Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Reviews

The Obsessed Mage and His Beloved Statue Bride: She Cannot Resist His Seductive Voice

by

By Crane and Hachi Uehara. Released in Japan as “Yandere Mahoutsukai wa Sekizou no Otome shika Aisenai – Majo wa Manadeshi no Atsui Kuchizuke de Tokeru” by Mitsu Neko Bunko. Released in North America by Steamship. Translated by Molly Lee. Adapted by Kathleen Townsend.

I had to remind myself a lot while reading this that I am not the intended audience for this sort of book. Not only is this an erotic light novel written for women (which is why it’s in the Steamship line rather than Airship), but it’s for women who see the word “Yandere” in the Japanese title and go “oh hell yes!”. In that sense, they absolutely get what they want, as Alistair starts the book off as a 12-year-old bratty yandere with tremendous magic power and a lust for his mage mentor, and ends the book as a 32-year-old yandere who really has not changed a bit. There is a brief scene where we see that he apparently really did do good things in the 20 years in between because he believes in those values, and not just to get into Lara’s pants. Which is good, as that’s really the only scene. I won’t get into what he does to the statue in the interim.

Lara is a low-level mage with not a lot of power but a lot of precision and one really neat trick. She’s told to mentor Alistair, a young boy whose magical power is off the charts and who was abused so much as a child that he not only murdered his parents but also the entire mountainside they were on was destroyed. Fortunately, Lara is a big sweetie pie. Actually, to be honest, Lara is a bit of a saint. And a doormat. Nevertheless, for four years, she trains Alistair and thinks of him as a little brother, ignoring that he’s hopelessly in love with her. Unfortunately, they run across a dragon, and he’s badly injured. Telling him to live on, she draws the dragon away and seemingly sacrifices herself… but in fact her one cool trick is that she can turn herself to unbreakable stone to protect herself. Twenty years pass, and now her stone body comes back to life… but what’s with this hottie?!?

So yeah, if, after reading that description, you went “ergh” a bit, I don’t blame you. This relies on “reverse age gap” romance as its main thing, and if that squicks you, don’t read it. As for the sex, unlike the other Steamship light novel, this does prioritize the plot – somewhat. That said, when the sex comes, there’s quite a bit of it, and most of it kind of consensual, in a romance novel sort of way. I will admit that hearing that men found “nothing sexier than a woman with big tits and a baby face” makes me wonder if this book was trying to draw in male readers as well – Lara is certainly a male fantasy sort, being super nice and caring, has super low self-esteem, and of course is very easily aroused. The main “plot” takes a back seat to their romance, which dominates the book, as you’d expect, though I was amused by her mentor and his wife, who Alistair is insanely jealous of, because see: yandere. Honestly, given how they both treat her, he’s right to be jealous.

In any case, if you’re looking for a romance with sex in it, make sure you fit the narrow demographic this book is in. If you’re in that demographic, it’s fine.

The Hero and the Sage, Reincarnated and Engaged, Vol. 2

by

By Washiro Fujiki and Heiro. Released in Japan as “Eiyū to Kenja no Tensei Kon: Katsute no Kōtekishu to Konyaku Shite Saikyō Fūfu ni Narimashita” by HJ Bunko. Released in North America by J-Novel Club. Translated by Joey Antonio.

It can be very difficult to combine comedic stuff with serious stuff in the same series, and frequently the balance is off in some way or another. That’s why I was pleasantly surprised by this second volume of Hero and Sage, which I enjoyed more than the first. For the most part this is content to show our lead couple being ridiculously flirty and at ease with each other, and it’s also not afraid to go full on silly with scenes such as Kristia, the nation’s princess and Eluria’s childhood friend, forcing Raid to participate in a game show to determine who loves her best. But it also has a serious core, as the two of them are trying to work out why she died in the past and who is trying to kill her in the present. And then there’s the entire subplot with Lufus, which is almost all serious and made me wonder if this fluffy series might actually kill a cute kid off.

After the events of the first book, The Magicians’ Association really, really want to expel Raid, but can’t find a good enough reason to, so he is neither rewarded not punished. That said, there are exams coming up, and they will make sure to make them extra impossible for him to do. In the meantime, those exams will happen with the rest of their core team… including Fareg, whose flunkies are still on medical leave, so he needs to be part of their group. They also meet Lufus, the young redhead who was briefly seen in the first book. She’s very proud of her skysteel dragon, Lafika, but more importantly, she can apparently summon four Guardian dragons, which is very unusual. In fact, a bit too unusual. And when Raid and Eluria discover Lufus’ mother is Very Disappointed with her, they realize that things may be more dangerous and potentially tragic than they expected.

I mentioned in my review of the first book that Eluria’s new best friend Millis is comic relief – she even calls herself comic relief – so I was relieved to see that, appropriately, that’s not ALL she is. When she busts out her inscribing skills halfway through the book I was waiting for the punchline, but no, it’s just something that a lot of college kids have dealt with: just because you’re fantastic at something doesn’t mean you want it to be your career. Millis wants to be a magician. And from what we see in the exam, she’s very good at it (after having the crap beaten out of her by Raid and Eluria as part of training). Likewise, Kristia is introduced as a big goofy joke, which lasts just long enough to be funny and then is replaced with an interesting revelation and also shows us how much of this is a deliberate act. This is what I meant by the comedy and drama being well balanced.

The cliffhanger is 100% making me thing “child from the future”, but that’s the third book’s problem. In the meantime, this book is fun and cute – mostly.

A Surprisingly Happy Engagement for the Slime Duke and the Fallen Noble Lady, Vol. 3

by

By Mashimesa Emoto and Kasumi Nagi. Released in Japan as “Slime Taikō to Botsuraku Reijō no Angai Shiawase na Konyaku” by HJ Novels. Released in North America by J-Novel Heart. Translated by Minna Lin.

I get the feeling there’s another story that we’re missing here, especially towards the end. I remember when I was reading Accomplishments of the Duke’s Daughter and we took two books to learn about her mother’s backstory. Maybe we need that sort of thing here, because all of a sudden Slime Duke is feeling like a sequel series to the main one that starred Adele, a villainess who was shunned by her fiancee and moved to another kingdom, only for the Emperor’s son to fall in love with her. Then we get this series, which is about what happened to the main character’s younger sister, who was always worried about but never actually seen in the main series. Now, as far as I know that’s not what actually happened, I think this is indeed the main series. But it also possibly explains why I’ve found this series a bit mid-tier when it comes to Japanese romances, especially Japanese romances with slimes. Best duck romance, though.

It’s time for Gabriel and Francette’s wedding, and we spend the entire book getting there. There are two main worries. First, they want her wedding dress to have fancy pearls, and unfortunately the country that gave everyone fancy pearls is having a shortage due to the royal relatives being toxic jerks. So the two of them decide to try and make their own pearls in Gabriel’s land… but this proves easier said than done. Secondly, Francette’s mother and sister will be coming to the wedding, and she’s very worried about finally seeing them, especially since she really did not tell them “by the way, I’m now living in poverty in a slum”, which is where she was at the start of the series. Fortunately, their reunion works out. Unfortunately, we then get a wacky sibling switch leading to a less wacky kidnapping.

I’m used to dealing with heroines with a sense of self-esteem so low it’s on the floor, but this is a rare series where the entire family suffers from this problem. Everyone is very quick to credit everyone else for all the solutions to life’s problems. That said, those crediting Francette are more right than others, as she really pulls off a lot here. That said, the solution on how to make the pearls is one that I was expecting to be the FIRST thing they tried, so it felt a bit underwhelming to come up with it after exhausting everything else. Second, we get a second absentee dad, though at least the series tries to explain how it’s walking a fine line between “they should be allowed to love life the way they want” and “that doesn’t mean they’re forgiven”. And, as noted, I want to read Adele’s story. And Emilia’s, to be honest. Probably more than Francette’s.

This is the final volume, so well done. At least we’ll always have the attack duck.

To Another World… with Land Mines!, Vol. 1

by

By Itsuki Mizuho and Nekobyou Neko. Released in Japan as “Isekai Teni, Jirai Tsuki” by Dragon Novels. Released in North America by J-Novel Club. Translated by Yen-Po Tseng.

Yeah, I know. So I had a brief gap in my insane reading schedule, and a friend had mentioned this series as one I might be interested in circling back to. I had skipped it in 2022 when it came out as I was trying to cut down on isekai stuff. But I’m a big fan of Management of a Novice Alchemist, by the same author, so I figured why not give it a try. And how is it? Well, that’s an interesting question. I think how you feel about it will depend on your answer to the following: Can something be good and yet very boring? If you say no, by definition boring things are bad, then don’t read this series, please move on to something with lots of cool things happening. If your answer is yes, it can be good, it depends on what the author is trying to do and the nature of what is boring, then I think, like me, you’ll get something out of this.

Another reason that I never read this when it first came out in 2022 is that I thought it was gonna be about someone whose skill is explosive mines, kinda like the godawful Death Beam story. It’s not. The land mines are metaphorical. A bus full of students apparently is in a fatal accident (we only hear about this secondhand) and are now meeting with a self-titled “evil god”, who wants to put them all in another world, no reincarnation necessary, and offers then some cool skills. Nao, our POV character, selects the ‘help’ skill in order to help him choose better… and discovers that some of the cooler sounding skills have lethal consequences! Those aren’t cool skills, they’re land mines! (Hence the title). Now he and his best friends Haruka and Touya are in this new world, and are finding that it’s not quite like the light novels said it was.

So this is sort of a combination of “isekais should be more realistic, let everyone grubbily struggle to survive” books with “if *I* was in an isekai I wouldn’t do all those dumb things that make interesting stories, I’d be smart and rational”. You’d expect that at least one of our main protagonists would be a loose cannon to justify the title, but no, we have smart, sensible Haruka, nebbish generiguy Nao, and hotblooded Touya, and even Touya listens to Haruka and does what she says. They don’t get any weapons, and their magic (Haruka and Nao are elves, Touya is a beastman) is either basic or nonexistent, and needs to be learned. They gather. They experiment. It’s interesting as a thought experiment, and I want to see what happens next, but as a book it struggles. Nao is especially weak right now, and I hope he gains character development.

So if you skipped this when it came out, you can probably keep skipping it. But I enjoyed it enough to want to read another one when my schedule is free again.

A Tale of the Secret Saint, Vol. 7

by

By Touya and chibi. Released in Japan as “Tensei Sita Daiseijyo ha, Seijyo Dearuko Towohitakakusu” by Earth Star Novels. Released in North America by Airship. Translated by Kevin Ishizaka. Adapted by Michelle McGuinness.

Sometimes I enjoy a good bit even if it’s obvious. Indeed, sometimes I love it because it’s obvious. And Secret Saint is, let’s face it, a series that runs on comedy, tragic backstories aside. So I have to inform you that I was smiling gleefully all through the main plot of this series, which was a perfect combination of Fia being intuitive and clever based partly on her instinct and partly on her past knowledge, and Fia being a complete dimbulb who has no idea how the world of 300 years later works and doesn’t bother to find out. There’s also an extended scene between the captains which basically serves as an excuse for Desmond to scream for 65 pages or so at the top of his lungs. That said, by the end of the book I had noticed that, despite having supposedly been the start of a brand new arc to move the story forward, not a hell of a lot happened and there were side stories galore.

Fia returns from her extended vacation to find that all the other new knights have met with the King, which is something that happens with all the first-year knights. Fia, having been absent, now has to have her turn. The king, Laurence Nav, looks about as you’d expect. What is perhaps unexpected is that he has THREE court jesters, all of whom take the opportunity to pour scorn on and belittle Fia. Ah ha! This must be one of those tests! It is indeed, and as you’d expect Fia breaks it wide open. After this, the captains all have a meeting to discuss the strange and terrifying events of the last few books – all of which deal with Fia. And then Fia is asked to meet with the current Great Saint, who is supposed to be marrying the king. That should go well. After all, Fia is a knight, not a saint.

So, apologies for giving away the obvious gimmick of this book, one of the jesters is the real king, and the other two are his closest advisors. Fia figures this out due to a combination of 300-year-old knowledge and her magical saint powers, but it’s the way she carries it off that makes this so fun to read. She’s forced to play a poker game that’s really an excuse for the king to wave his secret identity in front of the knights’ faces without giving it away, so is rather upset when Fia, in fact, figures it out and wins in her own way. I really enjoy this sort of Fia, and hope we see more of her in the next book, which I suspect may get a bit Villainess-ey. I admit I’m not as fond of Fia not realizing that her powerful dragon familiar disguising himself as a chibi-version does not really count as a disguise, or once again not understanding that things are very, very different 300 years later. But you can’t have one without the other, really.

I’m not sure when we’ll get Book 8, but I won’t have to wait long to read more about Fia. Or rather, about Serafina. Tales of the Secret Saint’s getting a prequel series, and it’s out soon. Till then, this was fun.

The Otome Heroine’s Fight for Survival, Vol. 3

by

By Harunori Biyori and Hitaki Yuu. Released in Japan as “Otome Game no Heroine de Saikyō Survival” by TO Books. Released in North America by J-Novel Club. Translated by Camilla L.

Much as this series seems most of the time to be ignoring the whole otome heroine part of the title in favor of the fight for survival, it never quite forgets about it altogether. There’s always one or two scenes reminding us that not only is Alia supposed to be the “heroine” of this otome game (and has memories that are not hers of life in Japan), but there’s also another minor villainess who is reincarnated – and is terrified of Alia, to the point where its thrown her relationship with the “main” villainess, Elena, off. That said, the next volume of the series would appear to delve more deeply into that plotline, so rest assured it will be relevant soon. But not yet. For this volume is all about Alia’s ability to fight and fight and fight some more, and the various ways she wins against all sorts of enemies and monsters that should be too much for her to handle.

Alia has gotten a bit of a reputation, as we first see her here taking out a team of slavers who’ve been working together for ten years, and she is now known as The Ashen Princess, Lady Cinders. She’s also returning to the city where the first book happened, and running into the same cast, who inform her that there’s an Orc General, 4 Orc Soldiers, and about 50 Orcs who have infiltrated an abandoned village, and they’re on the verge of invading inhabited human cities. It’s time for Alia to do something ludicrous, like take them all on. After this, she’s met by Viro, who has a job offer that she really can’t refuse: kill Graves. Unfortunately, not only has Graves also been training really hard and leveling up since he last tried to kill her, but he’s also brought in a killer panther monster.

The author says that this book is about strength, and that’s certainly true. Alia may not be as strong as the enemies that she’s facing, but to us, the reader, she ludicrously strong – as she is to the residents of that city, as the old blacksmith who gave her her first knife stares in awe at what she’s been doing to wear it out. The author also says this is about “why people and monsters fight”. Alia is very surprised, at the end of the battle between her and the Orc General, when he speaks to her, asking her name and asking why she’s doing this. In that case she has to, as otherwise the human settlement would be destroyed. But later, with the panther monster, she’s more ready to communicate and compromise, and while that doesn’t help with her actual mission – alas, the main villain lives to fight another day – it gets her a friend and familiar. Who is also a killer monster. Even if it sleeps in a cardboard box.

Still full of stats, still full of fights, still strangely compelling. Will definitely read more.

From Old Country Bumpkin to Master Swordsman: My Hotshot Disciples Are All Grown Up Now, and They Won’t Leave Me Alone, Vol. 4

by

By Shigeru Sagazaki and Tetsuhiro Nabeshima. Released in Japan as “Katainaka no Ossan, Kensei ni Naru: Tada no Inaka no Kenjutsu Shihan Datta noni, Taisei Shita Deshitachi ga Ore o Hōttekurenai Ken” by SQEX Novels. Released in North America by J-Novel Club. Translated by Hikoki.

What is the audience for this series? Honestly, it’s primarily “people who just like to read light novels”, followed by “people who are curious if the series will ever end with him choosing a girl or will it go poly’. That said, I wonder if there are actually any kendo practitioners who might be reading this, because a lot of this 4th volume seems to be written to those students, telling them not to forget the basics. Well, and also reminding muscleheads trying to teach newcomers that “do everything I did without knowing the reason behind it” is a great way to be a terrible teacher. But just maybe the audience for this series is guys who are Beryl’s age who just like to fantasize about still being able to do all the cool athletic things they could do when they were young. Because once again, Beryl is awesome.

After the events of the last book, Beryl is once again left with some free time, and so Lucy asks him to drop by the magic academy to look at the sword magic course taught by his old student Ficelle. Unfortunately, she’s apparently not the best teacher, so Beryl is asked to come by to see if he can help. Since Mewi is also in this class, Beryl agrees, and finds that Ficelle’s teaching is far to spartan and hardcore. Trying to teach the five kids in the class a little less evilly, while offering advice and words of praise, Beryl not only earns the love of the students but also reminds Ficelle of what she was like when she was a student herself. Unfortunately, not all the faculty is happy to see Beryl, and he’s warned to NEVER GO IN THE BASEMENT. Take a wild guess what the climax of the book is.

I have to admit, this is a lot more meandering than the previous books. You get the sense the author realized that Ficelle is the only former student who they never really circled round and gave more depth, so they wrote a book to fix that. Unfortunately, Ficelle is not only a meathead but a stoic meathead, so it can sometimes be hard to get the character development she desperately needs. The best moment was probably the pat on the head. There’s also a group of students who have “spinoff volume” written all over them, especially the ludicrously genki Cindy, who reeks of the protagonist of some other series. The big dramatic climax of the book is not that great, as it barely gets any setup besides that one annoying teacher. I was, I admit, amused by Beryl achieving the impossible without actually knowing it. Someone needs to get him together with the star of Der Werwolf and have them self-deprecate rap battle.

The next volume’s cover suggests it will be for Yotsuba fans… erm, Curuni, I guess that’s her name. And not Yotsuba from Quintuplets. (looks at Vol. 5 cover art) Christ, even the ribbon is the same, only blue. In any case, if you like swordfighting, old men, and no romantic resolution, you’d like this.

The Oblivious Saint Can’t Contain Her Power: Forget My Sister! Turns Out I Was the Real Saint All Along!, Vol. 4

by

By Almond and Yoshiro Ambe. Released in Japan as “Mujikaku Seijo wa Kyō mo Muishiki ni Chikara o Tare Nagasu: Imadai no Seijo wa Anede wa Naku, Imōto no Watashi Datta Mitai Desu” by Earth Star Luna. Released in North America by J-Novel Heart. Translated by Dawson Chen.

Every volume of this series has me being fairly ambivalent about it, so it feels very appropriate that, when I read the afterword to this 4th and final volume, my first thought was “yeah, you should have gone with your initial instinct, it would have felt far more real and in character”. But I suppose it wouldn’t be Oblivious Saint if it wasn’t hitting all the really obvious beats. And thus Flora, who is really fascinating in the first part of the book as we see her literally consume herself with desperate rage to the point and death, ends up suddenly realizing how horrible she’s been her whole life after realizing how much Carolina looks like their late mother. It’s a head-tilting swerve, and is 100% unironic and, if I’m being honest, 100% out of character. But I guess the author’s right. Ending dark would subvert the very basic story being told.

It’s time for the big Saint Competition final, and there are twenty-three candidates competing. That said, the only ones the reader has to worry about are Carolina and Flora. Carolina is told to stop holding back, and she certainly does so, wiping the floor with everyone else. Meanwhile, Flora is also doing very well, but it’s clearly killing her – literally. She ends up having to have her life saved by her sister, the ultimate humiliation. Anyway, in a plot point so obvious I’m not worried about spoiling, Carolina wins and is now the Saint of all, with full approval of the church. Hell, she even grows SIX angel wings when she goes all out to heal Flora. Now she has only two things to worry about: going back to her birthplace for a festival, and trying to actually consummate her marriage.

I had anticipated that Ed and Carolina’s lack of a sex life would end up being a plot point, and I was mostly wrong – there’s no “you aren’t really married, ha ha!” twist, and Gilbert’s obvious love for Carolina is dealt with (surprise) in a very straightforward and earnest way. That said, the best part of the book is Ed confessing his worries to Teodore – that he is so aflame with passion that he will only end up hurting his new bride with his fiery, violent lovemaking. To which Teodore, rightly, calls Ed a massive coward and says that all his worries are complete and total bullshit. Teodore’s sarcastic, biting remarks have been a high point of each book, so I was pleased to see him point out that Carolina has obviously also been wanting to have sex with him and, if Ed keeps this up, may simply think he doesn’t love her like that at all. Rest assured, by the end of the book they have done the deed, and Carolina is fine – in fact, she worries he was so gentle HE wasn’t satisfied.

In the end, this was a bit too on-the-nose for me, and I sort of wish Flora got the unhappy ending she longed for. There are better saint books.

The Magic in This Other World Is Too Far Behind!, Vol. 10

by

By Gamei Hitsuji and Yunagi. Released in Japan as “Isekai Mahou wa Okureteru!” by Overlap Bunko. Released in North America digitally by J-Novel Club. Translated by Hikoki.

First of all, let’s get rid of that elephant in the room. The 11th volume is, as of this writing, not out in Japan yet. I really hope there is not a 5-year-gap between books 10 and 11 the way there was between Books 9 and 10, thank you very much, if only as I had to try to remember things I had long since forgotten when I assumed this series had gone the way of, say, Altina the Sword Princess. Secondly, I apologize to this book for having to read it today, when I was, for reasons I won’t get into, a bit distracted. That said, in the end we are here to see Suimei do cool magic things, and we definitely get that here – at least in the second half. The book is basically a ‘darkest before the dawn’ sort of book, and the first half or so focuses on Reiji, who feels his own hero power is Too Far Behind, and is prepared to possibly turn evil in order to solve the issue.

Suimei and his party are still in Japan as this book starts, which is unfortunate, as the demons have chosen this moment to attack… supposedly. It’s a somewhat puzzling, half-assed attack, as if their real goal is something else – much to the frustration of one of the demon generals. Unfortunately, with only one mage, a girl from Japan who’s new to the profession, actually present, the battle is not going well, especially as there are new artificially created demons that are sort of Noumu from My Hero Academia, only more insectoid. Reiji, without Suimei there to back him up/save his ass, is feeling powerless and pathetic, and unfortunately the power within him takes this time to tell him to beg for more power no matter what. The “no matter what” being a corruption that starts to happen almost immediately.

I feel for Reiji, but I will not deny that once Suimei returns to the story I was far more invested in actually reading it. I suspect we’ll be getting an “I know you’re still in there somewhere, fight!” moment for our hero soon. He and Suimei do share one very obvious trait, though, which is their total inability to see exactly how many young women want them. The scene in the baths was easily the most “light novel” in the volume, and honestly after the darkness of the previous 3/4 of the volume it felt like a breath of fresh air despite having an “oh no I fell and now your face is in my boobs” moment. The other highlight is the climax of the book, which helps to show off Suimei’s two superpowers, which are being incredibly overpowered and also being an incredible dick. His taunting of the demon general was hysterical, and, again, helped to take the edge of an “is our protagonist dead for real” scene even though we knew the answer was no.

So yeah, this was good. Was it worth the wait? Nothing is worth that wait. Hopefully the next one comes sooner.

The Dorky NPC Mercenary Knows His Place, Vol. 1

by

By Toryuu and hamm. Released in Japan as “Kimo Ota Mob Yōhei wa, Mi no Hodo o Wakimaeru” by Overlap Novels. Released in North America by J-Novel Club. Translated by Josh DM.

Sometimes you don’t need everything to be new. Sure, we love it when there’s a groundbreaking work that creates a new template going forward, but sometimes all you need is a different ingredient to make everything not quite stay the same. There have been other light novels that are set in space, of course, but those are irrelevant to me as I don’t read those. I did give this a try, though, as part of my “every once in a while I’ll try something I wouldn’t normally read” pick. And it’s good. Not great, not something I’d recommend. But it reads easily, the main characters are likeable (they may be the only likeable characters in this fictional world), and the fact that it’s in space helps to cover up the fact that this is basically a standard fantasy guild adventurer book, only with spaceships and lasers rather than dungeons and monsters. And then there’s the hero, who… well, despite what he says, we’ve seen his type before.

John Ouzos is a mercenary for hire, doing such jobs as security for a repair job, trying to stamp out space pirates, and occasionally getting involved in a war between rival nobles. He tends to stay out of flashy situations, do his job, and not get killed. He is a commoner, and knows that in this world that is trying to become more equal but isn’t yet, this is just the right thing for him to do. Unfortunately, not everyone agrees. Another mercenary pilot is furious that he’s hiding his true talents and being “lazy”. A sentient spaceship is determined to get him to pilot her so that she can be rid of her current immature pilot. And his old classmate is now a famous professional racer, and wants him to join her team. They all know what he won’t admit – he’s one of the very best.

Again, this hits its beats pretty well. As you can tell from the cover, it has a thing for breasts (and, as future covers will show, butts as well), but honestly I’ve seen worse. There was a very odd paragraph describing two arrogant noble siblings as “anti-men feminists” that made me growl a bit, but it went away almost as fast and the POV character was not to be trusted either. And of course, if you don’t like the sort of protagonist who will do anything to avoid being part of an exciting story, this isn’t for you by definition. But I liked how, the more you get to know the world John lives in (mostly through his endless exposition, which wasn’t too boring so I’ll let it slide), you realize that his plan to stay unnoticed is pretty smart. That said, even in his past he tended to get into death-defying situations, and that hasn’t changed. He may think he’s an NPC, and he’s certainly surrounded by evil nobles, but the hot girls around him know his true value.

Yeah, that’s right, it really is a stock light novel, but in space. I expect more harem next time. But till then, if you want to enjoy a standard LN that doesn’t require you to know how to cast from hit points, this is good.

Earl and Fairy: Awaiting a Moonlit Elopement

by

By Mizue Tani and Asako Takaboshi. Released in Japan as “Hakushaku to Yōsei” by Shueisha Cobalt Bunko. Released in North America by J-Novel Heart. Translated by Alexandra Owen-Burns.

Sometimes I don’t read the blurbs before I start a volume, particularly if it’s a series I’ve been reading for a while. As a result, I came into this book not knowing that it was a short story volume. This is good and bad in some ways. It allows for less complicated narratives that better show off the two leads, and can also venture into other areas, such as Lydia’s pre-Edgar life. (All but the last short story were collected elsewhere, and the prologue was the first thing the author ever wrote for the series at all.) On the down side, without a big, action-packed and terrifying narrative to drive everything, we can sometimes be reminded a bit TOO much how irritatingly smug and possessive Edgar is, and how annoyingly naive and stubborn Lydia is. Fortunately, they’re only really at their worst in one of the short stories featured in this volume. So, of course, that particular story is the one that was used for the volume’s subtitle. Sigh.

There are five short stories in this book. 1) Before the events of the main series, a Lydia who’s just starting out meets a violinist plagued by a fairy, and makes a foolish decision that will need to be fixed by the man she’s trying to save. 2) We learn how Lydia first met Kelpie, as she helps to reunite Kelpie’s bookish brother with an elderly woman who romanced him in her youth; 3) Edgar takes Lydia to the opera, and they deal with a flower girl whose daisies are telling very accurate fortunes; 4) Lydia, having just read an exciting romance novel about a couple eloping, finds a young man being troubled by a lhiannan-shee, and decides to get involved despite Edgar, accurately, saying this is incredibly shady; 5) After the events of the 6th book, we see Edgar in London and Lydia in Scotland, both lonely at Christmastime.

The first three stories are all various shades of ‘pretty good’. The fourth annoyed me the most, as Lydia is even more naive than usual, which of course requires Edgar to be more possessive than usual, and they reinforce both their worst habits, especially as Lydia is still the sort of girl who will stubbornly jump off a cliff if Edgar tells her it’s a bad idea. That said, Lydia has heroine plot armor, unbeknownst to both of them, and therefore, of course, her naive ideas of romance and eloping turn out to be correct after all. The best story in the book is the final one, especially on Edgar’s side, as it shows him trying his best to try to fall for some other girl so he can let Lydia go and not involve her in his drama and failing miserably. The climax of the story, where fairy magic brings the two of them together for a brief period,. is the most romantic this series has gotten to date.

Next time we likely should get back to the main plot. Will we get Lydia firmly admitting her feelings with no backsies? That’s less likely. Will Edgar stop flirting with every single girl in London as part of his schemes? Even less likely.

How I Swapped Places with the Villainess, Beat Up Her Fiancé, and Found True Love, Vol. 1

by

By BlueBlue and Meiji Anno. Released in Japan as “Danzai Sareteiru Akuyaku Reijou to Irekawatte Konyakusha-tachi wo Buttobashitara, Dekiai ga Matteimashita” by M Novels f. Released in North America by Cross Infinite World. Translated by JCT.

There are good elements to this book, which I promise I’ll get to later. But for the most part, as I was reading this I found myself thinking ‘we’ve finally hit the era of generic villainess books’. It’s boilerplate, and most things that it does do well (such as our heroine beating up her problems) are done better in other, more famous series and also ignored for the majority of the book. It features a super evil “heroine” character, which I have grown very bored with – if you’re going to be evil, you’d better at least be as interesting as Lilia. But the most annoying part of the book may be how easy it is. Everyone immediately figures out the problem and comes up with a solution. Our main character is overpowered. And mostly it’s just her friends doing a Noel Coward play while the heroine fumes. This book suffers from being smug.

You know how this begins. Truck-kun. After our main character is killed saving a mother and child from a truck at the cost of her own life, she meets a goddess who has a deal to make for her. She was killed by accident, so can’t be reincarnated in Japan. But fortunately there’s a bad situation in another world. Alexandra Vistriano is in a time loop. She has been betrayed by her friends and fiance, exiled, and brutally murdered four times now, and it’s about to be five. Her soul is so damaged by despair that she’s at risk of being lost forever. Could the main character, who grew up learning karate and is a bit of a tomboy, step into the villainess’ place? Of course! The new Alexandra has no issue beating the crap out of everyone trying to exile and betray her. That said… when she does that, time loops AGAIN, and Alexandra has to do everything for a sixth time.

I did mention the good things. There are some plot conceits I quite liked involving the time loops, which also help explain one of the book’s biggest and most ludicrous handwaves, the amulets of protection. I also really loved Alexandra finally snapping at the end of the book and screaming at Celette for everything she’d done, expressing sheer horror and disbelief that she could possibly be so cruel and uncaring. It felt earned. That said… the rest of the book feels too easy. Since Alexandra has her past life memories, AND she now has a ton more magic power thanks to the reincarnation, this particular loop mostly consists of the heroine failing over and over again and everyone sneering at her. Also, the main love interest is, well, a jealous and obsessive stalker, and YMMV with those types – I just read one two days ago in the other October CIW debut, so was less forgiving this time around.

And of course, one more common villainess book cliche – despite wrapping up all its plotlines in the first volume, there are four more. For completists only.

A Pale Moon Reverie, Vol. 3

by

By Kuji Furumiya and Teruko Arai. Released in Japan as “Tsuki no Shirosa o Shirite Madoromu” by DRE Novels. Released in North America by J-Novel Club. Translated by Jason Li.

The third volume of this series, as with the previous two, is very much concerned with people who are trying to control other people vs. people who want to live their lives freely, and it’s not a surprise that we’re very much on the free side. The bulk of the first two-thirds of this volume involves fighting against a god who really wants to have Sari do what he says, and is quite content to blow everything up if he can’t do that. We also have Xixu, hemmed in by his royal blood and his diligence to duty, who needs to be almost killed and possessed himself before he and Sari finally agree to make the choice we’ve been waiting almost 1000 pages for them to make. Even the last third, an epilogue, features a bunch of slave traders kidnapping people, or blackmailing them into evil. At the end of the book, one open ending has an antagonist, no longer being blackmailed, simply leave the city, unsure how to be free. Sometimes control can feel safer.

There’s war in other countries, but it hasn’t quite hit Irede yet. Unfortunately, as a result of the fight she had in the last volume, Sari accidentally left behind a pool of blood for the enemy to find – which the enemy can now use to essentially create a number of brainwashed assassins. A much more down to earth problem is that there’s a new guy showing up to the Pale Moon every day, and he wants to go to bed with Sari, and he is not taking no for an answer. And of course there’s Vas, now possessed by a God and very interested in making Sari give up her humanity and making Xixu dead. It’s becoming increasingly apparent that most everything that’s been happening to date is the god’s doing. As a result, it’s probably a very good thing that, after a bit more pouting and self-deprecation, our couple are finally ready to BE a couple.

So yes, spoiling the one question that everyone who’s read the first two volumes has, they do indeed have sex. Indeed, it’s possibly the most awkward first time ever, as due to all the machinations of the plot that have been going on, it also involves some death and resurrection. Which feels very fitting in a book with so many gods going on. Xixu remains the same awkward but heroic guy he’s always been, but it’s really striking how much Sari comes alive after she’s finally chosen Xixu as her life partner. The Epilogue section in particular shows her fully in control, kicking eight kinds of ass, and freezing bad guys in ice and then shattering them to bits. She’s gotten over her worries. I also liked the plucky young royal we saw here, introduced as a theoretical threat but in reality that’s defused almost immediately and she proves to be a savvy businesswoman with a good head on her shoulders – which is good, because she gets abducted. Abductions happen a lot in this series.

Fans of Kuji Furumiya should read this, of course, but it’s also a good read for those who are sick of isekai RPG-style fantasy and want something different. It also has a lot of cool sword fights, magic battles, and giant snakes. I loved reading it. And hey, a lot less death than I was expecting!

The Frugal Priestess Becomes a Saint

by

By Hanami Nishine and Suzuka Oda. Released in Japan as “Isekai kara Seijo wo Yobe to Muchaburisareta Shinkan wa, Cost Performance no Tsugou de Seijo ni Naru” by Muchu Bunko Aletta. Released in North America by Cross Infinite World. Translated by Kashi Kamitoma.

I always like it when a book hits all the things I enjoy, though sometimes I have to remind myself that it’s fine because it’s fiction. The main romance here works because a) despite even the publisher labeling the Crown Prince a yandere, he’s very careful to go so far and no farther, so he gets to be extremely possessive and give chilly looks to everyone else, but around the girl he loves he’s a total soppy sweetheart. b) Fiona, our heroine, is as oblivious as a bag of things that don’t know they’re hammers, but because she’s so serious and dedicated, it’s refreshing. She lacks the ditzy quality we frequently see from this type, and it’s also very clear why she’s like this – she’s been carefully kept in a gilded cage for the last ten years. The reason for that, frankly, is not a mystery to the reader, but it is to her.

Fiona Everett is a talented priestess and aide to the pontiff. Unfortunately, the King has demanded that they summon a saint, mostly as the country next door has summoned one and he really wants to keep up with the Joneses. They already tried to summon a saint ten years ago, but it failed, and summoning one again will cost a great deal of time, manpower, and MONEY. So Fiona has an idea. Since saints traditionally have black hair, a rarity in this kingdom, and Fiona also has black hair, why doesn’t she says the spirit of the saint possessed her and she can act as a fake saint? The crown prince and the pontiff seem to go along with this pretty easily. Honestly, a bit too easily. And because Fiona is an overly serious, bookish sort, she’s decided she is the Saint of Cost Performance, balancing the books so that we see a lot more fixed bridges and a lot fewer replacement wigs.

So yeah, not to spoil too much, but Fiona actually has no memories from before she was ten years old, where she was taken in by the pontiff and also when the crown prince started doting on her. It does not take a brain surgeon to figure out the big secret everyone is covering up. The best part of the book is how the writing keeps Fiona both likeable and powerful without having to back off on her not understanding why Linus is kissing her hair, going with her wherever she goes, and having her sleep in his lap when she’s exhausted. This is played for humor, mostly in the coments from everyone around them who cannot believe she doesn’t get it, and it really is funny. Everyone calls Linus a sexual harrasser, which is true in terms of the letter of the law, I suppose, but it’s not as if Fiona ever tells him to stop either. Basically, she’s unconsciously in love with him the entire book. We also do meet another saint from a different country, who manages to be an absolute terror and makes me very happy Fiona decidedly does NOT regain her memories at the end of the book.

It’s also only one volume long, so even the series is cost-effective! If you can put up with clueless but studious heroines and handsy, possessive (but not sadistic) princes, this is a must read. Also, it has Fiona solve a problem by slapping someone in the face over and over and over again, which was glorious and I now want that in every book I read.

Demons’ Crest, Vol. 2

by

By Reki Kawahara and Yukiko Horiguchi. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by James Balzer.

I’ve mentioned before that I am not a gamer, and what this means that most of what I know about MMORPGs and the like comes from these sorts of light novels. As you can imagine, what this has mostly ended up doing is filling me with a deep desire not to game. Because man, gaming can be boring. Or at least, gaming can be boring if it’s being written by Reki Kawahara. Usually I have no issues with his action scenes, but that’s mostly as they’re being taken care of by characters I’ve known for ten years. But this is a new series that unfortunately is not really doing as many different things as I’d like (he says in the afterword that this is basically the SAO game system but with character classes added), and so, like so many, other light novels of this type, it reads like the author wants us to read their weekly gaming log. There’s a plot in this, which may possibly be intriguing. But we get less of it this time.

Sawa has a secret to tell everyone, which is that she is, in fact, possessed by a demon. Unfortunately, the demon only has a few minutes to tell them what they have to do next: go back into the game itself and find their childhood friend Nagi, who is still inside it. When they do so, they find that the game is a lot more realistic than it had been when they were just playing it for fun, and also that Nagi may in fact be trapped by one of the big bads, which requires them to essentially sneak in and perform a series of near-impossible tasks to get anywhere near Nagi. And this doesn’t even get into the fact that there are various other bad guys trying to stop them. And even if they do find Nagi and get back to reality, reality still sucks at the moment. Fortunately, they do have the help of the handsome playboy (well, for a 12-year-old) Niki.

There is a rather interesting plot way at the back of this. Sawa is not the only one possessed by a demon – in fact, the entire cast may each have a demon inside of them, relating to Solomon’s Demons, a popular thing in games. And, of course, the demons are quite different from the kids they inhabit, which could possibly lead some of them into betraying their friends. I’m definitely more interested in this than I am in Sugamo, who is still trying to do his own little Lord of the Flies and establish that he’s the best and everyone else needs to be executed (we all know that’s where he’s headed). As for the game world, when they’re wandering around a town and interacting with suddenly interesting NPCs, it’s fine. But most of it, as I said, is battles that don’t advance the plot beyond “they win after struggling”.

The third volume of this series comes out in Japan next week, so it will be a bit, and perhaps I will forget how much this bored me before it comes out. This sentence is here to jog my memory. Stick to Kawahara’s other series.