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Yona of the Dawn, Vol 18

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Yona of the Dawn Volume 18 by Mizuho Kusanagi

At long last, a Zeno volume! I’m going to attempt to talk around some major spoilers, but I found this volume both immensely satisfying and surprising. Zeno, as the smiling and enigmatic Yellow Dragon has always been a bit apart from Yona and the rest of her companions. He just pops up one day without much backstory, and his power of regeneration as a shield in battle was hidden for many volumes. Now the reader finally sees his power unleashed, and I wasn’t expecting Kusanagi to take a detour into action-centric body horror, but she certainly did. As Zeno is hurt and regenerates, he is able to tap into powers of strength that were previously undemonstrated but he does so at a great personal cost. In the hands of a lesser artist, his stand on the battlefield would be much more difficult to execute.

Most of this volume ends up being an extended flashback where we see the original four dragons and the Crimson Dragon King. Kusanagi is so clever with character designs, body language, and expressions, we can see how traces of the original dragon warriors remain in their reincarnated versions in Yona’s present day. In the end, the reader is left feeling like Zeno is fully integrated into the group, knowing the hidden meaning behind his smiles that initially seemed too easy. The depth of story that Kusanagi has built up over 18 volumes is considerable, I’m always putting each volume of Yona of the Dawn wondering how it is going to get even better, and it never fails to deliver.

The Water Dragon’s Bride, Vol. 9

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The Water Dragon’s Bride has always explored issues of humans using religion to justify terrible actions, and this is brought home even more when a god who is actively seeking to meddle gets turned loose. The Water Dragon God’s aloof personality and general lack of interest in humanity other than Asahi was a bit of a protective factor for humans. The God of Darkness, with his damaged human sidekick Kurose has nothing holding him back from some active and severe meddling.

I appreciate the way that Toma has developed Kurose’s character. The intense trauma that he’s experienced in the past gives more context for his turn towards darkness, and although he’s an antagonist for Asahi he’s much more complex than a typical villain. The God of Darkness is portraying the other gods as weak by inventing a Sun God for the humans to worship. By covering up the sun temporarily with darkness, and then letting the sun shine again, the humans are led to dismiss the Water Dragon God as evil and ineffectual. The emperor gets dethroned and Asahi wants to aid him, but she’s again a target of hatred for the humans.

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Kogahiko shows how malicious the combination of human and an evil god can be, even more than Kurose, as he deliberately manipulates everyone around him through the God of Darkness in order to get more political power. He still sees a use for Asahi, as a way of bolstering his new position by parading her in front of his subjects. Throughout this volume the Water Dragon God’s protectiveness and attitude towards Asahi is striking. When she asks him to forgo using his powers he complies, but his affection for Asahi ensures that he’ll find a way to protect her. As always, Toma’s deceptively simple art makes the most of the symbolism in this volume, as the humans turn towards the darkness in the guise of worshiping the sun. The Water Dragon’s Bride is surely one of the most philosophical shoujo series that I’ve read, which is also why it is a series I can see returning to and rereading in future years.

Yona of the Dawn, Vol 17.

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Yona of the Dawn Volume 17 by Mizuho Kusanagi

I’m always curious when a new arc of Yona of the Dawn starts, because Kusanagi manages to create situations and plot elements that seem new and fresh in the context of a long-running series. At the same time she continues to explore themes that are present throughout the series with more depth, like Yona grappling with the legacy of her father’s lack of consideration and thought for the people who he used to rule.

Yona and her companions head towards the border of Kai, where they meet a young boy named Kalgan who proposes marriage to Yona after she shoots a bird to provide him with with some money. Kalgan wandered over from the Kai empire and is stranded, so Yona decides to escort him back to his village, a border town that has been fought over between Kai and Kohka for years. Yona’s Dragon Warriors begin to fall ill, and they need to recuperate for a time in the village where most of the residents are deeply suspicious of them. War is drawing near as well, as Su-Won and his army start to attack the Kai empire.

So far, most of the Dragon Warriors have gotten some solid character development and backstory in Yona of the Dawn, but Zeno has largely been an enigma. This volume finally showcases his unique abilities and role as Yona’s protector. For the Hak fans (and who isn’t a Hak fan!?) there are some great scenes of him taking on a wayward army, determined to take out their anger at losing a battle on innocent civilians. As Yona learns more and more about the dark side of human nature, she becomes more resolute about helping people. I’m curious to see how she manages to resolve the current crisis, I’m not sure if even she can pull of pacifying an angry army. This series is consistently rewarding to read, and one of the best fantasy shoujo series that Shojo Beat has published.

Ao Haru Ride, Vol 4

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Ao Haru Ride Volume 4 by Io Sakisaka

Oh, the agony of teenage love triangles! Ao Haru Ride explores this in the form of two best friends having crushes on the same boy, but the unique twist here is that they actually manage to remain friends as they wrestle with their emotions. The fact that one of the characters is dealing with profound loss creates a backdrop of melancholy that makes the teen romance have a timeless and nostalgic quality.

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This volume delves more into Kou’s backstory as the recently formed friend group of Futuba, Yuri, Shuko and Aya are determined not to let Kou fail out of school. Kou’s issues are not because of a lack of ability, but he has difficulty getting himself to truly try at anything. Kou is still struggling with the death of his mother, and the reader gets a flashback to see how he was put into a caregiving role during her illness at a young age. Kou’s walls of isolation from his friends don’t last forever as Futuba is determined to get through to him. There’s some great paneling and action sequences as they tumble together down a hill in a scene made for a romantic movie. As Kou embraces Futuba, she stays still so he won’t be embarrassed by her seeing him cry.

One of the earlier themes in Ao Haru Ride is Futuba’s difficulty relating to traditionally feminine behaviors, and this is brought out again when the group decides to attend a summer festival together. Yuri shows up looking strategically adorable in a yukata, and Futuba starts to feel jealous. But when Kou sees another boy talking to Futuba it is clear that he’s not as indifferent as he pretends to be. Yuri observes his reactions, but the girls continue to affirm their own friendship even while navigating their crushes. Overall, this series just continues to be wonderfully executed shoujo. Sakisaka excels at capturing quiet moments between the characters that show the glimmerings of first love.

Skip Beat! vol 42

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Skip Beat! Volume 42 by Yoshiki Nakamura

With such a long running series like Skip Beat! once it has caught up with Japan, the wait between volumes is long enough that I temporarily lose track of of the plot. But within just a few panels, my memory gets triggered and I’m back in the story again. In this case seeing Ren’s reaction to learning that Sho kissed Kyoko made the wait between volumes all worthwhile. It is always amazing how well Nakamura can portray someone attempting to be stoic when they are filled with turbulent emotions.

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Kyoko meanwhile has her own battles to fight, and Skip Beat! always excels when she has to fight for a role. She’s in the middle of a rigged contest, trying to get a role alongside her beloved Moko. Kimiko, the niece of the producer, is determined to use any advantage against Kyoko and she plays up an imaginary relationship with Ren just enough that Kyoko becomes totally distracted and forgets to focus when she’s receiving directions for the next stage of her audition. Moko ends up saving Kyoko by altering her body language just enough that Kyoko is able to intuit the rest of the scene, and she ends up turning in an impressive performance.

One of the most entertaining part of this volume was seeing Ren’s manager accompany Kyoko throughout the audition process. His interior thoughts as he observes Kyoko’s reactions and starts building up theories about Ren and Kyoko’s relationship are priceless. As the audition progresses, Kyoko is able to battle through her emotional turmoil and fully inhabit her character. One of the things about Skip Beat! that I enjoy so much towards the start of a story arc is being able to look forward to all the impending drama. Kimiko seems to be engaged in a strategic retreat, I’m guessing that she’ll return to cause even more chaos. Ren and Kyoko haven’t met yet since Sho kissed her, so I’m looking forward to that scene, I’m guessing in two more volumes or so? Skip Beat! always manages to draw the reader in, and even though the big confrontations and resulting emotional growth for the characters doesn’t happen right away the series always delivers.

Takane & Hana, vol. 7

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Takane and Hana Volume 7 by Yuki Shiwasu

This volume continues to explore how Takane and Hana deal with his changed circumstances as he adjusts to live as an ordinary businessman. It is a slightly more serious volume than usual, but there’s some great character development.

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Hana continues to show up at Takane’s shabby apartment to feed him dinner, although he’s started to get a little better about fending for himself without the advantages of his former wealth. They share a genuine moment of connection when Takane says “Thank you” without his usual posturing and bizarre grimaces. Hana immediately checks to see if Takane might be coming down with a cold because she’s stunned at his behavior. One thing that this descent into poverty confirms is that Hana is indifferent to Takane’s wealth and status. She’s been commenting all along that his over the top gifts and lifestyle doesn’t impress her, and her willingness to hang out with him in poverty just reinforces everything she was saying earlier. Takane might not totally internalize this shift in their relationship, but he actually starts acting less arrogant in his job, and starts making moves to pull off some complex business deals independently. Takane and Hana eventually achieve a sort of new normal in their relationship, and the roles get reversed a little bit when she gets sick and he has to take care of her. This continues to be an entertaining series, and I’m finding this shift away from over the top wealth-related shenanigans to have more emotional depth and resonance than I was originally expecting. I’m curious to see if the series continues to have more of this emphasis on the character relationships or if it goes back to more broad comedy. Shiwasu is executing this series so well, I’d be fine with either option!

Shortcake Cake, vol. 3 and Ao Haru Ride, vol. 3

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Third volumes are when I feel longer running series start to settle in a bit. The reader knows all the main characters and the ongoing story lines have been established. In the case of most shoujo manga, it also means it is love triangle time!

Shortcake Cake Volume 3 by suu Morishita

Shortcake Cake 3 opens with a rainstorm, and the unsettling weather continues to mirror the turbulent emotions associated with teen romance throughout the volume. Ten continues to be fascinated with Chiaki, while Chiaki and Ten are pretending to date to throw off the odd obsessive impulses of Riku’s brother Sei. At the same time Chiaki is feeling guilty because he thinks that Ten should be with Riku, even though Ten already previously rejected him. This all sounds like teen-age soap opera insanity when I type out a summary, but Shortcake Cake delivers this all to the reader with a level tone, interspersed with the slice of life aspects of the characters being thrown together in the same boardinghouse and having to deal with issues like fending for themselves when their House Mom gets sick. Riku and Ten have a few moments together where it is clear that he’s not yet gotten over her, as he casually asks what she thinks of Chiaki. This encounter happens when they are crouched under a table cleaning up after a kitchen mishap, showcasing Morishita’s ability to make every day incidents seem oddly intimate.

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Rain shows up as a background image to the panels where Ran contemplates this moment, thinking “It was as if he was saying all over again that he likes me.” Chiaki keeps his feelings to himself, and keeps pushing Ten towards Riku. One of the reasons why I like Shortcake Cake so much, is that this point I’m genuinely unsure of who Ten might end up with, and she’s not portrayed as fickle or uncaring, just a girl who is uncertain of her feelings. This volume was much more somber in tone than the previous volumes of Shortcake Cake, but it explored new emotional territory for the characters. I’m continuing to be fascinated by the way they influence each other, and that makes for an intriguing series.

Ao Haru Ride Volume 3 by Io Sakisaka

In contrast with Shortcake Cake, I am firmly convinced that Futaba and Kou are going to end up together, but seeing how this unfolds with the pressures of teenage friendship and Kou’s newly acerbic personality is what makes Ao Haru Ride interesting. The volume opens with Futuba dealing with the fact that her new friend Yuri also has a crush on Kou. Futuba cycles through a variety of feelings, as she wants to be supportive to one of her first real friends, but she can’t escape her attachment to Kou. First, Futuba vows to like other boys, but this resolution does not last long. I’ve mentioned before that one of the things I enjoy about Ao Haru Ride is the characters’ tendency to get things out into the open fairly rapidly, so it doesn’t seem like there will be multi volume story lines revolving around people not talking to each other.

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Futaba isn’t really able to deal with her feelings honestly, and attempts to come up with arbitrary tests like “if Kou follows me off the train, I’ll keep loving him.” Sakisaka’s excellent paneling makes a conversation near a subway platform look filled with dramatic emotion. Futuba and Kou keep getting thrown together, which doesn’t do much for Futuba’s impulse to bury her feelings to maintain her friendship with Yuri. One of the things I liked most about this volume was seeing Futuba, Yuri, and Murao bond over their romantic tribulations. Futuba is starting to piece together what type of person she wants to be and pondering how to be a good friend. This volume finishes on a bit of an emotional cliffhanger, so I’m curious to see what happens next.

Yona of the Dawn, Vol. 16

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Yona of the Dawn Volume 16 by Mizuho Kusanagi

I often put down a new volume of Yona of the Dawn thinking “this was my favorite volume”, which is a testament to Kuanagi’s storytelling abilities. I’m willing to go on the record now and forever (or at least until volume 17) that 16 is my favorite volume of Yona of the Dawn. I had high hopes when I saw that the cover featured an extremely angry looking Hak.

This is the concluding volume of the Water Tribe story arc, and things have been headed towards a major confrontation, what with all the terrible drugrunning, Riri’s seizing her father’s power of hereditary rule, Su-Won and his minions appearing and hanging out near Riri, Yona getting herself injured, and people in general being repressed. As the story opens, Yona and her companions are determined to attack the fleet of the enemy and crush the drug traffickers. Jaeha has managed to secure a mini-army of attractive female divers due to his habitual flirtatious charm to aid in the attack.

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Even though it is painfully obvious from the beginning of the series that Hak and Yona are in love, there’s so much going against their romance that Hak is an incredibly sympathetic character and somewhat in the position of the underdog. He’s not acting very much on his feelings for Yona since he’s in the position of being her protector and he’s not nobility. While Hak has some great martial arts abilities, he’s not supernaturally gifted like the Dragon Warriors, and he doesn’t share the emotional/psychic bond that binds Yona and the Dragons together. All along Kusanagi shows Hak and Yona sharing a quiet moment here or there set against the backdrop of the great adventure that they’re on, but the reader hasn’t seen multiple panels showing what Hak is actually feeling before.

Most of the action external to Hak’s journey is handled fairly quickly. Riri has found her strength thanks to Yona’s friendship, and it feels like this series has to feature a pirate ship battle every seven volumes or so. As Yona, Riri, Su-Won, and their companions are standing in town and about to be pinned down by archers sniping at them, Su-Won stands in front of Yona to protect her and cautions her not to reinjure her back by firing arrows at her would-be assassins. Yona doesn’t back down from a fight though, and she has a brief reunion with Ju-Do that causes him to reflect on his own choices in staying to support Su-Won. As the local drug kingpen tries to do away with Yona once and for all, Hak comes out of nowhere to protect her from a dagger strike. He then turns incandescent with rage when he sees Su-Won.

What follows are several nearly wordless panels that dramatically portray Hak’s rage and desire for vengeance. Hak’s pupils contract, and Kusanagi switches over to using dramatic black tone and cross-hatching as Hak goes after Su-won. Hak has to go through Ju-Do first, and Jaeha tries to stop him from continuing to fight. As expected, Hak only stops when Yona steps in front of him. The rest of the volume deals with the fall-out of the incident, as Yona’s companions heal their wounds and Su-Won returns to his palace. Kusanagi has paced the story of Yona of the Dawn so well, every few volumes an event will happen that will dial up the emotional intensity and affect the relationships between the main characters even more. Seeing the rage that Hak has masked inside for so long makes the reader contemplate how controlled he’s been up to this point. Yona of the Dawn is embarking on a new story arc as Yona and her companions say farewell to the Water Tribe and I’m eager to see what happens next.

Young Master’s Revenge, Vol. 4

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Young Master’s Revenge Volume 4 by Meca Tanaka

Young Master’s Revenge has been a such a fun short series! I just finished reading the last and final volume this week and I found that it had much more of an emotional payoff than I was expecting from a manga with its main plot centering on turtle-inflicted butt scars. There’s never any doubt that Leo and Tenma are going to end up together, but seeing how they finally both grappled with their feelings made the ending of this series rewarding.

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Tenma and Leo are living separately, and she’s actually able to take care of herself finally now that she’s endured life as Leo’s maid. She’s moved on from being oblivious about romance to trying to figure out how to deal with her newly realized crush on Leo, which results in a bunch of protestations and slightly emotional outbursts. Leo’s secret scars are almost exposed, and Hana goes to whatever lengths she can in order to protect him. The confusing feelings of teen romance are amped up even further when Tenma reluctantly agrees to go on a date with “Rose King” Barazono, while Leo and Togo pretend to go on their own date in order to act as silent observers. Tenma finds herself unable to control her crying when she sees Leo and Tojo together, and Leo confesses his true feelings but doesn’t let Tenma say anything in return.

Tenma decides to take on the emotional labor of fixing everything herself and while she previously was more self-contained due to her upbringing and unfamiliarity with basic teen socialization, she stands up for herself and her feelings in quite a spectacular fashion. She demonstrates quite a few over the top angry faces along the way. Seeing Tenma and Leo finally get together without the specter of revenge that’s been hovering over the series brings everything to an extremely satisfying conclusion. Young Master’s Revenge might seem a little superficial and silly, but at four volumes it doesn’t feel like the plot was stretched out just for the sake of extra drama. It is a great series to use as a mini-vacation if you’ve been bogged down by reading too many angst-ridden manga.

I was able to talk about Young Master’s Revenge on the Shojo & Tell Manga Podcast recently, I’ll update this post when the episode is available!

Takane & Hana, Vol. 6

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Takane & Hana Volume 6 by Yuki Shiwasu

I should have read this volume earlier this winter, because it had a great Christmas story in it! But Takane & Hana can always be counted on for some breezy shoujo antics as it explores the potentially problematic relationship between a high school student and an heir to industry who become friends after Hana subs in for her sister at an arranged marriage meeting with Takane.

The volume opens with Takane standing Hana up for a date due to his workload, so she goes out with friends instead. It turns out that he was actually planning on surprising her with a Christmas date. Takane is incapable of doing anything less than a grand gesture, so he appears before Hana in a custom designed cashmere Santa Suit. Hana realizes that he planned the whole thing after she made a random comment about how normal people celebrate Christmas, and she’s touched by the gesture.

The major storyline in this volume centers on Takane suffering a reversal of fortunes when his grandfather takes away his access to all his bank accounts, his high-powered job, and his apartment, telling him that he has to prove himself by working his way up to the top. Takane’s occasional glimpses through Hana of how common people live do not prepare him at all for being cut off from his credit card. As he slowly starts to adjust to the horror of cheap suits, convenience store lunches, and public transportation, he cuts off contact with Hana, not sure what to do if he can’t appear before her with elaborately expensive presents. Hana is mystified and confused because while he certainly is in the habit of being busy with work, he’s never cut off contact with her for such a long time before. As always, Shiwasu is a master of exaggerated facial expressions, and seeing Takane react to his changed circumstances is both sad and hilarious.

One of the things that has me rooting for this relationship between a forthright high schooler and an emotionally stunted captain of industry is Hana’s habit of confronting Takane and pointing out when he’s being an idiot. Takane rejects her offers of help, but she’s not going to back down. A rich person learning who they are after a reversal of fortune is a very common plot trope, but seeing how these particular characters take on this challenge makes it interesting in Takane & Hana.

Water Dragon’s Bride, Vol. 8

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The Water Dragon’s Bride Volume 8 by Rei Toma

One of the central questions I had as a reader of The Water Dragon’s Bride was what would happen if Asahi managed to find her way home? With her return to modern day Japan and her decision to rejoin her friends in the world of the Water Dragon God, I was curious to see where Toma would take the plot next in terms of a main conflict. She introduces a new antagonist for the Water Dragon God and Asahi, and I’m genuinely curious to see where the story goes next because I’m not sure what to expect.

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The idea of other castaway people has been touched on a little bit before in this series, but this volume takes a turn when it thoroughly explores the backstory of Kurose, the companion to Tokoyami the God of Darkness, who rules an Underworld where it is impossible for the Water Dragon God to enter. The Water Dragon God enlists Subaru for help, but it ends up being Asahi’s unpredictable reactions to danger and the strength of her caring for others that opens up a possibility for her to escape.

Asahi and the Water Dragon God end up creating some deadly supernatural enemies, and one of the things that I appreciate about Toma is that her antagonists are fully drawn, with motivations and reasons for their actions that cause the reader to ponder the nature of humanity. Kurose is bullied in school, and when he’s rescued by Tokoyami and taken to a world of darkness, we see what happens when a less resilient human gets exposed to supernatural influences without the benefit of Asahi’s strong inner will. Kurose has his own traumatic adventures in the world of the Water Dragon God, where bad things happen to good people, and the gods seem indifferent to the suffering that they refuse to intervene in. As always, Toma’s capable illustrations serve to heighten the impact of the symbolic world that the gods inhabit, contrasted to the lives of ordinary villagers and teenagers in the modern world. There’s a confrontation between the two gods and their companions which will surely happen in the volumes ahead, and I’m very curious to see if Asahi’s unique outlook and faith manages to get herself and the Water Dragon God out of yet another complex situation.

Beasts of Abigaile Vol. 4

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Beasts of Abigaile Volume 4 by Spica Aoki

I hadn’t realized that Beasts of Abigaile was only 4 volumes long, and I’m guessing that the mangaka wasn’t planning on the series wrapping up so quickly either, based on the sheer amount of backstory and exposition crammed into one volume. Still, the story does end on a satisfying note, although I would have been fine to see the series get stretched out to 5 or 6 volumes in order to be able to spend more time with the supporting cast.

Nina’s been captured and her secret of being a human at the werewolf academy on the island of Abigaile is threatened with exposure! She encounters a chained-up Giles, who fills in some of the details about the manipulation of Angelica the student body president who is nursing a special hatred for Nina. Nina is determined to be a force for good at the academy after hearing more about how its potential has been subverted by the school administrators. Roy is on his way to rescue Nina when she flies in with a high kick and they take off and hide in rose bushes to escape. One of the things that I like about this series is that for all of Roy’s alpha male blustering, Nina often manages to rescue herself through sheer determination.

On the way to the resolution of the series, the reader learns about Nina’s secret past, Roy and Giles’ secret past, and Nina comes to realize exactly what her own feelings are. There are some spectacular revelations and many panels of people staring intensely through jail bars. While this volume suffered a bit from too much story being crammed into a few short chapters, overall Beasts of Abigaile was a fun to read breezy paranormal shoujo series that I enjoyed. I hope it did well enough for Seven Seas that they continue to publish the occasional shoujo manga, as I like to see shoujo coming here from a variety of Japanese publishers.

Yona of the Dawn, Vol. 15

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Yona of the Dawn, Volume 15 by Mizuho Kusanagi

This story arc of Yona of the Dawn examines issues of geopolitics and addiction, along with Yona’s growth into someone who inspires others to do their their best. Yona gets injured defending her new friend Riri. Sinha appears just in time to rescue her, and as she recuperates Hak is constantly by her side. Yona being Yona, as soon as she is slightly mobile she decides to continue her mission to track down the source of the drug trade that is decimating the Water Tribe. Seeing Yona’s determination, Riri challenges herself to do what she can as well, stealing her father’s seal of authority and traveling to the coastal city of Sensui. Riri’s overtures of friendship to Yona as they part ways are adorably awkward, as she shoves a box of sweets at Yona and attempts to help her with her sash.

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One of the reasons why I like Yona of the Dawn so much is the way Kusanagi builds in short character development moments into a larger, more complex story. Seeing Riri on her own standing up for what she believes in shows the depth of Yona’s influence. Jaeha has a few quiet moments with Yona that show how much of his breezy womanizing persona is actually an act. The larger conflict between Yona and Su-Won appears again, as their paths continue to intersect as Yona’s actions on behalf of the people intersect with his travels through his kingdom. Kusanagi is building up to a dramatic confrontation, and while I have no doubt that Yona and her companions will eventually leave the country of the Water Tribe in better shape than it was when they arrived, seeing the pathway to fixing the problems of the people is what makes this series so consistently interesting.

Shortcake Cake, Vol. 2

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Shortcake Cake Volume 2 by suu Morishita

The first volume of this series efficiently introduced the boarding house where most of the characters live, showed Ten to be a cheerfully blunt heroine, and hinted at an intriguing love triangle. The second volume provides more depth about the relationships between the characters along with some dramatic confrontations and too many flowers. As the volume opens, Riku is dealing with his feelings of rejection after Ten offhandedly asked if he liked her, and then turned him down, assuming that he was just being his normal overly flirtatious self. Chiaki quietly observes their interactions. Just when things are starting to calm down again, Rei shows up when Ten and Chiaki are walking home from school to issue the command “Be my Girlfriend!” Considering that his name for Ten is “Ugly”, she resists his allure easily, pointing out to him that he’s clearly never been in love. Rei is actually Riku’s younger brother, so his pursuit of Ten is more of a cry of attention than anything else.

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One of the things I enjoy about this series are the distinct character designs, but I have to say Rei’s almost feral facial expressions and perennial tired look make him appealing, even if he does have the emotional maturity of a baby squirrel. I enjoyed seeing how quickly Chiaki and Riku moved to help Ten out, even though she shows that she’s perfectly capable of defending herself. Shortcake Cake feels refreshing to read, mostly because many of the characters are in tune with their emotions and what they want. Leaving things unsaid or not knowing one’s own feelings are familiar shoujo conventions, and even if that will be happening a little bit in this series, Ten seems capable of handling it.

Water Dragon’s Bride, Vol. 7

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Water Dragon’s Bride, Volume 7 by Rei Toma

I suspected that when the Water Dragon God sent Asahi home, she wouldn’t stay there long, and that was definitely the case. She struggles to feel at home back in her own world, with a younger brother that she’s meeting for the first time, and her parents, especially her mother who desperately missed her. This brief story line shows how The Water Dragon’s Bride is a story of a family tragedy, in addition to exploring how human rules fight for power and resources. Asahi misses her old life, but back in the realm of the Water Dragon God, the young king is struggling with drought and the idea that he’s lost the favor of the heavens since Asahi’s disappearance. Subaru even attempts to intervene with the Water Dragon God in Asahi’s absence. When the Water Dragon God does intervene, in his cold and calculated way, Subaru reflects that Asahi was incredibly powerful to make a god change.

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Asahi’s disarming way of talking with both the Water Dragon God and Subaru show that she doesn’t regret her choice to leave her family behind, and the way the Water Dragon God is actually able to articulate his emotions and even show a sliver of a smile shows how far he’s become from a god who would dispassionately watch a human starve. While so far the elemental gods that we’ve seen seem content to observe and occasionally make some cutting observations to the Water Dragon God, now that Asahi has returned the next storyline for this series looks like it will be even darker than before. When will hte suffering end????

I’m delighted to keep reading this manga, but there was such a great artistic leap for Toma between Dawn of the Arcana and Water Dragon’s Bride (which makes sense given when they were released in Japan), I’m also extremely curious to see other series of hers.