd Seraph of the End novel.

And Yen Digital has several series getting new volumes. The final volume of Renaissance Eve, and new volumes for Aphorism, Crimson Prince, Grim Reaper and Four Girlfriends, Little Witch’s Collier, and Sekirei.

Lotsa interesting stuff here. What’s for you?

Manga Giveaway: Paradise Residence Giveaway

May 25, 2016 by Ash Brown

The end of May is almost here. I’m very aware of this fact since my family’s goal is to be completely moved in, or at least living in, the new house by the end of the month. So this last week of May is crunch time and I’m rather preoccupied, but there’s no way that I could forget this month’s manga giveaway! This time you’ll all have a chance to win Paradise Residence, Volume 1 by Kosuke Fujishima as published in English by Kodansha Comics, which means that the manga also includes Volume 0 as bonus material. And, as always, the giveaway is open worldwide!

As mentioned above, I’m currently in the process of moving. There’s been so much cleaning, painting, packing, unpacking, yard work, general maintenance, repairs and such going on that I’ve been keeping very busy. It’s also making me a little nostalgic for the days when I lived in dorms and cooperatives where most of that work wasn’t my responsibility (except for that one year I served as the maintenance manager for a 30-person household). Boarding schools and dormitories aren’t terribly uncommon when it comes to manga and in some series they even end up as one of the primary settings. With that many people living together in one place, there is plenty of opportunity for all sorts of antics and other drama to ensue. In addition to Paradise Residence, Yukie Nasu’s Here Is Greenwood immediately comes to mind as another example, as does the communal apartment in Akiko Higashimura’s Princess Jellyfish even though it’s not associated with a school.

So, you may be wondering, how can you win a copy of Paradise Residence, Volume 1?

1) In the comments below, tell me a little about one of your favorite manga that takes place in a dorm or other communal living arrangement. (If you don’t have a favorite, or haven’t read any, simply mention that.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

Pretty easy, right? Participants have one week to submit comments and can earn up to two entries for this giveaway. Comments can also be sent to me at phoenixterran(at)gmail(dot)com if needed or if preferred. I will then post the entries in the comments here in your name. The winner of the giveaway will be randomly selected and announced on June 1, 2016. Good luck! (And now back to moving!)

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Paradise Residence Giveaway Winner

My Week in Manga: May 16-May 22, 2016

May 23, 2016 by Ash Brown

My News and Reviews

I ended up posting it a little later than I really intended, but my random musings on TCAF 2016 are now available to read. Although I didn’t make it to as many panels this year, I still had a great time and really enjoyed myself. I haven’t had a chance to listen to the audio yet, but I was also happy to discover that some of the panels that I missed The Sparkling World of Shojo Manga. In licensing news, Yen Press has picked up both the light novels and the manga for Death March to the Parallel World Rhapsody and Konosuba. Princess Jellyfish has been doing well enough for Kodansha Comics that the publisher is considering releasing more josei and seinen. In the meantime, expect to see more additions to the Attack on Titan franchise in English from Kodansha as well as Shuzo Oshimi’s manga Happiness. Also, Vertical Comics will be releasing Chihiro Ishizuka’s manga series Flying Witch.

Quick Takes

Attack on Titan: Before the Fall, Volume 7 written by Ryo Suzukaze and illustrated by Satoshi Shiki. I missed reading a few volumes of the Before the Fall manga, but I have read the original novel that it was based on so I didn’t expect that I would have much trouble picking the series up again. However, I think that the manga might actually be expanding on some of the material of the original, because I don’t recall things playing out exactly in the same way as they are in the manga. Or it could just be that it’s been so long since I’ve read the novel that I’ve managed to forget major plot points. Either way, I do like the way that Before the Fall expands the worldbuilding of Attack on Titan and how the prequel emphasizes some of the scientific and technological advances that are needed to make the main series work. Basically, the main character, in addition to having the requisite tragic backstory, is a test pilot (if that’s the right word) for what will eventually become the Vertical Maneuvering Equipment. A significant portion of the seventh volume of the Before the Fall manga is actually devoted to a field test which, like most encounters with the Titans, ist fraught with danger, disaster, and potential death.

Dicebox, Volume 1: Wander by Jenn Manley Lee. I discovered Lee’s ongoing comic Dicebox a couple of years ago while reading Comics: A Global History, 1968 to the Present where it was briefly mentioned. It piqued my interest so I thought I would give Wander, the first book out of four planned volumes (the second book is currently being serialized online), a try. I suspected that Dicebox would probably be a comic I would enjoy, but I didn’t expect that I would become so invested in the characters by the end of the first volume. Wander is almost completely driven by the characters and their relationships—the dramatic story boiling under the surface doesn’t become obvious until the final few chapters. Dicebox follows the lives of Molly and Griffin, two itinerant blue-collar workers moving from one job to the next, from one planet to the next. Molly tends to be fairly well liked, but Griffin, well she tends to piss people off, sometimes intentionally and sometimes not. Eventually it’s revealed that one of the reasons that Molly puts up with Griffin is that they are married. Dicebox is incredibly well-realized near-future science fiction. It’s also undeniably queer, and quite possibly has the widest representation of the variance of human gender and sexuality that I’ve ever come across in a single work of fiction, comic or otherwise. I’m loving Dicebox and definitely plan on reading more of the series.

Ninja Slayer Kills!, Volume 2 by Koutarou Sekine. I can’t say that I was overly impressed by the first volume of Ninja Slayer Kills and I really wasn’t planning on following the series, but I ended up with a review copy of the second volume, so I figured I might as well give it a try. I am admittedly surprised, but I enjoyed the second volume much more than the first. Almost the entirety of the second volume is devoted to a flashback, which is easy to miss unless close attention is paid to the manga’s prefatory material. Some of my complaints about the manga remain the same—for a series that is so focused on fight scenes and mayhem, the action can be frustratingly difficult to follow—but other aspects have improved. For one, there is absolutely no mistaking at least one of the character designs. Agony visually looks something like a highly-sexualized version of Pinhead from Hellraiser, complete with an enormous crotch-bulge sprouting numerous needles. The design is more disturbing than sexy, but it is memorable. Ninja Slayer Kills is all about being as over-the-top as possible, often reading like an in-your-face parody. It’s deliberately absurd and ridiculously violent, intentionally making heavy use of cyberpunk ninja tropes taken to their extremes.