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Reviews

In the Land of Leadale, Vol. 1

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By Ceez and Tenmaso. Released in Japan by Famitsu Bunko. Released in North America by Yen On. Translated by Jessica Lange.

I have to admit “it’s sort of like Overlord meets Kuma Kuma Kuma Bear” is not a sentence I thought I’d be typing, and yet here we are. In the Land of Leadale manages to use a bit of the premise and a few of the logistics of Overlord, but is decidedly non-evil in tone, and in the end is far more concerned about its heroine walking leisurely around this world and being superpowered. Indeed, its “isekai” premise doesn’t come up as often as I’d expect – it’s there mostly for Cayna to make comparisons about how things were in the game compared to her life in the land she now finds herself in, and to occasionally go overboard with stats (as this genre is wont to do), but Cayna is for the most part quite happy to be in Leadale, especially as she is now, and her goal, after realizing how different things are now from the game proper, is simply to go around and talk to people. And occasionally show that she is superhuman compared to everyone else. Much like Kuma Kuma Kuma Bear.

We only get a few bits and pieces of the life Keina Kagami had in Japan before this. She apparently has lost her parents, and is in a hospital bed, where she has been for several years (she mentions not getting to the end of elementary school). Fortunately, she has the VR game Leadale to entertain her, and she has grown to be one of the thirteen strongest players. Then one day a power outage takes out her life support briefly, and she dies… only to be reborn in Leadale as Cayna, her high-elf character. She is rather puzzled as to how she’s in a world based on her game, especially as this world seems to be two hundred years AFTER the game’s own timeline. Now she has to go around, investigate, track down the NPCs she made… erm, pardon me, her three children, and see if she can figure out what happened. Then, when she does get an explanation, she moves on and decides to simply live here as a superpowered ancient high elf woman (who still looks like a teenager, of course.)

The character voice of Cayna is tremendous, and kudos to Jessica Lange, the translator. Admittedly you might call it a flaw – Cayna sounds nothing like a bedridden, near-death Japanese teen might sound, but sounds exactly like you’d expect a flighty and practical high elf to sound. She’s mostly unflappable, though there are things that can set her off, such as when she unintentionally shows off her kick attack by shouting the attack name like a 13-year-old. She starts off in a backwater village and rapidly starts helping to cleanse its forest of monsters, upgrading its wells, and adding a public bath. By the end of the book she’s gone to the capital to meet her kids (two other high elves and an adopted dwarf), each of whom are still alive by dint of being from long-lived races. Unfortunately, what she finds is that the game ended, and that the 12 other top players all gathered for a final farewell, lamenting they weren’t thirteen. (This is why I mentioned Overlord.)

So what happens next? Well, she can always be an adventurer – she helps to catch an errant Prince who is constantly running away from home, and the end of the book has her guarding a merchant party from bandits (and suggesting that there may be other people here she knew from the game). Mostly, though, you want to read Vol. 2 and more because it’s fun to listen to Cayna’s narrative voice and see her going around being ludicrous. An excellent addition to the “slow life” genre.

High School DxD: Diablos of the Old School Building

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By Ichiei Ishibumi and Miyama-Zero. Released in Japan by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Haydn Trowell.

Sometimes a series is released at exactly the right time to catch fan’s interest, gain momentum, and rise to the top of everyone’s list. Had High School DxD’s light novel come out in North America in 2014, around the same time as Yen On debuted Sword Art Online, I’ve no doubt it would have been quite popular. Indeed, the manga version came out around then, and I assume was probably popular. It’s got cute and sexy demons, battles between heaven and hell, harem building, some cool battle scenes, and lots of fanservice. That said, this is coming out in late 2020. It’s even late in being released after the announcement – everything else announced last year by Yen has long since come out, this was the lone straggler. As such, it can be hard to get into the mindset of remembering that this was quite influential and popular at the time, and not think “what’s the fuss all about?”. Particularly in regards to Issei, who is supposed to be a more perverse than usual LN hero but comes across as pretty nice, really.

Issei is a typical high school student in these sorts of series. Messy brown hair, thinks mostly of boobs, and has two male friends who are even worse than he is. Then one day… a girl confesses to him! Such bliss! Sadly, she turns out to be a fallen angel in disguise, and kills him dead. The remaining 155 pages are blank. Well, OK, no. He’s resurrected by his upperclassman Rias Gremory, who turns out to be a demon… and now Issei is as well. Turns out Issei has a Sacred Gear, i.e. a superpower. Quickly joining the Occult Research Club, which is a front for Rias and her fellows (sweetly sadistic Akeno, tiny and stoic Koneko, and token guy Kiba), Issei goes around trying to make deals with humans – i.e. demonic contracts. He’s not all that good at it, to be honest. Then he meets a young nun, Asia…

This is pretty solidly written all around, to be honest. The fanservice, while present in the illustrations, doesn’t really make its way into the text – there was less “boobies!” talk than I expected. Issei is the classic “I talk about girls all the time but am secretly a nice guy” protagonist. The rest of the cast is not as fleshed out – there’s hints of tragic backstories that will no doubt be covered in later books, but the only one we get here is Asia’s. The villain is the fallen angel who tricked Issei in the first place, and she’s the classic bad guy, to the point where Rias notes that Issei defeating her could only have happened because she talked too long and let him power up. I’m not a fan of the overly moe art style, but that’s not too much of a problem.

So the series ends up being pretty good, and I’ll probably read more, but after a number of years of titles that explore the same sort of characters, it’s not really groundbreaking at all. The most startling thing might be the fact that the cast seems to genuinely like the hero, so recommended for those who hate tsunderes, who are absent here.

Also, what does DxD stand for?

Ascendance of a Bookworm: I’ll Do Anything to Become a Librarian!, Part 3: Adopted Daughter of an Archduke, Vol. 2

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By Miya Kazuki and You Shiina. Released in Japan as “Honzuki no Gekokujou: Shisho ni Naru Tame ni wa Shudan wo Erandeiraremasen” by TO Books. Released in North America digitally by J-Novel Club. Translated by quof.

Let’s face it, Rozemyne has done a lot for the world she now lives in. From all of her printing achievements, which have the potential to change the world as everyone knows it, to even such things as shampoo, the footprint of Myne/Rozemyne is everywhere. However, there is a limit to what she can achieve. Ehrenfest is not going to slowly become modern-day Earth. What’s more, there is a disconnect between a) the way nobles think, b) the way Rozemyne thinks as a commoner who was raised into the nobility; c) the way Urano thinks as a former modern-day Japanese woman who’s been reincarnated with her memories; and d) Rozemyne’s natural eccentricity. As such, sometimes she doesn’t get how other people think, and other people assume that she is familiar with things that she absolutely is not. This becomes a big problem in this book, where Rozemyne taking some abused orphans from a local mayor turns out to have many, many repercussions.

Of course, Rozemyne has an additional problem that she has to deal with, which is that Ferdinand is not only assuming that she gets all the nuances and subtleties with which he speaks, but is also, in his own way, as eccentric as Rozemyne. He is the definition of “it would be easier if I just did everything myself”, and the fact that he can only makes life harder, especially as Rozemyne also falls into that category a lot. This leads to her having a near emotional breakdown when he tells her to solve the problem that she’s gotten herself into, implying that the entire TOWN has to die because of her actions. While Benno and the others are able to help Rozemyne flip the problem on its head (don’t think about how to kill the mayor, think about how to save everyone who is NOT the Mayor), Rosemyne and the reader are left with the harsh reality of a world that does not run on modern-day ethics and morals.

Fortunately, the rest of the book is not as serious as this. There’s a cool action scene as Rozemyne goes to the forest to get ingredients for the potion that will help her Devouring and the forest is overrun by monsters. More importantly, Wilfried once again whines about how easy Rozemyne has it, and she proposes changing roles for one day. This serves as a massive splash of cold water to the face of everyone involved with Wilfried, especially his father, who had been spoiling him without realizing that that had led to a young man who could not read, write, play any instruments, etc. There is some blistering dialogue here about how to educate young people, particularly those with short attention spans. It also shows off Sylvester as a very imperfect Archduke – he’s not a happy camper here, especially when his wife hears about this. Fortunately, Wilfried DOES have a good memory when he bothers to use it, so all is not lost.

There’s not as much of what made Bookworm tick in the early volumes – Benno and Lutz are here, but in supporting roles, and papermaking/bookmaking is also a side project compared to everything else. But it’s the expansion of Rozemyne’s world, and the fact that this world can be terrifying, that makes this arc of Bookworm the best yet.

Silver Spoon, Vol. 15

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By Hiromu Arakawa. Released in Japan as “Gin no Saji” by Shogakukan, serialized in the magazine Weekly Shonen Sunday. Released in North America by Yen Press. Translated by Amanda Haley.

It took a long time for Silver Spoon to draw to a close in the pages of Weekly Shonen Sunday. Chapters would come out 2 or 3 at a time and then the series would go on hiatus for another 6 months. Rumor had it that the author was dealing with personal issues (and she was also drawing The Heroic Legend of Arslan at the same time). That said, the announcement that the series would be ending came as a surprise to fans, who found the ending a bit rushed. Thankfully, it reads better in volume form, and it’s a good ending, although having paired up Hachiken and Mikage at last Arakawa is prepared to lean back on making fun of them, which she’s far more comfortable with – by the final chapter the two still aren’t married, even while others from the series have children already. Still, it was never really about the romance, it was about the farming, and there’s plenty of that here.

This assumes, of course, that Hachiken can pass his exams. As always with him, it’s not his actual intelligence that’s the issue but his hideous luck, which is even worse than usual – he’s hit by a car and breaks his leg, and the exams are in the deep snow. Fortunately, he does indeed pass and everyone gets to graduate, with several pages of the main cast spouting off where they’re headed next, ranging from college (Hachiken, Mikage) to taking over the family farms (most of the others) to unemployed, as Yoshino was not able to hook up a cheese-related job that wasn’t suspicious by graduation, so is simply moving to France for a while. We then flash forward a few years, showing everyone’s futures, and see Hachiken heading into Russia for his business, where he’ll be working with a very familiar face…

I enjoyed the fact that Komaba appears at the end here, and is still interested in baseball. His arc was so important for the development of Hachiken and Mikage, and also served to reinforce the idea that financial success in a business like farming is not remotely guaranteed. The other fates of the character range from amusing (Yoshino’s French boyfriend, Tokiwa being married with a kid) to a sort of happy stasis (Hachiken and Mikage, who want to wait till he has financial stability till they get married, so have essentially stayed exactly the same). And Hachiken’s future is also in pigs, and farms, and Silver Spoon, in the end, has been about modern farming and the ways to keep it going even as technology, economic crises, and other problems make the job of “farmer” more of an anachronism. I think Hachiken will make it eventually… though he’d better factor is luck into their business plan somewhere.

At last all of Silver Spoon is out in English, after years of me begging Viz to license it. It ended up with Yen Press instead, who did a good job with it – my constant tweets of “why is this not licensed – right, it’s a farming manga” proved wrong but also right. It has been licensed. And it’s an amazing farming manga.

Knight of the Ice Vols 2 and 3

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Knight of the Ice Volumes 2 and 3 by Yayoi Ogawa

This series is rapidly becoming one of my favorite pandemic distraction manga, and I started it fully enthusiastic for a new Ogawa manga. I haven’t felt disappointed so far! The first volume did a good job setting up tiny magazine editor Chitose’s secret relationship with her childhood friend renowned figure skater Kokoro. While this is certainly a josei series, Kokoro’s extreme shyness and sheltered secret otaku lifestyle makes the romance aspect of the manga as slowly developing as any series with high school protagonists. This is a comfortable pace for the reader, because after the first volume the series is able to settle in for a little bit and introduce more of the supporting cast and further explore the world of high-stakes international figure skating.

Given that Chitose’s boss Sawada seems to be taking an unusual interest in one of his junior employees, it isn’t too surprising that she gets caught sneaking off in order to cast her magical girl spell on Kokoro right before he competes. When a fan spots Chitose and Kokoro together and starts posting rumors online, Kokoro’s dynamic and scary manager Moriyama invents the cover story that Chitose is part of Kokoro’s coaching team. As Chitose spends more consistent time with Kokoro, she begins to be more aware of her feelings and it is clear that Kokoro is using his feelings for his oldest friend to motivate him to perform even better in his sport. At the same time Sawada has an uncanny knack for popping up whenever Chitose is experiencing a moment of extreme distress.

As the figure skating season unfolds, Kokoro is able to turn in some of his best performances thanks to some unorthodox motivation from Chitose, but he’s also plagued by a nagging injury. While the slowly developing romance between Chitose and Kokoro keeps moving forward (there are kisses on the cheek!), I found myself enjoying the quirky supporting cast in the series more and more. Moriyama’s blunt pronouncements about just how far Kokoro can go with his potential relationship certainly provide a contrast to the more innocent romance that’s happening. Kokoro’s twin sisters intervene when another skater is about to get taken advantage of, and if Kokoro doesn’t have enough pressure to deal with it becomes more clear that his career and public image is being controlled behind the scenes by his father. Chitose is starting to become more confident about advocating for herself and her own feelings. Between skating drama, romance, family issues, and Ogawa’s quirky humor there’s plenty to keep a reader entertained in Knight of the Ice.

The Devil Is a Part-Timer!, Vol. 17

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By Satoshi Wagahara and 029. Released in Japan by Dengeki Bunko. Released in North America by Yen Press. Translated by Kevin Gifford.

Even more than the last volume, this one gives off the feeling of an author who has been told precisely when his series will be ending. We have five more to go, including this one. As such, it’s far more concerned with the future of the main cast than previous books, as well as pointing blinking arrows at one of the main unanswered questions of the series: why is Maou so dedicated to working his way up the McRonald’s ladder? Shouldn’t he be more worried about Enta Isla? The ongoing battle against God gets shunted to the last fifth of the book (which is quite good, don’t get me wrong), leaving the bulk of it focusing heavily on Maou having the 23-year-old equivalent of a mid-life crisis. He still hasn’t answered Chiho, Emi continues to give him the most mixed signals imaginable, and he’s also reached a crisis point at his job: he failed the managerial exam. Like most huge corporations, they won’t tell him why. Does Maou have what it takes to lead?

It’s a bigger problem than you’d think. He can’t retake the exam for a year. And he has to be recommended again, which is a problem, as Kisaki, who graces the front cover, is being promoted. She’s not leaving the store per se, but she won’t be managing anymore, meaning she won’t be able to help guide Maou’s career. Indeed, she seems far more concerned about her own dream of opening an upscale coffee bar. That said… that dream might include Maou. As well as Sariel, surprisingly, who Kisaki points out is very good at managing money, hopelessly devoted to her, and won’t actually lay a hand on her – the perfect lackey. (This seems cruel, but Sariel is really too pathetic to sympathize with.) That said, Maou simply can’t accept right now – not with everything else in his life up in the air, including monstrous lizards invading Japan, injured chickens, and White Day chocolates needing to be purchased.

One theme of the entire series has been that Maou is excellent at leadership skills when they involve concrete things that need doing, but he’s very bad at reading the emotions and hearts of anyone he deals with. This is especially proven in the scene where he gives out the White Day chocolates – he thinks of everything, including getting chocolate for people who only gave it to him indirectly (coughEmiliacough), then proceeds to ask Emilia to help him go to the demon territories, which sounds to everyone (including her) like he’s taking her on a date and going back to his place. He is dull when it comes to love and romance. Which is why he hasn’t answered Chiho either. Fortunately for him, the crisis at the end of the book will likely make it OK to forget about that again for a bit. They really DO need to clear up Enta Isla first.

There’s even a bonus short story here, which was not in the Japanese volume, showing off Maou’s terrible fashion sense. Assuming Devil Is a Part-Timer fans have not spoiled themselves on what happens next, this should be a great pickup for them.

A Mysterious Job Called Oda Nobunaga, Vol. 2

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By Kisetsu Morita and Kaito Shibano. Released in Japan as “Oda Nobunaga to Iu Nazo no Shokugyou ga Mahou Kenshi Yori Cheat Datta Node, Oukoku o Tsukuru Koto ni Shimashita” by GA Novels. Released in North America by Yen On. Translated by Alex Wetnight.

I feel like this review should be very short. It should essentially be “everything I said last time, but EVEN MANLIER”. I’ve said this about a few light novels in the past, but the Job Called Oda Nobunaga series really does feel like it’s written for a very specific type of fan. They hang out on internet forums, wondering why the male leads in these books are all such weak-ass wimps. They read harem manga and ask themselves why he doesn’t just bang everyone. They want a hero who kicks ass, takes names, makes love… I have very good news for them. Aside from cutting away before actual sex scenes, this book is basically exactly what they’ve been yearning for all this time. Alsrod, over the course of the 6-7 years or so this book takes place in, ends up as Regent to the King that he’s basically helped install, while finding time for some more wives and lovers.

Last time I mentioned that Alsrod had finally met someone who also had a famous Japanese warrior as their profession, and wondered if they might actually force him to fail or do badly at something. I feel embarrassed for even mentioning it, because by Page 7 or so he’s already won her to his side and bedded her. Over the course of the book he also takes as a lover his werewolf spy, weds the King’s younger sister (who, thankfully, has to wait for the loving – apparently 15 is old enough but 13 is not), is enchanted by a dragonewt tea merchant who he also beds and proposes to (she says no), and towards the end we get a meek and self-deprecating young woman, the daughter of another of his vassals, who simply wants to be a good mother to strong children. Given all these women (remember, he still has his childhood friend, the strong-willed daughter of another Lord, and another concubine from a northern area), it’s a wonder he finds the time to keep conquering. However, no fear, there’s plenty of that as well.

Again, this falls into the “this sounds absolutely vile but is strangely readable” category. It helps that most of the women he ends up with are also in major positions of power – indeed, his childhood friend and the Akechi Mitsuhide general both don’t want to be an official wife because they want to fight at his side. Oda Nobunaga is there as well, of course, in the back of Alsrod’s head, but he is getting strangely less and less relevant, and as the book goes on his advice is getting heeded less and less. Possibly the most interesting part of this book is that we meet three more “occupations” along the same lines – Kunitomo Shuu, Sen no Rikyuu, and Takeda Shingen – and it seems that this land is essentially an afterlife for these famous folks. As for the battles… well, they’re OK. They’re sword fights. You know how it goes.

The end of the book has another rival appear, Takeda Shingen, but given Alsrod has already captured the girl with that “job” by the end of this book, I suspect she will simply be added to the pile of wives. That said, I’m not entirely certain this book will end with Alsrod triumphant. It continues to mirror somewhat events in Nobunaga’s life… which did not have him winning the day in the end. The third book is the final one – will it actually kill Alsrod off to teach readers a lesson about hubris? Or will he stand victorious with his many, many women at his wide? If this were a long-runner I’d be dropping it, but three volumes seems just about right.

Accel World: Sun God of Absolute Flame

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By Reki Kawahara and Hima. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Jocelyne Allen.

In general, one step forward and two steps back is the Accel World way, so I will admit that when we finally got to the big villain reveal here I was half expecting that they had in fact sabotaged the video card that Chocolat Puppeter had, or altered the footage, or what have you. Fortunately, Kawahara still knows how much is too much and how much is just enough. This may come as a surprise to those of you who just read ten straight volumes of Sword Art Online: Alicization, but hey. But yes, the plan to reveal White Cosmos as the masterminds of all the bad things in Accel World is finally borne to fruition here. Of course, there’s just one slight problem with that, which is that in order to do so, all the major players in Brain Burst are gathered in one place. It’s the perfect time to do some culling. And White Cosmos is super powerful, even though, to my annoyance, Kuroyukihime’s sister did not show up for this big battle. Basically, expect deathtraps.

There are a lot of the things I like about Accel World here. The cast all get some cool things to do. Chocolat Puppeter gets to fulfill her role as the one with the evidence. Sky Raker and Silver Crow end up making a great flying team, and Fuko in general gets a lot to do in this book. There’s suggestions throughout that there was a lot of history in this game Haruyuki missed before he was given it, and while he knows a lot of it, he doesn’t know all of it. (In particular, every single player seems to think of themselves as Fuko’s rival.) Haruyuki’s “gosh, why am I so weak and bad” mindset is virtually absent here, mostly admittedly due to the fact that there’s no time to think in this book, but the ending is fantastic, with his realization that Kuroyukihime is in fact upset and depressed, and his overture of food to cheer her up is very sweet – that said, I doubt that the cliffhanger ending we see here is going further than snuggling.

Of course, this is still Accel World, so there are also several things I wasn’t too fond of here. I’m never going to love Hima’s oversexualized tweens artstyle, and the fact that the series seems determined to show the girls “naked” behind their avatars (while Haruyuki gets to keep his shirt) and the huge chests of some of them – the fanservice in this series is ludicrous to the point where it’s hard to read in public without getting arrested. And Kawahara admits this next one himself – we’re spending more time in the game, which is okay – I mean, it’s the subject of the series – but at the expense of the real lives of these characters, and he’s absolutely right – I do want to see the group all go to Haruyuki’s farm, or the elections, or all the things he set up that have been in stasis because of these endless fighting arcs. It can be grindingly exhausting.

That said, this problem may be solved very fast unless Silver Crow and Sky Raker can do something, as most of the rest of the good guys are in a nasty deathtrap that will be hard to escape. Fortunately, we get Vol. 23 soon, and let’s look at the cover art… (sighs, slaps forehead). Maybe we’ll get 23 soon.

Baccano!: 1931 Another Junk Railroad: Special Express

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By Ryohgo Narita and Katsumi Enami. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Taylor Engel.

It’s nice to see Baccano! returning to the 1930s, which has always felt like Home Base. This volume has an odd history (get used to me saying this). Before the anime came out there was an audio drama of the Flying Pussyfoot books, and Narita wrote a short novel as a bonus for the CDs. The short novel was then used by the anime when it came out the following year for three OAVs at the end of the story. Then, two years after that, he expanded the short novel into the novel that you see here. And given that it was always meant to be something of a bonus feature, it’s no surprise that this book is filled with references to past novels, even above and beyond the fact that it’s a semi-sequel to the other Railroad arcs. Indeed, I would say that if you read Vols. 2 and 3 and then try to jump ahead and read this as a pure sequel, you will be very unhappy. Because this is also a sequel to several other books.

As with all Narita novels, there are several things going on at once in this book, but the “main” storyline is Chane trying to figure out life after her father has been taken into custody by the FBI. She’s left a message for Claire, but it’s unclear what the message means… to both him and in her own mind. What’s more, Chane, who has spent her entire life being betrayed and used, even by the one man that she wholly trusts, finds the very idea of Jacuzzi’s idealistic niceness baffling. Later books in the timeline (which we’ve read earlier in the series) show how joining up with Jacuzzi’s crew and falling in love with Claire is the best thing that’s ever happened to her, and this book shows that evolution. We also get introduced to Graham, who, again, we’ve already been well acquainted with in previous books. More importantly, the fact that this is Book 14 in the series allows Narita to reveal a couple more immortals who happened to be on the train that we never saw…

Now that Narita is allowed to have his bad guy front and center, he’s clearly reveling in it. Fermet is simply terrible throughout this entire book. We know, having read the 2002 books, that he will be terrible in the future as well. And, given that Huey explicitly says that Fermet killed his wife, we know that he’s going to be terrible in the past. Fortunately, Elmer is here to help out somewhat (and there’s a tie-in to the Baccano! DS game here as well, which I won’t even get into…), but given that Elmer is broken as well, that’s not exactly a comfort. Fortunately, this is balanced out by the sweetness surrounding Chane and Jacuzzi’s gang, as well as seeing an epilogue for Rachel, who is allowed to dress in something other than khakis (though the anime missed that) and give love advice to Claire.

So, having been thoroughly spoiled by this book and the previous one, it’s time to go read the ending no one wants to read. Well, that’s not quite true. In all of Baccano fandom, the next book and 1711 may be the most awaited books in the entire series. Back to 1710 next time, where everything is smiles and happy times. Till then, enjoy this book that feels like a DVD extra but is still a lot of fun.

Combatants Will Be Dispatched!, Vol. 4

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By Natsume Akimoto and Kakao Lanthanum. Released in Japan as “Sentouin, Hakenshimasu!” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Noboru Akimoto.

This is still very much your typical volume of Combatants Will Be Dispatched!, where everyone is terrible above and beyond the call of duty. But there are glimmers of the future here, a sign that perhaps the series is not simply destined to be “KonoSuba’s first, crappier draft”. A bit more attention is paid to the ongoing plot of the series itself, with a revelation that this is not simply Six and company scouting an alien planet for the lulz, it’s because Earth is genuinely going ecologically batshit and the evil organization is trying to find a new home for everyone. That said, it doesn’t have to be Six personally, and the other subplot that matters is that there are a bunch of evil overlords who want their boytoy back home with them and are fine with leaving the worldbuilding to someone else. For any other light novel protagonist this would be heaven on Earth, but Six is decidedly uninterested in a harem, content to stay on this world with Alice. Is he getting soft?

As you can see by the cover, this volume’s “Heroine” is Lilith, one of the three evil overlords Six works for. He specifically requested her because she’s the mad scientist, and that’s just what they need right now, if only to stop their bases getting blown up. Sadly, she’s just as useless as everyone else that is in this book, and she also has all the character flaws that go along with her archetype. She’s also grumpy as Six, while happy to banter with her and also happy to threaten to sexually assault her, is not all that into her. Even worse, Alice, her own creation, is going through a rebellious stage, being crankier than usual. While Lilith is there, they dig for water (triggering a slime monster), try to get the poop of a giant sparrow for fertilizer (triggering Snow’s greed at the shiny things in its next), summon an actual angel (which terrifies everyone but Alice, who insists she’s a cosplayer), and battle the Demon Lord’s armies again, just so Rose can ask him why they’re staying at her old holiday home.

As you can see, the goal of this series is still laughs first and foremost. Usually of the “dear lord” variety – there really is a lot of discussion of pee and poop here, and one scene showing how the kingdom uses orcs horrifies Six and Lilith so much that they’re almost ill (and we’re in hysterics). But as I said, the series is starting to get a hang of its characterization. Six’s problem is that, when you get right down to it, he’;s an asshole but he isn’t evil. And what’s more, everyone around him knows it. It’s only gotten worse since he’s arrived on this planet, but that doesn’t seem to bother him much. Being separated from Alice does, though – they aren’t a romantic couple (there really aren’t any in this series, mostly as Six is uninterested and everyone is terrible) but their bond and banter is still the best reason to read the series. They sound like best friends.

As always, this series is not for everyone. Stay away if puerile stuff makes you roll your eyes. But I think it’s finally hitting its groove, and I can actually read it without seeing what the author later ripped off for KonoSuba.

The Sorcerer’s Receptionist, Vol. 1

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By Mako and Maro. Released in Japan as “Mahousekai no Uketsukejou ni Naritaidesu” by ArianRose. Released in North America digitally by J-Novel Club. Translated by Roko Mobius.

There have been an awful lot of Japanese fantasy novels released over here in the last few years, be they isekai or straightforward fantasy. One thing common to many of them is the Guild, the place where adventurers go to get their dungeon crawling or monster hunting assignments. Said guild is almost always staffed by a beautiful young woman, there to give out work, cheer our heroes on, and worry when they don’t return on time or come back beat up. Sometimes they’re also love interests, but more often they tend to simply be minor supporting characters. After all, it’s just receptionist work, right? Wrong. The Sorcerer’s Receptionist is here to show you how much work and power is needed to actually be in that position, which is not one for mere pretty faces. Our heroine may fall in love with the job at a young age for mostly aesthetic reasons, but by the time she arrives at magic school she is ready to give it her all and be number one! Well, OK, number two…

Our heroine is Nanalie, and this first volume sees her journey from the first years of magic school all the way to settling into her dream job at the Harré Sorcerer’s Guild. The first half of the book will be familiar to anyone who’s read a magical academy story, and Nanalie is very much the bookish, studious, tries-too-hard sort. She’s got rare ice magic (which gives her the blue hair we see on the cover) and a cool wolf familiar, and yet most of the book is dedicated to her constant frustration at always being second in class to the arrogant Alois Rockmann, who is her self-proclaimed nemesis. The two of them spend the entire time at school not getting along, setting each other on fire/freezing them, etc. Because yeah, this is not only the story of a young woman’s dream career, it also has a romance to it. Which everyone can see except Nanalie herself.

It is honestly rare to see a title where everyone else in the cast knows that they’re in love except the protagonist and not have it be irritating. Likely as this is mostly the standard harem guy “I am oblivious because the plot requires it” sort. But Nanalie’s obliviousness to love works in the context of the story – she is extremely career driven to the point where social interaction is sometimes difficult for her, and the guy who supposedly loves her spends the entire time they’re together badmouthing and abusing her. Enemies to Lovers is a very popular trope, after all. It’s still one-sided at the end of this book, though, as Nanalie is far more concerned about things like tracking down a woman’s missing husband and notifying the right people about the demon that’s lurking in the woods.

This is a long book for a light novel, but it doesn’t feel like it’s meandering. I really enjoyed the emphasis it gave to “it’s not just a secretarial job” in regards to guild receptionists, and also shows young women becoming knights, or sorcerers, rather than just getting married right out of school. And Nanalie is fun in a way that might remind you of a certain bushy-haired girl in a series we don’t talk about anymore. Definitely looking forward to more.

Re: ZERO -Starting Life in Another World – Ex, Vol. 4

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By Tappei Nagatsuki and Shinichirou Otsuka. Released in Japan by Media Factory. Released in North America by Yen On. Translated by Kevin Steinbach.

Ah, side stories, beloved by fans and feared by publishers. It may be dismaying to light novel fans, but most series coming out over here are running a year to several years behind Japan. This includes Re: Zero, whose 14th volume is due out here in October 2020, but it came out in September 2017 in Japan. When Re: Zero EX started coming out here, I noted that the timing was off, that we got the Ex books before the main titles that they were supposed to be supplementing. We have the opposite problem with this book, which came out in Japan last Christmas. It’s meant to be a supplement to the 6th arc, which begins with the 21st volume, which had just come out a couple months before in Japan. Here, we’ll likely see Vol. 21 in 2022. Fortunately, the book still does read as a stand alone, so the English speaker need not worry about spoilers here. They may, however, wonder why so much attention is being paid to a goofy samurai with a flair for drama.

The cover may be packed with people, but the most important one is right at the front. This is a book meant to give a strong role to Julius and show off how great he is when he isn’t around Subaru. The story takes place a few months before the start of the main series, and Julius, Reinhard and Ferris are bodyguards for two elder politicians who are going to negotiate with the nearby Empire. Having recently lost the entire royal family (see: Re: Zero Ex 1), they are in a very precarious position, so are trying to negotiate a non-aggression pact. Unfortunately, the Volakia Empire has “strength is the most important thing” as their watchword, so things are already unlikely to go their way. Then Reinhard is framed for murder, and he, Julius and Ferris must flee with the Emperor in tow and avoid everyone else in the Empire trying to kill them.

The Ex books are not meant to be as much of a meta commentary on isekai titles as the main series is, mostly as the isekai hasn’t happened yet – Subaru isn’t around. As such, the author is allowed to write what is essentially a straightforward swashbuckling tale, with an added air of mystery – our heroes must figure out why they’re being framed, who framed them, and how much backstabbing and double dealing is actually going on. Ferris gets a few moments to shine, but is mostly there to allow someone to be emotional, which Julius (stoic) and Reinhard (blase) have trouble pulling off. Reinhard is there to show off how monstrously strong he is, but as ever he only works because he’s something of a cipher. As such, it’s Julius who gets the heavy lifting, along with the Empire’s Cecils, the goofy samurai I mentioned earlier, who is the Empire equivalent to Reinhard and whose overdramatic flair masks his dangerous abilities.

So not as astonishing as the main series, but it’s a fun, solid romp, and fans of fighting and sleuthing will have a great time here.

Prince Freya, Vol 3

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Prince Freya Volume 3 by Keiko Ishihara

In three volumes Prince Freya has evolved into an enjoyable fantasy potboiler of a manga, with plenty of cliffhangers to keep the reader’s interest as well as a tendency to kill off sympathetic supporting characters. The story ratchets up the suspense because it seems clear that no one is safe from medieval mayhem in this story of a simple girl forced to masquerade as the charismatic Prince Edvard. As the manga opens, Freya is displaying her characteristic tendency to put herself in danger in order to save anyone in her near vicinity as she tries to rally the soldiers in a small fort against an enemy invasion.

The White Knight Julius is now Freya’s main protector after the deaths of her childhood companions Alek and Aaron. Does Julius start experiencing conflicting emotions about his new charge? Does one even have to ask when this is shoujo manga that we’re talking about??? Freya’s actions show her motivating her soldiers with a different type of charisma than the late Prince Edvard as she makes a point to get to know all of the men in the fort who are trying to defend her. She’s not afraid to take part in tactical maneuvers in order to confuse the enemy, and while the extent to which she is willing to sacrifice herself might seem extreme, when balanced at all the family and friends she’s lost in her life the reader can see why she’s resistant to seeing anyone die unnecessarily. There’s medieval battle scenes galore and an enemy soldier making fun of Julius for being a pretty boy, so there’s plenty to enjoy in this volume, which ends on an incredible cliffhanger that promises plenty of angst in the next volume. This manga isn’t particularly deep, but it does serve up plenty of gender-swapped shoujo medieval action which I am finding to be delightfully distracting in these current times.

A First Look at YashaHime: Demon Half-Princess

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For a brief moment in the early 2000s, Rumiko Takashashi’s InuYasha was the shonen franchise in America. It was a constant presence on cable television, where it anchored Cartoon Network’s Adult Swim line-up, and a commercial success for VIZ Media, which issued and re-issued the series in formats ranging from flipped floppies to deluxe, three-in-volumes. By the time InuYasha finished its run in 2008, readers had moved on to other franchises, but InuYasha was an important series for the North American comics market, as it helped reveal an underserved population of teens who weren’t particularly interested in Batman or Captain America, but were interested in reading comics about characters their own age.

InuYasha also demonstrated that teen girls were just as enthusiastic about action, adventure, and horror comics as their male counterparts, especially if the series featured well-rounded female characters. To be sure, plenty of shonen manga included at least one Tough Female Character™, but InuYasha’s three female leads were defined as much by their frustrations, insecurities, and smarts as they were their ass-kicking capabilities. Equally important, Kagome, Sango, and Kikyo weren’t drawn for the male gaze; they were depicted as normal young women, making it easier for teen girls to identify with the characters’ struggles and triumphs.

It seems fitting, then, that the new InuYasha spin-off puts girls front and center. YashaHime: Princess Half-Demon is a “next generation” sequel that focuses on the original characters’ offspring—in this case, the teenage daughters of InuYasha and his big brother Sesshomaru. This time around, however, Sesshomaru’s twins Towa and Setsuna are the leads and InuYasha’s kid Moroha is the brash, impetuous foil to her sterner, more reticent cousins.

The good news is that YashaHime faithfully adheres to the spirit of the original series, with its characteristic mixture of romance, slapstick, horror, and action; anyone worried that the new series might try too hard to differentiate itself from InuYasha will be happy to see that the new show keeps the focus on demon-fighting, quests, and camaraderie. The bad news is that the first episode is so compressed that the new heroines barely make an impression on the viewer, as their introductions are overshadowed by clumsy bits of exposition, cameo appearances by the original series’ main characters, and a showdown between a demon and the old gang.

In an effort to create more continuity between the original series and the sequel, the second episode reveals that Towa was raised by Kagome’s younger brother Sota in present-day Tokyo. Towa’s introductory scenes are so focused on explaining her backstory that her distinctive choice of clothing—a schoolboy’s uniform—initially seems like an afterthought: “better for fighting,” Towa tells us in a voice-over. That detail turns out to be an important clue about how Towa sees herself, as she complains that “girls must be feminine and boys must be masculine,” a distinction that Towa finds as restrictive as the clothes she’s expected to wear. Towa’s gender presentation is addressed in a ham-fisted way—her younger sister pleads with Towa to be more “girly” and “cute”—but the writers’ willingness to address Towa’s fierce rejection of gender binaries suggests that YashaHime may explore some interesting new thematic territory.

The only truly disappointing aspect of YashaHime is the animation, a flaw that’s most evident in its stiffly executed fight scenes. The animators never create a persuasive illusion of people jumping, flying, and running through three-dimensional space; all the characters look like paper cut-outs superimposed on unimaginative backgrounds. The flatness of the imagery is even more obvious when YashaHime and InuYasha are viewed side-by-side, as InuYasha’s softer, more nuanced color palette gave the picture plane more depth and the characters’ bodies more weight. The one bright spot is YashaHime‘s character designs: Moroha, Towa, and Setsuna bear just enough resemblance to their parents to make it easy for the viewer to grasp the father-daughter connection, even though each girl has her own unique look. That attention to detail extends beyond their physical appearance, too, influencing the way they move, talk, and twitch their noses when they catch wind of a demon.

If I sound a little ambivalent about YashaHime, I am: it shows considerable promise, but hasn’t quite escaped the long shadow of its parent series or found the right pacing for the kind of stories it wants to tell. I’m reserving final judgment until the relationships between Towa, Setsuna, and Moroha are more clearly delineated—after all, it was the complex web of feelings and friendships that made InuYasha compelling as much as its demon-of-the-week adventures. Here’s hoping the sequel will embrace that approach, too.

Episodes 1-2 of YashaHime: Princess Half-Demon are currently streaming on Crunchyroll, Funimation, and Hulu. New episodes air on Saturdays.

A Lily Blooms in Another World

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By Ameko Kaeruda and Shio Sakura. Released in Japan as “Isekai ni Saku wa Yuri no Hana” by GL Bunko. Released in North America digitally by J-Novel Club. Translated by Tom Harris.

We have been getting rather glutted with this genre over the last couple of months, but I have to say I’m still not really that tired of ‘otome game villainesses’, if only as we have a long way to go before it catches up to ‘nebbish guy in fantasy dungeon crawl’ or even ‘grumpy cynical high school guy gains a heart (and a harem)’. It helps that, Bakarina aside, most of the genre tends to be one-shots or short series, so doesn’t wear out its welcome quite as much. This has a similar premise to another title I reviewed recently, I’m in Love with the Villainess, and it’s not hard to see why – Japanese otome games rarely if ever give you a chance to go that route, and frequently the villainess has a lot more character than the love interests. Why wouldn’t anyone be drawn to them? Especially someone looking for romance between young women.

Our heroine is another in a long line of office workers who give and give and give till they have a heart attack and die young. She is reborn as Miyako Florence, the star of her favorite otome game, and is engaged to one of the nobles. There’s just one problem. She has no interest in Klaus, the noble in question. Instead, her attention is drawn to Fuuka Hamilton, the “stereotypical villainess” character who tries, seemingly, to belittle her at every turn. Miyako, though, sees through Fuuka’s facade and knows there’s a serious-minded and kind woman underneath the arrogant exterior. So… she kidnaps her, Retreating to her own family’s cottage, Miyako promises Fuuka that within 14 days she will get her to admit that she is happy living there with her. Fuuka, suffering from the effects of the first good night’s sleep she’s had in ages, agrees to this plan. That said, this world runs on “young women are only as important as who they marry”. Will Miyako be allowed to get away with this?

This is by the author of Sexiled, but aside from a brief mention of Laplace as a figure in the land’s past history, they aren’t connected. Except, of course they are, because this is a world where a woman’s value is in who she marries and those who fail or otherwise embarrass their families are completely destroyed. The first half of the book softens us up, being very much watching two women have a honeymoon together at a lovely guest cottage in the country. It’s cute, but it’s also slight. The second half, when Fuuka decides to return home to accept what she knows will be a horrific punishment, is where things really get good, particularly in regards to our heroine, Miyako. I’d written her off as the weak part of the book, but seeing her character development, particularly when the penny drops as she meets another couple who let her know that no, you do NOT have to accept that this world is sexist and just run away – is excellent, and leads to an action-packed and satisfying ending, giving Miyako and Fuuka’s love the depth it needed.

It’s possible I’m playing this up a bit too much – it is pretty fluffy and slight at the end of the day. But I had a lot of fun reading it, and am absolutely not tired of the genre. Or the author, who I’d love to see more of. Fans of Sexiled and otome villainesses will find this a must-buy.