Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Reviews

Culinary Chronicles of the Court Flower, Vol. 8

by

By Miri Mikawa and Kasumi Nagi. Released in Japan as “Ikka Kōkyū Ryōrichō” by Kadokawa Beans Bunko. Released in North America digitally by J-Novel Club. Translated by Hunter Prigg.

I hope people don’t read all my reviews of this series in order, because I inevitably end up repeating the same thing over and over again: this is a series about food. It’s there in the title, where it says these are Rimi’s CULINARY chronicles, not her rise to power or her romantic adventures. Likewise, you know that eventually in these books there’s going to be a big crisis, and it’s going to be resolved by a meal. OK, in this particular volume it’s not actually resolved, but it’s at least defused, which is good enough. Rimi spends a majority of this book in hiding, which means that she can’t say her name, and her identity is constantly called into question, given that she’s very bad at hiding it. Who is she? The future empress? The court flower? A poison that will destroy the entire country? None of those, really. She’s a cook. Food – and not just any food, but the RIGHT food – is how she interacts with others.

We pick up where we left off last time, with Rimi kidnapped by the Chancellor, who locks her in an old building on a far away estate, where he will quietly kill her once he makes arrangements. Fortunately, before he can do that, she’s rescued by a passing hottie (which feels ludicrously unrealistic even by the standards of this series, but hey). What’s more, the hottie is the very same person who’s being recommended to be the new Minister of Works. Now we have The Emperor desperately trying to find Rimi, Shusei desperately trying to find Rimi, the Chancellor, once he discovers she’s gone, desperately trying to find Rimi, and her mysterious benefactor being understandably unwilling to let her go because Rimi refuses to say who she is. In other words, situation normal for the Court Flower books.

Much as I would like it to be kicked slightly to the side, there’s only one OTP in this series, and it’s Rimi and Shusei. They reunite here, and Rimi opens up and admits that she’s still in love with him, but it’s hard to get past sheer male stubbornness, especially when said male thinks that he’s really being political. Frustration levels are high. On the bright side, the new character, Ryo Renka, is wonderful, an excellent addition to the cast who I hope we see more of. Ryo is also deeply tied into the past of the previous generation, which also includes Shusei’s father and the Chancellor, and it’s that past that provides the clue to help Rimi escape her deadly fate. I enjoyed the fact that this tim around the food has to be made in a rush and sloppily – because that’s how it was made originally by the amateurs who cooked it. It’s all about the vibe.

This has three volumes to go, and I expect civil war before the end. But it will be civil war with cooking, no doubt. Still greatly enjoying this, one of the strongest volumes in the series.

BLADE & BASTARD: Warm ash, Dusky dungeon, Vol. 1

by

By Kumo Kagyu and so-bin. Released in Japan as “Blade & Bastard: Hai wa Atatakaku, Meikyū wa Honogurai” by Dre Novels. Released in North America by J-Novel Club. Translated by Sean McCann.

One of the highlights of J-Novel Club’s appearance at Anime NYC this year was the announcement of a partnership with Drecom, a video game company that has recently been expanding into other media markets. There are several novels they could have chosen to start off this new partnership, and I for one was hoping for “I’m a Pharmacist Witch and a Part-Time Divorce Attorney”, but I can see why they chose to go with BLADE & BASTARD. First of all, it hadn’t come out in Japan yet – this book got a release in North America on the same date it came out in Japan. Secondly, it has a strong pedigree: the author is better known for Goblin Slayer, and the artist for Overlord. And the novels themselves take place in the world of Wizardry, the popular RPG series. With all that said, how does it hold up as a light novel if you don’t game and don’t really care for Goblin Slayer *or* Overlord? You’ve come to the right person to ask.

A town named Scale has a massive and dangerous dungeon. It’s filled with monsters and treasure, both of which also bring easy death. Our supposed protagonist is Iarumas, a highly competent but loathed man who wanders the dungeons collecting corpses, taking their stuff, and bringing them back to be revived by temple nun Aine. He has no memory of his past, and tries to go deeper and deeper in order to reconnect to it. Over the course of the book, he’s joined by Garbage, a feral girl who speaks only in barks and woofs but is excellent with a sword, and Raraja, a young put-upon thief who is probably the ACTUAL protagonist here. They explore the dungeon, trying to gain experience and also see what’s actually going on with Garbage, who – like Iarumas – has an obscure but important past.

If you’re looking for dark fantasy, this is a solid choice, as you’d expect from this author. The first volume also has 100% less sexual assault and fanservice than Goblin Slayer, which I count as another big plus. Iarumas is a bit too much of a brooding cipher for me to really latch on to, but Raraja’s journey from starving and easily tricked young boy to a solid adventurer in his own right is one of the two highlights of the book. The other highlight is Aine, a nun who uses religion to justify a mercenary streak and really, really loves swords and killing things with swords. (The narrative chooses to tell us – over and over again, it’s weird – that elves like Aine have normal human lifespans in this world.) The problematic part of the book is Garbage, who acts throughout like a dog – her only dialogue is barking, whining, and howling. The bit of backstory we get of her helps explain this a bit, but it’s near the end of the book, and you’d be forgiven for thinking she’s there for a bizarre kind of reader fetish before this. Perhaps future books will help her grow more human.

So yes, despite the constant death, this is less grim than I’d expected, and has a lively cast. A must-read for fans of the author, and not bad for fans of dark game tie-in fantasy.

My Daughter Left the Nest and Returned an S-Rank Adventurer, Vol. 6

by

By MOJIKAKIYA and toi8. Released in Japan as “Boukensha ni Naritai to Miyako ni Deteitta Musume ga S-Rank ni Natteta” by Earth Star Novels. Released in North America digitally by J-Novel Club. Translated by Roy Nukia.

At the start of this book Belgrieve is preparing to go and search for his old comrades, and by the end of the book he has only JUST set off to do so. That’s not to say that nothing happens in this volume, there’s actually quite a big threat. But this series is content to take its time with its ongoing plots, and the author freely admits we’re only about halfway done. What this means is that the first half is very slow life and leisurely, as our extended family are back in the country and farming and fishing… along with teaching the town how to fight, and sparring with the occasional adventurer who came along because, well, they’re all legends. If you’re wondering what stops them from going on their trip right away, well, the trees are on the march, and they’re not nice trees. They’re after Mit, and will do anything to get him, even if it means destroying the town.

Mit is theoretically an interesting character, and I hope gets a bit more to do after “growing up” a bit post-crisis at the end of this book, but unfortunately the lack of interiority and the suddenness of this growing up means he still falls far more on the “plot device” end of the spectrum, especially when compared to someone like Charlotte. It’s mentioned a couple times how he and Ange look like siblings, which of course is meant to remind the reader of Ange’s demon heritage, but I wish the growth in Mit had been handled better. On the bright side, we do get a new character in this volume, and she’s a tsundere! That said, she’s also a sword. Graham’s sword ends up with Bell by the end of this book, and can also speak to Ange and Graham (though not Bell), and I find her amusing.

Where the book is strongest is in the horror aspect this time around, as the moving trees are scary, and while we don’t see it actively take any lives in the present, we see the spirits of those they have killed in the past, and they’re also pretty scary, as the “please avenge us!” spirit can rapidly become “…by dying!” if you aren’t quick enough. The party all gets a lot of cool fighting to do, but (of course) the big final kill is saved for Belgrieve, who even has to temporarily give up his pegleg in order to get the job done. Frankly, by the end of the fight you’ll be inclined to agree with Ange about the coolness of her father. There’s also an excellent short story calling back to the first book, where Mit and Charlotte, both still scared of the woods after the events in the main volume, are taken by Ange to see the spirit fire. It shows how much father has taught daughter, and I really enjoyed it.

This is a solid series, and continues to have no romance at all, it’s a pure family story. Recommended for that alone.

Peddler in Another World: I Can Go Back Whenever I Want!, Vol. 1

by

By Hiiro Shimotsuki and Takashi Iwasaki. Released in Japan as “Itsudemo Jitaku ni Kaereru Ore wa, Isekai de Gyōshōnin o Hajimemashita” by HJ Novels. Released in North America by J-Novel Club. Translated by Berenice Vourdon.

You frequently hear grumbling from light novel fans – the hardcore ones, of course, not the filthy casuals – about why so many isekai titles are licensed every single year over here, much in the same way that I imagine ten years ago everyone went “oh man, another Alice in the Country of _________” manga?”. But the answer is pretty basic: people buy them and people read them, and then they want more. If you go to AO3, you’ll tend to find that the most popular fanfics in the big genres are not doing something wildly innovative and different, they’re doing something that’s exactly the same as all the other popular fanfics, only with variations. It’s true comfort reading. You don’t have to worry as you read them. Peddler from Another World may be so unoriginal I wondered if an AI had written it, but it was well-written enough to have me finish it, grudgingly declare it decent, and want to read another. That’s all you can ask.

There are two types of male isekai protagonists, and Shiro Amata is the second one; not a high school kid, but a salaryman who just quit his job working for a “black company”. He’s now staying at his late grandmother’s place, after she disappeared seven years earlier and was declared dead. There, among her things, he finds a letter explaining what really happened – she’s from a fantasy world, something she hid from her family. Now Shiro too can journey to that fantasy world, and come back to Japan whenever he likes. Armed with two killer abilities – the usual infinite storage, plus the ability to convert fantasy money into Japanese yen and vice versa – he ends up in a town out in the boonies, and becomes a merchant, selling things that fantasy worlds need but don’t have – like matches.

First, I want to mention that I suspect the illustrator drew all the color pages in this volume before reading the book, as neither the cover nor the interior color illustrations match up with ANY of the scenes within. Secondly, it can be hilarious how derivative this series is. The matches merely got a shrug from me, and the “evil guy who is evil because villains in isekais are always 100% evil” made me sigh, but when we got to the cause of a woman’s deadly wasting disease, I groaned, because it’s the same disease it always is in these books. That said, the book is very readable. Shiro is a “nice guy”, but has a bit of a dark side to him, as we find out towards the end of the book. He also has at least three possible love interests at the end of the first book, as well as a girl who may as well be an adopted daughter. (The only reason I know this wasn’t written by an AI is that if it was, the little girl would be the one with the cat ears.) There are a few “oh anime no” tropes, such as the mayor’s large breasts, which get referred to quite a bit, but, I mean, you’re reading a light novel.

If you like reading slow life isekai, and want more of the same, this is a good choice. There is little to no sexual assault or slavery, and the little girl really is very cute. Just don’t expect surprises.

The Tatami Galaxy

by

By Tomihiko Morimi and Yusuke Nakamura. Released in Japan as “Yojōhan Shinwa Taikei” by Ohta Shuppan. Released in North America by HarperVia. Translated by Emily Balistrieri.

I was not having a good weekend when I read this book, and was perhaps a bit grumpy going in. Morimi has always been very hit-and-miss for me, and the sliding scale has depended on how much of his books are narrated by a pretentious but also pathetic college student, so I was not expecting much. The book gradually won me over, though, because it’s also filled with the things I do like about Morimi, especially his tendency to make places into characters. As with many of his other books, there are many refer4ences to (I assume) real-life streets and neighborhoods that the characters walk up and down, but it also extends to the four-and-a-half Tatami room that the main character lives in. The first 2/3 of this book could read like a normal novel with an odd time travel bent to it, but the fourth chapter goes all in on being uncanny, and explores the dangers of staying too far inside your own head. In addition, all the characters except the lead are great.

The book is narrated by an unnamed college student, who looks exactly like all college students do in books like this. He’s in his third year of college and drifting, with his only “friend” being Ozu, who feels more like a partner in crime than anything else, and is described by the narrator as looking like an oni. (The anime, which I haven’t seen, apparently takes this and runs with it.) He used to be in a film club, but got thrown out for basically being too much of a dick. There’s also a girl, Akashi, who he met at a bookstore and who seems to get along with him. Despite this, he has no girlfriend and his life is going nowhere. Then he meets a self-proclaimed God and a fortune-telling old woman, who between the two of them seem to send him on a series of what-ifs that show that choices may not matter as much as we think.

This got a VERY popular and influential anime, which I haven’t seen, so I definitely wanted to give it a shot. I ended up liking it more than not liking it. The protagonist is irritating, but of course that’s by design, and we’re not meant to like him that much at first. Ozu is the sort of wonderful character that you never, ever want to meet in real life, and Akashi, frankly, has the patience of a saint. The book has four chapters, each of which start with him deciding to join a different “club” in school, and those changes are reflected in what happens, though he seems to end up at the same resolution no matter what. After the final chapter, which is also probably the best chapter, I am hoping that he has managed to find some perspective, though Akashi can probably help him out. I also hope Ozu knows that he is being sent on a trip with a bunch of identical-to-the-serial-number 1000-yen bills.

If you’re a fan of the author, this is of course a must read. If you aren’t, try to power through it anyway, as it works best when you let the prose and locale wash over you. Also, is the dental hygienist in this the same one as in Penguin Highway?

Reincarnated as the Piggy Duke: This Time I’m Gonna Tell Her How I Feel!, Vol. 8

by

By Rhythm Aida and nauribon. Released in Japan as “Buta Koushaku ni Tensei shita kara, Kondo wa Kimi ni Suki to Iitai” by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Zihan Gao.

I’m starting to give up on Charlotte doing anything, and I think the author is as well. Her function here is to a) have a comedy side plot where she tries to fatten Slowe up again because she’s worried other girls will thrown themselves at him now, and b) be a mirror to the new girl who’s on the cover, who actually is important. And then there’s the cliffhanger, which implies that Book 9 is going to be all about Slowe and Alicia rather than Slowe and Charlotte. It is annoying because, after 7 books of waiting to see these two idiots finally confess to each other, it feels like Charlotte no longer has a function in the story. They’re still keeping her status secret, and the main “plot” of the anime has wrapped itself up, so… guess she’s just there. Instead, we get a one-shot plot that feels like a placeholder.

The first half of the book, frankly, drags. The main plot is that Prince Neon is at the school in order to, supposedly, make friends – something so obviously false that it makes everyone uncomfortable, especially as the Prince is trying to act all buddy-buddy and getting too handsy with other girls. He also has a retainer, of course, named Suz, who is stoic but also seems to be incredibly obsessed with her charge. She’s also ridiculously strong, to the point that Slowe is beginning to wonder if something is up. Something *is* up, of course, but we’ll have to wait till after the world’s most annoying dungeon crawl to find out why, as for some reason the one person Prince Neon is really interested in is Shuya, who he seems to be trying to drive insane… or trying to stop it, we can’t be sure.

Fortunately, the second half of this volume is much better than the first once we actually start getting answers. Prince Neon is meant to be a very close analogue to Slowe himself, which of course makes Suz Charlotte, as she is also a retainer in love with her master and possessed of a secret no one must know. This is handled quite well, and I also liked the final fight, which sees Slowe kick ass, but not in a way that makes him seem OP. He still contrasts very well with Shuya, who is the protagonist of the anime and cannot stop acting like an anime protagonist, even as everyone around him says he’s too soft. Shuya actually gets a leg up on Slowe here, who is so busy trying to avoid whatever is going on with Prince Neon that he misses a lot of the danger signs. And while I want to leave the villains of the piece a spoiler, they’re very good “you know they’re not a recurring thing” villains.

So a middling volume of Piggy Duke this time… which I think I’ve said a few too many times before. We’ll see if focusing on Alicia rather than Charlotte helps things any next time.

An Introvert’s Hookup Hiccups: This Gyaru Is Head Over Heels for Me!, Vol. 1

by

By Yuishi and Kagachisaku. Released in Japan as “Inkya no Boku ni Batsu Game de Kokuhaku Shitekita Hazu no Gal ga, Dō Mitemo Boku ni Beta Bore Des” by HJ Bunko. Released in North America by J-Novel Club. Translated by Satoko Kakihara.

I suspect most readers of this site are familiar with the concept of a visual novel, and the ones that feature romance or sexual content tend to get called “eroge”. The usual premise is that you play a faceless high school… erm, college, sorry, of course everyone’s over 18… boy who, depending on the choices he makes, can score with one of 5-6 different women… or get a “bad end” when you screw up and get none of them. A lot of fans like to wait until there’s a walkthrough. They’re not here for the gaming part of it. They’re here to read the story and see our hero get it on. I don’t need the bad choices, I only need the one correct choice each scene to advance the story. If you took that concept and made it a light novel, it would be this one. We are here to see sweet romcom, and no mistakes will be made.

Yoshin is, as the title might suggest, a quiet introvert, not an otaku type but one who naturally lurks in the back of class and goes home on his own. One day he returns to the classroom after school to get something he forgot and overhears the class’s three “gyaru” girls playing a game… with a penalty dare. The loser, Nanami, has to ask Yoshin on a date, and date him for a month. They don’t spot Yoshin, who quickly goes home and does what any other red blooded high school introvert would do: he hops on the internet and asks his gaming buddies, who consist of 1) confident adult guy with good advice (that he says he just looked up on Google) and 2) teenage girl who clearly has a crush on him telling him to reject her at once. He does not, though, and he and Nanami start to date. And, by an amazing series of coincidences, they fall for each other almost instantly! Is this some sort of manga or something?

As I hinted above, the flaw in this series is that everything goes ridiculously well for Yoshin. Despite being an introvert, having a poor self-image, and only having black clothes, he’s kind, listens to others, and can be incredibly confident when he wants to. As for Nanami, she’s a shy big-breasted gyaru with no experience dating men and she has a secret side that wears glasses and looks more frumpy. In other words, she’s practically a walking fetish. But she’s nice, and sweet, and overenthusiastic, and possibly a bit naive. The series manages to work on pure charm, and also because it embraces the ridiculousness of its premise. (Nanami has two friends. One is dating her stepbrother, the other is dating a guy 12 years older than her. They both sound like they need spinoffs.) Even meeting her parents goes well, mostly as these two are never going to have sex even if they are already practically proposing marriage.

If you want realism, look elsewhere. If you want a sweet romcom where everyone acts like they stepped off the screen of Kimi Ga Nozumo Eien, this will do fine. And it’s only four volumes, which seems just about right.

The Ideal Sponger Life, Vol. 9

by

By Tsunehiko Watanabe and Jyuu Ayakura. Released in Japan as “Risou no Himo Seikatsu” by Hero Bunko. Released in North America by J-Novel Club. Translated by MPT.

For the most part, one of the big reasons that Zenjirou has been so successful in the political nightmare that is his new world is that he doesn’t have the ingrained reactions that anyone brought up there would. He tends to react like a Japanese person from Earth would. (I’d say “normal”, but honestly, Zenjirou’s not all that normal even to begin with.) This serves him well for a lot of this book, as attempting to negotiate with him is like hitting a brick wall much of the time because his body language and verbal questioning are so far off the range from everyone else. Unfortunately this can also be a negative, as Aura quickly points out at the end of the book,. Threatening Zenjirou’s son, even mildly as a political feint, earns his enmity, and a canny person will realize that this is a very valuable button to press. Fortunately, there’s more good than bad here, as Zenjirou accidentally on purpose gets involved in a throne war in the Twin Kingdoms.

Zenjirou is in the Twin Kingdoms to try to negotiate for a healer to be present during the birth of his second child. Unfortunately for him, while greeting him, King Bruno drops the bomb that he’s planning to abdicate in favor of his successor. The obvious choice is the eldest son, who is 49 years old but has basically trained for this. The dark horse is his youngest son, who is in his thirties and seems to be very upset about the abdication. But is that really what’s going on? And how on Earth does this tie in with Prince Francesco, who just wants to sit around and dabble in magic tools his entire life but who ends up being seen as the second coming by some groups? And, perhaps most important of all, how can Zenjirou get the latest in his succession of love interests off the cover art?

As always, the title and premise are a lie. There’s no harem seeking, and certainly no sponging here. Indeed, Lucretia strikes out with Zenjirou over and over until the middle of the book, when it becomes clear he’s not looking for a lover but a political helpmate – something that, frankly, she’s much better at doing. As for the Twin Kingdoms themselves, the plotline we get here is well thought out and handled, although I thought that Zenjirou hearing about a certain monster and immediately making a logical leap to a breathtaking new magical tool was perhaps one OP move too many, in a series when all the OP moves are intellect-based rather than fighting-based. Oh well, I should probably consider myself lucky he doesn’t sample any of the young hot single women who all essentially proposition him in this book, though they all have their own agendas.

So yes, no sex in this book, but as noted before, in this book the politics IS sex. And we still haven’t left the twin kingdoms, as there’s the other half to negotiate with. We’ll see that next time.

Dragon Daddy Diaries: A Girl Grows to Greatness, Vol. 4

by

By Ameko Kaeruda and Sencha. Released in Japan as “Totsuzen Papa ni Natta Saikyou Dragon no Kosodate Nikki: Kawaii Musume, Honobono to Ningenkai Saikyou ni Sodatsu ” by GC Novels. Released in North America by J-Novel Club. Translated by Nathan Macklem.

This is the final volume of the series, and it has the strengths and weaknesses of previous volumes. The Elder Dragon is immensely powerful and also a pretty good guy, so any character development and angst comes from outside of that. Olivia is the same, only she doesn’t even get the character development. They’re meant to be “aw, look at the cute daddy and daughter” with an OP twist, and that works well, but they’re nothing more than that. They work best contrasting with whatever fractured familial unit we see in this particular volume, and we get that here as well. This is the final volume of the series, and it does have an ending of sorts, but the ending is very much “more of the same only Olivia is older now”. She’s rescuing other kids like her, who had bad home lives. Which is great, but the solution seems to be “:leave them all with daddy, it worked for me”.

Having obtained five of the seven Supreme Hallows, they’ve decided that that’s enough to do the ritual that will drain the built-up magic within the hallows. Unfortunately, the ritual is invaded by Vandilsen, a seemingly immortal wizard who proceeds to steal the five Hallows with the help of what he carries, the 6th. Fortunately, as it turns out, the Elder Dragon has had the 7th all this time without realizing it, and that can help them locate the other six. And so it’s time for Dragon and Daughter to go on a camping holiday, clearly… mostly as it turns out that Vandilsen is quite a long ways away, across the sea and in a foreign country that is now lifeless and arid due to having all the magic sucked out of it. Why does Vandilsen want the Hallows? And who’s the young boy they find on the beach unconscious?

A great number of the plots to Dragon Daddy Diaries have been about how to find the right level of protectiveness when being a parent. Don’t smother, don’t be too hands-off. Here we also get the added lesson of “listen to what they’re actually telling you, not what you want to hear”, as Vandilsen is literally killing himself in order to save the life of his adopted son, even if that’s not remotely what the son wants. This does, admittedly, help the Elder Dragon to have a brief crisis of conscience, as he becomes more aware of the fact that Olivia is going to get older and die while he remains the same. That said, Olivia is having none of this “let’s stay immortal forever” business, even though she’s spent her entire life in a family consisting of people over a thousand years old. She’s got a good head on her shoulders, even if that’s dramatically lacking.

This was a cute series and an easy read. That said, I’m almost positive it would never have been licensed if it had not been for the huge buzz around Sexiled, the author’s other work. Family-oriented fluff.

A Tale of the Secret Saint, Vol. 4

by

By Touya and chibi. Released in Japan as “Tensei Sita Daiseijyo ha, Seijyo Dearuko Towohitakakusu” by Earth Star Novels. Released in North America by Airship. Translated by Kevin Ishizaka. Adapted by Matthew Birkenhauer.

I’ve talked before about how this series frequently can’t decide if it’s just pure comedy or if it has true tragedy embedded within it, but in one way it definitely fills the comedy mode, and that’s because the reader is left wondering, after four volumes, how long Fia can possibly be able to keep her reincarnation a secret given how absolutely lousy she is at hiding anything about it? The difficulty is that this is half of the humor (the other half just being Fia in general, unrelated to her past). So I suspect the answer is “it will get revealed right before the series comes to an end”, and it’s still ongoing as both a webnovel and a light novel. So this means I will have to put up with the fact that it is increasingly unbelievable that no one else picks up on this except the OTHER guy who has reincarnated memories. I mean, that’s the gag. It’s just a really belabored gag.

We pick up right where we left off 2/3 of the way through Book 3 (which is to say the end of the main plot), with Fia having to deal with the fact that her former bodyguard from her previous life, Canopus, has regained his memories and is now Captain Kurtis of the Thirteenth knights. Fortunately, he seems willing to go along with whatever she says. UN-fortunately, that’s because he’s just as obsessed with her sainthood as the rest of the Sutherland people, if not more. Things are not helped by the fact of Fia constantly accidentally doing Saint things while completely failing to realize they’re abnormal. The third volume was about the drama that surrounded Cyril and his homeland, but this volume is surrounded by an utter LACK of drama. With Fia around, everything’s fine.

Despite my grousing in the first paragraph, this is still an enjoyable volume, mostly because Fia is so fun and likeable. We’ve seen flashbacks that show that this is not just a function of her past memories interfering with her present ones – she was always like this. So we get things like her trying to explain to the local healer how to make the cure for their deadly disease by essentially saying “here are the ingredients, the actual amounts used are up to you” and having everyone stare at her in a sort of daze. I am slightly less enamored of the additions to her reverse harem, especially as we now have TWO who are a bit too obsessive for my liking, but honestly, Fia’s obliviousness is also something that will probably last until the final volume (and Cyril, let’s face it, has a very big lead on the others). Fortunately, this also ends this arc, so we’ll start a new one in the next volume, possibly involving those color-themed royals from previous books.

This is never going to be in any best of the year lists, but if you like Katarina Claes-types who are also far, far too powerful for their own good, this is definitely one to keep up with.

The Mythical Hero’s Otherworld Chronicles, Vol. 1

by

By Tatematsuri and Ruria Miyuki. Released in Japan as “Shinwa Densetsu no Eiyū Isekai Tan” by Overlap Bunko. Released in North America by J-Novel Club. Translated by James Whittaker.

Sometimes you just want to get serious. Isekai titles have been around for a while now, and we’re used to seeing pastiches, parodies, and satires of the genre. Plus, of course, they’re often written like RPG games, so the writer does not have to worry about pesky things like plot or setting. But suppose you *are* a writer who likes those things? Suppose worldbuilding is your jam? And suppose that you really do take the isekai premise seriously? Well, you’d probably end up with something close to this book. The Mythical Hero’s Otherworld Chronicles is not entirely humorless (sadly, the humor is entirely the “grrr, I am jealous of our princess having no boundaries around you” sort of humor), but for the most part it’s hear to earnestly tell a story of what happens when a hero has to return to the land that he saved a thousand years later to save it again.

Three years ago, a young man named Hiro was found in his bed injured, covered in dirt, and with his hair grown long overnight. Doctors were baffled… as was Hiro, who could not remember anything. He has recently been having dreams, though, dreams where he’s a powerful swordsman in another world. No prizes for guessing that’s what happened three years ago. But then it happens again, and he ends up back in that world, now one thousand years in the future. Unfortunately, he doesn’t have any memories of his previous time there, nor does he seem to have any special powers. Fortunately, he does run across a young princess, 6th in line for the throne, who is on her way to political exile and who seems to take an instant liking to him. Is this really the same world that Hiro saved before? And can he regain his memories in time to do it again?

If you enjoyed Altina the Sword Princess but wished that Regis was an incredibly OP warrior who saved the day through battle instead of strategy, you’d have something of an idea of how this book runs. It’s a very testosterone-driven book, and it did not escape my notice that while there are two powerful young women in the book, both of them need saving by the hero. I’m hoping that’s not a habit. (There’s also an implied sex scene, but you can easily ignore that.) Liz, the princess, has absolutely no boundaries around Hiro at all, to a baffling degree – I get that she takes a shine to him immediately, but it verges on the ridiculous. And her rivals, the other princes in the throne war, seem to all come from the Sword Art Online school of “all villains must be as evil as possible, no grey areas whatsoever”, so we get them literally laying on a pile of captured nude women. As I said, testosterone driven book.

Despite this, the prose is well written, the battles are exciting, and the story makes sense. If you’re looking for a power fantasy and you’re a teenage boy, this is perfect for you. I may read another volume.

Hell Mode ~ The Hardcore Gamer Dominates in Another World with Garbage Balancing, Vol. 1

by

By Hamuo and Mo. Released in Japan as “Hell Mode – Yarikomi Suki no Gamer wa Hai Settei no Isekai de Musō Suru” by Earth Star Novels. Released in North America by J-Novel Club. Translated by Taishi.

So, contrary to what everyone thinks, I don’t read everything. There are many light novels I have dropped, and even more I never started. Including this one, which came out over a year ago. The title made me suspect that it was one of those books filled with stats and OP kids who only think in terms of leveling. (Which, to be fair, it absolutely is.) So I gave it a pass. Then I was at Anime NYC recently and the folks at J-Novel Club asked if I could possibly give this one another try. It’s gotten popular enough that they’re releasing a print version of it. That said, its volumes are chunky, tending to run 350-400 pages, and frankly my backlog is already pretty huge. So I decided to read about 15 pages of it per day in among my other reads. So, having finished the first book, how is it? It’s… OK. Decent.

The ‘hardcore gamer’ of the title has gotten tired of games getting easier and easier with tons of free toys to play with to keep folks from bailing. He misses the days when it took almost a year just to gain one level on your game. Then one day he downloads a game that offers easy mode, normal mode, extra mode… and Hell Mode. Naturally, he chooses the last one, and decides to be a summoner. The next thing he knows he’s being born in another world as Allen, a young child of a serf. We don’t even know how he died in Japan, and it’s not important. What *is* important is that he quickly realizes that he’s in the world of the game he chose… and he’s really made it ridiculously hard for him to do anything. And… honestly, he’s pretty OK with this. Actually, he takes everything really well.

So, first of all, if anyone notes the cute girl on the cover with Allen and expects this to be a two-person sort of book, it’s not. Krena is strong, and has mad sword skills, but the mere fact that she and Allen are so young means they can’t hang out together all the time, and she’s mostly a minor supporting character. Honestly, this book is almost just Allen by himself, though his father and Krena’s father also play a large role. Once you get past the endless stat chatter, level chatter, and the many attempts to figure out how the game actually works (he’s living it, so doesn’t have the manual, though his grimoire sometimes helps), this is not that bad. Allen is very likeable, and his goal, raising the status of his family so they’re no longer serfs, is a good one. That said, there’s another major problem with this book, which is that it seems to be a prologue: Allen is essentially moved to a new location at the end of this, and the second book promises to be very different (and also has a different girl on the cover).

So while this was not entirely my genre, I can see why it would have fans. I will try a second volume to see if it gets better… but I’m still only gonna read it 15 pages at a time.

The Magician Who Rose from Failure: Tales of War and Magic, Vol. 5

by

By Hitsuji Gamei and Fushimi Saika. Released in Japan as “Shikkaku Kara Hajimeru Nariagari Madō Shidō! ~ Jumon Kaihatsu Tokidoki Senki ~” by GC Novels. Released in North America by J-Novel Club. Translated by Alexandra Owen-Burns.

After a fourth volume that abandoned nearly the entire main cast in order to tell the “war” part of the subtitle, this new volume of The Magician Who Rose from Failure feels like an apology to the reader of sorts. It’s a chance to relax and take stock of where the various nations are after the giant battle that ended the previous volume, see how far Arcus’ father can continue to have his head up his own ass, and give a bit of attention to his main love interests, who were absent from the previous book. (Lecia, though she appears, gets very little attention, but I’m hoping a future volume will take care of that, as there’s certainly some family drama bubbling up.) Arcus is being forced to come to terms with the fact that he is now a Very Important Person, which means he can’t simply live his life holed up in a lab inventing fluorescent lights and pudding.

There are, as you might imagine, various problems that stem from Arcus’ antics in the last book. As least three other nations have now taken an interest in him, and want him either dead or on their side. His left arm was injured badly, and healing magic is not good enough to fix it right away – it takes most of the book for it to get mostly better. And, of course, he saved the life of the Prince, which is a very good thing but also politically difficult, so a story will have to be cooked up. That said, he does meet the king, who (of course) takes an interest in him. After this, he gets a new house, and throws a housewarming party, which ends up mostly being an excuse for his two love interests to fight over him. That said, Charlotte wins here, getting most of the back of the book to herself, as she crosses swords with Arcus.

The book has used its isekai sparingly, for the most part, with Arcus thinking of his Japanese memories as a separate person from himself. This volume shows off more of why he’s able to keep up with the sword genius Charlotte, though… as well as why she’s still ahead of him in the end. After all, if you can have a kid who has memories o a past life in another world, there’s no reason not to have characters have other inexplicable abilities. I admit, though, I do prefer Sue, who has admitted she’s the daughter of a duke, but that doesn’t quite seem right either. (She’s almost called “princess” here.) She also contrasts with Charlotte in that, due to their status and how they first met, he treats Sue like… well, like an annoying brat, whereas with Charlotte he has to force himself to not be excessively formal with her. Again, this would be a great romantic triangle if we hadn’t already heard this world has polyamory, so it doesn’t have as much impact.

This isn’t as strong a volume as the others, mostly as it’s a “breather” book with minimal major plot developments. But it was also nice to see the character interaction, and fans of the series should be perfectly happy. Unfortunately, we’re caught up with Japan, so it will be a while before the next one.

Reincarnated as an Apple: This Forbidden Fruit Is Forever Unblemished!, Vol. 1

by

By Gato and Itsuki Mito. Released in Japan as “Ringo Tensei: Kindan no Kajitsu wa Kyō mo Korokoro to Musō Suru” by HJ Novels. Released in North America by J-Novel Club. Translated by piyo.

For the most part, light novels are neither as good or as bad as people say. Most of the books tend to be the kind that entertain you as you’re reading them, but you will forget the very next day. They’re LIGHT novels, shallow entertainment. Occasionally you get a series that rises above the basic level of “keep them interested enough to finish the book” and really takes off. And yes, sometimes a lot of the shallow entertainment books have gotten anime as well. But what happens when you have a book that does not reach the basic quality needed? A book that cannot entertain even while reading it for the first time? A book that desperately makes you wonder why you aren’t moving on to the next in your stack? Well, you get things like Reincarnated as an Apple, which is dire.

A salaryman named (groan) Furutsu is hit by a truck filled with apples and dies. He reads light novels, so knows what happens next. Sure enough, he meets God and gets cool powers. Unlimited growth! Unlimited magic! Cannot be killed! Infinite storage! …oh yes, and he’s an apple. Hanging on a tree. He can’t speak, he’s an apple. He can roll around. After investigating his storage, he finds a young girl inside, who is apparently a staff made from a branch of the World Tree. She… um, can’t leave the storage box. But she and Furutsu can talk to each other! Furutsu ends up in the hands of Fresa, a physically strong, magically weak, and mentally inept wannabe adventurer, who’s just about to take the adventurer’s test, with the help of her guardian. Can she pass with the help of an apple?

Where do I begin? To start with, you’d expect this to be more like Reborn as a Vending Machine, but Furutsu is far more of a normal isekai guy. He can shoot fireballs, kill B-ranked demons, and levels up ridiculously. So basically, he’s a typical modern light novel protagonist… except that three-quarters of the time he and Grida (the staff) are merely watching Fresa’s antics and commenting on them like a Let’s Play video. Because he’s an apple, and she is a staff and also can’t interact with anyone but him. This is very tedious. Especially as even though Furutsu is in italics and Grida is in normal text, it’s still very hard to tell them apart, because all four main characters in this book sound the same, which is like they’re trying to compete in a tsukkomi competition. The series is, for the most part, a broad comedy, but occasionally tries to bring in drama, such as the implications about Fresa’s past, but… she’s such a vapid character that it annoys me more than anything else. And of course it’s a modern light novel, meaning it’s filled with stats and powerups, so you find your eyes glazing over as you hear things like “Spell confirmed. Activating at fifty percent strength”.

If you’re looking for a silly “reincarnated as a random thing” series, read the Vending Machine one. For those who *do* enjoy series about overpowered protagonists with cute girls and lots and lots of gamer chatter… there are *still* so many other better series than this.

Ascendance of a Bookworm: I’ll Do Anything to Become a Librarian!, Part 5: Avatar of a Goddess, Vol. 1

by

By Miya Kazuki and You Shiina. Released in Japan as “Honzuki no Gekokujou: Shisho ni Naru Tame ni wa Shudan wo Erandeiraremasen” by TO Books. Released in North America by J-Novel Club. Translated by quof.

So much of Bookworm runs on the difference between Rozemyne and everyone else in the cast. Indeed, the books can sometimes be summed up as “Don’t do the thing!” (Rozemyne does the thing) “I had no choice, tell me how could I have avoided doing the thing?” (groans, heads slammed against table) This book is much the same, as every single thing Sylvester tells Rozemyne to avoid happens anyway. And to be fair, a good 80% of it is not her fault this time. It either stems from their burgeoning printing industry, or it’s a function of mistakes she made earlier now being compounded without her consent, or it’s simply her very nature as the most powerful person in the entire country (something a couple of people are finally starting to notice, but not too many). Heck, the main thing everyone was waiting for in this volume, The Purge, happens entirely offscreen and we don’t even see it in the side stories. It doesn’t involve Rozemyne.

It’s the start of Rozemyne’s third year at the Academy, and to celebrate the character notes now say she looks EIGHT years old rather than seven! There’s a lot to do. She needs to find a way to communicate with Ferdinand on an irregular basis, she has to set up joint research projects with several other duchies into various things, and there are, of course, her classes. One of which is now being taught by Eglantine, who has returned after graduation to teach and to observe Rozemyne, not in that order. There’s also a new archnoble librarian, Hortensia, who is also there to observe Rozemyne, and has had a life that makes you sad that she’s married to Mr. Evil Guy. That said, the most dangerous thing that happens to Rozemyne is not resolved in this book: after her huge blessing to Eglantine and Anastasius at their wedding, the other prince wants one for HIS wedding. And it had better be bigger than Anastasius’… or, for that matter, Ferdinand’s. If not, civil war could erupt.

The subtitle for this 5th arc is Avatar of a Goddess, and we’re starting to see some foreshadowing for why that is. (It’s apparently the final arc, but don’t worry, it’s the longest arc yet.) In her classes to get blessings from the gods, most people get one or two. Wilfried amazes people by getting twelve, something very rare. Rozemyne gets forty. Something she decides to keep a secret from everyone else. Once she learns the names of the Gods of Light and Darkness, she powers up so much that mana is now leaking out of her whenever she prays, dances, or anything, really. See the color pages, which show everyone staring in awe as her whirling ends up, as she says, “turning me into a human glowstick”. There are already people who are realizing that it’s actually Rozemyne, not Ferdinand, responsible for Ehrenfest’s fortunes raising. I suspect soon she’s going to be the prize everyone wants. And probably because they will say she is… well, look at the title.

As always, there’s so much I haven’t talked about, such as the various boys who have fallen for Rozemyne (she has no idea), or the way the Veronica faction kids are handled, or the Evil Teacher’s schemes being thwarted by Ferdinand and Rozemyne simply being SUPER EXTRA. These books are each the size of two normal light novels, meaning this is technically Vol. 44 or so. That said, I’m not complaining.