Days on Fes, Vol. 1 | By Kanato Oka | Yen Press A manga about the joys of music festivals is something we’ve seen before, but usually it’s from the perspective of the band playing onstage. This new title is devoted to the happiness found in being a concertgoer at these festivals, told from the perspective of two high school girls—one a festival veteran, the other a newbie—and the veteran’s older brother, who runs a cafe, and his friend/employee, who is… Eeyore, frankly. Aside from the fun festival stuff, including an impromptu fashion show the girls give us, I was left wondering if this is a BL or yuri manga—the two guys, especially, given off a very couple vibe without actually being one. I’ll definitely be reading the next volume. – Sean Gaffney
Haikyu!!, Vol. 43 | By Haruichi Furudate | VIZ Media – I originally thought I wanted to see Haikyu!! end with Karasuno triumphing at the National Tournament. Furudate-sensei doesn’t go that route, though, and this volume in particular proves why that was absolutely the right choice. After two years in Brazil honing his skills playing beach volleyball, Hinata returns to Japan and joins a pro team (alongside some familiar faces) in the top tier of Japan’s volleyball league. This volume finds him facing off against Kageyama (and some familiar faces) for the first time since middle school, with even more familiar faces among the spectators. We needed this final arc to see how good Hinata has become, how it’s become clear even to those who once doubted him that he is a very valuable player even without Kageyama by his side. The best part, though, is the obvious respect Kageyama has for Hinata. They’ve grown in so many ways. Sniff. – Michelle Smith
Komi Can’t Communicate, Vol. 12 | By Tomohito Oda | Viz Media – The majority of this book is about the summer break from school, and attempts of the group to go to the beach as a fun activity. The difficulty is that Najimi ends up not going, so the rest of the cast, who rely on Najimi to be so over-the-top extroverted that they drag everyone else with them, is feeling awkwardly quiet. But once we get there we get a lot of fun in the sun. That said, we may be setting up an important plot point ahead, as in order to get rid of some unwanted guys hitting on her, Tadano says that he’s Manbagi’s boyfriend… something that afterwards she does not entirely seem to be opposed to. Are we headed for a love triangle? Still one of my favorite school comedies running right now. – Sean Gaffney
Satoko and Nada, Vol. 4 | By Yupechika | Seven Seas – The final volume of this story is mostly happy and heartwarming, though it can also be quite realistic—when their time together is up, Satoko and Nada go on to have separate lives, though the epilogue does show them meeting up again years later. Still, the impact they had on each other’s lives is astounding. As for the manga itself, it’s still showing off the differences between not only Japan and Saudi Arabia, but also both nations and America. Both women end up living strong, fulfilling lives, and you will be very happy to have watched part of it. This is one of my favorite pickups of the last few years, and at only four volumes it also would make a great gift set. – Sean Gaffney
Skip Beat!, Vol. 45 | By Yoshiki Nakamura | Viz Media – It feels like a dam has burst, reading this volume. The back half of the book contains some of the most amazing art in the entire series, with Kyoko literally running away from everything as fast as she can only to find Ren proving that he can run faster and confront her harder. That said, the front half of the book is also excellent—this series is now 45 volumes long, and has come a long way from a girl and her rage gremlins that surround her trying to get revenge, but it’s nice to know that whenever there’s a real problem, Ren can always turn to a giant chicken for advice. That said, she’s not a man, she’s a Kyoko Boo, so I’m on tenterhooks waiting for her response. Which, erm, is not scheduled by Viz yet, alas. – Sean Gaffney
Sleepy Princess in the Demon Castle, Vol. 14 | By Kagiji Kumanomata | Viz Media Throughout this series we’ve been wondering exactly why the human world is relying on doofuses like Braver to try to save the princess from her presumably horrible fate. OK, let’s be fair—no, we haven’t. We’ve been watching Syalis be a combination of evil gremlin, naive doofus, and teenager growing up. But it comes to mind in this new volume as her mother the Queen, running away from home after an argument with her husband, stays over for a bit with Syalis. We’ve met the Queen before, but it’s no surprise to find that she and her daughter are quite similar… or that the King is likely to be far less accommodating. Also, there’s that pesky human/demon war. Can these problems be solved? – Sean Gaffney
Snow White with the Red Hair, Vol. 12 | By Sorata Akiduki | Viz Media – Well, so much for moving in together. After the last volume saw Zen and Shirayuki finally be able to be in the same building with each other, this new one sees Shirayuki being reassigned, meaning a long time away from Zen. Yes, Snow White with the Red Hair appears to be turning into a long-distance dedication. (Can we get fantasy Casey Kasem?) Oh yes, and the Queen, who apparently is allergic to being in the castle, has decided to abdicate in favor of the eldest son, which leads to a big ol’ ceremony and also the reintroduction of characters we thought might be gone, like Kiki’s wannabe fiancee. In any event, it appears we’re definitely headed for a new arc in the next book. – Sean Gaffney
What the Font?!: A Manga Guide to Western Typeface | By Kuniichi Ashiya | Seven Seas – While there doesn’t seem to be any shortage of manga with anthropomorphic characters, I can safely say that What the Font?! is the first I’ve come across featuring fonts personified, putting a literal face to typeface. Ostensibly, the story is about Marusu, a salesperson who has been put in charge of a proposal layout despite having no formal background in design or typography. But What the Font?! isn’t really about telling a story; it’s about providing Marusu (and by proxy the readers) a crash course in Western typefaces, their history, aesthetics, and uses. Most of the volume is presented as four-panel manga accompanied by informational tidbits. The humor isn’t always particularly funny or invigorating, but some of the jokes are quite memorable as Ashiya finds ways to successfully convey the characteristics of fonts through human personalities and behavior. What the Font?! is an accessible and frequently entertaining introduction to typography. – Ash Brown
