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Reviews

86 –Eighty-Six–, Vol. 11: Dies Passionis

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By Asato Asato and Shirabii. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Roman Lempert.

And so we go back to the beginning of the series, and back to the Republic. Honestly, I’m sure many fans would have been perfectly happy to never have to see the republic again. That said, the 86 series is not about giving fans what they want, as the opening epigraph certainly shows. It’s about the horrors of war, what war can do to people as individuals and as a group, and the depths to which people are willing to sink to justify their moral righteousness and cowardice. This book is very well-written, delivering a series of emotional gut-punches. That said, holy Christ, it’s depressing. At the end of this book the entire cast is left wondering what the point of the previous ten books was, and if they’ve really achieved anything whatsoever. It’s a question that I’m asking myself as well. What do I want out of 86? It’s well-written, but is this going to be a “this will go full tragedy and everyone will die” series, or will their be a glimmer of future hope? Signs point to no right now.

The book starts off with bad news right from the get go, as the Legion starts dropping satellites from orbit onto the Federation and its allied countries. Devastation follows, and everyone is forced to retreat from the gains they’d made over the last several books. Oddly, there is one country that did not get bombed from above: the Republic. And now the 86 have perhaps their least appetizing assignment of all: go to the Republic and evacuate everyone. And yes, they’re aware that it’s likely a trap, but what other choice do they have? Needless to say, back in the Republic we are reminded of why we hate the Republic so much, though we also get glimmers of good people just trying their best. Unfortunately, we are also reminded that a lot of Legion soldiers are made up of Former 86. And they REALLY hate the Republic.

The last third of this book should probably have a content warning, as there is mass death and slaughter, with innocents napalmed, butchered, and otherwise murdered in a variety of ways. And this doesn’t even get into the fact that our heroes are there to escort some very reluctant Republican citizens to another country, and grateful is not part of their vocabulary, to the point where Lena has to essentially make herself an even bigger source of hatred to motivate them to not just sit down and die whimpering. By the end of the book, we’re as exhausted as the cast. This is the sort of book where the only thing that will make it feel better is to read the next book in the series. And that’s not out yet in Japan, so expect about a year till we hear from them again.

I don’t want to downplay how this is a very good book. The action is well-written, the emotions are powerful, and the heartbreak is real. It’s just… as with real war, it’s hard not to come out of it wondering why you’re here at all.

Sword Art Online Alternative: Gun Gale Online: 5th Squad Jam: Start

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By Keiichi Sigsawa and Kouhaku Kuroboshi, based on the series created by Reki Kawahara. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

It’s been about a year since the last volume of this series, and many might be forgiven for thinking that it ended. Including the author, who admits it was supposed to end about here. I mean, in terms of plot threads to resolve, there aren’t many left. Karen is no longer being forced to get married, though the denouement for that may not appeal to her. Elsa’s issues are, for the moment, somewhat resolved. The real world has never really been a big part of this series, but even so, I would not blame the author for wanting to move on and write a few more Kino’s Journey books. But here we are anyway, with another Squad Jam, and the sense that Dengeki Bunko is asking the author to please keep the series going because it’s selling well and Llenn merch is cute. As a result, we get this new volume, the first of a two-part (?) story which seems to have one purpose: mock the author mercilessly.

OK, technically every single volume of this series has done that, but this one really makes the effort to get nastier. There’s a new squad jam, and the teams are the same (meaning Clarence and Shirley are still part of the squad). There’s complicated new rules which basically amount to “one team member gets to carry alternate gear for another team member”. Oh yes, and there’s one brand-new rule that is sent to everyone BUT one player. Yes, after essentially being the poster child for every single Squad Jam since the start, Llenn has gotten TOO famous, so now the added rule is that she has a bounty on her head, and whoever kills her in this game will get a pile of REAL money. Now she not only has to try to survive, but she has to find the rest of her team – they were all separated as the event began, and there’s mist everywhere!

For all that everyone in the book hates the author for not just letting them fight, this is a fairly clever setup that allows for what people REALLY want to see in each Squad Jam, which is something different. Separating everyone in particular is a great idea, as it allows us to get interaction we would not normally see, as Llenn forms a reluctant alliance with Vivi, the leader of the machine gunner’s squad. Speaking of which, this is just a game, unlike the original SAO, but there’s still a fair amount of violent death or near death. Vivi’s fate towards the end of this book is horrifying, and would likely have to be edited from the anime if one ever gets to this point. There’s a small attempt at plot, showing Vivi and Fuka are rivals in another game, but that just sets up a cliffhanger more than anything else. It’s pretty much pure action scenes and small characterization.

So yeah, as a book it’s light as air, and you’ll be hungry again right after reading it, but it serves its purpose. Maybe wrap it up soon, please, though?

My Happy Marriage, Vol. 3

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By Akumi Agitogi and Tsukiho Tsukioka. Released in Japan as “Watashi no Shiawase na Kekkon” by Fujimi L Bunko. Released in North America Yen On. Translated by David Musto.

Good news! After two trauma-inducingly depressing volumes of this series, we finally get a volume of My Happy Marriage that is working towards the title. That’s not to say that this volume is all sweetness and light – honestly, this series is never going to be that, I expect, until the final 5 pages of the last volume. But compared to the first two books, this is a pleasant walk in the park. Indeed, I wonder if the author thought the same thing, given that the entire subplot that is being investigated by Kiyoka seems like something invented to give the book a bit more drama and heft. Miyo is still suffering, of course, but this time it’s straightforward, normal abuse that we’ve seen in many, many series like this – the abuse of a mother-in-law who hates her son’s choice of wife. And while she and Kiyoka are not quite on the same page yet, they do at least now understand how the other person thinks.

Kiyoka and Miyo are invited by his father back to the Kudou mansion, as there needs to be a “meet the parents” event. The only trouble is that Kiyoka and Hazuki seem to have minimal respect for their father, and they both absolutely despise their mother. Neither one wants Miyo to be anywhere near her. Unfortunately, Kiyoka also gets an investigation that’s in the same town that his family home is, so and and Miyo (Hazuki can’t make it) have to go and meet Mommie Dearest anyway. It goes about as well as you’d expect, especially since Kiyoka has to be away from the mansion for the investigation much of the time, leaving Miyo to deal with her all on her own. And while this is going on, there’s a huge horned monster terrifying people near an out-of-the-way shack…

How much the reader enjoys this probably depends on how much they can tolerate Fuyu, Kiyoka’s mother and a thoroughly unpleasant woman. Her verbal abuse towards Miyo is loathsome, and the novel’s resolution appears to be a combination of “I have seen that you can be useful so I will allow the marriage” and “I am a 50-year-old tsundere, the worst kind”. Miyo still has horrible self-hatred issues, which don’t help when Fuyu is belittling her (she simply agrees with everything Fuyu says), but she rapidly realizes that the reason Fuyu’s abuse actually hurts her is that she’s now experienced what it’s like to be loved. The joy of being accepted makes the pain of rejection harder to bear. That said, Miyo still tends to ignore her own emotional despair, something literally pointed out to her by Kiyoka… who, to be fair, does the same thing.

I can see people disliking this book, mostly as Fuyu does not really suffer any consequences for her abusive behavior. That said, it honestly felt like a lighter, softer volume? Which probably says more about the first two in the series than it does about this one. Still valiantly hoping for the title to be accurate one day.

The Holy Grail of Eris, Vol. 3

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By Kujira Tokiwa and Yu-nagi. Released in Japan as “Eris no Seihai” by GA Novels. Released in North America by Yen On. Translated by Winifred Bird.

Boy howdy, this wrapped everything up just the way I wanted. OK, I admit, there was not enough Abigail, but I’ve come to terms with that. (And we also get Kimberly Smith, who is James Bond, as the author admits, and also wonderful.) And unfortunately the plot demanded that Connie essentially be stuck in a cell for the latter half of the book. But this actually turns out to be important as it allows us to see that a) everyone around her knows what a good and forthright person she is, and b) it allows Scarlett to have to take action on her own, rather than just stand behind Connie and snark (and occasionally possess her). And while we don’t get Abigail, we do get her daughter Lucia, who is made of 100% pure awesome and who I desperately want to see a sequel series about. She even has her own sidekick! Who is a foreign prince, sure, but let’s not sweat the details.

After discovering the truth of why Scarlett was executed ten years ago, Connie and Randolph go off to confront Scarlett’s father. That said, knowing this doesn’t actually CHANGE anything. Especially as Ulysses’ kidnapping is coming closer and closer to bringing nations to war. Not to mention that Princess Cecilia is still around. Oh yes, and Abigail’s daughter Lucia is also accidentally kidnapped, and added to the pile of children in danger. Connie is very good at running around, finding clues, and getting into trouble, which is what’s needed to find the real culprits… which is why the culprits decide to blame her for the kidnapping, lock her up, and execute her. Problem solved! Except that, unlike Scarlett ten years ago, everyone adores Connie…

By the way, if you are looking for a series with kickass women in it, this is a great choice. Even the villains kick ass, and get dramatic yet thematically appropriate death scenes. The throne war in the neighboring kingdom ends in a way that made me laugh, and also want to go back and read the second book again. The little ‘Character biographies’ that appear throughout the book, designed to read like otome game bios where they update as events happen, are laugh out loud hilarious. The climactic finale is heartwarming and heartbreaking. If there’s one flaw here it’s that I think the author and publisher wanted to leave room for a sequel, so we get a somewhat tacked on addition near the end, featuring the very first thorn in Connie’s side returning like Sadako. But I’ll forgive it, if only as it leads to what is essentially a polyamorous marriage. One man, one woman, and one ghost, as God intended.

The series ends here, but there is a fourth volume in Japan that has a sequel, with Connie and company going to the land of Scarlett’s late mother. However… it only came out in Japan digitally. I highly doubt that GA Novels would let Yen release a print book when Japan hasn’t, and I doubt Yen would license a digital-only 4th volume. So I suspect this is it. Oh well. Great finale, great series. Highly recommended for fans of thrillers.

Fox Tales

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By Tomihiko Morimi. Released in Japan as “Kitsune no Hanashi” by Shincho Bunko. Released in North America by Yen On. Translated by Winifred Bird.

After getting a couple of books in the previous few years, this is definitely the year of Tomihiko Morimi in North America. The Tatami Galaxy, one of their most famous works, in finally getting a translation into English next month. Tower of the Sun, their debut work, came out in August (though I did not review it as I read the first 20 pages or so and decided that I hated the protagonist so much I wanted to burn the book). And now we have Fox Tales, a short story collection that came out the same year as The Night Is Short, Walk On Girl. But while that book was mostly whimsical fantasy with the occasional bout of melancholy, Fox Tales is straight up here to be scary and unnerving. It’s basically a yokai book, with four stories interconnected by a curio shop and also a mysterious fox/dragon creature that seems to act as a harbinger of bad things. The stories vary in quality, but the book is definitely worth a read.

In the first story, which is also the title story, a young man works part-time at a curio shop run by a middle-aged woman who falls under the dictionary definition of “mysterious”. Unfortunately, in an effort to protect her, the man gets involved with a nasty person who engages in trades, and has a way of making you REALLY want to make the trade. In the second story, our narrator falls in with a man who can’t stop telling stories of his past. The third story has a tutor of a high school boy run afoul of a mystery person who is going around beating people up, possibly due to something the family of his student did years ago. And in the final story, a young man (it’s always a different nameless young man, by the way) goes to his grandfather’s wake and ends up nearly drowning in family obligations and past sins.

One of the stories has a “twist” ending, but the twist is fairly easuy to figure out almost immediately, so I’d argue it’s not really meant to be a mystery. Mostly the stories set a mood, and succeed admirably. They have a lot of Morimi’s quirks, such as characters walking around back alleys, used bookstores, and how people actually feel buried in the things that they don’t quite say. It can also be scary – the first story is almost straight up horror, and the third story ends so abruptly I wondered if there were pages missing – it’s as if once we figure out the “why” there’s no reason to type any more. The final story was probably my favorite, digging deep into family history, the oppressiveness of funerals, and (as with all of these stories) the supernatural. The only story that didn’t work for me was the second one, which went for “melancholy” rather than “eerie” and didn’t seem to fit.

If you enjoy Morimi, this is a must buy. It’s also a good addition if you like spooky stuff.

Alya Sometimes Hides Her Feelings in Russian, Vol. 1

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By Sunsunsun and Momoco. Released in Japan as “Tokidoki Bosotto Russia-go de Dereru Tonari no Alya-san” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Matthew Rutsohn.

High school romcoms have made a big comeback in recent days. Technically, they never really went away in Japan, but like sports manga in the 2000s, non-supernatural tinged light novels in the 2010s were forbidden. The gateway has now burst open, though, helped by the breakout hits such as My Youth Romantic Comedy Is Wrong As I Expected, Bottom-Tier Character Tomozaki and Chitose Is in the Ramune Bottle. And we have the “sweet” subgenre, characterized by minimal conflict and a lot of “awwwww” moments. Now there’s a good chance that when a new series hits big numbers in Japan, and makes the end of year lists, it’s likely to get a license. And this year’s golden girl is Alya Sometimes Hides Her Feelings in Russian. If you are asking “apart from the Russian, what’s so new about this variation?”, the answer is not much, though it does have an interesting twist I won’t spoil. But the main goal of this genre of books, being sweet and relaxing, works just fine.

Alisa Mikhailovna Kujou, aka Alya, is our heroine. She’s half-Russian, and is a transfer student into a school known for academic excellence who nevertheless ends up at the top of the grade charts. She’s known as the “solitary princess” for her general attitude, which is standoffish. Sitting next to her is Masachika Kuze, who is… look, just read any of the other books in this genre and you’ll know exactly what he’s like. Seemingly lazy and shiftless, secretly plagued by backstory and works hard when no one else can find out. That kind of guy. In class, Alya treats him harshly, scolding him, reminding him of the school rules, and calling him an idiot. That said, in reality she has a crush on him, and occasionally says things to herself in Russian to blow off steam about it. Unfortunately… Masachika knows Russian.

This is a good book. Likeable characters, fast and breezy writing, some amusing lines. Alya is a kuudere who does not really take much poking to get rid of the ‘kuu’ part, and honestly the main surprise was that they did not end up together at the end of the book – I suspect this was written with a longer series in mind, rather than as a “contest winner” one-shot. Masachika’s “tragic” backstory is rather mundane, but that ends up working well here, and reminds us that most teens don’t really need much to get derailed from their dreams. A divorce, a childhood friend disappearing, a realization that being a winner means there’s a loser… it’s standard stuff, but fits well here. And there’s also a lot of cute romcom scenes, helped out by Yuki, a fun character who appears to be the “other woman” in this book but ends up nothing of the sort.

Basically, I get why this is popular. If you like the genre, read it. If you want fast progress or more compelling drama, don’t read it.

Dahlia in Bloom: Crafting a Fresh Start with Magical Tools, Vol. 5

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By Hisaya Amagishi and Kei. Released in Japan as “Madougushi Dahlia wa Utsumukanai” by MF Books. Released in North America by J-Novel Heart. Translated by Osman Wong.

The fact that I still greatly enjoy this series despite it moving at a pace that would make a snail speed past it is testament to the good writing and strong characterization of the two leads. Last time I said that I didn’t feel Dahlia was quite mature enough to enter into a relationship, and that’s still true, but it has to be said that the exact same thing can be said about Volf. Plus, let’s face it, they’re essentially already married in how they act around each other every day. It just lacks the acknowledgement of attraction and desire. But boy, we’d really like to see that attraction and desire, huh? Volf is one slight step ahead of Dahlia in that he occasionally can admit his feelings (see his reaction when he hears Oswald has recommended Dahlia get a “large black-haired dog” to guard her at night. (Dahlia, of course, does not pick up on this at all, and starts asking about actual dogs.) Slow burn isn’t the word. Slow heating pad.

It’s a new volume, so we must be getting a new person who’s challenging Dahlia to verify that she’s not after Volf’s status or wealth and that she really is who she says she is. This time it’s Volf’s brother Guido, who tries to bribe Dahlia with a pile of cash, which works about as well as you’d expect. After this misunderstanding is cleared up (and Volf, who arrived late, expresses his displeasure at the whole thing), she bonds with Guido pretty quickly, as well as his bodyguard Jonas. She’s also becoming fast friends with her mentor Oswald, who is teaching her the proper, safe way to make tools (as opposed to the various not safe things she’s been doing to date), and giving her a protection bracelet made from precious materials. This triggers Volf’s jealousy… not that he’ll admit it. And she doesn’t notice it anyway.

Probably the most interesting part of the book is when Dahlia is convinced to actually outsource things so that she’ll have time to come up with new ideas. The problem with this is that the best company to outsource to is Orlando & Co., home of her ex. It is rather fitting how the company has fallen on hard times. At times you might think it’s a bit too much, and if you do I urge you to go back and read the first volume and see what Tobias did. Dahlia, of course, goes nowhere near the place, which is just as well, as she might be tempted to be too nice – indeed, she’s being too nice just subcontracting to them at all. Ivano’s scene with Ireneo is dark and chilling, both for his attitude towards the company and also for his ability to see that Tobias’ mother (who blames herself for everything that happens) is suicidal, and pauses things to make Ireneo stop her. This is a long way from “Dahlia and Volf drink and drink and drink some more”.

That said, rest assured we have that as well. (Also, have we even seen Tobias’ wife since she arrived to be the other woman? I will be 100% unsurprised if she did not bail as soon as the world turned against him.) Dahlia in Bloom remains a top-tier Heart title.

Making Magic: The Sweet Life of a Witch Who Knows an Infinite MP Loophole, Vol. 1

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By Aloha Zachou and Tetubuta. Released in Japan as “Maryoku Cheat na Majo ni Narimashita: Sōzō Mahō de Kimamana Isekai Seikatsu” by GC Novels. Released in North America by J-Novel Club. Translated by Emily Hemphill.

A lot of new writers these days tend to start off writing fanfiction of their favorite series, or of the popular series of the time. The good authors know how to skillfully take the original world and add their own take and characterization to it. The less good authors simply rewrite the original as prose, adding the occasional difference but largely having events go the same way. I am starting to feel that way about a lot of these “reincarnated into a fantasy world with OP stats” books. They may have different villages, or dungeons, and this one at least lacks a harem of slave girls (instead having a golem daughter-figure… I’ll go with daughter as the alternative skeeves me), but for the most part if you’ve read Kuma Kuma Kuma Bear, you’ve pretty much read the same sort of things that happen here. It’s not a good sign when even the chapter titles are pleasant but boring.

We start off with our main character dying and meeting God. We don’t hear a single thing about their past life, though they appear to have been a woman named Chise. In any case, God reincarnates her into a different world, and she chooses ‘Creation Magic’ as her one cheat skill that gods inevitably give dead people in this genre. Ending up in the middle of absolutely nowhere, Chise slowly begins to figure out how this world works and how her powers work. Very, very slowly. Eventually she creates a golem, and then by feeding the golem magic stones the golem evolves into Teto, a very strong and naive young woman who is deeply devoted to Chise. Together, the two of them rescue adventurers, gather herbs, fight ogres, and help a village to acquire basic survival skills.

This is from Micro Magazine’s GC Novels imprint, and I’ve talked before about how this imprint seems to have a very high miss ratio for me. I’m afraid this is another one. It improves in the second half with the village, and when it tries to focus on the fact that as a consequence of Chise raising her magic powers so high she’s also accidentally making herself immortal. Unfortunately, the first half is an absolute slog, especially for non-gamers who do not care how Chise tries various ways to kill things, or create things, or raise her magic. Also, and I blame the editors more than the translator here, one thing Chise creates to help her level up is named, repeatedly, a “strange fruit”. Even if that was its name in the Japanese romanji, or if it turns out it’s a familiar RPG thing, it should have been changed to ‘weird fruit’ or ‘bizarre fruit’ or something similar. Please google the words, or search on Spotify, if you don’t already know why.

If you’re a fan of overpowered characters who look like 12-year-olds walking around being incredibly powerful… there are STILL better books to read than this one.

Accomplishments of the Duke’s Daughter, Vol. 7

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By Reia and Haduki Futaba. Released in Japan as “Koushaku Reijou no Tashinami” by Kadokawa Books. Released in North America by Seven Seas. Translated by Andria Cheng.

If the first book in the “Accomplishments of the Duchess” prequel was about discovering the hellion that Merellis once was, this volume is about showing us how she came to be the woman we know from the main series. In essence, this is also a book about her training for battle, it’s just the battles she’s going to face are in society rather than in the military, and the enemy is anyone who dares to look down on her. And, frankly, she takes to this just as well as she took to being a swordswoman. Frankly, as I’ve said before, Accomplishment of the Duke’s Daughter is not a series to read if you want to see protagonists struggling valiantly against impossible odds. For the most part, it’s about seeing women kick ass, in a variety of settings. In that regard, this volume works perfectly fine. And, in case you were worried we’d lose the awesome swordplay and butchering of enemies, no worries, we get a bit of that as well.

There is an ominous beginning, where Merellis’ father forbids her from taking up the sword and announces she’s going to be engaged to be married to the son of Duke Armelia, a political marriage. She suffers greatly over this for about five pages, but the reader is in on the joke, so we know everything will be fine once she figures out who the duke’s son is. After that it’s just a matter of shifting gears. If she can protect the most people around her through politics rather than the blade, then politics it is. As such, Louis’ mother gives Merellis a crash course in nobility, something she has assiduously been avoiding for the past several years. Just in time too, as it’s time for her to make her debut and attend the academy. Let’s hope it goes smoother for her than it did for her daughter…

I enjoyed seeing how Merellis’ training in military and the sword can be of use to her in society, particularly in how she watches the way people move and stand. Twins who are indebted to her father for saving their lives arrive at the estate, and Merellis can tell very rapidly that a) they have some basic fighting skills, and b) they’re OK to trust. These skills will serve her well. The book’s pacing is sometimes a problem, and sometimes the plots it drops can be more ominous than intended – Merellis’ old maid injures herself and is forced to return home, and there is a suggestion that she will die… which she may indeed have done, as we never hear from her for the rest of the book. It’s at times like these that the series shows off its seat-of-the-pants webnovel roots.

Fans of the main series may still be a bit put off that Iris is only in the wraparound at the start and end of this, but for those who found her mother to be a cool character, good news, here’s more of her.

Death’s Daughter and the Ebony Blade, Vol. 2

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By Maito Ayamine and Cierra. Released in Japan as “Shinigami ni Sodaterareta Shoujo wa Shikkoku no Tsurugi wo Mune ni Idaku” by Overlap Bunko. Released in North America by J-Novel Club. Translated by Sylvia Gallagher.

It’s probably time to bring up Michael Moorcock and the series Elric of Melnibone, a series that I’m 100% sure that Maito Ayamine has read over and over again. This particular light novel series happens to feature a silver-haired protagonist who wields a sword that supposedly takes the souls of those it kills and gives them to their patron. Which, well, is exactly what happens in Elric as well. That said, Death’s Daughter and the Ebony Blade does not remotely have a sense of tragedy or pathos in it, running instead on “gosh, that murderous military scamp, isn’t she adorable?”. In the Elric series, you can be reasonably certain that everyone around Elric, particularly his love interests or close friends, will die. Olivia has Ashton has her not-quite-love interest, and Claudia as her “in my heart, this is an OTP” best friend/morality chain, but I have little worry that they’ll be killed off anytime soon. The same can’t be said for anyone else on the side of the Empire.

After the events of the first book, Olivia has gotten a bit of a reputation. In fact, she’s being called a monster, something she is not happy with. (Later she gets upgraded to “God of Death”, which pleases her much more). The book rapidly becomes a series of battles where the moral of the story is “if Olivia is here, or able to get here in the nick of time, we will win. Otherwise, bad things will happen.” The Empire tries sending some of its strongest warriors to fight her, and then a few of its generals. The outcome is the same. It helps that she has Ashton’s tactics, of course, which are also rapidly being appreciated more and more, by her allies if not by the Empire. Can someone come along that causes Olivia to reflect on what she has become? Or is it just “I want to eat delicious cake and butcher enemies, and this town has no cake?”.

In case it was not crystal clear, you should only be reading this series if you have no trouble with a moral void of a main character. In any other series, Olivia would be the terrifying villain. Indeed, I was sort of expecting Claudia to turn to Ashton at some point, possibly after Olivia had decided on the blood and skulls-themed family name as the one she’ll take going forward, and say “Are we the baddies?”. No, you’re not, but that’s really only because there are no goodies in this book, really. Everything can be abandoned in the name of military victory. There is some lip service paid to what it means to be a good lord of a city, in terms of protecting the people who live in that city from harm, but even there the lesson is taught by the execution of the errant lord.

Essentially, this is a very dark series, but it’s not written in a dark manner. It’s written as if this is Haruhi Suzumiya with a sword. That sort of dissonance is probably what makes it interesting.

Formerly, the Fallen Daughter of the Duke, Vol. 2

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By Ichibu Saki, Nemusuke, and Ushio Shirotori. Released in Japan as “Moto, Ochikobore Koushaku Reijou desu” by Mag Garden Novels. Released in North America by J-Novel Heart. Translated by Andrew Schubauer.

The author admits in the afterword that a lot of the fans of this work were very thrown off by the twist at the end of Book One, and even more by the start of the events in the second book. I can’t really blame them. Book one read like a nice, pleasant villainess story with a happy ending. A bit boring, but not actually so much so that you walk away. And now we’re back to the start, and we have to do things all over again. The trouble here is that our heroine does not quite have the self-esteem needed to try to regain her fiancee, so we get nearly an entire book of “it’s OK if he doesn’t love me this time around, I’m fine with being friends”. The other issue, of course, is Charlotte, who remains The Absolute Worst. It’s never quite made clear if she also has memories from Japan, but there’s certainly a lot of “I’m the heroine, why is everything not going my way?” to her.

After the events at the end of the last book, Claire finds herself back where she started, in her old country and about to get her old baptism. She manages to make a few quiet changes (like taking her mother’s note to her so it can’t be used by Charlotte), but for the most part everything goes as it did last time. Except… her family seems a lot nicer and more considerate? In fact, she’s being sent off to school in the country that she fled to in the last book, and can reunite with her old friends and old fiance. But there’s a hitch. Claire is not the only one that went back in time for a redo. And the forces of evil are using the power of capitalism to try to destroy any chance Claire has at getting the powerful magic she needs to achieve her happy ending.

The book keeps its feet firmly in the fantasy in this volume, with almost no mention of the “Japanese game” part of the series. For the most part, as I noted, the most interesting part of the book is Claire reacting to her family being nice to her. Claire never explicitly states this, but being treated like garbage in the previous world hurt her a lot, and it means that when her ex-fiance or brother are kind and caring towards her (indeed, the fiance is trying to fix the ‘ex’ part) it just throws her off. There is an iffy part of the book, though, which involves brainwashing someone. First of all, the setup to this is ham-handed and obvious, and I rolled my eyes. Second, even though the person being brainwashed is an antagonist, and Claire freaks out and tries to undo it, it really seems like an easy “get out of bad plots free” card. Fortunately there’s still Charlotte around to make everything worse, but still.

This book does NOT end with another loop, much to my relief, and there is a third volume in the series. I’d put this in the middle tier of villainess books.

7th Time Loop: The Villainess Enjoys a Carefree Life Married to Her Worst Enemy!, Vol. 2

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By Touko Amekawa and Wan*Hachipisu. Released in Japan as “Loop 7-kaime no Akuyaku Reijou wa, Moto Tekikoku de Jiyuukimama na Hanayome (Hitojichi) Seikatsu wo Mankitsusuru” by Overlap Novels f. Released in North America by Seven Seas. Translated by Amy Osteraas. Adapted by Aysha U. Farah.

I’ve frequently made fun of the fact that many villainesses in these books, with Katarina Claes being the best example, keep constantly trying to “solve” all the problems facing them without realizing that the problems have solved themselves simply due to being empathic and kind. Because Katarina, and Rishe in this series, know the real truth: even if you are as sweet as pie, never assume that the narrative has gone away. Rishe knows that her recurring deaths, and the war that leads to them, are not something that can be solved by simply marrying the man behind it all and showing him how to be happy. There’s a lot more to it than that. This is especially true of this second volume, which brings back a number of characters from her life as an apothecary. Including one who is, for all intents and purposes, a terrorist.

Rishe remains dedicated to her efforts to live a happy, carefree life by overworking herself to death in order to get it. She takes sword training from Arnold, and when she realizes that she absolutely lacks the stamina she had in her knight life, not to mention the elite training Arnold’s knights have, she secretly disguises herself as a boy and enrolls in the knight course. As this is happening, a delegation from Coyolle, a country which has relied on its mining to help it not be taken over and destroyed by other countries, has arrived, including Prince Kyle, who Rishe knew in her apothecary life, and Michel, an alchemist who enjoys inventing things, and if they’re weapons of mass destruction, well, they need to be used. You can’t just NOT use poison once you’ve made it.

Michel was probably the best character in this volume. He’s given a tragic backstory, of course, but for the most part he is the genial mad scientist, willing to blow up the world as long as it shows that his theories are correct. He and Rishe get along surprisingly well. Then again, getting along with everyone is Rishe’s thing. And this includes Prince Kyle, who briefly makes Arnold jealous as in his country all women are meant to be venerated, meaning his attention to Rishe is, shall we say, too much for our grumpy Crown Prince. That said… war does appear to be the the first response for him, and Rishe has to work her ass off to show that diplomacy is the better answer in this case. The answer to “why do I keep dying?” is still not an easily solvable one, but at the very least Arnold finds her fascinating, and is unlikely to brutally murder her this time, unless some horrible misunderstanding happens. Which is unlikely, I mean, this is a light novel…

Fans of the genre, or just fans of shoujo romance, should find plenty to dig into here.

High School DxD: Pandemonium on the School Trip

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By Ichiei Ishibumi and Miyama-Zero. Released in Japan by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Haydn Trowell.

This may be the least horny DxD volume to date. Which, trust me, means it’s still ridiculously horny, and filled with consensual groping and non-consensual destruction of clothing. But the title is actually High School DxD, and this volume wants to remind you of the first part, as Issei and his class are going to Kyoto. And they actually do make an effort to put in the “look, I did the research” work. There are, of course, supernatural bad things going on on their trip. And they naturally seem to center around Issei. But his teachers say to leave it to them, and to try to have a normal fun school trip. Which makes sense. Most of our protagonists are either demons, fallen angels, or angels, and “high school romcom” is theoretically not high on the list of things they have to do. Unless you’re High School DxD, of course, where Issei cannot walk two steps without having another gorgeous young woman fall in love with him. This volume’s candidate is very young indeed.

As noted, everyone’s off to Kyoto!… well, almost everyone. Rias and Akeno are, of course, one grade higher than Issei, so aren’t going, much to their annoyance. That said, everything is official and they even have special thingummies that will allow them to visit the very religious temples without, y’know, bursting into flames or the like. Things are going well… despite a growing rash of breast gropers among the populace. And the elementary-school aged fox girl who demands that Issei give back her mother, who has been kidnapped. That said, if you recall the events of the seventh volume and wonder “if this perhaps the work of the guys trying to reverse engineer balance breakers so humanity can fight angels and demons?”, you would be absolutely correct.

I will admit that the human side does have a point here, in that if you happen to know about angels and demons and dragons and the like, and they’re all fighting each other, you start to feel like a pointless statistic in comparison. That said, if you want humanity to triumph, I’m pretty sure “terrorist acts” is not the way to go. As for Issei, he’s getting better not only at fighting but also at leading, which is good because without Rias the group seems to lack anyone to give them strategy beyond “hit things very hard”. (Or heal things very hard, in Asia’s case.) I was also amused to see that Issei’s power is very similar to Izuku’s in My Hero Academia (which came out well after this book), complete with prior users who give him cryptic advice. And are also a fan of his signature breast moves. Which is a real sentence that I just typed out, and I still can’t really believe that.

So we’ve had the sports festival, and the class trip, so I think I know what’s coming next. Till then, enjoy a solid volume in this horny series.

I’m the Villainess, So I’m Taming the Final Boss, Vol. 4

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By Sarasa Nagase and Mai Murasaki. Released in Japan as “Akuyaku Reijo Nanode Rasubosu o Katte Mimashita” by Kadokawa Beans Bunko. Released in North America by Yen On. Translated by Taylor Engel.

A lot of light novels, particularly in the Villainess genre, have trouble sometimes coming up with what comes next. Looking in particular at My Next Life As a Villainess, which one can argue has sort of been spinning its wheels since the start of Book 3. Fortunately, some authors are much better at coming up with compelling storylines, even if the storyline is “oh, there was another game”. It helps that we have Aileen, who of all the Villainess protagonists is probably the best at being a “villain” personality, i.e. a confident and dynamic young woman who does not take shit from anyone. Well, except perhaps her husband. That said, she gets help here from the “heroine”, Lilia, who is not exactly on her side but is not the antagonist this time, and whose gleeful fourth-wall breaking and sneering bitchiness make this book even more entertaining than it already is. They’re taking on the third game, which has an Arabian feel to it, but still involves the same old otome game tropes.

Aileen and Lilia, along with attendants Rachel and Serena, are headed on a boat trip to Hausel. A dragon went wild while Claude had amnesia, and they need to attend an inquiry to explain it. Unfortunately, on the voyage, the boat’s women are all kidnapped! They’re now in the Kingdom of Ashmael, and are part of the royal harem. Unfortunately, Aileen and Lilia both recognize this scenario: it’s the third game! The “heroine” is Sahra, a holy daughter of God who can repair the Holy Sword. The “villainess” is Roxane, a stoic and reserved woman who is Baal’s main consort. That said… certain aspects of the game seem to have already happened before Aileen and company arrive. Is someone else pulling the strings? Can Aileen avoid being unfaithful to her husband? And why haven’t they consummated their marriage anyway?!

Every time Aileen and Lilia are in the same scene it is a delight. Lilia is absolutely terrible in a way that would be excruciating in real life but is wonderful on the printed page. The fact that the two of them are forced to team up here makes it even better. As for Roxane, like the other villainesses in this series she turns out to be far more than she seems, and I hope we see more of her. We’re definitely going to be seeing more of Sahra… at least I hope we are, as her arc was rushed and lacking, the one part of this I didn’t enjoy. The implication near the end is that Cedric is going to take her in as sort of a way to keep Lilia interested, which I’m sure won’t rebound horribly on him in any way. And, of course, Aileen and Claude are adorable together. It is amusing that everyone – everyone – who knows Aileen thinks she’s cutest when she’s crying. (We also get some brief backstory drop, and wow, her family is very much “you will be awesome or you will die, no other options.”)

This is the first volume that won’t be animated by the current adaptation, and if you’re an anime-only fan it’s a great one to dive into. This remains one of the top-tier titles in the Villainess genre.

The Bride of Demise, Vol. 2

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By Keishi Ayasato and murakaruki. Released in Japan as “Shūen no Hanayome” by MF Bunko J. Released in North America by Yen On. Translated by Jordan Taylor.

Sometimes you are an author with a wonderful idea, a grand epic tale that will span 30, nay, 50 volumes, and then you get told by editorial to wrap it up in the next chapter. So goes life. Then there is the opposite problem. Sometimes you get an idea for a great, short, punchy horror story with a side of friendship and bonding, and it’s great. In fact, it’s so great the publisher asks where the next volume is. There… isn’t one? It’s complete? Nonsense, you will write more. Because it was popular. Now, I’m not sure that’s exactly what happened with Keishi Ayasato and The Bride of Demise, but it would not surprise me if that was the cast. There’s nothing wrong with this book. It’s got evocative prose, startling horror, and some cool battle scenes. It’s just it doesn’t feel like it’s actually telling us all THAT much that’s new about the world, except for one thing which isn’t much of a surprise. But, if you enjoy Ayasato, it’s still very good.

Kou Kaguro, after 15,000 deaths to get there, finally has his happy ending. He’s at the Academy in his special class with his beloved White Princess. He even gets a big surprise when Millennium Black Princess joins the class as a “new transfer student”, something so blatantly false that the class boggles in disbelief. And they get a second teacher, Hibiya, who proves to be far more adept at actual teaching than the eccentric Kagura. Plus, it’s School Festival time! Admittedly, as part of the secret class, it’s harder to walk around the festival, but that’s why masks were invented. They’re even doing a haunted house, and trust me when I say it will be scary. Everything’s coming up roses for Kou… at least till he gets stabbed to death. And then stabbed again. And again. By his closest friends.

Kou can be a relatively passive protagonist, something he is called out for here by Kagura and Hibiya, who both tell him that he uses his time powers like a magical do-over, and that eventually that will get him into trouble. But he’s still trying to be a good guy… a “hero of justice”, as it’s explicitly stated here, and towards the end of the book he finally gets a handle on this, realizing that sometimes justice makes you need to do terrible things to people that don’t really deserve the=m. We also get some new insight into the kihei, which should be too surprising if you’re read enough conspiracy novels, but also lends a nice air of “uh oh” to the series going forward. And there’s even a smidgen of romance, though for the most part it’s either of the “let’s hold hands” variety (Kou and his princesses) or an ominous setup for the third book (Asagiri).

So yeah, this was good, and I enjoyed it. But I don’t think the book was all that necessary. Possibly the publishers agreed – the next book is the final one in the series, I believe.