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Reviews

Though I Am an Inept Villainess: Tale of the Butterfly-Rat Body Swap in the Maiden Court, Vol. 6

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By Satsuki Nakamura and Kana Yuki. Released in Japan as “Futsutsuka na Akujo dewa Gozaimasu ga: Suuguu Chouso Torikae Den” by Ichijinsha Novels. Released in North America by Airship. Translated by Tara Quinn.

There’s a lot of terrific humor in this volume, most of it stemming from the series’ premise. I’ve talked about this before, but it’s even more true in this book: both Reirin and Keigetsu are absolutely, 100% terrible at pretending to be each other. For the most part they’ve been helped in the past by a) no one knowing bodyswapping was a thing, and b) no one knowing the two well enough to be able to pick out the obvious poor performance. Now that both of these things are no longer true, the best gags in the book come from Reirin’s misplaced confidence that she’s got Keigetsu down pat, or Keigetsu’s inability to not let her cynical anger seep in through everything she does. That said, it’s a good thing that there’s some humor in this book, as the basic premise of this arc is evil and terrible, and the consequences, for some people, are rather chilling.

We pick up where we left off. Reirin has just been rescued from her attempted murder, and has swapped bodies with Keigetsu in order to repair all the damage she blames herself for and take back everything they’ve lost. In practice, this means finding out why exactly Kasui snapped and tried to kill Reirin, plus what she’s actually desperately looking for. She also needs to try to stop Reiga and Hourin from trying to kill her – or rather, using their maidens to try and kill her – and if the way to solve that problem is by getting the maidens on their side, then it’s something she’s going to have to do, even if it means allying with (ugh) Houshun. And then there’s Anni the shaman, the cause of everything that’s led up to this and possibly the most evil person we’ve seen in the series to date.

I continue to absolutely love Ran Houshun, even though she’s also possibly the most terrifying of the maidens. I’m used to hearing Reirin rattle off “Though I am an inept villainess” when she’s gloating over her supposed attempts at being bad, which usually are nothing of the sort. With Houshun it’s chilling when she utters the same phrase, because she’s about to let her Consort and “mentor” be beaten nearly to death by all of her court ladies. And yet it’s also triumphant, because Hourin is a piece of shit who’s spent years abusing and torturing those same court ladies, and for once vigilante justice feels like (at least narratively) the correct answer. As for the others, Kasui gets the closure that is all she can get, really, and can finally achieve a real bond with her own (non-evil) consort. And as for Seika and Reiga, they also get a good scene, but it pales next to Houshun, who’s simply better at this. You can see why Reirin hates her.

I enjoyed this so much I will forgive the use of a deus ex machina “this gets people so drunk they tell everyone the plot out loud” device, though I do hope this is the last we see of it. The next volume promises to be lighter in time, and (theoretically?) only one volume rather than an arc. Can’t wait.

My Stepmom’s Daughter Is My Ex: “A Proposal Isn’t Enough”

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By Kyosuke Kamishiro and TakayaKi. Released in Japan as “Mamahaha no Tsurego ga Motokano datta” by Kadokawa Sneaker Bunko. Released in North America by J-Novel Club. Translated by Gierrlon Dunn.

For a series whose strongest point is not its fanservice, this series sure has a lot of it. That said, at least the fanservice serves a narrative purpose. Even the sex scene in the book – not between our two leads, I hasten to add, but between Aso and Hoshibe – ends up demonstrating, somewhat painfully, that the blush of first love is not always perfect, and that sometimes simple physical difficulties can “ruin” your perfect memories. Meanwhile Yume has been revving the fanservice up, in an effort to get Mizuto to drop his stoic poker face, and ends up going overboard, to the point where he finally snaps and screams at her in desperation. As for Isana… well, yeah, that is fanservice pure and simple, but it also serves to underline for Mizuto that he can’t simply pretend to be a logical robot who makes every decision using bullet points. And that’s important, because there’s a rather annoying thing undercutting this wannabe romantic reuniting… they’re both family now.

It’s Christmas, and Yume has a lot to worry about. She’s set a deadline of the new year to either get Mizuto to rekindle their relationship or just give up, and he’s not cooperating very well, to the point where she’s forced to do things like wave her cleavage at him and hope he reacts. Her birth father wants to meet with her and Mizuto, and given that he’s never particularly cared about Yume before, she’s not quite sure why. And Mizuto has started spending all his time at Isana’s place. The last is for a very good reason – having seen Isana’s art and how good it is, he realizes that she needs a manager in order to achieve anything, as she has no real drive to succeed of her own. So it’s time for Pixiv accounts and Twitter alts, as well as drawing more and more so that she improves. But doesn’t everyone still think they’re dating?

The “is this incest or not?” part of the conversation is not really resolved here, mostly as, well, the premise of the series means that “not” is going to have to be the correct answer. I think the fact that they’ve only been siblings for 9 months takes the curse off it a bit. More difficult is that these two are both big, BIG nerds, and it not only comes out in their school work and reading but also in how they live their lives. Mizuto has never really felt passionate about much till he gets the idea to “manage” Isana’s art, and he proves to be very adept at it. Unfortunately, he’s also listening to Yume’s dad, who is projecting hard onto Mizuto and giving him advice that may not be that helpful. As for Yume, she doesn’t want to cut Mizuto off from Isana, who is her friend as well, but can’t quite work out how close they should be after he and Yume become a couple without resorting to math. Never decide how friendly your lover can be with other women using math.

The author is quick to assure us the series is not ending despite the couple confessing (reconfessing?) at the end, so we’ll see what the fallout is. But this was an in-character, if not entirely satisfying, way for these two to fix things.

Spy Classroom Short Story Collection: The Spy Teacher Who Loved Me

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By Takemachi and Tomari. Released in Japan as “Spy Kyoushitsu” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Nathaniel Thrasher.

(As a warning, this book deals with the sexual assault of an underage girl near its end, and this review briefly discusses that.)

Spy Classroom has, as one of its main goals, to strike a careful balance between gripping, and frequently deadly, spy drama and the wackiest and goofiest of comedy. Sometimes it manages to hit this goal a bit better than others. The first story in this book is a good example: it’s almost entirely light-hearted, then gets more serious towards the end, then gets very serious as we’re reminded how screwed up Annette is. By contrast, the Erna story pinballs between very dark themes and “ha ha, Erna suffering emotionally is funny” so fast that I could not keep up, and it jars. That said, on the whole these short stories are stronger than the first collection, both tying into the girls’ backstories (Thea especially) and expanding on some of the books – the 4th short story is blatantly “there wasn’t room for this in the fourth volume”, as the author admits. And, as a Lily fan, I’m pleased with this, though it does not really remove my irritation of how she’s treated in the actual 4th book.

The wraparound story has Thea trying to decipher a note left to her by Hearth, the spy who mentored Klaus and also rescued Thea from kidnappers. Unfortunately, several of Lamplight get a very wrong idea about the note. In between this, we see Annette being the best waitress ever in order to see if a former spy front is now a legitimate restaurant; Sara gets a secret admirer and Thea tries to make sure that she has the best date ever while also making sure the guy is good enough; on the cruise to not-America in preparation for the 4th book, Erna discovers a suicide cult that makes her their leader; and during the events of the 4th book’s climax, we see how Lily managed to escape getting brutally murdered by Purple Ant’s people.

Some of the comedy in this is very amusing – Annette being a fantastic waitress, and everyone’s reaction to this, is probably the highlight. I think I’d have appreciated Erna’s story more if the suicide cult had not been… well, a suicide cult, and its attempts to show off how the war destroys the underbelly of society needed greater depth, I feel. Sara essentially takes over Thea’s story, and we are reminded that she is the one girl in Lamplight that everyone loves unreservedly. Reading Lily’s story I wondered if the author has read the Excel Saga manga, as Lily very much reminds me of Excel at times (what are you, Steel God Jeeg?), and her truly monstrous stamina is terrifying. And then there’s Thea’s backstory, as she confronts repressed memories of being raped by her kidnappers. Fortunately, the author knows this is NOT the time to insert some laughs, and it’s handled fairly well.

So yeah, good stuff. That said, I’d like to read the next few books of the actual series soon. How are things with our FILTHY TRAITOR? :)

A Late-Start Tamer’s Laid-Back Life, Vol. 8

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By Yuu Tanaka and Nardack. Released in Japan as “Deokure Tamer no Sono Higurashi” by GC Novels. Released in North America by J-Novel Club. Translated by A.M. Cola.

At one point in this book, the game is doing a huge mock battle with a massive bird enemy, featuring lots of derring-do and feats of strength, and Yuto manages to win the day by a combination of (accidental) self-sacrifice and being very clever, and he and his tamed monsters look very good doing it. At other points in the book, Yuto discovers rice and also gets a penguin as a tamed monster. It’s not a surprise to readers of this book that the latter two events get a far bigger reaction from other players than the first one. This is a series that revels in its little moments, to the point where the epilogue blatantly has the game devs talking about how their new competitor, about to be released, is deliberately designed to be as different from Law of Justice Online as possible. Yes, Yuto is very cool at times, much as he doesn’t think so. But more importantly, he can cook and has cute pets. Priorities.

The book starts with Yuto completing his underwater expedition with the three other girls in his temporary party, and arriving at a swampy paddy… which, much to his delight, contains an ingredient called “Paddy”, which can be used to make rice! Rice has been one of the foodstuffs that no one has been able to come across in the game, so this discovery is huge! It also leads to more of Yuto’s wacky cooking experiments. After this, we get another event, as Yuto and several others are sent to defend a small fortress that is being beset by birds, Hitchcock-style. Yuto spends most of this time finding bird-repelling things and being baffled that everyone is treating him as the leader of the group. He even manages to do some actual fighting, though it does, of course, kill him. And then there’s his new, tamed monster… a penguin!

It has been both amusing and a bit annoying seeing the evolving relationship between Yuto and Alyssa, his main contact with the information group Quick-Eared Cats. At the start of the series, she was mildly shocked at all the stuff that he’s brought to her and claimed was nothing. But by now his very appearance in their home base causes her to get ulcers and have panic attacks. I kind of wish they stayed closer, but I get it. Yuto’s number one character trait is being oblivious to his own greatness, and that means he has no idea that the things he’s bringing to her are worth a fortune – which means they’ll make the money back eventually, but it puts the Cats in an awkward position of being deep in debt right after every visit of his. As for the penguin, it’s basically written in to be a joke about the Tomihiko Morimi book Penguin Highway, but it also looks like it will be one of the stronger characters in future volumes.

Somehow I’m guessing the new game coming out to challenge LJO is going to struggle. Why shoot other players to death when you can watch a beat, a mole, and a penguin frolic around?

No Game No Life, Vol. 12

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By Yuu Kamiya. Released in Japan by MF Bunko J. Released in North America by Yen On. Translated by Richard Tobin.

After a few volumes where I found myself sayhing “I know, I know, it’s skeezy as hell, but you just gotta power through it”, this new volume ends up being one of the strongest in quite some time. Now, this does not mean that it’s not filled with exactly what you’d expect from No Game No Life, after all. There’s tons of Steph being humiliated, especially in the back half, and there’s also two of Sora’s “harem” giving him what amount to naked selfies so he can masturbate. It’s still not something you’d recommend to your grandma. But this volume does a great job showing off the good points of the main characters, particularly Sora and Steph, while also continuing to set up the massive conflict teased in the previous book, and also possibly setting up for a major fracture between [ ] and their strongest ally in the next volume. The whole point of these games has been “no one actually dies” – that’s why they were created. But can someone get around that?

We begin with a massive 7-day celebration of Sora and Shiro’s one-year anniversary in arriving in Disboard, as well as a birthday celebration for both of them. While neither of them are wild about this at the start, it ends up being a fun and touching party… that is interrupted by the arrival of Schira Ha, here as a representative of the Devil, and announcing that their army will finally be destroying the world. Which, um, they’ve tried before, and it hasn’t gone well. Also, the Devil is represented in Disboard by a cute little puffball thing. That said, they do have a massive tower where the goal is to get past all 100 levels, and the reward is the race piece of all the devils. The game itself is a dungeon crawl, which Sora and Shiro should have no issues with, but the game requires hope… and that’s more of an issue.

If you know my reviews of prior books, you know this is where I talk about Steph. She’s terrific at the start of the book, being emotionally sensitive, highly capable, and also knowing Sora and Shiro better than anyone else. Naturally, seeing this, I knew we were in for a giant string of “Steph gets humiliated” later on, and that’s just what happens, as she’s forced into bikini armor… which then gets destroyed, leaving her naked. But I also love the idea that SHE is the powerhouse of their dungeon group, rather than any of the far more powerful others, mostly as, while she’s certainly gotten embarrassed and exasperated and irritated, Steph doesn’t get depressed. Which leads to a heaping pile of hope. That said, the ending of the volume, where Sora has to tell her that this game will be ending with them actually having to kill someone, promises that will change soon.

All this plus their nation is losing people by the day as everyone runs away! It’s a nasty cliffhanger, and we may wait another 18 months to get it resolved, but for fans of this series, this is a must read.

I’m the Villainess, So I’m Taming the Final Boss, Vol. 7

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By Sarasa Nagase and Mai Murasaki. Released in Japan as “Akuyaku Reijo Nanode Rasubosu o Katte Mimashita” by Kadokawa Beans Bunko. Released in North America by Yen On. Translated by Taylor Engel.

This is a short story volume, but it contains the basic theme for the entire series, which is that when Aileen is doomed, or on the verge of execution, or otherwise has to work really hard to achieve anything, she’s fantastic, amazing, stupendous. When she’s surrounded by her loving husband, loyal allies and BFFs, she has a tendency to… well, there’s no getting around it, she’s a sub. The end of the book discusses Aileen and Claude’s first time, which we briefly heard about at the end of Book 6, and it’s immediately apparent that Aileen is in terrible denial about the fact that, in bed, Claude can not only wrap her around his… not-so-little “finger”, but she also just gives in to him, which embarrasses and humiliates her. And also turns her on, we’re meant to understand. If this is a surprise to you at all, this must be your first volume. That said, there’s more to this volume than that.

The short stories in this book are in chronological order, with the earliest happening after Book 1 and the latest ones taking place at the end of Book 6. Most of them are short, and it wouldn’t surprise me to hear that they were extras with a store exclusive or DVD release. There are bulkier ones, though. One goes into much greater detail about how Walt and Kyle went from the Church’s honed weapons who are there to kill the Demon Lord to his most trusted bodyguards. (If your response is “because the Church is evil, congrats, you read Japanese light novels.) Because this is an otome game world, Valentine’s Day exists, and we get to see the ladies of the book (minus Lilia, who is notably absent from most of this volume) dole out candies and chocolates to all. And, as I mentioned above, Aileen and Claude have had their first time. He’s very, very happy. She’s a wreck.

I mentioned the lack of Lilia. She does show up at the very beginning, in a scene taking place before the start of Book 1. It mostly just shows off her perfect heroine vibes that she’s deliberately cultivating. More interesting is the end, where we see all the main couples do something. Aileen and Claude consummate, Isaac and Rachel decide to elope (their parents are against it) and buy a house. Auguste proposes to Serena, who reacts in exactly the way you’d expect a furious tsundere to react. Roxanne gets reassurance that she’s not just “the top of the harem” but the only wife. And Sahra… um, exists, I guess. They can’t all be gems. But Lilia is determined to avoid her fate. She declares she’s staying “All Ages”, despite being married to Cedric. What’s more, the thing that gets her over the moon more than anything this volume is not Cedric doing anything, but Aileen re-enacting, just for her, one of the villain CGs from the game. Lilia is far more like Maria Campbell than we’d expected, adn Cedric is still coming in second to the villainess in her heart.

So that was not essential, but it was pretty fun! Claude fans will love seeing him 100% in charge here. Presumably back to more “if Aileen doesn’t fix this immediately she’ll be executed” next time.

The Magician Who Rose from Failure: Tales of War and Magic, Vol. 6

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By Hitsuji Gamei and Fushimi Saika. Released in Japan as “Shikkaku Kara Hajimeru Nariagari Madō Shidō! ~ Jumon Kaihatsu Tokidoki Senki ~” by GC Novels. Released in North America by J-Novel Club. Translated by Alexandra Owen-Burns.

So many series these days are some form of “magic academy” that it actually feels like a step backwards for The Magician Who Rose From Failure to go there. I mean, Arcus has invented the magic thermometer! He’s taken part in a major war, and killed bad guys! He’s even survived his uncle’s arduous training! But of course, all of that doesn’t mean much to the population at large. Especially since the royal family wants to keep the invention a secret for now, to make the impact greater later on. And Arcus is, to the population at large, that kid with almost no aether, the disgrace of the family, a worm who does not deserve anything. Certainly his family (minus Licia) still think so. And, well, we’re going to a magic academy. So here we are, back to the beginning in some ways, with everyone bullying and belittling Arcus. Fortunately, he has his sister and his future wives. And, well, we may need to add more wives to that stack.

The first quarter of the book is taken up with a very awkward party, where the royal family greets people while Arcus has a series of encounters ranging from irritating and upsetting (his father) to irritating and discomfiting (the various foreign leaders, many of who Arcus knows, trying to lure him to their country). After this Arcus takes the entrance exam to the magical academy, where he hopes to gain some new knowledge in his quest to learn more about magic. And he does! It’s just that, well, he runs into teachers who try to “publicly execute” him (Arcus’ words) for his low aether, to the granddaughter of the school’s Headmaster, who regards Arcus’ mere presence at the academy a farce, and demands a duel so that, if she wins, he has to leave the school. She’s never lost before.

Let me get my biggest annoyance with the book out of the way first: all of the girls who started this series around the age of 10 years old have hit puberty, many of them with a bang, and it has become apparent the artist really enjoys drawing large breasts in a thoroughly awkward way. Not a fan. Aside from that, and the fact that this is a magical academy story at all, this was a decent volume in the series. Sue didn’t show up till the back third, but when she did she made her appearance count, and I enjoy the fact that she and Charlotte know they’re rivals for Arcus but also don’t hesitate to team up when there’s a threat from someone else. I also really liked the scenes of Lecia and her pet demon, who I suspect is going to make life a lot more difficult in the future, but honestly it’s just good seeing her get something to do at all. And there’s a new girl, Setsura, who seems to be written in as “the annoying one”. And, well, she is.

So on the whole, I’m pleased that we got more of this series, but I wish it was going in a different direction. And got a new artist. Oh well. I still want to read what comes next.

The Girl I Saved on the Train Turned Out to Be My Childhood Friend, Vol. 5

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By Kennoji and Fly. Released in Japan as “Chikan Saresou ni Natteiru S-kyuu Bishoujo wo Tasuketara Tonari no Seki no Osananajimi datta” by GA Bunko. Released in North America by Yen On. Translated by Sergio Avila.

I am reading too many of these high school romcoms, to be honest. There’s been a big glut over here the last few years, spearheaded by Oregairu and Tomozaki, but the best of them all have some motivation to them beyond “which girl is he going to end up with after finally having a clue beaten into him?”. You can’t simply ride on that alone, or you run the risk of… well, of being this series, which is running on fumes in terms of “I am not getting that these women are all throwing themselves at me”. Theoretically there should also be the film/acting subplot, and that does vaguely rouse my interest a bit. Hina is getting it ground in her face that acting is a series of failed auditions forever till your break, and Ai has gotten that break on the back of her idol work, but is dealing with the cattiness and fending off date requests that that entails. It SHOULD be interesting.

Ryou’s film is nearly finished, just requiring Ai to film some remaining scenes when she’s not doing her acting gig. He’s still trying to get Shizuka to star in his new film idea he’s had, but a) there’s no script yet, and b) she really doesn’t want to. It doesn’t help that her mother is overly worried about her, which is coming out as anger. It also doesn’t help that, as a result of that, Shizuku is lying to her. This leads to a run away from home plot!… that lasts about five pages. This series just can’t get that dramatic. As for Hina, since she’s still depressed about her failed audition, and lacking much else to do, she’s helping Ryou study for school… mostly by forcing him to do it. Ca they all get together in time for a summer festival? And will the girls manage to convince Ryou they like him?

This series is not much like Oregairu at all (Ryou wishes he had Hachiman’s narrative panache), but they do share one thing in common, which is that the relationship between the lead and his little sister is the best thing about the series. Mana remains the best character in this by a country mile, being cool, self=confident, chiding but also supporting her brother, and being friends with all his various girl friends. If she had a spinoff, I’d read it, mostly as it would not be this series. There’s nothing wrong with this except that it’s boring, and I keep waiting for a payoff that I know is a good 7-8 books away, if that. The reason that a lot of romcoms these days have the leads hook up early is that everyone got tired of series like these, where we know who will win (it’s Hina) but we have to watch Ryou being thick as a brick for ten more volumes before he gets it.

If you have to read every romcom out there, this is one. I think I’m going to drop it here.

Bofuri: I Don’t Want to Get Hurt, So I’ll Max Out My Defense, Vol. 11

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By Yuumikan and KOIN. Released in Japan as “Itai no wa Iya nano de Bōgyoryoku ni Kyokufuri Shitai to Omoimasu” by Kadokawa Books. Released in North America by Yen On. Translated by Andrew Cunningham.

One of the more enjoyable things about the Bofuri series is that it’s NOT ‘we’re trapped in a game’, there are no real consequences, and everyone is free to do whatever. This is important, because it undercuts dramatic character development and potential angsty trauma. In addition to Maple, we’ve also been following the twins Mai and Yui, who are trying to do with Strength what Maple does with Defense. They’ve been pretty good at it, but are starting to hit a bit of a wall. This calls for deep thought. Should they try to experiment with non-strength things? Should they finally break free of the twin thing and actually take different skills, each one becoming their own person? Should they… grow up? Or should they, perhaps, find a way to use eight giant hammers at the same time? The answer is yes, they should octo-wield. This is a dumb game, they don’t seem to have any real life issues associated with it, and octo-wielding is hella cool.

Frederica is on the cover, but barely gets any page time, alas. The bulk of this book is taken up by a new event, which can best be described as “kill as many monsters as you possibly can”. There’s no PvP element to it, so folks are free to team up, and we see a few fun pairings. My favorite is Maple, Mii, and Velvet, aka Two Chuunis and a Dojikko. There’s also plenty of Maple and Sally, as we get to see them tackle a rarely used dungeon that basically thrown the monsters from all the previous floors at once. And eventually everyone has to team up to take down the giant final boss and his orb of power. the orb is far trickier than the boss, as the boss can be flattened by the Hammer Sisters, while the orb is made of sterner stuff. Amidst all this, is there time for… a different game?

The other highlight of the book is seeing Risa try, once again, to get over her fear of horror. It’s clear that the game is going to throw “6th level monsters” at them in the future, and Sally hates that she’ll always be useless when that happens (though she does OK in one fight by simply wrapping a blindfold around her head and firing off magic randomly, which I can’t wait to see animated). Her solution is to buy a really scary horror VR game and play it with Kaede, who has no issues with horror and is always down for a new game. Needless to say, it goes pretty much exactly as you’d expect. Risa being terrified of ghosts is just funny, especially with Kaede’s blase attitude towards them. We also once again get a tiny bit of “Risa REALLY likes Kaede” here, but blink and you’ll miss it. At least, unlike other authors, we don’t get a constant stream of “I’m straight, though”.

This should give Bofuri fans a good time, even though there’s no plot or character development. There won’t be, really. And that’s fine.

A Certain Magical Index NT, Vol. 1

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By Kazumi Kamachi and Kiyotaka Haimura. Released in Japan as “Shinyaku To Aru Majutsu no Index” by Dengeki Bunko. Released in North America by Yen On. Translated by Alice Prowse.

I will admit, the moment I saw that the new series of Index books had been licensed, my first thought was “oh, is the anime announcement coming soon?”. It’s been almost four years since A Certain Magical Index 22 came out. While sales figures are never easy to come by these days, word on the street was that it was not exactly one of Yen’s best sellers. But it *is* one of Dengeki Bunko’s best sellers, and a “flagship” title for the company. And there did seem to be some genuine excitement (and hopefully enough sales to justify the cost) of the massive 2000-page Index omnibus that came out earlier this year. So sure, let’s go. We’re jumping back into Index, featuring our favorite ditzy nun, tsundere electro girl, and schlub with a magic hand. Some bad news to report, though, as none of those three feature heavily in this book. This first volume of NT (New Testament) is about the other two male protagonists.

The return of Index also means the return of the “let’s try to keep track of things” paragraph. Introduced in this book: Fremea Seivelun, Kuroyoru Umidori. Also, though we briefly saw Leivinia Birdway in Book 18 of Index, this is her entrance to the story proper – on the 2nd to last page. This book takes place on Guy Fawkes’ Day, the 5th of November, and one week after World War III. Touma has been declared missing presumed dead. From a brief cameo we see of Index, she’s not taking it well. The Railgun manga has not gotten to this point yet. Its most recent arc is a flashback, and the most recent current arc takes place around Vol. 16 of the first series. In Japan, this came out on March 10, 2011, only five months after the “final” volume of Index. The Railgun manga had just released Book 6, so the Sisters arc. And the Index anime was just about to wrap up Season 2.

World War III is over, and peace supposedly reigns over Academy City. Of course, you know that’s not going to last. Much to the irritation of Accelerator, his attempt to stop all the “darkness” of the City can’t even make it work for one week before a new group of eccentrics is trying to use him to help cause chaos. As for Hamazura, all he wants to do is go on dates with his cute girlfriend. Sadly, his cute girlfriend comes with the other two remaining members of ITEM, who are both sadists, so instead he gets chased around the worst slums of the city by goons… and runs into an old friend of his from the gang, Hanzou. Hanzou is watching over a little girl, Fremea Seivelun, whose last name is the same as ITEM’s now-murdered member Frenda. Yup, it’s her little sister. And while Fremea may just be a Level 0, it seems everybody and their brother wants to murder her.

For the most part this “new season” of the Index series plays it pretty safe, as the entire volume is essentially a massive action movie. It’s along the lines of Lethal Weapon, though Accelerator and Hamazura are not exactly wisecracking jokers. The *real* goal of the Freshman, the latest oddly-named group, seems to be having Accelerator and Hamazura, who previously barely interacted, team up with each other to get revenge on the city for killing Fremea. Their leader is a type we’ve seen before, the smug teenager who has really awesome powers derived from scientists experimenting on children, but they turn out to not be QUITE as awesome as Accelerator’s powers. And yes, surprise surprise, Touma is not dead, and shows up at the very end to save the day, stop the villain, and get kicked in the balls, in that order.

If you’ve never read Index, for God’s sake, don’t start now. But if you’re an Index fan, put away that Baka-Tsuki PDF and go buy this.

Hell Mode ~ The Hardcore Gamer Dominates in Another World with Garbage Balancing, Vol. 4

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By Hamuo and Mo. Released in Japan as “Hell Mode – Yarikomi Suki no Gamer wa Hai Settei no Isekai de Musō Suru” by Earth Star Novels. Released in North America by J-Novel Club. Translated by Taishi.

Most of the time, when you’re reading a Japanese light novel and all of the magic powers, combat stuff, etc. comes out in the same way as a Japanese RPG, it tends to be… not laziness, per se, but it’s a way to allow the writer to easily explain things without having to create an entire fantasy world system and let them get on with more important things, like having the protagonist be super awesome and attract all the girls. Sometimes, though, you read a book and you realize that the RPG stats are the point. This is one of those series. The Hell Mode author is not really interested in plot or characterization all that much. Heck, they’re still not bothering with romance – there’s none of it in this book. They are here to roleplay their elf vs. demons campaign, and it’s going to take 367 pages to get through it, so you’d better settle in. Hope you like stats.

We left off with Allen and friends being sent to the front lines and almost certain death just because the royal family don’t really like him. This is fine with Allen, though, who of course sees this as a great opportunity to level up. They can’t take Meruru (whose country is asking her to go to her own war front), but everyone else goes. When there, they find the elves are really on their last legs, about to suffer an ignominious defeat. Fortunately, Allen has 80 billion magical total heal things, as well as any number of summons that can destroy, maim, eat, or spy on the enemy. Honestly, through most of this book his biggest concern is Krena and Dogoro, who are still having trouble accessing the “I was cool but now I’m SUPER COOL” part of their powers. That said, the main boss we get here is enough to make even our protagonists struggle. They will need another ringer. They will need… the hero.

The majority of this book is pure fight scenes, and thus unreviewable. Aside from that, I did appreciate that Allen, who is now relatively comfortable and trusting of everyone around him, finally fesses up and admits that he’s a reincarnation from a different world. I especially liked Cecil’s immediate reaction, which was “ah yes, so much makes sense now”. Allen is a freak in a very different way to the others… is what I’d like to say, but I’m not sure it’s true anymore. All the others are equally obsessed with getting new levels, new titles, and new powers. It’s the way this world works. Either you keep getting strong and stronger and more overpowered, or you die. (Hence the title.) Also, while Cecil and Krena don’t seen romantically interested in Allen all that much yet, the same can’t be said for his summons. Ellie, aka “Spirit B”, seems to be deifying “Lord Allen” a bit, and it’s slightly worrying… well, it would be if the narrative wasn’t doing the same thing.

This will always remain a “I might read the next book if I get a gap in my schedule” sort of series to me. But if you enjoy watching Allen wave a hand and watch OP bullshit happen, this is still giving you what you need.

You Were Experienced, I Was Not: Our Dating Story, Vol. 1

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By Makiko Nagaoka and magako. Released in Japan as “Keiken Zumi na Kimi to, Keiken Zero na Ore ga, Otsukiai Suru Hanashi” by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Adam.

Other folks have said this besides me, but I will join in: the least interesting part of this series so far is the relationship between the two leads. He’s a nice guy. She’s a sweet girl. They’re really cute together. Which is fine, but you can read more interesting versions of that in 8-10 other stories from J-Novel Club or Yen On. Where it holds up better is the “gimmick”, so to speak, where it tries to walk a fine line between telling a teenage girl she doesn’t have to have sex to be in a relationship while also asserting that there’s nothing wrong with having it once you want to. Once the author and editor had that idea, that’s what this book was going to HAVE to be, because if it became “I will save you from the terrible things you have been doing”, it would have been the worst thing ever. That said, the guy… takes a while to get there.

Ryuto Kashima is a standard potato-kun light novel protagonist, who does not have the looks or confidence to be on the cover next to his girlfriend. He’s a shy, introverted guy who pines after Runa Shirakawa, the gorgeous, trendy, and confident girl in his class. The rumor mill says that she’s gone out with a ton of guys, and they’ve even had sex with her, but none of the relationships have lasted. Ryuto, of course, is content to just pine away, but when he loses a bet and is dared to confess to her, he goes through with it, figuring she’ll reject him and he can rip the band-aid off and get on with life. To his surprise, she accepts… and that evening, they end up at her house, with her father and grandmother away. Is this it? Is he going to have sex with the hot girl?

If you were thinking that yes, he is, I suspect that light novel romcoms must be a constant disappointment to you. As it turns out, Runa (whose parents got together in middle school, and she focuses on that and not the fact that they’re now divorced) thinks that having sex with a guy is just what you do in a relationship, and is absolutely boggled when Ryuto tries things like thinking of what she wants and asking her about her hobbies. That said, she’s not annoyingly naive, and the disconnect comes from a sensible emotional place. It took me a long time to warm up to Ryuto, who has an awful lot of “no one could ever likle such a giant loser like myself” vibes that he has to struggle with. His 4-page long monologue about bubble tea shops won me over, and also won Runa over. (Runa expects that he will break up with her soon, like all guys have done, so any genuine affection for anything is amazing.) As for the other major character in this book, I suspect she will be the focus of Book 2, so I’ll save her for then.

The book does what it sets out to do, which is to say “indicate that slut-shaming is bad”, and I hear the anime (currently airing) is pretty solid as well. I just hope that Ryuto and Runa can be a bit less… vanilla in their relationship. Just because you’re not having sex doesn’t mean that hand-holding should take 60 pages.

The Saint’s Magic Power Is Omnipotent, Vol. 9

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By Yuka Tachibana and Yasuyuki Syuri. Released in Japan as “Seijo no Maryoku wa Bannou desu” by Kadokawa Books. Released in North America by Airship. Translated by Julie Goniwich. Adapted by E.M. Candon.

This ninth volume in the series comes out just in time, as the second season of the anime is currently airing and looks like it will adapt till the end of Book 8. So if you want to continue onward, you can pick right up where it leaves off. Of course, I will warn you in advance that you’re only getting 3/4 of a book. The manga version of this title runs in Flos Comic, but it would fit right at home in LaLa, because, like many LaLa manga, it’s packed with filler to pad out the volume. Now, this is not always a bad thing. The short stories that bookend each Bookworm volume are just as important as Rozemyne’s POV, and some of the side stories are fun. But what we get instead here are scripts for audio dramas starring the voice actor for Albert… talking to himself, as I guess “situational audio drama” means that the reader invents Sei’s half of the dialogue? Not sure, but it’s not worth it.

Sei and Albert are now engaged, and this is officially announced at a ball. Much to Sei’s surprise, there’s a second engagement being announced – Elizabeth is now engaged to the second Prince, Rayne. That said, their wedding will be a year from now, as there’s just that much pre-preparation involved. Sei is content to go back to the research labs, but then the palace gets an urgent missive from Prince Kyle’s delegation in Zaidera, saying one of the most important members was deathly ill, and help was urgently needed. Everyone suspects this is a ploy, but they can’t just ignore it, so Yuri decides to go there and take one of Sei’s panaceas, the one that healed Prince Ten’yuu’s mother. The problem is… Sei wants to go too! She’s so curious! So of course Albert goes along as well. This becomes a problem when the thing they thought was a plot turns out to indeed be a ploy.

So yes, we get the return of Prince Kyle here. Much to my surprise, very little is made of his past by the main cast. He gets a side story near the end, which shows that while to Sei and company he looked calm and collected, inside he was panicking that she was going to start getting furious with him. Setting off abroad seems to have done him a world of good, and I think he agrees. As for the story itself, it’s OK, not great. It’s mostly an excuse to delay the inevitable wedding a bit longer and take a look at this world’s version of China, complete with a few recipes a la foodie manga. The actual plot won’t really get going till Book 10, so instead we get things like Yuri being a giant magical nerd and… more of Yuri being a giant magical nerd. At least Sei has more female friends besides Liz and Aira now.

This is not one of the best in the series, but as a setup for a new arc it’s OK, and it will satisfy anime-onlies wanting to see what happens next.

Taking My Reincarnation One Step at a Time: No One Told Me There Would Be Monsters!, Vol. 3

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By KAYA and Naru. Released in Japan as “Tensei Shōjo wa Mazu Ippo kara Hajimetai: Mamono ga Iru toka Kiitenai!” by MF Books. Released in North America by J-Novel Club. Translated by Amy Osteraas.

It can sometimes be difficult, when a series is told entirely from one person’s point of view, to remind ourselves that they may not necessarily be the best narrator for the job. Sara tells the entire story in these books, and for the most part that’s fine, but there is a good deal of snark, apathy and general grouchiness to her entire character that makes the narration fun but also reminds us that everyone else doesn’t necessarily adore her. That said, the people she’s grouchiest to (Ted, the knights) generally deserve it. As the series goes on, I’m hoping that we get more of her joyful delight at seeing the ocean, which we get at the end of this book, and a bit less of her “whatever, I don’t care” attitude when people try to railroad her into annoying things. Though she’s right, she really should settle on figuring out what to do with her life soon.

Sara and Nelly head back to Rosa to do some shopping for clothes, but end up getting sidelined by a ton of plot. The other Invited we met in the capital last time, Haruto, has arrived in the town, and is acting like a 10-year-old kid – which, to be fair, is about when he died in Japan, so Sara has a big leg up on him. More dangerously, the knights are returning to get Sara and forcibly have a noble adopt her and get her working for the state. She really does not want to do that, so after letting Haruto and fellow Invited Bradley handle the cottage on the mountain, she, Allen and Nelly join Chris is a trip to a town two weeks away that is trying to train new apothecaries. Unfortunately, when they get there it turns out almost every single apothecary has in fact left the town. Oh yes, also frogs. LOTS of frogs.

Because Sara has for the most part been living on a mountain with a mentor who does not really care about much of anything, or else in a town that is very clearly the “last dungeon” town in this fantasy world, she has not really had a normal isekai reincarnation like everyone else in this series. That’s clearly for the good, as it turns out that while reincarnates are coddled, they’re also pretty much used as government-sponsored slaves, with a name change. You can see why – Sara is really, REALLY powerful, and we see more of that here, though at last we seem to have finally hit a magic thing that makes her feel tired rather than just being easy as pie. The next book is set up by Nelly suggesting they go to her hometown to get her family (who are nobility) to adopt Sara, which should stop the knights from trying to abduct her. I’m fairly certain it will not be that simple.

So yeah, Sara’s not sure what she wants to do with her life here yet, but till she’s safe and can relax, I don’t really blame her. Also, the gimmick is that Sara attracts monsters, right? I think we all get that by now, even if the cast don’t yet. She’s a Monster Magnet.

A Young Lady Finds Her True Calling Living with the Enemy, Vol. 1

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By Syuu and Fujigasaki. Released in Japan as “Oguni no Kōshaku Reijō wa Tekikoku nite Kakusei Suru” by PASH! Books. Released in North America by Cross Infinite World. Translated by Kashi Kamitoma.

As we have advanced into the 21st century, we have thankfully moved on from one of the more egregious fan terms (and one I used myself back when I was younger), the “Mary Sue”. Originally used as an example of a character created by a writer purely to be the “perfect” love interest for her favorite character, it then morphed into, supposedly, any woman who lacked flaws and was seen as too perfect. Which, naturally, meant any woman protagonist, if you’re a guy reading it. Meanwhile, male protagonists who kill all the monster, gets all the babes, and wind up leading the nation are a dime a dozen, and despite the attempt to use “Gary Stu” to describe them they never got any flak. And of course let’s not get into the “Strong Female Character”, as best seen by Kate Beaton’s wonderful comics. I mention all this because Bertine, the protagonist of this new series, starts her own business, unites warring tribes, shoots burglars with her rifle, and has such innate economic skills that she was raised by her father to be his successor. And you know what? It’s amazing.

Bertine du Jeanne, daughter of the Chancellor of San Luenne, an independent nation and financial powerhouse, is preparing for her upcoming wedding when she is told that the Empire, which their nation has been giving financial support to, has lost its war with the Federation. The Federation has demanded 1000 large gold coins in reparations. The royal family have decided instead to send them Bertine, as the new bride to the leader of the Federation, Cecilio. She is barely given time to hear this before she and her lady maid are bundled off to Ybit, one of the major cities in the Federation. There they are told Cecilio is away, that he never accepted the bride deal in the first place, and to go home. She can’t go home, though, as it would disgrace her country. So instead the staff at Cecilio’s estate decide to slowly starve Bertina and her attendants to death, and passively abuse them. Having had enough of this, Bertine chooses to leave the estate and make her own way in this new country.

I always enjoy novels that give greater depth to the main character as the book goes on. At first Bertine just seems like a basic “stiff upper lip” noble, though she does seem very exhausted by everything near the start of the book. We then learn that everything has been terrible for her since her mother died over a decade ago, her stepmother tried to kill her and is actively trying to prevent her returning to her own country, that she had *two* marriages called off before this, and that even when her sickly mother was alive, her father, recognizing her economic talent but being unable to properly express love, gave her hellish training that made her think he hated her. She tells Cecilio flat out that when she got to his estate and the staff abused her, she was near suicidal. Fortunately, the book wants us to know that but not dwell on it. What it does want us to dwell on is Bertine empowering herself, then empowering other women around her. There isn’t even any romance in this first novel, though I’m pretty sure she’s gonna end up with Cecilio by the second (he’s nicer than his staff). It’s just Bertine being badass. Oh, and the Candy Ma’am pun is hilarious, well done translator.

I had an absolute ball reading this. Is Bertine too perfect? Damn straight.