Ash Brown

Manga Giveaway: UQ Holder! Giveaway

February 25, 2015 by Ash Brown

Despite being the shortest month of the year, for me February always seems to stretch on forever. With that in mind, I thought it oddly appropriate to offer for this month’s giveaway a manga that features immortals. Specifically, this month you will all have the chance to enter for a chance to win the first volume of Ken Akamatsu’s most recent series UQ Holder!, a sequel of sorts to his manga Negima!: Magister Negi Magi, as published in English by Kodansha Comics. (Don’t worry if you’ve never read Negima!, UQ Holder! can be easily read on its own.) As always, the giveaway is open worldwide!

At this point it’s probably not much of a secret that I enjoy manga about immortals and the consequences of immortality. Hiroaki Samura’s Blade of the Immortal was one of the very first manga that I read and it continues to be a favorite. (It was even the focus of my first monthly manga review project.) More recently, manga series like Ken Akamatsu’s UQ Holder! and Tsuina Miura and Gamon Sakurai’s Ajin: Demi-Human have caught my attention specifically because immortals are involved. Granted, there are other elements in both of those series that intrigue and appeal to me as well. When it comes to immortals, UQ Holder! is interesting in that it features a variety of characters with different types of immortality; most series I’ve read tend to stick to just one.

So, you may be wondering, how can you win a copy of UQ Holder!, Volume 1?

1) In the comments below, tell me a little about your favorite immortal from a manga. (Never encountered an immortal in your manga reading? Simply mention that instead.)
2) For a second entry, name a manga featuring immortals that hasn’t yet been mentioned by me or by someone else in the comments.
3) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

It’s as easy as that. Each person is able to earn up to three entries for this giveaway and has one week to submit comments. Giveaway entries can also be emailed to be directly at phoenixterran(at)gmail(dot)com. (I will then post your comments here in your name.) The giveaway winner will be randomly selected and announced on March 4, 2015.

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: UQ Holder! Giveaway Winner

Pick of the Week: All JoJo, all the time

February 23, 2015 by Michelle Smith, Ash Brown, Anna N, Sean Gaffney and MJ 1 Comment

MICHELLE: I’m sorry to say I’m not interested in much from this week’s list of releases. However, I am quite interested in the deluxe hardcover edition of JoJo’s Bizarre Adventure, with new color art and stuff! I haven’t read this classic series (for shame!) so this is a good place to start.

ASH: JooooooJoooooo!

ANNA: JoJo is the clear pick of the week for me!

SEAN: It’s absolutely a JoJo’s week, yes. I never did read the volumes Viz published years ago as it didn’t start at the beginning and I was that sort of person. Now I can rejoice at seeing all the Dio memes for the first time in their proper context. Also, how can you not love a series with someone named Robert Edward O. Speedwagon?

MJ: I was sold even before the REO Speedwagon reference, but that obviously cemented it. JoJo all the way.

What looks good to you this week?

My Week in Manga: February 16-February 22, 2015

February 23, 2015 by Ash Brown

My News and Reviews

Happy (belated) Chinese New Year, everyone! It’s already been a busy season for me with multiple lion dance and taiko performances for the lunar new year over the last few days (with more to come!), but was I still able to get some reading and writing in, too. Last week was another two-review week at Experiments in Manga, except this time both in-depth reviews were actually of manga. First up was my review of Ken Niimura’s collection of short manga Henshin, which I enjoyed immensely. Niimura is actually a Spanish artist, but Henshin was first released online by the now sadly departed Ikki manga magazine. The second review was of Gamon Sakurai’s Ajin: Demi-Human, Volume 2. I had enjoyed the first volume, but things are starting to get really good with the second. Hopefully the trend continues.

So, earlier this year I wrote a quick take of Under the Sign of Capricorn, the first release in the new English-language edition of Hugo Pratt’s Corto Maltese comics. Much to my surprise, I ended up getting a brief mention in an Italian article about Americans’ responses to the comic. (I’ll admit, that was pretty cool.) Elsewhere online, Vertical’s survey for recommendations for Spring 2016 manga licenses is currently underway. Viz Media announced two new manga licenses of its own: Eiichi Shimizu and Tomohiro Shimoguchi’s Ultraman and Kohei Horikoshi’s My Hero Academia. And speaking of Viz, Hope Donovan, one of the publisher’s manga editors, was interviewed over at Panels. I also want to mention Purity, a new Kickstarter project featuring some fantastic creators. Described as a “post-yaoi anthology,” it’s a collection of comics from artists whose work has been influenced in some way by the boys’ love genre.

Quick Takes

Battle Angel Alita: Last Order, Omnibus 5 (equivalent to Volumes 13-15) by Yukito Kishiro. First of all, I just want to say that I absolutely love the cover of this omnibus; the Space Karate team as a group of rock stars is just about perfect. This may also very well be my favorite installment of Last Order that I’ve read so far. It features epic, over-the-top battles and action as well as some additional backstory. In particular, more about Zazie is revealed. Also, Sechs (who is still one of the characters I like best) plays a major role and gets to be a badass in addition to being an occasional source of comic relief. Although the styles of martial arts in Last Order are fictional, I appreciate that Kishiro actually incorporates small kernels of traditional teachings to create the super-evolved combat forms found in the series. The Space Karate team is prominently featured in this omnibus. As a karateka myself, I get a kick out of the characters and I particularly enjoyed seeing the progression of their tournament fights. Kishiro’s cyborgs and genetically modified creatures allow for some pretty incredible and entertaining combat feats and techniques that otherwise would be impossible.

Food Wars!: Shokugeki no Soma, Volumes 2-4 written by Yuto Tsukuda and illustrated by Shun Saeki. While the fanservice certainly hasn’t disappeared from Food Wars!, each volume seems to tone down the overly sexually suggestive imagery a little more. Personally, I generally found the over-the-top reaction shots amusing rather than offensive. They’re becoming more and more ridiculous and absurd, however they may still present a barrier for some people. But to the creators’ credit, at least there’s eye-candy in Food Wars! for all sorts of readers–nudity and bare skin isn’t limited to just one gender. And then there’s the eye-candy for the foodies, too; the dishes in the series are gorgeously drawn. Saeki’s artwork in Food Wars! really is one of the highlights of the series. I’m liking the characters and their designs as well. Plenty more have been introduced in these volumes, all with their own personality quirks and culinary specialties. Which, of course, presents plenty of opportunities for some fantastically epic battles and competition in the kitchen. I also like that Soma isn’t the only student at Totsuki Institute who doesn’t come from a rich, high-class background.

Restart by Shoko Hidaka. Since I’m loving Hidaka’s ongoing series Blue Morning, I figured that I should probably look into her other boys’ love manga that have been released in English. Restart is a collection of manga that includes some of her earliest professional work, including the titular “Restart”–her first story to be published in a magazine. Most of the stories follow Tadashi and Aki, two male models who end up in a relationship with each other. Tadashi is the older and more experienced professional of the two, but his popularity is fading while Aki’s star begins to rise, which understandably causes some tension and frustration. A tangentially related story features a fashion photographer and another young model who has yet to really break into the industry. The other short manga shares no connection with the others. It’s about a college student who was never able to confess his feelings because the young man he was in love with went missing. However, over time he finds himself growing closer to his crush’s younger brother. Perhaps unsurprisingly, I didn’t find Restart to be as compelling overall as Blue Morning but even Hidaka’s early manga exhibit solid story-telling and well-developed characters.

Ajin: Demi-Human, Vol. 2

February 20, 2015 by Ash Brown

Creator: Gamon Sakurai
U.S. publisher: Vertical
ISBN: 9781939130853
Released: December 2014
Original release: 2013

I tend to enjoy darker-toned stories about immortals, so I wasn’t particularly surprised that I enjoyed the first volume of Ajin: Demi-Human. The manga series was conceived of by writer Tsuina Miura and artist Gamon Sakurai, but by the second volume it appears as though Sakurai has taken over the story of Ajin as well. (Although, it should be noted that Miura and Sakurai’s pilot chapter for Ajin, “The Shinya Nakamura Incident,” is also included in the series’ second volume.) Ajin: Demi-Human, Volume 2 was originally published in Japan in 2013 while the English-language edition of the manga was released by Vertical at the end of 2014. The first volume of the series established an intriguing premise—immortal beings, considered to be less than human, who are persecuted and subjected to cruel experiments—as well as an exceptionally dark atmosphere, and so I was particularly interested in seeing where Sakurai would take the story next.

Kei is on the run. Recently discovered to be an immortal demi-human—only the third to have been officially confirmed to exist in Japan—he is trying to avoid capture by the Demi-Human Control Commission and hoping to find allies in other immortals. When he is contacted by two rogue demi-humans, Sato (also known as “Hat”) and Tanaka, it seems as though Kei’s hopes have been answered, except for the small matter of the two men having taken his sister hostage. But with a little bit of effort and some unexpected theatrics, Sato is able to readily explain away the kidnapping and even manages to earn Kei’s trust in the process. Though Kei is unaware of it at the time, that misplaced trust will have severe repercussions for him. Sato and Tanaka are very interested in the young man. Not only is he a demi-human, just like the two of them Kei is a variant immortal capable of manifesting and controlling a black ghost. However, it is a power that he has yet to understand or to completely control.

Despite being a large focus of the first two volumes of Ajin and around whom much of the manga’s plot revolves, currently Kei is actually one of the least compelling characters in the series. The people and events surrounding Kei tend to be much more engaging. Sato in particular is a tremendous presence. It is easy to see why he instills such fear among those in the Demi-Human Control Commission—he cannot be controlled. Sato is a coldly calculating and ruthless strategist with extraordinary combat skills and the ability to manipulate both the people around him and the situations in which he finds himself. He is terrifyingly effective in the execution of his plans. At this point only some of those plans have been completely revealed, but it is obvious that Sato is willing to sacrifice anyone in order to accomplish them. In comparison, Kei seems to be incredibly weak-willed and naive, lacking a strong sense of self. Granted, almost anyone would when compared to Sato, but it’s also somewhat understandable since Kei’s entire worldview has been shattered. With his new-found immortality, he is still trying to understand who he is.

Ajin is a very dark and violent manga. The experiments carried out on the demi-humans are brutal and cruel. Generally, the most graphic moments are implied rather than seen, but that makes the torture no less disturbing. Demi-humans, especially those controlling black ghosts, are more than capable of fighting back, though. For example, Sato’s repeated attacks on research facilities associated with the Demi-Human Control Commission and his complete disregard for life are astonishing. Sakurai’s artwork is particularly effective during action sequences, of which there are plenty in the second volume of Ajin. The second volume also addresses some of the social issues surrounding demi-humans, in particular the fact that not everyone feels that demi-humans should be discriminated against just because they happen to be immortal. So far, Sakurai has been able to strike a good balance between the series’ intense action and horror and its exploration of deeper moral and ethical concerns. I’m certainly looking forward to seeing how the series continues to develop.

Manga the Week of 2/25

February 19, 2015 by Sean Gaffney, Ash Brown, Michelle Smith, Anna N and MJ 1 Comment

SEAN: A fairly sedate last week of the month. Not much from Yen this month, oddly. What will we have to talk about—

DIO: HA! You thought this would be Manga the Week of, but it is I, Dio!

SEAN: Oh right.

Before we get to that, Dark Horse has a very interesting new title coming out: Seraphim 266613336 Wings. A collaboration between Mamoru Oshii and Satoshi Kon, I can only imagine how strange this is going to be. But also highly anticipated.

ASH: I know I’m looking forward to it!

SEAN: Kodansha has a 33rd Air Gear, which continues to be the model all other fanservice-laden roller blade manga aspire to be.

There’s the debut of Maria the Virgin Witch, which would surely have gotten more attention from me if it weren’t surrounded by Kon and Dio. The plot does not interest me, the fact that this is by the author of Moyasimon does.

ASH: That’s what interests me most, too, though I have been hearing good things about the series.

SEAN: And one of my favorite lost causes, The Wallflower, has its 34th volume. I believe the ending is actually coming soon!

This has been out digitally since September, when I think I featured it here, but man, it deserves to be featured again. One of the most influential, over the top manga of the 20th century, we’ve seen its 3rd arc here before, but now you can see it again for the first time, in deluxe hardcover edition. I refer, of course, to JoJo’s Bizarre Adventure, and trust me, that title is not kidding around.

ASH: I am so excited for this!!

MICHELLE: I have to admit I have never read JoJo’s, even though I’ve had the first three volumes (or, rather, the first three volumes of whatever segment of the series VIZ released) for quite a while. Maybe I would love it.

ANNA: I liked it a ton. The hardcover release is very nice, and I enjoyed all the punching, blood, and references to Aztec sacrificial practices. Also, more punching!

MJ: This seems to be the only title on the list I’m really interested in this week, but I’m *really* interested.

SEAN: One of Yen On’s February releases had to be delayed, so the sole light novel this week is the 2nd A Certain Magical Index. I should mention… it has vampires! Well, sort of. Anti-vampires. Ish?

The 2nd Ani-Imo is out, and I suspect will continue to be as edgy as the first one was. A reminder: technically shoujo manga.

There’s also a 3rd Barakamon, which is also out digitally as of this volume, for those who love digital and were bummed it wasn’t available before.

I keep wishing BTOOOM! Added a new O for every volume it gets to, but to no avail, even at Vol. 9.

MICHELLE: Ugh. I didn’t set out wanting to say “ugh” about BTOOOM!, but now that is my reflexive reaction.

SEAN: The first volume of Gou-dere Sora Nagihara was so over the top in terms of its comedy, fanservice, and general attempts to offend that I’m almost tempted to read this second volume to see if it can keep up the pace. Almost. But not quite.

High School DxD has a 4th volume. I wonder if I’d enjoy it more if the light novel were licensed?

Lastly, we have the final volume of Judge, but don’t worry, more animal-headed survival games are coming soon.

Assuming you’re doing the obvious, what else are you buying besides JoJo’s this week?

ANNA: How could anyone want to NOT buy JoJo’s, is the question!

Henshin

February 18, 2015 by Ash Brown

Creator: J. M. Ken Niimura
U.S. publisher: Image Comics
ISBN: 9781632152428
Released: January 2015
Original release: 2014

J. M. Ken Niimura is probably best known for his collaboration as an illustrator with writer Joe Kelly on I Kill Giants, an award-winning American comic that was completed in 2008. Among many other honors, the work earned Niimura and Kelly the top International Manga Award in 2012. A Spanish artist of Japanese descent, Niimura currently lives and works in Tokyo. Henshin is his first major Japanese publication. The collection includes thirteen short manga that were originally released online between 2013 and 2014 on the website for Ikki, a magazine that has been the home to some of my favorite mangaka, before finally being collected into a single volume. (An interesting sidenote: I Kill Giants was also published in Japan by Ikki Comix.) Henshin was subsequently released in Spanish in 2014 by Norma Editorial and in English by Image Comics in 2015. Out of the three print releases of Henshin, the English-language edition has the largest trim size.

The manga collected in Henshin are short, anywhere from twelve to twenty-eight pages in length. Although there are a variety of genres and styles, the stories generally fall into one of two broad categories: those that are semi-autobiographical, focusing on either Niimura’s creative processes or his love of cats, and those that are fictional narratives largely set in or near Tokyo or otherwise featuring Tokyoites. For the most part, the individual manga are unrelated and stand perfectly well on their own, but the first and last stories do share the same lead characters and there is a running episodic story about Niimura and a cat that lives near his apartment. Henshin includes slice-of-life manga, as well as manga with science fiction and fantasy elements, pieces infused with nostalgia, family and friends, pieces where loneliness and missed connections predominate, stories with a bit of humor, and stories with a bit of sadness.

Although the manga in Henshin are all different, they do share some thematic and narrative similarities. The first story, “No Good,” perfectly captures the tone of the volume as a whole. It starts out as a seemingly innocent tale but it suddenly shifts into something completely unexpected and outlandish. Most of the stories in Henshin have some sort of twist to them that require the reader to reconsider and reevaluate everything that has come before. Those surprising plot developments may be humorous, touching, absurd, disconcerting, or even morbid, in any combination. In Japanese, “henshin” means transformation, metamorphosis, or change, which is exactly what the stories collected in the volume have to offer—pivotal moments in which all of a sudden things are no longer the same, demanding a new and different understanding of reality.

Niimura exhibits a range of art styles in Henshin, drawing influence from Asian, European, and American comics traditions. Some of the illustrations are simple caricatures while others are more detailed or involved, some even reminiscent of classic ink wash paintings. The artwork in each of the short manga is tailored to fit the specific story and its mood, but in every case Niimura’s illustrations show impressive narrative strength. In general, Henshin uses minimal text and dialogue—one manga is even completely wordless—relying on the artwork (which performs magnificently) to actively aid in the telling of the stories. Henshin is an excellent and rather delightful collection of charming and quirky short manga that, in all of its strangeness and occasional absurdity, remains emotionally relevant and carries an impact. I enjoyed Henshin immensely and hope to have the opportunity to read more of Niimura’s comics and manga in the future.

Pick of the Week: Meh?

February 16, 2015 by Sean Gaffney, Michelle Smith, Ash Brown, Anna N and MJ 6 Comments

SEAN: Given that most of this weeks’ titles fill me with apathy, even the ones I actually follow (I blame the endless winter here in the Northeast), I’ll give my pick of the week to the one I’m looking forward to the most: Lucifer & The Biscuit Hammer. The first omnibus was such a great combination of cynical nihilism and action-adventure, and while I hope our hero and heroine snap out of their ‘destroy the world’ motivation, I do also hope it takes them a while.

MICHELLE: The only manga release to excite me this week is the digital debut of Boys Over Flowers: Season Two, and even that is tinged with trepidation. But I see chapter one is up now, so I shall marshal my courage and forge ahead.

ASH: I think I’m with Sean this week. I didn’t really know what to expect from the first omnibus of Lucifer and the Biscuit Hammer, but I liked its quirkiness and at times it could be surprisingly dark. If I’m going to be honest, I’m still not entirely sure what to expect from the series, but I’m looking forward to finding out.

ANNA: I’m going to have to throw in with Michelle and go for Boys Over Flowers since that is for sure the thing I am most interested in this week. I hope we see more digital shoujo releases!

MJ: I… man, I got nothin’ this week. Nothing at all. So I will take this moment to point out that Sparkler Monthly has put Off*Beat and Gauntlet on sale for Valentine’s Day—20% off their deluxe paperback sets! Sale expires on Thursday! Other than that… I got nothin’. Any suggestions from our readership?

What looks good to you this week?

My Week in Manga: February 9-February 15, 2015

February 16, 2015 by Ash Brown

My News and Reviews

Last week was a two-review week here at Experiments in Manga. I read and loved Ellery Prime’s Gauntlet, the first novel to have both started and finished in Sparkler Monthly. I’m not sure the review really does the book justice–the story is difficult to write about without spoiling it–but Gauntlet is really good stuff. Ever since reading the novel, I haven’t been able to get it out of my head. (Coincidentally, both Gauntlet and Jen Lee Quick’s marvelous comic Off*Beat are currently on sale!) The second review posted last week was of Setona Mizushiro’s After School Nightmare, Volume 2. So far, the series remains a disconcerting but compelling work. The manga has a lot of dark, psychological drama, which I tend to enjoy, although that can also make it a difficult read from time to time. Many of the characters simply aren’t very nice people. The review is a part of my monthly horror manga review project; next month it will be Mushishi‘s turn again.

On to other interesting reading and news from elsewhere online! The Young Adult Library Services Association has released its 2015 Great Graphic Novels for Teens. The annual list is always worth a look. The manga for 2015 include All You Need is Kill, My Little Monster, My Love Story, Seraph of the End, Summer Wars, Voice Over! Seiyu Academy, Wolf Children: Ame & Yuki (the only manga included on the top ten list), and World Trigger. Over at Organization Anti-Social Geniuses, Laura from Heart of Manga provides The 2015 Shoujo Manga Forecast, a comprehensive overview of the shoujo manga that has so far been announced for this year, listed by publisher and expected release date. And on the Vertical Tumblr there is a post Reviewing the “Best Manga of 2011” from a licensing angle which I found to be particularly fascinating. Speaking of Vertical, three new licenses!–Seraph of the End light novels, Ninja Slayer manga, and KizuMonogatari.

Quick Takes

Air Gear, Volume 32 by Oh!Great. This is actually the first volume of Air Gear that I’ve ever read, and the only other manga by Oh!Great that I’ve been exposed to is the very beginning of Tenjo Tenge. From that limited experience, I expected there to be violence and a fair amount of fanservice in Air Gear, and there certainly is. Since I’m not particularly familiar with Air Gear, its plot, or its characters, unsurprisingly I was a bit lost reading the thirty-second volume. It didn’t help that Oh!Great’s use of flashbacks and flashforwards seems haphazard, making it difficult to maintain a firm grasp on the manga’s chronology, and therefore was not as effective as intended. There are only five more volumes in the series and even though I’m unaware of all of the details, it is quite obvious that there has been a tremendous buildup to reach the thirty-second. The volume concludes at least one major battle and leaves several important characters dead. Even though I wasn’t able to follow everything that was going on story-wise, I could still appreciate Oh!Great’s dynamic artwork (beginning with the stunning cover illustration) and the series’ over-the-top action. If nothing else, Oh!Great can draw.

Assassination Classroom, Volumes 1-2 by Yusei Matsui. The junior high students of class 3-E are the academic underachievers and juvenile delinquents whom no one else in the school wants to deal with, but they’re apparently also the only ones who have any chance of saving the world from being destroyed. The teens have less than a year to assassinate their teacher, a superpowered tentacle creature who plans on disintegrating the planet after their graduation. Although he has a few weaknesses, Koro Sensei is extremely powerful, impervious to most weapons, and able to move at Mach 20. A successful assassination will require a significant amount of creativity and teamwork. Surprisingly, even though he intends to destroy Earth, Koro Sensei is actually a great teacher who seems to genuinely care about his students, challenging them to better themselves and encouraging them not only in their studies but in their assassination attempts as well. Assassination Classroom is a strange but enjoyable series. 3-E is a class of losers and outcasts who, when given the opportunity and shown that someone actually believes in them, are able to overcome challenges even if they haven’t figured out a way to kill Koro Sensei yet.

From the New World, Volumes 6-7 written by Yusuke Kishi and illustrated by Toru Oikawa. The manga adaptation of From the New World frustrates me immensely. The story is fantastic, the setting intriguing, and the atmosphere incredibly dark. But overall the manga just isn’t very satisfying, suffering from tonal imbalance and uneven worldbuilding and plot development. Although there’s still some ridiculous fanservice–Saki’s breasts in particular are constantly being emphasized to the point of distraction–these volumes fortunately are mostly lacking in the explicit sex scenes found throughout the rest of the series that seem completely out-of-place and interrupt the narrative flow of the story. The final volume with its dramatic conclusion of the war between the morph rats and the humans, would have been one of the strongest in the series except for the fact that the last chapter, which serves as a lengthy epilogue, slightly fumbles what is perhaps the series’ biggest twist. Quite a few of the reveals in the final volumes likely would have been more powerful if they had been encountered earlier in the story. In the end, I still think what I really want is to read Kishi’s original novel.

Stones of Power by Isora Azumi. A few years ago I read and enjoyed the first quarter or so of Stones of Power when it was initially being serialized in the Gen anthology. The manga has since been collected into a single volume, including material that I believe hadn’t previously been released. Stones of Power is admittedly unpolished and its artwork fairly generic, but there are things I really like about the manga. It mixes the mundane with the supernatural in rather curious ways, especially in the beginning. Fujita is a young man with a passion for fish who ends up being hired to maintain the aquarium at a small cafe. That might not be a particularly strong hook for most readers, but I happen to really like fish and used to keep a tank of my own. It just so happens that the fish Fujita’s been put in charge of are actually dragon gods and the two siblings he works for are fox spirits. From there Stones of Power spins off into an increasingly strange and dangerous situation in which Fujita, who apparently has an unexpected affinity for the occult (or at least the dragons), is unwittingly dragged into a battle between the foxes and an ancient power that threatens the life of an innocent young girl.

After School Nightmare, Vol. 2

February 13, 2015 by Ash Brown

Creator: Setona Mizushiro
U.S. publisher: Go! Comi
ISBN: 9781933617176
Released: December 2006
Original release: 2005

The second volume of Setona Mizushiro’s After School Nightmare, a disconcerting shoujo manga series with dark psychological elements, was originally released in Japan in 2005. The English-language translation was published by Go! Comi in 2007. The entire ten-volume series is now out-of-print in English, but happily the individual manga can still be found relatively easily. I had initially read the first few volumes of After School Nightmare by borrowing them from a library before deciding to track down a set of my own. However, I never got around to reading the entire manga until now because, although the beginning of the series immediately captured my attention, the manga was honestly discomforting. The first volume introduces a surreal setting in which dreams can be just as terrifying and damaging as the realities from which the characters would like to escape. After School Nightmare is a manga that is both fantastically strange and oddly compelling.

Conflicted and confused over his gender due to having a body that is neither entirely male nor female, Mashiro has tried to keep his physical condition hidden from others by living his life as a boy, but now that closely kept secret is out. Every Thursday after school, he and a handful of other students participate in a special class required for their graduation. During the class they literally share a dream, or rather a nightmare, together. In the process their true selves are revealed to the other students, and so a few of Mashiro’s classmates have found out about his body. Within the dreams, Mashiro has fallen victim to the cruel Black Knight, another student whose identity he is unsure of but who he suspects may be Sou. In waking reality, Sou has forcibly kissed Mashiro, insisting that he is a girl and even going so far as to declare his love for him. It is not a situation that Mashiro is comfortable with and if he can get up the courage he intends to confront Sou, whether it be in the nightmare or outside of it.

Frankly, Sou is a jerk. He may be earnest in his feelings for Mashiro, and he’s at least started to try to reign in his aggressiveness, but he has yet to show Mashiro any sort of respect. I can’t like the guy because of the way he treats Mashiro, however I do still have some sympathy for him. Sou, like all of the other students in the special class, suffers greatly from emotional abuse and trauma. Still, that does not excuse his behavior towards Mashiro. Even so, he is positioned as one of Mashiro’s two potential romantic interests in After School Nightmare, the other being Kureha. Although she has made an exception and is currently dating Mashiro, she hates and despises men. Mashiro and Kureha generally get along, but their relationship isn’t as healthy as it could be, mostly but not entirely due to Mashiro’s continued insecurities over his gender. He seems to believe that his identity is defined and determined by the person he is intimate with. Because he’s desperate to be seen as a man, this calls into question whether or not he’s actually in love with Kureha, or if he’s simply dating her as a way to prove his masculinity.

The shared dreams in After School Nightmare are a way of forcing the students to face and work through the darkness that exists within their hearts and psyches. In theory, those nightmares are supposedly intended to be kept separate from reality, but the two worlds do have an effect on each other. The distorted forms the students take within the dreams can be terrifying, but what really makes them so disturbing are the troubling truths and dark pasts that they reveal. The pain, suffering, and hatred that is readily visible in the nightmares still exists and is present in their waking lives. Usually hidden, suppressed, or otherwise concealed, the prejudices that the students carry within them occasionally erupt violently. The skills and maturity needed to deal with these emotional, psychological, and physical disturbances are at least in part being developed within the dreams. In After School Nightmare, Volume 2, Mashiro begins to learn the importance and power of mental strength and fortitude, but both he and his classmates all still have room to learn and grow.

Manga the Week of 2/18

February 12, 2015 by Sean Gaffney, Ash Brown, Anna N, Michelle Smith and MJ 1 Comment

SEAN: A fairly subdued third week, with a lot of recurring series and one decidedly odd debut.

On the Kodansha side, Cage of Eden has another fanservice-tastic cover for its 17th volume, but hopefully will work in some more giant extinct animals and brushes with death as well.

And we get the final volume of over-the-top manga comedy Manga Dogs with Vol. 3.

Seven Seas has a fourth volume of Black Butl—sorry, of Devils & Realist. (Their plots aren’t all that alike, but they seem to share the same aesthetic.)

And we get a 2nd volume of superhero manga Lucifer & The Biscuit Hammer, with vols. 3 & 4. The end of the first omnibus got dark pretty fast – will we get new heroes?

ASH: I had no idea what to expect from the first omnibus, and I’m not sure where the second one will be going, but I’m rather enjoying the series’ quirkiness.

SEAN: Nurse Hitomi’s Monster Infirmary is a new Seven Seas series that looks to combine monsters from mythology and slapstick comedy. And given it runs in Comic Ryu, I expect a lot of fanservice as well.

Vertical has a 5th volume of shonen card-battle manga Cardfight!! Vanguard (the exclamation point placement is very important).

And a 3rd Witchcraft Works, with more witches and badass heroines.

ASH: Another delightfully quirky series that I’m enjoying. The artwork is quite nice, too.

SEAN: Lastly, Viz has a 5th volume of dystopian action series Gangsta.

ASH: I’m actually behind in reading Gangsta, but I’ll definitely be picking up the new volume.

ANNA: I think I missed the fourth volume! I do really enjoy this series and am looking forward to catching up.

SEAN: Are you watching out for something this week?

MICHELLE: I am sad to say that literally nothing on this list particularly appeals to me. But! All hope is not lost, for there is more Boys Over Flowers on the horizon and that makes me cautiously happy!

MJ: I am sad to say the same. And I’m probably more skeptical about the Boys Over Flowers than Michelle is, so even that fills me with “meh.”

SEAN: Boys Over Flowers… so much influence, so many volumes, so much “WHY?!?!”

MICHELLE: I admit it has many flaws, but I love it anyway. I’m afraid season two will really suck, but that won’t keep me from checking it out anyway.

ANNA: I am super excited for this!

Gauntlet

February 11, 2015 by Ash Brown

Author: Ellery Prime
Illustrator: T2A
Publisher: Chromatic Press
ISBN: 9780993861123
Released: December 2014

Although Ellery Prime has been writing for years, Gauntlet, illustrated by the talented T2A, is her first original novel to have been published. Gauntlet is also the first novel to have both started and finished in Chromatic Press’ multi-media online magazine Sparkler Monthly before being released in print. Gauntlet began serialization in the very first issue of Sparkler Monthly in 2013 and was completed in 2014, after which it was revised and complied into a single volume. The finalized version of Gauntlet also includes additional material not found elsewhere: “Square One,” a short prequel to the main story, as well as a few amusing yonkoma-style bonus comics. Gauntlet has been very accurately described as a “survival horror romance novel” by the publisher. I’m actually kind of glad that I waited to read Gauntlet until it had been finished; the number of twists and cliffhangers would have made the wait between chapters torturous.

Twenty-two-year-old Clio has recently moved to the big city. Embarking on her new life as a responsible, independent adult, Clio is largely enjoying living on her own. After three months she has grown more and more comfortable as a resident of the city and with finding her way around its streets and alleyways, but that all changes when she makes a wrong turn and puts her trust into the wrong people. Suddenly Clio finds herself a reluctant participant in a game of survival, trapped inside the Gauntlet–an incredible and expansive system of interconnected buildings at the heart of the city. Clio doesn’t even know the rules she should be following, nor does she know who is responsible for the game or why she was chosen as a participant. Each person she encounters in the Gauntlet has their own reasons for being there, and many are playing by their own rules. Clio may be in even more danger than she realizes. The other players she meets are just as likely to manipulate or betray her as they are to help her.

One of the things that makes Gauntlet particularly engaging and enthralling is its setting–the Gauntlet itself. The complex is logic-defying, a constantly changing labyrinth that presents very real survival concerns: finding food, clean water, and safe places to hide and rest, not to mention avoiding capture and falling into the hands or under the influence of people who, intentionally or not, mean harm. But the Gauntlet is also insidiously seductive. At first Clio desperately wants to find a way out and to escape, but there’s an underlying fear that she will lose her will to do so. Some people, perhaps most, never leave the Gauntlet after entering it even if they survive. Clio discovers many who are mindlessly shuffling through its halls and corridors as well as participants who have simply give up, content to be controlled by others. But most dangerous and terrifying are those people who have made deliberate, conscious decisions to remain within the Gauntlet’s depths.

The characters in Gauntlet are just as intriguing and complex as the novel’s setting. In the beginning Clio isn’t nearly as independent as she believes herself to be. Very early on she attaches herself to Britt, another young woman in the Gauntlet, which will have significant ramifications later on. Again and again Clio comes to rely on others and again and again she is taken advantage of by those very same people, all of whom have their own motivations and desires. But she grows and becomes stronger, impressively so. In some ways, Gauntlet feels like a dark homage to Lewis Carroll’s Wonderland–the Gauntlet and the people within it operate by their own logic with surprising, unexpected, and sometimes curious and peculiar results–and there are frequent nods to other stories and fairy tales as well. After finishing the novel, not only did I want more of Gauntlet, I also wanted to immediately read it again to see how all of its individual pieces fit together from the beginning. That, to me, is a sign of a great piece of fiction.

Pick of the Week: Magi & more

February 9, 2015 by Michelle Smith, Sean Gaffney, Anna N, Ash Brown and MJ 3 Comments

MICHELLE: While I really do enjoy Say I Love You. and look forward to its sixth volume, I’ve been in a more shounen-y mood lately, and so must pick (again, and probably not for the last time) volume ten of Magi, which is, like, an adventure saga with heart.

SEAN: As for me, I only get to do it twice a year, so I will pick the 25th Hayate the Combat Butler, which still makes me laugh an awful lot, thus fulfilling its function as a comedy, and also makes me like a girl that the hero is never going to end up with, thus fulfilling its function as a harem comedy.

ANNA: I will have to go with Say I Love You. I do enjoy this series, but I’m a few volumes behind. Time to stock up!

ASH: There are several manga being released this week that I’m interested in, all the way from A to Z. (Seriously, from Ajin to Ze.) But I’m actually going to go off list for my pick and choose Netcomics. Over the last few weeks, Netcomics has been releasing much its back catalog digitally for the Kindle–including Let Dai and Black-Winged Love, some of my personal favorites–making it even easier to get into Netcomics’ comics.

MJ: I will copy Ash this week, because really, Let Dai on Kindle? Be still my heart! Netcomics has started releasing some print volumes again recently, too. More about that here soon!

What looks good to you this week?

My Week in Manga: February 2-February 8, 2015

February 9, 2015 by Ash Brown

My News and Reviews

A small variety of posts went up at Experiments in Manga last week. First up, the Cinderalla manga giveaway winner was announced. The contest was a tie-in to the Female Goth Mangaka Carnival, so the post also includes a list of the featured creators’ manga available in English. The first in-depth manga review for February was Saki Nakagawa’s Attack on Titan: Junior High, a parody spinoff of the immensely popular Attack on Titan franchise. The series’ funniness can be somewhat uneven, but it can be absolutely hilarious at times. And posted over the weekend was January’s Bookshelf Overload, revealing the absurd amount of manga that came into my household last month.

Elsewhere online, Viz Media’s Shojo Beat announced two new licenses: QQ Sweeper by Kyousuke Motomi (the creator of Dengeki Daisy, which I rather enjoy) and Idol Dreams by Arina Tanemura. Organization Anti-Social Geniuses posted The Very Unofficial Guide to Discovering Manga in 2015, which is a nice overview of demographics, publishers, where to read and buy manga, and so on. Den of Geek has an interview with comics historian Graham Kolbeins, one of the editors behind Massive: Gay Erotic Manga and the Men Who Make It and The Passion of Gengoroh Tagame: The Master of Gay Erotic Manga. Finally, Otaku USA interviews Patrick Macias about Hypersonic Music Club, his collaboration with artist Hiroyuki Takahashi and the first of Crunchyroll Manga’s original series.

Quick Takes

Sky Link by Shiro Yamada. Like many boys’ love mangaka, before making her professional debut Yamada started by creating doujinshi (she seems to have been particularly fond of pairing Gintoki and Hijikata from Gin Tama together). Sky Link is Yamada’s first original manga and is currently the only work of hers available in English. The volume collects two unrelated boys’ love stories, the titular “Sky Link” and “You through a Kaleidoscope.” Unfortunately, neither of the short manga are particularly satisfying; while her artwork can at times be quite lovely (occasionally her characters’ eyes are unintentionally creepy), Yamada definitely has room to grow as a storyteller. “Sky Link” had too many disparate elements to it. It could have worked quite well as a longer series, but as a short story Yamada didn’t have enough time to effectively develop the plot or characters and everything is left frustratingly vague. Ritsuki is a first year college student with some sort of troubled past who has caught the attention and affections of one of his new professors who, it is later revealed, has a troubled past of his own. “You through a Kaleidoscope,” a fairly standard high school boys’ love romance, isn’t as ambitious but is more successful as a result.

Tsubasa: Reservoir Chronicle, Omnibuses 1-2 (equivalent to Volumes 1-6) by CLAMP. I originally read the first few volumes of Tsubasa back when it was being released by Del Rey. Because I was borrowing it from the library and people had a tendency to steal volumes Tsubasa and its sort-of crossover series xxxHolic, I never got very far with the series. I’m glad that Kodansha is bringing Tsubasa back into print, because it really is an immensely enjoyable adventure tale. And because the setting is constantly moving from one dimension to the next, CLAMP is able to have a lot of fun with the clothing designs and worldbuilding from one short story arc to the next. The drive of the series is the search for Princess Sakura’s memory, pieces of which have been scattered throughout space and time, but the remembrances of her and the other characters form an important part of the story as well. I do think I’m enjoying Tsubasa a little more my second time trying to read it. I’ve now been exposed to more of CLAMP’s work, so I can better appreciate the references being made and the alternate-dimension versions of characters from the group’s other manga. (Seeing couples originally from X actually have a chance at happiness is both touching and heart-wrenching.)

UQ Holder!, Volume 3 by Ken Akamatsu. I enjoyed the third volume of UQ Holder more than I did the first two, but the series has yet to win me over. It seems as though the manga is starting to focus a bit more, which it desperately needed to do, but that may simply be because Akamatsu spends very little time on trying to develop a coherent plot and primarily sticks with the action sequences. The third volume is almost entirely devoted to a sequence of fight scenes. Right now the battles in UQ Holder are probably my favorite thing about the series. They are entertaining, exciting, and extremely energetic. And because immortals are involved, they can be pretty epic, too. The damage inflicted on both persons and property is impressive. Many of the characters, even the non-immortals, have superhuman powers of some sort. Incredible strength, quick regeneration, shape-shifting, and magic—either alone or in combination—are only a few examples of the over-the-top abilities found in UQ Holder. But as entertaining as the battles can be, from time to time the action is unclear. Something will happen and it will be extremely difficult to understand exactly what or how. I’m not even going to try to attempt to explain why Yukihime suddenly loses her skirt for seemingly no reason.

Bookshelf Overload: January 2015

February 8, 2015 by Ash Brown

Well, 2015 is off to a rather impressive start when it comes to the somewhat ridiculous amount of manga making its way into my household. Thanks to some gift cards, major sales at my local comic book shop (where I picked up a ton of out-of-print manga), and one of the biggest boxes of review copies that I’ve ever received, my wallet isn’t hurting nearly as much as it might initially appear. (Thankfully.) There were still quite a few preorders in January, though. I was particularly pleased to see the third volume of Black Rose Alice by Setona Mizushiro (which I believe was technically released in February and I just happened to end up with an early copy), as well as What Did You Eat Yesterday?, Volume 6 by Fumi Yoshinaga and the debut of My Neighbor Seki by Takuma Morishige. Ken Niimura’s Henshin is another interesting, and rather delightful, release from January. (Review to come soon!) As for out-of-print finds, I was very lucky to come across a complete set of Museum of Terror, an anthology series from Dark Horse of some of Junji Ito’s horror manga. I was also able to fill in a couple of missing copies from my Tramps Like Us collection, which made me happy.

Manga!
Air Gear, Volume 32 by Oh!Great
Alice in the Country of Hearts, Omnibus 3 by Soumei Hoshino
Alice in the Country of Hearts: My Fanatic Rabbit, Volumes 1-2 written by Owl Shinotsuki, illustrated by Delico Psyche
Apple and Honey: His Rose Colored Life by Hideyoshico
Attack on Titan, Volume 14 by Hajime Isayama
Attack on Titan: Before the Fall, Volume 3 written by Ryo Suzukaze, illustrated by Satoshi Shiki
Attack on Titan: Junior High, Omnibus 2 by Saki Nakagawa
Battle Angel Alita: Last Order, Omnibus 5 by Yukito Kishiro
Black Rose Alice, Volume 3 by Setona Mizushiro
Cage of Eden, Volume 16 by Yoshinobu Yamada
Does The Flower Blossom?, Volume 1 by Shoko Hidaka
Earthian, Volume 4 by Yun Kouga
Fairy Tail, Volumes 44-46 by Hiro Mashima
Finder, Volume 7: Desire in the Viewfinder by Ayano Yamane
Food Wars!: Shokugeki no Soma, Volume 4 written by Yuto Tsukuda, illustrated by Shun Saeki
Hands Off!, Volumes 1-8 by Kasane Katsumoto
Hands Off!: Don’t Call Us Angels, Volumes 1-2 by Kasane Katsumoto
Henshin by Ken Niimura
The Heroic Legend of Arslan, Volume 2 by Hiromu Arakawa
IC in a Sunflower by Mitsukazu Mihara
Lone Wolf and Cub, Omnibus 7 written by Kazuo Koike, illustrated by Goseki Kojima
Manga Dogs, Volume 2 by Ema Toyama
Missions of Love, Volume 10 by Ema Toyama
Museum of Terror, Volumes 1-3 by Junji Ito
My Little Monster, Volumes 5-6 by Robico
My Neighbor Seki, Volume 1 by Takuma Morishige
Noragami: Stray God, Volumes 2-3 by Adachitoka
Oishinbo, A la Carte: The Joy of Rice written by Tetsu Kariya, illustrated by Akira Hanasaki
Sankarea: Undying Love, Volume 10 by Mitsuru Hattori
Say I Love You, Volume 5 by Kanae Hazuki
R.I.P. : Requiem in Phonybrian by Mitsukazu Mihara
The Seven Deadly Sins, Volumes 5-6 by Nakaba Suzuki
Terra Formars, Volume 4 written by Yu Sasuga, illustrated by Ken-ichi Tachibana
Tramps Like Us, Volumes 11-12 by Yayoi Ogawa
Tsubasa: Reservoir Chronicle, Omnibus 2 by CLAMP
UQ Holder, Volume 3 Ken Akamatsu
What Did You Eat Yesterday?, Volume 6 by Fumi Yoshinaga
Whispered Words, Omnibus 3 by Takashi Ikeda
Will You Be My Cute Crossdresser? by Mitohi Matsumoto
Witchcraft by Yamatogawa
xxxHolic, Omnibus 4 by CLAMP
xxxHolic: Rei, Volume 2 by CLAMP

Manhwa!
Give to the Heart, Volume 2 by Wann
The Tarot Café, Volume 4 by Sang-sun Park

Comics!
Never Forgets by Yumi Sakugawa
Prince of Cats, Issue 6 by Kori Michele Handwerker
Starfighter, Chapter 3 by HamletMachine

Nonfiction!
Boys Love Manga and Beyond: History, Culture, and Community in Japan edited by Mark McLelland, Kazumi Nagaike, Katsuhiko Suganuma, James Welker
Infamy: The shocking Story of the Japanese American Internment in World War II by Richard Reeves

Anime!
Ai no Kusabi: The Space Between directed by Katsuhito Akiyama

Film!
Ping Pong directed by Fumihiko Sori

Music!
Aku no Sanka (Flowers of Evil soundtrack) by Hideyuki Fukasawa

Attack on Titan: Junior High, Vol. 2

February 6, 2015 by Ash Brown

Creator: Saki Nakagawa
U.S. publisher: Kodansha
ISBN: 9781612629186
Released: November 2014
Original release: 2013-2014

I was actually a little surprised by how much I ended up liking the first omnibus of Attack on Titan: Junior High. Created by Saki Nakagawa with input from Hajime Isayama (both of whom actually attended the same design school, though that fact is more of a coincidence than anything else), Attack on Titan: Junior High is specifically a parody spinoff of Isayama’s immensely popular manga series Attack on Titan. More generally, the series is also a parody of just about any manga with a school setting. Attack on Titan: Junior High is an odd mix of Attack on Titan and contemporary school life that actually manages to work much of the time. The second Attack on Titan: Junior High omnibus, released by Kodansha Comics in 2014, collects the third and fourth volumes of the series’ original Japanese edition, published in 2013 and 2014 respectively. Kodansha was kind enough to send me a review copy of Attack on Titan: Junior high, Omnibus 2 which, because I enjoyed the first omnibus, I was particularly happy to see.

Life isn’t easy for the human students of Attack Junior High. Not only do they have to worry about the normal sorts of challenges encountered at school–getting a passing grade in class, surviving the ire of upperclassmen, daring to ask another student on a date, ensuring their clubs aren’t suspended, and so on–they also have to worry about the rest of the student body, the Titans. It doesn’t help that Attack Junior High’s principal just so happens to be a Titan as well, meaning most of the administration looks the other way as the Titans terrorize the much smaller students, the victims of bullying and stolen lunches. But then there’s the beloved teacher Mr. Erwin Smith who on the surface seems to favor the Titans when in actuality he harbors a deep-seated hatred so intense that it rivals Eren’s. Considering Eren’s single-minded commitment to taking on and taking out all of the Titans, this is rather impressive.

There is no denying that Attack on Titan: Junior High is an utterly ridiculous manga series. In general, I think that overall I probably enjoyed the first omnibus slightly more. The novelty of the spinoff has worn off some, but the second omnibus still managed to make me laugh on multiple occasions. I do find that the series works best for me when it is directly riffing on the original Attack on Titan manga and its fandom rather than playing around with more generic story tropes. Granted, from time to time those parodies can be entertaining, as well. But ultimately Attack on Titan: Junior High tends to be rather uneven with its humor. Sometimes the manga can be absolutely hilarious, but just as often the attempts at comedy just aren’t very funny. Unsurprisingly, many of the jokes in the series require readers to already be very familiar with Attack on Titan to really appreciate them, but it’s those readers for whom the series is intended to begin with.

Attack on Titan: Junior High and its style of humor certainly will not appeal to everyone. It’s not particularly clever and much of the manga can only be enjoyed by readers who are already predisposed towards random, absurd, and frequently nonsensical comedy. The English translation and localization of Attack on Titan: Junior High is fairly loose in sections, adding a few jokes here and there and freely changing pop culture references to ones that will likely be more recognizable to Western audiences. I’m not sure how funny or effective some of the changes will be in a few years’ time since they often refer to recent events, but for now they are amusing. The best gags are those where Nakagawa takes the characters of Attack on Titan and emphasizes and distorts their personality quirks to extremes. One of the most appealing things about the original Attack on Titan is its ensemble cast, and that is true of Attack on Titan: Junior High as well. Fortunately, that’s something that doesn’t rely on timeliness.

Thank you to Kodansha for providing a copy of Attack on Titan: Junior High, Omnibus 1 for review.