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Reviews

Bofuri: I Don’t Want to Get Hurt, So I’ll Max Out My Defense, Vol. 6

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By Yuumikan and KOIN. Released in Japan as “Itai no wa Iya nano de Bōgyoryoku ni Kyokufuri Shitai to Omoimasu” by Kadokawa Books. Released in North America by Yen On. Translated by Andrew Cunningham.

The Bofuri series does have a pretty good supporting cast, and I enjoy reading about them. That said, most people who picked this up are here for one reason and one reason alone, and that’s Maple breaking the game by doing awesome unpredictable shit. Good news, the 6th volume is here to help you. It definitely doesn’t hurt that this 6th book involves the 6th level of the game, which is entirely related to ghosts and the supernatural. As such, except for one disastrous attempt to get over her terror, Sally is pretty much absent, grinding on other floors so she can avoid being Shaggy in an episode of Scooby-Doo. This allows Maple to solo several events, or team up with Mii, or experiment with rewards in strange and brilliant ways. It’s the sort of thing that will look great animated if Season 2 ever happens, but that’s still sadly far in the future at this point.

We start by Maple getting her new favorite toy, which is a literal throne that she can sit on while attacks do nothing to her. (The downside being that she can’t use “evil” attacks while on it – i.e. most of her repertoire). She uses it a lot in the next stratum, which as noted above is one based around ghosts. Sally, who sees there are lots of cool things she could get if only she got over her fear, tries… and fails miserably. So Maple tries to get some nice rewards that she can give Sally, as well as some rewards that will specifically benefit her build. Finally, we get the Seventh Event, which fortunately does NOT involve ghosts, and so Maple wants to go old-school on it: only her and Sally vs. the toughest opponents.

A lot of the humor in this volume comes from the occasional times we cut back to the developers, who have either designed things to be anti-Maple that she proceeds to win out over by doing something bonkers, or else they’ve designed things that would be lethal difficulty for anyone else that Maple strolls through even though it wasn’t designed to get her interest at all. The rest of Maple Tree, of course, have simply given up on being surprised, with Chrome just sighing and helping Maple to control her ghostly hands that can wield other shields, etc. It helps that Maple’s not doing this for any reason other than “it’s fun”. She’s gotten better at thinking things through… just… but most of her gaming still seems to be “do whatever the hell I like”. This includes lunching with Mii, who can drop her roleplay facade around her, or fending off Frederica, who’s trying to duel Sally and wondering why she’s not on the 6th floor. Maple is simply too nice to get angry with.

This isn’t essential reading, and fans of the anime can probably wait for whenever it continues, but I still quite enjoy Bofuri. It’s a relaxing, quick read.

Walking My Second Path in Life, Vol. 3

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By Otaku de Neet and Kurodeko. Released in Japan as “Watashi wa Futatsume no Jinsei wo Aruku!” by SQEX Novels. Released in North America digitally by J-Novel Club. Translated by Andrew Schubauer.

Frequently we find that we, as readers, do not want what the author, as a writer, is writing. This is especially true as the series goes on. Any glance at AO3 fanfiction will see a graveyard of incredibly popular fanfics that got abandoned because the author got very angry at the source material. As such, I should not be annoyed that a romance novel turned out to end with a romance novel ending. But I am, a bit. It doesn’t help that even the author kind of realizes that this is the wrong move, with everyone second guessing the big reveal and wondering if it might have been better just to let Heath stay a squire after all. Oh yes, and there’s the fact that this book came out four years after the others and with a different publisher. We should probably be grateful we got anything at all, but what we got is… well, somewhat less than satisfying.

For those who may have forgotten what’s been happening, Heath is the disguised Princess Fie, training as a squire and hanging out with her buddies. There’s fighting! There’s circuses! But then, right as she is jumping through a hoop of REAL FIRE in an effort to create a circus of their own, the kingdom’s chancellor happens to be walking by… and recognizes her. That’s it, she’s toast. That said, at least she’s not exiled to the cottage of starvation any more, and everyone lines up to apologize to her, from the King to her sister (yes, we finally meet her sister). Unfortunately, there’s a slight problem, which is that Fie has been dating Queen, and now she can’t. This will require strategy, as well as a long think to try to figure out if she actually is in love.

This reminded me a bit of Bloom Into You as well, as we get a “will they make a character who doesn’t really get love or romance asexual?…no, they won’t” sort of vibe to it. That said, this mostly feels like a book trying to do too much. We get separate subplots explaining Fie’s sister (who is in love with a Prince from a different kingdom) and King Roy (who is trying to be a good king but his desire to completely avoid women has led to tremendous problems. But, again, the main issue is that this is the story of a woman who empowers herself and goes out to create her own life and career… and in the end finds that she can’t actually do that, so resolves to become a wife and mother. Queen gets to be a knight, though. It’s not that badly written, and Fie is still a great character to read about, but it feels like we made the wrong choice and got the bittersweet ending in a visual novel.

Perhaps this will inspire someone to write a fanfic where Heath isn’t caught and becomes a knight? Mmmmmm… probably not. But, again, authors should not call attention to the bad choices they’ve made by having other characters saying “maybe this was a bad choice”.

Slayers: The Demon Slayers!

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By Hajime Kanzaka and Rui Araizumi. Released in Japan by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Elizabeth Ellis.

And so, we come at last to the end of the Slayers novels. Well, not really. This volume came out in May 2000, and after 18 years, a new volume appeared in 2018, and another the year after that. But this book has a feel of “final” to it nevertheless, wrapping up the plot points from the second arc, bringing back a few familiar faces, and even throwing in a hint of romance that doesn’t really go anywhere (which is a step up from the series’ usual no romance at all). It has the usual strengths of the series – the fights are snappy and well-paced, Lina’s narration is fun – and the usual weaknesses – emotional depth from this author feels like he’s reading aloud from a piece of paper. Actually, the most interesting part may be one of the familiar faces. Slayers rarely goes back to look at its survivors, so seeing Rubia again was something of a surprise. Even if it feels like she’s just there to contrast with someone else. Which is true.

Lina and Gourry are finding that demons are popping up more and more often, and their attack patterns are very weird. Indeed, one of the demons seems to be … stopping the other demons from killing the two of them? Then Lina discovers that there’s a doppelganger of herself walking around, and all signs point to (for the third time) the doomed city of Sairaag as being the place to go. They’re helped here by… no, not Amelia and Zelgadis, they’re still absent, but Xellos does show up, and he is his usual self. Milgazia and Mephy are there as well. But the final battle between Lina, Gourry, and whatever it is that’s causing all this will have to be a lone one… if only as they’ve been transported to another dimension!

If you’ve been reading these books, the identity of the villain should not surprise you, and some decent effort is made to remind you of the hints from previous volumes. That said… this is a book which ends with an assisted suicide, with Lina seemingly devastated by having to be the one to do it, but again, it feels very emotionally weak. Rubia, as I noted above, was a surprise, but she’s meant to be there to show what happens when you’re able to let go and move on… even if the answer is “I’m still sad and there’s no one in my life, but I have a greenhouse now”. Possibly the biggest surprise in the book is at the end, where Gourry says he wants to go and meet Lina’s family, which is very much the equivalent of a proposal in this world. That said, it has to be undercut with him talking about wanting to taste the grapes her town is famous for, and sad trombone noises ensue.

Slayers is a series that is very much of the 1990s, and judging it by 2020 standards can seem harsh at times. It’s a classic 90s series in that it was exciting and funny and also made for a much better anime, when the emotional heft could be fleshed out and left to other writers. I wonder what the newer books feel like, with 18 years’ more experience between them? Perhaps we’ll see one day.

The Princess’ Smile: The Body-Double Bride Searches for Happiness with the Reclusive Prince

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By Yuuri Seo and m/g. Released in Japan as “Hidenka no Bishou – Migawari Hanayome wa, Hikikomori Denka to Shiawase ni Kurashitai” by M Novels f. Released in North America by Cross Infinite World. Translated by Jenny Murphy.

I’ve said before that I don’t mind cliches, or books which start with the same things happening, but I will admit that I have my limits, and The Princess’ Smile was pushing them as we got about 3/5 of the way through the book. The main issue is that every major plot point plays out in the most predictable way possible. The actual princess turns out to be a terrible person, check. Schlub of an ex-boyfriend who doesn’t speak up, check. New husband is reclusive, truculent, and clearly hiding a secret, check. The secret is immediately obvious to the reader because we looked at the cover art, check. It can be a bit frustrating. Fortunately, once our heroine is nearly poisoned, things really start to pick up, and the last part of the book – with one exception – is a lot of fun to read. But getting there is a bit of a hike.

Sara is a servant for Princess Hermine, having been taken in after the death of her parents in a carriage accident. The two of them look very similar – you could almost get them confused! Then one day the King explains that Sara is going to swap places with the Princess and go get married to a prince from another country… one that recently won a war between the two nations. Sara is a bit upset about this. Then she discovers that Princess Hermine has already met her boyfriend and slept with her boyfriend. Several times. That, plus the fact that you can’t really refuse the king, means Sara is off to nearby Ferrier, there to meet her new husband. Sadly, her new husband wants nothing to do with her. And also has a dark secret.

…which is that he’s a werewolf. Sorry, but.. LOOK AT THE COVER! So it’s in that genre of books. That said, he softens up into a shy but nice young man pretty quickly, and Sara is a good protagonist. Seeing the two of them slowly grow closer if nice, even if it does not tick any boxes that have not been ticked before. Then once the rest of the plot kicks in things get better. I was pleased to see a Queen Mother who turned out not to be secretly evil, and the scenes showing the final battle with Salielles, Sara’s home country, do not hold back in showing the bloody violence of war. That said… while “selfish princess” is a well-worm trope, at the very end of the book Princess Hermine leaps off a cliff and straight into “unrealistically deranged princess”. Sara’s jaw drops and so did mine. It was so bad my suspension of disbelief was utterly broken.

That said, overall this wasn’t too bad. If you enjoy werewolf romance or women who resolve to take their life into their own hands after spending most of it being manipulated, you may appreciate this. It’s also complete in one volume.

Private Tutor to the Duke’s Daughter: Saving the Kingdom Over Summer Break with Ladies of Ice and Fire

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By Riku Nanano and cura. Released in Japan as “Koujo Denka no Kateikyoushi” by Fujimi Fantasia Bunko. Released in North America digitally by J-Novel Club. Translated by William Varteresian.

I appreciate that the author, in the afterword to this volume, acknowledges the main issue with this as a modern “harem” genre series, which is that Lydia is such an obvious winner that it’s irrelevant to read about the others. The only other one with any chance at all is Tina, and that’s because she’s in the title. That said, I don’t think that “write Lydia out of the story for a while” is really going to help much, mostly as I’m pretty sure Lydia is simply not going to ALLOW herself to be written out for any length of time. This volume does wrap up one plotline while continuing another, and it’s looking very likely that impending civil war might be a good reason to stop having cute harem antics… or it would if this series didn’t run on harem antics half the time. You need to balance your cool battles and attempted murders with headpats and snuggles, after all.

Exams are finished, and the girls have finished terrorizing their teachers with their raw power. Tina and Lynne are the top scorers, but Ellie wins Allen’s challenge as she improved the most. Now everyone is off to Allen’s home, where he has to finally confess to his parents that he failed his Court Sorcerer exam. Now, given that he only failed because the examiner insulted his parents, I think they understand. His parents are exactly as you’d expect. Lydia not so much, as she spends much of this book in “prim and proper” mode, to the horror of everyone else but Allen. Unfortunately, capturing that rogue Prince has not gone as well as hoped. Worse, they’ve finally finished decoding the book Allen gave them, and it’s clear there’s multiple great spells involved. A big fight is needed.

The main draw and also main flaw of this series is that most of the really amazing stuff I want to read about happened already, and we only hear about it tangentially. Allen and Lydia’s school days, whatever tragedy befell them in Allen’s hometown, etc… these are dangled in front of us and then whisked away, to be replaced with scenes of who gets to be the one to sit next to Allen at the table that meal. The harem is somewhat unbalanced, as noted above, but not just because Lydia is so obvious. The other girls simply act far too young to really be thought of as competitors. They’re all little sisters, not romantic partners. This does make things awkward in the final battle, as it’s one of those series where a kiss-powerup is sometimes needed, and Allen gets one from both Tina and Lydia. Tina’s is very “I’m sorry about this”, Lydia is the aggressor, and loves it. Also, it’s nice to see Allen struggle in a battle and get seriously injured. He’s seemed a bit too impervious lately.

So, the next book promises no Lydia. And apparently no Tina, Ellie, or Lynne as well. That leaves the actual little sister, so I’m not sure how much hareming we will get – I expect more of the “the kingdom is in danger” plotline. Till then, still enjoying this harem fantasy series, despite its awkward harem.

Arifureta Zero, Vol. 6

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By Ryo Shirakome and Takaya-ki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou Rei” by Overlap Bunko. Released in North America digitally by J-Novel Club. Translated by Ningen.

My biggest fear with this 422-page final volume was that it would be one long fight scene, and thankfully that is not the case, though the first third of the book is one long fight scene. My second fear was that it would be unrelentingly grim, and while it is grim, with lots and lots of deaths of people we care about, it’s not unrelenting, and there are moments of silliness and humor in the middle of the book. Heck, even some of the main characters survive, because I’d forgotten the main series talks about their descendants. But for the most part this book is “Miledi tries her hardest but fails”, as we knew it would be – it’s a prequel, after all. It also helps to set up the final volume of the main series, coming soon I hope, which will likely feature her showing up to save the day. At least I hope she does, because the day is certainly not saved here.

The first chunk of the book, as I said, is one big fight, and goes fairly well for our heroes right up until the very end, when they’re forced to retreat. They then take the time to try and gather a few more allies – the dragons are now ready to help them, and even the vampires are willing to pitch in… that is, after we discover their long-lost royal daughter (who is closer than you’d think) and resolve the issue of the missing heir to the throne. We also discover that you can access the most powerful magic ever if you get really, really drunk. Unfortunately, Ehit has finally had enough, and decides to force the hand of Miledi by brainwashing everyone who is not a Liberator to kill all their allies. This takes up most of the rest of the book.

As always with Arifureta, this book had a lot of things I enjoyed and some things I could really do without. The main issue with the last third of the book is that this cast is simply too damn large, especially with the books coming out every year or so, and it’s hard to get sad when a character who you can’t really remember well dies. I needed a guide at the start. Also, Naiz marrying one of his emotional support 8-year-olds once she came of age is not something I wanted at all. On the bright side, Miledi and Oscar are handled perfectly, and her execution and subsequent golemification are also done well. There’s even some good horror here, as one of the few bad guys who’s likeable has her soul destroyed so that the big bad can take over her body.

So yeah, not everyone dies, but the majority of the cast die, and Ehit still rules. It’s gonna be up to Hajime and company to fix things. In the meantime, this was a fun yet annoying prequel, just like its heroine.

Dahlia in Bloom: Crafting a Fresh Start with Magical Tools, Vol. 4

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By Hisaya Amagishi and Kei. Released in Japan as “Madougushi Dahlia wa Utsumukanai” by MF Books. Released in North America by J-Novel Heart. Translated by Osman Wong.

If the first few books of this series are about how Dahlia is not ready to enter a new relationship so soon after the wounds of her old one, this new volume is about how she soon may not have much choice. Dahlia has rocketed to stardom almost overnight, and it’s not really a surprise that people are assuming that either a) she’s not a magical toolmaker at all but just a pretty face fronting for someone else, or b) her backers are financing her because they want access to her body. Neither one is true, of course, but you can see why someone who knows nothing about Dahlia might think that. Unfortunately, Dahlia is the sort to internalize any worries is stress that she has, so it’s very difficult to get her to kick back against this and take charge. Fortunately, when this does happen, it’s pretty awesome to watch. As for Volf, well, you get the impression that he will realize his feelings before she does, but they’re both still incredibly stubborn.

Since Dahlia is going to be selling stuff to royalty pretty soon, and Volf has frankly been avoiding interacting with them, both need a crash course in manners and etiquette. After this… and several scenes showing them eating and drinking, with a pile of descriptive pages discussing same, she’s ready to sell the new portable camp stove. She’s also figured out a way to make self-cooling fabric, which essentially runs wind through your clothing… a great boon to a town like this one where all the clothes are heavy and stuffy. Things are looking up, and she and Volf both plan to do deeds that might net them a barony. Unfortunately, before she can sell to the Order of Beast Hunters, she needs to get the approval of the treasury, which is casting a disparaging eye upon her.

We’ve seen this before in prior books, but it’s really hammered home here: Dahlia and Volf act like they’ve been married for some time, and when you combine that with their constant refrain of “we’re just good friends”, it sends the mother of all mixed signals. That’s fine for Volf, who mostly has to deal with sudden bouts of jealousy when she’s interacting with other men, but Dahlia can still be painfully naive when it comes to how she has presented herself, and it leads to bad assumptions. Fortunately, once she starts nerding out about magical inventions, no one can really doubt she is the genius she says she is. She’s also getting better at asking for help, and we meet another guild whose leader might become a regular in the future… provided he does not drug Ivano again. Honestly, Dahlia’s barony is likely going to happen sooner rather than later… and I get the feeling it may screw up any relationship between her and Volf rather than help it.

This was a very strong volume in the series, one of the better fantasies for female readers J-Novel Club is putting out. Its magic system is similar to others (slimes, etc.) without feeling like an RPG, and the leads are terrific. More, please.

Ascendance of a Bookworm: I’ll Do Anything to Become a Librarian!, Part 4: Founder of the Royal Academy’s So-Called Library Committee, Vol. 8

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By Miya Kazuki and You Shiina. Released in Japan as “Honzuki no Gekokujou: Shisho ni Naru Tame ni wa Shudan wo Erandeiraremasen” by TO Books. Released in North America by J-Novel Club. Translated by quof.

This is the penultimate book in the fourth arc, and each of the arcs has featured a game-changing plot twist, so what we see happening in this book should not be a surprise, and yet it still feels a bit unreal. Ever since the 4th volume in the series, Ferdinand has been the second most important character after Rozemyne, and his presence… and ability to rescue her in case she got herself in a jam… were always there. Now he’s going to be leaving, and not in a happy way, either. As a reader, I know that something is going to happen to stop this, but I’m not sure when it will happen, meaning we may have to wait for Rozemyne to graduate before we get any results. And, um, I highly suspect that the civil war that keeps bubbling under will be underway well before then. Times are dangerous.

The first half of the book is pretty normal. Rozemyne finally meets her younger brother, Melchior, who is shorter than her! – just. She’s doing temple stuff, pushing publishing, and working on the finances of the duchy. Then we get the Archduke’s conference, and everything goes to hell, as Ferdinand is asked to marry Detlinde, an Ahrensbach noble. We know from the Royal Academy sections of the story that she’s the girl who wants to bully Rozemyne, so we already hate her. Needless to say, Ferdinand says no. Then the King tells him he has to do it. You cannot really say no to the King. We gradually over the course of the rest of the book hear the official reasons why this is happening, as well as the unofficial reasons, but hovering over all these is a secret reasons: Georgine is plotting bad, bad things.

One thing that this series has hammered home time and again is that very few marriages in this world are based on love, or even have any romantic feelings at all. Political and practical marriages are the watchword. Rozemyne is engaged to Wilfried, but neither of them really care about it. Angelica’s engagement is broken in this volume, and she literally has to practice being devastated by it, as in reality she just doesn’t care. So it’s not surprising that Ferdinand’s own feelings are being ignored here. (Indeed, a side story tells us that other duchies think he’s being abused by Sylvester and company!) But I mention this because the scenes with Ferdinand and Rozemyne here, while not romantic, are intense. She literally says that all he has to do is give the word and she will raise hell and go rescue him. Even if you are still wary of them as a match, it’s heartwarming in a familial sense.

The next volume, as noted, is the last one in this arc, and should feature Rozemyne and Ferdinand permanently “breaking up” – not that I expect that to actually happen. Will she be able to help? Will the country explode in war? And will Rozemyne ever stop looking like a 7-year-old so that all of this can get slightly less creepy? Can’t wait to find out.

An Archdemon’s Dilemma: How to Love Your Elf Bride, Vol. 14

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By Fuminori Teshima and COMTA. Released in Japan as “Maou no Ore ga Dorei Elf wo Yome ni Shitanda ga, Dou Medereba Ii?” by HJ Bunko. Released in North America by J-Novel Club. Translated by Hikoki.

Last time I asked where the story could go after the previous volume really seemed to wrap up most of the plots and put a bow on them. I really should have been able to guess, as the answer is: a short story volume. This one has a wraparound of the cast all having a post-saving the world party at Zagan’s castle, and Gremory (who is in a wheelchair, and also looks 16 years old becauze of, I assume, nearly dying) is trying to get everyone to tell her love stories, which ties in to Foll going around asking about love a couple of volumes ago. There’s a bit of ongoing romance stuff – Selphy has clearly very much come to terms with her love of Lilith, and is going to try harder to make sure she does not take the het route. (She probably will, be warned.) But really this volume is about the four stories, which range from good but slight to excellent.

In the first story, Zagan, Nephy and Foll go to visit a haunted house… one that looks very familiar. Chastille is there as well, separately, and runs into a boy who seems to have gotten lost. In the second, shortest story, Shax and Kuroka eat cute. In the third and longest story, we learn the story of how Raphael met Kuroka’s mother, and the love affair that sadly never was. And in the final story, Zagan and Nephy go on the most adorable date you ever did see, buying cute outfits eating parfaits, and making everyone else around them ill. It’s basically everything that readers of this series have dreamed of, except it doesn’t end with them banging each other like drums at the end of the date.

The reason to get this book is the third story, where Raphael comes to a merchant town to try to track down a serial killer who has been murdering people with swords. Also there is Heidi, who by day is a waitress at an inn and also helps out the local church, and by night goes around masked and attacks people with swords. Is she the person with swords who’s been killing everyone? This one was very compelling, and I sort of hoped that they’d get together, even though I know based on what we know about Raphael and Kuroka that wasn’t happening. It does, however, really require the reader to know what the significance of “the moon is beautiful” is. The first story (and the wraparound) give us the return of crybaby Chastille, who I’ve never really been too fond of, but oh well. The last story is absolute 100% pure sugar, and will be perfect for those who love that sort of thing. Also, Zagan and Nephy’s outfits are pretty cute.

I assume next time we will kick off whatever the next plotline is – Alshiera, I assume – but till then, this was a pretty solid short story collection.

Though I Am an Inept Villainess: Tale of the Butterfly-Rat Body Swap in the Maiden Court, Vol. 1

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By Satsuki Nakamura and Kana Yuki. Released in Japan as “Futsutsuka na Akujo dewa Gozaimasu ga: Suuguu Chouso Torikae Den” by Ichijinsha Novels. Released in North America by Airship. Translated by Tara Quinn.

As I think I’ve said before, I’m not the biggest fan of bodyswap stories. It’s just a personal squick, and always makes for uncomfortable reading, particularly when one of the people swapped is responsible for it. And also a terrible person. So, as you can imagine, the premise of Though I Am an Inept Villainess did not fill me with glee. That said: villainess book, one of my big genres. Also recommended by the authors of Bookworm AND Apothecary Diaries AND Saint’s Magic Power Is Omnipotent. This book had a huge amount of expectations for me. As always with my reading, it would probably depend on the lead character. How does she react to this? How does she fight back? Also, unique to bodyswap stories: how does the rest of the cast not immediately sense something is off? Especially in a world where bodyswapping IS possible? Well, good news all round: the book passes both tests with flying colors. In fact, the book is amazing.

Reirin is a beautiful court lady beloved and doted on by everyone, though also suffering from illness frequently. A butterfly. Keigetsu is a gangly, freckled, bitchy court lady that everyone hates, mostly as she’s terrible to anyone she doesn’t have to suck up to. A sewer rat. Then one day Keigetsu pushes Reirin over a balustrade… and Reirin wakes up in Keigetsu’s body. Which is now in prison, awaiting execution. She’s been bodyswapped! Worse, thanks to the nature of the swap, she’s physically and mentally unable to explain this to anyone. So, now she’s got to somehow avoid execution – which involves being eaten by a starving lion – and then somehow make a life where everyone hates her and she’s in this… wonderful, healthy, robust body? Meanwhile, Keigetsu discovers that Reirin isn’t just sick a lot, she’s at death’s door most of the time. Whoops.

Reirin is astonishingly good. Her combination of joy and guilt over being able to suddenly do ordinary things like eat fried potatoes all the time is hilarious, of course, but she also gets to unleash the tempered blade that is her personality, honed under years of training to not die from fever at any given moment, and use it to do things like show righteous fury, or spend an entire night sewing a new robe for her attendant (the old robe was damaged when the attendant tried to murder her). We also get the sense that she’s not fully formed yet – there’s a realization towards the end of the book that she always tried to keep everyone at arm’s length and made every conversation as if it would be her last, and she’s just realizing now how sad that is. As for the swap itself, I appreciate how everyone IMMEDIATELY realizes that there’s something up, as Keigetsu’s personality has done a complete 180, but it takes till the end of the book to actually figure out HOW. This means there’s less annoying bodyswap humor, which I always dislike. I will admit I wasn’t as fond of Keigetsu in Reirin’s body, but that’s because her character journey is “oh fuck (slowly begins to die)”.

There is a particularly vicious cliffhanger at the end of this volume, not helped by the extended short story that follows (though the short story is excellent, giving much needed backstory to several characters.) It is going to make waiting rfor the next volume a chore, though, especially as I’m not sure how they’ll keep the bodyswap up. Regardless, I found this book a wonderful read.

The Scum Villain’s Self-Saving System, Vol. 3

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By Mo Xiang Tong Xiu and Xiao Tong Kong (Velinxi). Released in China as “Ren Zha Fanpai Zijiu Xitong” on the JJWXC website. Released in North America by Seven Seas. Translated by Faelicy & Lily.

There is a 4th and final volume in this series, but it consists of prequel and sequel short stories, from what I hear, so for all intents and purposes this is the final volume. It’s a good volume, though has even less humor than the previous book, as the author is forced to actually take this world seriously given that the demon world is literally trying to imprint itself on the human world. Shen Qingqiu has a particularly rough time of it, ending up in a coffin early on and with things only getting worse from there. It doesn’t help that Luo Binghe is proving to be one of the most annoying stalkers ever, and his affection for Shen Qingqiu is something so obvious that literally everyone in the world sees it and is vaguely offended by it. Even Shen Qingqiu, who finally gives in near the end of the book. Unfortunately, if you want a tender mutual love scene, you may have to wait for Book 4. Sexual assault warning for what comes next.

As noted above, Shen Qingqiu finds himself in a coffin within a cursed mausoleum, and has to deal with both Luo Binghe’s demon father and also Zhuzhi-Lang, one of the weirder henchmen I’ve ever read about. That said, he’s actually doing pretty well at dealing with both of them. Luo Binghe, not so much. Things aren’t helped by the fact that he keeps getting into what looks like sexual situations with Luo Binghe… including feeling him up. Indeed, by now everyone assumes the two of them are already gay lovers. Unfortunately, world saving comes first, as Luo Binghe’s father is bitter and wants to unite the demon world and the human world… physically, by having one overlay the other. Which will, um, kill the humans. But so goes life. Can Shen Qingqiu solve this set of problems while still reminding the system messages that he’s not gay? Signs point to no.

First of all, gotta give some praise. Wu Chen is awesome. Yue Qingyuan is even more awesome. And the backstory for the original Shen Qingqiu is both realistic and also reminds you of something this book hammers home, which is that usually webnovel readers don’t want depth and character development, they want violence and sex, and lots of it. Living in a book like that can be terrible. As Shen Qingqiu finds when he is raped by Luo Binghe at the end of the book. It is theoretically a “I have to do this to save the world” sort of thing, but is thankfully not remotely portrayed as erotic or fulfilling, but as incredibly painful. That said, the tortured relationship between the two leads is at last ironed out, even if it means Shen Qingqiu leaving everyone else in his life to go off with Lup Binghe, who has, well, managed to offend everyone in Shen Qingqiu’s life.

As noted, this is not usually my genre, and I’m not sure if I’ll be reading the epilogue book. But for what it was this was pretty good, and I can see why it has its followers.

Strike the Blood, Vol. 21

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By Gakuto Mikumo and Manyako. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Jeremiah Bourque.

For once I have actual things to talk about in this volume of Strike the Blood, which is fairly low on cool action sequences. And by “fairly low” I mean there are still about 50% action scenes in the book. However, Kojou being depowered means that he can’t participate in them – indeed, for once, HE is the damsel in distress, as he makes a Faustian bargain that ends up biting him in the ass… gosh, where have I heard that before? So it’s up to Natsuki to get the band back together, as all of the girls who are in love with Kojou and also superpowered (and yes, this includes the two grade schoolers, though at least an objection to this is raised) band together to offer themselves as blood servants. All this so that he can control the new beast vassals inside him, regain his vampiric nature, and this series can FINALLY wrap up in the next. book.

There’s a bit of poignancy at the start of the book, as Kojou is forcibly reminded (by his childhood friend, no less) that giving up his powers means he is no longer the protagonist and therefore he needs to just go away. Of course, that does not stop him trying to think of ways to save Avrora, and he’s helped in this by the First Primogenitor and his servant, who could use a good laugh… erm, I mean, genuine have a desire to see Kojou succeed. Unfortunately, this goes so badly that Kojou has to literally be put on ice for twelve hours while Yukina and company try to gather twelve blood servants who can help to fight and quell Kojou’s twelve new beast vassals. Unfortunately, some of them are easier to persuade than others.

I’ve talked before about how Strike the Blood’s humor frequently is painfully unfunny,l though it’s gotten better recently. (It’s hard to top the record holder in “bad humor in light novels”, A Certain Magical Index.) As for this volume, well, it has a really solid joke that made me laugh. The way that Asagi gets the Second Primogenitor to cooperate with them is genuinely hilarious and also true to character. I will therefore forgive the “we have to fight while dressed in bunny girl outfits” bullshit, which is as lame as it sounds. And doesn’t work. Honestly, girls, it’s been twenty-one books and you’re still trying to figure out what makes Kojou aroused? Even hardcore yanderes would have given up and and found another love interest by now. We also seem to be confirming, in case you hadn’t guessed, that future Kojou is going to have multiple wives – my guess is twelve, though hopefully they will not include his sister. Or his teacher. Or the tank-driving grade-schooler. (Sadly, pretty sure it will include the succubus grade-schooler.)

Strike the Blood is never going to rise above the level of “solid”, and this volume also had some boring parts where it tried to give backstory and explain the villains, which I expect few readers care about. But it sets up the finale and gives the anime fun stuff to animate. That’s really all you can ask.

Chronicles of the Hidden World: How I Became a Doctor for the Gods

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By Tamaki Itomori and Izumi. Released in Japan as “Kakuriyo Shinjuku: Isekaide, Kamisama no Oishasan Hajimemasu” by Kadokawa Beans Bunko. Released in North America by Yen On. Translated by Luke Hutton.

Given the huge explosion of villainess stories we’ve had in the last few years, I’ve actually seen some people describing the genre as “isekai for girls”, which is ridiculous. Mostly it’s ridiculous because we already have a well-established isekai for girls genre, called, well, isekai. My god, it’s as if Fushigi Yuugi never existed. This sort of isekai usually involves a young girl transported to another world, discovering that she has powers no one else does, and also attracting the attention of a number of handsome young men, all of whom are usually either divine spirits of some sort or at least supernatural. And aside from the fact that Yae is reincarnated into this world rather than being transported, this new series hits all of those buttons. Fans of Kamisama Kiss and the like will enjoy this greatly… though possibly the other big difference is in our heroine, Yae, who has a heaping helping of self-deprecation that’s destroying her life, even if she’s not aware of this.

Yae, in Japan, lived a relatively unhappy and unassuming life where she spent most of her time accepting whatever anyone else pushed onto her because she was “nice”. (This may sound familiar to the target reader for this series.) She then dies and is reincarnated in Kumo, a land that seems to be connected to Japan in many ways but is also very different and filled with divine beings and cursed beings. The world is no stranger to isekai reincarnation, and Yae is eventually taken in by a village chief, the typical solution to such matters. Sadly, Yae is NOT like those other isekai girls. She retains her memories of Japan, and she also lacks a “nature”, which helps to define a person in this land. As a result, she feels like an outsider in her village. Then, one day, while doing a yearly ritual, she ends up freeing a divine spirit…

This is one of those books that’s all about the worldbuilding. Yae can be a bit over the top in her moping, and the revelation that it’s actually her who’s distancing herself from everyone else rather than the other way around is not exactly a news flash. Arai, the divine spirit, and his brother Sui, are both fairly standard types for this sort of story as well. However, the world itself is amazing, with artifacts from Japan ending up here changed in size and use – Yae’s new house she settles down in is not literally named as such, but it’s clearly a Coke can the size of a house. I also really liked the way that she uses her “doctor” abilities to cure those with afflictions and curses, which again involves some really cool descriptions and imagery.

The series clearly sets itself up to have Yae and her two boys wandering the land seeking out others who are suffering and “naming them”, in a way that will sound VERY familiar to anyone who’s read Natsume’s Book of Friends. That said, it’s been two years, and this is the only volume in this series, so we’ll just have to hope for more down the road. I definitely enjoyed this one, though.

Konosuba: God’s Blessing on This Wonderful World!: God’s Blessing on These Wonderful Adventurers!

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By Natsume Akatsuki and Kurone Mishima. Released in Japan as “Kono Subarashii Sekai ni Shukufuku o!” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Kevin Steinbach.

After a couple of volumes where I felt that perhaps the page count did not justify the limited content within, this final book in the main KonoSuba series seems to be just right. The final battle against the Demon Lord contains just about everything you’d want in a KonoSuba book. Kazuma wins by being kind of scummy and tricky; Aqua wails and whines but is also kinda lovable; Megumin casts explosion so much that the overuse of magic makes her nose bleed (at least I hope it’s due to overuse of magic, as otherwise that’s one weird fetish); and speaking of fetishes, Darkness is Darkness. The only thing missing is Yunyun being toyed with; she’s here, but mostly functions as a real competent person. As for the plot, it’s pretty much what you’d imagine, and the one big surprise I had with the book was not seeing one of the characters killed off, but when it happened.

We pick up where we left off last time, with our heroes getting most of the Demon King’s minions out of the castle by simply having Megumin carpet bomb it to death. And yes, she does this with Yunyun and the other heroes IN the castle. Then they’ve got to go find Aqua, which Kazuma does almost immediately, as he overthinks a trap for dumb people and therefore picks the dumb option. We then get a series of KonoSuba-esque scenes, which involve fighting minions, arguing, and comedy, until everyone reunited and takes on the Demon King and his most powerful supporters. Unfortunately, the Demon King is not named that for nothing; he’s pretty much impossible to kill, unless Kazuma does something that he’d really rather not do, as he was told that if it happens again there’s no turning back…

I’ve spent several reviews discussing the romance, such as it is, in KonoSuba, and it’s therefore amusing how little it actually matters here. Megumin’s still in the lead, yes, but that’s mostly by default, and it’s mentioned that darkness is turning down the many marriage proposals she’s getting for a reason, and that, after the final battle’s legend is passed around, Princess Iris has more of a crush on her “older brother” than ever before. But the romance is irrelevant because it’s secondary to the family. This whole adventure came about not because they actually wanted to kill the Demon King, but because Aqua was depressed. By the end of the book we’ve solved that, although I think Aqua wishes there was a way to do that that involved less of her sobbing desperately. The series ends restoring everything to the status quo, although things will presumably be easier with the lack of a Demon Lord making all monsters stronger than they should be.

There are many other unlicensed spinoffs in this series, featuring Darkness, Dust and Yunyun, Cecily, etc. The author also says he has ideas for sequels – this volume has several final battles, both in Axel and at Iris’ castle, but we don’t actually see any of them, and it’s hinted he may write that as well. That said, aside from the upcoming fanbook, I think Yen On is finished with KonoSuba novels for now. This is a very satisfying conclusion, and all fans should enjoy it.

Der Werwolf: The Annals of Veight, Vol. 14

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By Hyougetsu and Nari Teshima. Released in Japan by SQEX Novels. Released in North America by J-Novel Club. Translated by Ningen.

A new publisher for Der Werwolf made fans of the series briefly panic, as we’ve seen manga titles cancelled in the past when they jumped from one publisher to another. Fortunately, after a brief delay, the series is back with its 14th volume. Nothing has really changed now that it’s with Square Enix – cast is the same, artist is the same, it has the same “the entire book is one long chapter” style to it. And it still stars Veight’s daughter, although (as the author admits in the afterword) the balance between her own adventures and that of her dad is struggling a bit. This is The Annals of Veight, not The Annals of Friede, and I think a lot of fans would rather we stuck with the vice-commander. That said, they may be disappointed – there’s some setup here for Airia retiring, which means she and Veight might do more traveling and leave governing in the hands of the future generation. As for Friede herself, well, she’s a lot like her dad, and that includes getting young women to fall in love with her.

After tearing up Rolmund in the last book, this time Friede and company are invited to Wa, partly as a goodwill visit but mostly so the leaders there can see what sort of person she is. Veight is fine with this, ready to give her more slack to do what she wants, and she heads out with her best friends/harem. While there she’s given a minder, Iori, a serious-minded teenage girl who at first regards Friede as soft and riding on her dad’s reputation, a first impression that changes very, very rapidly after seeing her fight and seeing her steamroll any possible obstacles with her cheerful, straightforward attitude. Heck, she even charms the local cat people Grimalkin so much that they reveal to her a secret dance that might reveals a hidden treasure…

I mentioned on Twitter that I was not expecting this book to be yuri, and I suppose it’s not TECHNICALLY yuri, but it is true that Iori falls for Friede so hard and fast that it might as well be, and most of the latter half of the book is made up of what should absolutely be scenes of flirting romance. She’s an orphan girl who has struggled to prove herself, and (like half the cast in this series, including its two leads) tends to put herself down constantly. That said, I think she’ll be a fun addition to the series, because she definitely invites herself to go back with Friede and the others at the end of the book. I also loved her and Friede discussing Veight’s habit of downplaying all his own achievements, which I’ve mocked him for since the series began – “I’m just a simple vice-commander”, etc. It’s called “toxic humility” here, and I could not agree more. That said, I doubt it will go away anytime soon.

I agree with the author, I’m not sure where the series goes from here, but be it Veight or Friede’s book, I’m looking forward to finding out.