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Reviews

Agents of the Four Seasons, Vol. 2

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By Kana Akatsuki and Suoh. Released in Japan as “Shunka Shūtō Daikōsha” by Dengeki Bunko. Released in North America by Yen On. Translated by Sergio Avila.

This is very much the sort of series where I needed a “She does not get eaten by the sharks at this time” moment. In the book The Princess Bride (which is why it’s sharks, shut up movie fans), The father says this so as to make William Goldman less anxious about exactly how deadly this book is going to get. It’s OK, this says. This may be deadly, but it’s not THAT deadly. I needed a moment like that in this book. I did not get it. This is a book where I spent nearly the entire length of the book wondering if it was going to kill off some of the cast. Now, to be fair, I already said that the point of this arc is that the agents, who have been used and abused for their entire lives, are taking back control and saving things their way. It would undercut it quite a bit if they fail. But they don’t ALL have to succeed. Hence the worry.

The agent of Autumn has been kidnapped, and Hinagiku knows who’s done it. It’s the same organization that captured and tortured her, the terrorist group New Year, which theoretically wants the Agents to be more proactive and save the world a bit more with their cool new powers, but in reality it’s a far more personal sort of reason. Hinagiku knows exactly what the head of New Year is like, and really wants to stop Nadeshiko from sharing the same fate that the old Hinagiku did (I am trying to respect Hinagiku’s belief that the old Hinagiku died during captivity, since it’s still a big part of who she is right now). Towards that end, she rallies the forces to the headquarters of the Four Seasons. Unfortunately, there are traitors everywhere. New Year turns out to have infiltrated a lot more than everyone thought, and they have one goal: get Hinagiku back, and kill everyone else.

This is a long book, and has a lot going on. I’m actually going to skip talking about Summer’s agent here, as the next book looks like it’s going to focus on that, and I don’t want to spoil too much of what happens here. We do hear what happened to Hinagiku in the time she was in captivity, and it’s both sordidly bland (she was forced to make pot with her powers to help the terrorist organization make money) and also part of a cycle of abuse (the head of New Year had several traumatic experiences as a child and also lost her baby, so is determined to get a “replacement” daughter). The triumphant part of the book is seeing how she, Sakura, Rosei, and Itecho are all; still dealing with trauma but manage to gut past it and score a triumphant victory. The book honestly reads like one of those action movies that’s almost all climax. And that’s fine.

It’s not perfect – I was annoyed at the identity of some of the traitors, as I liked them (that’s the point, Sean), but it’s still hugely enjoyable, and I look forward to the next book, which apparently moves away from Hinagiku and Sakura for a bit. It’s fine. Let them rest.

The Magical Revolution of the Reincarnated Princess and the Genius Young Lady, Vol. 6

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By Piero Karasu and Yuri Kisaragi. Released in Japan as “Tensei Oujo to Tensai Reijou no Mahou Kakumei” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Haydn Trowell.

(So yeah, spoilers for this volume right up top, warning in advance.)

I’m always a big sucker for the “what if everything in your life was perfect?” story. One of my favorite Urusei Yatsura episodes showed Lum going through alternate universes trying to find the correct one, and discovering a universe where everything is the same only Ataru loves her unconditionally. And she has to give it up, because that’s not the right one. That’s not the Ataru SHE loves. And here we see Anis being offered everything she’s always wanted. She still has her lover and her friends. She’s still making cool magical inventions. But she’s beloved by everyone, and she can use magic. And everyone – EVERYONE – knows she was reincarnated from Japan. It’s presented as the best thing ever. Look, you don’t need to struggle anymore. You don’t have to fight anymore. Here is everything you always wanted. And to the reader, and Anis, it’s horrible, as it eliminates everything she fought FOR.

Lainie has a favor to ask. She wants to find out more about her mother. So she, Anis, and Tilty (???) along with the usual male guards go off to an orphanage and an adventurer’s guild to try to track down the history of Tiris, who was also an adventurer but also, unbeknownst to most everyone, a vampire. While doing this they find that the nearby forest is cleaned out of monsters and normal animals both, and the reason is that there’s an even more powerful presence there, and they’re experimenting with horrible things. Meanwhile, back with Allie and Acryl, they too are having a similar encounter, and it becomes clear what it is: vampires. They’re here, they’re getting revenge on the country, and they… seem to be of one mind.

As I said last time, the series is trying to figure out what to do next, and in order to to that, Anis has to get over all of her hangups and take control of her future. She’s been worried about Euphie’s lifespan being so much longer than her own, and, not to spoil even more, but that mostly gets solved here. Anis may dislike a world in which no one suffers and therefore no one has to strive for anything, but that does not mean that she doesn’t want to live as long as possible while still doing that. Ilia is having similar worries, but hers are not resolved here, and will likely be a bubbling subplot. It’s hard when your core group is genius battle princess, genius royal mage, prodigy vampire, and… maid. Unfortunately, the story still struggles for focus at times, especially at the start. Tilty comes along with the group, I think, mostly as the author wanted us to remember she exists. And, given this is a very Anis-heavy book, Euphie does not get quite as many “let’s be really powerful and cool” moments.

And so now Anis is determined to transform the world, and has the extra power to do it. Where are we heading next? Hopefully the series now has a firm plan for the future.

Ascendance of a Bookworm: I’ll Do Anything to Become a Librarian!, Part 5: Avatar of a Goddess, Vol. 9

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By Miya Kazuki and You Shiina. Released in Japan as “Honzuki no Gekokujou: Shisho ni Naru Tame ni wa Shudan wo Erandeiraremasen” by TO Books. Released in North America by J-Novel Club. Translated by quof.

Thankfully, after the start of this volume, things are allowed to calm down a bit, as we have the aftermath of what’s benn happening for the last two book. Unfortunately, that means that the start of this volume absolutely does not calm down at all. I hate that it happens to her, but one of the best plotlines I’ve seen so far in this series is Rozemyne being in the thick of the battlefield, and what it does to her psyche afterward. PTSD does not really seem to be a thing here, and indeed we are on Rozemyne’s side. Why the hell is everyone so used to war and slaughter? People turning into feystones when they die has been around for some time, but it’s still “this is a fantasy world with magic, not real”. It’s not till Sylvester does the equivalent of pulling Georgine’s corpse out of his robes and slamming it on the table in front of her that she really snaps.

As I noted above, the start of this book is the fight against Grausam, who actually turns out to be in several places at once… which leads to the conclusion that Georgine is as well. Moreover, the battle ends up having to involve ONLY Rozemyne and Matthias for plot reasons, and she not only sees many soldiers have limbs cut off, get poisoned and turn into multiple feystones hitting against her pandabus, but she has to turn the pandabus into a kaiju in order to finally take (the real) Grausam down. At the same time, they are told that Sylvester has managed to defend the foundation and kill Georgine, and they can all return to Ehrenfest (after paying off Dunkenfelger with some booze). Unfortunately, thanks to the battle, Rozemyne can’t even look at a feystone. What’s worse, she has to figure out what to do now – and how Ferdinand is going to be involved in whatever she does.

If there is a lighter side to this rather heavy book, it’s seeing Rozemyne continue to explain how what she feels for Ferdinand is not, in fact, love. Again, this is Rozemyne and her life in Japan, where she’d never had a boyfriend or lover, trying to apply romance-novel rules to love. Love is desire, love is sex, etc. She doesn’t have those feelings for Ferdinand. But every OTHER part of love is literally exactly what she describes her ideal life with Ferdinand to be, and it’s no wonder that Hannelore and the others stare at her as if she’s out of her mind. To their society, where almost everyone marries for political reasons and having a marriage based on love and sex is seen as really weird (see: Sylvester and Florencia), what this is is just Rozemyne saying “Sure, I love him, but it’s not love because I say so.” It’s amusing, but in a sort of dark way.

As with the previous book, the last quarter of it is devoted to filling in the war from the POV of people who are not Rozemyne. We see Charlotte’s attempts to administrate everything, and are reminded that, with Rozemyne leaving and Wilfried… being Wilfried, she’s the next Aub, at least for now. Judithe has to deal with the fact that she’s defending the temple, and not in a more important role. (Judithe is also the utter innocent of the book, assuming everyone is going out to look at flowers and not, y’know, “pick” them.) Gunther gets to PUNCH THE EVIL AWAY thanks to the power of the love his family has for him and his shonen dad power. Florencia gets to have a nice chat with Veronica and finally move on and forget about her. And Sylvester gets to narrowly escape being poisoned to death but, to the very end, still not understand the boiling rage and hatred that is making Georgine do this. It’s very well done.

So much going on here that I haven’t even touched on. I’m sure the 10th book in this arc will be fine and filled with tea and snacks.

The Banished Former Hero Lives as He Pleases, Vol. 1

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By Shin Kouduki and Chocoan. Released in Japan as “Dekisokonai to Yobareta Moto Eiyū wa, Jikka Kara Tsuihōsareta node Suki Katte ni Ikiru Koto ni Shita” by TO Books. Released in North America by J-Novel Club. Translated by bedi and Joshua Douglass-Molloy.

I’ve always been something of a nerd for “publishers”. What I mean is, I always try to figure out what books or manga are coming out where, and what they might have in common. Sometimes this is easy (Weekly Shonen Jump, Gagaga Bunko). Sometimes it can be trickier (whatever Wings is). And TO Books is sort of the anti-GC Books for me, in that I’ve always had a lot of good luck when trying books from this publisher. Bookworm and Tearmoon being the obvious winners. And so, when I saw this newly licensed title with, let’s face it, a very familiar premise, I thought “eh, I’ll take a flyer on the first book”. And I have good news, I was rewarded. Oh, this is not really all that original. And it has its character types, most notably the “too cool for school” hero. But it doesn’t feel like it’s being written for teenage boys. 20-something boys, perhaps.

The book opens with the banishment in the title, as Allen is thrown out of his family and told to leave the city by his father, Evil, and his younger brother, Evil, Jr. (They have names, but trust me, that’s how you’ll remember them.) In a world where so much depends on raising your level, Allen hasn’t raised his one bit, and thus a former prodigy is now regarded by most nobility as a disgrace. But Allen has a secret: he’s actually a reincarnation from a different fantasy world, where he spent his days saving the world for little glory, only earning the terror of the populace. He asked to be reborn in another world where he can live a peaceful life – which he did not get, until now. Oh yes, and he also has all his skills from the other world. So, um, he’s actually super duper ooper powerful.

Yeah, yeah, I know. Sean’s been drinking the Kool-Aid again. Trust me, Allen is not why I enjoyed this book. Though he’s fine, I guess. As generic heroes go, he’s on the more serious side of generic, and he doesn’t have any annoying traits. Kinda boring. But it’s the women in the series that interested me. Allen’s former fiancee, Princess Riese, her bodyguard, Beatrice, the world’s Champion, Akira, and the elf blacksmith, Noel. They are not introduced by telling us their breast sizes. There are not gratuitous scenes of them in a bath, or stripping. There is, in fact, no fanservice at all. Sure, Riese clearly is in love with Allen, but it’s handled very sedately, and the other characters do not all seem to have fallen for him as well (though this may change). It is, once again, a series that clears a bar that should be easy to clear but which most other isekai fail at. Oh yes, and no slavery yet, either.

Now, this is getting an anime soon, which may add in all the stuff I just said was absent. And, I mean, he’s still a ludicrously OP guy with minimal personality. But I liked the women. I want to see more of them, and have them help Allen more (I would like then to get their own subplots, but I’m not THAT delusional.) And the “elf is a blacksmith” thing was genuinely amusing and great. I’ll read more.

I Don’t Want To Be the Dragon Duke’s Maid! Serving My Ex-Fiancé From My Past Life, Vol. 1

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By Mashimesa Emoto and Masami. Released in Japan as “Ryū Taikō no Senzoku Jijo wa Goenryō Shitai! Tensei Saki no Okyūji Aite wa Zense no Moto Konyakusha Deshita” by Arian Rose. Released in North America by J-Novel Heart. Translated by Amanogawa Tenri.

I think most readers of Japanese light novels by now are used to the title of the book being a summary. This is why I was quite surprised that we were getting to the halfway point of this new series and I had still not seen our heroine being forced to be the dragon duke’s maid. In this particular case, this is a good thing. This world has a lot of stuff in it that needs to be explained, and we also need to get into the head of our protagonist and get used to how she thinks of herself and how she treats others. Oh yes, and there’s also the “I was killed and reincarnated with my past memories” aspect to the whole thing, which is also influencing her. But, at last, she finally ends up serving the dragon duke… sort of. We never actually see her do maid work. She’s far too busy trying to help save the nation.

The dragon duke who rules the nation of Eclair is making his first appearance for one hundred years, and going to see him is the family of our heroine, Mille-Feuille. Unfortunately, the moment she claps eyes on him she passes out, as the memories of her previous life return. She was Charlotte, a human woman in love with the dragon duke, and she ended up dying, though Mille-Feuille can’t remember anything about it except the dragon duke’s face of fury. That said, she has enough in her life to get on with. In this world, men turn into dragons once a month, and can only be calmed by a female family member giving them mana – which causes great pain and suffering to the women who have to do it, ranging from mild facial blemishes to near-comas. Mille-Feuille, who seems to have more magic talent than most, happens across a way to help women recover their mana more easily after this, and she is now secretly passing out cures. Unfortunately, people are noticing…

The main reason to get this book is the heroine, who is very much of the “I am practical and somewhat snarky and completely willfully ignorant of how absurdly powerful I really am” school of heroines. There is a test that women take to determine how much mana capacity they have, but for one reason or another, Mille-Feuille has managed to skip every one of those measuring ceremonies. As such, she is uniquely suited to handle the dragon transformations of the duke himself, who is super powerful and therefore super hard to control. The romance between the two of them is cute and very romance novel-ish, and that comes complete with the mystery villain who keeps trying to wreck things as well as the younger sister of the duke who is a jealous brat till she grows out of it. But again, the heroine is the best.

This feels finished in one volume, but there’s apparently a second one. It won’t win points for originality, except for the dragon mana transfer, but I quite enjoyed it.

Earl and Fairy: A Cursed Diamond Imbued with Love

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By Mizue Tani and Asako Takaboshi. Released in Japan as “Hakushaku to Yōsei” by Shueisha Cobalt Bunko. Released in North America by J-Novel Heart. Translated by Alexandra Owen-Burns.

Once again, as I read this series I am reminded just how far shoujo has come in the last twenty years, and how different it is. Everything going on between Edgar and Lydia in this series is intensely familiar to anyone who read the popular titles of the day back then… and yet it already feels like it’s from a hundred years ago, with Lydia’s inability to think anything but the worst of Edgar and his own inability to show Lydia what his love actually means feeling more frustrating than romantic. There’s also the “Lydia is kidnapped every volume, and threatened every volume, or both” problem. There’s consent issues. That said, once more, if you read this as a supernatural thriller and try to ignore the romance, there’s gold to be found here. Every volume brings a new creature that I have to google and find fascinating, and this one is no exception. We’re also getting a lot more contextualization about Edgar’s goals… and what he will and won’t do to get them.

Lydia is, unfortunately, at a society tea party, where she is forced to deal with a lot of hot gossip, most of it about Edgar, who now is rumored to have an entire harem of women. Of course, Lydia almost immediately believes this – if there’s one thing we know about Victorian England, it’s that rumors are true unless proven false. And, of course, Edgar *does* appear to be going to what is very carefully not described in this book as an opium den, but, well, is an opium den. He seems to be visiting a mysterious woman who lurks in a corner of the room… and he’s not the only one, as a marquess is also very interested in the same woman. What does this have to do with a paired diamond, black and white, which is mysteriously connected to Edgar’s family? And will Edgar and Lydia ever truly understand each other?

Edgar’s enemy in this, of course, is “The Prince”, and is trying to prove a closer heritage to being the future King of England than the current residents on the throne. Victoria is never mentioned here, nor is “Bertie”, the Prince of Wales at the time of this series (which seems to be set in a vague “somewhere between 1837-1901” time), but the general attitude of the bad guys is basically that they are, perhaps, not quite as British as one would like in a monarch. Perhaps a bit too Saxon. That said, I doubt we’re really going for any critique of the English monarchy here, but instead the series is using the time period as an obvious place where a large number of people would still believe in the fairies that are Lydia’s bread and butter, and who litter this series,. on both sides. Again, it’s all about the thriller.

The 6th book in the series is not scheduled yet, so there may be a bit of a break next. Perhaps it will allow Lydia to realize that not everything she hears about Edgar is true, and for Edgar to realize that confessing his love doesn’t amount to much if he has no future to offer her.

I’m in Love with the Villainess: She’s So Cheeky for a Commoner, Vol. 2

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y Inori and Hanagata. Released in Japan as “Heimin no Kuse ni Namaikina!” by GL Bunko. Released in North America by Seven Seas. Translated by Kevin Ishizaka..

This is a very good second volume in this spinoff series, which sets out to show us Claire’s changing views in more depth and also flesh out some of the minor characters. It succeeds, but there’s also a feeling here that this is the middle volume of a trilogy. A lot of things we know will pay off in the third book are bubbling under here, but the lack of a real climax to the book does make it a bit unsatisfying. That said, overall I’m quite happy. This book reminds us that the goal for the visual novel Rae finds herself in is revolution, and that it’s still lurking. The anime, by necessity of only getting through Manaria, was barely able to touch on this, and Claire’s ignorance and tsundere stubbornness made it a wee bit unsatisfying. That changes here. Claire is learning how the commoners live, and how the commoners die. And she’s also learning how nobles live and what they do to keep that lifestyle. And she hates it.

Claire is having a bit of trouble warming up to her commoner classmate, who confesses her love but who Claire can’t take seriously. Perhaps things will change with the arrival of Manaria from the Sousse Kingdom, who Claire “greatly admires” and had a massive crush on as a child when she was is despair over the death of her mother and also thought Manaria was a boy. The result of Manaria’s visit will change her relationship with Rae forever. We then see Claire and Rae travel to Rae’s hometown, where Claire eats commoner food, has a pathetic attempt at learning to swim, and fights off undead pirate ghosts. Finally, back at school, they deal with Yu’s real gender, and how the Church is tied up in all of this. Claire’s social consciousness is growing by the day, and she knows that things cannot stay the way they are.

Claire’s POV is still the best reason to get this, but I must admit my favorite part of the book is the development of “Those Two Girls”, aka Loretta and Pepi. Both of them get a tremendous amount of character building in this book. Loretta is being potentially married off to someone involved in human trafficking, and also is forced to deal with the fact that commanding an army in real life, as opposed to supervised by her family, means she is sending some people out there to die. Pepi, meanwhile, also discovers that her family is up to their neck in bad things, and things are too dangerous for her to confide in either Claire or Loretta. It doesn’t help that Pepi has realized that her feelings for Loretta are romantic in nature. The only one who remains in a holding pattern in this volume is Catherine, who continues to stay in her dorm room, doling out advice to Claire and ominously foreshadowing her own fate. Clearly this will pay off in the final book, but it does not here.

It does, however, really make me want to read the final volume in this series. It was 14 months here between Vol. 1 and 2, hopefully it won’t be as long between 2 and 3.

The Evil Queen’s Beautiful Principles, Vol. 1

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By Reia and Haduki Futaba. Released in Japan as “Akutoku Joo no Kokoroe” by Kadokawa Books. Released in North America by Airship. Translated by Gigi Li. Adapted by Abigail Clark.

Even if it didn’t also have the same artist as well, I think that readers of this new series will quickly realize that the author is the same as Accomplishments of the Duke’s Daughter. In fact, the author straight up admits that the idea for this series came about when she thought “what if Iris’ world had magic?”. The book tries not to go along the same lines, and indeed Luxeria’s story is a lot darker and more tragic than Iris’ (well, at least Iris rewriting her own story). But after the time skip, you gradually see that this is another woman who likes to surround herself with super competent servants and colleagues who she has also, in adventures we hear about but do not see, “recruited” from various circumstances. And there’s also a lot of “how do we create a better, more equal kingdom” worldbuilding here, as everyone knows that things need to change but actually making those changes is difficult and takes a while. That said… yeah, this is darker than Duke’s Daughter.

We open with our protagonist, Luxeria, stabbing her groom with a sword on their wedding day in front of the rest of the wedding party. We then track back a bit to see how we got to that point. Young Luxeria is commanded by her family to go live in a tower by herself. She’s delighted by this, as her overpowered magic allows her to see into people’s hearts (and also mind control them a bit), and she dislikes how it makes others uncomfortable. She’s supplied with a maid, the one girl out there who seems to be immune to Luxeria’s powers, and the two settle in and become good friends. Unfortunately, this kingdom is a monarchy but also has five strong marquess houses that have a lot of power. This means that they make an attempt on her life, put the maid into a coma, and kill her parents, the king and queen. Kinda sucks. Oh yes, and she’s a Japanese reincarnation, because of course she is.

I was expecting this to be a typical villainess book where the evil is just a bunch of misunderstandings, but no, Luxeria is out for revenge on those who killed her family and is determined to exact it. Of course, she does not want to exact her revenge while also destroying the country, which is where all that worldbuilding I mentioned above comes in. Actually, I think a flaw in this volume is that I want things to go a bit more slowly. We meet several of her underlings here, but the story of how she got them to work for her instead of against her (her main spy was trying to kill her, in fact) is not told here, but instead we just get a “ha ha yeah those were the days”. The relationship between her and her tragic groom is… also not handled well, mostly as he’s barely in the book. The relationship between her and her maid Alicia is the best thing about the book, and I hope the trust the two have in each other is not broken in the second half.

This was apparently not as long as Duke’s Daughter, so will wrap up in the next volume. I’d recommend it for fans of the earlier series, or for those who want a complete set of villainess books featuring characters called Alicia, of which there are many.

The Otome Heroine’s Fight for Survival, Vol. 1

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By Harunori Biyori and Hitaki Yuu. Released in Japan as “Otome Game no Heroine de Saikyō Survival” by TO Books. Released in North America by J-Novel Club. Translated by Camilla L.

This is another one where I had a different idea of what it was going to be like before I read it. When I typed up the premise in Manga the Week of, I said it was an Otome Game Reincarnation Meets Survival Game. Which… is not inaccurate per se, but I think fans of both genres are going to find this a little less than what they were hoping for. For otome heroine fans, while there are multiple reincarations and a villainess to go with our heroine, it only becomes relevant at one point in the story. As for the survival game, that comes right at the start and then is mostly setup for future volumes. As for what this actually is, well, it’s an attempt to tell a “dark” otome heroine story, featuring a heroine who learns how to kill in order to survive. That said… it’s a stat head book. If you’re the sort who can’t get enough of people raising their STR stat +1, you’ll be in clover.

Alicia, an orphan who is trying to live like a plucky young girl despite the orphanage being a Pit Of Evil, is accosted one day by a madwoman. She says this is actually an otome game, and Alicia, the heroine, is destined to be the secret daughter of nobility and end up at a school with multiple men vying for her. The other woman tries to use a magic crystal to transplant her soul into Alicia’s… which only partly succeeds, then Alicia, being a desperate 7-year-old, kills her. Now that Alicia has the woman’s knowledge of this world… and, it’s hinted, a healthy dose of nihilism… she returns to the orphanage, where she was about to be sold to some pedophile, kills the old woman running it, and flees. As she walks through the forest and cities of this world, she gradually works out how magic really works in this world, self-trains, gets help from a few allies, and gradually grows incredibly overpowered. Despite this, she never loses her new personality.

As you can likely guess, someone’s been watching a lot of the “dark magical girl” shows and thinking “hey, I can do that”. And, to be fair, they can do it pretty well. The usual complaining about stats aside (and believe me, it’s very annoying), Alicia, later Alia, is an interesting protagonist, whose influx of memories from the woman who attacked her helps to ward off accusations of her being nothing like any other 7-year-old out there. The same applies to Elena, the future Villainess of this world, who is also, separately, trying her best to avoid her fate in the game. Frankly, the meeting between Alicia and Elena is the highlight of the book, and the final scene may not be yuri (they’re both too young, leaving aside their mental age), but it’s fraught with doomed Birdie Wing-style dramatics, as one pledges to do one (and only one) thing to help the other no matter what, and the other promises to kill one (and only one) person for the other no matter what. It was damn cool.

That said… again, hope you like stats. I’m definitely reading the 2nd book, though, which may have a new cast, given our heroine fakes her own death at the end of this one.

Management of a Novice Alchemist, Vol. 1

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By Mizuho Itsuki and fuumi. Released in Japan as “Shinmai Renkinjutsushi no Tenpo Keiei” by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Sean McCann.

It’s been a while since I’ve come at a light novel series from this direction. Lately, the Japanese companies are getting clever, and getting an English-language company to license a series several seasons before the anime is announced, so that the anime can drive up sales of the book. But when Management of a Novice Alchemist came out in the Fall of 2022, the novel and manga were both absent here, meaning the anime was many people’s first exposure, including mine. Well, “many people” in quotes. This is not exactly Chainsaw Man. There was a small following who enjoyed a mostly laid-back series with the occasional monster battle. And now, a year and a half later, we have the novels, and good news! The same vibe carries through to the books. That said, the anime either added a lot to the start of the series, or else it was brought in from future books. Sarasa’s past is not important here. The shop is all.

Sarasa Feed has just graduated from the Royal Alchemist Academy, and is now able to call herself one of that rare profession. Her master decides to give Sarasa a gift to celebrate her graduation (and also her saving and scrimping to buy the ludicrously expensive 10-volume Alchemy Encyclopedia) and gets her her very own shop at a low low price, where she can start selling potions and remedies. There is one slight snag – the shop is in the middle of a very remote village. And is a bit of a fixer-upper. That said, the core of it is still excellent, and Sarasa is an orphan girl who’s spent her entire life surviving on pluck and guts, so Sarasa settles in, cleans up, orders furniture, and opens shop. Soon she has a shop assistant, a girl two years younger than her 15 (the age of maturity here), and she’s able to find a nearby city where… well, at least one of the shops is not there to rip her off. Most importantly: Sarasa is a totally normal, ordinary garden-variety alchemist. And not an insanely talented terrifying prodigy at all.

Sarasa is pretty much THE main reason to read this. Her matter-of-fact, blase narration sucker punches the reader as well into underestimating her, but we do notice right off the bat that she spent her entire school life studying and making no friends, that her mentor is a Master Alchemist revered the world over, and that she’s not only terrific at alchemy but, when she physically strengthens herself, can easily lift huge logs and take out grizzly bear monsters. She is essentially Twilight Sparkle as a human light novel girl. Two warnings, though, which the anime watchers noticed as well. First, this is another series where the lead cares far more about breast size than I ever will (she’s relatively flat, of course), and it does not go away. More importantly, Sarasa believes everything has a cost, and she will be enforcing that, even if you bring in an adventurer who’s lost an arm and is on the verge of dying. We do not do things out of the goodness of our heart here. Well, mostly. She is a bit of a softy. But the girl still owes Sarasa a huge amount of money for saving her life.

If you liked the anime, you’ll like this. If you never tried it, this is a good one for girls who say they’re typical but are anything but, misers, and a slow life that really isn’t.

My Stepmom’s Daughter Is My Ex: “Within Arm’s Reach”

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By Kyosuke Kamishiro and TakayaKi. Released in Japan as “Mamahaha no Tsurego ga Motokano datta” by Kadokawa Sneaker Bunko. Released in North America by J-Novel Club. Translated by Gierrlon Dunn.

This is the first volume taking place after our main couple have gotten together… again… and as you can imagine, it’s leading up to one big scene. That said, it certainly does meander before it gets there. This series has always played with viewpoint – from the start, the main chapters alternated between Mizuto and Yume, usually with some variation on how they used to be in love but are older and wiser now. As the series went on, we got more and more viewpoints from the POV of other characters, such as the best friends of our lead couple, or the rest of the student council. And honestly, with this volume I think we may have finally gotten an answer to the question “how much is too much”. I think everyone in the entire cast with the exception of Isana gets a look in here, and it makes the book too scattered. It’s only in the final dramatic battle/love scene that it settles down – ironically, when the POV switch is at its worst.

Mizuto and Yume are now a couple once more, but there is a slight problem – they’re still stepsiblings. As a result, they have to hide their relationship from both their parents and from everyone at school. The latter is only slightly successful – Minami and Kawanami figure things out pretty fast – but it does mean that there are a certain amount of repressed feelings that are happening. And, of course, this book also takes place around Valentine’s Day and White Day, with all the plots that you’d expect with that. We get another couple getting together here, despite some truly amazing amounts of self-hatred and loathing to get through in order to accept it – and as for Minami and Kawanami… it may be a bit longer, but they’re making real prgress as well. As for Mizuto and Yume, their parents taking an extended away trip means that they may finally be able to go all the way this time… provided this does not turn into Kaguya-sama: Love Is War again.

I will admit, I was schnookered by the author. The moment the two of them decided that this was going to be some sort of contest to see who admitted to wanting to have sex first, I was fairly certain that they were going to end up just doing nothing till their parents came back. But no, for once the two have semi-matured enough – and are prepared enough to buy nice lingerie and condoms – that they actually do end up getting past the competitiveness and having their first time. The sex, as you can imagine, is elided rather than explicitly described, but the elision is actually very clever, relying on the swapping narrative POV to give us the rhythm of two lovers coming closer and closer to a climax. Also, as with the previous sex scene in this series, the first time is not necessarily “the best sex ever” – it’s typical first sex – but they’re both happy, which is all that matters.

That competitiveness may end up returning after the cliffhanger ending to this book, though thankfully it will be in the classroom rather than the bedroom. I just hope we can get back to primarily being Mizuto and Yume’s narration.

Fake Saint of the Year: You Wanted the Perfect Saint? Too Bad!, Vol. 4

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By kabedondaikou and Yunohito. Released in Japan as “Risō no Seijo? Zannen, Nise Seijo Deshita! Kuso of the Year to Yobareta Akuyaku ni Tensei Shitanda ga” by Kadokawa Books. Released in North America by J-Novel Club. Translated by Rymane Tsouria.

It has gotten to the point where it’s rare that we get a modern light novel that is NOT based on a pre-existing web novel in some way, shape or form. Which makes sense – the light novel is still booming in Japan, and it’s much easier to take an author who’s gotten to the top of the rankings on Narou and edit their work into something for the mainstream than to rely on things like competitions and the like. And there’s nothing wrong with the end of this series. Fake Saint of the Year ends with this volume, and it’s a perfectly decent ending that makes thematic sense, gives a hint of romance for those who want to snatch at it while heavily implying it’s not happening, etc. It ticks the boxes. It’s just… the book ends at page 115, but the Afterword is not until page 278. That’s right. Get ready for Side Story Hell.

After dying at the end of the last volume, Ellize had expected that everyone would move on with their lives and enjoy the happily ever after. There are just two problems with that. First of all, everyone is so utterly devastated by her death that they’re in abject misery, and one or two have tried to kill themselves to “join” her. Meanwhile, guess what’s not quite as dead as expected? Well, all right, Ellize did foresee this, but she also thought that everyone would be able to take care of the remnants of the witch as they’d be on the top of their game. Instead, an entity that feels on negative feelings is facing off against grieving shells of what they used to be. Ellize sees this because, rather than going to the afterlife, she ended up back in the apartment of a dying Fudou Nito, who has to help Ellize come to terms with the fact that this isn’t a game, and that she is, in fact loved.

As said, the end of the book itself is fine. I thought it wrapped everything up nicely, had a couple sacrifices that made sense, and didn’t make Ellize wander too far out of her “I am a piece of shit” characterization beyond real character development. Unfortunately, we then get two lengthy side stories. The first has Ellize, post-ending, traveling to an alternate world… the one of the actual game, the one where Eterna dies. It’s the ending she always wished she could fix, which is why she made all those changes in her own timeline. Now she gets the chance to fix it. It’s like reading someone tagging AO3, only in real life. In the second story, Ellize discovers a rift that leads to modern-day Japan, and does eventually close it as it’s dangerous… but not before she goes back there, eats delicious food, buys modern bread so she can make French Toast back home, and meets up once more with Yamoto Tamaki… while also creating complete chaos, as she’s walking around looking like the most gorgeous woman in the world, and also a very recognizable video game icon. This was even more pointless than the previous story.

So yeah, I get that you can’t just release a book that’s Slayers-length these days, but sometimes side stories aren’t really needed, right? Overall, despite my issues with Ellize’s narrative voice and self-loathing (which ends up saving the day, to be fair), this was an OK villainess series.

A Late-Start Tamer’s Laid-Back Life, Vol. 9

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By Yuu Tanaka and Nardack. Released in Japan as “Deokure Tamer no Sono Higurashi” by GC Novels. Released in North America by J-Novel Club. Translated by A.M. Cola.

If you read this series to watch it tick boxes, this is a very good volume. As you can tell from the cover, we get to tick the box ‘beach episode’, as Yuto and his tamed monsters get to dress in swimsuits for the beach (though apparently the non-human ones have to wear one-piece suits, presumably so we don’t have to deal with penguins in bikinis) and also got to have their very own Jurassic Park event on an uncharted desert island (which, of course, he manages to complete by himself purely on instinct and luck, something which absolutely boggles the mods). Admittedly, he doesn’t come out unscathed, as there are two sacrifices for the cause… but this is a fluffy game, so when the tamed monster dies they just literally go back to the ranch. There’s no end goal to this series at all – it ends when Yuto’s two-week vacation finishes and he has to go back to being a salaryman again. The fluff is all there is.

It’s time for the Summer Event, which means Yuto and his crew get to hang out on beaches, go fishing, and try to fill up an encyclopedia of animals and insects. This is right up Yuto’s alley, as he is exactly the sort of nerd that went looking for rhinoceros beetles as a kid, though the rest of the tamed crew are a bit less enthusiastic. He also gets to (after many attempts to get past a strong current blocking the player from advancing) to an island that has prehistoric life, ranging from rare fossils to tyrannosaurus rexes to raptors straight out of that movie that dare not speak its name. (Sadly, it’s not WcRassic Park.) Unfortunately, Yuto is not really powerful enough to take on a t-rex, especially when they also come across a huge brachiosaurus. Nothing left to do but get killed… or is there a way to beat this using smarts? And what effects will accidentally streaming everything have on the event?

It’s getting increasingly hard not to call this series “the male Bofuri”, and if Maple kept to herself and got a few more animal friends, they’d basically be the same. Yuto is not trying to break the game, he just keeps doing it. It’s not just that he happened across the one way to actually win the dinosaur battle without a party wipe, it’s that he accidentally streamed it so that EVERYONE ELSE also knows. He didn’t even have to give the info to the increasingly despairing info brokers this time around (though rest assured, he still has plenty of info, and it’s still breaking their bank to buy it.) But Yuto is not really trying to get involved in major game stories. He’s here to try to catch a coelacanth, or get back to shore before he has to pay extra on his fishing boat. Like Maple, he’s simply a game-breaking force of nature, and if the teaser for the next book proves true (think sunken pirate gold), that won’t change. Looks like the head developer will have to get a divorce.

So yeah, this has no plot, and it’s never going to. It has no romance. Hell, it barely has friendships – Yuto doesn’t really hang out with other players this volume. But it’s fun. I like it.

From Old Country Bumpkin to Master Swordsman: My Hotshot Disciples Are All Grown Up Now, and They Won’t Leave Me Alone, Vol. 2

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By Shigeru Sagazaki and Tetsuhiro Nabeshima. Released in Japan as “Katainaka no Ossan, Kensei ni Naru: Tada no Inaka no Kenjutsu Shihan Datta noni, Taisei Shita Deshitachi ga Ore o Hōttekurenai Ken” by SQEX Novels. Released in North America by J-Novel Club. Translated by Hikoki.

There’s almost a mini-genre now that can be summed up as “OP protagonist is excessively humble, does not realize their own OPness”. It can’t simply be that they’re constantly belittling themselves and saying anyone can do what they do with a little bit of effort, it’s that when we see them in action we know that this is demonstrably false, that they really are incredibly talented and special. Several times in these books we see Beryl fighting someone or something and thinking “huh, I guess they’re not all that strong, I wonder where the real fighters are” and it turning out that no, those are the real fighters. Heck, for the climax of this new volume the opposing soldiers of the church have to literally dope themselves to even try to be able to defeat him. The hotshot disciples of the title won’t leave him alone because he’s seriously hot stuff.

After the events of the last book, Beryl is in need of a new sword. What’s more, he finds that one of his ex-students, Kewlny, is using swords far too light for her muscular body, and needs to move to a much heavier sword. Fortunately, another one of his ex-students is a master blacksmith, who took a year to learn swordsmanship in order to better his craft. (He’s also not in love with Beryl, which reassures me that the “students” he taught are not all haremettes.) As he waits for his sword to be forged, he runs into a pickpocket who is, surprisingly, able to use magic. Unfortunately, the reason she’s picking pockets turns out to have a tragic origin, and of course Beryl gets involved. Could the reason for all this turn out to be an offshoot of the neighboring country’s religion?

Yeah, evil Church again, though at least we get a good priest to show that the evil church is mostly this one evil guy and his goons. It does, however, help us to codify what magic is in this world and what it can and cannot do. The reason that Mui (the pickpocket) using magic is so surprising is because people who are magic capable pretty much get snapped up and put into the academy, so the fact that she isn’t is surprising. We also hear why the folks who use magic are called Wizards and not Mages, and it makes sense in the context of this world. What’s more, there are things magic can’t do. From the moment “resurrection magic” came up, we knew that things were going to be headed down a dark path. I wasn’t sure if it would mean vampires or zombies, but I knew it would not lead to happy people back from the dead and fine. There *are* series that do that (Delicious in Dungeon comes to mind), but this one runs on stricter rules.

All this plus almost none of the silly romantic antics I was expecting this series to have. A look at the summary of the third book tells me that may change soon, but ah well. This has become a pleasant surprise.

Taking My Reincarnation One Step at a Time: No One Told Me There Would Be Monsters!, Vol. 4

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By KAYA and Naru. Released in Japan as “Tensei Shōjo wa Mazu Ippo kara Hajimetai: Mamono ga Iru toka Kiitenai!” by MF Books. Released in North America by J-Novel Club. Translated by Amy Osteraas.

I am frequently proved wrong when I write reviews of light novels, but it’s rare I’m proven this wrong this fast. Last volume I wondered if we could get a bit more of happy, joyful Sara because I was annoyed with cranky, grouchy Sara. I am prepared to do a complete 180 – after this volume, I think the reason I find Sara most interesting is because she’s always so bitter about everything. First of all, it helps to differentiate her as a character from various other plucky young girls who were reincarnated and now have massive amounts of power in their adorable teenage bodies, and secondly because it’s not really tied into her past life in Japan. We know she spent most of it sick, and that is why she seems to find such joy in seemingly normal things in this world (like the butterflies), but the cranky “why are you telling me what to do/including me in your drama?” is entirely her own self, and it’s just fun.

Sara, Allen, Nelly and Chris are headed towards Nelly’s hometown to get Nelly’s family to become Sara’s guardian, so that she is less likely to be forcibly abducted by the knights. On their way there, they come across a village dealing with an infestatio0n of seven-colored swallowtails, a butterfly monster whose skin can cause paralysis when touched. When they arrive in Hydrangea, Nelly’s hometown, there is some predictable family stuff, and we learn that Nelly is basically exactly what we guessed she was, but their dungeon is also having a swallowtail infestation. In addition, Sara seems to have finally realized that when she’s not being pushed into it by anyone, she really DOES want to be an apothecary, so she starts learning basic things at the guild -her education with Chris having been erratic, to say the least.

One source of Sara’s constant simmering annoyance is the fact that everyone is trying to decide her future for her, be it passively or actively. Chris, of course, wants her to be an apothecary, and that’s one reason she took so long to decide she actually likes doing that. Nelly and Allen want her to be a hunter, since she’s got fantastic power and ability for it, but, as we see in possibly the best scene in the book, she simply doesn’t have the stomach for it – she can’t kill off monsters like it’s a game, she sees them as living creatures who don’t deserve to die. I loved her delight at seeing hellhounds in Hydrangea’s dungeon, essentially putting them on the same level as her wolves from back home. Speaking of home, it’s interesting to hear that the ‘Dark Mountain” is not just a dangerous place, but a real dungeon – dungeons simply work differently in this world. So Sara was essentially reborn at the bottom of a dungeon, like a final boss. How apropos.

The cliffhanger ending of “if we can’t take her by force, we’ll take her by marriage” implies she’s going to have to go to the capital next volume, so I do not expect her snark to recede anytime soon. This remains an enjoyable reincarnation series.