SEAN: There’s a heck of a lot of stuff here, almost too much to choose from. Therefore I will go with an old favorite, because I am lazy like that. It’s the rare manga series in America that can hit its 70th volume and show no signs of stopping, and One Piece is that manga series. More than any other, I think this title exemplifies all the good qualities of shonen manga – and, yes, a few of the bad ones, as Nami and Robin’s figures have expanded to ludicrous proportions over the years. But oh well. Pirates! Comedy! Creepy poison power villains! Give me 70 more volumes after this! (No, don’t do that, pleads Viz.)
MICHELLE: I do love me some One Piece, but I really can’t pass up my final chance to pick Fushigi Yûgi: Genbu Kaiden, which finally comes to an end this week with its twelfth volume. (It’s been a year since volume eleven.) It’s got all the drama of the original, but Watase has matured a lot as a storyteller, which leaves me hopeful that she’ll allow tragic events to unfold without some kind of cheery retcon or presumably editor-mandated continuation to the story. And, of course, I can’t pass up this last opportunity to hope for Byakko Kaiden someday!
ASH: My pick of the week goes to Inio Asano’s Nijigahara Holograph. The previews that I’ve seen have been beautiful, dark, and disconcerting. Fantagraphics’ hardcover manga are gorgeous, too, easily making Nijigahara Holograph one of my most anticipated releases for the year.
ANNA: I’m torn, because I want to read Nijigahara Holograph as soon as I can, and it has been a very long time since we’ve had new manga from Asano to enjoy. But I’m going to team up with Michelle and highlight Fushigi Yûgi: Genbu Kaiden. It took a long time for the series to be completed, but Watase can do shoujo adventure romance like no one else. I’m also holding out hope for the Byakko storyline!
MJ: I’m extremely anxious to read the final volume of Fushigi Yûgi: Genbu Kaiden, but I think this week I have to go along with Ash and Nijigahara Holograph. I first encountered Inio Asano’s work by way of Solanin, which has been one of those rare manga that sticks with me over time, cropping up in my mind at surprising moments. Add to that my very positive feelings about the line of manga Matt Thorn has curated for Fantagraphics, and Nijigahara Holograph becomes the obvious choice.
What looks good to you this week?
MJ: It’s a
ASH: It’s
MJ: There’s
SEAN: As always with the start of the month, there’s
SEAN: I can’t help but agree here. Here Is Greenwood is one of my favorite old shoujo titles, filled with humor and heart and more humor. Having it digitally is a huge win, and I definitely endorse it as pick of the week.
MICHELLE: Typically when a series I read is ending, I devote my pick of the week to its final volume, but not even that can compel me to rank Arisa above
SEAN: My Pick of the Week is obvious to anyone who
ASH: Public library manga are always a great choice! But I think I’m with Michelle this week. The manga I’m most looking forward to is
ASH: Well, as Sean put it,
Despite that tragedy, I gaze fondly back at 2013, as the year that brought me new favorites like
SEAN: There was a lot of great manga released in 2013, even if you just stick with titles that began this year. My mind keeps drifting over to one title in particular, and that’s the deluxe hardcover release of
MICHELLE: I am finding this profoundly difficult. I picked Taiyo Matsumoto’s Sunny for our
ASH: Oh, this really is difficult! I always have a hard time choosing bests or favorites, but I did recently manage to write about some of the manga from the last year that were 
SEAN: ‘Tis Christmas, and a young child is looking under the tree for a manga that’s bigger than the average tome, one that has a gorgeous design and feel, and one that can amuse, delight, and possibly scare the pants off of them. Yes, that child is looking for
MJ: I know there’s a lot of manga
ASH: It’s a
SEAN: There are a large number of things
ASH: There are a few interesting things being released