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Reviews

Kuma Kuma Kuma Bear, Vol. 1

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By Kumanano and 029. Released in Japan by PASH! Books. Released in North America by Seven Seas. Translated by Jan Cash & Vincent Castaneda. Adapted by Will Holcomb.

First of all, despite expectations, there really aren’t many bear puns in this book. Even the title, which I thought was one, is “くま　クマ　熊　ベアー” which is simply ‘kuma’ in hiragana, katakana, kanji, and ‘bear’ in katakana. It’s ‘Bear Bear Bear Bear’. The author, Kumanano, translates to “I’m a bear”. and the heroine, Yuna, appears on the cover wearing a bear onesie with bear gloves and bear slippers. I’m telling you this up front because if you’re already annoyed, best not to read this. It is absolutely saturated with bear. Despite what I had thought, Yuna CAN remove the bear suit if need be… but she’s as powerful as a 15-year-old human girl when she does. WITH the bear suit, provided to her by the God who runs this world, she’s ludicrously overpowered. Which tells you at heart this is sort of for fans of Make My Abilities Average and its ilk. Do you like teenage girls beating up jerks and monsters? You’ll like this.

Yuna is a young girl who likes to game, sleep, eat,and not much else. She hasn’t gone to school ever since she found she can get rich working the stock market. Her parents briefly protested… so she paid them enough money to leave her forever. And they left! (I mention this because it jars very much with the overall tone of most of the book, and I am wondering if it will ever come up again.) Then one day, Yuna gets an upgrade to the game she’s playing, along with special equipment… the set of bear items. Then, she’s asked if she enjoys real life (no), if she has people who’ll miss her (no), and anything really important to her in reality (money). After this… again, try to contain your shock… she finds herself transported to a fantasy world that’s very much like the game she had been playing. In a bear onesie.

I spent a whole paragraph talking about the first 5 pages or so because the rest of the book is exactly what you’d expect. There’s stats (though not as many as Yuna would like, and all bear related), there’s guilds, there’s killing wolves and orcs, there’s mana gems, there’s jerk guys who look down on Yuna just because she’s a cute young girl in bear pajamas… this lasts until she beats him so much he needs medical attention. There’s also a cute girl risking her life for her family who Yuna essentially adopts as a little sister. Originality is absent here. That said, it reads quite well, and I was never bored, despite the same old things happening. The weakness may be Yuna, who tends to react with little emotion to much of anything, and thus can come off as a bit mean (shades of Potion Girl) or callous. That said, this book also lacks a lot of the bad habits of light novels, possibly as it has a female lead and is written for a female audience. There’s no descriptions of breasts, Yuna shows no signs of getting a romantic harem, and there’s no slavery. I appreciate that.

This is run-of-the-mill OP isekai, but unlike some others I’ve reviewed recently, its gimmick (bear) is handled very well, being funny and never really irritating. If you like bears, or just like young women walking around and being cool, this might be a good light read. Oh yes, and the illustrator also does The Devil Is a Part-Timer!, so if you like their work, also check it out.

BL Metamorphosis, Vol. 1

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By Kaori Tsurutani. Released in Japan as “Metamorphose no Engawa” by Kadokawa Shoten, serialization ongoing in the magazine Comic Newtype. Released in North America by Seven Seas. Translated by Jocelyne Allen. Adapted by Ysabet MacFarlane.

In troubled times, sometimes you just want to read something that puts a smile on your face and a song in your heart. Slice-of-life series can be all kinds of things, and this story of an old woman bonding with a teenager over BL manga fits perfectly. Ichinoi teaches calligraphy classes at her home, and is alone now that her husband has passed away. One day, the cafe she goes to closes down so she’s forced to go further into town, where she goes into a bookstore to cool off. Startled by how much of the store is now devoted to manga, she’s taken by a book with gorgeous artwork. She buys it, startling the bookstore clerk, Urara, because the book is BL – something Ichinoi is unaware of till she reads it later at home. That said, the love story within intrigues her, and she goes back to the bookstore for more – sparking a friendship with Urara.

The balance between the new friendship slice-of-life and the BL manga that connects the two is perfectly done. Ichinoi does not have a life that is wanting by any means, but she’s feeling lonely, and enjoys talking about the books with Urara. Urara is the sort of teen I’d describe as ‘naturally sullen”, and has trouble connecting with kids her own age, all of whom seem more together than she is. Discussing the books that Ichinoi is buying helps to break the ice, and Ichinoi is also a natural-born friend-maker, which Urara is very much not. By the end, they’re even going to a writer signing event, though the size of the event proves to be a surprise. It’s a very natural, well-paced budding friendship between two women with 50 years between them.

There is also discussion of the BL manga itself. Ichinoi last read manga back in the Aim for the Ace! days (1970s), so was unprepared for the BL relationship in the book she bought, but she immediately gets into the series. We see occasional pages from the series, showing a not-quite couple, both of whom seem to be bad at communicating their true feelings – one bright and outgoing, one inward and moody. The series is only three volumes long, and it only comes out every 18 months, so for Ichinoi there’s a very real worry she won’t live to see the end of it. The manga ties in with the protagonists’ lives so that it seems natural, and doesn’t overwhelm the day-to-day stuff (such as Urara’s crush on her childhood friend, which isn’t going anywhere as he’s dating someone else.

In the end, this is simply a terrific story, and I really want to see these two hang out and talk about BL manga or anything else they choose to. I’d also like to see more of their pasts – we see Urara had another childhood friend who’s no longer in her orbit, and the final chapter shows Ichinoi approaching a building (for the author signing) her husband wanted to take her to the top of but they never did. Absolutely recommended, whether you like BL or not.

Otherside Picnic, Vol. 3

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By Iori Miyazawa and shirakaba. Released in Japan as “Urasekai Picnic” by Hayakawa Bunko JA. Released in North America by J-Novel Club. Translated by Sean McCann.

I’ve talked before about how this book is well served by the fact that Sorawo is our narrative voice. This means, of course, that we see what she thinks of Toriko’s words and actions, but don’t get Toriko’s own POV in reverse. The fun part lies when the reader is able to infer what Sorawo isn’t. Certainly Sorawo is correct that Toriko is obsessed with finding Satsuki, but she seems to equate that with a romantic longing, and on our end we’re not so sure. More to the point, Sorawo can be very savvy in some ways and not in others – there’s a scene where Toriko mentions the fact that she was brought up by two mothers, and it’s very clear she’s dropped this information on Sorawo to see how she’s going to react… because of course Toriko is in love with Sorawo, something that has been clear for some time but is increasingly textual as the book goes on. It’s good characterization, and the narrative POV helps sell it.

There’s three main stories in this volume. In the first, Toriko and Sorawo go back to the other world and try going in a different direction, but their rooftop picnic (love the idea of an actual picnic in this book) is interrupted by some time-stretching shenanigans and the ominous presence of Satsuki, who is invisible to Toriko but very visible – and terrifying – to Sorawo. The second story sees the return of Sorawo’s kohai Akari, who Sorawo continues to be wary and uncomfortable with, and Akari’s childhood friend Natsumi, who has unfortunately not done as the creepy urban legend told her to, and is suffering as a result. Finally, Sorawo and Kozakura are kidnapped by a cult, whose leader has a voice much like Toriko’s hand and Sorawo’s eye, and said leader really, really wants to meet Satsuki. Unfortunately for all concerned, she does.

I will admit, the actual urban legends/ghost stories presented here did not ring a bell for me, nor are they really supposed to for Japanese readers, I think, despite all the documentation of 20-year-old 2chan threads in the book’s appendix. Indeed, Sorawo makes an important distinction here, as she hates “I know a guy who this happened to” stories, which are far more likely to be made up, and looks for real “this happened to me personally” legends. As with the second volume, the scarier stuff is at the back half here, though those with teeth phobias may wince at the second story. This includes Sorawo herself, who upon being kidnapped and locked up brings to the fore another part of herself only concerned with survival (though honestly, there’s not much difference between this and her normal self, IMO – I think a lot of it may simply be her psyching herself up.) The climax of the book leaves one dead, one maimed, and one big Satsuki problem that still isn’t going away, but at least our heroines are OK.

This is getting an anime soon, apparently, and it will be interesting to see how they convey some of the concepts here – a lot of the horror themes work best on the page. As for this volume, it’s another strong one in the series, and I look forward to the fourth one, if only to see how – or if – Sorawo responds to Toriko’s words at the end.

Prince Freya, Vol 1

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Prince Freya, Volume 1 by Keiko Ishihara

I really liked Ishihara’s other series The Heiress and the Chauffeur, which was only two volumes but left me wishing I could read a longer series by the author. I’m always up for shoujo fantasy, and “girl who must disguise herself as a boy” is one of my favorite plot elements so I have been eagerly waiting to read Prince Freya.

prince freya

Freya lives in the quasi-medieval setting that is very familiar to fantasy fans. She likes to casually jump off cliffs and is a well-beloved figure in her village, as she heads to town to fetch items for her ailing mother. Her adopted older brothers Aaron and Aleksi return home for a visit. Aaron is the famous Black Knight who guards the Prince and Aleksi seems mostly content to remain in his older brother’s shadow. There’s a bit of a budding romance between Aaron and Freya, but Freya quickly gets caught up in court intrigue though. Due to her habit of hanging out in high trees she overhears a plot to attack Aaron and the palace. She sneaks in and discovers that the prince ailing, and Freya is his exact duplicate. Far too quickly, she assumes his identity and manages to pull off a stupendous impersonation as the prince. This comes out of nowhere, I would have appreciated a brief 2 page prince training montage to at least address how on earth this happens. Freya’s Prince Edvard is both arrogant and charming, which contrasts with her more naturally retiring personality, putting aside the cliff-jumping and tree climbing.

There’s a terrible tragedy, but Freya is drawn even more into her deception after the prince dies and she has to make sense of what the small circle of courtiers around her is telling her to do as she continues to play along with hiding the prince’s death so the enemies of her country don’t catch on. The art is clear and expressive, and Freya and her quasi-adopted siblings are sympathetic characters. I’m hoping that the second volume has some time to slow down a little bit and let the story unfold a little more gradually. I’m very much looking forward to the second volume.

Infinite Dendrogram: The Glory Selecter

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By Sakon Kaidou and Taiki. Released in Japan by HJ Bunko. Released in North America by J-Novel Club. Translated by Andrew Hodgson.

Since my last review, the Dendro anime has come and gone… and probably best not to speak of it again. Hopefully it’s not a franchise killer like Index III. The novels are still ongoing, though, and this one is a prequel taking place before Ray enters the game. The mysterious admins behind the game are all based around Alice in Wonderland names, and the one called Jabberwock wants to create stronger players with the Superior designation. As such, he unleashes a nightmarish nearly impossible to kill dragon with multiple heads and sets it on poor Altar (this is another volume that shows us why the Kingdom was on its last legs when Ray arrived). Some incredibly powerful and cool folks go up against it… and fail horribly. So it’s up to Figaro (who wants revenge for his friend), Tsukuyo (who just wants to have fun) and Shu (who is a little more pissed off than we normally see him, and takes off the animal suits for the big battle) to save the day. The result is a good book… if you like battles.

We do meet another strong and briefly interesting character at the start of the book. Foltesla, the King of Swords and leader of a powerful battle group, is a player who is very invested in the game, loves to duel with Figaro (who also gets some backstory here, explaining why he’s always a solo player), and has a lovely NPC wife. Every single thing about him screams tragedy, and sure enough, that’s what happens, to the point where honestly it almost swamped the rest of the book for me. I don’t doubt he’ll eventually come back… there’s too much time devoted to him not to… but it does remind me once more that there are a luge number of books that involve “the NPCs are more real than we’d thought”. Sword Art Online Progressive has it as almost its entire plot, and Dendrogram also hammers on it. Figuring out what’s different about this game is part of the fun of reading it.

The battles are usually also part of the fun, and there are some good moments here, particularly involving the “King of Crime”,but it has to be said that there’s a lot of “hope you love gaming stats” talk here. Dendro is better than some at blending this with the actual prose, but when so much of the book is devoted to one battle against one giant monster, it can be a bit boring for those who aren’t stat heads. It doesn’t help that the outcome of the battle is not really in doubt… we know given that there are three lines of defense (Figaro, Tsukuyo and Shu) that all three will eventually have to fight, and we know that anyone else who tries to fight is going to end up vaporized. Also, the book really wants the dragon to talk, but it can’t, so the author tries to give the dragon dialogue it would have said if it did talk, and… it’s as awkward as it sounds.

So it’s a middling book in the series, one that unfortunately made me remember the tragedy rather than the triumph. Can we get back to the main plot next time?

Buck Naked in Another World, Vol. 1

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By Madoka Kotani and Mochiusa. Released in Japan as “Shinyaku Isekai ni Tensei Shitara Zenra ni Sareta” by Mag Garden Novels. Released in North America by Seven Seas. Translated by Garrison Denim. Adapted by Matthew Grune.

When Seven Seas first tweeted about this license, I may have made a comment or two about it. Something about the title, the concept, and the cover art just set me off. It looked to be the culmination of every single bad light novel trend out there. Unfortunately, people responded to my blithe snarky comments with “ha ha, can’t wait to read your review!”. I realized only too late that this meant I actually had to review the thing. Oh well. How bad could it be? Things weren’t helped by the fact that, when it arrived on my phone, I found it was far longer than a book called “Buck Naked in Another World” had any right to be. This is a chunky volume. But, I finished it. And here I am, reviewing it. And I will tell you right up front: do not read this bad book. Tempting as it is to end the review there, let’s move on to a summary of the plot.

…no, wait, first I want to talk about that cover. I have to hand it to the artist: I don’t think I’ve ever seen a light novel hero I want to punch in the face on sight more than this guy. Look at that smug cocky grin. And we have the adoring mild-mannered girl on his left, and a big-breasted, eyepatch-wearing warrior on his right. More to the point, as you can tell, he’s not QUITE naked. Shuta (who everyone calls Shooter in this world) is a 30-something guy who floats from menial job to menial job, till one day he winds up in another world, naked. He’s at first arrested and put to even more menial jobs… naked except for a small loincloth, which you see on the cover. Gradually he wins over the population of the village he ended up in, gaining a wife and defeating monstrous wyverns. Then he goes to the big city, where due to his lack of identification he ends up tricked into slavery, and slaves are… you guessed it… naked.

Before I get into the naked thing, let’s talk about everything else wrong with this book. It almost reads like a checklist of things I dislike in light novels. It’s clearly based on a webnovel, and thus very long and not at all edited down. (In fact, judging by the ‘Shinyaku’ in the title, this isn’t even the first attempt at publishing it!) Slavery is here, because it’s a fantasy light novel, and it’s still irritating. There’s a scene where a woman pees herself in fear and Shooter will not shut up about it, something that remains very popular in these sorts of light novels as well for reasons I’d rather not think about. Shooter gains the affection of at least 6 different women over the course of the story, one of whom he marries, and does not do much except kill monsters and be nice to them to earn this affection. Moreover… OK, let’s get to the naked bit.

First of all, it is not clear until a side story at the very end why no one just gives this guy a pair of goddamn pants. I had gone into the book assuming it was some curse or such, but no. The village thinks that because he arrived naked, and does not immediately shriek for clothes, that this is just his thing. His wife (clearly embarrassed by his nudity, something Shooter interprets as fear) makes him g-string underwear, but says pants are above her station. When he’s enslaved, slaves are said to be naked, but again, he’s really the only slave we meet for more than two lines of text, so it’s still just him. Look, I get that you need to make your book stand out among all the other fantasy isekais. But… OK, let’s take Reborn As a Vending Machine. Ridiculous isekai premise, right? Harem of girls, right? Overpowered guy, right? However, if you took out ‘he’s a vending machine’, nothing in the story would work. But if you gave this guy clothes… nothing in this story would change at all, except we’d be spared a few wiener jokes from the narrator. There’s no goddamn reason for him to be naked except for clicks on your webnovel. At least rise above that low bar!

The translator and adapter do their best here… for good and ill, Shooter’s narration sounds like the sort of guy you’d imagine from the cover. In other words, you want to strangle him. Sadly, his smugness doesn’t help the mind-numbing worldbuilding that we get sprinkled throughout this, which is the main reason this is so long but is not worth it. And oh yes, for those who are buying the book featuring that a book with a title and girls like this has to have sex? Nope. Not at all. This book if irritating, dull, occasionally offensive, and far too long. Do not read it.

Rascal Does Not Dream of Bunny Girl Senpai

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By Hajime Kamoshida and Keji Mizoguchi. Released in Japan as “Seishun Buta Yarou wa Bunny Girl Senpai no Yume wo Minai” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

(This review is based on a review copy provided by the publisher.)

A lot of times these days, licensed light novels tend to fall into two different categories: “we’re licensing this because the Japanese publisher knows there’s an anime in the works”, and “the anime has come and gone but this did not immediately vanish into obscurity the moment the anime ended so let’s take a flyer on it”. Rascal Does Not Dream of Bunny Girl Senpai seems to be the latter – it started Japanese publication in 2014, which makes it quite old by licensing standards. I haven’t seen the anime (yes, try to contain your surprise) but I’d certainly heard of it, with it seeming to occupy that odd position of both “high school romcom” and “vaguely supernatural things happen” that we see in Haruhi Suzumiya and others. That said, I did notice (and tweeted about) a major different I spotted: unlike all those novels with snarky first-person narrators whose inner thoughts we are buried in, Aobuta (its Japanese nickname) is third person. It makes a difference, believe it or not.

Our hero apparently already had a boatload’s worth of light novel events happen to him before the series began: Sakuta has a past, which has left him with huge gashes across his chest, a little sister who’s a shut-in, and a reputation at school that means he has precisely two friends. One day at the library he is startled to find Mai, an upperclassman of his and a famous actress… well, actress on hiatus… dressed as a bunny girl and walking around. No one pays any notice to her – but Sakuta can see her, much to her shock and dismay. As they gradually get closer he discovers that more and more people simply don’t notice that Mai exists, and it’s becoming something of a problem. Since he has experience of this thanks to his sister’s history of being bullied (which also involved mysterious supernatural consequences), he chooses to help her out. It helps that she’s really hot. It doesn’t help that he will say absolutely anything that comes out of his brain with no filter.

As I said, this is in third person, so while we can hear about Sakuta’s thoughts and decisions, we don’t get his specific thought process. This means that things that others, such as Kyon or Hachiman, might think to themselves for the benefit of the reader but not bother to say aloud he says aloud. This might actually make him more attractive to Mai, who is used to people not knowing how to talk to her and thus not talking to her at all. The relationship between the two is the best part of the book. I also like how he expects her, when they first meet, to behave like Senjogahara – the book is aware of its influences. Mai is a bit less sharp than that, but still falls into that basic type. In the second half of the book, as things turn more serious and Mai’s “no one can see me” condition turns potentially fatal, the two have a warmly growing bond that I want to see more of.

The book is part of a series, which not only makes for an annoying cliffhanger (expect a Groundhog Day loop next time) but also sometimes means things clearly meant for future novels are introduced here, no matter how awkwardly they may fit in. If Tomoe is the subject of the next book (as the title suggests), she’s going to have to be more interesting than she was here to win me over. (That said, she clearly wins out over the girlfriend of our hero’s best friend, who seems to be designed to be a Hate Sink so that the fandom can go after her and leave the rest of the cast alone.) In the end, I found Rascal Does Not Dream 1 (the titles will be changing with each book) to be an excellent stand-alone romance that seems to be a harem-ey ongoing series. As such, we’ll see what happens in the second book.

Silver Spoon, Vol. 14

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By Hiromu Arakawa. Released in Japan as “Gin no Saji” by Shogakukan, serialized in the magazine Weekly Shonen Sunday. Released in North America by Yen Press. Translated by Amanda Haley.

This isn’t the last volume of Silver Spoon – that’s the next one, and I’ll get into why that’s controversial when I review it – but let’s be honest, for most readers of this series who were not in it for just the extensive farming talk, this volume is the payoff. This is not to say there isn’t still extensive farming talk – in fact, there’s more of it than ever. Arakawa is determined to drill into readers’ heads what making a living as a farmer in 21st century Japan is like, and by now the readers are close to understanding it, though probably not enough to actually start a farm. As our heroes get closer to graduation, we see expanding businesses, more pizza sales (though they don’t break even – always talk to Tamako first), and how to see your career prospects threatened by an extremely sketchy company looking for indentured servants in all but name. That said, the big plot here is Mikage and her exams.

The cover might seem ominous, with Hachiken and Mikage once again separated from actual romantic contact. And the exams are not easy – indeed, Mikage’s exam partner, Aikawa, ends up not passing – with Mikage getting a particularly vicious interviewer who suggests that her love of animals is because she hates dealing with people. Of course, as we’ve seen in the past, he’s not far off, but the days of deflecting and stepford smiles are over for Mikage, who gives a nice, heartfelt answer that amounts to both “I fell in love with this guy” and also “I was inspired to better myself because of everything he did”. As for Hachiken, frankly, he’s so worried he ends up in bed with gastritis. However, not to spoil too much, but things work out. In both ways – the 121st chapter is, as I said above, the payoff, and after a LOT of events conspiring against them (even equestrian helmets!), Hachiken and Mikage are a couple.

Now, Silver Spoon was never just about whether these two would get together, so there’s more to come here. For one, the other students find out – which naturally leads to the two of them being separated for all romantic holidays from now until graduation, because the boys are lovable assholes. There’s even another couple getting together – to contrast with Hachiken and Mikage’s tortured courtship, Sakae and Maruyama’s pairing is as blase as they come, and the two of them still think like farmers, as they have to discuss how the family businesses would merge in the event of their getting married. (Sakae also has some great lines as the biggest Mikage/Hachiken shipper in the cast.) Mikage’s parents also find out, which goes exactly the way you would expect. Basically, as with previous volumes of this series, every super heartwarming moment is undercut by extreme silliness.

So we head towards graduation, and seeing what everyone does next. Will there be enough pages to fully flesh everything out? Aheh. We’ll talk about that next time. Till then, enjoy what everyone was waiting for.

The Extraordinary, the Ordinary, and SOAP!, Vol. 1

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By Nao Wakasa and ICA. Released in Japan as “Hibon, Heibon, Shabon!” by ArianRose. Released in North America by J-Novel Club. Translated by C. Steussy.

I have talked before, and no doubt will again, about the fact that one of my favorite types of light novel is the kind that has, as its plot and character archetypes, not one original bone in its body, yet somehow still manages to win you over with the sheer power of good writing. I enjoy it so much because a) let’s face it, the old and familiar is like that hoodie that you always wear around the house – it’s your comfort food, but b) it shows the author has the skill to make you want to read more. This especially applies to the latest in a long line of shoujo light novels from J-Novel Club’s Heart imprint. I love that we’re finally getting so many light novels for women rather than men, but let’s face it, introducing a dozen or so of them in the space of about five months has been a bit wearing. So we start with a story about a common girl with a dull magic power who can SAVE THE WORLD!

The title in Japanese – Hibon, Heibon, Shabon! – is snappy and rhymes and is, unfortunately, nearly impossible to translate so that it does the same thing in English. Shabon is soap, and that’s what our heroine Lucia can do – her powers make soap bubbles that can clean even the most stubborn stains. After the death of her mother leaves her with a pile of debt, she moves to the king’s castle to find work as a laundrywomen and enjoys a fun, ordinary life – including having lunches with Sir Celes, a cute and handsome knight. Sadly, he’s away when the castle is attacked by horrible monsters one day, but Lucia, desperate and terrified, casts her soap magic on one… to find it suddenly calm and placid. Turns out her magic is a lot more than removing stains from clothing, it can also apparently remove the horrible mental and emotional stains from people. So she’s sent off to join the Sacred Maiden, who has been transported from another world to… wait, what?

Yes, the best part of the series, easily, is that this is in fact an isekai, but the girl who is transported from Japan is only a supporting character. Maria is supposedly the deus ex machina that will save them all, but things aren’t going very well. And actually, I tell a lie, because the best part of the series is the subtlety in its writing. As an example, Maria is shown to be selfish and horrible whenever we hear about her, but after Lucia a) hits her with Soap a few times to clean her clothes, and b) talks to her like a normal person rather than a savior of the world, Maria gets better. (Somewhat.) Is it Lucia’s magic or is it Lucia’s talking her down? It’s left open. The scene at the castle when the monsters are attacking is also expertly handled – there’s a real sense of terror from both Lucia and the residents of the castle, and it adds to the sense of depth in the books. As for the relationship between Lucia and Sir Celes, it’s cutely handled so far, and I liked that we added a bunch of other hot young/middle aged guys to the cast and Lucia is interested in precisely none of them – in fact, she thinks “is this what it’s like to have a dad?” with one big bruiser.

Good writing, a clever take on isekai, only a little fanservice (Lucia is somewhat busty, which is mentioned once or twice), and a winning heroine. Best of all, it’s only three volumes long, so there’s not a huge investment. And you’ll absolutely have to get the next book, as this one ends on a nasty cliffhanger. Very pleased with this series.

My Next Life As a Villainess! All Routes Lead to Doom!, Vol. 5

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By Satoru Yamaguchi and Nami Hidaka. Released in Japan as “Otome Game no Hametsu Flag Shika Nai Akuyaku Reijou ni Tensei Shite Shimatta…” by Ichijinsha Bunko Iris. Released in North America by J-Novel Club. Translated by Marco Godano.

It’s been a while since we last saw the light novel version of this series. Since last July, the anime has started to air and seems to be quite popular despite the fact that casuals will now ask novel fans why they spell Katarina with a K; the manga has started its second story arc, adapting the third novel; and a second manga has started with a spinoff idea of “what if Katarina fell and hit her head… when she was already bullying Maria at the Academy?”. Looking at my last review, I had wondered if the series would finally allow everyone to graduate next time. Well, the answer is no; this is a short story collection, taking place all over the Bakarina timeline, and therefore we don’t see her entering the Ministry of Magic or anything here. Instead we get a wide variety of tales, some good, some dull, and a few manga interspersed (the artist of the light novel illustrations is also the artist for the main manga series).

To start with the duller stories, Keith is a nice guy but tends to lead to tedious story beats, and that holds true here. Alan is slightly more interesting but “have a picnic and climb a tree” is still very slight. Raphael’s story seems to be there to remind us that that section of the cast exists, and the manga sections are fun but also very slight. The end of the book has a lot of tiny little stories from various minor members of the cast, showing how Katarina has impacted their lives. That said, there are also some very strong stories here. Katarina runs into a self-proclaimed rival who reminds me a bit of Nanami from the Utena series, and fares about as well; Nicol starts an arranged marriage process because he feels it’s his duty, only to run into a bunch of women who strangely don’t find “I’m doing this because I have to” enticing; Katarina and her girl friends/girlfriends all talk about romance; and Katarina’s snake making may upset her fiancee, but is a potential moneymaker.

The series is still ongoing in Japan, and I imagine is continuing its balancing act with Katarina being too dense to realize that everyone in her orbit is in love with her. That said, I do wonder if it’s showing signs that it might actually resolve with her making a choice, mostly as there are minor signs of “pairing the spares”, so to speak. Nicol’s final fiancee interviewee actually seems to go together very well with him, despite neither one wanting to get married to each other. Mary, usually one of the most hardcore Katarina fanatics, shows a brief moment of doubt after Alan rescues her from a creeper. That sort of thing. That said, that balances with the other thing this book hammers home, which is that Katarina is the best at it, but is certainly not alone in misreading the obvious intentions of everyone else. Even her own mother gets into the act, seeing only the annoying perpetual 8-year-old part of Katarina and missing the fact that she’s managed to become the most influential person in the entire kingdom.

So worth picking up, but lacks some of the impact of the other volumes. It’s also quite short. Will the next book finally have Katarina in the working world? And will she ever show any romantic feelings towards anyone at all? I look forward to finding out. Till then, there’s still the anime to watch.

Bloom Into You: Regarding Saeki Sayaka, Vol. 2

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By Hitomi Iruma and Nakatani Nio. Released in Japan as “Yagate Kimi ni Naru: Saeki Sayaka ni Tsuite” by Dengeki Bunko. Released in North America by Seven Seas. Translated by Jan Cash and Vincent Castaneda. Adapted by Jenny McKeon.

A couple of quick notes before we get to the meet of this second of three novels concerning Sayaka before, during and after Bloom Into You. First of all, the book assumes you are familiar with events in the 7th manga volume, which just came out over here, and also assumes you know how the manga is going to end, at least vaguely. Secondly, this is written by the author of Adachi and Shimamura, and that’s a big surprise to me, as the two books could not have felt more different. Adachi and Shimamura deliberately meandered and stayed in one emotional beat for most of its first volume, despite the multiple narrators. Whereas this book, entirely narrated by Sayaka, absolutely knows where its endpoint is, and barrels along getting there, even as most of it involves an extended flashback showing Touko and Sayaka’s first year. If nothing else, this shows you that just because a book is a tie-in does not mean it’s just dashed off.

The book begins around the time of the manga, with Sayaka first meeting Yuu and noticing her relationship with Touko. The two have nice, frank discussions in ways that neither one of them could ever have with Touko (I’ll be honest I can’t remember which of these scenes, or maybe all, are from the manga as it’s been a while since those volumes), and then takes us up to Sayaka’s confession from the 7th manga volume. We then have an extended flashback, the bulk of he book, showing us Touko and Sayaka growing slowly closer over the course of the year, despite the walls both of them naturally keep up, and also showing Sayaka becoming aware of Touko’s circumstances… and not really doing much with that information. It’s a great look at why Yuu, rather than Sayaka, is the winner here. We then end with Sayaka in college, in what amounts to a trailer for the 3rd volume, meeting who I assume is her future partner.

Again, the best reason to read these novels is Sayaka’s POV. I may have criticized the author for her narratives in her own work, but handling someone else’s character she’s fantastic, and supported well here by the translators and adapters. Sayaka sounds exactly like we’d expect, both in dialogue and in her head, and I loved the constant use of Touko’s full name in her thoughts until they get to be friends – and note this is after Sayaka says that she’s in love with her! Sayaka’s experiences in the first book help her here, but that doesn’t mean that she doesn’t run into her problems, and her own decisions regarding the “safe” relationship with her best friend lead to it never getting past that. And there’s also Sayaka’s own natural reserve, which gets a little better here but is still there… while watching Touko crawl around her bedroom trying to chase one of Sayaka’s cats (thank god that got an illustration), Touko notes for the first time Sayaka’s face looks “relaxed”.

So yes, Sayaka matures here but is still very much a high school student when it comes to her emotional strength. I greatly look forward to the third book, which shows us Sayaka in college, and hopefully seeing how she builds on her love. I also look forward to rereading this one day after doing a reread of the manga, to better pick up the nuances at the start of it. All Bloom Into You fans, and yuri fans, should love this.

Altina the Sword Princess, Vol. 3

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By Yukiya Murasaki and himesuz. Released in Japan as “Haken no Kouki Altina” by Famitsu Bunko. Released in North America digitally by J-Novel Club. Translated by Roy Nukia.

Having given us a military story for the first two volume, Altina now dives headfirst into the politics of medieval succession, as she and Regis return to her Empire’s home for a formal get together. Of course, there’s a lot more to it than that. She was set up to fail as the commander of her remote base, and succeeded; she was set up to fail by taking an untakeable fortress, and succeeded; now she’s back home so that her brothers can make use of her once and for all in their own power struggles. Of course, each has their own problem. The first prince was poisoned recently, and since recovering has looked rather weak… among other things. The second prince is in the strongest position, and has his own version of Regis, but still feels the need to reach out to Altina. And there’s a third group of nobles also jockeying for position, and their leader seems to really, really like Regis. Fortunately, this is the one area where he’s an idiot.

It has to be said, Altina is a much better military commander than she is a princess, and she likely realizes this; she’s too straightforward and honest to manipulate. Which at times is a problem, such as when Latrielle, the second prince, offers to have her join him and her hot-headed response is exactly what the situation doesn’t need. Fortunately, she is smart enough to realize Regis needs to be there, and he comes up with a very elegant solution to a difficult problem though admittedly it also involves immediately fleeing as quickly as possible to avoid being killed. He is helped out by Auguste, the first prince, who has a rather poorly kept secret that nevertheless has persisted. Speaking of secrets, Eric continues to be a good, if excitable bodyguard to the princess, but gosh, it’s so odd how he doesn’t want to change in front of Regis and keeps blushing all the time about it. And asks him about daughters who are trying to keep their family traditions no matter what. Wonder what that could be?

These are short books, and the writing is snappy, so the prose flies by. Unlike some other series by this author, there’s also minimal fanservice, so it’s safe to recommend to other folks. I will admit that we do lean very hard on Regis being so self-loathing and modest that he is unable to see why any woman would possibly be interested in him, despite Altina, Clarisse, Elenore, and Eric (oh what a giveaway) all making overtures of some kind or another. This doesn’t just apply to his non-romance either; he regards his tactics as fake because they come from books he’s read, and therefore has a low opinion of his own brilliance. It’s frustrating, but makes sense for his character, and I hope he slowly grows out of it. (Also, we get some details on the books he enjoys reading, and wow, this world has some bizarro fantasy novels.)

There’s setup for a war that looks like it will happen next volume. In the meantime, if you like political intrigue, fiery redheads, and something you can polish off in an hour or two, this is your book.

My Dress-Up Darling, Vol. 1

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y Shinichi Fukuda. Released in Japan by Square Enix, serialization ongoing in the magazine Young Gangan. Released in North America by Square Enix Manga. Translated by Taylor Engel.

Despite the tendency of modern-day folks to say that it’s OK to be introverted and that not everyone needs to be brought out of their shell, there’s no denying that the number of works dedicated to that continue to proliferate. In manga, who the introvert is depends very much on who the series is meant for: in shoujo works, it’s a shy young girl who runs into a brash and outgoing young man, and in shonen or seinen works, it’s the opposite. Since this runs in Young Gangan, you can guess what we have here. That said, as I have always said, just because a story is familiar does not make it bad. Both leads are quite likeable and the whole thing put a smile on my face – despite the M rating (mostly due to frank discussion of a game), so far it’s pretty wholesome, and its premise of “don’t be ashamed of your hobbies even if they are seen as girly” is a good one. Plus that cover is fab.

Our hero is Gojo, a young man who has a deep and abiding love of Hina dolls – those little dolls with the fancy head and hairpeieces – but alas, a childhood friend said that this was a girly hobby and she hates him now, and this led him to lose all confidence and become a shy loner who is constantly doubting himself. Into his life one day comes Kitagawa, a popular “gal’ in his class who has no trouble both saying what’s on her mind and also admitting to hobbies that might be seen as uncool. When she finds Gojo working on a sewing machine one day, and realizes he can make clothes, she asks him to help her cosplay, something she’s been trying but failing to do as she can’t sew at all. There is, perhaps, one catch – she wants to cosplay a character from an ero-game – again, something she’s not shy in saying.

As I said, this title is rated M. Though there are fanservicey shots of Kitagawa in her underwear – indeed, it’s on the first color page – the relationship between her and Gojo is pretty PG so far – she tries to tease him a few times, but is also starting to like him in a way that makes her shy off of that. The M rating comes from the game she loves, “Saint♥Slippery Academy for Girls–The Young Ladies of the Humiliation Club: Debauched Miracle Life 2”. It’s a title that you know a company like MangaGamer would snap up in real life, and, like a lot of these sorts of games, balances out the sex scenes with emotional moments of “love” – dubious though it may sound. Kitagawa talks about this a LOT, and as Gojo plays it and they discuss it, sometimes there are misunderstandings.

That said, the main reason to get this title is the main couple – they’re really cute, bond immediately, and I want to see them open up to each other more. (I do also wonder if the series will earn its rating more in future volumes.) I definitely recommend it for those who like comedic romance with a touch of spice – well, OK, given the game Kitagawa is a fan of, a touch of sleaze.

Ascendance of a Bookworm: I’ll Do Anything to Become a Librarian!, Part 2: Apprentice Shrine Maiden, Vol. 3

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By Miya Kazuki and You Shiina. Released in Japan as “Honzuki no Gekokujou: Shisho ni Naru Tame ni wa Shudan wo Erandeiraremasen” by TO Books. Released in North America digitally by J-Novel Club. Translated by quof.

A very telling quote comes about a quarter of a way into this volume of Bookworm, with the High Priest and Benno meeting to talk about Myne. “We must think of a plan at once. Benno, what means are there to control this thing?” The “thing” is Myne, and it seems very rude, but to the regular citizens of this world, it’s absolutely true, especially in this volume, as Myne is about to invent movable type and the printing press. In previous volumes we’d seen Myne come up with ridiculous ideas, but they were ideas – even the paper – which could still reasonably fit into a very class-based world and not create too much of a fuss. This is a very different story – nothing will ever be the same again. If you add that to the ridiculous amount of mana she has, it means that Myne is not so much a young girl as a nuclear weapon. Sadly, this means she may lose her family.

This is the third of a four-volume arc. The first arc was “Daughter of a Soldier”, and this one is “Apprentice Shrine Maiden”. Glancing at the subtitle of the next arc shows that Myne will be moving up in the world once again. It’s a horrible decision for her, as she loves her family, and they love her. Notably, the High Priest is not compromising one bit at this point – there’s no “oh, but you can still see your old family” here, mostly as if Myne is a noble, she’ll be nowhere near her old life. The book also hammers home why this is important. We see suspicious guild leaders trying to kidnap her, suspicious nobles trying to kidnap her, and the cliffhanger shows another evil noble on the way – one who likes small children, which is very disturbing given that this world shows off how young girls can “move up in the world” mostly by becoming concubines. Myne can’t simply walk around town coming up with cool new ideas anymore.

The book is well-written as always, and very long, also as always. The main new character we meet is Sylvester, another noble who, as Myne describes him, is an adult with the mind of a 6-year-old boy. There’s clearly more to him than that, but she’s also not wrong, and I admit that I found him to be more obnoxious than anything else. Fortunately, the noble who’s supposed to adopt her looks a lot more reasonable. Myne also gets a permanent bodyguard, one of the two knights who were “protecting” her in the past book. He’s a bit of a schmuck, to be honest, though he’s nice at heart. And, as noted above, Myne has her movable type thanks to a craftsman who loves working with small, detailed pieces. Now Myne is sponsoring him, something he’s rapidly coming to regret, as it’s hard to deal with Hurricane Myne. Oh yes, and new baby! Myne gets to be a big sister… if only briefly.

Supposedly Myne has until she’s ten years old until she’s to be adopted. That said, the cliffhanger implies not only bad things for Delia (who I worry about even though she’s a spy), and I suspect that that timeline may be moved up. Till then, this remains one of the most addicting light novels around. Watch the anime as well!

Yona of the Dawn, Vol. 23

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By Mizuho Kusanagi. Released in Japan as “Akatsuki no Yona” by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz Media. Translated by JN Productions, Adapted by Ysabet Reinhardt MacFarlane.

After escaping from the burning building, complete with another round of “Jesus Christ, Zeno, MUST YOU?” self-sacrifice, our heroes are ready to deal with the plot. Unfortunately, the plot is forcing them to do something that’s been a long time coming. For most of the beginning and middle of this series, the goal has been to hide Yona’s identity and have her and the others function as a rogue band of do-gooders while also learning more about the country where her father was (a pretty crappy) king. But sometimes things can’t be solved by anonymous bandits, and here Yona is forced to not only reveal who she actually is, but goes off to negotiate with Su-Won as herself, something that I’m sure will go well and not be a disaster at all. Unfortunately, we have to wait till Vol. 24 for the fallout. Again, though, Yona’s “beacon of hope shining in the darkness” personality trumps all subterfuge. Well, that and the fact that 3/4 of the cast are hostages.

We also meet Princess Kouren, Tao’s older sister, in the best possible way – Yona shoots down a bird that lands directly on her face. I expect we will get more from her in the next volume, but it’s worth noting that Tao here is allowed to have the longer view of trying to save more lives of her kingdom’s people (and it’s shown here that they’re really trying to conscript EVERYONE into the army here) because she has not been traumatized by the violence of the kingdom’s enemies. If you see all of your friends brutally murdered in front of your eyes, it is absolutely valid that you are not going to want to simply barter a peace treaty with those who did it. That said, I worry that she may end up needing to be killed by the plot in order to posthumously learn to let go. Let’s hope not.

Elsewhere, as I mentioned, most of Yona’s group are either seriously injured, captured, or both, allowing us to get a good dose of their captor, who has a truly disturbing slasher smile. I hope something bad happens to him, he is not a nice man. As for Yona, she’s pushing herself so hard she almost collapses, which is a shame, as it means she misses Hak murmuring some very important words to her. (There’s also a side story showing how few real friends she had as a child – two is the correct answer – and again you marvel how how much she’s been forced to change, and how she’s blossomed as a result. and just in case you worried there was no humor in this volume, there’s a hilarious side story where Gija, Sinha, and Yona all eat a mystery candy and turn violent. Yona, of course, being the reason this is so funny.

The best volumes make you want to read the next one right away, and that’s definitely the case here. Read it now.