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Small announcement

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A few people have expressed interest in knowing a bit more about my comic-in-progress, and though I think it is really too early to talk about it publicly in detail, I’ve created this short public info page to try to satisfy the curiosity somewhat. I’m afraid it reads a lot like those horrible blurbs on the back of books, and may, in fact, do my comic more harm than good. I guess we’ll see. Please feel free to ask questions, or to tell me that it makes my comic sound awful and that I should kick myself for having put it up, which I strongly suspect to be the case.

In unrelated news, I just read some spoilers for chapter 201 of Tsubasa: Reservoir Chronicle. Wow. More on this when the chapter comes out, but. Wow.

Master and Commander by Patrick O’Brian: A-

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From the back cover:
it is the dawn of the 19th Century; Britain is at war with Napoleon’s France. Jack Aubrey, a young lieutenant in Nelson’s navy, is promoted to command of H.M.S. Sophie, an old, slow brig unlikely to make his fortune. But Captain Aubrey is a brave and gifted seasman, his thirst for adventure and victory immense. With the aid of his friend Stephen Maturin, ship’s surgeon and secret intelligence agent, Aubrey and his crew engage in one thrilling battle after another, their journey culminating in a stunning clash with a mighty Spanish frigate against whose guns and manpower the tiny Sophie is hopelessly outmatched.

Review:
I can’t help but compare this to the Hornblower series, so let me get that out of the way. Jack Aubrey is so Hornblower’s point-for-point opposite that I have to wonder if it’s intentional. He loves music, he craves companionship, and he’s not terribly clever. In fact, he’s a little dense and given to verbal blundering. His Lieutenant, who spends most of the book critical of Jack, gets it right when he says he possesses a “beefy arrogant English insensibility.”

I can see why Stephen Maturin finds Jack to be endearing, but I personally claim the good doctor as my favorite character. He’s somewhat morally ambiguous (or at least not opposed to questioning established conventions) and sardonic, but also affectionate and resourceful. I like how his ignorance of nautical matters is used to acquaint the reader with the workings of a ship, and I actually had a moment of squee later on when he ends up steering the sloop in a crucial moment.

I’d heard this series described as “Jane Austen on boats,” and I can see from where the comparison springs. There are several social gatherings with the rich and foolish in attendance and the manner in which some of them cluelessly spout very silly things would be quite at home in one of the interminable parties Emma Woodhouse was forced to endure. The writing is pretty witty in general, though O’Brian doesn’t stint in depicting the soldiers as the drunken, violent, filthy, whoring fellows the majority of them are.

By far, the best part of the book is the friendship between Aubrey and Maturin. There are several scenes between them that I love to pieces, like when Stephen is called upon to escort a misbehaving Aubrey from a party, the time Aubrey consults an imaginary Stephen for advice, and the awesome scene where Aubrey freaks out about a snake and climbs on a chair while Stephen nonchalantly laments a hole in his stockings. They are really quite slashy. I approve.

Lastly, I wanted to mention a very useful website. The book’s dedication is written in Latin and, because I am the kind of person who cannot abide not knowing what it means, I looked it up on Google and was led to A Guide for the Perplexed, a site with the ambitious undertaking of translating all foreign phrases in the series. I feel very fortunate to have discovered the site before I had ventured farther than the Author’s Note, so that I need never dwell in ignorance!

NYAF in brief

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I’m finally home from NYAF! I had a very nice time, both visiting with old friends and at the con. Everyone else has already reported on the manga industry news and so on, so I’ll just talk about my personal experiences.

Many thanks to dear friends, Laura, Gavin, & James for making time to catch up with me at early hours of the morning, and to my dearest EA, little (or not so little!) Moo, and Malcolm, for putting up with me all weekend. I was also lucky enough to meet a couple of people I’ve become acquainted with through this blog. Here is my report (in order of appearance):

Ysabet Reinhardt MacFarlane: Friendly, fun, professional. I was very happy to spend time with her at a number of panels over the weekend!

Ed Sizemore: Kind, generous, BEST SHOES EVER. I wish I’d had the opportunity to chat with him more!

Overall, I really enjoyed this con. It was smallish, and with the exception of Saturday, felt actually kind of intimate, which is maybe not profitable if you’re running a con, I don’t know, but certainly enjoyable as an attendee.

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Boys Over Flowers 18 by Yoko Kamio: B+

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From the back cover:
When the Makino family’s finances hit rock bottom yet again, they decide to move to the countryside so Tsukushi’s father can earn a living as a fisherman. Poor Tsukushi is left behind in their apartment to try her hand at independent living. A few guests stop by, one most unwelcome—Tsukasa’s mother! Tsukushi stands up to the domineering woman, effectively declaring war. Then a housewarming gift from the F4 wreaks havoc on the apartment, leaving Tsukushi homeless! Will anyone take her in?!

Review:.
It feels pretty weird to pass the end of the story I know from the anime and still have half of the series left. I suppose that’s not all that unusual—Fruits Basket and Kare Kano are in the same boat—but the Boys Over Flowers anime was twice the length the others were, and still didn’t cover everything. I must say, I much prefer how things ended with the Shigeru situation in the manga; the end of the anime was pretty silly as well as rushed and unsatisfying.

The plot continues to be entertaining, though sometimes stretches the limits of plausibility just a little too much. I’m not sure how I feel about Tsukushi working as a maid in the Doumyouji mansion. On the one hand, I’ve heard that these next ten volumes or so are someone’s very favorite, and on the other, it just screams “shoujo trope” to me. Tsukasa is also being dense about what she’s doing there, and that annoys me, too.

I really liked Rui and Tsubaki in this volume. There’s a great scene where Rui and Tsukushi are heading home after spending the night at Shigeru’s villa. She’s lost in thought, so he has fun poking her face and fixing her hair in silly pigtails and stuff. I guess Tsubaki didn’t really do anything particularly awesome, but she did tell the story of her lost love that was hinted at in a recent volume, which I appreciated.

It’s strange not knowing what’s coming; I hope I like it.

Boys Over Flowers 17 by Yoko Kamio: A-

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From the back cover:
Tsukushi and Tsukasa get some quiet time together after they escape the mess of his birthday party, but this quiet can’t last for long. Tsukasa’s feelings for Tsukushi have at long last been made clear, but Tsukushi is more confused than ever about her feelings for him. Meanwhile, Tsukasa’s domineering mother, Kaede, is brewing up plans to keep them apart forever, and she might have found just the thing to do it when she introduces him to his new fiancée!

Review:
Lots of interesting things happened in this volume. Essentially, Tsukushi encouraged Tsukasa to go for it with Shigeru—who was offering on a silver platter everything Tsukushi had denied him, saying, “I can fall in love with you if you want”—and he was so peeved at her he actually did it.

I loved seeing Tsukushi’s hurt reactions to witnessing them together, and was significantly weirded out (in a good way) by the scene where he kissed the other girl. In other romantic rival plots I’ve read, the male lead never seems to actually go that far though, to be fair, he only did it once Shigeru bullied him into it.

The best thing about the relationship, though, was that it provided Tsukasa some room for growth. Although he could’ve easily taken advantage of Shigeru, he didn’t. That’s not really anything new for him, true, but it showed him in a good light nonetheless. The truly significant outcome was when he told her she just wasn’t the one, he was actually able to apologize (something he has had issues with in the past) and seemed to have true sympathy for her pain. Progress!

I also really loved the scenes between Tsukushi and Rui in this volume. Although some latent attraction might still exist, they acted more like friends, with Rui coming to her aid and helping her to relax and laugh amid tense situations. She said, “I no longer feel tortured and frustrated anymore, when I’m with him. Even if my feelings for him can no longer be called love… I think I’ll always like Rui Hanazawa.” Aww.

Quick check-in

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Heading out shortly to the train station for travel to NYAF! I’ll be staying with a dear friend in Brooklyn, and have plans to inundate her and her daughter with anime while I am there, specifically Princess Tutu, Mushishi, and/or Kino’s Journey. I’m also trying to work on getting her daughter interested in manga (she doesn’t read a lot, but I thought maybe comics would help her enjoy it more). I guess we’ll see how it goes. I’m not exactly sure what to try to start her off with. She’s ten, but has spent a lot of her life hanging out with adults, so she’s definitely not typical ten. She’s the kind of girl who would (and did) dress up for Halloween as “Dorth Vader,” a cross between Dorothy (from The Wizard of Oz) and Darth Vader. If you have suggestions, bring ’em on!

I’ll be at the con all three days, from opening to whenever I get too tired, so if you see me wandering around, please say hello! Just got my hair cut. Look approximately like this.

Just a quick note on xxxHolic chapter 166 before I go. …

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Writerly angst and fangirl squee

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I have a jumble of things on my mind today (what else is new?) and I’m going to attempt to organize it all somehow. Let’s see how I do.

First of all, Johanna Draper Carlson wrote this great article, How to Break Into Writing Comics which is pretty near and dear to my heart these days. I’m not exactly sure where I fit in to those options, and I’m thinking I need to figure that out. I mean, I know what I think I’m doing, but I’m not sure if I’m going about it in a useful way. Maybe, too, my gray areas are partly due to the OEL manga industry being (seemingly) a little different than the comics industry as a whole, in that from what I can surmise (and this is the “truth” I’m currently operating on), there is really no way in at all without doing the work of finding your own artist. So I’m doing that, while still holding out hopes that I might be able to get a publisher interested sometime after that point. It seems that this is how it needs to be done. I guess I’ll find out. In any case, I’m grateful to have read the article.

Switching now to fangirl mode, we finished watching Princess Tutu on Friday night, and it affected me so strongly, I haven’t really been able to talk about it yet. I love that. I’ll try to talk a little bit now, but it may take another week or so before I can be, you know, articulate.

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Wanted by Matsuri Hino: C+

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In the late seventeenth century, orphaned Armeria sings with a traveling musical troupe. Luce, the nephew of the wealthy governor at whose estate she is performing, is the first aristocrat to treat her kindly, and when he is subsequently captured by pirates, the young girl resolves to find and rescue him. Eight years later, Armeria has finally found the ship of the pirate responsible and, disguising herself as a boy, ventures aboard to find out what has become of her first love.

If you’re reminded of the plot of The Princess Bride, then you should be, because there are some similarities. Wanted is a far less coherent and satisfying story, however. It’s more like a series of vignettes—the one with the navy, the one with the map to a rare musical score—than anything else, and cuts off with disappointing abruptness.

It definitely has some good points: secrets that would normally be used to prolong angst are revealed early on, there are some genuinely fun moments, and the deckhands are pretty entertaining. On the negative side, Skulls is fond of nearly ravishing Armeria and tells her she’s useless far too often for my liking. The fact that she often proves him right by constantly requiring rescue just makes things worse.

As a final note, the bonus story at the end should be avoided at all costs; it manages to be confusing and dull simultaneously, which is not a winning combination.

Review copy provided by the publisher. Review originally published at Manga Recon.

William Flanagan, Banana Fish, & NYAF: Could a post be more disjointed?

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Another scattered, incoherent post coming up here. I suppose it reflects my state of mind this week.

Random: Good news for CLAMP fans, I read here earlier that William Flanagan, who translates xxxHolic and Tsubasa: Reservoir Chronicle for Del Rey is in negotiations to translate Mangettes for Dark Horse. You know what a big fan of his xxxHolic translations I am (he also translates Mushishi, which I love as well), so I was pleased to hear he may be working on more CLAMP!

In unrelated news, I just want to point gleefully at another Banana Fish convert! :D

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Melting Stones by Tamora Pierce: C

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From the back cover:
Evvy, the fierce young stone mage introduced in Street Magic, has accompanied her guardian, Rosethorn, on a mission to study a mysterious plant die-off. With the help of Luvo, who is the living heart of a mountain, Evvy discovers the real source of the threat, which is far greater than anyone had imagined.

Preventing a natural disaster may cost Evvy her life. Even more frightening, doing so may require her to melt her own heart of stone… and to open herself to human contact.

Written by Tamora Pierce specifically for the voices of Full Cast Audio, Melting Stones is an unprecedented publishing event: the first time a major novel from a best-selling author has made its debut on audio a full year ahead of the print version!

Review:
I’ve enjoyed all of the other books in the Circle of Magic series, but Melting Stones nearly bored me to tears. Here are the main problems I had with it:

1. Evvy herself. She was whiny and cranky, and prone to doing risky things. When Luvo cautioned her against a rash action, she said, “If you’re going to natter and scold, don’t come with me!” As a result, she got into a dangerous situation and all I could think was, “He tried to warn you, dumbass.” Additionally, this attitude meant she had to learn (and I had to endure) a Very Important Lesson.

2. Profound monotony. 90% of the book was Evvy either rhapsodizing about, talking to, or casting her magical self underground to travel within rocks.

3. It was more juvenile than the others in the series. The “real source of the threat” that Evvy discovered turned out to be two volcano spirits, characterized like petulant kids. Evvy’s narrator also contributed to the childish feel. The character’s supposed to be fourteen, but sounded about twelve. Not only that, she sounded like a twelve-year-old putting on her best story-time voice for a group of five-year-olds. If you can successfully imagine someone going on—at length and in detail—about rocks in such a voice, you’ve begun to understand my pain.

I might have enjoyed this somewhat more in a print edition, since I would’ve interpreted Evvy’s thoughts more maturely than the narrator did, but honestly, I don’t think it would’ve made much difference.

Miscellaneous jumble

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I don’t ever seem to have time enough for anything lately, so just a few brief items today.

I’m having a lot of frustration while trying to write these days, and I expect it’s a bit of anxiety over the self-imposed deadline I have coming up which I don’t think I’m going to make. For the most part, I’ve made peace with the fact that I’m not always going to make the deadlines I set for myself, and that it is still good to set them, because I’ll still get further along than if I did not, but I think in this case I may have paralyzed myself a little bit with the urgency of it, and how much important I’ve placed on it. I guess we’ll see.

In any case, time to move on to my topics of the day, Bleach, Bakuman, and Princess Tutu!

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Kare Kano 10 by Masami Tsuda: B-

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From the back cover:
When Maho confesses her true feelings for Takashi, he admits that he’s not the man she thinks he is. With the arrival of winter comes an end-of-semester school trip to Kyoto, where a little love and tenderness just might fill everyone with good memories, glad tidings, and the sweetest of dreams.

Review:
This volume was comprised of three sections that stand alone from the main plotline.

Maho’s Love Story-
The first two chapters were a flashback to when Maho, then a 9th grader, fell in love with a 27-year-old dentist and eventually persuaded him to begin (chastely) dating her. I liked Takashi and his initial reluctance, and at least their relationship isn’t intimate, but it’s freaky to envision them even smooching.

The School Trip-
Yawn. There was more unfunny comedy in this one, featuring a lot of the gang acting obnoxious in public. About the only thing of significance that happened was Yukino and Arima finally deciding to call each other by their first names. They also indulged in a blush fit when their hands accidentally touched, which is so odd for a couple who has had sex. Apparently there has been no follow-up whatsoever.

Act Zero-
I’m a little confused by this, because I don’t know whether it’s supposed to be what actually happened or what Yukino imagines happened. Anyway, this is another flashback, this time to when Yukino and her eventual friends took the entrance exams for their high school. And this brings up a point…

Yukino’s sister Kano laments that she’ll probably never go to the same school as her sister again because she’s not smart enough to get into Hokuei. So how on earth did Tsubasa get in?! This is a girl who leaps out of upstairs windows and eats pine cones! I don’t get it.

These stories were okay, but they weren’t great. They’ve also inspired me to take a bit of a break from this series.

Cool thing, FYI

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If you were thinking of going to NYAF, there is a contest:

Want to get into the 2008 New York Anime Festival for free without having to sneak in or bribe someone? Fancy yourself an artist like Yoshitaka Amano? Then this contest is for you! To enter the contest, submit one (1) anime-style portrait or rendering of yourself and one (1) unaltered photograph for comparison to said portrait to info@suvudu.com between 12:01 AM EDT September 10, 2008 and midnight on September 18, 2008.

There will be four (4) First Prize Winners. Each First Prize Winner will receive two (2) weekend passes to the New York Anime Festival and three Random House manga books. Judging the submissions will be Ali Kokeman and Tricia Narwani from Del Rey Manga!

Just passing it on! Thanks to Brigid Alverson for the info! I will be at NYAF (most likely fighting Ed Sizemore for xxxHolic merch :D) so perhaps we’ll run into each other!

Homecoming, Nana volumes 1-3

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I’ve returned home from a very productive trip to North Carolina. The auditions were exhausting, but i’ve got a day to recover at home before returning to work, which is nice. I downloaded the new iTunes last night, and now I’m listening to a “genius”-made playlist, which is surprisingly pretty good!

I never did find a local shop for manga in Charlotte, but as it turns out, there really wasn’t much time for anything like that, anyway. I did take a restaurant recommendation from a reader on the LiveJournal-mirror, who sent us to Macado’s in Concord for the macaroni and cheese, and I have to say it was delicious!

So, as I mentioned, I picked up the first three volumes of Nana for the trip. I’d like to talk a bit more about them now.

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Kare Kano 9 by Masami Tsuda: B

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From the back cover:
The culture festival begins with a bang—Kazuma’s band Yin & Yang rocks the house, and the curtain finally opens on Aya’s play! But not everybody’s mind is on songs and spotlights. Poor Tonami hopelessly pines away over the elusive Tsubaki, who is the kind of woman who loves to be free—even if it means being alone.

Review:
I’m so glad we got to see the entirety of the play! It takes up most of the volume, but winds up having several themes that resonate with Arima and his current crisis, like a lead who’s trying to cover up his imperfections and tells another character, “If you knew the real me, I’m sure even you would hate me.”

The experience of accomplishing something with her friends energizes Yukino and she resolves to start trying other various things and states that she’s no longer going to obsess about being first in the class. Arima sees this as her leaving behind for good the little world that only they two shared. As her voiceover recalls that she truly regrets not hearing his call for help, creepy Arima reappears for the final panel.

Unfortunately, Tsuda-sensei now says that before we get to the meat of the “Arima arc,” we’re going to be treated to some stories featuring the other characters first. Whee.