Anna N

This week, Sean, Anna, & Michelle look at recent releases from Viz Media and Vertical, Inc.

Knights of Sidonia, Vol. 5 | By Tsutomu Nihei | Vertical, Inc. – There is quite a good space battle towards the end of this, but as usual I’m focused on other things. The reason that I keep coming back to Sidonia is the balance it maintains between different aspects. I will never get over how this is still a wacky harem manga, complete with Nagate being a clueless dope and Izana running off in best cliched “I hate you!” form. But I will also never get over the scene with Tahiro’s possession – and, I have to assume, death – which is some of the sickest body horror I’ve ever seen, and is done slowly and silently so that you revel in its horribleness. These are both in the same manga! And yes, there is also a great Star Wars-style battle with SPEED GAUNA and Nagate showing off his awesome skills as well. It’s become a must-read title. – Sean Gaffney

Knights of Sidonia, Vol. 5 | By Tsutomu Nihei | Vertical, Inc. – I honestly never thought I’d love a mecha-centric manga like I do Knights of Sidonia, but then again, this is not your average mecha manga. Humanity’s desperate fight for survival never lets up—which isn’t to say the series is devoid of light moments, only that they are few and far between—and just when it seems they’ve possibly got a leg up on the enemy, the enemy grows more clever while an unknown threat begins to grow within Sidonia itself. The characters have become even more endearing, too, especially Izana Shinatose, Tanikaze’s “middle-gendered friend,” and this is the kind of series where people can easily end up dead—dead en masse, in fact—so watching them fly into battle can be a somewhat stressful reading experience, but oh so addictive and rewarding. I’m counting the days until volume six! – Michelle Smith

Oresama Teacher, Vol. 15 | By Izumi Tsubaki | Viz Media – The class trip that I thought would take the entire volume only took half of it, but things are all the better for it. First, we get just enough time devoted to Mafuyu trying once again to hide her past, Yui realizing that his deep cover role is a lot deeper than I suspect he’s truly comfortable with, and Saeki once again being ridiculous. To my surprise, though, I also loved the second half. I didn’t think much of Shibuya when he was introduced, as he was putting up a very false front. Now, with everyone else off on the trip, we can delve closer into that, and see what happens when he runs up against someone he can’t read like a book. As for our latest mini-villain, Komari… well, she’s finding the exact same thing happening to her. Clearly these two are made for each other. Depth is always welcome in my favorite shoujo comedy. – Sean Gaffney

Oresama Teacher, Vol. 15 | By Izumi Tsubaki | Viz Media – I’m a bit in awe of the capacity of this series to seem absolutely silly and hilarious even as the cast grows and almost nothing happens in terms of forward-moving plot. The class trip is funny, and I especially enjoyed Saeki’s unholy obsession with ping pong. While sometimes the large cast gets a bit tricky to keep track of, the story shift in the latter half of the volume to Shibuya fending off Komari’s aggressive cuteness is both amusing and intriguing from a character development standpoint. It is always nice to have a manga to turn to that always makes me smile, and Oresama Teacher delivers every time. – Anna N

Slam Dunk, Vol 31 | By Takehiko Inoue | Viz Media – The final volume! It feels a bit like the end of an era. I didn’t think this basketball game could get any more intense, but the tension and strain were palpable as the underdog heroes of Shohoku High face the final minutes of their battle against Sannoh. There’s a bit of bittersweet resolution as Sakuragi and Rukawa acknowledge each other as teammates in the closing moments of the game. I feel like this series has just been a wonderful gift, seeing Inoue’s style and storytelling skills evolve and grow over the 31 volumes of this series serves as a master class in manga appreciation. I would happily have read 31 more volumes of this series, yet it is utterly appropriate that Sakuragi gets the last word, delivered with his characteristic confidence to conclude the volume. – Anna N

Strobe Edge, Vol. 7 | By Io Sakisaka | Viz Media – I would like to note that it is starting to beggar belief that every single ex of every single character is converging on the same school now. But, having gotten that out of the way, this was a solid volume of Strobe Edge. The focus on Sayuri was appreciated, and showed how experiences (and indeed lack of communication) from past relationships can affect future ones. I’d argue that even more than most shoujo manga, this series reads like a primer for first love, with the characters talking about their feelings out loud far more than we normally see. Sadly, Ninako and Ren are rather static right now, as they enjoy their close friendship and think “This is enough, right?” Well, no, it’s really not, and I think Ren is going to be the first to break. We shall see… – Sean Gaffney

Vampire Knight, Vol. 17 | By Matsuri Hino | Viz Media – For the past several volumes of Vampire Knight, I’ve noted that I’ve enjoyed its mood and flavor, but really haven’t been able to follow the plot from one volume to the next. That’s getting worse and worse, and this volume can only coast on style for so long before I start to skim. We’re clearly in endgame, but most of what’s happening involves Kaname trying to kill Sara and Yuki trying to stop him, and everything else here is pretty much added window dressing to those two things. There’s some attempt at development for Ichijo, and some romantic sacrifice by Souen, but honestly it’s been 17 volumes, I should not still be turning to the back to remember who everyone is. Still, the art is gorgeous, and everyone suffers beautifully. It’s the manga equivalent of Rococo art. – Sean Gaffney

This week, Sean, MJ, Michelle, & Anna look at recent releases from Seven Seas, Viz Media, Kodansha Comics, Yen Press, and 6 Degree Works, Inc.

Burning Love on the Aegean Sea | By Harumo Sanazaki | 6 Degree Works, Inc – This is a somewhat random Ohzora manga that I bought on impulse for my Kindle. It is a basic mishmash of Harlequin story tropes, without the elements of humor or lush art that makes romance manga more enjoyable to read. Christian is a man with anger issues and lush, long dark hair who comes back to a Greek island after being expelled with tons of money and revenge in his heart. Leda is the innocent heroine with a trampy older sister and ethically challenged father who is forced to stay on the island when her ex-lover appears, all while raising her sister’s son. Everything is very dramatic, and the illustrations of windswept hair and turbulent seas combine to underscore the tortured relationship of the two leads as they grow closer. Still, something this manga makes it feel more like it is going through the motions as opposed to telling an interesting story, and there’s plenty of other romance manga out there that will be more satisfying for most readers. Anna N

Haganai: I Don’t Have Many Friends, Vol. 4 | By Yomi Hirasaka and Itachi | Seven Seas – The majority of this volume continues the basic theme of the entire series, which is this group of misfits and outcasts having fun as friends without realizing that’s what they’re actually doing. They write a round-robin fanfic which basically involves torturing each others’ self-inserts, they play the world’s most ridiculous RPG, and they fail mightily at karaoke. There’s nothing particularly earth-shattering here, though the cliffhanger promises that next volume may ramp that up, as Kodaka is invited to meet Sena’s father. As it is, though, romance continues to sit on the back burner here, as the title is more concerned with seeing these broken people insult each other, mock each other, and likely form bonds they’ll cherish for the rest of their lives. -Sean Gaffney

Midnight Secretary, Vol. 2 | By Tomu Ohmi | Viz Media – As heroine Kaya becomes further dependent upon her vampire boss’ sexual attention (to the point of attempting to free herself by leaving his employ) and boss Kyohei is slowly driven mad by his feelings for a “mere human,” I’m aware that I should be fleeing the scene as quickly as possible. After all, it’s these tormented, controlling love interests I despise the most, isn’t it? Isn’t it?? Alas, I can’t deny that I’m enjoying Midnight Secretary, despite myself. I’m captivated by Tomu Ohmi’s tortured love story, her occasional humor, her clean artwork, but most of all, her competent, serious heroine, whose devotion to her work still trumps all, even sexy vampire bosses. Even for this grumpy old lady, sometimes trashy, over-the-top romance really hits the spot. Midnight Secretary is just that kind of romance. Recommended. – MJ

Pandora Hearts, Vol. 18 | By Jun Mochizuki | Yen Press – I had wondered how volume 18 could top 17, with its many answers and “um… whut?” ending, but I think it does, largely because Mochizuki manages to provide still more answers to long-standing questions in a way that’s unexpected but absolutely fits with what’s gone before. (Well, what I can remember of what’s gone before. At some point, I’d love to start over from the beginning and see how it all hangs together.) I love how everything is tilted on its head in ways that remind me a little of Loveless, actually. I know this is more fangirl gushing than a legitimate review, but hopefully that just goes to show how much I enjoyed it and how eagerly I await the next volume. “Where do we go from here?” indeed. – Michelle Smith

Real, Vol. 12 | By Takehiko Inoue | Viz Media – Oh, Real. I seriously love you so much. Why you come out so seldom? Anyway, this volume finds Togawa in pursuit of change—he’s not entirely sure what it is he’s lacking, but he’s banking on finding it at basketball camp. It doesn’t entirely turned out as planned, but some insights from Azumi on his rush-ahead attitude are very welcome. Meanwhile, Hisanobu continues to give rehabilitation his all, and once his formerly estranged father learns about his son’s goal of participating in wheelchair basketball, Inoue-sensei crafts a thoroughly lovely non-verbal sequence wherein the dad learns all about the game and then silently prays for his son’s dream to come true. Sniff. Okay, yes, this volume is full of unabashedly feel-good stuff, but it’s not cloying about it. There’s plenty of sweat, tears, and frustration, and everything is drawn beautifully. Even if you don’t like sports manga, you should make an exception for this one. – Michelle Smith

Sankarea, Vol. 3 | By Mitsuru Hattori | Kodansha Comics – The cover to Vol. 3 continues to show how this is being marketed to a very different sort of fan than you’d expect. Yes, there are still elements of harem comedy here, though Wanko is perhaps starting to realize that “I see you like a sister” is a hole that’s usually too big to crawl out of for the typical harem girl. Where the manga really succeeds is in the drama and horror, with the addition of the annoying but informative Darin, and the realization that being dead is not something that Rea can simply deal with and live the rest of her life as normal. The cover art shows this off, as she stares at the stump where her arm used to be. It’s put back, but it’s a sign of a more dangerous trend, which is that she really is a zombie, therefore happily ever after may not be an option here at all. – Sean Gaffney

This week, Sean, Michelle, & Anna look at recent and upcoming releases from Seven Seas, Vertical, Inc., and Viz Media.

Alice in the Country of Clover: Cheshire Cat Waltz, Vol. 6 | By QuinRose and Mamenosuke Fujimaru | Seven Seas – Despite the fact that once again this is half the main story and half a side story, it feels like a complete book because the side story also features Alice and Boris, rather than Crimson Empire. As for the main story, as always Ace steals every scene that he’s in. Ace and Boris contrast very well here, given that Boris, despite his jealousy, just wants Alice to be happy and at peace. Whereas, as Ace says flat out, he finds Alice most interesting when she’s stressed, vacillating, and indecisive. If you recall that this manga is sourced from a visual novel, this works quite well: Boris (and some of the others) want Alice to finish the game and find an ending, Ace wants anything but that. We’ll see how this resolves in 7, the final volume. – Sean Gaffney

A Devil And Her Love Song, Vol. 11 | By Miyoshi Tomori | Viz Media – I had thought that the issues with Maria’s voice would be easily solved at the start of this volume, but nope. This volume turns out to be the one where most of the plot ends regarding Maria’s past are tied up, as we see that the tragedy in her past that has caused her such pain has also effected everyone else connected to that tragedy – her father, her grandparents, everyone. I found the way the last name “Cross” was tied into the plot to be a bit mind-numbingly coincidental, but hey, it’s a shoujo manga. So with Maria’s issues now mostly resolved, and Shin finally realizing that he can’t keep using his hand with it injured like that, we wrap up here, right? Wrong. Two volumes to go, and the cliffhanger for this one, with Maria saying “nothing can possibly go wrong now”, is very ominous. – Sean Gaffney

Happy Marriage?!, Vol. 2 | By Maki Enjoji | Viz Media – The line between miscommunication being a necessary tool to tell the plot of your shoujo manga and miscommunication being the last straw that makes your reader give up and drop the title can be very fine indeed, and the fact that I’m only 2 volumes into a 10-volume series and already vacillating on it doesn’t bode well. Not that I don’t understand the characters. Despite being husband and wife, it’s a paper marriage, so there’s that sense of ‘I should give her some space’ on Hokuto’s part – which is easy for him anyway, as he’s the sort to be very subtle and oblique. Meanwhile, Chiwa’s idea of working for another company isn’t bad, but one run by a former flame? That’s bad. This is the volume where Happy Marriage?! had to make its plot longer, and sometimes you can see the stretching. – Sean Gaffney

Midnight Secretary, Vol. 2 | by Tomu Ohmi | Viz Media – I’m still enjoying this supernatural romance about Kaya, an unusually dedicated secretary and her developing feelings for her vampire boss Kyohei. This volume centers around Kaya acknowledging her feelings for her boss and deciding to pull away, because there’s probably not much future for a woman with extra tasty blood and a man who regards human women largely as snacks. This doesn’t go well, as Kyohei likes to have Kaya around for more reasons than he is willing to admit to himself. The woman brimming with emotions and her emotionally withholding target of affection is a fairly common romance scenario, but the moody art, emotional turmoil, and paranormal elements combine to make this manga very enjoyable. – Anna N.

Sickness Unto Death, Vol. 2 | By Hikaru Asada and Takahiro Seguchi | Vertical, Inc. – Well, that didn’t go the way I expected at all. Which was, of course, the point. One of the best things about this serieds is the way it sets up situations and then pulls the rug out from under you. There’s also some really terrific analysis of coping with trauma, and I like how it shows Kazuma trying to help as a therapist but still being far too close to the situation (there’s really an awful lot of sex in this book, probably to attract Young Animal readers). As for the ending, I found it rather disquieting, and it made me ask lots of questions I’m not sure I wanted the answers to. Which I’m pretty sure is absolutely 100% intentional. I’m not sure this is a series that can be easily loved, but I think it has a high reread quality, and I’m very pleased Vertical put it out. – Sean Gaffney

Strobe Edge, Vol. 7 | by Io Sakisaka | Viz Media – This is really one of my favorite currently running shoujo series, with sympathetic characters and an engaging supporting cast that helps divert me from noticing that the relationship between naive Ninako and super-popular and enigmatic Ren is developing very slowly. Now that Ren is no longer in his previous relationship and Ninako, Ren, and Ando are all in the same classroom at school the potential for love triangle developments is high. This volume focuses a bit more on Sayuri and her old boyfriend, who it turns out was Yutaro, Much of the volume deals with Ninako’s struggles with continuing to relate to Ren as a friend only, while Sayuri and Yutaro finally achieve a bit of unexpected but welcome closure. – Anna N

Sweet Rein, Vol. 1 | By Sakura Tsukuba | Viz Media – If the name Sakura Tsukuba looks familiar, that’s because CMX published two of her series (Land of the Blindfolded and Penguin Revolution) back in the day. And that probably explains why Sweet Rein feels kind of like CMX shoujo to me. It’s a short series (complete in three volumes, it looks like) that works for all ages and has some fluffy fantasy elements, but which is still a little off the beaten path. For example, the leads in this series are a bonded Santa/reindeer pair. Yup. So far, drama comes from sad little kids with cancer in need of miracles and bishounen grandpa ghosts warning the reindeer boy that what he feels for his master isn’t genuine love. It may inspire mockery, but the overall feel so far is kind of cozy and old-school and the chibi reindeer are insanely cute. I think that’s enough to sustain me for three volumes. – Michelle Smith